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Every now and then I rinse it out and I need Danny rinse tonight and I need it more My kid wet the bed and the smell never leaves I don't know what to do I'm always in the dark the sweat and dead shark smells like a dark.
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Dark I'm downy rinsing tonight Downy Rinse fights stubborn odors in just one wash when impossible odors get stuck in Rinse.
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It out Hello Slowdown listeners.
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Maggie Smith
I'm Maggie Smith, and this is the Slowdown.
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I flew to San Francisco last October.
Maggie Smith
For a terrific literary festival called Litquake.
Host
I had an event in support of.
Maggie Smith
The People's Project, an anthology I co edited with my dear friend Said Jones. Three of our contributors were also there, Abby Maxwell, Jill Damatok, and Randall Mann.
Host
We each read from the anthology, and then we chatted and answered some audience questions. During our conversation on stage, we talked about craft, the decisions we make when we write, from line length to word choice. Poet Randall Mann said that he rarely.
Maggie Smith
Wrote using prompts or on demand, which.
Host
Our anthologies call for submissions but and.
Maggie Smith
The tight turnaround required.
Host
Said and I are so lucky that.
Maggie Smith
Randall Mann said yes to us and.
Host
Embraced the challenge at the festival. He mentioned that finding the poem's form, its container, was what made his poem and the People's Project possible. I know that feeling well. Sometimes I flail about in a piece of writing, whether poetry or prose, until I find the right structure for it. Once I find the form, I'm off and running. This was true most recently in my craft book, Dear Writer. Once I decided to organize the book around my own 10 principles of creativity, I had a rough outline, and moving forward with those 10 sections of the book gave me purpose and direction. Finding the right form was also essential in my memoir and in every essay or poem I've ever written. It's an intuitive process, and for me it involves a lot of trial and error. Today's poem is a kind of mirror. The second half matches the first in reverse. As I was reading the People's Project submissions from contributors, I felt strongly that this poem should come last. Closing the book Perhaps when you listen to the ending, you'll sense why Puzzle by Randall Mann Something ends, something else begins In a knowable shadow like a partner Honestly I prefer silence A pollster spins Words matter what we say Fail to say more than enunciation the point is maybe nothing is pointless I have seen in this puzzling time Few acts of compassion if truth is lazy like poetry Let me state this clearly I've been numbed by what I have seen in the distance signs in the distance signs I've been numbed by what have I seen Let me state this clearly if truth is lazy like poetry Few act of compassion I have seen in this puzzling time maybe nothing is pointless the point is more than renunciation.
Maggie Smith
What.
Host
We say fails to say Upholster spins Words matter I prefer honesty silence like a partner an unknowable shadow Something ends something else Begin.
Maggie Smith
The Slowdown is a production of American Public Media in partnership with the Poetry Foundation. To get a poem delivered to you daily, go to slowdownshow.org and sign up for our newsletter and find us on Instagram, SlowdownShow and Blueskylowdownshow.org.
Host
Hello Slowdown listeners.
Poetry Magazine Announcer
Poetry Magazine has a special offer just for you. Subscribe to one year of Poetry Magazine today and receive their limited edition tote bag for $39. That's the cost of one Loboo. You'll receive 10 beautifully curated print magazines of contemporary poetry, unlimited digital access via the Poetry Magazine app and a tote bag to carry it all. Subscribe today@poetrymagazine.org Slowdown25 to receive this special offer.
Host: Maggie Smith
Date: December 30, 2025
In this reflective episode of The Slowdown, Maggie Smith explores the power of poetic form and creative process, centered on Randall Mann’s poem “Puzzle.” Drawing from her personal experience at San Francisco’s Litquake literary festival, Smith discusses how structure and craft guide both her work and Mann’s, culminating in the reading of a uniquely mirrored poem that bookends The People’s Project anthology.
[01:51–02:33] During the festival, panelists tackled the challenges of writing under deadline for anthologies and how form influences the creative process.
Smith highlights Mann’s insight: finding the right “container” or form is crucial for a poem’s development.
She relates this to her own practice, describing the “trial and error” involved in finding the best structure for prose or poetry.
[03:28–04:45] The featured poem, “Puzzle” by Randall Mann, utilizes a mirrored form where the second half reverses the first, adding layers of meaning upon repeated lines.
Smith believes this form creates a powerful closing for the anthology, suggesting listeners pay particular attention to how the poem’s structure shapes its meaning.
[04:46–06:20]
Smith reads “Puzzle” aloud. The poem is constructed to read forward and then in reverse, with the ending echoing and reframing the opening lines.
Smith maintains a warm, invitational, and contemplative tone throughout, gently prompting listeners to reflect on both the structure and emotional impact of poetry as daily practice.
This episode of The Slowdown invites listeners into the intimate world of poetic craft and collaboration. Maggie Smith weaves together her festival experiences, thoughts on creativity, and a close reading of Randall Mann’s “Puzzle,” demonstrating how a poem’s form can deepen its emotional resonance and provide satisfying closure—both for an anthology and the listener’s day.