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Jim
From PRX this is the Moth Radio Hour. I'm Jim. Hello, I'm Jennifer Hickson. In the immortal words of Chuck Berry, roll over Beethoven. In this hour we'll hear stories about music from both musicians and die hard fans. All kinds of music. Motown, folk and hip hop. And our first story which falls squarely into the category of pop. We first met David Montgomery at our Pittsburgh Story Slam where we partner with public radio station wesa. Eventually we developed this story with him and started taking him on the road. He's traveled quite a bit with us around the United States, but he was Especially thrilled when he got to tell the story in London, England, because in a way, that's where this whole thing started. Here's David Montgomery live in London.
David Montgomery
So I have a theory that there's a special place in heaven for those who grow up gay in a small backwoods town. I grew up extremely gay outside of Pittsburgh, Pennsylvania, if you've never been. It's pretty much the Manhattan of West Virginia, if that makes any sense. So things were not easy for me. When I was 12 years old, my huge family and I, my six brothers and sisters, and my mother and me, we all sat down to dinner and my sister said something about a Melissa Etheridge song because it was the 90s and that's what people talked about at dinner back then. And my mother turned to her and Smith and she said, I wouldn't listen to her music. She's a dyke. She's better off dead. Do not bring her music into this house. And my emotional growth is stunted by five seconds of dialogue from the one woman who's supposed to love me unconditionally. I'm a child at this point. And by the transitive property, my own mother had just said that I was better off dead. And it made me hate myself, which made it so easy for other people to hate me. I remember I would sit alone in my room at night and cry to myself, thinking, is this what my whole life is going to be like? Just sitting here, never connecting with anybody, while the world outside rages on and laughs and has fun? Without me, I was worthless to myself. When I was 14 years old, I had a deeply meaningful experience. Something so real, so raw, almost divine, that I knew it was going to shape who I was to become for the rest of my life. I saw the Spice Girls on mtv. I looked at the television, at first in disgust. These five British women not terribly older than me, running and screaming around this super fancy hotel. Who do they think they are? And my disgust turned into awe around the time Sporty Spice did that backflip off the buffet when I realized this is what I want to do, metaphorically. I wanted to have a voice. I wanted to be loud and brash and in your face and not care what people thought about me. I wanted to be spicy. Now, I promise you, outside of the Spice Girls, I have impeccable taste in music. I'm always about two drinks away from a Joni Mitchell tattoo at any given moment. And as a music person, I have this theory that if something gets you at your adolescence, no matter how poppy it is, it always holds this little special place in your heart. And if something traumatic happens to you during your fragile adolescence, then that tiny poppy thing becomes a huge obsession later on in life. An obsession sometimes so big that every now and then you have to take a step out of the real world and step into Spice World for a while instead. Flash forward to 2007. I am now an adult. I'm a grown man. I'm finished with school. I went to school for elementary education to be a schoolteacher. I moved to Philadelphia and I was doing something within my field. It was called curriculum development, which is just as much fun as it sounds. It's basically, you take a teaching job and you take all of the fun and amazing, wonderful, inspiring parts of it out of the job and then you replace it with paperwork and emails and meetings that should have been emails, but you keep the low pay. And I was feeling so squashed by the heavy weight of adult life. My boss hated me. I was making no money at all. And I was having a hard time meeting friends in this big new city that I'm living in. Suddenly I'm that teenager again. Alone in my room, never connecting, while the world outside rages on without me. But one glorious day, I am at my workstation and a colleague comes over to inform me. It was just announced via Global News Network that the Spice Girls are embarking on a worldwide reunion tour with only eight shows across the globe. And the question on everyone's lips, of course, was which of the three American shows was I most definitely going to be going to. Now, full disclosure, I've always jokingly referred to my savings account as my Spice Girls reunion tour fund. And it became a reality that day when, like a crazy person, I bought tickets to all three of the American shows. I went and I asked my boss, who hated me, for an unpaid week off. And she gave me a soft no. And I went back to my desk and I look at, I still got on my screen the Spice Girls reunion tour map and set. Suddenly it's got a lot more than eight blue dots all over it. And a split second later, it's got even more blue dots. This tour is expanding rapidly. It looks like one of those time lapse Ebola outbreak maps. If we do nothing, in five months time, the Spice Girls will have infected the entire United States. We will all become victims of Girl power. And I know that my boss told me no. But like some out of body experience, my hand, independent of my body, kept clicking Purchase ticket, purchase ticket, purchase ticket over and over again. I was Like a zombie. But instead of mindlessly, instinctively feasting on human flesh, I was mindlessly, instinctively buying tickets to no less than 22 Spice Girls concerts. 22. Thank you. I'm obviously not big on sports references. My nickname in high school was Faggot. But in a matter of minutes, I just became the equivalent of a Spice Girl season ticket holder. Now I gotta talk to my boss again. This is gonna go great. So I walked in and said, hey, remember that week that I wanted off? It sort of needs to be a little bit more like four to six months off instead. And she gave me a harder no this time around. And I went back to my desk, and I was feeling so deflated and so defeated. And I thought to myself, david Montgomery, you are not being very spicy right now. What would Ginger Spice do now? I'm sure you know. But for the uninitiated, she left the group at the height of their fame. And in a rush of inspiration, I walked out of my job that day, becoming the first adult in world history to leave their big boy job to follow the Spice Girls around. I mean, I really want to be a teacher, but I really, really, really want to zig a zig.
