LIVE! Emmy Night At The Nerve

Summary

The Nerve with Maureen Callahan

Episode: LIVE! Emmy Night At The Nerve

Date: September 15, 2025

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Episode Overview

Maureen Callahan hosts The Nerve’s first-ever live-stream episode for Emmy night, bringing her signature wit, skepticism, and pop culture analysis to the red carpet. Joined by her "panel of troublemakers"—Bill from Brooklyn, Kinsey Schofield (of Kinsey Schofield Live), and celebrity makeup artist Tim McKay—the group roasts red carpet looks, calls out Hollywood hypocrisy, and dives into the biggest (and cringiest) pop culture TV moments the Emmys will never honor. It’s a celebration of the spectacle, fashion, and controversies of TV’s biggest night—unfiltered and unapologetic.

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Panel Introduction (01:07)

Panelists:

• Maureen Callahan (Host)
• Bill from Brooklyn
• Kinsey Schofield (Kinsey Schofield Live)
• Tim McKay (Celebrity Makeup Artist)

Maureen sets the tone:

“We are going to honor those people and celebrities and moments in the culture that, trust me, the academy will not.” (01:17)

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Key Discussion Points & Notable Segments

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Emmys Cold Open & Nate Bargatze Joke (02:48)

• Panel roast of Nate Bargatze’s Emmy intro where he jokes about having to read books if TV disappears.
• Maureen:

  “Yeah, read books. Reading books is lost in the culture. I don’t like that as a joke.” (02:55)

• Kinsey brings up Nate’s recent book deal (03:05).

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The Nerve’s “Best TV Moments the Academy Won’t Recognize”

Leslie Bibb & Jenna Bush Hager’s “Cunty Bob” (04:22)

• Panel breaks down Leslie Bibb’s new “cunty bob” haircut on Today Show, and the hyperbolic "badass" language around a simple hair change.
• Maureen:

  “This is so annoying.” (05:28)

• Panel slams morning TV culture for overhyping trivial moments.

Bravo, Andy Cohen, and Domestic Violence Controversy (06:45)

• Andy Cohen’s “defense” of Jax Taylor during Bravo reunion, who was accused of domestic abuse.
• Clip of Jax’s wife detailing the abuse; panel disgusted by Bravo’s framing (07:11).
• Maureen:

  “This, to me, is one of the darkest things I’ve seen on American television all year. Hands down.” (08:40)

• Kinsey on Andy Cohen:

  “This is a moment. Take the moment, make it a teachable moment. And instead he’s like, oh, but he’s taking so much accountability. No, get him out of there!” (08:45)

White Lotus & The Walton Goggins Monologue (09:19–11:23)

• Walton Goggins’ “sex symbol at 53” speech and problematic, taboo-filled plotlines (including incest and cultural caricatures).
• Panel jokes about the “ugly sexy” Goggins appeal, makes comparisons to Piers Brosnan “silver fox” aging.
• Maureen:

  “He looks like a gigolo.” (23:02, red carpet segment)

• Kinsey:

  “They’re calling him as sort of like the ugly, sexy kind of guy...” (13:23)

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Red Carpet Fashion Hot Takes

SJP’s “Hat” and Styling on And Just Like That (16:03–17:31)

• Tim dismisses SJP’s “high fashion” hat.
• Kinsey says "Patricia Field leaving for Emily in Paris ruined the fashion."
• “Somebody ran into a Goodwill and they raided it, and now it’s like a Tetris game trying to get this stuff on her body.” –Kinsey (17:31)

Iconic (and Notorious) Red Carpet Moments

Lena Dunham (2014 Emmys, Giambattista Valli Dress) (29:43–31:26)

• Maureen:

  "One has to wonder if the design house was trolling her." (29:43)

• Kinsey:

  “It’s giving my Super Sweet 16 from MTV... and very Willy Wonka.” (29:59)

• Panel references Dunham’s controversial memoir admissions and Hollywood “Nepo Baby” privilege.

Jennifer Aniston: “Most Boring Red Carpet Star” (34:09–36:49)

• Maureen critiques Aniston’s “same dress every year” look:

  “She does not possess that inner thing that turns a dress into a look into an iconic moment.” (34:52)

• Kinsey reframes: “Maybe she knows what looks good on her, and I actually admire that she’s boring.” (36:04)

Meg Stalter in Jeans & T-Shirt with 'Ceasefire' Bag (40:25–43:32)

• Bill:

  “Just walk out there happy and say, I’m blessed to be here... and you walk out with that outfit—jeans and a T-shirt.” (40:47)

• Kinsey laments political statements on the red carpet:

  “This is why we don’t like award shows anymore. We want to escape. We want to see glamour.” (41:16)

• Panel critiques lack of polish and effort.

Sydney Sweeney: Sex Symbol Reborn (53:36–54:21)

• Kinsey:

  “She has become the titty queen. If you got it, flaunt it... That’s just her brand.” (53:57)

• Maureen:

  “She seems to really enjoy doing what she does and being where she is. She’s uncancelable right now.” (54:21)

• Panel compares Sweeney’s red carpet strategy to classic Marilyn Monroe.

Selena Gomez & Unlikely Pairings (92:19–92:49)

• Kinsey details the odd match with her partner, referencing his Maroon 5, Katy Perry hit-making history.
• Panel compliments Selena’s healthy appearance but predicts relationship woes.

Chloe Sevigny, Meghan Fahey, Patricia Arquette, and Others

• Recurrent themes: “Old Hollywood glamour,” “90s nostalgia,” “trying too hard to be relevant,” and discussion of whether stylists help or hinder stars (esp. for non-standard body types or those making political statements).

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Critique of Political Statements on the Red Carpet

• Panel reacts to proliferating political statements, especially Artists for Ceasefire buttons.
• Kinsey:

  “We want to forget about what's happening and what's keeping us down. So I think that this was not a great move...” (41:58)

• Tim:

  “Everything is so political. Now everything is so political.” (42:04)

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Hollywood, Fame, and Hypocrisy

Trends in Aging & Plastic Surgery

• Significant panel digression into cosmetic surgery: Jennifer Aniston’s and Courteney Cox’s “baby facelift” (38:02), and commentary on “silver fox” expectations for men like Brosnan vs. “ugly sexy” Goggins.
• Kinsey on cosmetic trends:

  "Didn’t we also see pictures of [Aniston & Cox] coming out of a Botox doctor’s?” (37:36)

Panel Favorite: Glamour, Escapism, and the Death of Fun (41:16+)

• Nostalgia for old Hollywood glamour, hate for the loss of escapism in modern awards shows.

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In Memoriam: Pop Culture Moments the Emmys Will Ignore (99:15–105:27)

• Meghan Markle mocked for “acting” and “desperate for Emmy recognition,” referencing her “I’m Sussex now” moment (99:15).
• Bill Maher and Howard Stern called “creepy old men who need to go away.”
• Multiple “repeat offender” TV personalities lampooned for lack of self-awareness and overexposure.
• Recap closes with:

  “You get all the information you need about [Markle] from us. I can’t.” – Bill (102:22)

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Red Carpet Best and Worst: Panel’s Final Tallies

• Winners:

  • Chloe Sevigny (90s Madonna, Jean Paul Gaultier vibes, authentic aging)
  • Sydney Sweeney (“sex symbol, but still wholesome”)
  • Meghan Fahey (classy, bold, “young Michelle Pfeiffer”)
  • Jennifer Coolidge (“Mafia wife” look, always delivers speeches)

• Losers:

  • Meg Stalter (sloppy denim, Ceasefire sign)
  • Bowen Yang (“dress tucked into pants” look)
  • Patricia Arquette (“T-shirt she cut up,” too political)
  • Lena Dunham (“stylist hates her”)
  • Overly political, underdressed attendees

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Notable Quotes & Memorable Moments

• “Our mission here at the Nerve is to be the asteroid that destroys morning television in America.” – Maureen Callahan (03:14)
• “She looks like she’s gonna have a nervous breakdown.” – Bill from Brooklyn, on Jenna Bush Hager (05:30)
• “This is so annoying.” – Maureen Callahan, on the overhyped Today Show haircut (05:28)
• “If you got it, flaunt it... That’s just her brand.” – Kinsey Schofield, on Sydney Sweeney (53:57)
• “You can’t be canceled if you don’t care if you’re canceled.” – Bill from Brooklyn (54:59)
• “I don’t need you to tell me that all the time. Your show should tell me.” – Bill from Brooklyn, on comics like Nate Bargatze or Will Smith touting their 'clean' image (85:46)

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Timestamps for Highlighted Segments

• 01:07 – Live Stream intro, panel introductions, tone setting
• 04:22 – Leslie Bibb “Cunty Bob” & Today Show breakdown
• 06:45 – Bravo/Andy Cohen/Jax Taylor domestic violence controversy
• 09:19 – White Lotus / Walton Goggins “sex symbol” soliloquy
• 16:03 – SJP “hat” fashion critique
• 29:43 – Lena Dunham Giambattista Valli and Dunham discourse
• 34:09 – Jennifer Aniston “always the same dress” segment
• 40:25 – Meg Stalter jeans & T-shirt, 'Ceasefire' bag roast
• 53:36 – Sydney Sweeney’s rise as a sex symbol
• 66:25 – Patricia Arquette fashion and political outspokenness
• 73:44 – Artists for Ceasefire button revealed as red carpet protest
• 82:46 – Amy Lou Wood fashion followed by panel discussion
• 99:15 – "In Memoriam" segment (Meghan Markle, pop culture “deaths”)
• 114:47 – Review of Nate Bargatze, “clean comic” dissection

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Episode Tone & Takeaways

• Irreverent, biting, and highly opinionated.
• The Nerve’s uniquely critical voice: relentless in calling out hypocrisy, double standards, and the manufactured nature of TV and celebrity culture.
• Panel is hungry for glamour, tired of political posturing, and skeptical of Hollywood’s parade of virtue.
• Red carpet has “lost the fun” and fashion risks are few; the “memory” of escapism and old-time celebrity is mourned and mocked.
• Final note: The show will return to break down more looks and gossip. “We need more fun on the red carpet... all we want at the end of this week is to look at pretty people in pretty gowns talking about frivolous things.” (70:58)

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For those who couldn't watch the Emmys or missed the livestream:
This episode of The Nerve provides sharp, amusing, and surprisingly thoughtful commentary on the intersection of celebrity, television, fashion, and the current state of American pop culture. You'll get more than enough highlights, lowlights, and why-the-hell-is-this-even-happening moments, all spiked with Maureen's signature bite and the panel’s banter.

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Transcript

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[Maureen Callahan]

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[Maureen Callahan]

That's the wood chipper. And this is your panel of troublemakers. Hello. Welcome to the Nerve, our first live stream for Emmy night. I am your host, Maureen Callahan. We are so excited to finally be with all of you live as we bring you the Emmys red carpet. And we are going to honor those people and celebrities and moments in the culture that, trust me, the academy will not. And also, by the way, as promised, our Nerve merch is right here. It's arrived, and we can't wait to show you guys a little bit of a sampling of it. Excuse me. And all of our excitement. I'm like, getting myself together. Okay, first, let's introduce our very special all our repeat offenders. Our favorite repeat offenders, Bill from Brooklyn.

[Bill from Brooklyn]

Hi, everyone.

[Maureen Callahan]

Kinsey Schofield, host of Kinsey Schofield Live, the must listen podcast. If you're not subscribing, what are you doing with your life? Go subscribe, get it together. And Tim McKay, celebrity makeup artist extraordinaire. If we four can't take this apart in our sleep. Okay, so we thought while we were waiting for the looks to begin really showing up, we would take a look. Well, first, let's take a look at our friend Nate Bargetzi, host friend Nate Bargettsi, who I'm gonna revisit. Okay. Don't hate us. Don't hate us for Nate. But Nate filmed a very special Emmys intro. And we are going to kick off Nerve live with Nate's intro. Here we go. Please watch the Memmys so the TV.

[Bill from Brooklyn]

People can feel special if they stop making shows. We're Gonna have to read books.

[Maureen Callahan]

I already hate this. We're gonna have to read books. Like. Yeah, read books. Reading books is lost in the culture. I don't like that as a joke. Okay. I don't like it. You're back to a thousand.

[Kinsey Schofield]

He just released a book, by the way.

[Maureen Callahan]

That's right. Isn't he a New York Times bestseller? Yeah. Yeah. Okay. Well, I guess the difference is he probably didn't write it. Kinsey. That's right. Very true, O Ghost Rider. Okay, so we went back here at Nerve Central and combed through what we thought were some of the best television moments of the year. Again, the ones at the Academy, in their wisdom has probably. You know, there's a lot going on. Maybe they just. But this one, you know, as stated, our mission here at the Nerve is to be the asteroid that destroys morning television in America. And this hit. So there's one person who's been. There are a lot of people who have been everywhere, but Leslie Bibb is one of them. She's, like, in middle age, and she's finally hit it with the White Lotus. And so she took herself over to the Today show where they are for Jenna Bush Hager's fourth hour. You would be a natural. They should call you for the seat next to Jenna.

[Kinsey Schofield]

They won't.

[Maureen Callahan]

Why would they not?

[Kinsey Schofield]

I don't think that I'm perky enough.

[Maureen Callahan]

You're not perky enough. Thanks, guys.

[Tim McKay]

Is perky the right word?

[Maureen Callahan]

Kinsey? Are you kidding me? I think Kinsey would shine. But whatever, we've got her. She's exclusive to the Nerve. Too bad for you, npc.

[Kinsey Schofield]

Thank you very much.

[Maureen Callahan]

So Jenna Bush has been auditioning new friends for her show, and she had Leslie Bibon, who is living her best life. Jennifer Aniston's hairstylist Chris McMullen gave her what he calls a C U n T Y bob for her role in the White Lotus. And Leslie cannot kind of contain being newly really famous now. So here she is with Jenna Bush Hager on the Today show as Jenna Bush makes the truly brave and bold decision to cut her otherwise lifeless, shapeless hair, which I think is kind of metaphorically apt into. Into a cunty bob. Let's take a look. When I was here back in March, Jenna vowed to get on board with the bob and today is the day. You are so excited, by the way.

[Kinsey Schofield]

You're such a trooper.

[Maureen Callahan]

Thank you for coming.

[Tim McKay]

Oh, no, it's an honor to be here.

[Maureen Callahan]

You're such a trooper. You're doing it live.

[Tim McKay]

No, I'M a trooper with the trooper.

[Maureen Callahan]

You are such a badass. You're so cool.

[Kinsey Schofield]

You're so cool.

[Maureen Callahan]

This is so annoying.

[Bill from Brooklyn]

She looks like she's gonna have a nervous breakdown.

[Maureen Callahan]

Panel, who among us thinks that Jenna Bush Hager is a badass and so cool?

[Tim McKay]

I just love how she jumped right in her face.

[Maureen Callahan]

She's like, badass.

[Tim McKay]

Reminds you right before you do it.

[Maureen Callahan]

Don't forget.

[Kinsey Schofield]

No, there's nothing badass about Jenna.

[Maureen Callahan]

I'm getting, like, jump scares from Leslie. But, like, she's doing so much on that set. Like, did she have a little skiing accident before the show?

[Tim McKay]

I think she's hoping it looks good too. She's like, please look closer because you're a badass no matter what.

[Maureen Callahan]

So even if it doesn't, well, that again, it may go on our list for Nerve Awards, first annual. Next up, I have a mallet. This is my Judge Judy. Like, this is. I'm waving this like it's my gavel, but it's a mallet and people are gonna get it back here. Just keep your eyes over here. One Andrew Cohen, not Andy. To us here at the Nerve, he's Andrew Cohen, chief offender at Bravo. He's got it coming because here he is on a reunion, a Bravo reunion, defending Bravo veteran Jax Taylor, who has admitted to abusing his wife in the home. Let's take a look.

[Tim McKay]

In his own way, through many reunions.

[Maureen Callahan]

Where I've sat here with him where.

[Bill from Brooklyn]

He'S been confronted by horrible behavior, he has taken more accountability today than I've heard him take.

[Kinsey Schofield]

It's easy to take accountability when you've got cameras on you. I feel like he. I don't know how real and genuine taking any accountability is for my favorite.

[Maureen Callahan]

In that shot you see behind Jax is in the frame, you see a photo of him with his little boy on his shoulders. So, like, the Bravo producers are setting this up. Like, look, we think he's a good guy. So let's listen to his wife now as Jax dabs away those tears that we don't ever really see. That's the Bravo move, right? You look up and you dab and you dab, but there's never any tears. Let's see his soon to be ex wife Britney, detailing the domestic abuse. One instance, by the way, this is one instance that we know of in the home. He threw the coffee table. It landed on my knee. It turned black immediately. He threw both bar stools. He threw my Stanley cup and broke it. He threw my phone and broke it. He threw my Laptop and broke it. He threw me into the rose bushes.

[Tim McKay]

I didn't throw you into the rose bus.

[Maureen Callahan]

You did. It's on my ring camera. Yeah. I never threw you in the bushes. Yes, you did. Yes, you did. Everybody, my close friends up here have.

[Bill from Brooklyn]

Seen the videos, so he's sorry, but he didn't do it.

[Maureen Callahan]

Well, he did everything else. But what I think the worst thing is, which is throw his wife into the rose bushes, which presumably have thorns. You guys, I'm sure many of you. Bill, I don't think you're a Bravo person whatsoever. Tim, Bravo. You've done many Housewives. Kinsey.

[Kinsey Schofield]

I'd love to do a housewife.

[Maureen Callahan]

This, to me, is one of the darkest things I've seen on American television all year. Hands down.

[Kinsey Schofield]

The justification or the trying to. Andy. Trying to play it down. Yeah. This is a moment. Take the moment, make it a teachable moment. And instead he's like, oh, but he's taking so much accountability. No, get him out of there. I'd be like, you don't belong here. You don't deserve to be here.

