
How the columnists Gail Collins and Bret Stephens converse without screaming at each other.
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Robert Vinlowen
Hey, I'm Robert Vinlowen. I'm from New York Times Games, and I'm here talking to people about wordle and the wordle Archive. Do you all play wordle?
Aaron Retica
I play it every day. All right.
Robert Vinlowen
I have something exciting to show you. It's the wordle Archive.
Aaron Retica
What?
Gail Collins
Okay, that's awesome.
Robert Vinlowen
So now you can play every wordle that has ever existed. There's like a thousand puzzles.
Aaron Retica
What? Wordle Archive.
Brett Stephens
Oh, cool. Now you can do yesterday's wordle.
Narrator
If you missed it, New York Times game subscribers can now access the entire Wordle archive. Find out more at nytimes.com games. Subscribe by May 11to get a special offer. This is the Opinions, a show that brings you a mix of voices from New York Times opinion. You've heard the news. Here's what to make of it.
Aaron Retica
I'm Aaron Retica. I'm an editor at large in the Opinion section of the New York Times. In that job, I work a lot with a number of our columnists. And one of the great joys, really, one of the premier delights of my life here is that I get to work on something we call the Conversation, which is a weekly dialogue between two of our columnists, Gail Collins, who's standing in for liberal America, and Brett Stevens, who's standing in for conservative America. It appears every Monday morning and is a crucial part of the agenda setting and sort of thought world of the Opinion section. I'm sorry to say that after eight years, this particular iteration of the conversation is coming to an end, but we didn't want to just let it kind of drop there, so I brought them together in the studio. They're sitting right next to. To reflect a little on the years they've been doing this, what the future might hold, really, just to give us one last conversation in audio form. And in the last written conversation, we asked their readers to send in their thoughts and questions for Gail and Brett. And they did so by the hundreds. You did so by the hundreds. So I'm going to try to incorporate as much of that material into the show as I possibly can. Gale, Brett, welcome. Thank you so much for coming in to do this.
Brett Stephens
Hi there.
Gail Collins
Great to be here. Thanks for having us.
Aaron Retica
Okay, so for the people who are listening to this, who have no idea what the conversation is, let's just lay out what it is that you guys do.
Gail Collins
Well, we go back and forth. One of us begins and thinks of a general topic to start with, and we. We actually email each other and what you're reading in the paper is the emails that we sent back and forth to each other just saying, okay, Brett, what about Trump did? Or if I ever get desperate, I always say, well, okay, why can't we have taxes for the wealthy? And then that will distract him from whatever good points he is making at that point in time. But it's a really fun way to have the kind of conversations that I think people miss having anymore.
Brett Stephens
Yeah. I mean, for those who've never encountered us, it is a conversation in a conversational tone between a liberal and a conservative columnist who, despite their political differences, like each other and are prepared to sit down at a metaphorical table with.
Aaron Retica
A metaphorical glass of wine.
Brett Stephens
With a metaphorical glass of wine. And.
Aaron Retica
And sometimes not metaphorical.
Gail Collins
Sometimes not metaphorical.
Brett Stephens
And shoot the. I guess the breeze for, you know, the better part of an hour. And we've done it week in, week out for eight years. And we're just bringing it to a close now because we have books to write. I mean, it's. It's been kind of amazing that the easiest thing we do has been the most popular thing.
Aaron Retica
Sobering that we do.
Brett Stephens
And I can't tell you how many times in how many settings someone has approached me and said, is Gil Collins as funny in real life as she is on paper? You know, a story I tell. In our last conversation, I was standing on a street corner in la just minding my own business. I think I was waiting for an Uber, and some total stranger comes up to me, and he looks at me, says, you're Bret Stephens in this kind of nice way. And I thought, huh, you know I'm being recognized.
Aaron Retica
Yes, I am.
Brett Stephens
So I said, well, yes, I am. And then he laughed and he said, gail Collins is my favorite columnist. I had to laugh. I called Gayle right away, and that was what the conversation really was about. I think it was not just between us, but it involved so many people from all over the country who, in their way, participated.
