The Plot Thickens: Introducing “Talking Pictures” with Nancy Meyers

Podcast Information:

• Title: The Plot Thickens
• Host: Ben Mankiewicz (TCM)
• Episode: Introducing: Talking Pictures from TCM and Max
• Release Date: February 9, 2024

Overview

In the inaugural episode of “Talking Pictures,” a spin-off podcast from Turner Classic Movies (TCM) and the streaming service Max, host Ben Mankiewicz engages in an in-depth conversation with acclaimed writer-director Nancy Meyers. The episode delves into Meyers' illustrious career in romantic comedies, her casting philosophies, memorable anecdotes from her films, and her personal reflections on beloved movies. Structured to provide both insightful discussions and personal insights, this episode serves as a comprehensive introduction to Nancy Meyers' contributions to modern cinema.

Main Interview with Nancy Meyers

Casting: The Cornerstone of a Great Film

Ben Mankiewicz opens the dialogue by emphasizing the critical role of casting in filmmaking. Nancy Meyers concurs, stating, “I don't think there is [something] more important than picking the right actor for the role” ([05:58]). She elaborates on her fascination with casting decisions, often reminiscing about actors who were initially considered but ultimately did not make the final cast. A notable example she shares involves Sunset Boulevard, where Montgomery Clift was originally slated to star but withdrew weeks before shooting began ([06:34]). “Impossible, right?” Ben muses, highlighting the challenges and unpredictability of casting ([07:28]).

Behind the Scenes of “Something’s Gotta Give”

Meyers recounts the casting process for her 2003 hit, Something’s Gotta Give. She reveals that Jack Nicholson was her first choice for the lead role, explaining, “He was my first choice” ([10:26]). Despite initial hesitations from co-star Diane Keaton, who doubted Nicholson’s fit, Meyers persisted. Their collaboration blossomed from a personal friendship, leading to a chemistry that defined the film. A particularly touching moment occurs when Meyers discusses pitching the idea to Nicholson’s lawyer and the subsequent enthusiastic response from Nicholson himself ([14:48]).

Eli Wallach’s Memorable Presence in “The Holiday”

Transitioning to her 2006 film, The Holiday, Meyers highlights the indispensable role of Eli Wallach. Reflecting on his contribution, she notes, “He has always been memorable no matter how much screen time he got” ([18:08]). A delightful anecdote unfolds when Wallach makes an unplanned cameo during filming. His spontaneous rendition of “Mrs. Robinson” not only brought laughter to the set but also seamlessly integrated into the movie’s narrative, underscoring Meyers' ability to blend professional and personal relationships on set ([22:00]).

Navigating Directorial Challenges and Industry Dynamics

Meyers candidly discusses the fluctuating reception of her films, particularly The Holiday. Although initially underperforming, the film experienced a resurgence during the pandemic era, leading to a broader appreciation among audiences ([23:18]). She attributes part of the criticism of romantic comedies to societal perceptions, suggesting that the term itself can be dismissive: “It's probably because some people don't like the word romance because it sounds schmaltzy” ([25:13]). Meyers defends her genre by highlighting its rich history and the intelligent dialogue akin to classics like North by Northwest and The Philadelphia Story ([26:24]).

The Impact of Billy Wilder on Nancy Meyers

A significant portion of the conversation centers around Meyers' collaboration with the legendary Billy Wilder. She shares fond memories of working alongside him on Baby Boom, detailing Wilder’s unique approach to storytelling and script refinement. One amusing instance involves Wilder insisting on including a fart joke in the script, demonstrating his blend of dark humor and practicality: “he said, if you just can get the baby to pass wind, you will make me very happy” ([34:57]). Despite creative disagreements, Meyers appreciates Wilder’s mentorship and the invaluable lessons learned during their collaboration ([32:50]).

Super 8: Personal Insights from Nancy Meyers

In the “Super 8” segment, Ben poses a series of eight curated questions to Meyers, offering listeners a glimpse into her personal tastes and experiences with cinema.

1. Most Memorable Movie-Watching Experience:
   “The Exorcist” stands out as a profound memory for Meyers. She recounts watching it alone on a rainy afternoon in Los Angeles, an experience so intense that she fled the theater immediately afterward ([45:12]).

2. Favorite Films to Rewatch:
   Meyers lists The Apartment, North by Northwest, Rear Window, and Love in the Afternoon as films she revisits regularly, appreciating their timeless storytelling and direction ([45:48]).

3. Movie to Show a Potential Date:
   She chooses Day for Night, a behind-the-scenes look at filmmaking, aligning with her passion for the craft and offering a heartfelt portrayal of the industry ([46:19]).

4. High School Favorite:
   A Man and a Woman was Meyers’ first exposure to French cinema, profoundly influencing her perception of love and storytelling ([46:52]).

5. Most Loved Movie in High School:
   The emotional depths of A Man and a Woman provided a sense of hope and inspiration during her teenage years ([47:11]).

6. Defending a Favorite Film:
   Meyers passionately defends Paddington 2, praising its craftsmanship, humor, and heartfelt narrative, despite its classification as a children’s movie ([48:08]).

7. Top Movie Recommendation:
   Depending on the viewer’s context, she recommends classics like Modern Times by Charlie Chaplin, marveling at its enduring brilliance ([48:59]).

8. Movie that Makes Her Cry:
   Planes, Trains and Automobiles consistently brings tears to Meyers' eyes, particularly cherishing the poignant moments involving John Candy’s character ([49:53]).

Final Thoughts and Closing Remarks

As the episode concludes, Ben reflects on the wealth of insights shared by Nancy Meyers, emphasizing the enduring relevance of her storytelling and the deep connections she forms with her cast and crew. The conversation not only highlights Meyers' professional achievements but also her personal love for cinema and the emotional resonance movies hold in her life.

Ben teases upcoming episodes featuring notable filmmakers such as Alexander Payne, Mel Brooks, Emerald Fennell, and Steven Soderbergh, promising listeners a continued exploration of cinematic memories and behind-the-scenes stories.

Notable Quotes:

• Nancy Meyers on casting: “I don't think there is [something] more important than picking the right actor for the role.” ([05:58])
• Meyers on The Holiday's resurgence: “I think during the pandemic and the pre-pandemic couple years, it just sort of got rediscovered.” ([23:34])
• Reflecting on Billy Wilder’s influence: “He’s a fantastic storyteller.” ([32:55])
• Defending romantic comedies: “There are movies that aren't about men, primarily mine happen to have a lot of men in them, but primarily they're not about men.” ([26:24])

Conclusion

The first episode of “Talking Pictures” successfully sets the tone for a series dedicated to exploring the intricate tapestry of filmmaking through conversations with influential industry figures. Nancy Meyers’ candid discussions offer listeners both a professional and personal understanding of what it takes to create memorable romantic comedies and the enduring impact of effective casting and storytelling. As the season progresses, audiences can anticipate more enriching dialogues that celebrate the art of cinema.