[Tim McKay]

You know, there's a whole PR team, too, that's helping. This whole conversation before they went out on camera, that was coaching before the conversation even starts. So it's kind of like we're gonna make you look really good. Just be yourself. Be a little bit more emotional. Maybe show a sensitive side. It was all coached. I'm sure there's always that aspect of tv, too.

[Maureen Callahan]

Well, you know, Jax is a fan favorite, and he's also a love to hate, and he brings in the ratings. And that's really all Andy Cohen cares about. He doesn't care about what seems to be an escalating domestic violence situation where we'll talk to Bill Maher about what a woman should do, she finds herself in a domestically abusive relationship a little bit later. Okay, next offender, Next offender. This guy is everywhere. He's the male version of Leslie Bibb. Middle aged, jobbing actor, forever gets famous in the White Lotus. This guy became my Bat Noir this year. I used to love him in Justified. He was one of the greatest villains ever. Boyd Crowder, Justified. Amazing show, but he's lost his mind. Let's take a look at Walton Goggins. We hit the floor. Yeah, we turning hardcore Gonna settle every score Gonna win this holy war. Some of my friends have even asked me, walton, what's it like to become a sex symbol at 53 years old?

[Tim McKay]

And you know what? If I'm being honest, it feels fantastic.

[Maureen Callahan]

Maybe. Maybe what I really want is to.

[Bill from Brooklyn]

Be one of these Asian girls.

[Tim McKay]

Really?

[Bill from Brooklyn]

You know, not really, no.

[Tim McKay]

Really, really.

[Bill from Brooklyn]

So one night I took home some girl, turned out to be a lady boy, which I'd done before, but this time instead of the lady boy, the lady boy me. And it was kind of magical. And I got in my head that what I really wanted was to be one of these Asian girls getting by me.

[Maureen Callahan]

And to feel that Sam Rockwell, who by the way, is Leslie Bibbs, partner in real life, is definitely getting an Emmy for that little monologue. And wasn't Walt a genius in his reactions? Again, I haven't gotten my SAG card yet. I've only got three acting gigs under my belt. I think I could cover a reaction shot like that. Thoughts as to the content of that soliloquy, Tim?

[Tim McKay]

I just think it's interesting this season because there's this whole conversation that just happened and then there's a whole other plot line of brotherly incest that's going on.

[Maureen Callahan]

That's right. With Schwarzenegger.

[Tim McKay]

So it's just like, let's just take all the taboos this season. And I think they were all written by the same person.

[Maureen Callahan]

Mike White.

[Tim McKay]

Yeah, Mike White. So I feel like, what's going on up there?

[Maureen Callahan]

I did wonder about Mike White with what really, if I'm Walt Goggins wife. He's married. There is a love scene in I think episode two or three that is so intimate that it became clear that he and his scene partner, a young actress named Amy Lou Wood, we're definitely having an off screen relationship.

[Kinsey Schofield]

Allegedly. Allegedly.

[Maureen Callahan]

Allegedly. Reportedly. Just my opinion, which might have explained.

[Kinsey Schofield]

All the hostility at the end of the season where there was an unfollow on Instagram. Then they had to address it. Allegedly. Allegedly.

[Maureen Callahan]

And is he like. That was where he was making fun of her teeth. Walt made fun of her teeth.

[Kinsey Schofield]

Did he or did he do Saturday Night Live after they did? And that's what hurt her feelings. Remember he liked the Saturday Night Live skit where they made fun of her teeth and then he hosted it shortly afterwards. But can I just say, that's how they fight.

[Maureen Callahan]

Oh yeah, he's very mature. I mean, he's like a 50 something year old man.

[Kinsey Schofield]

I loved him in righteous gemstones. I love righteous gemstones. But him and the Pedro Pascal. I would rather die in a fire.

[Maureen Callahan]

Everybody loves Pedro Pascal. Pascal. What am I missing?

[Kinsey Schofield]

What am I missing? Him and Walter, you are a handsome man.

[Bill from Brooklyn]

Thank you.

[Kinsey Schofield]

But Walter Goggins, I just.

[Maureen Callahan]

Not Walt Goggins. They're calling him as sort of like the ugly, sexy kind of guy. Like, you see him now on social media. We were going to show some of this, but, you know, we have a. We have such a wealth of material. But he was most recently seen on social media, I think, in his recording studio, laying down some tracks, like some vocals.

[Kinsey Schofield]

That's okay. I don't need that in my life.

[Maureen Callahan]

I think. I think once you're over 50, there's. There's a level of, you know what?

[Kinsey Schofield]

Unless you're Kathie Lee. Kathie Lee over 50. Give that girl a microphone.

[Maureen Callahan]

That's fine. But, like, what I want to see in an older gentleman is like, I want to see a Pierce Brosnan kind of aging.

[Kinsey Schofield]

Yes.

[Maureen Callahan]

I want, like a silver fox, distinguished, slightly European kind of aging.

[Kinsey Schofield]

I couldn't get behind that.

[Tim McKay]

I'm not going to lie. I think he looked. He looked a little good in those underwear and those. Speed up.

[Bill from Brooklyn]

We're going to see that.

[Tim McKay]

It wasn't the worst I've ever seen.

[Maureen Callahan]

I don't know.

[Tim McKay]

I'm just saying.

[Maureen Callahan]

Okay, Tim. Just. Just aesthetically.

[Tim McKay]

Aesthetically, yeah.

[Maureen Callahan]

I mean, I saw it come up bright yellow. Now, did you see the accompanying photo shoot where he was wearing cowboy boots with those.

[Tim McKay]

Well, no, and I don't know if I want to.

[Maureen Callahan]

Now, would that change your opinion?

[Tim McKay]

Absolutely.

[Maureen Callahan]

As it should. Is.

[Tim McKay]

It's underwear with a little. With cowboy boots.

[Maureen Callahan]

Sorry. I think it's a swimsuit. Swimsuit. So it's a little thicker. Yeah.

[Tim McKay]

I don't know. It was a quick flash. His stomach looks good. I'm trying to work out, too.

[Bill from Brooklyn]

So I guess this is why you have a diverse panel. So we get different opinions on this one.

[Maureen Callahan]

Bill, I know you were not a White Lotus viewer, but when you watch a scene like that, what goes through your mind?

[Bill from Brooklyn]

I mean, I just look at him as an actor, and I just. All I see is a guy that didn't get enough attention in his 20s and 30s and is just dying for it now, doing anything he can.

[Maureen Callahan]

It's the lesson.

[Bill from Brooklyn]

No confidence at all. Just putting himself out there for as much attention as possible.

[Maureen Callahan]

Yeah.

[Kinsey Schofield]

Yeah.

[Maureen Callahan]

Okay. Another memorable moment. Okay, first, we're going to take a look at, I think, the fashion moment of the year. I know we have a few months left, but I think this is it. And then we're going to follow that with what I'm going to say is one of the best, worst scenes ever committed to film aired on streaming, premium streaming. By the way, this hbo Max. Now, it's just. It's hbo, Max. Whatever. Okay, first. Here we go. Here we go.

[Kinsey Schofield]

That's hilarious.

[Tim McKay]

Oh, my goodness.

[Maureen Callahan]

Oh, my God. We're having some technical difficulties. We're working out our very first live stream. Okay, so SJP in the hat. Now, she doubled down, as she always does, and said, listen, this is high fashion. I found this milliner. She's so precious. I found this milliner who makes, like, seven hats a year in, like, Norway or Denmark or something.

[Tim McKay]

I don't buy it.

[Maureen Callahan]

You don't buy it? Where do you think it came from?

[Tim McKay]

Well, I mean, I'm sure I don't care where it came from. I just don't buy that. Like, I have lots of rich clients that live here in Manhattan. No one dresses like that. No one looks like that. I've many a rich client.

[Maureen Callahan]

You have said this before, that the way Carrie Bradshaw is sauntering around town, she not realistic.

[Tim McKay]

I mean. And that's the thing is you can defend those pieces all day. Like, you know, I'm sure they were made by designers.

[Maureen Callahan]

Sure.

[Tim McKay]

But at the same time, like, you don't see anyone dressing up like that. I mean, you don't see her. I saw her coming out of the supermarket recently. I was like, she doesn't dress like that in real life. It's a little theatric.

[Kinsey Schofield]

I think that she's missing Patricia Field, who jumped ship to go to Emily in Paris. Patricia had the right idea because just like that was a, you know what show. And you can tell when you watch the show that Patricia Field, like, they don't even remember her fondly anymore. I think that they dress. It was not even camp. It was. Somebody ran into a Goodwill and they raided it, and now it's like a Tetris game trying to get this stuff on her body.

[Maureen Callahan]

100%. Bill, what do you think? What do you think?

[Bill from Brooklyn]

I mean, I'm definitely not a viewer of the show, but I can't believe no one told her that was a bad idea.

[Maureen Callahan]

They tried to. So here's what happened. The showrunner, a very misogynistic older gay man, told her, I don't think this hat works. And she said, trust me, I know what I'm doing. So my theory is that they all actually kind of hate her, so they.

[Bill from Brooklyn]

Run her out there like that. That makes sense.

[Maureen Callahan]

Yeah. We have our version of the hat and a very special guest star who's gonna show up in his interpretation as well. Bit of a drag performance, if you will. Okay, now, before we get to some Looks we gotta do this. We gotta. I. When this scene unfurled itself on my television screen. I mean this is a hard season to pick from because we also could have shown Rosie O in bed with Cynthia Nixon. We decided to spare you guys that. But in case you missed it and Bill. This will be a first for Bill, so you might want to after. We're gonna go to you first after this scene. Okay? Prepare. Gird your loins carries on off. Beautiful Aiden calls her from a dark field in Virginia and would like to engage in some phone romantic sexual activity. Let's go. If I was there right now.

[Tim McKay]

I'd.

[Bill from Brooklyn]

Be touching you the way you like. I remember you like me to touch you.

[Maureen Callahan]

I do.

[Bill from Brooklyn]

Touch yourself. I'm right there.

[Tim McKay]

God, with.

[Maureen Callahan]

What happened.

[Kinsey Schofield]

Oh, I hated here.

[Bill from Brooklyn]

I scared myself. I hit the horn with my knee. I think I might have shit my pants a little.

[Kinsey Schofield]

Oh.

[Maureen Callahan]

Oh my God. Oh my God. Oh my God. Oh my God. Oh my God. Oh my God. Who writes this? I traumatized all over again. I am re traumatized. Bill, you're a dude. As a straight male dude. That guy jerking off in a pickup truck and then telling the woman he's trying to woo. I think he's just trying to get his rocks off that he sharted. He was so excited that he sharted his car.

[Bill from Brooklyn]

For Sarah Jessica Parker no less too. It makes it even worse.

[Maureen Callahan]

Oh my God.

[Bill from Brooklyn]

Who writes this stuff?

[Maureen Callahan]

Like why a misogynistic gay man.

[Kinsey Schofield]

You would definitely do a better job. You would never put them in that.

[Bill from Brooklyn]

Position in the middle of the woods in a pickup truck.

[Kinsey Schofield]

I mean, my God, John Corbett of Tombstone fame.

[Maureen Callahan]

I didn't know he was in Tombstone.

[Kinsey Schofield]

Yeah, I mean he dies in it, but spoiler alert. But Tombstone.

[Bill from Brooklyn]

I just started watching it.

[Maureen Callahan]

Thank you. Oh, really?

[Bill from Brooklyn]

I just started yellow.

[Kinsey Schofield]

It's a movie. How did you just start?

[Bill from Brooklyn]

Oh, I'm sorry. I'm thinking Yellowstone.

[Maureen Callahan]

Oh, Yellowstone.

[Bill from Brooklyn]

Yellowstone, yeah.

[Maureen Callahan]

Kevin Costner.

[Kinsey Schofield]

Yes.

[Maureen Callahan]

Yes. Ok.

[Kinsey Schofield]

This is Val Kilmer's tombstone.

[Maureen Callahan]

Oh, Val Kilmer's tombstone. Val Kilmer is very near and dear to Kinsey's heart. So a moment, Tim. Yes, please. Your thoughts?

[Tim McKay]

I just think phone sex is just always a little uncomfortable. Especially just seeing Sarah Cecilia Parker doing it.

[Maureen Callahan]

Nobody wants to see that.

[Bill from Brooklyn]

I don't know.

[Tim McKay]

I can't handle the tenderness. I can't handle it just makes me want to rip my skin off.

[Maureen Callahan]

Nobody wants to see that. We are going to show you some live looks from the Emmys when the real fashion icon slash disaster show up. Currently Ben Stiller's on. It's not worth cutting to. What do we think of his hair system? Allegedly, reportedly. Just my opinion.

[Kinsey Schofield]

Oh, wow. I think it probably needs to be vaccinated and have flea medication occasionally.

[Maureen Callahan]

It's multicolored. You don't often see that in a hair system.

[Bill from Brooklyn]

It's even growing around his face.

[Maureen Callahan]

You know, I feel like this is a thing. Jimmy Fallon has been doing this forever. He's got this little lick of hair that just so whimsically. Curly cues right here. And it's supposed to make us think that's his real hair.

[Kinsey Schofield]

Really?

[Maureen Callahan]

But it's stationary. Like, it never moves. So it's clearly a system.

[Kinsey Schofield]

Right. That's interesting. What I think about when I look at Ben Stiller and his wife. They were separated for a little while.

[Maureen Callahan]

That's right.

[Kinsey Schofield]

Together is now they're unleashing their daughters on us, the Nepo babies. One of their daughters was just in an Off Broadway production. I think another one is getting into the entertainment business. So when I see them, I just think, to steal your words, gird your loins. Because their children are about to haunt us, Blue Ivy style.

[Maureen Callahan]

Well, you know, it's funny you mentioned that. Kinsey, because their daughter Ella played. She was on Just like that, the final episode. She was Brady's hookup, who was like, excuse me. This embryo, this fetus is non binary.

[Kinsey Schofield]

Oh, God.

[Tim McKay]

What? That was her?

[Maureen Callahan]

Yeah.

[Bill from Brooklyn]

Oh, my God.

[Maureen Callahan]

That's the product of those.

[Kinsey Schofield]

Yeah.

[Tim McKay]

Horrific episode.

[Maureen Callahan]

Horrific. All right, listen. We're doing it. We're doing it live. To quote Bill O'Reilly, We've got Walt Goggins on the red carpet. Let's take a look. Oh, God. Oh, this guy.

[Tim McKay]

Rock and roll.

[Maureen Callahan]

And the wife. No accident. They're dressed in the same color palette to show unity. That's fine, right? They're fine. They're great. Walt may have effed the brains out of his co star, who years younger, allegedly. Look at. Look at this. He looks like a gigolo.

[Kinsey Schofield]

I like that they both stopped buttoning their tops at the exact same time. They were like, you know what?

[Bill from Brooklyn]

Symmetrical.

[Kinsey Schofield]

Right above the belly button. And then I'm going to take, you know, right above the belly button, and then we're just going to let it all. Let our freak flags fly.

[Maureen Callahan]

Can we also just assess for a moment that is a chest wax job. That is clearly a chest wax job with body makeup.

[Kinsey Schofield]

Something I didn't want to think about today, but thank you.

[Maureen Callahan]

Now I don't.

[Kinsey Schofield]

Do you have experience with this?

[Bill from Brooklyn]

No.

[Maureen Callahan]

With waxing Tim, do you have experience with body waxing?

[Tim McKay]

Well, can I really tell you I've only done it once?

[Maureen Callahan]

Please do.

[Tim McKay]

It was on my backside and I broke out in hives all over.

[Maureen Callahan]

Oh, no.

[Tim McKay]

Yes. Never did that again.

[Maureen Callahan]

Did you go to a good esthetician or was this just sort of like a random?

[Tim McKay]

I was 19 years old, new in New York, and I went wherever my friend told me to go.

[Maureen Callahan]

Oh, that's brutal.

[Kinsey Schofield]

Don't ever do Groupon.

[Tim McKay]

So I've never done that again.

[Maureen Callahan]

You know, I'll tell you something. This is. Is where women are a lot tougher than men. We are like the Seal Team 6 of waxing because we get waxed all the time and you just get used to it. You know, it's just like, go ahead, strip of my skin off. You can handle it.

[Tim McKay]

You know, in his mind, he's just thinking, sex symbol, sex symbol, sex symbol.

[Kinsey Schofield]

I need to kind of let that go.

[Maureen Callahan]

And Jason Siegel so into his sex symbolism.

[Kinsey Schofield]

Jason Siegel has had a spray tan recently.

[Maureen Callahan]

Oh, my God. Speaking of. Sorry, I'm blocking this. By the way, on our dartboard, here's.

[Kinsey Schofield]

Oh my gosh, the one and only.

[Maureen Callahan]

Walt Goggins, large head. And this is the cultured mag shot. We've got a dart right there as a crotch. Hope you enjoy that waltz. That's your award from the Nerve Central. Okay, while we wait for hopefully Tracee Ellis Ross to alight on the red carpet with her dry brush. Did you guys happen? Did you. Who do. Sorry, I'm getting word that we have. Who do we have? Oh, yeah, I don't know that we really want to see her. Yeah, nobody cares. So she has a Hulu show called solo traveling or solo traveling with Tracee Ellis Ross.

[Tim McKay]

Roku, Roku.

[Maureen Callahan]

Roku. Thank you for correcting me. Have you seen it?

[Tim McKay]

No, but I've heard you talk about it.

[Maureen Callahan]

The premise of this show, Tracy is an intrepid solo traveler and she loves to travel the world. And so what she does is she gets in first class cabins, she flies to these places, and she never leaves her resort. She never leaves. She just stays in her five star hotel. She's a scaredy cat. She's a scaredy cat. She doesn't want so. But this is supposed to be compelling television. What's compelling about this to me is we see her. How do I put this? She's performing acts of personal hygiene self care on an airplane. Let's take a look at this. Dry brushing her entire body. And she thinks this is glamorous. Oh, lifting her leg up. It's disgusting. It's so disgusting. We know she did a. She. She did a response on social media to the nerve. We know you're watching, Tracy. It's disgusting. If none of your friends or your help or your PAs will tell you, we're here to tell you. Stop doing that in public, because this is what. This is the direct result, what we are about to see. This is a real video taken on the New York City subway this week.