Gail Collins
And Brett is the kind of person who would tell you a story like this. I mean, that's why people really love him so much, reading him so much. But I have said to him, too, that walking around in my neighborhood on the Upper west side of Manhattan, which is the most liberal Democratic neighborhood in the entire universe, probably, people are always stopping me and saying, hi, how's Brett? How's that going? How's he doing? You know, they really love. Feel like they're talking to him, too.
Brett Stephens
Yeah. But their following question is, is he dead yet?
Gail Collins
Not exactly, no.
Aaron Retica
We have a Lot of reader questions that I'm gonna turn to, but we wanna first almost demonstrate a little bit about what the conversation is. The big story, obviously, over the eight years that we've been doing this together, has been the transformation of the Republican Party. It is no longer the party, Brett, that you were an enthusiast of. Right. It's a completely, almost totally different. We're all different ages, but we all grew up to some degree with Russia being the enemy and Reagan talking about the evil emp. Russia is our best friend. Right. And that's just an example of so many subjects.
Brett Stephens
I think of the Republican Party as, like, upside downistan. I mean, I grew up as a youthful believer in the virtues of free trade. I remember Ronald Reagan, George H.W. bush, George W. Bush, John McCain talking about the importance of comprehensive immigration reform, international relations, a strong NATO partnerships around the world, a tilt against the old school isolationism that defined the Republican party in the 1930s and early 1940s. All of that has been upended. And so, you know, I remember in my parents generation, they would sometimes say, we never left the Democratic Party, the Democratic Party left us. That was a cliche of the time for a lot of Reagan Democrats. And I am on the other side of that, which is that my views are pretty much the same as they were, say, 10 years ago. It's a Republican Party that's just marched into a dark place.
Gail Collins
And so really a challenge trying to have arguments sometimes, because he really does hate Donald Trump more than I do even, I think, possibly.
Aaron Retica
Can we talk a little bit about the degradation of public discourse that's come with this? I mean, you're talking about. And so was I about the ideological changes. Right. But there's also just been a sea change in the way people perform politics. And I don't mean perform in some kind of negative sense. I just mean do it right. You have people really in fear of mobs being unleashed on them online, and also sometimes in real life. How much of that is because of Trump? Like, is he a symptom or is he a cause? And how much? What do we have to do to make that? Because it seems like we're not going to change any of the rest of this if that doesn't change.
Gail Collins
If you get used to the idea that the biggest change in American politics in our history, I always thought, was when people who were living in towns around the. Who only, you know, knew they belonged to a party but didn't know anything else, didn't really have any sense, and it was just their little town Things that were going on, suddenly they started getting newspapers and mail and realizing, oh, my God, there's a national thing out there and we should look and what. Who the heck is Grover Cleveland? Or whatever. But that was so transformed, you know, right there in people's lifetimes, from a thing that was very local and regional to this national argument. And now it's happening for a second time, and it's equally as thunderous.
Brett Stephens
You're talking about the social media revolution and the media revolution. No, it's true. There is no longer a felt need among the political class to talk to people on the other side. The felt need is to talk to the extremists on your own side. Growing up, I had the sense that politicians at the fringe realized they had to bend to the center in order to gain respectability and broader appeal. Now, the politicians at the center are always bending towards the fringe. And I think that's especially pronounced in the Republican Party, where so many of the senators, governors, whatever, know perfectly well and they'll tell you privately that some position is a lunatic position, but their public posturing is always for the sake of preventing a primary. And Gail is right. Social media, which brings together these sort of accretions of like minded, angry people, has been a huge driver of that. So Trump really was a symptom of this new technology that created this angry, vitriolic, and increasingly polarized mood.
Aaron Retica
So is there a recourse, like, how do we get out of that? How do you push back against it?
