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Tires matter. They're the only part of your vehicle that touches the road. Tread confidently with new tires from tire Rack. Whether you're looking for expert recommendations or know exactly what you want, Tire Rack makes it easy, fast. Free shipping, free road hazard protection, convenient installation options, and the best selection of Falken tires. Go to tirerack.com to see their Falken test results, tire ratings and reviews, and be sure to check out all the special offers. Tirerack.com, the way Tire buying should be. Today's song is called remember who you are. It's by Tom McDonald. We haven't done a Tom McDonald's song in a minute, huh? It's got 1.6 million views in three days. All right, take it away.
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Remember who you are white boy Start a fire with some gas and a match Hanging out the window of a truck with a flag Pissing off the world is trying to tell you it's bad to be like you Just remember who you are white boy Raising hell just like your old man Little slice of heaven somewhere out on a ranch Pissing off the world is trying to tell you it's bad to be like you this is for my guys outside with a little bit of red on their necks Standing for the anthem with their hand on their chest Rattlesnakes on some yellow flags hanging from they window panes Buddy you should watch where you step step, step, step get to stepping y' all get, get, get gone get gone we just wanna work go to church have a good time till we in the dirt Remember who you are white boy Start a fire with some gas and a match Hanging out the window of a truck with a flag Pissing off the world that's trying to tell you it's bad to be like you Just remember who you are white boy racing hell just like your old man Little slice of heaven Somewhere out on a ranching off the world Is trying to tell you it's bad to be like you this is for the guys who gon fight to be free till the cops come who never let the flag that they wave touch the ground Metal sign on a fence post no trespassing allowed and this is for the ones who don't run Reading bibles, loading guns they know what they gotta do and they know how to get it done all the ones who learning lessons till the day they get to heavy if you ain't one of us then get to steppin steppin step, step, step get to steppin y' all get, get get gone get gone We Just wanna work, go to church, have a good time till we in the dirt Remember who you are, white boy Start a fire with some gas and a match hanging out the window of a truck with a flag pissing off the world is trying to tell you it's bad to be like you Just remember who you are, white boy racing hell just like your old man Little slice of heaven somewhere out on a ranch missing out the world is trying to tell you it's bad to be like you Remember who you were, white boy before they tried erase in your past Told you it's bad Remember who you were, white boy before they put your kids in a mask to sit in a class Remember who you were, white boy or the only lives that mattered were black you got attacked Remember who you were, white boy I'm telling you you gotta go back be more like that. Remember who you are, white boy Start a fire with some gas in a match hanging out the window of a truck with a flag Isn't out the world that's trying to tell you it's to be like you Just remember who you are, white boy raising hell just like your old man Little slice of heaven somewhere out on a ranch.
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He released it on Juneteenth. You know what's so charming about this song is he says, you know, remember who you are, white boy raising hell just like your old man. But then what are the examples that he gives? They're actually pretty wholesome. You know, there's this metaphor of you're pouring out gasoline and lighting a fire. That's like Billy Joel, we didn't start the fire. You know, it's not a destructive fire. It's a vibrant fire. You know, it's this kind of fire of life.
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Yeah, look what I have created, I have made fire.
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But then one of the discrete examples he gives is you don't let the flag touch the ground. And you realize, you know, raising hell like your old man. One of the kind of funny things about, like, white boy culture is it's relatively innocent. It's actually pretty innocuous. White boy culture is not known for being particularly destructive at all. It's really quite the opposite. And it's very provocative to say that there is a white boy culture. Because what we had been told basically for my entire life of my education is that there is no white culture. But then the very people who are making that argument say, there is no white boy culture. They would come out and contradict themselves and say, we need to abolish white boy culture. We need to Abolish whiteness. What does it mean to abolish whiteness? Assuming they're not talking about actual genocide, which maybe they are, it means you have to abolish a culture. And it's not even whiteness generally. It's specifically white men. It's white boys. So, okay, now we acknowledge there is a white boy culture. And the left, I think if you pinned them on that contradiction, they would say, yeah, okay, well, yes, there is a white boy culture, and it's very bad and it's racist and misogynistic and violent and oppressive and blah, blah, blah, blah, blah. You say, okay, all right. There are all these terrible aspects of the white boy culture. Is there anything good about it? Quick question. Let's just say for argument's sake, the white culture, White boy culture is really, really bad in all these different ways. Is there anything, is there even one single thing that's good about white boy culture? And the left would blanch, pun intended, the left would not have an answer to that because