The Slowdown: Poetry & Reflection Daily
Episode 1446: "Mistake" by Heather Christle
Host: Maggie Smith
Date: January 30, 2026
Episode Overview
In this episode, host Maggie Smith reflects on the phenomenon of seeing human faces and forms in everyday objects—a concept called pareidolia. She uses this exploration as a lead-in to "Mistake" by Heather Christle, a poem that captures the nuanced emotion of misplaced grief when we mistake discarded objects for dead animals. Smith relates her personal experiences, the psychological underpinnings of our tendency to see patterns, and how poetry can articulate and give space to complex feelings.
Key Discussion Points and Insights
The Ubiquity and Oddity of Social Media Feeds
- Maggie describes the variety of content she encounters on her social media feeds, underscoring the randomness and serendipity of online experience:
- Mushroom foragers, small dogs in outfits, pantry-based cooking, fashion influencers, astrologers, philosophers, chefs, skincare gurus, film directors, and especially poets.
- She notes how certain accounts and posts appear repeatedly in her feed, sometimes without her following them.
Pareidolia: The Tendency to See Faces
- Smith introduces pareidolia (from Greek: para “beside” and eidolon “image or form”) as the human tendency to perceive familiar patterns, especially faces, in inanimate objects.
- “[As] humans, we are hardwired to see faces, to seek faces. It's a psychological phenomenon referred to as pareidolia, from the Greek para meaning beside and eidolon, meaning image or form.”
— Maggie Smith (03:21)
- “[As] humans, we are hardwired to see faces, to seek faces. It's a psychological phenomenon referred to as pareidolia, from the Greek para meaning beside and eidolon, meaning image or form.”
- This inclination extends to seeing perceived threats or creatures in ambiguous objects, like thinking a blanket is an animal or a trash bag is a bird.
Emotional Consequences of Misperception
- Maggie reflects on the surge of worry or grief at mistaking harmless objects for dead or injured animals, and the complex feelings that follow when the error is realized:
- “There's a sense of relief when we realize we are looking at an object, not a dead creature. But there's also another feeling, one I hadn't been able to put my finger on until I read today's poem.”
— Maggie Smith (04:38)
- “There's a sense of relief when we realize we are looking at an object, not a dead creature. But there's also another feeling, one I hadn't been able to put my finger on until I read today's poem.”
- She articulates the poem’s central insight: that even when the perceived trauma is not real, the emotional energy or grief that arises has nowhere to go—it lingers, searching for release or resolution.
Introduction & Reading of "Mistake" by Heather Christle
- The episode pivots to the poem, framed as an artistic crystallization of the subtle, residual emotion leftover from mistaken perception.
Notable Excerpt: "Mistake" by Heather Christle
(Read by Maggie Smith, 05:06)
"For years I have seen dead animals on the highway and grieved for them,
only to realize they are not dead animals,
they are t-shirts or bits of blown tire.
And I have found myself with this excess of grief I have made
with no object to let it spill over,
and I have not known where to put it or keep it.
And then today I thought,
I know I can give it to you."
- Maggie remarks:
- "This poem does what the best poems do. It articulates something deceptively simple, yet hard to explain."
— Maggie Smith (05:02)
- "This poem does what the best poems do. It articulates something deceptively simple, yet hard to explain."
Notable Quotes & Memorable Moments
- On social media and observation:
- “I follow astrologers and philosophers and chefs. ... Lots and lots of poets.”
— Maggie Smith (01:41)
- “I follow astrologers and philosophers and chefs. ... Lots and lots of poets.”
- On pareidolia:
- “It's not just human faces we think we see, it's other living things. How many of us have come upon a discarded item of clothing or a balled up blanket on the side of the road and shuddered to think it might be a dog or a deer?”
— Maggie Smith (04:11)
- “It's not just human faces we think we see, it's other living things. How many of us have come upon a discarded item of clothing or a balled up blanket on the side of the road and shuddered to think it might be a dog or a deer?”
- On misplaced, unspent emotion:
- “And I have found myself with this excess of grief I have made with no object to let it spill over, and I have not known where to put it or keep it. And then today I thought, I know I can give it to you.”
— Heather Christle (as read by Maggie Smith) (05:11)
- “And I have found myself with this excess of grief I have made with no object to let it spill over, and I have not known where to put it or keep it. And then today I thought, I know I can give it to you.”
Segment Timestamps
- Introduction & Social Media Observations – 00:58–02:24
- On Pareidolia: Seeing Faces and Forms – 02:24–04:14
- Emotional Reactions to Mistaken Perception – 04:14–05:00
- Introduction to and Reading of "Mistake" – 05:00–05:53
Tone and Style
Maggie Smith’s delivery is warm, thoughtful, and tinged with gentle humor and insight. The episode blends personal anecdote, psychological terminology, and poetic analysis, moving seamlessly from the everyday to the profound—all in the spirit of reflection and connection that characterizes The Slowdown.
Takeaway
The episode invites listeners to consider the unnoticed emotional residue of daily misperceptions—a reminder of our deep empathy and how poetry can help us process feelings with no clear direction. “Mistake” serves as a vessel for unspent emotion and offers the comforting realization that our misplaced feelings, too, can find a home.