Gail Collins
Well, it's not easy, and we won't know in a way, because more media stuff will happen all the time and things will change. But it is interesting to me how wildly enthusiastic people are about the idea that Brett and I can have a conversation and not scream at each other. It's just, clearly there's a. A hunger for that out there.
Brett Stephens
Yeah. I was always fascinated by the fact that if you looked for the conversation online, like on social media, you basically had no presence. And yet our numbers, in terms of New York Times readership, which is not. It's not a small number, were incredible. And, you know, you. And I would marvel, like, gosh, this piece is just, you know, rocketed northward. And how is that even possible? And I think it's because social media's algorithms are built for outrage. And our algorithm, if that's what you want to call it, was built for something entirely different. And people. I think there is a silent majority of people who want a really different tone in political conversation. They just don't know where to find.
Aaron Retica
It or how to do it themselves. Right. So let me turn to the first reader question, because it's kind of on point to the readers. If I masque your name. I'm sorry. Sorry. I'm just reading them. But Linda Museouris, who's from Cambridge, Mass. Like, how did you guys do this? Could you kind of just explain that process? Talk a little bit about how you decided topics, how you were gonna go back and forth.
Brett Stephens
We should just lie about this or just.
Gail Collins
You won't tell? We'll never tell.
Brett Stephens
We'll never tell. Go ahead.
Gail Collins
No, it's actually. It turned out to be very easy. Many people think we actually talked to one another and then got written down. But there'd be a day. Brett is such a genius traveler that he can do all this on airplanes or in kayaks or whatever. On a lap.
Aaron Retica
Especially kayaks.
Gail Collins
Yes.
Brett Stephens
Yes. Kayak was my specialty.
Gail Collins
I can't do that. I am at home, but I'm doing stuff like this. But we just, you know, the day goes on, and I write him a thing, and then he writes a thing back. And because we've been doing it for a long time now, we kind of know which things will lead into other things and, you know, make sure that we're not being too cranky or too glib or whatever.
Brett Stephens
Yeah, I mean, it was important that we worked hard to keep it light. One of the analogies I've had in my mind as we've done this is that we're, like, playing tennis not with the purpose of scoring points, but just keeping the ball in the air and not being too fussy about trying to win an argument, you know, so at no point were we spending time, like, going to the side and looking up some killer data point to, you know, completely refute whatever crazy thing Gail just said it was. Just the idea was keep the ball in the air. We arrived at this court as friends, and we're gonna leave as friends, and we're gonna do it every week. That was, I think, the frame of mind that was central to the enterprise.
Aaron Retica
Okay, so that brings us right to the question that Wyatt Franz had. He's in Phoenix. When it comes to having a proper discussion with someone who's coming from a different political perspective, how do you feel the best way to start that conversation is and to maintain it, to allow for proper discourse without it flying off the rails. Gayle, why don't you start?
Gail Collins
We started from different points in the world. And my point in most of my career has been trying to take whatever is going on and talk to people about it in a way that's sort of amusing and funny. And Bretz has been explaining things in a way that makes sense and it's important. And he's the one who most of the time will bring up a serious point and then I'll have to go and respond to it in some sane way. But it's a great challenge.
Brett Stephens
You see, Gayle was so nice. What she meant to say was, Brett's usually the one who comes up with an insane point, and I have to go and find a sane way to do it. But to your question from the person from Arizona, I think it's very important that you not go into a conversation with the idea that you're going to win. It's not a competition. Right. It's an effort to sort of learn how the other side thinks. And people have asked me, is persuasion possible? I have a hard time thinking it is. I think what you can do is make a person, a reasonable person on the other side of an argument, say, huh, I can see it. I can see what you're saying. Doesn't mean I need you to agree with me. I need to kind of assert my intellectual dominance. It just means like, all right, I get it. And that doesn't sound completely stupid. And now I'm going to go back and think a little bit about why that's not entirely right or totally wrong. But the moment it becomes a competition, the moment pride gets involved, you're doomed to bitterness. And so that's, by the way, a reason why humor is so important. Because it's, you know, as Alan Simpson, the great senator from Wyoming, once said, you know, humor is the universal solvent. It really eases conversations, especially when they come to tense moments.
