Unraveling the Drama: Wendy Moniz on Yellowstone and Life Beyond the Screen

Summary

The Official Yellowstone Podcast: Episode Summary

Episode Title: Unraveling the Drama: Wendy Moniz on Yellowstone and Life Beyond the Screen
Release Date: January 23, 2025
Host: Bobby Bones
Guest: Wendy Moniz (Governor Perry/Senator on Yellowstone)

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1. Introduction and Host Transition

Timestamp: [01:37] – [05:35]

Bobby Bones introduces himself as the new host of The Official Yellowstone Podcast. He emphasizes the podcast's focus on providing spoiler-free discussions about the hit series Yellowstone, including behind-the-scenes stories, character developments, and insights from the cast and crew. Bobby assures listeners that spoiler alerts will be given when necessary, maintaining an enjoyable experience for both long-time fans and newcomers.

Notable Quote:
“This will not be a spoiler podcast, meaning we just won't go recklessly into talking spoilers.” – Bobby Bones [03:15]

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2. Acknowledging Real-Life Tragedy

Timestamp: [05:35] – [07:16]

Before delving into the interview, Bobby addresses the recent wildfires in California, sharing the personal impact on Wendy Moniz, who lost her home. He highlights the community's resilience and promotes support for the Dream Center in LA, encouraging listeners to donate and assist those affected by the disasters.

Notable Quote:
"When disaster strikes, one of the great things is we come together." – Bobby Bones [06:00]

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3. Discussing the Finale and Post-Series Emotions

Timestamp: [07:16] – [09:04]

Bobby inquires about Wendy's feelings following the conclusion of Yellowstone. Wendy shares her sense of sadness and the bittersweet emotions that come with the show's end, comparing it to the closure she felt after wrapping up her previous projects.

Notable Quote:
"I definitely have been feeling a bit blue the last couple of days processing it." – Wendy Moniz [06:29]

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4. Cultural Impact and Audience Engagement

Timestamp: [09:04] – [21:27]

The conversation shifts to the cultural significance of Yellowstone. Wendy recounts how the show's popularity was evident when fans began dressing up as characters for Halloween, signaling its deep-rooted presence in popular culture. She reflects on how Yellowstone fostered a sense of community, with viewers gathering for weekly episodes and engaging in themed watch parties.

Notable Quote:
"When people started dressing up like our characters for Halloween, I was like, what is happening?" – Wendy Moniz [21:15]

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5. Acting Process and Character Development

Timestamp: [21:27] – [27:08]

Bobby delves into Wendy's approach to acting, particularly her portrayal of Governor Perry and later Senator. Wendy discusses her method of deeply understanding her character's role, researching the responsibilities of a governor and senator to authentically represent them. She highlights the importance of collaboration with directors and fellow actors to bring nuanced performances to life.

Notable Quote:
"For me, the memorization is the easy part because it's not about memorizing the words. It's about understanding what's going on in the scene." – Wendy Moniz [10:24]

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6. On-Set Experiences and Relationship with Co-Cast

Timestamp: [27:08] – [30:14]

Wendy shares her positive experiences working with the Yellowstone cast and crew. She praises the professionalism and camaraderie among actors, stating that the supportive environment enhanced her performance. Wendy also reflects on memorable moments and the collective effort that contributed to the show's success.

Notable Quote:
"It was heaven working with this group of people. It didn't get better than that." – Wendy Moniz [29:25]

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7. Reflections on the Show’s Conclusion

Timestamp: [30:14] – [33:14]

As the episode wraps up, Bobby and Wendy discuss the show's deliberate conclusion, appreciating how Yellowstone maintained high-quality storytelling without overstaying its welcome. Bobby commends the series for avoiding filler seasons and delivering a satisfying end, while Wendy expresses gratitude for being part of such a well-crafted narrative.

Notable Quote:
"What I like about what Yellowstone did is like, it's done now, but it was right." – Bobby Bones [30:50]

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8. Closing Remarks and Acknowledgments

Timestamp: [33:14]

Bobby closes the episode by thanking Wendy Moniz for her participation and congratulating her on her role in the series. He extends gratitude to the podcast's production team, sponsors, and listeners, ensuring the community feels appreciated and connected.

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Key Takeaways:

• Emotional Impact: Both Wendy and Bobby express the emotional weight of the show's conclusion, highlighting personal connections and the end of an era for fans.

