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I'm Maggie Smith and this is the Slowdown. You can find anything on social media. Anything I've seen accounts for amateur mushroom foragers. Accounts where one tiny dog is dressed up in a different elaborate outfit each.
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Day accounts for cooking with whatever's in your pantry.
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I follow one woman who gets dressed in her bright, airy, impossibly clean bathroom each day, and she looks better in clothes I can't afford than anyone has a right to. I follow astrologers and philosophers and chefs. I follow skincare gurus and film directors and, yes, poets. Lots and lots of poets. And some things frequently show up in my feed for reasons I don't understand. One of those things is an account devoted to finding human faces and inanimate objects. I don't follow this account, but I see the posts regularly. The admin shares photos with captions like can you see it? Sometimes I look. And often, yes, I see the face, the eyes, nose and mouth in a photograph of tree bark or a pile of laundry or some eerie reflection in a window. And sometimes I don't see it. As humans, we are hardwired to see faces, to seek faces. It's a psychological phenomenon referred to as pareidolia, from the Greek para meaning beside and eidolon, meaning image or form. Pareidolia is often associated with finding or assigning human physical characteristics in nature, but it also includes objects outside of the natural world, like buildings or cars, because, well, the human mind developed before we developed the built environment. But it's not just human faces we think we see, it's other living things. How many of us have come upon a discarded item of clothing or a balled up blanket on the side of the road and shuddered to think it might be a dog or a deer? How many of us have seen out of the corner of our eyes a flapping plastic trash bag in the wind and mistaken it for a bird. There's a sense of relief when we realize we are looking at an object, not a dead creature. But there's also another feeling, one I hadn't been able to put my finger on until I read today's poem. This poem does what the best poems do. It articulates something deceptively simple, yet hard to explain. Mistake by Heather for years I have seen dead animals on the highway and grieved for them, only to realize they are not dead animals, they are t shirts or bits of blown tire. And I have found myself with this excess of grief I have made with no object to let it spill over, and I have not known where to put it or keep it. And then today I thought, I know I can give it to you.
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The Slowdown is a production of American Public Media in partnership with the Poetry Foundation. To get a poem delivered to you daily, go to slowdownshow.org and sign up for our newsletter. Find us on Instagram at slowdownshow and blueskylowdownshow.org the slowdown is written by me, Maggie Smith. Our lead producer is Micah Kielbon and our associate producer is Maria Wurtel. Our music is composed by Kyle Andrews, engineering by Josh Savageau. Our editor and digital producer is Jordan Turgeon. Additional production help by Susanna Sharpless, Ruby Sigmund, and Lauren Humpert. APM's Director of Distribution is Amy Lundgren and our president is Chandra Kavati. Maggie here host of the Slowdown Listening to and reading poetry helps us find our footing in an uncertain world, especially during challenging times. You can help keep these moments of poetry and reflection going by making a gift today. Visit slowdownshow.org donate.
Host: Maggie Smith
Date: January 30, 2026
In this episode, host Maggie Smith reflects on the phenomenon of seeing human faces and forms in everyday objects—a concept called pareidolia. She uses this exploration as a lead-in to "Mistake" by Heather Christle, a poem that captures the nuanced emotion of misplaced grief when we mistake discarded objects for dead animals. Smith relates her personal experiences, the psychological underpinnings of our tendency to see patterns, and how poetry can articulate and give space to complex feelings.
(Read by Maggie Smith, 05:06)
"For years I have seen dead animals on the highway and grieved for them,
only to realize they are not dead animals,
they are t-shirts or bits of blown tire.
And I have found myself with this excess of grief I have made
with no object to let it spill over,
and I have not known where to put it or keep it.
And then today I thought,
I know I can give it to you."
Maggie Smith’s delivery is warm, thoughtful, and tinged with gentle humor and insight. The episode blends personal anecdote, psychological terminology, and poetic analysis, moving seamlessly from the everyday to the profound—all in the spirit of reflection and connection that characterizes The Slowdown.
The episode invites listeners to consider the unnoticed emotional residue of daily misperceptions—a reminder of our deep empathy and how poetry can help us process feelings with no clear direction. “Mistake” serves as a vessel for unspent emotion and offers the comforting realization that our misplaced feelings, too, can find a home.