[Kinsey Schofield]

Oh, no.

[Maureen Callahan]

No.

[Tim McKay]

I was on that.

[Maureen Callahan]

Oh, no.

[Kinsey Schofield]

That is nasty. That is real nasty.

[Maureen Callahan]

So, you know, there are real world consequences, Tracy, to putting stuff like that out on a streaming service. Have you ever.

[Tim McKay]

I think because everything was so first class. Like, the hotels were first class. Her travel was first class. That maybe that was her way of, like, being a little bit more relatable. Like, oh, look, even I have to do this stuff too. I'm, like, just being kooky with my legs up. Like, I don't know. I think that's what it was like trying to relate to the audience a little bit more since it was such a out of touch trip.

[Maureen Callahan]

But that makes it seem even more out of touch, like first class when.

[Kinsey Schofield]

Our knees are up against the person in front of us. Yeah. We're not able to do aerobics.

[Tim McKay]

And when I flew to Turkey for my hairline, I wasn't like that.

[Maureen Callahan]

Your hairline's looking incredible, I have to say. How is it flying for Turkey?

[Tim McKay]

Turkish airline. For Turkish airline.

[Maureen Callahan]

Yeah. How's the Turkish airline?

[Tim McKay]

It was good. It was good. On the way there, it was very tight. But then on the way back, I made sure to upgrade my seat because I'm just so tall.

[Maureen Callahan]

You're so tall.

[Tim McKay]

Who am I kidding?

[Maureen Callahan]

I can't.

[Tim McKay]

Yeah, I just fly coach. I know. I actually still flew coach. I just kind of got one of the seats that have the emergency row so that it was like an extra 200 bucks, but just, like, I had a little extra leg room. So that was great.

[Kinsey Schofield]

Live your best life.

[Maureen Callahan]

Yeah, absolutely.

[Tim McKay]

It was an airline. You know, they give you food, I think.

[Maureen Callahan]

Yeah.

[Kinsey Schofield]

Well, will we fly someone to Turkey if they can bring us one of her toenails? Like, after. If you go into Tracee Ellis Ross's after a flight and if you can provide a toenail. Well, we just.

[Maureen Callahan]

First of all, I want to know if Tracee Ellis Ross has ever flown any given airline that I'm going to fly, because those skin flakes and dust mites get into that is a centralized air system. That is recirculating air. This is what an asshole this woman is like and how dumb she is. She doesn't know this, but she loves to show up on red carpets and be like, I'm so sophisticated. I'm so avant garde. I'm so cultured. And we look at something like that and it's the exact opposite.

[Tim McKay]

Yeah, it'd be funny if those were actually private flights. And she just, like, set up a little fake wall next to herself to make it look like she was in first class, but it was actually a private flight. She had the whole thing.

[Maureen Callahan]

This is a very good point, Jim. She's Diana Ross's daughter. She was on Black Ish for years. She's friends with some heavy hitters like Oprah and Barack Obama.

[Kinsey Schofield]

She's actually Simpson's sister in law.

[Maureen Callahan]

For real. That perhaps most. But my point being, I don't think anybody wants to let her on their private jet. And that's the reason. Because she does that shit.

[Kinsey Schofield]

She's shedding.

[Bill from Brooklyn]

How do you not know? Like, there are social media pages dedicated just to behavior. Like we saw on the subway. And then you go and do this and then purposely put it out there.

[Maureen Callahan]

For people to see. Like, I think she thinks it's glamorous. Look at my glamorous life. All right, so let's look at. We pulled some historical best and worst looks past Emmy looks. Now we want to begin with the one and only Lena Dunham, who has a show, a new show this year on Netflix called Too Much, which is a flop, epic flop.

[Kinsey Schofield]

Too much tall.

[Maureen Callahan]

We are looking at Lena here. This is at the 2014 Emmys in Giambattista Valley. And one has to wonder if the design house was trolling her.

[Kinsey Schofield]

I mean, it's giving my super sweet 16 from MTV.

[Maureen Callahan]

Uh huh.

[Kinsey Schofield]

And what was the. And who was the. Who did Johnny Depp play? The chocolate guy.

[Tim McKay]

Willy Wonka.

[Maureen Callahan]

Willy Wonka.

[Kinsey Schofield]

Willy Wonka. The hairdo is giving very, very much giving Willy Wonka.

[Tim McKay]

And she was trying to audition to be in the Wicked movie, clearly as the. What's her name? Glenda.

[Kinsey Schofield]

Oh, I was just gonna go Ariana Grande.

[Bill from Brooklyn]

I look at this and I feel like she got dressed in the dark and didn't know what the dress was. And for the first time just looked in a mirror and saw what it is. Just look at her face.

[Kinsey Schofield]

No, her face does say that.

[Maureen Callahan]

Well, you know what she does? The pose she loves to do on the red carpet is the drop mouth. Like, I'm sexy. The I'm Sexy mouth. Is it a Kardashian mouth? What would we call it? Like a, like a little, like a JLo JLo adjacent, right? Yeah. So. But to me, this is a very strange choice because it makes me think her stylist hates her. Like, she's a big girl. She's even bigger now. I think there's some undiagnosed mental illness going on. Just my opinion. And it's like they took a girl who isn't thin or fit and they made her look bigger. They took a big girl and they made her look like. Christian Siriano is a genius when it comes to dressing women of every size and he always makes them look tailored and elegant and glamorous. But this, and this is a top design house.

[Tim McKay]

Is that a button down shirt?

[Kinsey Schofield]

Yeah, I think you. No, I think you're absolutely right.

[Tim McKay]

They said I have this shirt with me.

[Maureen Callahan]

Oh, do you think it's two pieces?

[Kinsey Schofield]

Cheapens it.

[Maureen Callahan]

Can we throw that up again? Can we throw up Lena again and just take another quick look at that.

[Kinsey Schofield]

I think that the troublemakers will get mad at us if we don't acknowledge that one of the reasons that there is disposition for this woman is because of what she wrote about what she did to her sister in her book.

[Maureen Callahan]

Of sexually violating her sister.

[Kinsey Schofield]

I think it's important that we acknowledge that. I mean, she's an odd character in general, but a lot of the troublemakers, that's really where their issues lie with this individual.

[Maureen Callahan]

I actually think you're 100% right. And this again goes to like, who still gets work in Hollywood and why?

[Kinsey Schofield]

Yeah.

[Maureen Callahan]

How does this woman still get work? She wrote about molesting her sister.

[Kinsey Schofield]

It's disgusting.

[Tim McKay]

Is she a Nepo baby?

[Maureen Callahan]

Semi. Her father is an outsider artist. So here's the deal. Her father is a very. His work is very sexually charged, like to the point. It's actually, it's vulgar and I'm no prude. It's vulgar. And her mother is also an artist, but her medium is dollhouses.

[Kinsey Schofield]

Oh, what a weird background.

[Tim McKay]

That is odd. Making her own kind of like hereditary.

[Maureen Callahan]

Yes, yes. Kind of like Toni Collette, right? Yes. Oh, we're seeing another look. We're going to get this up. This is the. The actress who suddenly came. This is another middle aged actress who hit it and seems actually to have like some class and dignity. The woman who plays the nurse on the pit. Have any of you guys seen the Pit?

[Kinsey Schofield]

I have, I've tried. I haven't gotten into it yet.

[Maureen Callahan]

You haven't? It's not for you.

[Kinsey Schofield]

I'm sorry.

[Maureen Callahan]

I loved it.

[Tim McKay]

I dabbled in it. But I do love this actress, though. I knew her from another show. I think it was Devious Maids Cherry.

[Maureen Callahan]

Oh. Like it was the follow up to Desperate Housewives.

[Tim McKay]

Kind of like that. And she was hilarious.

[Maureen Callahan]

You know who she's married to? That Fox Grant show from Melrose Place, who's aging really, really beautifully. Yeah. Oh, my God. Coming up any minute. Okay, let's take a historical look. Let's. What is she? Oh, she's got a. She's making a political statement on her handbag.

[Tim McKay]

Oh, I see. Okay.

[Maureen Callahan]

Cease fire.

[Bill from Brooklyn]

She's fire.

[Maureen Callahan]

So, all right, we're getting a lot of these looks up. Okay. So let's do a historical look. Let's do a historical look at Jennifer Aniston, okay. Who's coming back to our screens on September 17th with season four of her highly mediocre morning show. Now, Jennifer Aniston. This woman confounds me because she's been famous for, what, 40 years now? So, yeah, right about feels like it.

[Kinsey Schofield]

We've had a long time.

[Maureen Callahan]

Her looks never change.

[Kinsey Schofield]

Yeah. Well, we'd love to talk to that doctor.

[Maureen Callahan]

No, but, like, her red carpet looks never change. I feel like I always do. We have her. Can we pull her up on our screen so we can get a few looks of Jan Aniston? We're having some. Okay, it's coming. Marlena says it's coming. She's doing a lot back there, but I know what you mean.

[Tim McKay]

That silhouette that she always has, it's.

[Maureen Callahan]

Like a column dress, right? It's like a strapless column dress. And then. Here we go. Here's one. Here's one version. I have my notes as to what that one. Oh, That's Golden Globes 2024, custom black Dolce and Gabbana. It looks like she could have gotten this off the rack of TJ Maxx.

[Kinsey Schofield]

Yeah.

[Maureen Callahan]

She does not possess that inner thing that turns like, a dress into a look into an iconic moment. She just does not. And then we've got another one of her. If we can show it in white. This is jen at the 76th Emmy Awards. 2024. Again, Oscar de la Renta. It's kind of mother of the bride. I do have a friend whose mother said, I'm gonna wear white to your wedding.

[Kinsey Schofield]

Oh, that's awful.

[Maureen Callahan]

And my friend had to say, please don't. That's not proper etiquette. And she pretended not to know what she was talking about. My friend won in the end. Yeah. And then we've got another look of hers at the Emmys with Brad Pitt back when they were married. This is. Oh, my God. It's like the same dress.

[Kinsey Schofield]

It's almost the exact same dress.

[Maureen Callahan]

She's so boring.

[Kinsey Schofield]

She's safe. She's very safe. I think that. That, you know, when you look good, you look good. And I'm not gonna critique her here because I think that she knows what looks good on her body. I went through old lipstick. Lipsticks, Maureen, like, years. And I realized how I tried to force the pastel peach lip gloss on myself. My body. That's not for me.

[Maureen Callahan]

Rejected it. That's not for you.

[Kinsey Schofield]

But I did it for years. And I think if I would have gone back and told myself one thing, it's like, find what works for you and try to do it versus being trendy or going with the trends. So I actually admire that she's boring.

[Bill from Brooklyn]

I agree. I give her credit. I mean, she looks great in everything she's wearing. You don't ever. You know, there's no Lena Dunham dress out there of her. Some horrible look that you just go back to. I think she knows what she looks good in. She's comfortable with it, and she stays with it.

[Tim McKay]

She recently. She came out recently in an interview, I think, and she said that she is more of a jeans and sneakers girl. So if that's true, then maybe it's a little bit more of a chore for her to get dressed up and she wants to just. She's like, just put me in whatever looks good on me. I already know it looks good. Maybe it's like one of those situations. Unless she's just saying that to be humble.

[Maureen Callahan]

I don't know. But that makes sense. That actually makes sense, that maybe she doesn't really love the dog and pony show of it, you know, because it.

[Tim McKay]

Looks like she just kind of throws on this, like, simple dress and, like, takes the photos. And she never causes, I don't know.

[Kinsey Schofield]

A stir on the carpet. Because if you think about it, we never see the over the top behind the scenes of her getting ready for award shows. You know, how we'll see everybody with their Lima laser and the patches on their eye and, you know, she. We never get that kind of stuff from her. So maybe it is a chore. Maybe she's like, I'm here.

[Maureen Callahan]

That's true. Well, again, if anybody's wondering about how Jen stays so youthful looking, she recently told Glamour magazine that it's optimism.

[Kinsey Schofield]

Oh, okay.

[Maureen Callahan]

Probably some water, Some smart Water.

[Tim McKay]

Yeah.

[Maureen Callahan]

Some smart water. Yeah. Yeah, that's that look.

[Kinsey Schofield]

Didn't we also see pictures of her and Courteney Cox coming out of some, like, Botox doctors?

[Maureen Callahan]

Oh, that's the famous shot. I wish we had it. I wish we prepared for this eventuality. Kinsey, it was Courtney, Jen, and I believe Sandra Bullock all exiting a very, very high plastic surgeon. And, you know, this is high end because he's in Connecticut.

[Kinsey Schofield]

Yeah.

[Maureen Callahan]

He's not in Manhattan and he's not in la. He's in Connecticut.

[Kinsey Schofield]

That's hilarious.

[Maureen Callahan]

Now, I saw Courtney, by the way. Did you guys happen to see her at the U.S. open? Mm. She was in the stands. I think she's gotten the same lower facelift that Jen got.

[Kinsey Schofield]

Oh, really?

[Maureen Callahan]

Where? Because, like, her mouth is stretched out. You know how, like, the golden ratio is, like, the end of your lips or, like, the center of your eyes and hers are stretched out almost to the ends of her eyes. And it's so unsettling to see. It's so sad to look at. She was such a beautiful, beautiful look.

[Bill from Brooklyn]

She's had that look for a while, though. She had that kind of joker thing.

[Maureen Callahan]

You know, you can't reverse it.

[Tim McKay]

She's in the Scream movies right now, and I'm a huge horror movie fan. I love slasher movies. Screaming, which is great. Yeah, right. And she just did the Scream six one in New York City. And I did. I noticed that a little bit. I. I heard that she had all of her fillers dissolved, but I think once you do that, it kind of, like the skin's already been stretched. So, you know, that's one of the.

[Maureen Callahan]

Things my derm told me, like, that it's this, like, bilateral lower facelift, and they go in and they only lift this part, and they don't take into account, like, none of the rest of the musculature of the face is touched. So it's like. It. It's amazing to me that in this day and age, with the technology and the surgical procedures, these women with all the resources in the world, like, wind up with that. All right, we're getting ready. The gavel's getting ready because we got Meg Stalter, who plays Lena Dunham's alter ego in Too Much on the red Carpet at the Emmys. And this is a look, people. This is a look. We've foregone Spanx. Good for her, I guess. We're in full body positivity. We are in jeans. This is not Sharon Stone at the Oscars or the Globes in Like a Gap tee and a black taffeta look for the ages. Oh, here come the sunnies. The sunglasses. Oh, look. Look at how effing cool we are. We've got what looks like a Mansur Gav. Gab. How do you say that, Tim? Gavriel bag. Monsieur Gavriel. You know, those bucket bags. Whatever. Anyway, she's got a political statement on it that says ceasefire. And. Yeah, she's in belted jeans and she's posing for her life. Look at. Oh, she's full Zoolander. Full blue steel. Honey, Ben Stiller's already there. You can't compete with that. Bill, to you, please explain. Describe what you're feeling.

[Bill from Brooklyn]

Again, another. Like, they gotta have somebody at home. Just give them an honest opinion before they leave. And just the attitude, walking out there. Just walk out there happy and say, I'm blessed to be here in front of everybody and be a celebrity. And you walk out with that outfit.

[Maureen Callahan]

On, jeans and a T shirt.

[Bill from Brooklyn]

Just, like, dress for the moment, be in the moment. Try to be a little bit happier. And then to have that sign up, I mean, it looks like you just printed it on your HP LaserJet and taped it to your back.

[Maureen Callahan]

I actually think she hand wrote it, Bill.

[Kinsey Schofield]

Yeah.

[Maureen Callahan]

Credit where it's due. I think she took a sharp.

[Bill from Brooklyn]

I mean, I'm wearing my glasses so it looked like, you know, maybe my eyes were off a bit.

[Maureen Callahan]

I wonder how she affixed that. Kinsey.

[Kinsey Schofield]

You and I have covered Entertainment collectively, probably 40 years.

[Maureen Callahan]

I mean, how dare you?

[Kinsey Schofield]

Well, I know. Collectively, okay, 40 years. This is why we don't like red carpets. This is why we don't like award shows anymore. We want to escape. We want to see glamour. We want to see gorgeous people.

[Maureen Callahan]

Yes.

[Kinsey Schofield]

We do not want to be reminded of the bad news. There's bad news hitting us Left and right 24 hours a day, seven days a week, thanks to social media. I know she thinks that she's making some point and this is great PR for her. And you know what? She's so cute in hacks, but she.

[Maureen Callahan]

Is funny in hacks.

[Kinsey Schofield]

Yeah. But we want to escape, and we want to forget about what's happening and what's keeping us down. And so I think that this was not a great move for her.

[Maureen Callahan]

Yeah, Tim.

[Tim McKay]

No, I agree.

[Maureen Callahan]

You sound bummed out.

[Tim McKay]

I am, kind of.

[Kinsey Schofield]

Do you wanna hug?

[Tim McKay]

No. I mean, I 100% agree with you that I do. I miss, like. I guess it reminds me of watching these shows with my mom and, like, just how much effort went into it back in the day, and, like, the glamour and it wasn't so political. Now everything is so political. And it's just like, she's gonna look. She literally. I can even hear it now that she said, if I'm gonna go to this, then I'm gonna just wear the clothes I was wearing, and I'm gonna.

[Maureen Callahan]

Oh, here she's getting interviewed. I mean, we're not gonna show the interview, but. Oh, so she. So we've got. Here's her glamour, her red lip, her manicure, which, like, I find this. I find this something very interesting that people do who you can sense, do not feel that the best about themselves. They'll make sure their hands look impeccable. So it shows you that they do want to look nice. That's a. That's an indicator to me. I do want to be pretty. I do want to be glamorous on the red carpet. But, like, look even at her foundation garments. You guys like that bra. That is a cheap bra. I can see the bra line, and I can see the boob coming out of it. Like, who is her stylist?

