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Discover a better paradise the debut novel from legendary video game creator Dan Houser, writer of the Red Dead Redemption and Grand Theft Auto series. Set in the near future, A Better paradise tells the story of the ill fated development of an ambitious but addictive video game project that goes very wrong. Ernest Cline, author of Ready Player One, calls it a harrowing techno futurist fever dream of paranoid creators being hunted down by their creation. A Better Paradise. Available now for from all good booksellers.
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I'm Maggie Smith and this is the Slowdown. Names are so powerful. They give you a sense of belonging. I'm always curious about the names parents choose for their children and the terms of endearment they use for loved ones. I call my daughter Sissa, for example. I suppose it began because she's the big sister in the family. My name is Maggie. Not Margaret, just Maggie. But the name I hear most often on a daily basis might be Mom. I have my children to thank for that name because they made me a mother. In this way. We birthed each other and we continue to shape each other over the years. Surely I would be different if I had different children. Surely they would be different with other parents. Today's incredibly moving poem is about fathers and sons and estrangement and connection. I also think it's about starting anew with our own children and giving them what they need, no matter what we received or didn't from our own parents. The Night Angler by Jeffrey Davis Dear boy, despite my return to running water and migratory moods, I have spent your life trying to break the feathered wheel of habit in my voice to bring you evidence that I am done revising the seasons of storm, the God cycles of hurt breath. There I go again, dear boy. I played you the voicemails my father left years ago and understood then how my tongue will also travel, will mutate to find you will draw whatever blood it takes to carry the word father to your feet. Dear boy, I witnessed the moment your mother galvanized pain into a waterway. You ran to get here. Forget that and forfeit the first promise pumped inside your chest. Cut that and you might as well spill a sudden bucket of your own blood. Not a day has passed without the word woman holding you in its mouth. Holy with movement, dear boy, Let the record show we invented one another family, a lighted story set against the shadow and dawn of distances. When I am gone, hold and heat the vastness of this creation. Don't stop speaking to me, dear boy. On the second message my father is saying, I just had to listen to your voice, haven't heard you in a while. And the tribe in his throat trembles. How many gardens have I abandoned to this grief? For the son so loved the worry he gave his only begotten reality and called the father back. Dear boy, in the beginning Father was a fear I wanted to call love. For years I waited heart deep into that doubt for a version of my name I could with some forgiveness cast before your image. Dear boy, here's my hand because your arrival has mended the grave current of time. In the beginning I was talking to you. The Slowdown is a production of American Public Media in partnership with the Poetry Foundation. To get a poem delivered to you daily, go to slowdownshow.org and sign up for our newsletter and find us on Instagram @downdownshow and blueskylowdownshow.org hi, it's Maggie. Thanks for listening to the Slowdown. Whether you press play to find calm or vivid inspiration, we're glad you're here. As a public media podcast, we rely on listener support to share these moments of poetry. Please consider donating today@slowdownshow.org donate.
Episode 1395: “The Night Angler” by Geffrey Davis
Host: Maggie Smith
Date: November 13, 2025
This episode centers on the power and meaning of names—how they shape identity, relationships, and connection over generations. Maggie Smith reflects on naming as an act of love, belonging, and transformation, and dives into Geffrey Davis’s poem “The Night Angler,” which explores fatherhood, legacy, and the urge to reshape inherited patterns. The episode lovingly considers how we can both inherit and reinvent familial roles and emotional legacies, providing listeners a space for both deep reflection and gentle hope.
“I have my children to thank for that name, because they made me a mother… we birthed each other and we continue to shape each other over the years.” (02:00)
“...giving them what they need, no matter what we received or didn’t from our own parents.” (03:20)
“Dear boy, despite my return to running water and migratory moods, I have spent your life trying to break the feathered wheel of habit in my voice...” (03:45)
“I played you the voicemails my father left years ago and understood then how my tongue will also travel, will mutate to find you...” (04:25)
“I witnessed the moment your mother galvanized pain into a waterway. You ran to get here. Forget that and forfeit the first promise pumped inside your chest...” (05:00)
“Let the record show we invented one another, family, a lighted story set against the shadow and dawn of distances.” (05:50)
“Don’t stop speaking to me, dear boy.” (06:10)
“...for years I waded heart deep into that doubt for a version of my name I could with some forgiveness cast before your image." (06:55)
“Dear boy, here’s my hand because your arrival has mended the grave current of time.” (07:00)
On parenthood and mutual creation:
“In this way. We birthed each other and we continue to shape each other over the years.”
(Maggie Smith, 02:05)
On breaking cycles and striving for change:
“I have spent your life trying to break the feathered wheel of habit in my voice… to bring you evidence that I am done revising the seasons of storm, the God cycles of hurt breath.”
(Geffrey Davis, 03:50)
On the complexity of inheritance:
“On the second message my father is saying, I just had to listen to your voice, haven’t heard you in a while. And the tribe in his throat trembles.”
(Geffrey Davis, 06:14)
On healing and forging a new path forward:
“Dear boy, here’s my hand because your arrival has mended the grave current of time. In the beginning I was talking to you.”
(Geffrey Davis, 07:00)
This episode of The Slowdown beautifully explores the generational dynamics of love, pain, and the hope for healing that weaves through families. Through Maggie Smith’s meditative introduction and Geffrey Davis’s moving poem, listeners are reminded that the act of naming, of loving, and of forging connection is not fixed, but something collaboratively invented and always in motion—a daily, generative practice of care.