
Inspired by Raphael’s painting depicting the Carrying of the Cross, Fr. Mark-Mary focuses on the profound spiritual offering made by both Jesus and Mary. He emphasizes how Jesus willingly embraced his suffering out of love and obedience to the Father, and how Mary also offered her son with grace and faith. Their shared sacrifice is presented as an act of profound love and salvation. Today’s focus is the mystery of the Carrying of the Cross and we will be praying one decade of the Rosary. All of the Sacred Art we’ll be meditating with can be found in the Rosary in a Year Prayer Guide, for free linked in the complete prayer plan, or in the Ascension App. For the complete prayer plan, visit https://ascensionpress.com/riy.
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Foreign Mark Mary with Franciscan Friars of the Renewal and this is the Rosary in the Year podcast where through prayer and meditation, the rosary brings us deeper into relationship with Jesus and Mary and becomes a source of grace for the whole world. The Rosary in a Year is brought to you by Ascension. This is day 182. To download the prayer plan for Rosary in a year, visit ascensionpress.com forward/rosary in a year or text RIY to 33777. You'll get an outline of how we're going to pray each month and it's a great way to track your progress. The best place to listen to podcasts is in the Ascension app. There are special features built just for this podcast and also recordings of the full rosary with myself and other friars. On behalf of myself and the whole team here at Ascension, we wanted to take this opportunity to thank everyone who's helped support this podcast financially. Your support is so appreciated and helps us to reach as many people as possible. And if you haven't already, please consider supporting us@ascensionpress.com support today we will be meditating upon and praying with the fourth Sorrowful Mystery, Jesus carrying His Cross with help from a painting entitled Christ Falls on the Way to Calvary by the artist Raphael and now a brief introduction to our artists and artwork. Our artist, Raffaello Sanzio da Urbino, known as Raphael, was born in the year 1483 and he died in the year 1520. He was an Italian painter and architect celebrated as one of the greatest masters of the High Renaissance. Raphael was born in Urbino, but he would later work in Florence before moving to Rome in the year 15, when he was about 25 years old, and it's there that he received the major commissions from Pope Julius ii. His works are admired for their clarity, ease of composition and depiction of human grandeur. Tragically, Raphael died at the age of 37, but he left behind a prolific legacy that influenced generations of artists. Our painting today, Christ Falls on the Way to Calvary, was done between the years 1515 and 1516, and it exemplifies the High Renaissance style characterized by harmony, balance and emotional depth. Our painting today showcases Raphael's mastery of composition, dynamic arrangement and use of vibrant colors. His skillful application of chiaroscuro enhances the three dimensionality of the figures and creates a dramatic interplay of light and shadow, and the vertical composition departs from traditional horizontal depictions of this theme, reflecting Raphael's innovative approach to religious art. Now, a description of our painting Outside the stone gates of a city, a dense Gathering of figures looks to Christ, who stumbles under the weight of a wooden cross. Women accompany him in reverent sorrow, while a cluster of men forcefully urge him forward. Soldiers on horseback give directions while others brandish spears, whips and shields. One soldier's red banner vividly cuts against the bright blue sky. Towering above Jesus is a strong man gripping the cross with both hands, upholding it and preventing it from crushing Christ beneath its weight. The scene unfolds before an open landscape that rises toward a distant hill, elevated like a stage, yet ominously empty in the background. Two other condemned men are similarly driven onward toward the hilltop at the center. Jesus, crowned with thorns, collapses beneath the cross, his sorrowful gaze directed towards his mother, Mary, dressed in nun like robes, arms extended in silent anguish. Their eyes meet in a shared moment of suffering, piercing and tender. Around her, a group of women, haloed and tearful, stand as reverent witnesses to the unfolding agony. As I've quoted before a couple of times throughout our journey up to this point, we know that Jesus said, no one takes my life from me. I lay it down freely while seeming powerless, out of control, forced. The opposite was true. Jesus was always freely receiving and responding to the Father's will. He knew what he was doing and why he was doing it. And this is confirmed by his words to Peter that are spoken during his arrest. This is what Jesus says. Do you think that I cannot appeal to my Father and he will at once send me more than 12 legions of angels? But how then should the Scriptures be fulfilled that it must be so? Jesus is saying yes to what is happening, like he is freely offering himself. But what about Mary? What about the beautiful mother of Jesus, who can still remember his little kicks while he was in her womb? His youthful curls and infectious laughter while he was just a playful child? The strong embrace of his hugs generously given when he had become a man? What about her? What about her who now encounters her son, who was once so strong and full of life, now so pale from blood loss