Cal Street
Ah.
David Montgomery
I was now broke as a joke, but God damn it, was I being spicy? I went on that tour across America, and I was everywhere, L.A. vegas, New York, Chicago. And just for the bragging rights, I had a little YouTube show documenting my experience in Spice World. And it was kind of a hit, making me pretty notorious in the Spice community, which is an actual thing. I had people at every show and every airport coming up and asking for pictures with me. I had people quoting me. I had a tagline at the end of every episode where I'd say, remember, if it's a Spice World, we're just living in it. And strangers are saying my dumb words to me on the street. I mean, it's always nice to meet a fan, but I had a bittersweet encounter with one on the road in New Jersey. This teenage boy came up to me, obviously gay, comes up to me after the show, and he tells me a very familiar story. He tells me how he had to see the concert by himself because he doesn't have any friends. And he told me how he couldn't even get a ride to the show from his mother because she believed that driving her son to a Spice Girls concert would make him gay. And that is how it happens for all you parents out there. He told me, I wish that I could be like you. I wish that I could just do something that made me so happy and not care what anybody thought about me and just live. And I didn't know what to say to him. I wanted to tell him that it gets better, but I don't know that it does. I mean, look at me. At that moment, I was still nobody and my money was dwindling away. At the end of this tour, I might very well be homeless, but I'm definitely going to go back to being plain old unspecial, next to nothing me. But the tour marched on. I was still recognized everywhere. Even the Spice Girls recognized me at this point. I mean, granted, I was one of very few adult men with a bleach blonde Posh Spice haircut in the front row every night, but I'll take it. And then there was a moment that has defined my life at this point. Victoria Beckham, Posh Spice, the laziest Spice Girl. My favorite Spice Girl. She was doing a signing the morning of their show in Chicago and she was promoting her designer women's fashion line. And you were only guaranteed to meet her at the event if you had a receipt for like $500 worth of merchandise from it. I didn't have that in my tour budget per se. I was mostly living off of like hotel coffee and airplane peanuts at that point. But I pressed my luck and I went to the event anyway. And I was extremely discouraged to find that hundreds, even thousands of people would eventually get to cut in front of me if they had the receipts for this stuff. And before I know it, the event's nearly over and I'm dead last in line despite being the first person there. And this guy comes up to me and goes, excuse me, did you already go through the line once and you're trying to meet her again? And I said, no, I've been here since 4am and I don't think I'm going to get to meet her because I don't have any money. And he goes, you're kidding me. Follow me. And we walk and we talk. And he takes me down some service hallways and some pop up quarters. And he explains that he is their tour photographer and he has recognized me from seeing me every single night. And he wants his photo op of Posh Spice with her number one fan. He pushes me in front of her and she squeals, oh my God, it's you. Not only was she not afraid of me, she was excited that I was there. Now at these events, she sits at a little table. She does not stand up for anyone or anything. If you want to Get a picture with her. You have to lean across the table and they take a Polaroid from the side. Real personal, like. She asked me how many shows I was seeing and did not believe me until I pulled out the evidence of the 22 ticket stubs. And when she saw it, she got up out of her seat, grabbed me by the hand, pulled me to the red carpet and said, you are fabulous. We've got to get some pictures. My presence has just moved the laziest Spice Girl to get up out of her seat and do something. What power do these hands hold in Spice World? So we go back to her little table, and I asked her to sign a CD very specifically. And I dictated the following words to Dear David, you're really thin. You should eat something. Love, Victoria Beckham. And the smug pop star who has made a career out of not laughing or smiling, cackled and covered her mouth so the press wouldn't get a picture of her looking happy. And at that moment, it still started to click. Maybe I'm not better off dead. Maybe I'm okay. Maybe special even. But all good things must come to an end. And In February of 2008, the Spice Girls called it quits again. My walkabout was over. Now what? The tour was definitively over and the reviews were in. I'm not doing bad at all. I waited a long time for that good feeling about myself to go away. And I'm so happy to report that it never did. Because I learned so much about the world in my little walkabout, I gained perspective. I repaired my relationship with my mom. I realized that back then, she was a young single mom with seven kids. Of course, she was frustrated and angry and acted out about things. She's since realized that I'm a human being with feelings and worth, no matter who I fall in love with. I learned that the world was never hating me. While I couldn't connect, the world was waiting for me to find my voice. And good luck getting me to shut up now. And there is one more little thing that I learned about the world that I think I probably knew all along. It's a Spice World. We're just living in it. Thank you so much.
Jennifer Hickson
Thank you.
Jim
That was David Montgomery live at a Moth show at Union Chapel in London, England, the country where it all began.
Cal Street
For the Spice Girls.
