Transcript
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Sarah Austin Janess (1:45)
This is the Moth Radio Hour. I'm Sarah Austin Jeness in this episode, stories told on Moth stages around the world. We'll bring you to the coast of Kenya, a remote island off Anchorage, Alaska, a stage in Burlington, Vermont and a swimming pool in Logan, Utah. All are stories of rites of passage. Our first storyteller, Jennifer Cohen, shares what it's like to live through the empty nester phase of life. She told this at an open mic Story Islam in Burlington, Vermont, where we partner with Vermont Public Radio. Here's Jennifer Cohen live at the mall.
Jennifer Cohen (2:26)
So when my kids were little, the go to movie to watch when they were sick or it was raining was for some reason Andy the Musical. And I would watch them sitting close together, three pair of bright blue eyes watching Carol Burnett sing Little Girls, Little Girls again and again and again. And I told them, I said, you know when you grow up and you go off to college and I'm all bored and lonely, I think the Flynn Theater should do the musical. Annie And I could be in it because I know all the songs, like, every word. And so this kind of bolstered me into this pretend auditioning for the show that I would do for the kids. When I was in the car or on the beach or in the shower, I would sing Little Girls, Little Girls. And they'd say, getting ready for the show, Mom? Yeah. So it's just like a weird family joke. So the years just went by. And the first one went off to college, and that was horrifying. And the second one went off to college, and that was horrendous. And it was the third one, senior year, and I was sitting at the Flynn Theater in January, and a woman comes to the podium, and she says, I'd like to announce that in the fall we'll be doing the musical Annie. I was like, oh, my God, this is so weird. And right at that moment, my phone rang, and I pulled it out. It was my friend from California, and. And her name was across the screen, and her name is Annie. This is bizarre. And it didn't stop. I went to the grocery store on my way home, and in the checkout aisle, there was this little retrospective of Carol Burnett as Ms. Hannigan. And then this is all within three hours. I got home, and I was exercising. I was watching the show Shameless. And you can check in episode two, season three, they refer to the musical Hannity. So I thought, this is just weird. I'm getting these signs from the universe that I should be in this show or something. So I called the kids, told them, and they said, oh, mom, you gotta do it. You gotta do that real audition now. Like, do it, do it. And I thought, like, you know, being in a musical isn't really my vibe. But I thought, you know, I'm gonna be so devastated once that third one leaves it. I thought maybe this would give me something fun. And, you know, because I'm pretty sure you can't sing, dance, and cry all at the same time, so that could be fun. So I go to the audition, and, you know, it's the Flint Theater, and they're like, you know, kind of serious. Like, you get a number and you got to act, you got to dance, you got to sing. So I go to the acting part, and that one was okay. And then I go to the dancing part, and this lady's up there. It's like, step, ball change, fan kick, pivot, and repeat. And. And it's like, number 212. Like, get your arms right. I'm, like, not getting the arms Right. And I kind of bump into this lady next to me. She's all mad. It was kind of a disaster. So then I go to the singing part, and you would think that 16 years might be long enough to practice that song. But I got up and was like, little girls, little girls. And I was like, free. I didn't know what came next. So I went home and I called the kids and I said, you know, thank you so much for that encouragement, but we're gonna have to think of something else because. And I think those signs from the universe were all about me, like, just pushing myself out of my comfort zone. And I did that, and it was just funny. So good. The next day, the director called and said, we'd like to offer you two small singing roles. I was like, really? Okay. So we started going to the rehearsals, and it worked. You know, I came home from teaching and the home would be all quiet. It was terribly lonely, and I would cry. The dog had even died. It was just horrible. And so, I know it was terrible. But then in the evenings, I would get to go to my rehearsals, and it was goofy and fun. So then the months go by, all the rehearsals are done. It's opening night at the Flynn. It's like, full house. It's gonna be really fun. The orchestra's going and got my weird costume on and everything. And there's this point in the play when I get to come to front and center, like, right in the middle, and the lights are on me, and I just get to, like, belt out this one big line. And I was a homeless woman talking to Herbert Hoover. And here's my line. I said, you dirty rats, you bureaucrat. You made us what we are to. And then I saw three pair of bright blue eyes just watching Amy again. And I thought, oh, all those Science of the Universe. It was just all about this one really nice mom moment that I get to have. Seeing my kids again surprise me. So I got all choked up and filled with tears. But remarkably, I was able to finish my song, because apparently you can sing, dance, and cry all at the same time.
