Reflecting on the experiences we value most, many that come to mind are those we share with others. Consider the strangers we sit alongside at the football, the romantic partners who share (or endure) our favourite television shows, the friends with whom we dance through the early morning hours. Despite the growing ease of on-demand, private aesthetic experiences, we find ourselves carving out time for public ones. But why?

In this episode, we’ll be discussing the nature of interpersonal aesthetic experience with Dr Harry Drummond, Teacher in the Department of Continuing Education at the University of Liverpool. Co-editor of the British Society of Aesthetics’ journal Debates in Aesthetics, and editorial assistant for the British Journal of Aesthetics, Dr Drummond’s work sits at the intersection of aesthetics, psychology, and the philosophy of mind.

For Drummond, the presence of others amplifies, redirects, and even unlocks experiences that wouldn’t be available to us alone. We read each other’s cues, share reactions, and create meaning together in ways that are subtle but profound. The silence of a cinema, the synchronised movement of a dance floor, the shared laughter at a comedy show – these are not just personal experiences but collective ones, shaped and enriched by the presence of others.

Links

Dr Harry Drummond, PhilPapers

H Drummond (2024), Aesthetic Experiences with Others: An Enactive Account (paper)

H Drummond (forthcoming) Enactive Aesthetics: Insights Through AI – link will be added upon publication

Episode 140, ‘Interpersonal Art’ with Harry Drummond (Part I - Collective Experience)