Aaron Retica
You mentioned persuasion. We were asked a lot about that. By the way. Thanks very much to the hundreds and hundreds and hundreds of readers who wrote in.
Gail Collins
Thank you, guys. Thank you.
Brett Stephens
Yeah, no, thank. I mean, we really owe it to them.
Gail Collins
Damn straight.
Aaron Retica
Right? Lauren Brooks from Madison, Wisconsin. We really are doing the tour of the New York Times. Friendly cities.
Brett Stephens
Go badgers.
Aaron Retica
Yeah. Asks, I'm curious if doing this ever led you to actually change your position. Not 180 degree change, but like, was there something where, between the two of you, where you came out thinking differently as a result of your conversation?
Brett Stephens
I would say on gun control. Gun control was never something I thought about, you know, a great deal, because when I was at the Wall Street Journal, my remit was foreign policy. And it was just an issue that I just sort of thought. Okay, well, you know, there's so many guns in the country, and there's nothing you can really do about it. But talking to Gale, there were a whole series of moments during our conversations when we had to take stock of some fresh atrocity.
Aaron Retica
Just an amazing story, whether it was.
Brett Stephens
In Las Vegas or Buffalo or that horrific school killing. Uvalde, Texas. I mean, so many. But Gail definitely swayed me on this. And I think at some point I wrote a column called Repeal the Second Amendment, which owes to Gale's influence.
Gail Collins
Oh, oh.
Aaron Retica
And promptly led to the repeal of the Second Amendment. Yes. Showing our influence nationwide.
Brett Stephens
Showing how. Just how.
Aaron Retica
One more question about this whole question of political discourse. This one comes from Ruth Wood, but she talks about how when she was younger, she had political discourse at the dining table every night. Conversation with the friends. First kind of mimicking the parents opinions, but then finding their own opinions over time. But then she said, you know, now I fear that political discourse through news organizations and social media just doesn't exist at all anymore. And the question she asks, I think, is a tough one, which is, how do you inform a world that doesn't want to be informed?
Gail Collins
Depends on what it is. Obviously, there are some things that are so important and so critical. You simply have to say, look, this is the way it is, and we've got to argue. But there's a lot of stuff in the middle. And it does really help if you can make it seem more friendly. If you can make it seem more, you know, something that you're not going to feel like you're an idiot because you didn't agree with all along. If you can feel like you're having a fun. I think that, like, the fact that we have fun when we argue with one another is a really big, big important part of whatever we do.
Aaron Retica
What do you think about that?
Brett Stephens
I think it is sort of one of the great perils of our democracy that people are losing the habits of a free mind. That they are so rarely exposed to a contrary point of view from a very early age that they don't enjoy the idea of mixing it up. I mean, I had the benefit of coming from a politically boisterous family. We love to talk about this stuff. And then in high school, we'd love to argue about this stuff. I had a great influence in high school. A teacher, a history teacher named Elliot Trummel, who may be listening to this. Portland, Oregon hi, Elliot. And he politically was way to my left, but, boy, did he enjoy just sparring with this aspiring William F. Buckley in his classroom and the joy he took in it was a great model for me about the pleasure you can have in argument. I mean, I gave a graduation speech a couple years ago, and I said, look at its best. A good argument is like good sex. It's like. It's frictional, it's mutual. And at best, sometimes it's generative. So have fun with it. It shouldn't be something you want to avoid. I don't know how the graduating class took that analogy.
Aaron Retica
I don't know how I feel about it either.
Brett Stephens
I thought it was pretty good. Right.
Aaron Retica
I'm gonna have to think that over.
Gail Collins
Yeah, it does.
Aaron Retica
The audience, obviously, a huge part of the conversation for all of us is to try to be funny or to be funny. And David Epstein from our very own New York, New York. And I'm glad to end on somebody from here, raised a really interesting point. He said, humor is helpful in difficult conversations, but sometimes it detracts from a serious point or becomes an escape route from the conversation itself. So how do you use humor and still stay on point? And obviously, Gail, I'm gonna start with you there. Cause this is your bread and butter.