Jim
When we first met David, he was a teacher to some of the luckiest first graders in Pittsburgh, Pennsylvania. He's since moved to Los Angeles, where he is officially a writer, comedian, and actor. Check out his website@themost.org to catch up with what he's doing now and to see pictures of him on his Spice Girl walkabout, including the one of him with an uncharacteristically smiling Posh Spice. I recently got some answers from David via telephone. I asked him about the YouTube show he mentions, and if I'd be able to find it.
David Montgomery
You cannot find it, unfortunately. I had to take them all down whenever the tour ended because I needed to sort of regain some kind of professional footing and I needed to get back into teaching. And I applied for a job, actually, at the school that I student taught at, you know, a few years before that. And I called and talked to the administrator, and she said, we have a new principal who is a former nun. And now I was really worried. You know, I've got to put the gay away, and I've got to really hide everything because it might be a homophobic environment. I don't know. And, yeah, so I took everything down and I went in and I nailed this interview. When I sat down and talked to her, like, she said, man, your resume speaks for itself. And everybody's going on about what a great, inspiring teacher you are. I'm very excited. She said, there's an interesting thing here as well. I have to ask if you have any interest or ability. There's an opening in the music department. And I said, oh, no, I wish, but I can't even sing on key in the shower. And she goes, really? All that time with the Spice Girls and you can't even sing? She knew the whole time. She knew the whole time.
Jim
The main thing I wanted to know from David was if the Spice Girls announced a reunion tour tomorrow, would he do it all again?
David Montgomery
You know what? At this point in my life, I'm an older man. Everything is. Everything's good to go. I think I fixed that part of myself. I think I'm. I'll just watch from. From afar. If they come to la, I'll obviously go and see them. But outside of that, I think that chapter has closed.
Jim
So finally I asked David, what's your favorite part of sharing this story with audiences around the country and around the world?
David Montgomery
I think the coolest thing about, I think storytelling in general is whenever you have a story that's funny and sad and uplifting and depressing and all these things, people take away what they connect with the most. And I've had people come up crying to me, saying, you know, like, my daughter came out to me two years ago, and I haven't spoken to her since. And I'm calling her tonight because of you. And I've had other people come up and say, oh my God, I took a picture with you 10 years ago in Chicago because I loved your YouTube show. And just, I don't know, it's the weirdest thing in the world, the different things that people take away from it and what it means to them. I think has has been such like an exciting, fun ride with this story in particular. So I got a lot of favorites. I guess.
Jim
That was the Spice Girls number one fan, David Montgomery. When we return, a little girl develops her beautiful voice singing in church and then takes it to Motown. And another story about an organization where secular music is forbidden. When the Moth Radio Hour continues.
Cal Street
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Jennifer Hickson
The Apple Watch Series 10 is here.
Jim
It has the biggest display ever.
David Montgomery
It's also the thinnest Apple watch ever.
Jennifer Hickson
Making it even more comfortable on your.
David Montgomery
Wrist whether you're running or swimming or sleeping. And it's the fastest charging Apple Watch.
Jennifer Hickson
Getting you eight hours of charge in just 15 minutes. The Apple Watch Series 10, available for.
David Montgomery
The first time in glossy jet black aluminum. Compared to previous generations. IPhone XS are later required.
Jennifer Hickson
Charge time and actual results will vary.
Jim
This is the Moth Radio Hour from prx. I'm Jennifer Hickson. And in this hour, we're talking about music. This next story was told in Kalamazoo. Where we partnered with Michigan Public Radio. If you don't know the Velvelettes by name. I'm pretty sure you've heard them over the years. Here's a little to jog your memory.
Jennifer Hickson
I once believe.
Jim
Now, before you listen to Cal Street Story. I want to define a term for you. Because you don't hear it much anymore. Cal street mentions a record hop. These were concerts held at schools and colleges. Bands would perform, kids would dance. Sometimes they're called sock hops. Because the school would ask the kids to remove their shoes. So the gymnasium floor wouldn't get damaged. And now here is Cal street live at the mosque.