[Kinsey Schofield]

Peekaboo.

[Tim McKay]

And next to Heather, too. I think Heather looks great in the blue dress.

[Maureen Callahan]

Who are you looking at, Heather?

[Tim McKay]

The woman interviewing her.

[Maureen Callahan]

The woman interviewing. Yeah.

[Tim McKay]

She looks great, I think, in the blue dress.

[Maureen Callahan]

That is a great dress.

[Tim McKay]

I think it fits her really great. And it's just. She's next to this woman who just looks like she didn't give a crap.

[Bill from Brooklyn]

She looks like she prepared herself and came to work today and said, all right, today's my day. I have to be here.

[Tim McKay]

She appreciates it.

[Bill from Brooklyn]

Yeah, 100%.

[Maureen Callahan]

And I just think it's so rude to go on the red carpet in sunglasses and then be interviewed. Not only talk to your correspondent, but collectively. Now she's looking at the camera, to us with her sunglasses on. I wouldn't dream of doing a nerve with sunglasses on. How disrespectful.

[Kinsey Schofield]

Well, Anna Wintour somewhere going.

[Maureen Callahan]

I would. Well, Anna Wintour has been taken out back and kicked upstairs.

[Kinsey Schofield]

That's true. That's true. She learned the hard way.

[Bill from Brooklyn]

Oh, here she has the show.

[Maureen Callahan]

All right, we'll be hearing about this tomorrow. She just wants the clicks and the likes. She wants to be trending. That's what that's about. If you asked her sister, what do you know about the geopolitical history of any given. It's like, we're going to take a look at the one and only Jennifer Coolidge who rode the white lotus for a Good. Three years.

[Kinsey Schofield]

Oh, yeah.

[Maureen Callahan]

Had one of the best endings of an arc I've ever seen on television, period. Yeah. She's coming in. She is in black. Okay. She's in. It looks like. What is this exactly?

[Kinsey Schofield]

Well, it's cute. I mean, I think that that's cute.

[Maureen Callahan]

It's giving me Mafia wife.

[Kinsey Schofield]

Is it.

[Tim McKay]

Is it sleeves with gloves or is that a sleeve glove?

[Kinsey Schofield]

I feel like the sleeves are gloves.

[Maureen Callahan]

No, I think he detaches the wrist.

[Tim McKay]

You can see.

[Maureen Callahan]

Because that would be hot all night long, right? I mean, I think the hair looks good. I think the makeup looks good. I think the jewelry looks great. She looks like she's having a great time.

[Bill from Brooklyn]

Yeah, she looks great. I feel like her body language is. She's not very comfortable up there, and she's trying to completely cover herself.

[Maureen Callahan]

I think you're right.

[Bill from Brooklyn]

But she looks great.

[Maureen Callahan]

I think she does look great, too. She's a very, very likable person.

[Kinsey Schofield]

She always does the best speeches. She gets up there, makes everybody laugh and cry. I think she's a treat. So I'm happy to see her.

[Maureen Callahan]

That's. Yeah, I am, too. We do have Ben Stiller. We can all take a look at Ben, who is the. The guy who's basically the showrunner at this point. The director of Severance, which is a really hot show. He is also known for being one of the most difficult men in Hollywood to work with. A lot of anger issues, apparently.

[Kinsey Schofield]

Wow. I don't know if I knew that.

[Bill from Brooklyn]

Yeah, I didn't know that either.

[Maureen Callahan]

Yeah. I mean, that stuff gets like. I remember reading there was a big profile of him in the New Yorker when he made that. He made the remake of the Secret Life of Walter Mitty. And he was trying to be, like, serious Ben Stiller, filmmaker, not like the Reality Bites guy.

[Kinsey Schofield]

Oh, God, I love Reality Bites.

[Maureen Callahan]

That's when he was asked a lot about his anger issues and.

[Kinsey Schofield]

Yes, because did he not clash with Robin Williams on a night. Night at the museum film?

[Maureen Callahan]

I believe that's from. I believe that's correct.

[Kinsey Schofield]

Yes. So I do. I guess I take it back. I did hear that. But Reality Bites. Stiller will always be my favorite Stiller.

[Maureen Callahan]

Ben Stiller show is my favorite Stiller. Ben Stiller doing Tom Cruise with Tom Cruise. The MTV Movie Awards. My favorite Ben and Tom ever. I do believe Emily has some troublemaker. Incoming.

[Kinsey Schofield]

Incoming.

[Maureen Callahan]

Emily's doing a million things tonight. She's doing a great job. Thank you, Emily. All right, we are all together for the first time. It is happening. Okay, let's see. Oh, we've got one Troublemaker. Jeans and a T shirt gets the attention. Jeans on the red carpet. Andy Kiwi. We see you, Andy. The alter ego of Lena Dunham stopped at the Gap first.

[Kinsey Schofield]

That's so funny because I was like, is that Old Navy? But Gap is Gap is the appropriate answer. But I.

[Maureen Callahan]

It's a little more high end than that. Cause he spread it. I remember when the Emmys were glamorous.

[Kinsey Schofield]

Yes.

[Maureen Callahan]

I don't care about their politics. This is all. This is all. Meg Soter did what she came to do, right, Emily? Did she not come what she came to do? CeaseFire Girl didn't put much effort into her ensemble. She should have gone with the Spanx, maybe double up on them, you know, I'm just saying she should be banned. Don't give us your politics. Are those American Eagle jeans? Badly fitted bra, Yes. I love the devil horns jacket, you guys. I wore it just for you.

[Kinsey Schofield]

You do look good.

[Maureen Callahan]

It's our night of. We're taking all the demons out back. Wait till you see our. Wait til you see our In Memoriam segment. Okay, first I gotta do an ad read. Our lovely sponsor for this evening, bringing our first live stream directly to troublemakers. Did you know it's from Masa Chips, which we've been snacking on and I snacked on back in the green room and these things hit the spot. Now, did you know that all chips and fries used to be cooked in tallow up until the 1990s, that is when big corporations switched to cheaper processed seed oils. And today seed oils make up 20% of the average American's daily calories. Recent studies have linked seed oils to metabolic health issues and inflammation in the body. Luckily, there is a healthy, delicious alternative. That's right, Masa Chips. Masa created all of these. Hey, Tim, would you pass me a bag, would you guys? These incredible chips that we see right here. Also, I just love the packaging. You have to love a company that like brings it, like artistically. We have an array here. They did it with three ingredients and no seed oils. Just organic corn, sea salt, and 100% grass fed beef tallow. Trust me, they taste incredible. Plus, Masa chips are crunchier and sturdier than other chips. They leave you satisfied. Light and energetic beef tallow makes these chips much more satiating. So you won't find yourself still feeling hungry afterwards and binging uncontrollably. They come in a variety of flavors. My favorite is the original. I'm an originalist. Just like pop. Culturally don't read into that. But there is also white, blue, lime carbonaro and churro. If you are ready to give Masa a try. And really you should go to masachips.com Maureen and use code Maureen for 25% off your first order. That's masachips.com Maureen. Code Maureen for 25% off your 1st order. And if you don't feel like ordering online, that is not a problem because starting in October, Masa will be available nationwide at your local Sprout supermarket. Supermarket, excuse me. So stop by and grab a bag or two or three before they are gone.

[Podcast Host]

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[Maureen Callahan]

Okay, now back to our red carpet. Incoming. What do we have? Who is next on the red carpet?

[Tim McKay]

Oh, I love that.

[Kinsey Schofield]

Yeah, the white ones.

[Maureen Callahan]

Oh, yeah. Let's do Kathy Bates. Let's take a look. Matlock herself. Okay.

[Kinsey Schofield]

Oh, didn't she say she did Ozempic? Is this, is, is this a result?

[Maureen Callahan]

Yeah.

[Tim McKay]

She got upset about it recently.

[Maureen Callahan]

Did she?

[Tim McKay]

I think she. Because she said it took her over a year to lose that much weight, so. But she didn't say she didn't take Ozempic. She just said that she's not getting the credit because she also worked out for it and dieted.

[Bill from Brooklyn]

So we do it just for credit, not for health.

[Maureen Callahan]

I think that's kind of a churlish thing because Kathy Bates is having a third act. Very talented actress. She's on a sitcom. It was a hit. Out of the gate. It's a reimagining of Matlock with a female detective.

[Kinsey Schofield]

Love.

[Maureen Callahan]

The original Matlock was Andy Griffith. Is that right?

[Kinsey Schofield]

Love Matlock.

[Tim McKay]

I think she looks great, though.

[Maureen Callahan]

I think she looks great. I love this kind of a portrait neckline with like. And I like the back of that too. I'm going to bet you anything is a Christian Siriano.

[Kinsey Schofield]

Oh, yeah, I can see that. The way that it's cut.

[Maureen Callahan]

The way it's cut.

[Kinsey Schofield]

So flattering.

[Maureen Callahan]

It's so flattering. It's got a real dignity to it. It's got some old Hollywood glamour to it. What do we think of the hair?

[Kinsey Schofield]

The hair? Well, it looks chic. I think you're. I think she. Doesn't she have shoulder length hair? I think you're kind of limited when you have shorter hair, right?

[Tim McKay]

You have the high neck, maybe in the back.

[Bill from Brooklyn]

Yeah, she kept the neck or the hood, whatever that is.

[Maureen Callahan]

I just, I don't know. The hair feels a little. It feels a little matronly to me. Whereas I feel this dress is like just tonally perfect. Oh, Chloe Sevigny has arrived on the red carpet and we would love to see Chloe Sevigny if we can. And somebody else. Actually, one of you troublemakers made another funny crack about Meg Salter in the jeans and T shirt. Said she has good jeans. Like Sydney Sweeney. She has good jeans. Okay, so it's cool for Meg Stalter. Sydney Sweeney. We should take a look. As we wait for Chloe to come up, we should take a look at historically, Sydney Sweeney on the red carpet because now we're going to look at some, you know. Oh, yeah, we know we see everybody from the Washington. But let's get, if we can, Sydney up. Here we go. Wow. Hello. Okay, I'm not sure we have. Do you guys have in your packet who this is, who she's wearing? Oh, this is real old Hollywood bombshell. Mew, mew, mew, mew, mew, mew, mew, mew. That's not a designer or a house that you normally see on the red carpet.

[Tim McKay]

It's custom.

[Maureen Callahan]

Is it from what year?

[Tim McKay]

From 2024.

[Maureen Callahan]

Oh, so just last year. So she was really, really cementing her status with that look. If you get Miu Miu to design a custom look for you like that, now what do we think of the cleavage on display?

[Kinsey Schofield]

That's her brand. That's her brand.

[Tim McKay]

Not afraid of it.

[Kinsey Schofield]

Yeah. She has become the titty queen. And if you got it, flaunt it. Unfortunately, mine tickle my knees, so I can't really have this kind of fun with mine. But if you, like you said, got it, flaunt it. I think that that's just become her brand. She's owning it and maybe that's why everything's working out for her.

[Maureen Callahan]

That's a great point. She also seems to really enjoy doing what she does and being where she is. She's not one of the. I don't think we've seen. It's kind of refreshing. A young celebrity who, again, made her name in the White Lotus. The White Lotus really does mint stars.

[Kinsey Schofield]

And they tried to cancel her when she was in Euphoria after her family threw a Maga themed party.

[Maureen Callahan]

That's right.

[Kinsey Schofield]

They tried to cancel her. This is one of several occasions where they tried to cancel her. She is just so confident in who she is and in the work that she does that I feel like we. She's uncancelable right now, which is hard. Hard to be.

[Bill from Brooklyn]

I think she just doesn't. It seems like she doesn't care. You can't be canceled if you don't care if you're canceled.

[Tim McKay]

But she also takes roles in movies where she's not always glamorous. It's not like it's her thing where she only can look good. Like, she was a nun in one movie. I just saw her in another great movie that came out from, like, the 1940s. She played a housewife. Like, she's not taking roles only that only make her look sexy. So I think when she's on a red carpet and when she's being herself, she's like, you know, this is who I really am. I can be sexy, too. And so I appreciate it.

[Kinsey Schofield]

She's playing that boxer where she had to gain weight. Yeah.

[Maureen Callahan]

That is definite Oscar bait. That is, like, definite. I can do Hilary Swank levels. I can do Charlize Theron in monster levels. Like, that is the bar. You know, an actress is gunning for an Oscar if she uglifies herself. Right. Because it's kind of like Hollywood doesn't really acknowledge that you're good at what you do. Unless it's like when Nicole Kidman, didn't she win the Oscar for the hours and she had the prosthetic, the nose. Remember, that was 2001 Oscars. I think that was right after 9, 11, or the 2002 Oscars.

[Bill from Brooklyn]

We had this conversation earlier about Charlize Theron too. Right? The monster.

[Maureen Callahan]

Exactly. Yeah.

[Bill from Brooklyn]

I mean, that's the goal, right? That's why they're all here, is for the acknowledgement to be the top of the game.

[Tim McKay]

Colin Farrell right now. And Penguin.

[Maureen Callahan]

Yeah, I need to watch that. Should I watch?

[Tim McKay]

So good.

[Maureen Callahan]

I love him. I love him.

[Tim McKay]

It's not really a Batman show. Like, Batman's not even in it. It's a, like, crime show. And it's really, really good.

[Maureen Callahan]

I really should watch that. I Don't know why I haven't gotten around to it. I mean, there's been. I've been so busy with the newsreader. You all know my obsession with that.

[Kinsey Schofield]

No, I love the newsreader.

[Maureen Callahan]

Isn't it amazing?

[Kinsey Schofield]

Oh, my gosh.

[Maureen Callahan]

Dying for season three in the States here. Okay, let's take another look at one other Sydney Sweeney look before we get to a newer red carpet appearance. In today's. This is Sydney at the 2002 Primetime Emmy Awards. She's wearing Oscar de la Renta. What do we think of this look?

[Kinsey Schofield]

I think it's cute.

[Tim McKay]

I don't love it, but it's okay.

[Kinsey Schofield]

It's cute. But again, yeah, they're. I mean, it's giving bedspread for sure.

[Tim McKay]

Yeah, that's maybe what it is. Because she.

[Maureen Callahan]

Oh, that's. Yeah.

[Kinsey Schofield]

But I think that, again, somebody knows exactly what they're doing with her hourglass figure. I mean, I think. And I think that they. She's owning it. And I appreciate that.

[Maureen Callahan]

I do. I like that she has not whittled herself down to. Oh, my God, you guys, I saw. Did you see this? We're gonna talk about this in our wrap up. Some of the stuff that's been going on in New York Fashion Week. Did you see Lily Collins, who is starring in Emily in Paris? Did you see her in New York this week?

[Kinsey Schofield]

No, she has.

[Maureen Callahan]

No. She's wearing the midriff. Midriff shirt. Oh, that.

[Tim McKay]

Yes, her abs.

[Kinsey Schofield]

I've seen her shooting Emily in Paris, and she has looked thinner than she was before. And I. Yeah. And I do believe she's had issues with food before, so I'll have to read up on that.

[Tim McKay]

How can you not when you're on a show? Right.

[Maureen Callahan]

And when a show that's also so centered on food.

[Kinsey Schofield]

Fashion.

[Maureen Callahan]

Fashion, Yep, Fashion. Not food. But the thing is about Emily in Paris and Patricia Field doing the dressing. There's a woman on that show. She's an older woman. She plays. I think her name is Sylvie. She plays the executive. And she's so stylish. She's so stylish. And she's not trying to, like. She's not cutting up her face. She's not doing weird stuff. She's just sort of really embodies that. Sort of.

[Kinsey Schofield]

She oozes. She's sexy, doesn't she?

[Maureen Callahan]

But it's because she's not trying, I think, you know, it's just. It's a very. It's a very French approach. Effortless to life and aging and fashion. And all of it.

[Kinsey Schofield]

Did Phil Collins break up with Lily's mother over a fax machine? Is that who he.

[Maureen Callahan]

Is that true?

[Kinsey Schofield]

He broke up with someone over a fax machine.

[Maureen Callahan]

So, okay, which is worse?

[Bill from Brooklyn]

He sent the fax.

[Kinsey Schofield]

Yeah. Yeah. There was like, we done.

[Maureen Callahan]

We done. Didn't Sylvester Stallone do that to Jennifer Flavin before they married?

[Kinsey Schofield]

I don't.

[Maureen Callahan]

He did. It was bad. I was shocked. She went back to him after that.

[Kinsey Schofield]

I would be. I would be. So. I. I don't. I don't.

[Maureen Callahan]

I would not put up with that. No, I would not put up with that either.

[Kinsey Schofield]

Wait, is that the. Before they got married? Is that what. What you said? Yeah, because remember, he covered up a picture of her face with a tattoo of his dog. Of his dog.

[Bill from Brooklyn]

Oh, I remember.

[Maureen Callahan]

Sylvester did that.

[Kinsey Schofield]

Yeah.

[Maureen Callahan]

By Stallone covering up a. Wait a minute. Wait a minute.

[Kinsey Schofield]

A tattoo of his wife's face with a dog?

[Maureen Callahan]

Are you serious?

[Bill from Brooklyn]

Break up for a little bit?

[Kinsey Schofield]

Yeah, they broke up for a little bit, and he covered up.

[Bill from Brooklyn]

And then they got back together.

[Kinsey Schofield]

And then they got back together.

[Maureen Callahan]

No, I think. I think the way to phrase that really is then she went back to him because she has zero self esteem. Or she just wanted the big movie star and the money and everything that comes with life. Are you serious? So which is worse? Phil Collins breaking up with potentially, the mother of one of his children? Sly Stallone getting a dog tattooed over the tattooed face of his wife? Or Meghan Markle FedExing her engagement and wedding rings back to her first husband of the three, which is worse?

[Bill from Brooklyn]

Oh, when was the Facts Was texting available?

[Maureen Callahan]

No, no, this is pre iv.