Gail Collins
Well, yes. I mean, if you're going to be passionate about something that you truly, truly, truly believe in and that you think is in danger in some way, you've got to kind of have one attitude toward the world. But there's just a ton of issues out there that are being argued. They'll go back and forth and that you can get people interested in by making them more, you know, attractive. And sometimes, if you can be funny, if you can show the silly side of some of this stuff, it's a big help.
Brett Stephens
Lord knows we live in an age where my view hasn't carried the day. But I ultimately don't think that nastiness is a winning political strategy. And if someone is listening to this and saying, what are you talking about? The nastiest guy ever just won the presidency. But I'd like to think that in the long term, the great politicians are also funny ones. Reagan used humor to great effect. Churchill was funny. Lincoln was famously funny in his day. And that humor wins over not only your friends, but wins over people on the other side. One of my early political memories was, I will not use my opponent's youth and inexperience against him. Reagan's great quip against Walter Mondale. And you know, he won because even Mondale in that debate bursts into a smile. He knows that Reagan's just delivered this zinger. And the race was over at that moment. People understand that. So I wish we'd have more humor in politics. I think it's something like, I couldn't have a better partner and a model than Gail, not only in being funny, but also good humor in being, like, having a light hearted spirit. And I think it's one of the reasons why our column was so popular and enduring across the political aisle.
Aaron Retica
So let's stay there for a second. People like to make fun of civility even as a goal, right? And on the one hand you can say that that's ridiculous, but there's another way of looking at it and sort of lurking in Mr. Epstein's question, which is, okay, look, these are serious, serious matters, right? So if you're joking about it, you're not actually taking it seriously. And obviously what's happening around us now illustrates that in a pretty profound way, because right this minute, Trump administration is not doing particularly well right there, but they're still doing a zillion things. They're causing a lot of damage on a million different fronts. So I just want to almost re ask that question, like, what is the purpose of humor in the darkness? Is it about retaining a certain amount of hope? Is it about picturing a future life? And not just humor, but civility itself, like the maintenance of discourse? That's an easy question.
Gail Collins
Take it away.
Brett Stephens
Listen, you know, life is one damn thing after another, and we're gonna have to wake up tomorrow to the next outrage from the White House or the next crisis. And I don't think that a posture of like, perpetual fear and rage serves anyone, and most of all those of us who want a radically different course.
Gail Collins
Yeah, absolutely. When I started out, you know, I covered state legislature in Connecticut, and you may be surprised to hear that people did not find stories about the state legislature in Connecticut that exciting. But then I started making fun of them, just finding little things that were silly and then bringing them out. And it got people kind of going in it and really got me into the idea that you could get people interested in stuff sometimes by amusing them, but not in an evil, rancorous way. And that's been the most fun thing I've ever done.
Aaron Retica
So we often end the conversation, the print version or the digital version, with a quote from poetry or an obit that was in the paper, always from Brett, usually coming from Brett. And so a lot of the readers sent in quotes that I thought were really great. And so I wrote on. It basically ends on one of them. This is Janet KE from Pittsboro North Carolina. And she says that one of the quotes she lives by is from Lord Byron. And you'll see why I wanted to mention it in regard to what you just said. And if I laugh at any mortal thing, tis that I may not weep.
Brett Stephens
You know the great Byron poem? Well, he was in love with a woman named Carolyn Lamb. So the poem goes like this. Carolyn Lamb. Goddamn.
Aaron Retica
That'S good. That's good. In the short.
Brett Stephens
I was actually gonna cite a Shakespearean sonnet, but that' that's a better way to end.
Aaron Retica
I love the really short ones. Okay, thank you both so much for taking the time to talk to me, but more importantly, for taking the time to talk to each other over the last few years.