Dawn Smith
Where should I start? My life has been a just a roller coaster of. Let me start. We're in the studio, Motown's Studio A, the recording studio where all of those hit records that you hear from the Motown sound were produced. And we're listening to songs from other artists. But we're also listening to songs that we recorded. And when I say we, I mean the Velvalettes. Thank you. Thank you. I was still in high school, so all they could do was release songs. And I could only do record hops on the weekend. Because my parents were promised by Mr. Berry Gordy. That they would not interfere with me. And in my school days. So anyway, they were listening to the song that put us on the map, Needle in a Haystack and thank you. We weren't on the A list of entertainers. Because we were the last girl group to come in there. But. And we were competing with the Marvelettes, the Supremes. Martha and the Vandellas. And the Velvelettes were the last girl group to come through there. Anyway, the success of Needle and Haystack prompted a call from Dick Clark. And Dick Clark wanted the Velvalettes. Because our record was a hit before the Supremes. Where Did Our Love Go? But he wanted the Velvelettes and the Supremes. To join the Dick Clark Caravan of Stars tour. Which we did. So right out of high school, I was two weeks out of high school. And I'm flying to Chicago to be in a Dick Clark Caravan of Stars tour. And my parents were asking me, well, what are you gonna do about school? How long are you gonna be gone? You're supposed to go to college. You're supposed to do this. I said, I don't know, but I'm going on the Caravan of Stars tour. I'm Getting ready to make between 500 and 1,000 bucks a week at the age of 16 or 17. And you're gonna ask me something like that. So it was a very, very fun tour. As a matter of fact. Diana Ross mother was our chaperone. And Diana Ross was my roommate for two years, two summers. We did two Dick Clark Caravan Stars tours, and she was my roommate. And she was a very nice lady. I don't care what people say about her. She was very nice to me, and she treated me like I was her little sister. She really did. We used to stand in the mirror in our underwear and decide and argue. Friendly argument, though, about who was the skinniest. She said, you skinnier than me. I said, no, I'm not. No, you are much more skinnier than me. So we would do that and just have a ball. And those were a lot of the positive. That's part of the positive experiences that I had besides singing on stage. Now, getting up here, talking on stage, Believe me or not, Believe it or not, I'm kind of nervous. It's easier for me to sing to you than it is for me to just talk to you. Anyway, at any rate, as time went on, the Velvalettes had another hit. He was really saying something. And that. That took us back out on the second Dick Clark tour with the Supremes and several other groups from across the country. The second tour included the Zombies from England. You remember that when no one told me about her, the way she walked. Okay, that was the group from England that we was on our tour. And the lead singer had a crush on me. He did. His name was Colin Blundstone, and he had a crush on me. And he would call my home in Kalamazoo, and my mother and father would say, who is that, Colin? I can't even understand what he's saying. It's Col there. Just call him Blundstone. And I'm calling from England. And my parents, their ears were not. They're not. Weren't ready for that. So anyway, I cultivated. We cultivated a lot of friendships. I cultivated a lot of friendships. I happen to be the youngest member of the group. I auditioned for the Velvelettes when I was 14 years old in ninth grade. So that was quite a big responsibility. When they nominated me, they were elected. Whatever you want to say it, they said, you are our lead single singer. And so I'm looking around and I'm saying, yeah, but I'm only 14 in the ninth grade. That's okay. You've demonstrated that you can Lead. But that's because my father was a Baptist preacher. Okay? My father was a Baptist preacher. My mother was a nurse attendant. And they raised seven children. And I'm the middle child and the middle girl of the whole kit and caboodle. And my dad noticed that I loved singing at a young age. So he would. And he had his own church for a while. And he would tell me, cal Ann, you're going to have to lead the congregation. While Mildred, my older sister, played the piano and lead them in song for devotion, service and what have you. I said, what's all that? And he would say, well, you can do it. I want you to read from the hymnal. And he was right. I. He says, just let the Lord lead you, and he'll show you how to sing it. And that's what happened. And so, at a young age, say 8 and 9 years old, I was leading the congregation in church singing Motown Records. And Mr. Gordy, they knew that story because my dad told them. When he and my brother took us there to audition in a terrible winter snowstorm. It took us five hours to drive to Detroit. And it was treacherous, very treacherous. But so that early development of leading a group really helped me become an effective lead singer for the Belvillettes. And I would find out years later in Beverly Hills, California, when we received the lifetime achievement award for the heroes and legends. That Mr. Gordy, he admitted to us on stage that had it not been for the success of Needle in the Haystack, he couldn't have made payroll that month. And how do you think that made us feel? Not only were we proud to be a part of the Motown legacy, but we were proud to be that important. And we were proud to be able to say we helped Motown stay together. Thank you so much.
Jim
That was Cal State live in her hometown of Kalamazoo, Michigan. Thank you, Cal and the Velvelettes, for keeping the lights on at Motown Records. What a legacy. Some of the Velvalettes most popular songs are Needle in a Haystack. He was really saying something. And these things will keep me loving you Next up, a slam story from Boston, Massachusetts, where we partner with wbur. As you listen, you may wonder, where's the music part? Well, stay tuned, you'll hear it. Here's Dawn Smith live at the Moth.