• Cultural Significance: Yellowstone has left a substantial mark on popular culture, evident through fan engagement and themed events like Halloween costumes.

• Acting insights: Wendy emphasizes the importance of understanding a character's role and the collaborative nature of acting, contributing to authentic and compelling performances.

• Positive Work Environment: The supportive and professional atmosphere among the Yellowstone cast and crew played a crucial role in the show's success and the actors' enjoyment.

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Notable Quotes Summary:

• "This will not be a spoiler podcast, meaning we just won't go recklessly into talking spoilers." – Bobby Bones [03:15]

• "When people started dressing up like our characters for Halloween, I was like, what is happening?" – Wendy Moniz [21:15]

• "For me, the memorization is the easy part because it's not about memorizing the words. It's about understanding what's going on in the scene." – Wendy Moniz [10:24]

• "It was heaven working with this group of people. It didn't get better than that." – Wendy Moniz [29:25]

• "What I like about what Yellowstone did is like, it's done now, but it was right." – Bobby Bones [30:50]

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This episode of The Official Yellowstone Podcast offers an intimate look into Wendy Moniz's experience on the show, the emotional journey of concluding a beloved series, and the lasting cultural impact Yellowstone has achieved. Through heartfelt conversations and shared reflections, listeners gain a deeper appreciation for the intricate dynamics behind one of television's most acclaimed dramas.

Transcript

[Wendy Moniz]

Where'd you get those shoes?

[Bobby Bones]

Easy.

[Wendy Moniz]

They're from dsw. Because DSW has the exact right shoes for whatever you're into right now. You know, like the sneakers that make office hours feel like happy hour, the.

[Bobby Bones]

Boots that turn grocery aisles into runways, and all the styles that show off.

[Wendy Moniz]

The many sides of you, from daydreamer to multitasker and everything in between.

[Bobby Bones]

Because you do it all in really great shoes.

[Wendy Moniz]

Find a shoe for every you at your DSW store or dsw.com stop hitting snooze on new tech. Upgrade the whole [e-mail] Unlock AI experiences with the ThinkPad X1 Carbon powered by Intel Core Ultra processors so you can work, create and boost productivity all on one device. Win the tech search for business [e-mail] Lenovo Lenovo wasn't that delicious? So good.

[Unknown]

Your bill, ladies.

[Wendy Moniz]

I got it. No, I got it. Seriously, I insist. I insisted first. Don't be silly. You don't be silly.

[Unknown]

People with the Wells Fargo Active Cash credit card prefer to pay because they earn unlimited 2% cash back on purchases.

[Wendy Moniz]

Okay. Rock, paper, scissors for it. Rock, paper, scissors, shoot.

[Unknown]

No, the Wells Fargo Active Cash credit card. Visit Wells Fargo.com ActiveCash Terms of Place by.

[Bobby Bones]