they can't allow themselves to say, yes, that there is like, I don't know, listening to rock music, making sure the American flag doesn't touch the ground. Whatever, you know, whatever white boy stuff is, playing Fender Stratocasters and shotgunning beers, whatever, you know, whatever white boy culture is, they can't. They can't acknowledge that any of it's good. And if you really get down into demographic breakdowns of good things like volunteering, like, I don't know, giving to charity, diligence, whatever, you know, they can't acknowledge that. You remember the Smithsonian put out that guy to whiteness, what whiteness is. And the Smithsonian unwittingly, ironically made it really, really racist against black people because they said, you know, things like showing up on time and going to work, like, those are aspects of white culture that we cannot expect of other people. He's like, wait, what? Being, like, smart and diligent is just white culture? That was. The Smithsonian said that. And so there's this very confused conversation around what it is that constitutes white culture or specifically even white boy culture. There is no culture, but there is a culture, and it's bad, and you have to get rid of it. But is there anything good about it? And you realize there's this preposterous double standard where when we're talking about any other kind of culture in the overlapping identities of intersectionality, if you talk about any other culture, you're only allowed to focus on the good things, and you have to ignore or deny all the bad things, except for white boy culture, where you have to ignore or deny all the good things and you can only focus on the bad things, real or imagined. That is the context in which Tom's Song is coming out, which is a healthy, I don't know, antidote to some of that. And it's the inevitable product of that fact of racial identity that every other race in America has a higher than 50% race. Racial identity. For black people, it's over 70%. For white people, it's 15%. That's just unsustainable. If racial politics is going to come to the fore, no surprise that it got a million and a half views in three days. Frankly, I'm surprised it hasn't gotten even more. I suspect it will. Okay, that's our show. I'm Michael Knowles. This is the Michael Knowles Show. See you tomorrow.
Episode: Michael REACTS To Tom MacDonald's "Remember Who You Are"
Date: July 4, 2026
Host: Michael Knowles
Topic: Political and cultural reaction to Tom MacDonald’s provocative new single addressing "white boy" identity and culture
In this episode, Michael Knowles reviews and analyzes Tom MacDonald’s new song "Remember Who You Are," focusing on its cultural and political significance. Knowles delves into the ongoing debates about the existence and value of "white boy culture," the contradictory attitudes of mainstream discourse, and how MacDonald’s provocative approach both courts controversy and defends an often-vilified identity. The host offers his characteristically wry take on these issues, connecting the song to broader trends in American cultural politics.
(00:42 – 03:37)
MacDonald's Message: The song serves as an anthem reminding "white boys" of their roots and traditions, despite a culture that "tries to tell you it’s bad to be like you."
Wholesome Examples:
Provocation: The song deliberately courts controversy by naming and celebrating a group (“white boys”) often subject to negative stereotyping or erasure in contemporary discourse.
“You know what’s so charming about this song is he says, ‘remember who you are, white boy, raising hell just like your old man.’ But then what are the examples that he gives? They’re actually pretty wholesome… it’s this kind of fire of life.”
— Michael Knowles (03:37)
(04:24 – 08:48)
Denial and Condemnation: Knowles highlights the contradictory mainstream rhetoric that both denies the existence of "white boy culture" and simultaneously seeks to abolish or vilify it.
Examining the Good: He posits that any discussion of “white boy culture” is only allowed to acknowledge faults, never virtues, in stark contrast to the way other cultures are discussed.
Smithsonian Incident:
“There is no culture, but there is a culture, and it’s bad, and you have to get rid of it. But is there anything good about it?... You realize there’s this preposterous double standard…”
— Michael Knowles (06:35)
Racial Identity Statistics:
(08:00 – 08:48)
Antidote to Negativity: Knowles frames MacDonald’s song as a "healthy antidote" to prevailing negative stereotyping of white males, giving voice to a group often told to be ashamed of itself.
Viral Popularity: He reflects on the song’s success (over 1.5 million views in three days) as evidence of an unmet cultural need amid ongoing racial and cultural debates.
“No surprise that it got a million and a half views in three days. Frankly, I’m surprised it hasn’t gotten even more. I suspect it will.”
— Michael Knowles (08:30)
Fire Metaphor:
“There’s this metaphor of you’re pouring out gasoline and lighting a fire. That’s like Billy Joel, ‘We Didn’t Start the Fire.’… It’s not a destructive fire. It’s a vibrant fire. It’s this kind of fire of life.”
— Michael Knowles (03:50)
On Double Standards:
“If you talk about any other culture, you’re only allowed to focus on the good things… except for white boy culture, where you have to ignore or deny all the good things and you can only focus on the bad things, real or imagined.”
— Michael Knowles (07:05)
Smithsonian "Whiteness" Guide Critique:
“Being smart and diligent is just white culture? That was… the Smithsonian said that.”
— Michael Knowles (06:15)
This episode provides a robust discussion on the politics of identity, the mainstream treatment of "white boy culture," and the social resonance of Tom MacDonald’s music as a response to contemporary tensions. Knowles’s reaction contextualizes the song both as a symptom and critique of cultural double standards.