Cal Street
A fun characteristic all cults share is that they resist that label cult. Even now, 15 years since the Cult fell apart, my parents will still give me a list of reasons why the group that they started in the early 70s was not a cult. So fine, it wasn't a cult. What it was was a non denominational, evangelical, fundamentalist religious fringe group, the members of which did not really integrate into society. But it was nakult you guys, because we had mainstream religious beliefs like God is all powerful, God is all knowing, and women can't wear nail polish. The leader of the not cult was my grandfather, George Giptakis. And he could do whatever he wanted. He decided who married who. He had control of the money. He decided where people lived. We lived in Fullerton, California. We didn't have a television. We couldn't listen to secular music. We could listen to select Christian artists. Not Amy Grant. She was far too female and independent. Christian music was fine and Rush Limbaugh was always a good option. But it wasn't a cult, you guys, because women could go to the beach just like anybody, as long as we were fully clothed. Because in case you didn't know, if there's one thing that throws a wrench in the will of God, it's a woman in a one piece. When I was five years old, my mom was trying to get this hairdresser to join our group. And so she sent me to get a haircut. I told the hairdresser that my secret hero was Mary Lou Retton, the gymnast. She cut my hair just like hers and I was in heaven. My parents were appalled. Short hair was God's plan for men. At five years old, I had already transgressed against Almighty God and his plan for my life. But there was in my life times when the real world did shine through. My big break came when I was 11 years old. My parents were going to an all day elders and their wives church meeting. And my sister and I were going to be at home alone cleaning the house. My job was to take all their books from their bookcase, take them out, dust the shelves, put all the books back back. This was the day I discovered that my dad had a secret. I took all his Bibles from his lower shelf. And as I was dusting the shelf, I felt something pushed way back under the bookcase, out of view. I pulled it out and I opened up this oddly shaped box. Inside was Bob Dylan's complete collection of vinyl records. This was a total no, no, okay, except for maybe his three year Jesus period. This music was totally off limits. You see, before my dad found Jesus, he was a surfer hippie with a pretty great taste in music. And he had given it all up for Christ. Everything except for Bob Dylan, whose music he kept hidden from view a secret that he couldn't enjoy listening to, but he also could not bear to throw it away. And so I started from the beginning. I put that first record in, and I sat down and I started listening to this amazing, revolutionary music that I'd never heard before. I started from the beginning, and I listened to everything, and then I started over. I forgot about my chores and about the cult and about getting in trouble. I forgot about all the rules. I was totally swept away. I heard Lay Lady Lay and Maggie's Farm and the times, they are changing. And then it was night, and my parents burst into their bedroom like, what is going on? Where is this music coming from? My dad looked so guilty. It was the best thing ever. I was in the middle of all of his records, and there were these photographs of Dylan and this catalog of lyrics. I did not get in trouble that night. And shortly after that, my parents decided to let my sister and I listen to a very select group of secular musicians. It was our first taste of the real world, a world that wasn't quite as demonic as we had been taught. When I was 23 years old, I left the culture. It was the hardest decision I ever made and also the biggest break of my life. Thank you. I will always be thankful for the day that I found my dad's secret stash of music because it helped me see who my dad might have been before the cult. But most of all, it was the day that I started my own personal revelation. Thank you so much.
Jim
Dawn Smith is a writer, director, and producer. Her comedy series paid for by Spoofs, the political campaign industry she's worked in for years. Dawn says she left the cult and never looked back. She loves taking her kids to concerts, and when she plays Dylan, she turns the volume up high. She said making ads about getting out to vote and marriage equality has been a way for me to put messages into the world in direct contradiction to what I was raised to believe. I can't undo the hurt my grandparents caused, but I can shine my own light. All right, dawn, shine on and keep your eyes wide.
Dawn Smith
The chance won't come again and don't speak too thin soon for the wheel.
Jennifer Hickson
Still in spin and there's no telling.
Dawn Smith
Who that it's naming.
Jim
Next up, our final story about a young hip hop artist from Miami, Florida. You're listening to the Moth Radio hour from prx. I'm Jennifer Hickson. This time, we're hearing stories about music. Our final story is by musician Jin Ou Young, or as he's also known, MC Jin. Jin pitched us his story via Our pitch line note, you listener can also pitch us there. Just go to themaug and follow all the directions right there on the site. Here's a bit of Jin's pitch.
Jennifer Hickson
I was born and raised in Miami. I got into hip hop when I was about 12 years old. By the time I was 21, I signed my first record deal with a major record label. Oh, a small fact. I am Chinese. And little did I know this would be crucial to not only my success, but also to my pitfalls. Being supposedly the first Chinese rapper to ever sign a major record deal.
Jim
We liked what we heard, gave him a call, and then Jin developed this story with one of our directors. Eventually he told it for us in Miami at a show where we partner with public radio station wlrn. Here's Jin Au Young live at the moth in Miami, Florida.