[Bill from Brooklyn]

So he's the original breakup by text.

[Maureen Callahan]

Yeah, yeah, yeah.

[Tim McKay]

Wonder how the relationship was before that. Like, was she just kind of, like, waiting for it and she got the facts and she was like, there it is. Or was. Or was, like, a shock. Was she just, like, doing something around the house?

[Maureen Callahan]

I think you're blaming the victim, Tim.

[Kinsey Schofield]

Yeah, you're.

[Tim McKay]

Well, I'm not blaming her for anything. I'm just wondering, like, how was the situation? Like, was she okay with it?

[Bill from Brooklyn]

Like, did she have the fax in the house? Did Phil Collins buy the fax machine for her? Good fax so he could send the breakup text.

[Maureen Callahan]

Good. Is it coming through the local ups? Do you have to go downtown and, like, pick up your facts and, like, everybody's read it. Like, it could. Who knows? Who knows what it could be? Okay, Marlena, tell me who's next, please, because we would, like to see some of the. Oh, the ad.

[Kinsey Schofield]

I haven't watched Adolescence yet. It doesn't interest me.

[Maureen Callahan]

Sharon Horgan. Let's look at Sharon Horgan, who I love Bad Sisters. A great show.

[Kinsey Schofield]

Oh, gosh, she's so great.

[Maureen Callahan]

Brilliant. Okay, let's take a look at this. Look. Do we know who this is? Who dressed her? Do we know what she's wearing? No, we're gonna. I'll take our special guest early on because Emily needs to be able to research stuff. She's got better uses of her time over here. Thank you, Emily. So we are joined by our very special guest, Teddy Van Halen, who is wearing a very special thanks to Sarah Mullins at Sarah Mullins Design, who made this bespoke troublemaker sleeveless denim jacket. Troublemaker font in death metal font, mind you. Okay, we've got a VH Van Halen, his namesake, Eddie Van Halen. And he's got some nerve merch on his. This is not yet in production, but we've got some badges over here. And let's take a look as well before we find out what Sharon is wearing on the red carpet at some nerve merch. We've got our new nerve mugs. Mine actually has water in it. Whoops. This is black. It says, I am a troublemaker. On the other side. I'm trying to get it in front of the camera properly. There we go. We've got others that say, Kinsey has a black one that says, just my opinion. On the other side, Just my opinion. And then we've got some in white. Keep calm and watch the nerve. We've got baseball caps, T shirts. Both make cut for men and cut for women. As a woman, when I shop, I hate it when I cannot get a woman's cut. I want a woman's cut. And we also have tote bags in varying designs. We are very excited to bring them to you. So, yeah, go get your merch. Now, do we have word yet from nerve central as to what designer Sharon Horgan is wearing?

[Kinsey Schofield]

All I will say is that we're getting there.

[Maureen Callahan]

Okay.

[Kinsey Schofield]

Teddy Van Halen is the best dressed of the night so far.

[Maureen Callahan]

Well, thank you. You know, I listen, I try to instill some values, such as dress for the occasion, dress for success. Dress for the job you want, not the job you have. This guy's a camera hog. He's a bit of a ham, so.

[Kinsey Schofield]

You know, and a rock star.

[Maureen Callahan]

So we are waiting on Sharon Horgan, and we are going to look. In the meantime, I also would love for us to Look. Look at Chloe Sevigny. You guys, we gotta get her up now. Colman Domingo. Let's look at this guy. Bill, are you familiar at all with Colman Domingo?

[Bill from Brooklyn]

I am not.

[Tim McKay]

I never like his outfits.

[Maureen Callahan]

Thank you. Thank you for saying it. I don't like him either, but everyone always does.

[Tim McKay]

And I'm like. I just keep my mouth shut because I'm like. I just think it's a little too theatrical. I don't know.

[Kinsey Schofield]

Sometimes camp.

[Tim McKay]

That's the word.

[Maureen Callahan]

Do you disagree?

[Kinsey Schofield]

I have no idea who this person is.

[Maureen Callahan]

So what is he acting in? Colman Domingo. I feel like I should know.

[Kinsey Schofield]

I'm, like, concerned that I don't know who it is.

[Maureen Callahan]

He shows up all the time. Can we see Coleman, you guys? Okay, here he is. So he's a wallflower.

[Kinsey Schofield]

Okay.

[Maureen Callahan]

He has trouble coming out of his shell. He really doesn't like attention. This outfit. Which designer is he in? I need to take a look, but it's feeling. I'm getting solid gold vibes. Does anybody remember Solid Gold with Danny Terrio?

[Kinsey Schofield]

That's hilarious.

[Bill from Brooklyn]

I feel like he looks like Eddie Murphy in Coming to America.

[Maureen Callahan]

Oh, that's a great reference. I love it. I love that.

[Kinsey Schofield]

A handsome man. It's. It does seem over the top. I don't know if it's necessary when you are. When you already have such a handsome presence. You know what I mean? Like, Idris Elba doesn't have to do that. And I think he's just.

[Maureen Callahan]

Oh, Idris Elba is so handsome and so stylish.

[Kinsey Schofield]

I just think that. What a beautiful man. I don't think that that's necessary.

[Tim McKay]

It might be because Coleman's gay, so he has to, like, add some flair to everything and, like, and, you know, and make it a little bit, like, more fun, a little pizzazz. That's what it seems like to me, as a gay man myself. That's what it seems like. It's.

[Kinsey Schofield]

I love pizzazz. I can. I get it.

[Tim McKay]

I still don't like it, though. Some of his outfits. I don't. I just feel like it's a little.

[Maureen Callahan]

I agree with you. I feel as though it is detracting from his. His actual attractiveness. Like, his clothes are competing. The look is competing with his face.

[Tim McKay]

That's personal opinion.

[Maureen Callahan]

Yeah. Your personal opinion. It's my opinion.

[Tim McKay]

Yeah.

[Maureen Callahan]

Yeah. I wonder what a day dressed down is like for him. Have the paparazzi ever. Well, they're probably not following Colman Domingo. He was in some Netflix show that everybody was buzzing about and I tried to watch it. Now I'm remembering and I didn't really love wasn't that great. But I wonder what a dress down day is for Coleman.

[Bill from Brooklyn]

I don't know.

[Tim McKay]

I only know him from one movie and I know he was playing a straight man and I just didn't buy it. Unfortunately. He was playing a dad, I think.

[Maureen Callahan]

And that's what I'm talking about. It's a Netflix movie. The same movie, Kid gets kidnapped or something. Yes.

[Bill from Brooklyn]

I don't know.

[Tim McKay]

The whole movie. I was just like.

[Maureen Callahan]

We care. We don't care. Oh, we should also get Megan Fahey up here, who also again, another White Lotus person.

[Tim McKay]

Looks beautiful.

[Maureen Callahan]

Yeah, we should get her. Look up here. We would love to see that. It's.

[Kinsey Schofield]

She's got those stickies on, I can tell you that much.

[Bill from Brooklyn]

That's a hard one to pull off, but she's doing it.

[Maureen Callahan]

Okay, let's look at. While we wait for Meghan, let's look at Patricia Arquette, also a big star this year in Severance. Am I the only person who can't latch into Severance?

[Kinsey Schofield]

No, I can't watch Severance.

[Tim McKay]

I like Severance.

[Maureen Callahan]

What am I missing?

[Tim McKay]

It's very slow.

[Maureen Callahan]

That's the thing. It's so slow. Okay, here's Patricia Arquette. Oh. Oh. What do we think?

[Tim McKay]

This looks like a T shirt that she cut up.

[Kinsey Schofield]

Yeah, it's looking rough.

[Tim McKay]

Like a rock. T shirt that she cut up.

[Kinsey Schofield]

Well, thank you. You know, I know this is not what we're here to discuss, but I used to love Patricia Arquette. I loved this show called Medium, I think.

[Maureen Callahan]

Okay, we were looking at the same piece of footage. Roll over and over. We're good, you guys, we're good. You can stop. You can stop. All right, now what? Sorry, Kinsey, go on.

[Kinsey Schofield]

Well, I just, I don't. I have a hard time watching Patricia Arquette today because she's just so hatefully political.

[Maureen Callahan]

Oh, is she? I haven't been paying attention to what she's up to.

[Kinsey Schofield]

I mean, it's been a while since I paid attention because I tune her out now. But it's hard for me to get into what she does anymore because she's one of those, like, overly political social media people.

[Maureen Callahan]

Interesting. Well, she did when she won. When she won the Oscar that year. She won the. What did she win it for? I forget. She's a great actress. By the way, one of my favorite all time Patricia Arquette performances is in an episode of Law and svu. This was before her real resurgence and she played a woman whose daughter had gone missing. And so to find her, she went undercover as a streetwalker.

[Tim McKay]

Oh, I didn't see that.

[Maureen Callahan]

Oh, you didn't see that one? That might be a little. Yeah, no, they play it a lot. And then, like, Mariska Hargitay's character, like, gets involved and she's like, all right, I'm gonna help you. I'm not gonna bust you, because I know you're on the right side and we gotta find your kid. And. But she was really good in it. Patricia Arquette was really good in it. But that look is just, you know, I feel like the sense I get from her, she doesn't really want to work with a stylist, that she feels that she's such a serious actress and such an intellect that to really try.

[Kinsey Schofield]

To bring it would be to cheapen what she does.

[Maureen Callahan]

Yes. Does that make sense?

[Kinsey Schofield]

But she's also so political to me that I think she's sitting back going, I should should have worn the old Navy jeans and the T shirt with the Ceasefire bag. Damn it.

[Maureen Callahan]

You're 100% right. She is having major regret that Meg Stalter, this whippersnapper.

[Bill from Brooklyn]

I love you did a bunch.

[Tim McKay]

Christina. I think her name's Christina, but I love her. She's on Angwyn.

[Maureen Callahan]

Oh, yes. Okay. Yes. Is she the villains antagonist she plays?

[Tim McKay]

She's amazing on that show. She's so, so good. She's up for an award tonight. She's nominated.

[Maureen Callahan]

Yeah. You can tell she's dressed like it. Okay, we should get a look at her dress too, because I want to talk about this construction. But first we have a look at Hannah Einbinder, who is on Hacks. She co stars with Jean Smart. Hacks is one. I did not think this season was very strong, but I do love hacks. I love, love, love Hacks. I am surprised. She looks good. I don't love the top. I feel like the top is flat. I feel like it's doing her no favors. I think it's disproportionate to the rest of the bottom of the dress. But on the whole, I am pleasantly surprised. We're wearing a red button.

[Kinsey Schofield]

What's the button for? What is the button for exactly?

[Maureen Callahan]

What are we protesting or advocating for? Yeah, we're gonna find out.

[Kinsey Schofield]

If we could find out.

[Maureen Callahan]

We're gonna get Emily on the case. Or nerve central back there is gonna get on the case and find out.

[Kinsey Schofield]

I wanna. I wanna lean in and be nice. But wait, it's a palm print with A heart in the center. I don't know what that stands for.

[Maureen Callahan]

I don't know. I don't know what that is either. What do you guys make of this look, Bill, what do you make of this?

[Bill from Brooklyn]

You know, aside from the dress? Like, she looks like she's up to having the time of her life. Yeah, she looks like. I'm so happy to be here watching her. I made it. I'm here. I'm enjoying every moment of this. Like, that's what I want to see when I watch this show.

[Maureen Callahan]

Yeah, I agree.

[Bill from Brooklyn]

I want to see someone. How I would behave if I was.

[Maureen Callahan]

Yeah, that's a great point. I'm here now. Not to diminish what you just said. I feel like she needs more jewelry.

[Kinsey Schofield]

Well, she's got a button. She's got a button.

[Maureen Callahan]

Oh, she doesn't. Maybe because, like, I feel like the neck is too bare. I don't know. Am I wrong?

[Kinsey Schofield]

No. I'll be Debbie Downer here and be like. I don't. I want to be like, I've interviewed her. I really liked her. I did. I really liked her, and I enjoyed talking to her. I love the makeup look. I think that. That she looks so clean, so fresh, and so young and beautiful.

[Maureen Callahan]

It is good makeup. Yeah, good makeup.

[Kinsey Schofield]

But if you're gonna roll in and make some sort of political statement again, I have to be Debbie Downer and be like, that's not what I'm here for. This is why I.

[Maureen Callahan]

At the end of this week, we all just want to look at pretty people in pretty gowns talking about frivolous things like who's gonna win an Emmy?

[Kinsey Schofield]

And here we go. Here we go.

[Maureen Callahan]

Oh, my God. Ricky Seale. We gotta see it. Nerve Central. 91 1. You know who to pull up immediately. You know, you better get on it. The mallet is out.

[Kinsey Schofield]

Yeah, let go.

[Maureen Callahan]

Need this one. Okay, who is next? Who do we see next? Who's next?

[Kinsey Schofield]

My gosh. I'm just hairy.

[Maureen Callahan]

Natasha Rothwell. God, this is all White Lotus, people. I know.

[Kinsey Schofield]

It truly is.

[Maureen Callahan]

Is this another Christian Siriano? Has Christian Siriano made every billowing black dress?

[Kinsey Schofield]

It's looking like it.

[Maureen Callahan]

A woman of who is not, you know, stick figure. Wow, she's really feeling herself.

[Kinsey Schofield]

But again, good for Christian, because he was the one person that was like, I'm not gonna be the dick that only dresses size 0 to 3.

[Maureen Callahan]

She's got a red button too. Oh, for her bag.

[Kinsey Schofield]

Well, I. I'm not gonna. I'm not gonna talk smack about the red button. It could say the nerve.

[Maureen Callahan]

Oh, my God. Oh, my God. We have secrets.

[Bill from Brooklyn]

You're sitting here talking crap about it. Meanwhile, she's the nurse.

[Maureen Callahan]

Could it be Teddy? Did they get a hold of your stuff? Secret badges.

[Kinsey Schofield]

Do you guys mind if I Google and see if I can please find.

[Maureen Callahan]

Out how this is? Thank you for your intrepid work this evening. And she's wearing. Also, she's doing this over the shoulder look. Okay, we've practiced this. We've practiced this in the mirror many times. Probably more times than our speech if we're nominated.

[Tim McKay]

I like her eye makeup. I think it's really pretty.

[Maureen Callahan]

I think it's pretty, too. This billowing train is gonna be a problem all night. I can see that now. But she's wearing this. What looks like this beautiful jade necklace. Oh. Handbag. Hold my hand back. This is not a troublemaker. Troublemaker wouldn't do that. Literally, there's a helper on her hands and knees.

[Kinsey Schofield]

Oh, my God.

[Maureen Callahan]

It's like, get out of the shot. This is my moment. Oh, my God.

[Kinsey Schofield]

I'm not finding.

[Maureen Callahan]

I'm dying. I'm dying.

[Kinsey Schofield]

I'm not finding anything immediately, but I'll continue to look.

[Maureen Callahan]

I'll.

[Bill from Brooklyn]

Someone's a sort isn't.

[Maureen Callahan]

I'm going to ask you to fill the. Do the pocket time. Oh, my God. Oh, my God. I'm also talking to Emily about very serious things, such as refreshing our drinks and, you know, more troublemakers hitting the dartboard. Yeah, this is. Okay, We've seen this. We're good. We're good with Natasha. We're waiting on a couple of more offenders, and Emily has some more troublemaker feedback coming in. Hot off. Hot off. I was going to have my laptop here, but then we figured it would be way too much. Oh, my God. There is a. There's somebody in the live chat who goes by the handle Catch it Crazy. That's really cute. Oh, they're loving Teddy. They're loving Teddy.

[Kinsey Schofield]

V. Artists for Ceasefire is what the button is.

[Maureen Callahan]

It's for artists for Cease.

[Kinsey Schofield]

For ceasefire.

[Maureen Callahan]

Artists for Ceasefire. Well, I'm sure they're gonna listen now. The artists have said they're wearing a button at the Emmys. It's happening. There'd be a ceasefire tomorrow. Right now? Yes. Now, Tim, you got a very nice compliment. Jo Murray, you are so sweet. That might be the number one thing we hear about you. That you're so sweet. Yeah. I love the monkey.

[Tim McKay]

Honestly.

[Maureen Callahan]

Yeah. Okay. Yes. I wonder. I. I wonder if Meghan Markle is. Hate watching this.

[Kinsey Schofield]

Oh, for sure.

[Maureen Callahan]

Now, is she hate watching the Emmys or she hate watching us?

[Kinsey Schofield]

Oh.

[Maureen Callahan]

Or both. Are we a second screen or a first screen?

[Bill from Brooklyn]

I would say picture in picture, but she has to have at least two TVs, right?

[Maureen Callahan]

Oh, she's probably got four.

[Kinsey Schofield]

Oh, my gosh.

[Maureen Callahan]

She's a media mogul.

[Kinsey Schofield]

She is. She's got an empire.

[Maureen Callahan]

She does. Okay, who do we have next? Who else can we look at? Nerve central. Teddy's waiting with bated breath.

[Kinsey Schofield]

Literally.

[Tim McKay]

Thomas dog ever.

[Maureen Callahan]

Yeah. I mean, he loves a television camera.

[Kinsey Schofield]

Exactly.

[Tim McKay]

He could be a TV dog.

[Kinsey Schofield]

When you are not giving Teddy attention, Teddy peels out and it's the cutest thing.

[Maureen Callahan]

Oh, yeah, yeah, yeah, yeah. It's like he's, like, starting himself up. Okay, we have Alan Cumming. Alan Cumming. Who? I. You know what? I love him. I love this. I'm just. My gut is. I love. I love.

[Tim McKay]

He's adorable.

[Kinsey Schofield]

Yeah.

[Maureen Callahan]

I loved him as. Oh, God, what was his character's name in the Good Wife? Oh, I forget. I feel like he shared a name with a top Hollywood agent. But he was so good in the Good Wife. I loved him. And he is the host of Traitors, and he. If this guy hasn't changed the game in terms of what it means to host a reality competition, like, this guy leans in all the way, and he does. He's not. He's not a Whoopi Goldberg sitting there cashing a paycheck and phoning it in and having meltdowns every five minutes. I love this look. I love it. Top to bottom.