Usually when that song is playing, I know it's time to put my phone down because one of my favorite shows coming on. Probably yours too, if you're here. Welcome to the official podcast for Yellowstone. For the next version of this podcast, I will be your host. My name is Bobby Bones. Big fan. I do want to say this too. This will not be a spoiler podcast, meaning we just won't go recklessly into talking spoilers. If there is going to be something that I feel could possibly spoil, I will give you a spoiler alert to be like, run. Throw your headphones in the lake. I will definitely give you a spoiler alert. So listen along. Mostly it's like getting to know, like why the show happened, some stories from behind the scenes, some of the people that acted in the show. It's just a fan show done by a fan, which is pretty cool. We have some great guests coming up. I don't want to even spoil who the guests are, but like Teeter Jen. I'll just call her. I'll just call her Jen. Jen Landon. We'll have her coming up. And this episode specifically, we're going to have Winnie Moniz, who played Governor Perry then she was a senator. It's that. It's those people that I want to talk to. It's everything in between. So we're going to dive into all the elements that maybe you've always wondered or maybe you didn't even know to wonder about on such a massive show. A lot of behind the scenes, a lot of insight, a lot of fans. For me, it's all about the characters. This is one of those shows that was such a great character building show. Like, I felt invested. And the hardest thing to do on a show where there's great character development, like if you're building those characters, is to give a side that isn't super likable, but also make the character still somebody that you either root for or walk alongside to see what happens. I mean, I think Beth's a great example of that. Like, there's some qualities of Beth. You're like, man, that's hardcore. But then you root for Beth and you root for Beth and Rip. So Jamie's an example. Like with Jamie, you're like, jamie's awesome. Jamie's awful. Well, what is it? It's so human and that's what makes the show awesome. So that's what we're going to do for this episode, plus like seven or so more. I'm super excited to be here and mostly I'm excited to talk to the people that made the show. And so let's get to our first guest, Wendy Moniz, who plays Governor Perry on the show. And before we get there, I do want to take a second to talk about a real life tragedy that's transpired this month in California. Unfortunately, Wendy was part of the many people who lost their homes in the fires. And as the wildfires continue to impact Los Angeles, families are facing unimaginable loss. But when disaster strikes, one of the great things is we come together. Iheartla has teamed up to help support the Dream center, which is a local LA organization working tirelessly to provide relief, from operating shelters to supplying essentials to those who've lost everything. Supplies are being accepted and donated at the Dream center in LA, where iHeart has set up trucks to receive and distribute them. So we want to continue to do things. I felt like I needed to share that. We recorded this actually before the fires, but she lost her home in the fire and we hate that. For her and everybody who is struggling through this, you can also join us in supporting their vital work by [e-mail] donate or texting the word relief to 33100 that's relief to 33100 so now let's talk with Wendy Mon. So it's over. Please don't spoil the final episode. Cause I haven't seen it yet. So I'm gonna say that the final episode I have not got to watch yet because I've been traveling. Do you do this with finales in general? Like, you have to treat that time precious. It's like no phone when it's a finale of something. I need to be fully. No airplane. Fully dedicated. And that's. So tonight I'm gonna do that. So aside from Yellowstone, do you treat finales the same way?

[Wendy Moniz]

Yeah. Yeah. Something that I'm invested in like that and something that requires, like, I could never watch Yellowstone on a plane. It's just too cinematic. And I. And because there's so much storytelling and you have to sort of really pay attention, so you need no distractions. I'm on board with that.

[Bobby Bones]

Game of Thrones. When I watched Game of Thrones, it was like, I gotta focus, so I can't do something where there's, like, other elements. And same thing with Yellowstone. So again, I'm gonna ask you questions about the show and Ish about the finale. But I ask, please don't spoil the finale because I haven't seen it yet. And I think you respect that. So thank you. Oh, yeah. Good. Also, I love drama show.

[Wendy Moniz]

I won't. Thank. Thank you. Thank you so much.

[Bobby Bones]

Now that it's over. I don't know. Now that it's over. Cause it's been over for you. Because I saw your Instagram when you were done taping, and I know that's its own conclusion. But now that it's over for everyone, how do you feel this morning when you wake up or the morning after?

[Wendy Moniz]

Sad. Honestly, it's been a bit. I feel a bit blue. I mean, I felt that on my last day of rapping and I did write that little just sort of poured out of me when I wrapped for the series. And that was sad for sure. And I didn't know how I was gonna feel about, you know, watching the finale and being the end because I had already had that moment. But, man, I really did feel the impact of it's over and it's bittersweet. But I definitely have been feeling a bit blue the last couple of days processing it.

[Bobby Bones]

You know, I feel like some of my friends took a civics lesson from the show, meaning they did not know the difference in federal government and state government. And bet your character, you got to learn that because you're governor, and then all of a sudden you're not governor, and then you go Run for Senate. And like, a couple of my idiot friends were like, why would you leave being a governor? Like, isn't that bigger? And it's like, well. And so I will explain to them, here's the difference, and this is the different things that you can contribute to. So I feel like, in a way, Yellowstone helped a lot of my dummy friends understand the roles of a governor versus the roles of a senator. And you don't often see someone leave to be a, you know, to go from state. They try. A lot of governors try to be president. How did you feel when they came to you and said, hey, we're going to switch your role up a little bit, we're going to send you to D.C.

