
Matt Walsh reviews the show "Severance." - - - Today’s Sponsor: ExpressVPN - Go to https://expressvpn.com/walshYT and find out how you can get 4 months of ExpressVPN free!
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Michael Walsh
You know, despite what you may think, we do actually listen to audience feedback around here. And one thing many of you have been saying is that you'd like to see me do more film and television reviews. And specifically, you'd like to know not just what I hate, but what I like. Even though it's kind of more fun to talk about what you hate. But the plan for today is to talk about something that I like. This will be a short video to recommend what is, in my view, the best show on TV right now. In fact, it's not much of a contest. I don't think any other show currently on air even really comes close. And that show is called Severance. And if you haven't seen the show, I'll make sure not to spoil anything. You definitely want to go into this show knowing as little as possible about it. I'll just give you the basics of the plot. So Severance, produced and largely directed by Ben Stiller. There are other directors as well. Is a show following a small group of employees at a company called Lumen. In this fictional world, some sort of technology has been developed that allows a person's consciousness to essentially be cut in half, to be severed. So when they're at work working on some very vague and mysterious project down in the basement of Lumen, they don't remember anything about their lives outside of work. And when they're not at work, they don't remember anything about their lives at work. So the work version of themselves essentially never leaves work. The non working version essentially never goes to work. And that's kind of the setup. I'm not going to say anything else about the plot. There are three things that I like about this show. Three things I think it does really well, that many other shows don't do well or don't do at all. So number one, this is a big one. It's an original story. In a world of franchise films and sequels and remakes, it is possible to still tell original stories. Severance is obviously inspired by things that came before it. It's clear that the guy who wrote this show was a big fan of Office Space, for example. Severance has a similar view of workplace culture, the kind of mindless, busy work that defines many office jobs. The humor kind of comes from a similar place in many cases. I'd say it's just as funny as Office Space. Much, much darker, more thrilling, but still very funny as well. And this is how it should work. Storytellers should be inspired by other storytellers to come up with new Stories that are influenced by, but not directly plagiarizing what came before. You don't need to attempt a TV remake of Office Space. Just take whatever you love about it and inject it into a brand new story. What a concept. And that's what Severance does. It's the same thing I say about all these directors now who say, well, I grew up watching Star Wars. I love Star wars. And so of course, I'm so excited to be making a Star wars movie or a Star wars show in the Star wars universe. No, if you're an actual talented filmmaker and you grew up watching Star wars, rather than just making another Star wars thing, tell your own story that has Star wars influences, but it's not Star Wars. How about that? I'm kind of at the point now where I will try to watch at least almost any original show or film simply because it is original. Even if they aren't good, I at least want to reward them for trying something new. And fortunately, Severance actually is very good. 2. Severance deals with interesting ideas, which is another thing that I wish more shows and films did. When most people talk about the show and the ideas that it grapples with, what they usually will talk about is the commentary on the modern workplace. But that, to me, is the less interesting theme that's kind of window dressing for the far more fascinating exploration of human consciousness. That's what makes the show interesting to me. Severance asks a pretty deep question. It's one of the deepest, really, which is, what makes you an individual person? What makes you a self? We know what makes you a person biologically, but what makes you an individual? What makes you a self? Is your memory the only thing sort of holding you together and making you one individual? The show argues, I think, pretty convincingly, that if you take one person and you put them in two different settings and you make it so that they don't remember anything about themselves in the other setting, you'll end up with two distinct personalities and value systems and beliefs. And in effect, then you end up with two selves in one person. And if memory is the one thing holding this kind of precarious Jenga tower that I call a self together, what happens if my memory is wrong? Like, memory is notoriously unreliable. Nobody's memory is perfect, which means that every person's self is based at least partly on a fiction. You are not really the sum total of your experiences, but rather you are the sum total of how you remember your experiences. And that seems to be what the show is driving at. And maybe they're right about it, maybe they're wrong. But it's an interesting thing to think about. And any show that actually gives you interesting things to think about is a win in my book. Let me ask you a question. Do you trust your Internet service provider? There's good reason not to. Depending on where you live, ISPs may be required to keep logs of your online activity, just in case the government wants to take a peek. In the US it's even worse. ISPs can legally sell your browsing history to whoever they want. So what can you do about it? The solution is to get a VPN, and the one I use is ExpressVPN. It's an app that reroutes my online traffic through encrypted servers so my ISP can't access it. And neither can data brokers or other third parties. If you're going to use a vpn, you really have to have confidence in it. After all, you're transferring trust from your ISP to your VPN provider. So why do I trust ExpressVPN? Well, any reliable VPN receives data requests from law enforcement and government entities. ExpressVPN received over 300 of these requests in the past year alone, and none of them resulted in any customer data being exposed. 