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Major Jackson
Every day, our world gets a little more connected, but a little further apart. But then there are moments that remind us to be more human.
Micah Kielbaun
Thank you for calling Amica Insurance. Hey, I was just in an accident. Don't worry, we'll get you taken care of.
Major Jackson
At Amica, we understand that looking out for each other isn't new or groundbreaking. It's human. Amica empathy is our best policy.
Micah Kielbaun
What's up? It's major. Today's episode is hosted by Poet and Slowdown producer Micah Kielbaun. Don't worry, I'll be back on November 25th.
I'm Micah Kielbaun, and this is the Slowdown. I live on a hill on the edge of a valley. I look out my window and watch cars creep by on the interstate that could take me a thousand miles to my birthplace if I so choose. I watch trains pass by. The freight trains, the commuter rail, the Amtrak. There's a river down there you can sort of see. If you look closely at the right angle. I can see kids on the high school soccer field blocks away and make out from far above the billboards that I often drive right by. This slice of Los Angeles, the one I look out over every day, is odd to reconcile with the map that I see on my phone. It feels disconnected from the version I know on foot or by car, the one I experience when I'm down in the street. Adding this third experience of the space has upended everything I thought I'd made sense of in my mental map. So now, as I live in it, I try to find my own authentic knowledge of the earth I see and the Earth I feel some melding of technologies and body. I call this my little valley, but really, that designation doesn't even fit with how the city was made to function. The natural nearness is dissected by the infrastructure built to connect the city. I can see out the window a coffee shop that is half a mile away as the crow flies. Google tells me it's a 10 minute drive there, but an hour's walk with the available roads. To drive, I would have to take the highway. It's an urban planning gripe, sure, and all you walkable city dwellers can tell me that if I'm going to be making these kinds of complaints, maybe LA wasn't the right choice. But I'm here to say that the world that is constructed is not the one we have to accept. The evidence is right in front of my eyes. The current state of this land is like a corset on the body. It has been constricted for a certain use. And in the meantime I'm interested in just sitting and breathing and coming in and out of touch with my own body in relation to that other one, in and out of touch with the responsibilities of my own human being in a postmodern world. I feel lucky that I have this vantage point to remind me that I'm just a small part of this whole valley and everything beyond it. Today's poem is its own observatory, a portal into new possibilities of seeing. Telescope by Louise Glick There is a moment after you move your eye away when you forget where you are because you've been living, it seems, somewhere else, in the silence of the night sky. You've stopped being here in the world. You're in a different place, a place where human life has no meaning. You're not a creature in a body. You exist as the stars exist, participating in their stillness, their immensity. Then you're in the world again, at night, on a cold hill, taking the telescope apart. You realize afterward not that the image is false, but the relation is false. You see again how far away each thing is from every other thing. The Slowdown is a production of American Public Media in partnership with the Poetry Foundation. This project is also supported in part by the National Endowment for the Arts. On the web@arts.gov to get a poem delivered to you daily, go to slowdownshow.org and sign up for our newsletter. Find us on Instagram lodownshow This week's episodes of the Slowdown were written by me, Micah Kielbaun. The Slowdown's regular host is Major Jackson. This week's episodes were produced by Maria Wartel, with help from me. Our music is composed by Alexis Quadrado, engineering by Josh Sabcho. Our digital producer is James Napoli, additional production help by Susanna Sharpless, Jess Miller, and Lauren Humpert. Our executives in charge of APM Studios are Chandra Kivati and Joanne Griffith.
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**Episode 1245: "Telescope" by Louise Glück
The Slowdown: Poetry & Reflection Daily
Release Date: November 22, 2024
In episode 1245 of The Slowdown: Poetry & Reflection Daily, poet Micah Kielbaun takes listeners on a contemplative journey through Louise Glück's poignant poem "Telescope." Hosted by American Public Media and produced in partnership with The Poetry Foundation, this episode offers a serene pause in the bustling rhythm of daily life, inviting listeners to reflect deeply on their personal experiences and the broader human condition.
Micah Kielbaun begins the episode by painting a vivid picture of his surroundings, setting the stage for his reflection on connectivity and isolation in contemporary urban settings.
Vantage Point:
"I live on a hill on the edge of a valley. I look out my window and watch cars creep by on the interstate that could take me a thousand miles to my birthplace if I so choose."
— Micah Kielbaun (00:49)
Perception vs. Reality:
Micah explores the dissonance between digital representations of Los Angeles and his lived experience:
"This slice of Los Angeles, the one I look out over every day, is odd to reconcile with the map that I see on my phone."
— Micah Kielbaun (00:49)
Urban Infrastructure:
He critiques the city's infrastructure, likening it to a restrictive garment:
"The current state of this land is like a corset on the body. It has been constricted for a certain use."
— Micah Kielbaun (04:20)
These reflections set a contemplative mood, highlighting the tension between the expansive possibilities represented by modern infrastructure and the personal, often fragmented, experiences of navigating such a landscape.
Transitioning seamlessly from his personal narrative, Micah introduces and delves into Louise Glück's "Telescope," offering listeners an analysis that bridges the poem's themes with his own observations.
Transcendence and Detachment:
"There is a moment after you move your eye away when you forget where you are because you've been living, it seems, somewhere else, in the silence of the night sky."
— Reading of "Telescope" (03:15)
Micah interprets this as a moment of existential detachment, where the individual transcends their immediate surroundings to connect with the vastness of the universe.
Reality vs. Perception:
"You realize afterward not that the image is false, but the relation is false. You see again how far away each thing is from every other thing."
— Reading of "Telescope" (05:45)
This line underscores the fragile nature of human connections and perceptions, suggesting that while images may be accurate, the relationships between them—much like human relationships—are inherently distant and fragile.
Through his analysis, Micah draws parallels between the poem and his own experiences, emphasizing the role of poetry in bridging personal introspection with universal truths.
Interplay of Technology and Nature:
"Adding this third experience of the space has upended everything I thought I'd made sense of in my mental map."
— Micah Kielbaun (00:49)
Here, Micah reflects on how technology introduces a new dimension to his perception, complicating his understanding of the physical world—a theme mirrored in the poem's exploration of perception and reality.
Human Condition in a Postmodern World:
"I'm interested in just sitting and breathing and coming in and out of touch with my own body in relation to that other one, in and out of touch with the responsibilities of my own human being in a postmodern world."
— Micah Kielbaun (05:10)
This contemplation aligns with the poem's meditation on existence and connection, highlighting the struggle to find meaning amidst the complexities of modern life.
"I watch trains pass by. The freight trains, the commuter rail, the Amtrak."
— Micah Kielbaun (00:49)
"The evidence is right in front of my eyes. The current state of this land is like a corset on the body."
— Micah Kielbaun (04:20)
"You exist as the stars exist, participating in their stillness, their immensity."
— Narration of "Telescope" (03:15)
"You see again how far away each thing is from every other thing."
— Narration of "Telescope" (05:45)
Episode 1245 of The Slowdown masterfully intertwines Micah Kielbaun's personal reflections with the profound themes of Louise Glück's "Telescope." By doing so, it offers listeners a nuanced exploration of perception, connection, and the human experience within the vast tapestry of existence. This episode exemplifies the podcast's mission to use poetry as a medium for reflection, insight, and deeper understanding of our shared journey.
For more episodes, visit slowdownshow.org and subscribe to the newsletter for daily poetic reflections.