[Wendy Moniz]

I was like, okay. I mean, at that point, I'm just trusting Taylor and his writing. You know, I never wasn't trusting it, but with all the twists and turns, it's kind of like, oh, okay, we're doing this now. Well, he knows what he's doing, so I'm along for the ride. But to your point, I had to educate myself, too, about all of that because I wasn't very politically versed in any of it. So when I originally got the job, I was like, okay, what is a governor? What does a governor do? What does it mean? And then now you're the senator. And so I learned what it was, and I felt some uncertainty just about how I was gonna still be. Because when you think of the senator or a senator, you think of Washington. So, like, how am I still involved in all of this? But you just are, because you're very connected to the state. And so I was working closely with John Dutton's character, but at a federal level.

[Bobby Bones]

You know what's pretty wild? It's like the president of Ukraine in real life, Zelensky was once an actor, and he played the president of Ukraine. So now here you are. How about you going to be the governor of a state? Because now we know you as that, we feel like you're that person. Any idea of maybe running for office?

[Wendy Moniz]

100%. No. That's a hard no. And never, ever. I'm an actor, and I only play a governor or any kind of a politician on tv.

[Bobby Bones]

How far ahead would you know where the stories were going?

[Wendy Moniz]

Not that far ahead. We would get the scripts for each. You wouldn't get a season. You wouldn't get all the scripts at once. So you would get them as they were coming. So it was kind of cool and exciting to be like, am I in this script or what am I doing in this script. And it was new information each time you got a script. So it was not very far in.

[Bobby Bones]

Advance with all your history because you've had so many different kinds of role. And I know you also from House Cards on Netflix. I took that show down. Loved it. How good are you at memorizing and would they allow you to at times slightly change stuff up if you didn't remember it verbatim?

[Wendy Moniz]

I'm really good at memorizing. For me, the memorization is the easy part because it's not about memorizing the words. It's about what's. It's understanding what's going on in the scene and then the words. Then it's easy to remember the words versus like you're just taking a piece of material and memorizing what's happening. For me, I'm. I need to understand what's happening in the scene and what a person wants and listening to the other person. And then it's easy to know how the words follow the path that way. There wasn't a lot of changing of words. It wasn't super, super rigid if it was a small kind of a thing. But there wasn't really a need to change words sometimes. As an actor, I always say that everything is on the page. If you start with something amazing on the page as an actor, you're like, ok, you're off to the races. Sometimes you get material that's not so great and you're trying to make it work and you're having to change things to make it. But with Taylor's writing, you don't really have to change anything. It's just excellent writing.

[Bobby Bones]

Did you acquire any ranch skills or animal skills from just being around the set?

[Wendy Moniz]

Not skills, no. Because I was in the cowboy world where I was a hands on kind of way. But I fully appreciated any moments that my character had to be around those animals, those horses. And I, you know, just, you know, being able to touch them, being so close to them and watching the other actors interact with them. I sort of developed an affection for horses especially that I didn't really have before going in. Horses really scared me. Cause they're big and they're powerful and I was never, I never rode horses. So I wouldn't say skill, but I would say an appreciation and affection. I definitely gained that being around them.

[Bobby Bones]

Don't judge me. But I went and so I won Dancing with the Stars. And I had a shoe that I was wearing my final episode and I took it to the judges.

[Wendy Moniz]

Wait a Minute. You won Dancing with the Stars.

[Bobby Bones]

I did, yes.

[Wendy Moniz]

That was my congratulations. I love Dancing with the Stars.

[Bobby Bones]

Not yesterday. Like, five years ago. Not yesterday.

[Wendy Moniz]

Okay.

[Bobby Bones]

Thank you for not judging me. Sometimes it's the opposite, so. Oh, your tone was up. I appreciate that. Thank you.

[Wendy Moniz]

Hats off. Hats off. I would love to be on that show. I would love to learn all those dances. I'm jealous. That's awesome. Good for you.

[Bobby Bones]

Well, now I feel better about myself. Thank you. At the end, after the final on the show. Cause I didn't want to miss it. I took my shoe off that I was wearing, and I took it to the judges on camera because I didn't really know the rules of the show. And that's. And it's part of how I won. Like, I worked really hard, but I was a bit different. And so I had them all signed the shoe, because I wanted something from that while I was still in it. So I have the shoe that I was wearing signed by all the judges. And to me, I still keep that shoe. And it's very important to me because it reminds me of a time for you on that show. Did you. Do you have anything with you that everybody, like, signed or something you took from it that you are. That you keep? And you're like, man, I know that in 5, 7, 12 years, I'm gonna have this. And it represents that time there.