Brett Stephens
Hang on a second. Hang on a second. I think this is important for our audience to know this because ours were the names on the conversation. But none of this would have been possible without a brilliant. This is Aaron's work editor Aaron Retica, bringing it together. And there was a team also of fact checkers over the years, too numerous to mention. But I'm always mindful of the work that they did to make sure that we didn't screw up.
Aaron Retica
Right. As I always say that all efforts at effortlessness require just a tremendous effort. All right, thank you both so much for coming down to talk to me about the conversation, but really, thank you more than that for talking to each other for the last eight years. It's been really an extraordinary journey that our readers, hundreds of thousands of them, have loved to be a part of.
Brett Stephens
Thank you so much. What a joy this has been.
Gail Collins
This has been so much fun. Thank you.
Narrator
If you like this show, follow it on Spotify, Apple, or wherever you get your podcasts. The Opinions is produced by Derek Arthur, Sophia Alvarez, Boyd Vishaka, Darba, Kristina Samulewski and Gillian Weinberger. It's edited by Kari Pitkin, Allison Bruzek and Annie Rose Strasser. Engineering, mixing and original music by Isaac Jones, sonia Herrero, Pat McCusker, Carol Saboro and Afim Shapiro. Additional music by Amin Sahota. The Fact Check team is Kate Sinclair, Mary Marge Locker and Michelle Harris. Audience strategy by Shannon Busta and Christina. Christina Samulewski. The executive producer of Times Opinion Audio is Annie Rose Strasser.
Podcast Summary: "Why a Good Political Argument Is Like Good Sex"
Podcast Information:
Introduction: The End of an Era
The episode begins with Aaron Retica, an editor at large in The New York Times Opinion section, reflecting on the conclusion of an eight-year-long weekly dialogue known as "The Conversation." This dialogue featured two prominent columnists: Gail Collins, representing liberal America, and Brett Stephens, embodying conservative America. Retica announces the final in-person conversation between the duo, aiming to encapsulate their journey and incorporate extensive reader feedback received over the years.
Notable Quote:
"We have a conversation and not scream at each other. It's just, clearly there's a hunger for that out there." — Gail Collins [09:32]
Evolution of The Republican Party
A significant portion of the discussion centers on the transformation of the Republican Party over the past decade. Brett Stephens expresses disillusionment with the party's shift away from traditional values he once admired, such as free trade and strong international relations. He laments that the party has "marched into a dark place" and contrasts it with his consistent political views from a decade ago.
Notable Quote:
"I think of the Republican Party as, like, upside downistan... It's a Republican Party that's just marched into a dark place." — Brett Stephens [05:36]
Gail Collins adds that maintaining productive arguments has become challenging, noting that Stephens harbors a stronger dislike for Donald Trump than she does.
Degradation of Public Discourse and the Role of Social Media
Retica brings up the decline in public discourse, attributing it partially to the influence of Donald Trump and the rise of social media. The conversation delves into whether Trump is a symptom or a cause of the polarized and often hostile political climate. Stephens argues that social media platforms, designed to amplify outrage, have exacerbated political polarization. He describes Trump as a "symptom" of this new technological landscape that fosters an "angry, vitriolic, and increasingly polarized mood."
Notable Quote:
"Social media's algorithms are built for outrage. And our algorithm, if that's what you want to call it, was built for something entirely different." — Brett Stephens [09:23]
Maintaining Civility and the Importance of Humor in Political Arguments
A central theme of the episode is the role of civility and humor in sustaining meaningful political discourse. Both Collins and Stephens emphasize that arguing without hostility is possible and desirable. Collins highlights the audience's enthusiasm for their respectful conversations, while Stephens underscores the necessity of distancing debates from personal victories.
Notable Quote:
"A good argument is like good sex. It's like, it's frictional, it's mutual. And at best, sometimes it's generative." — Brett Stephens [17:24]
They discuss how humor serves as a "universal solvent," easing tense conversations and making political topics more approachable.
