Transcript
Major Jackson (0:00)
Foreign I'm Major Jackson and this is the Slowdown. Poetry can be daunting to read, I understand. Over the years I have heard many people state that it's just not their thing, that they prefer to attend a ball game, watch a favorite TV series, or hear live music. Poetry's inscrutability can be off putting, maybe even pretentious. I too dislike it, said a famous poet. For those who are new to poetry or wish to overcome their reticence, Here are a few 1. Treat poetry like a roller coaster. You may not know the laws of physics, but it does not prevent you from enjoying the ride. Poetry values ambiguity, and it is okay not to know all of its layers. There are poems that I cherish and could not tell you with great assuredness their meanings. I only know the feeling I experience saying the words out loud, the exuberance of hearing a phrase that I had never heard before. Another famous poet said, a poem should not mean but be that is, poetry is written to be experienced as language rather than examined like bacteria where uncertainty exists, accept it as such and relish what sounds, imagery and insights that are gleaned for you. The poem will be around a long time. You can return to it. Not giving in to the frustration of not knowing is a Buddhist value and lifelong skill. 2. Poetry encourages voyages, often within us. Sometimes where we go in hearts and minds is illuminating. Poems meander, slow us down, take their sweet time. They unfold sentences that are lush and giving. Poems cultivate attention. It's fun to track a poem alone or with friends, unpacking its references and discussing where we are taken inside ourselves. A childhood friend, Dina, wrote me to say that she and some girlfriends shared a poem featured on the Slowdown between them. It was a week of back and forth over text. As a shared experience, a poem can be binding when we help each other hear its wisdoms. 3 Finally, it helps to know that often the subject of poetry is poetry, as in today's poem, which uses the image of the Argonaut, an octopus and its shell like egg sac, as a metaphor for the creative act itself. The paper Nautilus by Marianne Moore for authorities whose hopes are shaped by mercenaries, writers entrapped by tea time fame and by commuters comforts not for these the paper Nautilus constructs her thin glass shell, giving her perishable souvenir of hope, a dull white outside and smooth edged inner surface glossy as the sea. The watchful maker of it guards it day and night. She scarcely eats until the eggs are hatched, buried Eightfold in her eight arms, for she is in a sense a devil fish. Her glass ramshorn cradled. Freight is hid but is not crushed, as Hercules, bitten by a crab loyal to the Hydra, was hindered to succeed. The intensively watched eggs coming from the shell free it when they are freed, leaving its wasp nest flaws of white on white and close laid ionic chitin folds like the lines in the mane of a Parthenon horse, round which the arms had wound themselves as if they knew. Love is the only fortress strong enough to trust to. The Slowdown is a production of American Public Media in partnership with the Poetry Foundation. This project is also supported in part by the National Endowment for the Arts. On the web@arts.gov to get a poem delivered to you daily, go to slowdownshow.org and sign up for our newsletter and find us on Instagram at Slowdown Show SA.
