The Slowdown: Poetry & Reflection Daily
Episode 1431: Going Home by Joan Kwon Glass
Host: Maggie Smith
Date: January 9, 2026
Episode Overview
In this episode, host Maggie Smith invites listeners to contemplate the elusive, surreal nature of dreams — their emotional logic and strange coherence — through the lens of Joan Kwon Glass’s evocative poem, “Going Home.” Smith reflects personally on the way dreams remix reality, referencing her own childhood fascination with dream interpretation, before sharing and responding to the poem’s dreamlike imagery. The episode encourages attention, curiosity, and openness to metaphor as tools for living with both hope and wonder.
Key Discussion Points & Insights
The Mysterious Nature of Dreams
- Dreams as Alternate Realities
- Maggie Smith begins by describing the everyday ritual of asking her children about their dreams (01:02). Dreams are recounted as epic adventures whose timelines don’t match waking logic.
- She notes the “alternate versions” of people and places found in dreams: “Sometimes people who are long dead show up alive and well. Sometimes you’re a child again.” (02:00)
- Children’s descriptions often blur the line between real and imagined: “We were at home, but it wasn’t our house, or I was with my friends, but they weren’t my real life friends.” (02:22)
- In dreams, “sometimes I play a cameo role as myself, but sometimes the role of their mother is played by someone else.” (02:35)
Childhood Fascination with Dream Interpretation
- Seeking Meaning in Symbols
- Smith shares a memory of using a dream dictionary to search for explanations of classic dream motifs: “I remembered being unable to run, or losing my teeth, or trying to hide someplace that was too small for me.” (03:00)
- She reflects that, even as a child, she knew there was “no definitive answer, no clear interpretation, but it was fun to seek answers.” (03:12)
- Now, she rarely recalls her dreams, but when she does, “they’re like surrealist films.” She sometimes reworks these images into poems, valuing “the unconscious mind” for its “startling metaphors.” (03:27)
The Poem: “Going Home” by Joan Kwon Glass (04:10)
- Surreal, Unnerving Imagery
- The poem is described as “surreal and unnerving.” It evokes the feeling of waking from a strange dream “suspecting it has something to tell me.” (03:53)
- Key Themes and Imagery in the Poem
- Familial familiarity and distortion: A father, mother, and baby sister appear in dreamlike fragments.
- Tasks that can’t be completed: Instead of being given a knife to cut broccoli, the speaker is handed unrelated keys that open nothing.
- Disorienting transitions: The speaker tries the door “until I forget which side of the door I’m on.”
- Unsettling symbolism: The mother eats “pages from her Bible” and accuses the speaker of eating broccoli that isn’t there.
- Moments of hope and loss: The baby sister, transformed with “wings out of paper bags,” is “forever, alive.”
- Realization of isolation: A voice is heard wailing, and the speaker discovers “my mouth is open and it’s my voice. Can anyone hear me? I’ve been gone so long.”
- Visual, silent devastation: “Wallpaper roses drop their petals like silent, pretty bombs.”
Highlighted Quotes & Memorable Moments
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On the fluid reality of dreams:
- “Sometimes people who are long dead show up alive and well. Sometimes you’re a child again.”
— Maggie Smith (02:00)
- “Sometimes people who are long dead show up alive and well. Sometimes you’re a child again.”
-
On the search for meaning in dreams:
- “I knew even back then that there was no definitive answer, no clear interpretation, but it was fun to seek answers.”
— Maggie Smith (03:12)
- “I knew even back then that there was no definitive answer, no clear interpretation, but it was fun to seek answers.”
-
On poetic use of dream imagery:
- “The unconscious mind can make some startling metaphors, so I wish I remembered more of them.”
— Maggie Smith (03:31)
- “The unconscious mind can make some startling metaphors, so I wish I remembered more of them.”
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The poem’s haunting conclusion:
- “Wallpaper roses drop their petals like silent, pretty bombs.”
— Joan Kwon Glass, read by Maggie Smith (05:10)
- “Wallpaper roses drop their petals like silent, pretty bombs.”
Timestamps for Important Segments
- 01:02 – Maggie Smith introduces the day’s theme and invites listeners into her daily question for her kids about dreaming.
- 02:00 – Reflections on the strangeness of dreams and their shifting realities.
- 03:00 – Childhood memories of dream dictionaries and the search for meaning in dreams.
- 03:53 – Smith introduces Joan Kwon Glass’s poem, setting up its mood and effect.
- 04:10 – Full reading of “Going Home” by Joan Kwon Glass.
- 05:10 – Emotional punch of the poem’s ending.
Tone & Language
Maggie Smith’s tone is intimate, gently curious, and poetic, matching the subject matter. The episode encourages a sense of wonder, cautious optimism, and the value of reflective observation rooted in daily experience.
Summary Takeaway:
Through personal reflection and the haunting poem by Joan Kwon Glass, this episode of The Slowdown explores the shifting boundaries between home, self, memory, and dream. Listeners are encouraged to notice the surreal logic in everyday life and acknowledge the emotional truths our subconscious presents, whether through dreams or poems.