Notable Quote:
"Humor is helpful in difficult conversations, but sometimes it detracts from a serious point or becomes an escape route from the conversation itself." — David Epstein via Aaron Retica [19:28]
Reader Interactions and Influence on Personal Views
The episode features interactions with readers, incorporating their questions and comments. One notable question from Linda Museouris of Cambridge, Mass., inquires about the process Collins and Stephens used to conduct their weekly conversations. The columnists reveal that their dialogues were crafted through email exchanges, likening their interactions to playing tennis—keeping the "ball in the air" without aiming to win.
Notable Quote:
"We're, like, playing tennis not with the purpose of scoring points, but just keeping the ball in the air." — Brett Stephens [11:43]
Additionally, Stephens shares how these discussions influenced his stance on gun control, illustrating the impact of their respectful debates on personal viewpoints.
Notable Quote:
"Talking to Gail, there were a whole series of moments during our conversations when we had to take stock of some fresh atrocity." — Brett Stephens [15:14]
The Purpose of Humor and Civility in the Face of Adversity
Towards the episode's conclusion, the conversation shifts to the role of humor and civility amidst ongoing political turmoil. Stephens argues against a posture of perpetual fear and rage, advocating for a more balanced approach that avoids despondency while addressing continuous challenges.
Notable Quote:
"Perpetual fear and rage serves anyone, and most of all those of us who want a radically different course." — Brett Stephens [22:21]
Collins echoes this sentiment by emphasizing the importance of making political issues "more friendly" and "amusing" to engage a broader audience without descending into rancor.
Notable Quote:
"If you can be funny, if you can show the silly side of some of this stuff, it's a big help." — Gail Collins [19:53]
Conclusion: Celebrating a Legacy of Constructive Dialogue
The episode wraps up with heartfelt acknowledgments of the collaborative efforts that made "The Conversation" possible. Stephens praises editor Aaron Retica and the fact-checking team, highlighting the collective effort behind the successful and enduring political dialogue. Both Collins and Stephens express their gratitude and enjoyment of the process, marking the end of an influential and beloved series.
Notable Quote:
"All efforts at effortlessness require just a tremendous effort." — Aaron Retica [24:58]
Final Thoughts
"Why a Good Political Argument Is Like Good Sex" serves as a reflective and insightful farewell to a significant piece of The New York Times Opinion's legacy. By examining the evolution of political discourse, the transformation of party dynamics, and the essential role of civility and humor, the episode provides listeners with a comprehensive understanding of the challenges and triumphs in fostering respectful political conversations.
Notable Quotes Overview:
Gail Collins on Audience Hunger for Civility:
"We have a conversation and not scream at each other. It's just, clearly there's a hunger for that out there." [09:32]
Brett Stephens on Republican Party Transformation:
"I think of the Republican Party as, like, upside downistan... It's a Republican Party that's just marched into a dark place." [05:36]
Brett Stephens on Social Media's Impact:
"Social media's algorithms are built for outrage. And our algorithm, if that's what you want to call it, was built for something entirely different." [09:23]
Brett Stephens on the Nature of Good Arguments:
"A good argument is like good sex. It's like, it's frictional, it's mutual. And at best, sometimes it's generative." [17:24]
Brett Stephens on Silent Majority's Preference:
"There is a silent majority of people who want a really different tone in political conversation. They just don't know where to find." [10:38]
Gail Collins on Making Politics Approachable:
"If you can be funny, if you can show the silly side of some of this stuff, it's a big help." [19:53]
Brett Stephens on Maintaining Political Humor:
"I think it's something like, I couldn't have a better partner and a model than Gail, not only in being funny, but also good humor in being, like, having a light hearted spirit." [19:53]
Aaron Retica on Effort Behind Effortlessness:
"All efforts at effortlessness require just a tremendous effort." [24:58]
Final Note: This episode not only marks the conclusion of "The Conversation" but also serves as a testament to the enduring value of respectful and humorous political discourse. Listeners are left with a sense of hope and a blueprint for how future dialogues might bridge ideological divides.