[Wendy Moniz]

Yes. You know, it's funny because as the show is wrapping up, I know a lot of the other actors were asked that question, like, what did you take from the show? And I'm kind of regretful that I didn't take something super personal, like maybe a piece of jewelry or shoes that she was wearing. I have a pin. I always had a pin. That was the props. When I would get on set, props would put the governor pin or the senator pin on me. They gave me those at the end. The back of my chair has my name in Yellowstone on it. I didn't have anybody sign it throughout the years. They would gift us things. So I. Really badass stuff, like an incredible cowboy hat that has a leather brim and has my initials written on it and flasks and those kinds of things. They made a Monopoly game of Yellowstone, and I've got that. They made a deck of cards, and I have a card. Like, the queen of clubs is my card. I mean, all of that to me was like, I have so many memories of that peppered around my office space. Not that anybody signed, but, you know, I have our. Like, you mentioned Instagram before, and How I did my sign off and that's one of the great things I think about social media is that you can be in touch with people and stay connected and have those memories there. It's like a giant photo album. Social media can be great when you're using it the right way for those, for that. So I feel like I have it in that way.

[Bobby Bones]

Do you have any cool pictures that like maybe you haven't posted, but in your phone of like the crew? Like a really special picture, Maybe it's even framed in your office? I don't know from your experience there.

[Wendy Moniz]

I do have a lot of good pictures in my phone. I don't have anything framed yet. But like, you know, we had parties over the years and I've got candid pictures and pictures on the sets of, you know, people that you wouldn't see my character with. Like in the end there's a lot of group. We were together as a group, which we weren't often because there was the cowboy world and there was the political world and I tended to be, you know, in the political world more. But you know, if pictures of me and teeter like hanging out, you know, on the last day, those kinds of things are special to me because our characters didn't interact, but we still were a really close ensemble. And when we did see each other and our paths did cross, there's just so much warmth and camaraderie with that group of people.

[Bobby Bones]

What is your move to LA Story?

[Wendy Moniz]

My move to LA Story is a two parter, really. In 99, I left a soap opera that I was on, that was my big break in my 20s and I left that. They wanted me to stay, but I was like, no, I'm going to go see about primetime tv. And at that time it was really New York and la, whereas now TV shoots everywhere. And I'd never lived in California before. So I left. I'm an east coast girl, I grew up in Massachusetts. So I left New York and I came to LA and I landed a pilot like pretty much out of the gate. It didn't get picked up, but it was this really well done pedigree pilot that Carl Franklin directed actually. And so that got me a manager and that just got me going and I really worked very steadily. I was fortunate in that way. I did that pilot that didn't get picked up. I got offered a couple of things I didn't take. I did a TV movie based on the book Tuesdays with Maury with Jack Lemmon and Hank Azaria and that was a big deal. It won a bunch of Emmys. It was like the Jack Nicholson, Jack Lemmon's last thing. And then I did a series, I did Nash Bridges, that was kind of an iconic show. I just did the last season of it that had like a seven year run or something. And then I did a show called the Guardian, which was a great CBS show that ran for three years. Yeah, I was kind of just always finding myself in television and I'm still here doing it somehow. But that was my LA move. And then my son, who's now 20, was born in 2004 and we went back to New York because family was on the east coast and it was harder then because I had my kids and I couldn't really travel. And then we moved. We were in New York for 10 straight years and I did some good work in New York. But then we moved back again to LA and have been here since 2015. And it's funny that you say House of Cards because as soon as we moved back in 2015, I got the job on House of Cards. So I was commuting back to the east coast after I got to la. It's like the gypsy life of an actor, you know? Wasn't that delicious? So good. Your bill, ladies. I got it. No, I got it. Seriously, I insist. I insisted first.

[Bobby Bones]

Don't be silly.

[Wendy Moniz]

You don't be silly.

[Unknown]

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[Wendy Moniz]

Okay. Rock, paper, scissors for it. Rock, paper, scissors. Shoot, shoot. No.

