Transcript
Nate DeMaio (0:06)
Hey, folks, it is Nate. Before we get started, I want to ask you to consider two things. I'm talking to you today at kind.
Unknown (0:14)
Of a pivotal moment in the history.
Nate DeMaio (0:16)
Of this history project that you know as the Memory Palace.
Unknown (0:20)
Here's the first one.
Nate DeMaio (0:21)
On November 19th, I have a book coming out, and I am delighted about that. For years, I have wanted to collect the sorts of stories that I do in this podcast in a book, like something that you can hold in your hands, give as a gift, and something that could live on your shelf. As a kid, I grew up loving these old paperback collections of Ripley's Believe it or not, also things like where the Sidewalk Ends, the poetry book by Shel Silverstein. It's collections of short pieces that you could turn to again and again. You could find new things every time you took it off the shelf and maybe find that they connect differently this.
Unknown (0:57)
Time now that you're that little bit.
Nate DeMaio (0:59)
Older or a little bit changed since last time you read it. And I want to make one of those books, you know, but for adults that might have a little bit of that same magic. And I'm excited now to see that if that magic trick works. And so I am here today, days before its release on November 19, to encourage you to order the book, to help it jump out of the gate with some momentum so other readers might find it, especially people who don't listen to the show like you do. So that is thing one and thing two is deeply related.
Unknown (1:33)
This show, book or no book, successful.
Nate DeMaio (1:36)
Book or flop, will go on. And it will go on, thanks to listeners like you. Each year, we at Radio Utopia ask you directly to support the work that we do. We are one of the rarest, and I am more convinced all the time in this time of increased media consolidation and corporate nonsense and private equity raiders, that independent media is vital. I look around my industry and I see layoffs and cost cutting at big podcast companies. I see terrific shows getting worse because some corporate suit says they need to come out more often the episodes and more often that the people can make them or at least make them well. Or these shows are just shutting down because some investor needs someone to cut some bottom line to meet second quarter estimates. And that doesn't happen at Radiotopia. At Rodeotopia, what shows sound like, how often they come out, is up to people like me. The people make them. And whether those shows survive and thrive, it's up to you, honestly. Listener support provides the foundation of each of these shows, including mine. It allows me to keep the lights on at the Memory palace even in times like these when ad revenue is vanishing. It has allowed me in this last stretch, which has been fairly rough honestly, to wait out the storm. It is thanks literally to listeners like you. So if you would like to join.