[Kinsey Schofield]

5. Ten years ago, a real Hollywood movie star would have never agreed to host a reality show.

[Maureen Callahan]

Never.

[Kinsey Schofield]

So he's made it acceptable to. Because he's proven that you can navigate both worlds successfully and you're not shunned if you do one or the other.

[Maureen Callahan]

Yeah, we're good with Alan. We've seen the lot.

[Kinsey Schofield]

He looks good.

[Maureen Callahan]

I do Eli Gold. I think the character Eli Gold, Eli Goals, who is like the crisis manager slash lawyer slash defender of the. Of the. Of the Chris Noth character. Chris Noth really does play a bad guy very well. Makes you wonder.

[Bill from Brooklyn]

A lot of hidden rage there.

[Maureen Callahan]

Lot. Do you know? Yeah. Do you know who I think also has a lot of hidden rage?

[Tim McKay]

Ryan Reynolds.

[Maureen Callahan]

It's overt with Ryan. I think it's coming up. I think that guy's a true psychopath. We're doing another nerve on him. Trust me. This may sound sacrilegious. I think Tom Hanks has a lot of rage underneath the surface Right. Right there. And I think that that's why.

[Kinsey Schofield]

That would explain Chet.

[Maureen Callahan]

It would explain Chet Hayes, his ne' er do well rapper son, his gangster rapper son. And it also, I think, is the reason why Tom Hanks is always fixated on playing not just a good guy, but a great good guy.

[Kinsey Schofield]

Oh, yeah.

[Maureen Callahan]

Not just any good guy. Like we're Charlie F ing Sullenberger. We are. Was that the right name? Charlie. Charlie Sullenberger. Sully. Or we're leading the entire platoon in Saving Private Ryan. And we're not just like a top war strategist, but we're like a paternal father like nobody else. Like that. Like a bunch of Captain Phillips, too. Captain Phillips. Which was a lie. It's a total lie.

[Kinsey Schofield]

I think I believe Tom Cruise, though. I think Tom Cruise is good.

[Maureen Callahan]

You think he's a force for good.

[Kinsey Schofield]

I love Tom Cruise.

[Maureen Callahan]

I love Tom Cruise.

[Bill from Brooklyn]

Force for good. But I don't hate him.

[Tim McKay]

Will always be the die for hero.

[Kinsey Schofield]

Yeah, that's true.

[Maureen Callahan]

Who?

[Bill from Brooklyn]

Tom Cruise.

[Maureen Callahan]

Tom Cruise has played dark. He's dark.

[Tim McKay]

I know the bad guy. That one movie, Collateral.

[Maureen Callahan]

Collateral was great. Magnolia, cult leader.

[Tim McKay]

Oh, I didn't see that one. Actually.

[Maureen Callahan]

Got to see Magnolia.

[Kinsey Schofield]

Oh, you have to see Magnolia.

[Maureen Callahan]

Sorry, Bill. Go ahead.

[Bill from Brooklyn]

No, I was gonna say I felt like in the last one in Matt, like he allowed his character to be a little bit of a failure.

[Maureen Callahan]

Did he?

[Tim McKay]

Oh, okay. I didn't see that.

[Kinsey Schofield]

Do you remember who else was in Maverick?

[Maureen Callahan]

Who else?

[Kinsey Schofield]

Val Kilmer.

[Bill from Brooklyn]

Oh, yeah.

[Maureen Callahan]

Kinsey will always bring it back to Val.

[Bill from Brooklyn]

I was expecting a little bit of a surprise.

[Maureen Callahan]

Val Kilmer had a Glen Powell.

[Kinsey Schofield]

If there was a fire. I mean, I know Val's gone, but I would be torn if there was a fire. I don't know if I'd grab for Val or Glen Powell. Like, that's her.

[Maureen Callahan]

Oh, it's Val. It's Val all day long. Glen Powell. Explain Glen Powell to me. Explain Glenn Pon Powell.

[Kinsey Schofield]

His fricking face. He's got the way that his face is cut. My God, his body. He's a Texan. He loves his mama. Oh, my God. I'm getting. Honestly, the goosebumps are forming all over in case he's watching.

[Tim McKay]

Did you like him in Twisters?

[Kinsey Schofield]

Yeah, he was so cute.

[Tim McKay]

He was very handsome in that.

[Kinsey Schofield]

Yeah, yeah.

[Maureen Callahan]

It eludes me, the Glen Powell appeal. No offense to Glenn Powell. I'm sure you're a perfectly nice guy. It does elude me.

[Kinsey Schofield]

I would buy a one way ticket to Pound Town for Glen Powell.

[Maureen Callahan]

Kinsey's very subtly trying to convey she's a little sweet on Glen Powell. I think Tom Cruise is most interesting when he is. Leans in a little dark, you know, I would like to see him do a little more of that. I really would. Okay, we've got Pedro Pascal. Another. Here's the nerve. We're not buying it. Like, everybody's like, Pedro's.

[Tim McKay]

He hasn't been in anything this year.

[Kinsey Schofield]

No, he was in that.

[Maureen Callahan]

He was.

[Tim McKay]

For the last time. He's been in everything this year. Yeah, he's in movie after movie after movie this year.

[Bill from Brooklyn]

I feel like he's trying to look like Sean Penn.

[Maureen Callahan]

Oh, what is this look?

[Kinsey Schofield]

Well, that might be on purpose. Like, he does kind of want to be the bad boy. I can see that.

[Tim McKay]

But he's daddy. What do you call himself, though?

[Kinsey Schofield]

He does.

[Maureen Callahan]

He calls himself Sexy daddy.

[Kinsey Schofield]

Yeah, it's. It's giving Walter Goggins that whole energy of, like, embracing the sexiness. Maybe that's why I like Glenn Powell, because Glen Powell kind of, like, makes a joke out of it. These guys are owning it. Too hard.

[Maureen Callahan]

They're trying too hard.

[Bill from Brooklyn]

They're trying way too hard.

[Maureen Callahan]

Agreed, Bill. They're trying way too hard. And this is a thing that you, like.

[Bill from Brooklyn]

Look at the. Just that. Ooh, like, I'm this good looking.

[Kinsey Schofield]

Another one.

[Maureen Callahan]

Oh, 100%. Can you believe I'm this good looking?

[Kinsey Schofield]

Right?

[Maureen Callahan]

You're not. Oh, my God. It's Amy the wood. We gotta get her up. I gotta free Teddy. Teddy's a little. Go ahead.

[Kinsey Schofield]

Amy's got a button on.

[Maureen Callahan]

She's got a button on, too. We have to get Amy Lou up now. Pedro Pascal. Okay. He's doing the thing. This is. First of all, this is. I hate this expression. And so many men in Hollywood do this. And it's trickled down to the culture. The. The look with the. The eyebrows up like this, and then the. The, like, wrinkled forehead. It's like you can't tell if they're, like, thinking really hard or they've been hurt or, like, you don't know. And it's like. It's like the worst expression. I'm a wounded bad boy. Blah, blah. So Pedro's up there, and he's, like, going like this. He's like. He's like. It's like. He's like John Travolta in Saturday Night Fever, but, like, in a structured blazer. And we're an all white. The all white is about what? Like, what are we. What are we doing in all white?

[Kinsey Schofield]

He is Right. Because he is very outspoken. So he's trying to say I am. I'm. I'm. I'm innocent. My political leanings are more important than yours. That's what I sense with white.

[Tim McKay]

I want to be a good guy on the right side, the of. Of history.

[Maureen Callahan]

I'm just. Just.

[Kinsey Schofield]

Yes.

[Tim McKay]

He did that in an interview.

[Maureen Callahan]

Yeah, I mean, he's an interesting one. Also, the John Lennon glasses. Like, again, I do not love a sunglass sunglasses look on a red carpet. I don't love it. I just. I think, again, it really does smack of trying too hard or. Or that I'm nervous or you. Or I have a drug problem. Oh, I have a real drug problem. And I don't want you to see. My pupils are like. Oh, my God.

[Kinsey Schofield]

Jesus.

[Maureen Callahan]

We're watching. We're watching in real time below with you guys, and we're gonna. We're gonna hit this. We're gonna hit this look hard.

[Tim McKay]

Oh, my call to death becomes her.

[Maureen Callahan]

Well, death, it's called the death becomes her.

[Tim McKay]

No, death becomes her. That's the movie with Goldie Hawn and Meryl Streep and the woman that gives them potion. She has that exact same, like, jeweled top on.

[Maureen Callahan]

Oh, if we could only do a side by side. Oh, and we want to get this asshole, too.

[Kinsey Schofield]

Oh, my gosh. These.

[Maureen Callahan]

Can we get this guy North Central? Who's next on our. On our hit list? Amy Lou Wood is coming in hot. Okay, there she is. All right, now I'm going to say one thing. The length is all wrong. And that is not even a tea length. Like, it needs to be either like a calf length, proper tea length, or it needs to be full length. But this is cutting her at the ankle. She's not. She's a little. You can tell she's small. You can tell she. I mean, short. She's also, I believe, wearing a button. I think you spotted that, Kinsey, right?

[Kinsey Schofield]

She is.

[Maureen Callahan]

We don't know who this look is. It's wrinkled. Whoever styled her did her dirty because she should not have been sitting in her car on the way to the Emmys because it's all wrinkled there in her lap.

[Kinsey Schofield]

Right?

[Maureen Callahan]

I don't know. And I think she should have done a red shoe. It's too monochromatic at the bottom. What do we think, panel?

[Kinsey Schofield]

That's very true. The red shoe would have made her pop. I'm not sure I like the bra. It looked. I mean, it looks like a bra. It looks like a mistake. Like somebody came and tried to de Pants her. And, you know, it only went down a few inches.

[Tim McKay]

Cause the pink is a little wrinkled on the. On the chest.

[Maureen Callahan]

It is as well. What do you think that material is, Tim?

[Tim McKay]

Oh, hell if I know. I would.

[Maureen Callahan]

It looks like taffeta to me.

[Kinsey Schofield]

Taffeta?

[Maureen Callahan]

I don't know. What do you think, Kinsey? What do you think that is that it would wrinkle like that?

[Kinsey Schofield]

I know I wouldn't be seen in it. So, I mean, look, we know she's sensitive, so we should be careful what we say because I don't want her to get on Instagram and yell at us. But I think that there having the year that she had, the success that she had this year, I would have worn something else. I know people are probably going, like, coming from the girl in the big sleeves, but, you know, first of all.

[Maureen Callahan]

Your look is amazing.

[Kinsey Schofield]

Thank you.

[Maureen Callahan]

You showed it to me before you even arrived in New York. And thank you for coming to New York. Thank you. We're coming to you live from midtown Manhattan. I find this an homage to both Julia Roberts in Pretty Woman.

[Kinsey Schofield]

Yes.

[Maureen Callahan]

The polo scene.

[Kinsey Schofield]

Yes.

[Maureen Callahan]

And one Kyle Richards who donned this look in homage. And she thought she was the baddest bitch in Beverly Hills on Real Housewives of Beverly Hills until Lisa Rinna walked in the door wearing the same exact dress. So this is a. This is a look of historical import.

[Kinsey Schofield]

Thank you. Thank you.

[Maureen Callahan]

Okay, we are going to look now at our pal Nate Bargetzi. And I learned something new about Nate recently, too, which we will discuss after we take a look at him. He's coming up. Here we go.

[Kinsey Schofield]

Okay, while we are looking at Nate, can we secretly. But not so secretly because I'm announcing it. Refresh our beverages.

[Maureen Callahan]

Yes. We will get Emily on beverage watch, and she's right here for it. Okay. Tim, what do you make of this look? It's very traditional. It's very tuxedo.

[Tim McKay]

Lovely tuxedo. Love the bow tie. Not much to say about it, but I think he looks nice. He looks happy.

[Kinsey Schofield]

Oh, he should look happy.

[Maureen Callahan]

Yeah. I mean, listen, it's his big night. He's hosting the Emmys. He's in front of mainstream America. He looks. He does look dressed. It's safe. It's very. You know what this says to me? Traditional. I am a traditional. I am. This is who I am. I am a traditional, wholesome comic. I love to work clean, as he told us. And we Bill. Okay, I gotta get your thoughts on this. By the way, what do you make of the guy who's like, hey, I'm a clean comic. I don't even curse. That's good. We guys, we got. We got. We got the look.

[Bill from Brooklyn]

I could deal with that kind of a comedy show, but I don't need you to tell me that all the time. Right?

[Maureen Callahan]

Your show should tell me. Right? Yes.

[Bill from Brooklyn]

It's like, that would be like Sebastian Maniscalco saying, my whole comedy is based on being Italian.

[Maureen Callahan]

Right.

[Bill from Brooklyn]

I don't need to hear it.

[Maureen Callahan]

Sebastian, by the way, is going to Chop Chop Square to perform at the Chop Chop Comedy Festival. All right. Just.

[Bill from Brooklyn]

But, you know, is Tuxedo. I. I like it. I think it's appropriate for the. For the show. Might be safe. Might be, you know, clean, who he is. But I. I liked it.

[Tim McKay]

I like him as a comedian. He seems like a nice guy. Like, he'd be a nice guy at the party that you feel comfortable talking to.

[Maureen Callahan]

He would creep me out for days.

[Tim McKay]

You think so?

[Maureen Callahan]

Wait till I tell you what I just read.

[Kinsey Schofield]

Prove me wrong.

[Maureen Callahan]

Yeah.

[Kinsey Schofield]

Will Smith also went around and told everybody that he wasn't gonna curse in his music because he was better than that.

[Maureen Callahan]

Great point.

[Kinsey Schofield]

Found out that Jada was going to pound town with their child's son or their child's friend.

[Maureen Callahan]

Their son's friend. That's right, their son's friend. Teenage, right? Yeah, yeah, teenage. Early twenties.

[Kinsey Schofield]

So.

[Maureen Callahan]

Yes.

[Kinsey Schofield]

And then he punched Chris Rock in the freaking face.

[Maureen Callahan]

Sorry. Legal note. It was a slap.

[Kinsey Schofield]

Slap.

[Bill from Brooklyn]

I gotta tell you, from. From a guy's perspective, the slap is worse than a punch. Explain why I'd rather be punched in the face than somebody slapped me.

[Maureen Callahan]

Explain why. Please. I know where you're going, but I think you should articulate it.

[Bill from Brooklyn]

It's more. You could take a punch in the face, show up with a black eye, and it's all right. You had a fight. If somebody slaps you and you don't react to it, you don't throw a punch back, kind of. It eats away at your manhood. Your manhood.

[Maureen Callahan]

Listen, I want to. I just want to say this, though, because I asked you your opinion on slightly off topic, but the guy who gave back the baseball to the screaming woman. Baseball.

[Kinsey Schofield]

Karen.

[Maureen Callahan]

Right? Phillies. Karen. And you said. I said, what would you have done in that situation? Right. And you said, I think the guy did the best he could. Like, he de. Escalated it. And that was a lesson for his child and how to de. Escalate. Right? Yeah. Chris Rock, I think, did the absolute right thing by just letting it go and making a joke. I mean, what Is he going to do.

[Bill from Brooklyn]

I don't know how he did that and was able to go back into his routine, into his performance pretty seamlessly.

[Maureen Callahan]

He has my undying respect for that.

[Bill from Brooklyn]

Yeah, that was.

[Maureen Callahan]

And he also never sat down with the dark. The mistress of the dark arts, Oprah. Chris, how did you feel in that moment when will. How hard was the slap? Did you feel like as a little bitch. Yeah.

[Kinsey Schofield]

Were you silenced or. Silenced. But wait, I honestly. Can I tell you guys what I would have done if Phyllis Karen had come up on me? I would have thrown the ball back onto the field and been like, bitch. None of us are getting this.

[Maureen Callahan]

You know, that's interesting.

[Kinsey Schofield]

Why didn't he do that? Like, why reward this woman who's absolutely crazy?

[Bill from Brooklyn]

Because from a guy's perspective, you're dealing with a crazy woman. You can't hit her.

[Kinsey Schofield]

No.

[Bill from Brooklyn]

If it's a guy, you could punch him in the face and it's okay. It's no problem. He's in your face. But it's a woman that is clearly unhinged. What do you. There's no good way to handle that.

[Kinsey Schofield]

It's true.

[Bill from Brooklyn]

Just get her away from you. Get away from your family.

[Kinsey Schofield]

Oh, Parker Posey. Why did you say.

[Maureen Callahan]

I'm putting in a request right now to nerve central. Parker Posey. You can come on in. Emily. Emily's got some. Thank you so much. Wait, who are we looking at now? Kathryn Hahn. What is she on? Kathryn Hahn? She's on some big show. Oh, yeah. I tried watching that. I couldn't latch in. What do you think?

[Kinsey Schofield]

It's cute. It's funny.

[Tim McKay]

I like it. Joe Rogan. Oh, no, not Joe Rogan. Seth Rogen yells a lot in the show. That part annoyed me a little bit.

[Kinsey Schofield]

But yeah, he does.

[Tim McKay]

But I like it, though. I like the beautiful behind the scenes of the industry.

[Maureen Callahan]

I feel. You know what? First of all, I love this look on her. This. This interesting. We're seeing a lot of very. And I wonder if it has to do with the state of what's going on right now. I mean, these looks were planned well in advance of this week, but we're seeing a lot of black and we're seeing a lot of unadorned black. And it's very structural. I mean, I love the. The tulle sleeves, the see through sleeve. I love the bow is the belt.

[Tim McKay]

What about the green necklace? Did she just point to it?

[Maureen Callahan]

Yes.

[Tim McKay]

We just saw the other actors with the green necklace. Is that something or am I just the green? Am I just pulling Up a green stone. Is that.

[Maureen Callahan]

I think the Illuminati memo is green.

