
A three year old’s pink birthday wish makes a man consider the kind of father that he wants to be. Dixon Place presents James Braly performing his dark comedy, Asylum, in New York through May 22nd. Meredith Vieira Productions is developing his first mo...
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Dan Kennedy
Welcome to the Moth Podcast. I'm Dan Kennedy and the Moth features true stories told live without notes. All stories from the podcast are taken from our ongoing storytelling series in New York, Los Angeles and from our tour shows across the country. Visit themoth.org this podcast is brought to you by audible.com which is a provider of audiobooks with more than 60,000 downloadable titles across all types of literature, including fiction, non fiction and periodicals. For listeners of the Moth podcast, Audible is offering a free audiobook to give you a chance to try out their service. One audiobook to consider is New York Times bestseller Not Without Hope. Written by Nick Scott Schuyler and New York Times sportswriter Jerry Longman. Not Without Hope tells the story of four friends who embark on a fishing trip from which only Nick returns. Oprah Winfrey recently called it the most harrowing story of survival that's Not Without Hope. Available from Audible. To download a free audiobook of your choice, go to audible.comthemost that's audible.comthemost the story you're about to hear by James Brawley was recorded live at the Moth Grand Slam in 2002. The theme of the night was fish out of water, and this was the winning story.
James Brawley
So my father is a is a decorated bomber pilot, World War II, Korean War, shot down, parachuted to safety along with everybody else in his crew. And one time I asked him, dad, what was going on in the cockpit on the way Down. And he said, all the men were bellyaching and crying and screaming, captain Brawley, I don't want to die. I don't want to die. And I said, I can understand that, dad. What were you doing? And he said, solving the problem. Crying doesn't solve a goddamn thing. My dad's a man's man. Not a lot of room for weakness or frailty. Not a lot of understanding for differences. And one time I asked him to come see me in my high school band. I was going through my English glam rocker phase. I had Farah hair and a shiny red jacket cinched at the waist and open to the navel to frame my sunken English rocker chest. And at the end of the gig, he walked over and I said, dad, what'd you think? And he said, you don't have a shirt on, boy. So after 25 years of therapy and a week or two of inpatient crisis intervention, I decided I was going to be a very different kind of father. The kind of father who accepted the differences in his kids. And now I'm a dad. I have two boys, Owen, who's eight months old, and Oliver, who's three and a half, my firstborn. And Oliver's favorite color is pink. It's not my favorite color, but I'm okay with that because I'm a father who accepts differences in his son. And it started with the pink crayons and moved on to the pink open toed sandals, went on to my wife's pink nail polish, which I was OK with. And I actually started to think it was kind of cute. And I was even okay with the pink barrette, which Oliver kept in his pink purse when he wasn't wearing it. And then one day last summer, shortly before he turned three, he came to me and said, daddy, for my birthday, I want a pink bike. And even for me, this was a little too much pink. So I said, well, maybe thinking maybe not to give myself a little time to mull it over. And the more I thought about it, the more I realized that the real issue wasn't that pink is for girls or that Oliver shouldn't have a pink bike, but that he should have a red bike just like I'd had. And so I spent the next three months trying to make him come around to my point of view with a technique that I'd learned from my mother to make my thoughts seem like his. And so in the case of Oliver, that meant wandering around the park and noticing the shiny red objects and remarking what a wonderful color bike that would make, especially the fire engines, to which Oliver would respond. I want a fire engine and a pink bike. And after three months, I finally accepted that I had failed at converting Oliver and that, in fact, he was a different human being than I was, and that I was going to buy him a pink bike, which is not easy. You can get a Barbie 2000 in pink and you can get hello Kitty in pink and Little Miss Puddin and Jazz and the Charmer all in pink, but you can't get a pink bike without some looking. It took me 20 visits to virtually every bike shop in Manhattan between Canal and 125th street until I found what I was looking for. Two wheels, one color, no decals, in pink. And on the morning Oliver turned three, it was sitting in the playroom downstairs where we were going to be celebrating his birthday. And his friends came over and filled the room. It was decorated in pink. Pink streamers and purple streamers hanging from the chandelier. And a pink birthday cake with pink candles and Oliver's pink bike. And after a couple of his friends had arrived, parked right next to it, Jeremy's bike, the Mountain Cub, which was dark boy blue with paw prints all across it. And this was the moment of truth. I could accept Oliver's differences, but I didn't know whether the world could. And Jeremy parked his bike and looked at Oliver's pink bike and looked back at his and back at Oliver's. And then he looked to his mom and he started crying, mom, I want a pink bike just like Oliver has. And part of me had this malevolent glee, sticking it to the tough boy with a pink knife. But another part of me thought, you know what, Jeremy? So do I. Why does Oliver get a pink bike? We should get one, too. And at that point, I realized the gift that he had given me. It was his birthday, but he had shown me the beauty and the power really, of being yourself and letting other people be themselves. And it's not an easy lesson to learn. Currently, I'm mulling over Oliver's request for a pink dress, which, if I have the nerve to go to the contractor once again and ask him to change the paint color, will soon be hanging up in Oliver's new pink closet. Thank you.