Jennifer Hickson
In the year 2000, I was a senior not too far from here in the city of North Miami Beach. Anybody, which is where I was born and raised as well. If you remember that year, it was the year of one of probably one of the most memorable elections that this country experienced. And you guys were responsible for it. The recount Bush versus Gore. And at the time, you know, there were more important things on my mind than the well being of this country, like being a rap star. So I graduated and I moved to New York City, the birthplace, the Mecca of hip hop. And I ended up on this TV show 106 and park where they have a freestyle battle once a week called Freestyle Friday. And I won seven weeks in a row. And I ended up landing a record deal with Ruff Riders. Yes. Home of some of my childhood heroes, Eve Swizz Beats dmx. Little did I know at the time that this was a monumentous happening, you know, because I was the first of my kind that the label had signed and essentially the first of my kind that I think hip hop had really been exposed to. And when I say my kind, I mean Chinese. Yeah, and I can prove I'm Chinese. I do speak it right. Pay attention. Which is a very traditional Chinese greeting. It means, what's up, dog? Another question I would get asked often was, how does it feel, especially in interviews, how does it feel to be referred to as the Chinese M and M? And I would think, I guess it's better than being referred to as the yellow. Mm. Then another thing that kind of caught me off guard was the notion that Jin, there's 1.3 billion Chinese people. You're destined for success. And the 20 something year old me was Very logical in this matter. And I was like, yeah, they are gonna buy my album. Two copies each. So at this time, I'm traveling the world, I'm touring, I'm living it up. 2004 comes around, and these elections, they keep following me around. The whole music industry wanted to vote that year, apparently. I remember Diddy Diddy, Puff Daddy, Sean Combs. I don't know what he's going by currently, but he had this shirt on. Vote or die. Vote or die. I didn't vote. My album did come out that year in 2004, and it was also kind of the moment that I realized this childhood dream was slowly transforming into a adultish nightmare. Apparently, those 1.3 billion Chinese people aren't all rap fans. And of the ones that are, they weren't all Jin fans. So when my album sales came in, that's pretty much when they stopped comparing me to Eminem. I'm sure he was glad too, because I know he was tired of being referred to as the white gin. But this moment in time for me also really sent me into a very menacing spiral. As much as I wanted to put on this facade, like I was doing fine, I wasn't. I was bitter, I was frustrated, I was discouraged, I was cynical financially. I was doing, like, horrible. I went from living with my family, this is in New York, in like a two story house, two family house, to downsizing to renting a basement of someone else's home where my family of four was all living. At one point, I was this close to going down to Best Buy and seeing if they're hiring. You know, the thought of once upon a time being on TV to now having to pedal them, like, was gut wrenching. And nonetheless, I tried to put on this facade like I was okay. And I think that made it even worse. Then 2008 came around, and I keep telling you, these elections, they keep following me around. I was 26 at the time, and for the first time, maybe because of just this feeling of dread and despair, it forced me to seek something that was outside of myself, something outside of my own ambitions and my own desires. So I remember watching this speech, the Democratic National Convention speech of one Senator Barack Obama. And the main themes were hope, change. And even though he was talking to the whole country, I felt like he was talking to me. Like he was saying, jen, yes, you can. It lifted me up that moment. And then when I started reading more about him, watching his interviews, and I knew that, you know, he was an outcast fan, I was like, yo, I'm voting for him. And I registered, and I hit the ground running. This is my first time participating in the election process, guys. I was passing out stickers on the streets of New York City. I had a clipboard. Excuse me, sir. Have you registered to vote? Ma'am? Had you registered to vote? I even did it in Chinatown. Sometimes I had to stop them in a more unorthodox way. Cho me, AKA O. That means what's up, dog, by the way. I don't know if you guys were paying attention earlier, but it was such a exciting process because I was part of something that was so driven by community. I think leading up to that, I don't think I looked at anything other than just, what am I doing? How am I doing? So in the midst of all that, it dawned on me. Why don't I go back to what I do best? So I went to the studio and I wrote a song, you know, kind of like an unofficial campaign song. And it's called Letter to Obama. And the opening line is like this. Dear Obama, comma, first off, this is such an honor. I'm a supporter. I just wanted to say I truly believe in your bipartisan ways. There's more, but I'll stop there. I put it on the most important place. MySpace. Yes. We all had a MySpace page at one point. Don't lie. But one day, I log onto my MySpace page, right? And I'm noticing, wow, so many people are listening to this song. And, you know, I was definitely feeling the love and, you know, kind of that community aspect once again. And I log on to Barack Obama's MySpace page, I look at his top friend, and lo and behold, there he was in all his glory. Me. At that moment. At that moment, I'm like. I mean, I felt like I was at the Grammys, right? And I'm basking in it. I log into my inbox, and a message stood out from Barack Obama's MySpace page. So I'm like, wait a minute. I click on it. Very short, sweet. To the point, Jen. Just want to say thank you for your support. Keep up the great work, right? But I took it all in. Oh, my gosh. And I respond, oh, thank you. And I tell you why. It just felt good to be appreciated. But more so, it felt good, once again, to know that I am part of something that's unfolding, that is not only highly historical, but just something magical. I see it as magical, right? So I respond, I say, thank you, and I move on with life. A couple days go by, I get another message now, this one, it basically asks me, hey, Jin, from his page, is there a phone number we can reach you at? The first thought on my mind is, am I about to get a call from Obama? What's he gonna call me about? Like, he got, like, an extra ticket to an outcast concert or something? I don't know. I don't know. Who knows at this point? So, yeah, I'm like, yeah, call me at, you know, this number. And I get the call eventually from this unknown number. It was basically an invitation to attend an upcoming rally that was happening in New York City at Washington Square Park. Not only attend, but perform my song. Yeah. And then when I finished the song, introduce Senator Obama on stage. Right. And the thing that stuck out to me the most was there was so much healing at that point. Even just that invitation, just inside me. So the day comes, a beautiful day in New York, and I remember just stepping out there, 10,000 plus people, and, you know, I was just one of a sea of people. Yeah. It just felt great. So I do my song right. The whole thing. Dear Obama, comma, yes. But I finished the song. I introduced him on stage. And I'm watching this historical moment, not just in the history of this country and the elections, but this historical moment that I was being part of and just feeling. Yeah, feeling like, you know, wow, this is something bigger than me. As he's wrapping up, one of the campaign staff approaches me and says, make sure you stay close. We're gonna bring him around. You know, you're gonna have a. You can have a moment with him. It's like, what? It's too much? But I'm standing there. I mean, you hear people say things started happening in slow motion, time froze. It was definitely one of those. I see him approaching me now. That day, I had my then girlfriend at the time, Carol, with me, and she was with me for basically this whole journey that you've heard me talk about. So it was special for her and me. And in my hand, I had this book, dreams of my father that I was reading, which is his biography. And as he approaches us, extended hand, we shake, and he just gets straight to the point. It wasn't like a long conversation. But thank you for your efforts, you know, thank you for what you're doing. Great job. And I'm soaking it in. I'm soaking it in. And then he takes the book, and I had a marker with me, of course, and he signs it right. Keep up the good work. To Jen and Carol. And the first thought on my mind is like, you know, I gotta marry her. Which I did. And he went on to become, you know, in 2008, the president of America. And I'd like to think my little song had something to do with that, right? Hey, who knows? Maybe. Maybe my song brought in that extra 1.3 billion votes that he needed. And not only that, but from that moment and that experience, I was able to really just pick up those shattered pieces and lift my head up and kind of see the light at the end of the tunnel. And for the first time, I think I realized that while all along I was just so focused on this experience being me, me, me, me, I realized that it wasn't about me. It was about us. Thank you guys so much.
