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I'm Maggie Smith and this is the Slowdown. Map Making Cartography isn't just practical, it's emotional. Maps show us places that mean something to us. Places we've lived, places we visited, places we long to see. Someday. I was talking with a friend recently about the two neighborhoods I lived in as a child. The first was called Forest park east in Columbus, Ohio. In Forest park, the roads were all named after trees. I lived on Lilacwood Avenue. My mother was raised in the same neighborhood. Her parents lived on Redwood. The next neighborhood my family moved to was called Freedom Colony. It was built in 1976, the U.S. bicentennial. So the streets are all named after places and battles from the American revolution? Yes, it's 1776 in Freedom Colony. My house was on Liberty Lane, and I would ride my bike to visit friends who lived on other side streets and cul de sacs. Lexington, Concord, Bunker Hill, Valley Forge, and Old North Church. It's pretty kitschy, I know, but it makes me smile. Home is a mythic place as much as a real place. It's different in our minds than it is on the map, and some of what we remember isn't on the map at all. The way we felt when we were there, how we spent our time in that place, and who we were with. The emotional cartography of any place is different from its actual cartography. Today's poem takes us to a road far from the speaker's home. The poet is a veteran who once served as as an Army 82nd Airborne Division paratrooper in Iraq. This is a poem by Seth Brady Tucker. The road to Baghdad is less a road than a floral collection of spongy and soft bodies, a gathering of of the myriad colors of nations. Burnt umber, puce, kiln red, olive drab, hot steel. It is a road that stretches eternally into the ochre mocha of the horizon. The Road to Baghdad has its own atmosphere and sound, so unlike the roads I have driven in the States. Here the road is silent but for the pops and spits of flame where trucks clutch the bright and colorful bodies of the unfortunate dead. The road to Baghdad is like the aftermath of a Fourth of July parade, streets littered with the chaos of celebration, where dyed paper and the bright halls of fireworks gather in the gutter. Sometimes I look for the Road to Baghdad in old maps or on the web, but I can never find it. The distance of time has cleared it from the record books, has erased it from everywhere but my mind and from the minds of those soldiers who saw it with me today. I awake in the morning with unexplained scratches on the bridge of my nose, and I ask my empty room, where has that road gone? I understand that if there is no road, then there is no me. But if none of this ever really happened, how do I awaken every morning to the sun burning my outline into the wild asphalt of that beautiful highway? The Slowdown is a production of American Public Media in partnership with the Poetry Foundation. To get a poem delivered to you daily, go to slowdownshow.org and sign up for our newsletter and find us on Instagram lodownshow and bluesky.slowdownshow.org. Maggie Here, host of the Slowdown Listening to and reading poetry helps us find our footing in an uncertain world, especially during challenging times. You can help keep these moments of poetry and reflection going by making a gift today. Visit slowdownshow.org donate.
Podcast: The Slowdown: Poetry & Reflection Daily
Episode: 1472: The Road to Baghdad by Seth Brady Tucker
Host: Maggie Smith
Date: March 9, 2026
This episode centers on the emotional and psychological dimensions of mapping — not just literal cartography, but how memory, nostalgia, and feeling shape our sense of place. Maggie Smith frames the poem "The Road to Baghdad" by Seth Brady Tucker with personal reflections about home and how we map our own lives, setting the stage for a poem that contemplates the lingering, haunting terrain of war.
[00:58 - 02:22]
[02:23 - 02:44]
[02:45 - 04:28]
[04:29 - 05:12]
"Home is a mythic place as much as a real place. It's different in our minds than it is on the map, and some of what we remember isn't on the map at all."
(Maggie Smith, 01:56)
"The emotional cartography of any place is different from its actual cartography."
(Maggie Smith, 01:59)
"The road to Baghdad is less a road than a floral collection of spongy and soft bodies, a gathering of the myriad colors of nations… It is a road that stretches eternally into the ochre mocha of the horizon."
(Seth Brady Tucker, 02:47)
"The road to Baghdad has its own atmosphere and sound, so unlike the roads I have driven in the States... silent but for the pops and spits of flame where trucks clutch the bright and colorful bodies of the unfortunate dead."
(Seth Brady Tucker, 03:05)
"Sometimes I look for the road to Baghdad in old maps or on the web, but I can never find it…The distance of time has cleared it from the record books, has erased it from everywhere but my mind..."
(Seth Brady Tucker, 03:54)
"If there is no road, then there is no me. But if none of this ever really happened, how do I awaken every morning to the sun burning my outline into the wild asphalt of that beautiful highway?"
(Seth Brady Tucker, 04:17)
The episode maintains a quiet, contemplative tone, drawing personal and collective connections between place, memory, and poetry. Maggie Smith’s gentle narration and the poem’s haunting imagery cultivate a mood that is both deeply personal and universally resonant.
This episode is a moving meditation on how we map our lives through memory, emotion, and poetry—how even roads lost to history can leave indelible marks on the landscape of the self. It’s a testament to the power of poetry in processing trauma and the value of reflection in helping us navigate our complex, often uncertain world.