Dan Kennedy
James Brawley is the first two time winner of the Moth Grand Slam. His new monologue, Asylum, is currently playing in New York City at Dickson Place. You can find out more about james@jamesbrawley.com this podcast is brought to you by Audible.com, the Internet's leading provider. Of audiobooks with more than 75,000 downloadable titles across all types of literature. For a free audiobook, including Not Without Hope by Nick Schuyler and Jerry longman, go to audible.com themoth hi, this is.
Jay Allison
Jay Allison up on Cape Cod. Right now we're producing our second batch of stories for the Moth Radio Hour. Our first season aired on over 200 public radio stations around the country, which makes it a big hit by public radio standards. So we're doing it again. To hear the Moth Radio Hour on the air, contact your local public radio station and find out when they'll be airing it. We hope you like it. Thanks.
Dan Kennedy
The Moth is a nonprofit organization, so consider supporting our free podcast by going to our podcast contribution page or by becoming a Moth member and you can do that@the moth.org and also moth stories are now available on itunes by running a search for the best of the Moth, which will also lead you to today's story.
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Our podcast host, Dan Kennedy is the author of the book Rock An Office Power Ballad. Learn more@rockonthebook.com thanks to all of you.
Dan Kennedy
For listening and we hope you have a story worthy week. Podcast audio production by Paul Ruest at the ARGO Studios in New York Podcast hosting by PRX Public Radio Exchange helping make public radio more public@prx.org.
Title: Oliver’s Pink Bicycle
Storyteller: James Brawley
Release Date: April 19, 2010
In this poignant episode of The Moth, storyteller James Brawley shares a deeply personal narrative titled Oliver’s Pink Bicycle. Recorded live at the Moth Grand Slam in 2002, James's story delves into the complexities of fatherhood, acceptance, and the journey toward embracing one's child's uniqueness.
James begins by painting a vivid picture of his father's stoic demeanor. His father, a decorated bomber pilot from World War II and the Korean War, epitomized resilience and problem-solving under pressure. Reflecting on his father's approach to crises, James recalls a moment when he asked about his father's experience during a harrowing parachute escape:
“All the men were bellyaching and crying and screaming, 'Captain Brawley, I don't want to die. I don't want to die.'”
[02:50]
This anecdote underscores the stark contrast between his father’s practical mindset and the emotional vulnerability James sought to express. The rigidity in his father's character left little room for emotional expression, leading to strained relationships and a lack of understanding of his own differences.
After years of grappling with his father's influence and undergoing therapy, James commits to becoming a different kind of father—one who embraces and accepts his children's individuality. He introduces his two sons, Owen, eight months old, and Oliver, three and a half years old. The turning point comes when Oliver expresses his desire for a pink bicycle, a request that challenges James's preconceived notions of color and gender norms.
James shares the internal conflict he faced:
“The real issue wasn't that pink is for girls or that Oliver shouldn't have a pink bike, but that he should have a red bike just like I'd had.”
[05:15]
Determined to instill his perspective, James attempts to subtly influence Oliver's preferences by highlighting red elements in their environment. Despite his efforts, Oliver remains steadfast in his desire for a pink bicycle, revealing the depth of his son's individuality.
Undeterred, James embarks on a meticulous search for the ideal pink bicycle, navigating through numerous bike shops across Manhattan. His determination highlights a father's commitment to honoring his child's wishes, even when it defies conventional expectations.
After 20 visits spanning from Canal to 125th Street, James successfully finds a bicycle that meets Oliver's specific criteria:
“Two wheels, one color, no decals, in pink.”
[07:00]
The acquisition of the bike symbolizes a significant shift in James's approach to parenting—moving from resistance to wholehearted acceptance.
The culmination of James's journey occurs on Oliver's third birthday. The playroom is adorned with pink decorations, and Oliver's classmates arrive, each with their own distinct bikes. Among them is Jeremy, whose dark blue bike contrasts sharply with Oliver's vibrant pink one. The pivotal moment unfolds as Jeremy expresses his desire for a pink bike after seeing Oliver's.
James reflects on this revelation:
“And at that point, I realized the gift that he had given me. It was his birthday, but he had shown me the beauty and the power really, of being yourself and letting other people be themselves.”
[08:30]
This epiphany underscores the profound impact of embracing individuality—not just for one's child but for fostering a more inclusive and accepting community. James acknowledges the challenges that lie ahead, including Oliver's potential request for a pink dress, but remains committed to supporting his son's self-expression.
Oliver’s Pink Bicycle is a heartfelt exploration of parental acceptance and the strength found in embracing one's true self. James Brawley's narrative eloquently conveys the transformative power of love and understanding in overcoming generational differences and societal expectations. Through his journey, listeners are reminded of the importance of supporting and celebrating the unique identities of those we cherish.
James Brawley: “All the men were bellyaching and crying and screaming, 'Captain Brawley, I don't want to die. I don't want to die.'”
[02:50]
James Brawley: “The real issue wasn't that pink is for girls or that Oliver shouldn't have a pink bike, but that he should have a red bike just like I'd had.”
[05:15]
James Brawley: “Two wheels, one color, no decals, in pink.”
[07:00]
James Brawley: “And at that point, I realized the gift that he had given me. It was his birthday, but he had shown me the beauty and the power really, of being yourself and letting other people be themselves.”
[08:30]
James Brawley's story resonates as a universal tale of growth, acceptance, and the enduring bonds between parent and child. Oliver’s Pink Bicycle serves as an inspiring reminder that embracing differences can lead to deeper connections and a more compassionate world.