[Unknown]

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[Wendy Moniz]

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[Bobby Bones]

You'Ve been in pretty much the whole arc of the show, right? You've been there the whole time different like that. You've had had different jobs during the arc. At what point did you realize, oh, man, this show is starting to take on a life, like a big life. Because for me, it was recommended probably like halfway through season two. And so much of the stuff that we watch now, just recommend a word of mouth from friends. Like, anything on anything a friend usually says, hey, you got to watch it. And I did not start Yellowstone season one, episode one right when it came out. I didn't know about it, but I got so into it about halfway through season two. When did you start to feel like culturally it was impacting?

[Wendy Moniz]

Culturally when it was impacting? There's probably other things that indicated it, but for me, the biggest one was when people started dressing up like our characters for Halloween, that I was like, what is happening? I mean, it was incredible. And I had friends that would have watch parties even before it was Halloween, and they would, like, dress up and have their Yellowstone parties. It was because it wasn't something that you were getting. You couldn't stream it whenever it was once a week, you know, every Sunday night, and people would gather for it. And that spoke to, you know, culturally. Oh, this is one of those shows that people are waiting for to, you know, get together and watch in that way, which is special. But then when people were dressing up as characters, I mean, and even my character, I'm just like, I'm a politician in a suit. And there were people that were dressing up like me and John. Someone was dressing up as my character. Obviously, there were other characters that are more Halloweeny to be a cowboy. Beth had some great iconic looks that people would dress up as, and they still did it. Even this last Halloween, there were some. But for me, I was like, whoa, that's what's happening here. This is a big deal.

[Bobby Bones]

When you were studying acting in whatever form and all the different forms, who was it that you looked at or to and thought, okay, I'm not going to be them and I'm not going to emulate their style, but I can really take a lot from how they do it.

[Wendy Moniz]

Hmm, that's a Good question. I don't know. There wasn't one. I mean, I really appreciate actors, all actors that are listening and that are understated and nuanced. I studied with a coach in New York for a while called Harold Guskin, and he was really. He was like a theater guy, I think, you know, James Gandolfini studied with him and Glenn Close. And there's a quality about his approach and those kinds of actors where their stillness and their listening is what's going on versus the acting of it. He wrote a book called how to Stop Acting. This idea that acting is that you're putting it out there. Whereas really, a lot of times it's an inside job and it's a listening and exercise and listening to your scene partner and really understanding the text, the context of the script. So I can't think of a person, but I know that that was sort of my approach. And when I see actors that are. That have that. That are doing that, I find myself getting lost in it and not really paying attention to the acting.

[Bobby Bones]

If you were shooting and you did shoot a scene multiple times, would you often give not. I won't say better, but a slightly different or more nuanced version of your character and then let them decide which one best fit? I mean, would they be a bit different for that purpose?

[Wendy Moniz]

Yeah, sometimes you do it on your own because it's fun to play. And there's different. There's different. There's often different ways that you can approach a scene or play a scene. And sometimes I would find it on my own and play around with it. And sometimes I would stick to one thing, and then one of our wonderful directors would come in and say, try it this way, or think about it like this. And then it's like, oh, wow, that's a great note. And then it changes the whole. It changes it, you know, and then there's just an incredible editor on that show. So they were fantastic about picking. I don't think there was ever a scene that I watched back that I was like, oh, I wish they used this take or that didn't. You know, I don't feel like that was like it always was. I was always really, really pleased with the way they edit because the editing of something is, you know, that's the art. That's a separate thing that goes on. They piece it together and can create a performance based on just the editing. And it can look a lot like what you think you were doing, or it could look a lot different. But I always felt like, how I was showing up, doing my work, was translating onto the screen in the best. In the best version of what I was giving.

[Bobby Bones]

How do you feel about watching yourself back? Generally?

[Wendy Moniz]

I like to watch myself back because I like to. Not incessantly. You know, I wasn't like, running to watch the show. Like, I would have to kind of mentally prepare myself to watch it and not, you know, criticize myself too much. But I find there's value in watching yourself to make sure that what you feel like you're doing in the moment is. Is coming across. And then you feel like, okay, I'm in the right zone that I wanna be in. And then the feedback that you're getting from people that are guiding you or, you know, they're confirming that for you. So, yeah, and I like to watch it back because I get a lot of pleasure watching the other actors performances and how we. You know, it's different when you're working live across from someone and then when you see the product with the music and with the editing and things that your scene partner was doing that were maybe small when you were across from them. But then when you see it, it's like, oh, wow, that was a great look, or a great moment without even having words. Those kinds of things, I think, are really fun for the watching back for me.

