The Rewatchables: Episode Summary – 'Before Sunset' Hosted by Bill Simmons, Chris Ryan, Sean Fennessey, and Mallory Rubin
Introduction
In this episode of The Rewatchables, Bill Simmons, Chris Ryan, Sean Fennessey, and Mallory Rubin delve deep into the nuances of the acclaimed film 'Before Sunset', the sequel to 'Before Sunrise'. Released in 2004 and set nine years after the original meeting of Jesse (Ethan Hawke) and Celine (Julie Delpy), the film explores themes of love, time, and personal growth as the two estranged lovers reconnect in Paris.
Discussion on Themes and Character Development
Sean Fennessey [04:43] highlights the layered complexity of the film:
"This movie taps into the theme...[it] did it the best. And it's one of the many great reasons why this is an all-time classic."
The panel discusses how 'Before Sunset' effectively captures the evolution of Jesse and Celine over nearly a decade, reflecting on their past interactions and current lives. Chris Ryan emphasizes the relatability of their introspection:
"It's something that people think about forever... What would it be like to feel that specific spark?"
Bill Simmons adds personal resonance to the discussion, relating the characters' fears and dreams to his own life experiences:
"It's deeply romantic and so intoxicating and so convincing. I really feel like I'm watching something unfold just like I was when I was watching 'Sunrise'."
Favorite Scenes and Cinematic Techniques
The hosts unanimously praise specific scenes for their rewatchability and emotional impact. Chris Ryan names the Listening Booth scene as his favorite:
"That scene is, like, genuinely maybe my favorite movie scene ever."
Sean Fennessey commends Richard Linklater's minimalist approach, likening parts of the film to an eloquent documentary:
"And because it's sort of a document of real time, I wanted it to be a, quote, eloquent documentary."
Bill Simmons appreciates the film’s real-time narrative structure and how it immerses the audience in Jesse and Celine's conversation:
"It's a one-act talking... You really feel like you're inside of their heads."
Mallory Rubin points out the seamless integration of flashbacks and present moments, enhancing the storytelling:
"The way they're using the flashback, I just think that scene is so well directed."
Acting Performances and Character Portrayal
Julie Delpy's portrayal of Celine receives considerable acclaim. Chris Ryan remarks on her ability to convey deep emotion subtly:
"She is so good at performing it. It's the way that she rolls her eyes at herself."
Bill Simmons praises Ethan Hawke's nuanced performance, especially his ability to depict inner turmoil:
"I admire the craft of acting that Ethan Hawke brings to that character."
Oscar Discussion
The panel reflects on the film's reception during the 2005 Oscars, expressing confusion over its exclusion from major categories despite critical acclaim. Mallory Rubin laments the oversight:
"Best Actor and Best Actress not nominated... I feel like Julie could have snuck in there."
Bill Simmons attributes this to the film's smaller studio backing compared to other nominees like 'Million Dollar Baby' and 'The Aviator':
"This was a much, much smaller movie by comparison."
Technical Aspects and Filmmaking Choices
The hosts delve into the technical brilliance of 'Before Sunset', noting its constrained setting and dialogue-driven narrative. Chris Ryan appreciates the film's exploration of time:
"Linklater's interest in time... how the movie engages with time."
Sean Fennessey highlights the movie's authentic dialogue and minimalistic visual style:
"The tone is very real world... It's such a beautiful summary of what he accomplished."
Bill Simmons discusses the challenges and successes of filming in Paris, praising the authenticity despite a limited shooting schedule:
"They only shot at the same time of day every day, which is crazy."
Humorous Segments and Speculations
The conversation takes a lighter turn as the hosts engage in playful speculation about recasting and alternative scenarios. A notable moment includes humorous nominations for awards like the "Sean Penn I brought my Own Pack award for excellence in on-screen smoking," awarded to Julie Delpy.
Mallory Rubin introduces a "flex category," creatively acknowledging standout moments like Delpy's smoking scenes:
"Julie Delpy smokes and smokes. She smokes so much. She should consider wearing ashtrays as trinkets."
The panel also jokes about the improbability of certain scenes and casting choices, adding levity to the in-depth analysis.
Unanswerable Questions and Final Thoughts
As the episode progresses, the hosts pose intriguing but unanswerable questions about the characters' motivations and possible plot developments in a potential third installment, 'Before Midnight'. They ponder the implications of Jesse's actions and Celine's life changes over the years.
Sean Fennessey raises a poignant question:
"What do you think, Mal? That says a lot about me."
Bill Simmons reflects on the personal impact of the film's themes on his own life:
"It's to make sure this is what you want. Because you could turn out like these people who are at the edge of their own sanity because of the choices they made."
In their concluding remarks, the hosts emphasize the film's enduring relevance and emotional depth, celebrating 'Before Sunset' as a timeless piece that continues to resonate with audiences.
Notable Quotes
- Mallory Rubin [09:11]: "I have zero regrets about seeing it."
- Chris Ryan [12:02]: "There's a very meta quality to that."
- Sean Fennessey [12:58]: "Escape the day, embrace the night."
- Julie Delpy [35:54]: "You thought I was a fatty? You thought I was a fatty!"
- Bill Simmons [44:22]: "This is one of the most incredibly well-written scenes in movie history."
Conclusion
This episode of The Rewatchables offers a comprehensive and heartfelt exploration of 'Before Sunset', celebrating its artistic achievements and emotional depth. The hosts' passionate discussions, combined with their insightful critiques and humorous interludes, provide listeners with a rich understanding of why this film remains a beloved classic in the realm of romantic cinema.