0. Go read their transparency report on their website if you don't believe me. It's all right there. ExpressVPN doesn't keep any customer activity logs thanks to specially engineered server architecture that runs on volatile memory. Nothing is ever saved to disk. It's private by design. I personally use ExpressVPN when I'm doing research while traveling and have to connect to unprotected Internet in places like hotels and airports. ExpressVPN works on all of your devices, phones, laptops, tablets, and it's easy to use. Tap one button and you're connected. Find out how you can get four months free by scanning the QR code on screen, clicking the link in the description box below, or by going to expressvpn.com walshyt and 3. Finally, severance is great for a reason. That's gonna seem very, very simple. And it is. But it is also rare. And that is that in this show, stuff actually happens. And this is maybe the most radical thing about it. The plot moves forward every episode. Things happen. There are stakes. There are consequences. Each moment in the show leads to another moment. Now there's a famous video that's worth watching if you haven't seen it, of Matt Parker and Trey Stone, who are The south park guys explaining that in a bad, poorly told story, each scene is linked together by the words. And then you would say, well, this happens and then this happens. And then this happens, and then this happens and then this happens. The end. But in a good, well told story, in a good movie or a good show, each scene is linked together by the words therefore or but this happens, therefore this happens. But then this happens, therefore this happens. And that's just another way of saying that a film or show should be propulsive. You know, one thing should lead to another. The train should be hurtling every moment towards a destination. But many shows and films these days are. And then stories, they just kind of meander. There are no stakes, there are no real consequences. There's nothing in the story that really matters. And it works this way for a reason. It works this way because the studios want to milk each franchise for all it's worth. Well, first of all, each thing has to be a franchise and then you have to milk it. Which means that nothing can ever actually happen. I mean, Disney notoriously is so desperate to make sure that nothing happens in their films that they've even invented the multiverse so that if a character dies, he can be replaced by an infinite number of replacement versions of himself. Which means of course, that it doesn't matter if a character dies, he really can't die. So nothing happens, nothing matters. The story just kind of floats along like debris. Severance, so far anyway, has not fallen prey to that. Each scene is a but or therefore. And there are physical and emotional consequences to everything that happens. Now the show isn't perfect. There are moments here and there that don't work. It follows some threads every once in a while that I don't find especially interesting. As for the wokeness factor, you know, it's always a question. I would say that I'm not gonna call this an anti woke show. It's certainly not that. I do think it's a mostly un woke show. There is a gay character in the show, but to this point they haven't leaned into that too much. He's there, but they don't beat you over the head with him. That might change, I mean, you never know. But this is Hollywood after all. The biggest problem with Severance is that it's a show revolving around a central mystery, which is a lot of fun. I mean, these kinds of shows are always fun. I can imagine, as the writer, it's a lot of fun cause it allows you to have a bunch of weird stuff happen. And that certainly happens in this show. There's a lot of weird things always happening, and you're always being surprised, which is great. Again, fun to watch, but the implication is that this weird. Like, we don't know why this weird stuff is happening, but there is a reason, and so it'll all be tied together in the end, and we're going to understand it. So you're kind of like writing this check that you have to cash later, and if the check bounces, if the answer isn't satisfying at the end of this whole thing, it ruins the whole show. I mean, there are shows that have bad endings where it doesn't ruin the whole show. You could still enjoy the show. But if the whole show is built around a central mystery, and then the answer to the mystery is unsatisfying, then it just breaks down everything. There's no reason to watch it anymore. So whether severance ultimately sticks the landing remains to be seen. So far, so good, and I highly recommend it. And that's it. I promise that next time I review something, it will be a thing I hate, because all of this positivity is honestly making me a little nauseous.