[Bobby Bones]

What's your process as far as getting into a character? I'm assuming you're not full method all the time and we don't have to call you governor during the day at noon, but, like, what, what. What is. What is your process to get there?

[Wendy Moniz]

For me, it starts with doing. Doing some research and understanding who the person is, their occupation, if. If the occupation is so specific, like in this case. So I like to know what it means to be the kind of person, what their job is, who you are to. To be that, and then how they stand, how you're standing. I'm a kind, you know, I'm a bit of a tomboy. I don't look, you know, I'm not like, I feel like that. If we're talking about the governor, for me, in my mind, like, okay, she stands up straight. And the clothes that our incredible costume designer give will, like, inform me and change me and those kinds of things. Help me, help me get into character. And no, I don't have to. I'm not. I don't have to be called the governor. In between it all, I'm easy to. I mean, Wes and I had so much fun together. We would have a lot of laughs. And I appreciate A great sense of humor, and I like to laugh in between. And I would have my moments where I would be pretending like I was, you know, in Veep, like, you know, like in between takes, and then snap back into the reality of the show. And, you know, that was my. That was my fun fantasy in between takes that I was Julia Louis Dreyfus.

[Bobby Bones]

On Veep, isn't it? And we'll kind of wrap on this, but isn't it so much fun, too? And there's a difference. Just even my experience in doing whatever television I'm doing and having people you like and working with every day and people that they're maybe mid. And it makes it so much more enjoyable to have people that you work with day in and day out that you actually enjoy them. And I feel like it makes me better at what I'm doing. If I'm with someone that I enjoy, they can also push me, because it's okay if they push me. I don't. I don't get offended or resentful if somebody I like is telling me, hey, you can do this. Did you experience that with this cast and especially the political side of. Of this show?

[Wendy Moniz]

It was heaven working with this group of people. Every. Every actor that I worked with, I. I don't have a negative. Not only do I not have a negative experience, had negative experience with anybody, but it was above and beyond professionally. When you're talking about seeing partners and then the in between of just liking them, you know, to your point, wanting to be around them, trusting the process in working with them. Yeah. I mean, it didn't get better. It doesn't get better than that. What it was for me, in my working experience and the pleasure of being around these people.

[Bobby Bones]

You were awesome. One of my favorite characters of the whole show. I thought, again, you were just excellent. It was really cool to talk with you. Congratulations on such a run. And I sometimes on this show, I'll complain in general about American television as compared to British television, because they will do a show and they'll do two seasons and they'll go, this is perfect. We don't want to continue going because it will no longer be perfect. And I like that about British television. But what I like about what Yellowstone did is like, it's. It's done now, but it was right. It was just right. And I loved your character, and I love that they didn't try to go 12 seasons. And I do like the other versions, but they're different stories and different people. But I feel like it's a great time. I loved it and now I think it was so quality all the way to the end. There's not like filler seasons and and that is what I enjoyed about the show and you did such a great job and so I just wanted to tell you that and thank you so much for the time the Yellowstone Official Podcast hosted by me, Bobby Bones and brought to you by iheartmedia Podcasts and MTV Entertainment Studios. Big shout out to executive producers Jason Reed, Lindsey Hoffman, Carl Cadle and Kevin O'Connell. Also our senior Manager of Podcast Marketing Ally Kanner Graver for keeping the word out. And of course a big thanks to Will Pearson, President of iheartmedia Podcast for him supporting this show. We've also got special thanks going out to Whitney Baxter, Xavier Afri, Barbara Pareda, Emily Curry and Joe Flattery. You guys make this happen. This podcast is produced in association with 101 Studios over there, Executive Producer Scott Stone and Director of Podcast Development and Production Danielle Waxman. We also got to give a big nod to Michelle Newman, David Glasser and David Hutkin for their support. Thank you guys for tuning in. See you next week. Did you know that parents rank financial literacy as the number one most difficult life skill to teach? Meet Greenlight, the debit card and money app for families. With Greenlight, you can send money to kids quickly, set up chores, automate allowance and keep an eye on what your kids are spending with real time notifications. Kids learn to earn, save and spend wisely and parents can rest easy knowing their kids are learning about money with guardrails in place. Try Greenlight Risk free [e-mail] iheart stop.

[Wendy Moniz]

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