Transcript
Maggie Smith (0:00)
This podcast is supported by Viking, committed to exploring the world in comfort. Journey through the heart of Europe on an elegant Viking longship with thoughtful service, destination focused dining and cultural enrichment on board and on shore. And every Viking voyage is all inclusive with no children and no casinos. Discover more@viking.com hi, it's Maggie.
Maggie Smith (0:24)
For the next two weeks of episodes, friend of the show Samia Bashir will be sharing poems with you every morning. I'll be back in the host chair on February 18th.
Samia Bashir (0:42)
I'm Samia Bashir and this is the Slowdown.
Samia Bashir (0:57)
The other day a friend of mine was caught in a transportation holdup. Her train was stuck, then rerouted. Her journey was about to get a.
Samia Bashir (1:08)
Lot longer and more circuitous.
Samia Bashir (1:11)
My response to her then, which rather miraculously, she found helpful, was to make it an adventure. Our most important journeys often take us.
Samia Bashir (1:23)
Through vistas that we hadn't couldn't even.
Samia Bashir (1:27)
Imagine when we took our first steps. Leaning into adventure forces us to embrace uncertainty.
Samia Bashir (1:35)
Sometimes we have to follow the road where it goes. Sometimes paving a new road is the only way to reach our intended destination. Either way, where we land might not look like we thought it would. Either way, we are unlikely to arrive as the same person we were when our journey began.
Samia Bashir (1:57)
Today's poem takes us into the adventure.
Samia Bashir (2:00)
Of discovery, which, it turns out, is rarely simple, even when we are at our most prepared, even when when we think we're sure what we're going to find. Diving into the Wreck by Adrienne Rich first, having read the Book of Myths and loaded the camera and checked the edge of the knife blade, I put on the body armor of black rubber, the absurd flippers, the grave and awkward mask. I am having to do this. Not like Cousteau with his assiduous team aboard the sun flooded schooner, but here alone there is a ladder. The ladder is always there, hanging innocently close to the side of the schooner. We know what it is used for, we who have used it. Otherwise it is a piece of maritime floss, some sundry equipment. I go down, rung after rung, and still the oxygen immerses me, the blue light, the clear atoms of our human air. I go down. My flippers cripple me. I crawl like an insect down the ladder and there is no one to tell me when the ocean will begin. First the air is blue and then it is bluer, and then green and then black. I am blacking out and yet my mask is powerful. It pumps my blood with power. The sea is another story. The sea is not a question of power I have to learn alone to turn my body without force in the deep element. And now it is easy to forget what I came for among so many who have always lived here, swaying their crenelated fans between the reefs. And besides, you breathe differently down here. I came to explore the wreck. The words are purposes, the words are maps. I came to see the damage that was done and the treasures that prevail. I stroke the beam of my lamp slowly along the flank of something more permanent than fish or weed. The thing I came for the wreck and not the story of the wreck, the thing itself and not the myth. The drowned face always staring toward the sun, the evidence of damage worn by salt and sway into this threadbare beauty, the ribs of the disaster curving their assertion among the tentative haunters. This is the place and I am here. The mermaid whose dark hair streams black, the merman in his armored body. We circle silently about the wreck. We dive into the hold. I am she. I am he whose drowned face sleeps with open eyes, whose breasts still bear the stress, whose silver copper fur mail cargo lies obscurely inside barrels half wet, wedged and left to rot. We are the half destroyed instruments that once held to a course, the water eaten log, the fouled compass. We are, I am, you are by cowardice or courage the one who find our way back to this scene carrying a knife, a camera, a book of myths in which our names do not appear. The Slowdown is a production of American Public Media in partnership with the Poetry Foundation.