Jim
That was Jin Ou Young, or as he's otherwise known, MC Jin. Jin continues to create and produce music here in the US as well as Hong Kong and China. To get a link to jin's website, visit themoth.org and you're listening to him right now.
Jennifer Hickson
Dear Obama, first off, this is truly an honor. I'm a supporter. I wanted this.
Jim
Remember, Jen pitched us this story on our pitch line. Do you have a story to tell us? Maybe a time when music saved the day? You can pitch us your story by recording it right on our site or call 877-799-MOTH. That's 877-799-6684. The best pitches are developed for Moth shows all around the country and the world will. That's it for this episode of the Moth Radio Hour. We hope you'll join us next time. And as Rihanna said, please don't stop the music.
Cal Street
Your host this hour was Jennifer Hickson. Jennifer also directed the stories in the show along with Kate Tellers and Maggie Sino. The rest of the Moss directorial staff includes Catherine Burns, Sarah Haberman, Sarah Austin, Janess and Meg Bowles. Production support from Timothy Lou Lee. Most stories are true is remembered and affirmed by the storytellers. Our theme music is by the Drift. Other music in this hour from the Spice Girls, the Velvelettes, Bob Dylan and MC Gyn. You can find links to all the music we use at our website. The Moth Radio Hour is produced by me, Jay Allison with Vicki Merrick at Atlantic Public Media in Woods Hole, Massachusetts. This hour was produced with funds from the National Endowment for the Arts. The Moth Radio Hour is presented by prx.
David Montgomery
For more about our podcast, for information.
Cal Street
On pitching your own story and everything else, go to our website themauff dot.
The Moth Radio Hour: "Don't Stop The Music" – Detailed Summary
Released on February 5, 2019, "Don't Stop The Music" is an engaging episode of The Moth Radio Hour hosted by Jennifer Hickson. This episode delves into the profound influence of music on personal identity, resilience, and transformative journeys. Through a series of heartfelt and inspiring true stories, listeners explore diverse musical landscapes—from the vibrant pop beats of the Spice Girls to the soulful rhythms of Motown and the dynamic world of hip hop.
Live in London, England (03:09 – 16:19)
David Montgomery opens his narrative by sharing his challenging upbringing in a small, homophobic town near Pittsburgh, Pennsylvania. At the age of 12, Montgomery experiences a traumatic moment when his mother vehemently rejects the music of Melissa Etheridge, equating it with his own worth:
“And my mother turned to her and Smith and she said, I wouldn't listen to her music. She's a dyke. She's better off dead. Do not bring her music into this house." (03:25)
This moment leaves Montgomery grappling with self-hatred and isolation. His life takes a pivotal turn at 14 when he discovers the Spice Girls on MTV. Initially disgusted, a moment of awe strikes him as he watches Sporty Spice perform a backflip, igniting his desire to find his own voice and embrace a vibrant, unapologetic identity:
“I wanted to have a voice. I wanted to be loud and brash and in your face and not care what people thought about me. I wanted to be spicy." (05:30)
Fast forward to 2007, Montgomery, now an adult feeling suffocated by his monotonous career in curriculum development, impulsively embarks on a nationwide pilgrimage to follow the Spice Girls' reunion tour. Despite his boss's refusal to grant him time off, his passion drives him to purchase 22 concert tickets, plunging him into financial hardship but also into the heart of the Spice Girls’ fervent fan community.