and frail under the harsh wooden cross? What about Mary? Does she say, no one takes my son from me, I offer him freely? Or is she powerless, out of control, forced into her own share of this suffering? As painful as it is a pain that I cannot personally begin to fathom, I do believe that Mary intimately echoes Jesus, offering Father, your will be done. In Raphael's painting of the encounter between Mary and Jesus while he's on the road to Calvary, Raphael gives Mary what to me is an ambiguous posture. Are her arms outstretched, calling him to herself? Or are her arms extended an offering? Perhaps both. Maybe she is seeking one last embrace with her son while his lungs are still filled with, before she freely sends him to finish what he had come to do. Speaking about Mary, particularly her presence at the foot of the cross, but I believe also applying equally to our mystery today, Pope John Paul II wrote, referring to Mary, she stood in accordance with the prediction beside the suffering Savior. And her standing was not passive acceptance, but a spiritual sharing in his suffering and a maternal offering of her son. It's hard to fathom, and even to begin this from a worldview which doesn't account for the power of grace. Before the mystery of this maternal offering, worldly wisdom indeed falls short. But this offering was not the fruit of pure human strength. And perhaps it is the highest sign that Mary is in fact full of grace. For it was grace that gave her the faith to believe that this was the necessary path. And it was grace that gave her the hope to remain with him in silent ascent to this offering. And it was grace that gave her the burning charity for Jesus and for us sinners that impelled Mary beyond passive acceptance to spiritual sharing in this suffering, in his suffering. And certainly what I'm about to say is a speculation, but part of me wonders how would a simple word by Jesus the father would send 12 legions of angels at a simple word of Mary? Like, would Jesus maybe have called upon his Father and those angels? But we'll never know, because Jesus never commanded them and Mary never requested them. But both Jesus and Mary, creator and creature, Son and mother, freely and totally said yes to this offering. A yes which was never taken back and which never faltered. My brothers and sisters, remember the yeses, remember the yeses made for your salvation, for our salvation, as you behold the body of Jesus given for you and the blood of Jesus poured out for you. Don't forget to notice Mary during the carrying of the cross and then at Calvary, her hands extended towards her son, saying, behold the fruit of my body given for you. Behold blood from my blood poured out for you. Now with Mary, let us pray. In the name of the Father and of the Son and of the Holy Spirit. Amen. Our Father who art in heaven, hallowed be thy name. Thy kingdom come, Thy will be done on earth as it is in heaven. Give us this day our daily bread and forgive us our trespasses, as we forgive those who trespass against us. And lead us not into temptation, but deliver us from evil. Amen. Hail Mary, full of grace. The Lord is with the blessed art thou among women, and blessed is the fruit of thy womb, Jesus. Holy Mary, mother of God, pray for us sinners now and at the hour of our death. Amen. Hail Mary, full of grace. The Lord is with the blessed art thou among women, and blessed is the fruit of thy womb, Jesus. Holy Mary, mother of God, pray for us sinners now and at the hour of our death. Amen. Hail Mary, full of grace. The Lord is with the blessed art thou among women, and blessed is the fruit of thy womb, Jesus. Holy Mary, mother of God, pray for us sinners now and at the hour of our death. Amen. Hail Mary, full of grace. The Lord is with the blessed art thou among women, and blessed is the fruit of thy womb, Jesus. Holy Mary, mother of God, pray for us sinners now and at the hour of our death. Amen. Hail Mary, full of grace. The Lord is with the blessed art thou among women, and blessed is the fruit of thy womb, Jesus. Holy Mary, mother of God, pray for us sinners now and at the hour of our death. Amen. Hail Mary, full of grace. The Lord is with the blessed art thou among women, and blessed is the fruit of thy womb, Jesus. Holy Mary, mother of God, pray for us sinners now and at the hour of our death. Amen. Hail Mary, full of grace. The Lord is with the blessed art thou among women, and blessed is the fruit of thy womb, Jesus. Holy Mary, mother of God, pray for us sinners now and at the hour of our death. Amen. Hail Mary, full of grace. The Lord is with the blessed art thou among women, and blessed is the fruit of thy womb, Jesus. Holy Mary, mother of God, pray for us sinners now and at the hour of our death. Amen. Hail Mary, full of grace. The Lord is with the blessed art thou among women, and blessed is the fruit of thy womb, Jesus. Holy Mary, mother of God, pray for us sinners now and at the hour of our death. Amen. Hail Mary, full of grace. The Lord is with the blessed art thou among women, and blessed is the fruit of thy womb, Jesus. Holy Mary, mother of God, pray for us sinners now and at the hour of our death. Amen. Glory be to the Father and to the Son and to the Holy Spirit. As it was in the beginning, is now and ever shall be, world without end. Amen. In the name of the Father and of the Son and of the Holy Spirit. Amen. Okay, thanks so much for joining me and praying with me again today. I look forward to continuing this journey with you again tomorrow. Poco. Poco. Friends, God bless you.