[Tim McKay]

Maybe that's what it is. Wear a green stone and you'll get in tonight.

[Maureen Callahan]

Because Oprah and Gayle recently wore green. And Oprah and Gayle and. Or no, Oprah and Liz Gilbert wore green when they were doing their little really cozy fireside chat about how Liz almost murdered her girlfriend. She wasn't dying fast enough. Really good stuff.

[Kinsey Schofield]

Live laugh, murder.

[Maureen Callahan]

Yeah. Can I get that on a pillow? Merch? Round. Round two. Okay, let's take a look at Bowen Yang. That wallflower. Is he still on snl?

[Kinsey Schofield]

He is. He survived their recent purge.

[Maureen Callahan]

All right, Rowan.

[Kinsey Schofield]

Okay. And all that jazz.

[Maureen Callahan]

So this is another kind of version of the Meg Stalter look. It's like. It's a little bit more elevated, but.

[Bill from Brooklyn]

Is that a tattoo that looks like the Under Armour logo?

[Maureen Callahan]

What is that tattoo?

[Kinsey Schofield]

I don't know.

[Tim McKay]

It might be a different language. It might be letters. I'm not sure.

[Maureen Callahan]

What do we make of this look? We're going for sexy. We're bringing it. We're feeling a little insecure.

[Tim McKay]

Swinging the miss. We're feeling a little insecure.

[Kinsey Schofield]

It's like when they tell you to go into an audition and look sort of kind of plain so that they could picture you in any role, you know?

[Maureen Callahan]

Does he have a three also tattooed on his left arm, his bicep.

[Tim McKay]

Is that a 3?

[Maureen Callahan]

It looks like a red 3. It could be a birthmark. I don't know. Okay, we've got this look. I don't like it. I don't like it. Look at his face.

[Bill from Brooklyn]

He doesn't. He's not.

[Tim McKay]

It kind of looks like a dress tucked into his pants or something. I don't know, like a dress top.

[Maureen Callahan]

Like, it looks like a calm top. Maybe something vaguely like a Japanese designer.

[Tim McKay]

Maybe.

[Maureen Callahan]

Maybe. But I doubt it. I mean, I would love to know who did that look. I just don't get it. Oh, we're seeing Katherine Hahn again on this version. It's a poplin thing. Excuse me. I have a little thing in my. A little thing in my throat. Okay, we are. We are going to look at. Sorry. Nurse central. Who is that? Selena Gomez. Oh, Selena Gomez.

[Kinsey Schofield]

Selena. Oh, she looks great.

[Maureen Callahan]

This. This. This. This marriage is not going to end well.

[Kinsey Schofield]

This is a very. Yeah, this is a. It's an odd couple.

[Tim McKay]

She seems obsessed with him, though.

[Kinsey Schofield]

And you know what? He is.

[Maureen Callahan]

She's a healthy person.

[Kinsey Schofield]

He is so, so, so smart and talented. So like, if that's what she's attracted to. I totally get it. He made some of my favorite songs in the world. This guy's behind California girls. All of, like, a ton of Maroon 5 stuff, which I know. I'm ashamed to admit this.

[Maureen Callahan]

You should be.

[Kinsey Schofield]

I know. California.

[Maureen Callahan]

I'm more shocked. Maroon 5.

[Kinsey Schofield]

I know, I know.

[Maureen Callahan]

Are you an Adam Levine person?

[Kinsey Schofield]

I'm not.

[Maureen Callahan]

Listen, it's a safe space for.

[Kinsey Schofield]

Don't worry. But no, she looks great. She talked about a lot about how. Also, I passed by this huge billboard by my hotel here of Justin. It says Swag two, and it's Justin, Haley, and the baby. A picture of them with, of course, the baby blocked, because they're blocking the baby. But I thought, weird to put your child on a billboard. But Selena has talked about how she's dealt with a lot of trolling about. She looks great. I hope she's lost it in a healthy way, but she looks absolutely phenomenal. That red looks great on her too.

[Maureen Callahan]

Yeah, we'll get to her. We just put in a request for Sydney Sweeney. So we're seeing. The trend we're seeing right now is black and red and white and black.

[Kinsey Schofield]

Wow.

[Maureen Callahan]

This is interesting to me.

[Tim McKay]

Wow, wow, wow.

[Maureen Callahan]

I know Tim is losing his mind over here. I think this might be Tim's best look of the night.

[Tim McKay]

It might be.

[Maureen Callahan]

So before we get to further looks, we at the Nerve. Don't worry. If you're hearing anything off camera, it's all good. We put together a little reel of the moments that we know the academy is not going to acknowledge. We really wish they would. There are moments that have come and they have gone, never to be seen again. It's the Nerve's own In Memoriam segment. I think a lot of this is gonna be new to Bill from Brooklyn because, I mean, Bill, what's, like, what would you say has been your top viewing this year, like, of anything?

[Bill from Brooklyn]

I mean, watch the boys.

[Maureen Callahan]

Oh, the boys.

[Bill from Brooklyn]

Yeah.

[Kinsey Schofield]

Amazon Prime.

[Bill from Brooklyn]

Yeah. It's not really great.

[Maureen Callahan]

It's not great.

[Bill from Brooklyn]

No.

[Kinsey Schofield]

Their first season was.

[Bill from Brooklyn]

First season was great. And then I. They've jumped the shark, so Yellowstone. I started watching. I don't.

[Maureen Callahan]

Do you like it?

[Bill from Brooklyn]

I do.

[Kinsey Schofield]

I do, too.

[Bill from Brooklyn]

I like it.

[Kinsey Schofield]

I like Yellowstone.

[Maureen Callahan]

What did you think of the Beth. What do you think of the Beth character?

[Kinsey Schofield]

Icon.

[Bill from Brooklyn]

I'm still a little early into it.

[Maureen Callahan]

Okay.

[Bill from Brooklyn]

But I like her. She brings a ton of. Ton of chaos.

[Maureen Callahan]

Chaos agent. I love a chaos agent in fiction, not real life. And I love her look. The hair, the eye makeup. Do you know that she's not American.

[Tim McKay]

Really?

[Maureen Callahan]

She's Irish. Really?

[Kinsey Schofield]

She's in Pride and Prejudice.

[Maureen Callahan]

Is she?

[Kinsey Schofield]

Yeah, she plays Bingley's sister.

[Maureen Callahan]

Wow. All right. That's a version I have to check out. Okay, so we are ready to go, I believe, to our in memoriam. Are we ready? Nerve central. Yeah, Technical issue. Nerve central.

[Tim McKay]

What in the nerve.

[Maureen Callahan]

Oh. First we have an ad before our before our in memoriam again. Our live show is brought to you by Golden Age Fats. We've got a discount, a special discount for troublemakers. Visit Golden Age fats.com Maureen and use code MAUREEN for 25% off your first order. And MASA chips. Now, recent health studies have linked these seed oils to issues like inflammation, type 2 diabetes and more. Yet so many foods contain them. And before the widespread use of canola oil, your favorite childhood snacks were made with animal fats like beef tallow. But in the 90s as we know, these food companies switched to cheaper industrial byproducts like seed oils, which were first used in World War II as engine lubricants. But now there is an alternative 100% American made grass fed beef tallow from Golden Age Fats. Golden Age beef tallow. We've got some right here. Look at this packaging again. It's just incredible. I love makes your food tastes delicious. It is packed with fat soluble vitamins, minerals and healthy fatty acids like vitamin A which is essential for everything from immune responses to skin health. As for taste, think early 1990s McDonald's french fries.

[Kinsey Schofield]

Yeah, okay.

[Maureen Callahan]

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[Podcast Host]

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[Maureen Callahan]

Now to our in memoriam. Oh, and we've got another couple of offenders on the red carpet we're gonna get to as well. But it's our Meghan Markle In Memoriam award. Oh, she's holding out hope. We're gonna see her on the full screen. I hope. We mocked her up with. This is our version of the famous Robert Indiana love sculpture with, you know, the O is like off on the. It's sort of off kilter as we all are here. We're all a little off kilter. So as Meghan Markle continues to hold out hope. Spring's eternal. Right, Meghan, we are going to take a look at our in memoriam.

[Kinsey Schofield]

Choose one thing for people to know the truth about you. What would that one thing be?

[Maureen Callahan]

No one's ever asked me that.

[Kinsey Schofield]

What a great question. The one thing. Oh, gosh. What's the one thing?

[Maureen Callahan]

Oh, gosh.

[Kinsey Schofield]

I just, you know, I. I think when I sit with it for a second here, I just want people to know that I'm a real person. I don't think anyone in the world.

[Maureen Callahan]

Knows that Meghan Markle has eaten Jack in the box and loves it. It's so funny, too, that you keep saying Meghan Markle.

[Podcast Host]

You know, I'm Sussex now.

[Kinsey Schofield]

And I just think there really is a lot of value to when you anchor in into your own knowing.

[Maureen Callahan]

You might as well just the.

[Bill from Brooklyn]

The cute guy. You might just the boy.

[Tim McKay]

It's women masturbating or showing their vaginas to men who are paying them electronically to watch them. You're still super buggable.

[Maureen Callahan]

If you're being abused, you gotta leave right away.

[Bill from Brooklyn]

I'm glad now that it's comes out.

[Maureen Callahan]

That you're half gay. Which were you?

[Tim McKay]

Were you the.

[Kinsey Schofield]

Oh, my God.

[Maureen Callahan]

Yeah. Oprah. Gail up in space playing with a stuffed animal.

[Kinsey Schofield]

And it's not even a lobo.

[Maureen Callahan]

She's. She's not even looking out at planet Earth. She's up there with Lauren Sanchez and Katy Perry. Whatever. Anyway, those are repeat offenders. And I gotta turn to you, Bill, first, because I know you're a very busy guy. You don't have much time to watch this. I heard you laughing the loudest at one William Marr.

[Bill from Brooklyn]

You know, I used to love his show.

[Maureen Callahan]

I know.

[Bill from Brooklyn]

Same way I used to love Howard Stern. And now it's like you're watching these two that had just been on TV or radio way too long. They need to just both of them go away. He's just getting creepy. Like, he's entered that creepy old man category where, like, you wouldn't want any. Wouldn't want your wife, your sister, anyone you know near him.

[Maureen Callahan]

You would not. I mean, when he. When he described to Barbara Eden what only fans was and used the word masturbate and. And then followed it up with pay electronically. Not just make sure you get that money, sister, but it's coming to you electronically. And Bill would describe Venmo to you, but there are no sexual acts involved in. In Venmo that we know of. Phil Mars probably found a way to sexualize it. I always say, take a blue light to that clubhouse. Meghan Markle. Had you ever seen a clip from one of her shows on Netflix before? Had you seen the I'm Sussex now moment? Had you seen that before?

[Bill from Brooklyn]

No, I haven't. And I'm not going to waste one please do Minute of my life on her. Like, I get it. I get all my information I need about her from you. I just. I can't. I can't.

[Maureen Callahan]

With her and Gail Gayle and Oprah. Look, when you look at. When you looked at Oprah with her head in her hands as Gayle went aloft into space, and it's not like other people haven't done it, do you buy that they are purely platonic friends?

[Bill from Brooklyn]

I definitely don't. But I'm going to say, when you became an astronaut.

[Maureen Callahan]

Thank you.

[Bill from Brooklyn]

I wasn't crying either. I was not. I wasn't there.

[Maureen Callahan]

You weren't even there.

[Bill from Brooklyn]

I knew. I. You're right.

[Maureen Callahan]

Where were you, by the way?

[Bill from Brooklyn]

I was probably home, still sleeping. You got up early that day.

[Maureen Callahan]

You have no idea what I went through that day.

[Bill from Brooklyn]

None, clearly.

[Maureen Callahan]

But, like, I don't speak about it.

[Bill from Brooklyn]

I was confident that you'd come back.

[Maureen Callahan]

You know the best. The best text I got that that entire day was from your daughter. Best text I got, I was back on terra firma maybe 10 minutes. My text read, aunt Mo, are you back from outer space yet? I died. I died. I said, yes, I am, honey. Yes, I am. Okay, Kinsey, top moment for you in our in memoriam.

[Kinsey Schofield]

Obviously, it's anything to do with Meghan Markle. Meghan Markle. I refuse to call her Meghan Sussex. I refuse to call her the Duchess of Sussex. She quit her job when she acts like she didn't get the questions beforehand when they say, you know, what do you want people to know about you?

[Maureen Callahan]

Just the one thing. Just the one thing. You know, nobody's ever asked me that.

[Kinsey Schofield]

Oh, my God, that's such a good question. Did you think it was such a good question when you got the questions two weeks ago to approve them?

[Maureen Callahan]

Oh, you know, Kinsey, she said, no, no, no, she didn't get those questions early.

[Tim McKay]

She's not a good actress.

[Maureen Callahan]

So this is true.

[Tim McKay]

She's not selling it.

[Maureen Callahan]

She's not selling it. She's not selling the line.

[Kinsey Schofield]

But I do think that. I love that you pointed this out because I heard that they were disappointed that they were not nominated for an Emmy for their original Netflix series, which was commercially a success for them and everything else that they've created for Netflix has been a big fat failure, so.

[Maureen Callahan]

Oh, wait, do you mean the. The Harry and Meghan Netflix series which opened with them being chased in a harrowing chase in the back of an SUV by the paparazzi? And that paparazzi was one man on a bicycle. Yeah, it may have been electric. It was one man on a bicycle. And she's like, don't worry, Harry, we'll be there in 10 minutes. We're going into an underground garage.

[Kinsey Schofield]

Oh, my gosh.

[Maureen Callahan]

Tim, for you, your favorite farewell of the year.

[Tim McKay]

Well, no, she stands out to me the most just because the acting just like the. It's just so theatrical and I just don't buy it. So that sticks out. And the smugness of Bill, that stands out to me the most too. He's just like, he's coming across with that smug, like that cool. Mr.

[Maureen Callahan]

Cool.

[Tim McKay]

I just, I can't stand that.

[Maureen Callahan]

Like, who would you. Who better to tell someone who's 30 years his junior and probably got an inch on him that you're still super fuckable? I mean. Okay, we've got two new looks up on the red carpet. First, we're gonna take a look at Adam Scott again, star of Severance. I am having trouble again latching into Severance. You guys, I think the issue with his look is, okay, first of all, it's the pants.

[Tim McKay]

The pants?

[Maureen Callahan]

Yeah, the pants are. This feels very 1950s. We've got pleats in the pants. They're very high waisted. It's a thick band. But he's wearing a very thin, thin tie, so that doesn't seem to work for me. And his hair.

[Bill from Brooklyn]

Is the tie tucked into the pants?

[Maureen Callahan]

Yes. Is it?

[Tim McKay]

It looks like it's.

[Kinsey Schofield]

He needs a pocket protector.

[Maureen Callahan]

And he's got also like a boutonniere with a handkerchief in the bottom. So this is like leaning into a very. This almost feels like Bobby Darinish, 1950s to me.

[Kinsey Schofield]

Nerd alert.

[Maureen Callahan]

Nerd alert.

[Tim McKay]

The pants are giving that.

[Kinsey Schofield]

Yeah.

[Bill from Brooklyn]

There's so much predecessor. Did I do that 50s, though?

[Maureen Callahan]

I mean, this is such a strange look.

[Kinsey Schofield]

You think it's more 1950s than Steve Urkel?

[Bill from Brooklyn]

Oh, it's right there. Yeah, he does have an Urkel thing going.

[Tim McKay]

Is the tie tucked in a new thing?

[Maureen Callahan]

No, I don't think I've known anything about this. This is a very, very strange look. We also have Chloe Sevigny, who I'm very. We saw a little bit of her earlier on our return screen here at the Nerve. And what did she do this year? What has she been in recently? She was in the Swans, right?

[Kinsey Schofield]

Swans.

[Maureen Callahan]

Yeah, Swans. Did you guys watch that?

[Kinsey Schofield]

I did.

[Maureen Callahan]

No, She's a mom now. Again, this is black look.

[Kinsey Schofield]

I just think she's so cool. I mean, didn't she recently do that garage sale, basically where she emptied out her closets?

[Maureen Callahan]

That's true. In New York she did that.

[Kinsey Schofield]

Yeah. I just think she's so cool. I mean, is. I. I bet you she tried on something else that we would have liked more. But she was feeling this today, and I do think it flatters her figure.

[Maureen Callahan]

It does.

[Tim McKay]

It's giving 90s a little bit right now.

[Maureen Callahan]

It's giving me 90s Madonna in her. Like, Jean Paul Gaultier era in her. Like, let's adorn myself with crucifixes and religious iconography, but I'm swerving into my old Hollywood lane. I like the hair. I think the hair is very interesting. It's old fashioned, but also modern.

[Tim McKay]

This is very niche. But did you ever see the Swan Princess? That cartoon?

[Maureen Callahan]

No. What is that? No, we're good, guys. We've gotten the look.

[Tim McKay]

There's a very similar dress in one scene, but since no one here has seen it, I just forgot I said it.

[Maureen Callahan]

No. Well, why. Why did you bring it up?

[Tim McKay]

No. Because her dress looked exactly like. It's a cartoon from, like, the early 90s.

[Kinsey Schofield]

So I don't know why.

[Tim McKay]

That was, like, exactly what I thought of. Oh, my God. She looks like. Yeah, the Princess. And when she's wearing that black dress and the sleeves, the little poof on the sleeves. Early 90s. That's what it reminded me of.

[Maureen Callahan]

No, it's definitely early 90s. It almost looks like it could be made of velvet.

[Tim McKay]

Yes.

[Maureen Callahan]

Remember, like, crushed velvet especially was such a thing in the 90s. Also, one of my favorite 90s looks was Gwyneth Paltrow in that red velvet Tom Ford tuxedo. Do you remember she wore it to the VMAs. You might be. It wasn't the VMAs, it was the MTV. It was some award. I don't know. Anyway, that was a great look. Bill, what did you make of the Chloe look? And do you care about her?

