Transcript
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Major Jackson (1:05)
I'm Major Jackson and this is the Slowdown during my last week of graduate school, I printed copies of my thesis to gift to friends. I wanted the poems in the hands of people who were generous without hesitation. Friends who brought over homemade tortilla soup during exams, who left supportive greeting cards in my mailbox, folks who simply said an encouraging word when I had doubts about completing my master's program. I met one such friend at a local brewery. It was our last night seeing each other. We'd worked together at an organic health food store in Eugene. After an hour of chit chat, before we were about to depart, I pulled out my bag, a bound copy of my poems. He pushed back his dreads, took it in his hands and said, you wrote this? I said, yeah, I did. In a tone of genuine amazement, he replied, I just didn't know people had this many thoughts. I was suddenly self conscious. I heard his remark as pity for me. Does anything settle your mind? He asked. I said, yes, writing momentarily, I took a last swig of my beer, stood up and laughingly said, you don't have to read it. He joked, it might take a few years, but I'll get to it. I walked away wondering if writing was an affliction. I had never considered the question. Does a restless mind given to language suggest a restless spirit ill at ease with the world around me? Is it unnatural to want to write a book? Is it a project of the ego? Or worse, evidence of a mercurial and unstable mind. For a second I thought silence superior and considered enrolling in a silent retreat to amend my belief that the world needed my words. Of course, true to form, my new state lasted only a week, and then I was back at my desk, writing poems provoked by these very questions. But since then I've allowed myself to intentionally go quiet, too. Today's poem illustrates returning to listening as a ventilation of the soul, sublimating the ego in the interest of interacting with more than just our thoughts. What good is silence? By Fuan Thi Vuong On a day I lose my voice, I wade through a park's clover, grass, and milkweed. I watch a woman tap the spot to where her dog gallops and releases his ball. Listen as bike entourage circles the lake's perimeter, A ganging up of joy, a charge of beats unleashed from speakers I see in my quiet exploded bass blown exposed pomegranate arrows a bougainvillea fuchsia cloud inverted bomb blast infrared ray split another's speech spilled from throat in excess struggle to observe sanctity Silent I am apocrypha made sacred Wordless I am not blasted blaspheme speak through hips moving in city fleshed out and godly My eyes touch others stoke fires and raised brows I hear clearer than ever my prayer honest as quiet as breath this meditation to speak wind up to strike more accurate than ever yet some will ask, what good is silence? The Slowdown is a production of American Public Media in partnership with the Poetry Foundation. This project is also supported in part by by the National Endowment for the Arts on the web@arts.gov to get a poem delivered to you daily, go to slowdownshow.org and sign up for our newsletter and find us on Instagram. Lodownshow.
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