Throughout his tour, Montgomery documents his journey through a YouTube show, gaining notoriety and becoming a beloved figure among Spice Girls fans. A defining moment occurs in Chicago when he meets Victoria Beckham, Posh Spice, who unexpectedly engages with him warmly:
“You are fabulous. We've got to get some pictures." (09:55)
This encounter not only validates his devotion but also marks the beginning of his healing process. By the end of the tour, Montgomery reflects on his growth, mending his relationship with his mother and finding self-worth beyond societal acceptance:
“I learned that the world was never hating me. While I couldn't connect, the world was waiting for me to find my voice." (15:50)
Live in Kalamazoo, Michigan (22:30 – 30:16)
Cal Street recounts her journey as a member of the Velvelettes, a Motown girl group competing alongside legendary acts like the Supremes and Martha and the Vandellas. At just 14 years old, Street auditions for the group and quickly becomes the lead singer, balancing her teenage years with the responsibilities of performing on the Dick Clark Caravan of Stars tour.
Reflecting on her experiences, Street emphasizes the camaraderie and mentorship she received, particularly from Diana Ross, who was not only a fellow star but also her roommate:
“Diana Ross was very nice to me, and she treated me like I was her little sister." (24:15)
Street’s tenure with the Velvelettes culminates in their second tour, which includes international acts like the Zombies from England. Despite their struggles to achieve the same level of fame as their Motown counterparts, the success of their single "Needle in a Haystack" solidifies their importance within the Motown legacy. Receiving a lifetime achievement award, Street highlights the pride in contributing to the Motown sound that "couldn't have made payroll that month."
“We were proud to be that important. And we were proud to be able to say we helped Motown stay together." (29:45)
Live in Boston, Massachusetts (31:09 – 37:56)
Dawn Smith shares her transformative experience growing up in a strict, fundamentalist religious group led by her grandfather in Fullerton, California. The group imposed rigid controls over members' lives, including restrictions on music, prohibiting secular artists like Bob Dylan. At the age of 11, while left alone at home, Smith uncovers her father’s hidden collection of Dylan vinyl records, a forbidden treasure:
“I started from the beginning, and I listened to everything, and then I started over. I forgot about my chores and about the cult and about getting in trouble." (34:10)
This clandestine discovery serves as Smith’s first taste of the outside world, sparking a deep appreciation for music that defies her community’s constraints. Her newfound passion for Dylan’s revolutionary music becomes a symbol of her yearning for personal freedom and self-expression.
The emotional climax of her story occurs when she decides to leave the cult at 23, a difficult but liberating choice. By embracing the music that once was forbidden, Smith not only redefines her identity but also begins to heal from the restrictive upbringing:
“It was the day that I started my own personal revelation." (37:50)
Live in Miami, Florida (37:56 – 54:00)
Jin Ou Young, known professionally as MC Jin, narrates his unique journey as one of the first Chinese rappers to sign with a major record label. Born and raised in Miami, Jin's entrance into the hip hop scene at 12 and subsequent rise through freestyle battles on "106 and Park" leads to a record deal with Ruff Ryders, home to icons like Eve and DMX.
Despite his early successes, Jin faces significant challenges due to his ethnicity. Marketed as the "Chinese M&M," he grapples with cultural stereotypes and the realization that his vast potential market (1.3 billion Chinese individuals) does not automatically translate into fan support. This disillusionment is compounded by declining album sales, forcing him into financial distress:
“I was bitter, I was frustrated, I was discouraged, I was cynical financially." (41:30)
The turning point in Jin’s story comes during the 2008 presidential election. Inspired by Barack Obama’s message of hope and change, Jin channels his struggles into activism, using music to support Obama’s campaign. Creating a song titled "Letter to Obama," Jin engages with the political movement, which culminates in a life-changing encounter:
“I was standing there... I feel like, wow, this is something bigger than me." (51:00)
Meeting Obama in person and receiving a signed book symbolizes Jin’s redemption and the healing power of aligning his passion with community-driven causes. This experience not only restores his faith in his artistic journey but also leads to personal milestones, including marrying his then-girlfriend, Carol.
“I realized that it wasn't about me. It was about us." (53:45)
"Don't Stop The Music" showcases how music serves as a powerful catalyst for personal transformation, identity formation, and healing. Whether it’s David Montgomery finding his voice through the Spice Girls, Cal Street contributing to the legacy of Motown, Dawn Smith breaking free from a restrictive upbringing, or Jin Ou Young overcoming cultural barriers in hip hop, each story underscores the universal language of music in bridging divides and fostering resilience.
As Jennifer Hickson eloquently ties the narratives together, the episode celebrates the enduring spirit of music and its unparalleled ability to shape lives and communities.
Notable Quotes:
David Montgomery: “I wanted to have a voice. I wanted to be loud and brash and in your face and not care what people thought about me. I wanted to be spicy." (05:30)
Cal Street: “We were proud to be that important. And we were proud to be able to say we helped Motown stay together." (29:45)
Dawn Smith: “It was the day that I started my own personal revelation." (37:50)
Jin Ou Young (MC Jin): “I realized that it wasn't about me. It was about us." (53:45)
Final Thoughts: "Don't Stop The Music" is a testament to The Moth's dedication to storytelling that resonates on a deep emotional level. Through laughter, tears, and triumphs, this episode invites listeners to reflect on the profound impact music has on our lives and the shared human experience it fosters.