[Bill from Brooklyn]

I don't love her, don't hate her, but I like the look. I thought it was, it was flattering to her.

[Maureen Callahan]

You do? Yeah, I like it too. It's also. It's nice to see an actress sort of, you know, she was sort of such a. Such a. Such a. Sort of like cool indie, you know, in the alternative lane girl. And now she's sort of, you know, growing into her. The next phase of her life and her career and her looks and she's a mother and she just. She looked very appropriate. I loved it. But still very true to herself.

[Bill from Brooklyn]

It doesn't look like she's trying too hard to stay relevant.

[Maureen Callahan]

Exactly.

[Kinsey Schofield]

Like these girls.

[Maureen Callahan]

Like these girls who. Yeah, I.

[Kinsey Schofield]

What was that show? Did you try to watch that show Hunting Wives?

[Maureen Callahan]

Yeah, I tried to watch it.

[Kinsey Schofield]

Hated it.

[Maureen Callahan]

Thank you. Thank you. I feel like every place I go people are like, are you watching that show? It's amazing. And I tried and I just, I can't.

[Kinsey Schofield]

I know, I know that. And that's why.

[Maureen Callahan]

Oh, here we are. We're looking. This is Brittany Snow.

[Kinsey Schofield]

Yes.

[Maureen Callahan]

Now I believe Britney recently switched teams.

[Kinsey Schofield]

Did she really?

[Maureen Callahan]

Really? I think that's her girlfriend. No. Yeah. Wait, are they co stars or they're.

[Kinsey Schofield]

Just girlfriends on the show?

[Maureen Callahan]

Is that Malin Ackerman?

[Kinsey Schofield]

Yes. Yeah.

[Maureen Callahan]

How do you say her name? Malin or Malin?

[Kinsey Schofield]

I think it's Malin, but I'm not 100% sure it's a nickname.

[Maureen Callahan]

Okay, what do we make of these looks here? We're dying also to see who was the look we asked for. Oh, Megan Fahey. You guys nerve central. Were dying to see Megan Fahey. What do we think of this thing it's hanging off of?

[Tim McKay]

She didn't want to wear black.

[Maureen Callahan]

Her otherwise sculptural. Is she supposed to be telling a similar. Like looping into Britney's look.

[Kinsey Schofield]

I think that they are trying to flatter one another's outfits. But I think Britney's look is cute. But again, it's very. I don't think it stands out on a night like tonight.

[Maureen Callahan]

Yeah, I wonder what people are trying to do with.

[Kinsey Schofield]

She's trying to look like Sydney Sweeney. That's what she's trying to do. She's trying to look like Sydney Sweeney.

[Maureen Callahan]

Yeah. Yes. Yes, you are so. She is trying to look like Sydney Sweeney. Okay, we got the look, guys. We're good. She is so. That is. See, now we've got to also see Sydney. Let's look at Sydney first before we look at Meghan Fahey. Okay, now this. This is. This is this. She is announcing she is like, I am your next movie star. I may be at the Emmys, but I am your neck. I am America's next movie star.

[Kinsey Schofield]

Yes.

[Maureen Callahan]

Look at this. I'm dying to know who designed this.

[Tim McKay]

I love to see the glamour. I love to see. She just looks incredible. She looks like a movie star. You're absolutely right.

[Maureen Callahan]

Not since Marilyn Monroe, by the way, have we seen someone lead with the boob this way.

[Kinsey Schofield]

Yes.

[Maureen Callahan]

Like, really, there's something. She's. She's managing to straddle this very fine line between, like, overtly sexy and also kind of wholesome. Like, I'm wholesome Americana.

[Kinsey Schofield]

Right?

[Maureen Callahan]

Like, it's wild. It's a very difficult thing to do.

[Kinsey Schofield]

It is. She's. She's incredibly smart because she was engaged and they recently called off their engagement.

[Maureen Callahan]

Well, this was during her Glen Powell. Your boyfriend.

[Kinsey Schofield]

My boyfriend.

[Maureen Callahan]

Are they or aren't they? And. And it turned out it was a.

[Kinsey Schofield]

Big press that she created.

[Maureen Callahan]

Oh, she did. That was her idea. She.

[Kinsey Schofield]

Glenn and said, do you mind if we do this? And Glenn's girlfriend at the time has recently come out complaining about that period, saying how selfish it was of them.

[Maureen Callahan]

Are they still together?

[Kinsey Schofield]

No, they broke up. And so she did an interview where she said it was so selfish of them, but it turned that movie, anyone but you, into a blockbuster because we were all kind of. Are they? Are they not? I want to see this chemistry on screen.

[Maureen Callahan]

This is the kind of thing that occupied the dwarf minds of Jenna Bush Hager's fourth hour Today show for weeks. It occupied them for weeks. And then they would have Glen Powell and Sidney. Are you or aren't you? It's like, how. So Pam Anderson just came out and said, you know, the Liam Neeson thing. And everybody was, like, pulling for them, and it was so cute. And Liam's found love again. I think Liam slutting it up all over town. I do. He's not like the. He's not like the widow Neeson. Widower, niece. And. Excuse me. But then it was. It came out that it was a big. Just. It was a big PR stunt.

[Kinsey Schofield]

Right.

[Maureen Callahan]

And then Pam Anderson gave a very solemn speech in which she said, I Would never allow my romantic life to be used as a publicity stunt.

[Kinsey Schofield]

We've seen the tape. We've seen the tape.

[Maureen Callahan]

I mean, so, you know, it doesn't even work, but. Okay, we're going to do Meghan Fahey, because I think this is. This will probably be my second favorite look of the night, I think. What do we have here? Oh, okay, here we go. First of all, I think she's had some work done because her hair is parted on the side and it's a softer blonde. And the trick usually is change up the hair. Am I right, Tim? To distract from any sort of tweak. Mints.

[Kinsey Schofield]

They do say that.

[Tim McKay]

Or treatments trying to hide scars, I guess.

[Kinsey Schofield]

Well, no, they want you to.

[Maureen Callahan]

She looks like a young Michelle Pfeiffer here.

[Kinsey Schofield]

Oh, she does.

[Bill from Brooklyn]

She does.

[Maureen Callahan]

Yeah.

[Bill from Brooklyn]

She looks beautiful.

[Kinsey Schofield]

They want you to go, did she have something done or is it just her hair color like that? That's why. Oh, my gosh. James Marston. Another baby daddy. Such a handsome guy, James.

[Maureen Callahan]

Yeah, but, you know, his girlfriend's like, eight.

[Kinsey Schofield]

I know. I. I really am.

[Maureen Callahan]

And that's a hair system. Look at the line. You can see it right there.

[Kinsey Schofield]

I got a Benjamin Button.

[Maureen Callahan]

Hard, so. But I love this look. This is very bold. But she's pulling it off. It looks classy, not trashy. Put Jennifer Lopez in that same look. We're talking something completely different.

[Kinsey Schofield]

Yeah, you're right.

[Maureen Callahan]

Bill, what do you make of that look? Very curious.

[Bill from Brooklyn]

Very hard to pull off, but she did it well.

[Maureen Callahan]

You think it's classy?

[Bill from Brooklyn]

Yeah, it doesn't look trashy on her at all. I don't think that's. It's definitely not for everyone, but she's wearing it well. She looks really good.

[Tim McKay]

She. A movie dropped this year, and she had a very.

[Maureen Callahan]

She said movie. Did you see it?

[Tim McKay]

I liked it. I like slasher movies. I like that. Kind of, like, mystery. I don't know. I thought it was okay, but, like, she had a very similar kind of open chest. It was red, though, in the movie, but it was beautiful.

[Kinsey Schofield]

Would you open the door for her? If she saw her coming and, like, you were there, would you be like, oh, my gosh, let me get this door for you?

[Bill from Brooklyn]

I mean, yeah, of course I would. I was raised to open the door for any woman.

[Tim McKay]

So that's not.

[Maureen Callahan]

Bill, don't play. You're like, I don't. It's Megan Fahey. I don't care. I don't. I don't care if you're Sydney Sweeney. I don't care if you're 80 years old. I'm going to open the door for you. Oh, my God. There's so many looks I wish we could get to, but we have remaining amounts of time, so it seems like the big trends. Oh, we've got more troublemaker feedback. Here comes Emily with more. Which one should I start with, Emily? This one. Okay, let's see what we've got.

[Kinsey Schofield]

Can I say while Kristen Bell's on the screen, Kristen Bell's father followed. He fired me just so that Kristen Bell connection.

[Maureen Callahan]

How so?

[Kinsey Schofield]

I was hosted a Sacramento morning show and they needed more money to start a sports department. And so I bought the URL kristenbellsdadfiredme.com and that's how I got another job.

[Maureen Callahan]

You're a genius.

[Bill from Brooklyn]

That's great.

[Maureen Callahan]

Who could say they've been fired by Kristen Bell's father? And they've also worked for Diddy also.

[Kinsey Schofield]

And then when I interviewed her, like, this is like last year, I went, you and I have something in common. And I wondered if she knew, but probably not. And then she was like, what? And I was like, we both love Dateline. But I wanted anybody too that did know to sit back and go, oh.

[Maureen Callahan]

My God, is she gonna say, oh, that's really funny? That's really, really, really funny. Okay, we are going in. Okay, so we're getting feedback on the pants on Adam Scott's pants. Old man pants, missing suspenders. Those pants dorky too. High waist pants. Shorten his legs terribly. Agreed. Someone else all caps. Andy Kiwi. His tie is tucked in. Looks like Urkel. We are having a hive mind. I've got multiple scull. The dog looks like a rocker. Excuse me. This dog now looks like one. Carrie Bradshaw, sjp. Get it right. Tom Cruise is one of the last real true movie stars. Agreed. We've got some Tom Hanks accusations that I don't really think I can say legally. The woodshed needs an addition. Good grief. Fashion is dead. Nate is on the chop, chop block. Okay, here's what I heard about Nate, and I haven't watched his most recent Netflix special, but you know, I did a whole segment like, you know, beware the public moralist. Somebody wrote that on Nate's most recent Netflix special. His daughter's like 12 or 13. Now. He says proudly that he tours so much that when he comes home, he. I don't know if insist is the right word or prefers is the right word, but no word is a good word. That the daughters sleep in their marital bed.

[Kinsey Schofield]

No is that real? Is that real? I would. We.

[Maureen Callahan]

I mean, I. It's allegedly reportedly from his own Netflix special, which I think is called you'd friend Nate or something. But it's a clean comic and there's nothing wrong. Like, I be a clean comic. Jerry Seinfeld's a clean comic and he's super funny.

[Bill from Brooklyn]

But I also dated a 16 year old when he was in his late 30s.

[Maureen Callahan]

Bill. She was 17.

[Bill from Brooklyn]

Did he go to the prom? I don't remember.

[Maureen Callahan]

I don't think so. But I do remember People magazine treating it like it was. Like it was a great love story. And you know, her parents approved. So if her parents approved, why should we be alarmed? All good? Yeah, you know, it's all great. So we've got. Oh, you've all seen Oprah, made it to the dartboard. We've got. Oh, Kinsey, do not dismiss your billowy, beautiful sleeves and polka dotted, lovely dress. It truly is a statement and we love it.

[Kinsey Schofield]

Oh, thank you.

[Maureen Callahan]

With a heart. People are all pro. Chris Rock and yeah. Bowen wash out. Girly look looks like a blouse. People are loving Sydney Sweeney. Loving it.

[Kinsey Schofield]

She's a sex pot. We missed them. We haven't had a good sex spot since.

[Maureen Callahan]

Yeah. What happened? Like, what was it? Me too. That kind of derailed all that for a while for red carpet dressing where you had to look like, somber and serious. Oh, my favorite movement, too. I didn't mean to cut you off. Was the ask me something more interesting movement. Remember when Reese Witherspoon was, like, spearheading that, like, don't ask me what I'm wearing. Ask me something intellectual, you know, like. Well, like Chanel just spent like, you know, 85,000. Like 85. You know what I mean? Like a million dollars or something. Dressing you, Selena Gomez. She looks great. I do think this is not going to end well for her. She also looks like she's had a baby facelift. It's either a baby facelift or a Croydon facelift, which is named after Kate Moss.

[Kinsey Schofield]

But don't they say if you are on the Big O, if you are on Ozempic, don't they say your face kind of tightens up?

[Maureen Callahan]

No, no, you slack it up.

[Tim McKay]

You just lose weight so the skin droops a little.

[Kinsey Schofield]

Oh, wait, we haven't even talked about this.

[Maureen Callahan]

Oh, yeah, we missed. We're gonna have to do it on our recap show, Kinsey. Yeah, we will. We. Kinsey and I will be back for a full nerve on Tuesday. She is doing us the honor of Staying an extra day so we can go through all the Emmy looks that we were unable to get to tonight, as well as the winners and the losers. I personally, we didn't really get to talk much tv. Well, we talked a fair amount. But of everything that's up tonight, I am pulling for the pit and I am pulling for adolescence, which deserves every single award it gets. Are you guys pulling for anyone in particular tonight?

[Kinsey Schofield]

The Summer I Turned Pretty is not nominated, and it's a show for teenagers, and I love it. So, no, I'm not rooting for anyone.

[Tim McKay]

The Penguin. I love the show.

[Maureen Callahan]

I'm getting into it. I'm getting into it right now. Phil. No, no.

[Bill from Brooklyn]

No favorites.

[Maureen Callahan]

I'm just.

[Bill from Brooklyn]

I'm here for the.

[Maureen Callahan]

Here for the boost.

[Kinsey Schofield]

I love Bill.

[Maureen Callahan]

And for Kinsey. Okay, again, tonight is brought to you by Masa Chips. Try them [e-mail] Maureen and use code Maureen for 25% off your first order. And buy golden age fats. Visit goldenagefats.com Maureen and use code MAUREEN for 25% off your first order. We have. As we. As we say our farewells, we have another quick cameo. This is from Catherine Beta Jones. This is Marlena, our producer Marlena's fish, who, you know, all of our repeat offenders can sleep with the fishes. And Catherine Beta Jones. And I said to Marlena, that's really. That's some fishbowl you got there. And she said, you know, I have taste. What are you talking about? Stand corrected. And as we say our farewells, I know again, we are. We've got three months left in 2025, but as far as television goes streaming, what have you, I can guarantee you this is the moment of the year. And no, it is not William Marr, sorry to say. Let's take a look. Nerves. Have y' all been to space? Have you been in space? Yes, I have. Here I am with one Meghan Kelly, but I don't bleed about it every five minutes.

[Kinsey Schofield]

That's amazing. Oh, gosh.

[Maureen Callahan]

And I've got three people here who I love and adore, regardless of not having been. I don't look down on them. Rather, I celebrate and elevate any final words as we take our leave from our first nerve livestream.

[Tim McKay]

Maureen, I love you, and I'm just so grateful that I got to be here today. Thank you.

[Maureen Callahan]

Aw, thanks, Tim. You really. Teddy, is your hat coming off? Is this a problem, Kinsey?

[Kinsey Schofield]

No. This has been so much fun, and I will say that I've had more fun watching it with you guys than I ever would have had watching it at home.

[Maureen Callahan]

I know we need more fun on the red carpet. It's so sanitized and they ask me such, like, toothless questions and like, somebody can show up, like Meg Stalter. I'm, like, dying to hear what she was actually asked. Yeah, what she really should have been asked is what the are you wearing? What are you thinking? This is your moment and this is what you're doing. Bill, any final thoughts?

[Bill from Brooklyn]

You know what? I thought this was going to be. I didn't know what to think coming into this.

[Maureen Callahan]

Yeah.

[Bill from Brooklyn]

It seemed like we were only here for 10 minutes. It was a great time. I had a great time with all of you. Thank you for having me.

[Maureen Callahan]

Oh, well, thanks for coming. I thoroughly, thoroughly enjoyed it and I thoroughly. I'm so happy. We now have nerve merch that we get to share with all of you. We have some of our favorite nerve troublemaker art hanging on our studio walls. And Teddy wants down. Okay, Teddi, go. Run free.

[Kinsey Schofield]

Be free.

[Maureen Callahan]

You suffered enough in that hat. Getting momentum. The hat's like, oh, you got rid of it.

[Tim McKay]

You got rid of it.

[Maureen Callahan]

He got rid of it. Sarah Jessica Parker, Take a note from like a 6 pound 7 year old Pomeranian. Ditch the hat. Oh, my God. Okay, well, that looks like it is it. For our very first Nerve live stream, we will be checking in with you troublemakers all evening and all day tomorrow and Monday. Email us your questions. Email me at Maureen. Maureen, sorry, I'm maureenevilmakehremedia.com or on Instagram @maureen callahanrider or the nerve show. Any, any messages some of you have. I know some of you ladies out there have a crush on my brother. He's a happily married man. Kinsey, please.

[Kinsey Schofield]

Sorry.

[Maureen Callahan]

But yeah, email us DM us and we will all reconvene on Tuesday at a full Nerf. Yay. Yay.

[Bill from Brooklyn]

Great job.

[Maureen Callahan]

Thank you for joining us and enjoy if you must, if you can, if you can, gut it out the Emmys. We will see you on Tuesday at the Nerve where you will never guess what we're about to say next. Your skin should never come second. That's why PACT makes everyday essentials from the purest organic cotton. No toxins, no harsh chemicals, just softness you can feel good in. Because wellness isn't just what you put in your body, it's what you put on it too. From the first layer to the last, getting dressed should feel like self care. Visit wearpacked.com and use code dresswell for 15% off your first order pact. Dress yourself well. Hey, everybody, it's Rob Lowe here. If you haven't heard, I have a podcast that's called Literally with Rob Lowe. And basically it's conversations I've had that really make you feel like you're pulling up a chair at an intimate dinner between myself and people that I admire, like Aaron Sorkin or Tiffany Haddish, Demi Moore, Chris Pratt, Michael J. Fox. There are new episodes out every Thursday, so subscribe, please, and listen wherever you get your podcasts.