Title: The Rosary in a Year (with Fr. Mark-Mary Ames)
Host: Ascension
Episode: Day 182: Shared Sacrifice
Release Date: July 1, 2025
In Day 182 of "The Rosary in a Year" podcast, Fr. Mark-Mary Ames, CFR, delves into the Fourth Sorrowful Mystery: Jesus Carrying His Cross. This episode intertwines art, theology, and personal reflection, guiding listeners to deepen their prayer life through meditation on Raphael's masterpiece, Christ Falls on the Way to Calvary.
Fr. Mark-Mary begins by introducing Raphael (Raffaello Sanzio da Urbino), a luminary of the High Renaissance:
"Raphael was celebrated as one of the greatest masters of the High Renaissance... His works are admired for their clarity, ease of composition, and depiction of human grandeur."
[02:45]
Born in 1483 in Urbino, Raphael's artistic journey took him from Florence to Rome, where under the patronage of Pope Julius II, he produced works renowned for their harmony, balance, and emotional depth. Despite his untimely death at 37, Raphael's prolific legacy continues to influence generations.
Fr. Mark-Mary offers a detailed description of Raphael's painting, highlighting its dynamic composition and emotional resonance:
"Outside the stone gates of a city, a dense gathering of figures looks to Christ, who stumbles under the weight of a wooden cross... Two other condemned men are similarly driven onward toward the hilltop at the center."
[05:10]
The painting captures the intense moment of Jesus' struggle, juxtaposed with the supportive yet sorrowful presence of Mary. Raphael employs chiaroscuro to enhance the three-dimensionality of the figures, creating a dramatic interplay of light and shadow. The vertical composition provides a fresh perspective on this traditional theme, emphasizing the vertical ascent toward Calvary.
Central to the episode is Fr. Mark-Mary's theological exploration of free will and surrender in the context of Jesus' Passion and Mary's maternal offering.
"We know that Jesus said, no one takes my life from me. I lay it down freely while seeming powerless, out of control, forced. The opposite was true."
[11:30]
He underscores that Jesus' acceptance of His suffering was a conscious and willing submission to the Father's will, challenging perceptions of powerlessness. This affirmation is further illuminated through Jesus' words during His arrest:
"Do you think that I cannot appeal to my Father and he will at once send me more than 12 legions of angels? But how then should the Scriptures be fulfilled that it must be so."
[13:15]
Fr. Mark-Mary then shifts focus to Mary, contemplating her role and response:
"What about Mary? Does she say, no one takes my son from me, I offer him freely? Or is she powerless, out of control, forced into her own share of this suffering?"
[16:50]
He posits that Mary's response mirrors Jesus' own surrender:
"Mary intimately echoes Jesus, offering Father, your will be done."
[19:05]
Referencing Pope John Paul II, he emphasizes that Mary's presence was an active spiritual sharing in Christ's suffering:
"She stood in accordance with the prediction beside the suffering Savior. And her standing was not passive acceptance, but a spiritual sharing in his suffering and a maternal offering of her son."
[21:40]
Fr. Mark-Mary delves into the concept of grace, asserting that Mary's capacity to offer her son was not solely from human strength but from divine grace:
"Perhaps it is the highest sign that Mary is in fact full of grace... It was grace that gave her the faith to believe that this was the necessary path."
[24:20]
He speculates on the nature of divine intervention, pondering whether Mary's offering might have invoked angelic assistance, yet acknowledges the mystery surrounding such possibilities:
"But we'll never know, because Jesus never commanded them and Mary never requested them. But both Jesus and Mary... freely and totally said yes to this offering."
[27:15]
Concluding his reflections, Fr. Mark-Mary urges listeners to remember the "yeses"—the deliberate and unwavering affirmations by Jesus and Mary that paved the way for salvation:
"My brothers and sisters, remember the yeses, remember the yeses made for your salvation... as you behold the body of Jesus given for you and the blood of Jesus poured out for you."
[29:50]
He encourages believers to notice Mary's presence during the Passion, emphasizing her role as a witness and participant in Jesus' suffering:
"Don't forget to notice Mary during the carrying of the cross and then at Calvary, her hands extended towards her son, saying, behold the fruit of my body given for you..."
[31:00]
The episode culminates in communal prayer, embracing the Rosary as a means to deepen the relationship with Jesus and Mary. Fr. Mark-Mary leads the congregation through the Our Father, Hail Marys, and Glory Be, fostering a spirit of unity and devotion.
For the complete prayer plan and additional resources, visit Ascension Press.
Thank you for joining Fr. Mark-Mary Ames on this transformative journey through the Rosary.