Podcast: The Matt Walsh Show
Host: Matt Walsh
Episode Title: The Best Show On TV? Matt Walsh Reviews "Severance"
Release Date: March 1, 2025
In this episode of The Matt Walsh Show, Matt Walsh addresses audience feedback requesting more film and television reviews. Responding to this demand, Walsh shifts his focus to discuss a show he genuinely appreciates, setting aside his usual critiques of what he dislikes. He introduces "Severance", produced and largely directed by Ben Stiller, as his top recommendation for the best show currently airing on television.
Matt Walsh provides a concise summary of Severance, ensuring not to spoil any plot details for potential viewers:
"[...] Severance is a show following a small group of employees at a company called Lumen. In this fictional world, some sort of technology has been developed that allows a person's consciousness to essentially be cut in half, to be severed."
— Matt Walsh, [00:00]
In Severance, employees undergo a procedure that splits their consciousness between work and personal life. When at work, they are oblivious to their personal lives, and vice versa. This setup creates two distinct personas within each individual, raising profound questions about identity and memory.
Walsh outlines three primary reasons why Severance excels:
Walsh praises Severance for its originality in an era dominated by franchises, sequels, and remakes:
"It's an original story. In a world of franchise films and sequels and remakes, it is possible to still tell original stories."
— Matt Walsh, [00:02:15]
He draws parallels to classics like Office Space, noting that while Severance is inspired by such works, it maintains its uniqueness. The show deftly combines humor with darker, more thrilling elements, showcasing the potential for fresh storytelling without relying on existing franchises.
Beyond its intriguing premise, Severance delves into profound themes surrounding human consciousness and individuality:
"Severance asks a pretty deep question. It's one of the deepest, really, which is, what makes you an individual person? What makes you a self?"
— Matt Walsh, [00:10:40]
The show examines whether memory is the cornerstone of one's identity, suggesting that fragmented memories can lead to the existence of multiple selves within a single person. This exploration prompts viewers to contemplate the reliability of their own memories and the essence of selfhood.
Walsh commends Severance for its dynamic and propulsive storytelling, where each episode builds upon the last with tangible stakes and consequences:
"Stuff actually happens. And it is also rare. And that is that in this show, stuff actually happens."
— Matt Walsh, [00:20:55]
He contrasts this with many contemporary shows that often lack meaningful progression, attributing such stagnation to studios' reliance on established franchises. Severance, however, maintains momentum with each scene logically leading to the next, ensuring that the narrative remains engaging and purposeful.
While largely praising Severance, Walsh acknowledges certain limitations:
Central Mystery Dependency: The show's progression relies heavily on unraveling a central mystery. Walsh notes the potential risk if the resolution fails to satisfy viewers:
"If the answer isn't satisfying at the end of this whole thing, it ruins the whole show."
— Matt Walsh, [00:25:30]
Wokeness Factor: He briefly touches upon the show's approach to diversity, mentioning the presence of a gay character handled subtly without overt emphasis. Walsh refrains from labeling the show as anti-woke but observes its generally "unwoke" stance up to this point.
Despite minor flaws, Matt Walsh remains highly impressed with Severance, citing its originality, thematic depth, and effective storytelling as standout qualities. He recommends the show enthusiastically, albeit with a cautious note regarding the importance of a satisfying conclusion to its central mystery:
"Severance, so far anyway, has not fallen prey to that. ... I highly recommend it."
— Matt Walsh, [00:28:45]
Walsh humorously concludes the episode by promising to return to his usual critical reviews, suggesting that his current positive disposition toward Severance was a pleasant deviation.
Original Storytelling:
"It's an original story. In a world of franchise films and sequels and remakes, it is possible to still tell original stories."
— Matt Walsh, [00:02:15]
Exploration of Identity:
"Severance asks a pretty deep question. It's one of the deepest, really, which is, what makes you an individual person? What makes you a self?"
— Matt Walsh, [00:10:40]
Progressive Plot Development:
"Stuff actually happens. And it is also rare. And that is that in this show, stuff actually happens."
— Matt Walsh, [00:20:55]
Central Mystery Dependency:
"If the answer isn't satisfying at the end of this whole thing, it ruins the whole show."
— Matt Walsh, [00:25:30]
Final Recommendation:
"Severance, so far anyway, has not fallen prey to that. ... I highly recommend it."
— Matt Walsh, [00:28:45]
This summary encapsulates Matt Walsh's comprehensive review of "Severance," highlighting his appreciation for the show's originality, thematic depth, and narrative momentum, while also acknowledging potential areas of concern.