[encore] 1163: Voice Clear As by Kemi Alabi - The Slowdown: Poetry & Reflection Daily

Summary

Podcast Title: The Slowdown: Poetry & Reflection Daily
Episode: [encore] 1163: Voice Clear As by Kemi Alabi
Release Date: December 23, 2024
Host: Major Jackson
Produced by: American Public Media in partnership with The Poetry Foundation
Supported by: National Endowment for the Arts

Introduction

In the December 23, 2024 episode of The Slowdown: Poetry & Reflection Daily, hosted by Major Jackson, listeners are invited to embark on a contemplative journey through poetry and personal reflection. This episode features the evocative poem "Voice Clear As" by Kemi Alabi, delving into themes of reconceptualizing heaven, challenging patriarchal imagery, and exploring personal liberation.

Host Reflection: Reimagining Heaven

Major Jackson opens the episode with a heartfelt reflection on the traditional conception of heaven. He shares his journey of seeking a new understanding of paradise, moving away from the exclusive and patriarchal images ingrained during his youth and religious upbringing.

Major Jackson [00:33]: "Long ago I knew I needed a new conception of heaven, the one with pearly white gates and winged angels from my youth and church just wasn't working for me."

Jackson critiques the conventional symbols of heaven, such as "pearled white gates" and "winged angels," which he finds unrelatable and non-inclusive. Instead, he advocates for a secular and functional vision of heaven—one that serves as a "promised land" where societal aspirations for justice and environmental stewardship can be actualized.

Major Jackson [00:45]: "Constructing one's celestial city, one's promised land, is empowering. It's a radical act that forces us to imagine our freedom."

He emphasizes the importance of this reimagined heaven as a catalyst for real-world action. By envisioning heaven as a place devoid of environmental degradation and filled with unconditional love, individuals are inspired to combat current injustices and foster meaningful human connections.

Exploring "Voice Clear As" by Kemi Alabi

The centerpiece of the episode is Kemi Alabi's poignant poem "Voice Clear As," which critiques the traditional and patriarchal imagery of heaven while expressing a yearning for personal and maternal liberation. Through vivid metaphors and emotional depth, Alabi navigates the complex interplay between fear, faith, and personal autonomy.

Kemi Alabi (as interpreted by Major Jackson [02:15]): "Will she blame her pastors like I did for Sunday portraits of pooled white gold? Will she miss the wooden flute of her body, mourn the days cloaked in dust too pious to disturb a room's skin cells?"

Alabi challenges the listener to reconsider the often rigid and exclusionary visions of the afterlife. She juxtaposes the serene, sanitized images of traditional heaven with the raw, authentic experiences of life, emphasizing the inherent value and voice inherent in each individual.

Kemi Alabi (as interpreted by Major Jackson [04:10]): "Heaven's just a noise festival, the God choir of all her loves, breathing unsnagged by asthma or Newport dragged lung—the true song life makes untethered from a body tugged at last from the men who hold its reins."

Through these lines, Alabi envisions heaven not as a static, unchanging realm but as a dynamic celebration of life, free from the constraints and fears that often accompany earthly existence. This portrayal serves as a metaphor for personal liberation and the reclaiming of one's voice and identity.

Themes and Insights

Reimagining Traditional Concepts: Both Major Jackson and Kemi Alabi advocate for a reinterpretation of established ideas, whether it's the concept of heaven or personal identity. This encourages listeners to question and redefine their beliefs and aspirations.
Challenging Patriarchal Norms: The episode critically examines how traditional symbols and narratives can perpetuate patriarchal values. By challenging these norms, the podcast fosters a more inclusive and equitable perspective.
Personal Liberation and Voice: Central to the poem is the theme of finding one's voice and achieving personal freedom. Alabi's vivid imagery underscores the importance of self-expression and autonomy in shaping one's destiny.
Connection Between Vision and Action: Major Jackson highlights the power of envisioning a better world as a precursor to tangible action. This connection motivates listeners to translate their idealistic visions into real-world efforts for positive change.

Conclusion

The December 23 episode of The Slowdown: Poetry & Reflection Daily offers a profound exploration of personal and collective aspirations through the lens of poetry. Kemi Alabi's "Voice Clear As" serves as a compelling narrative that challenges listeners to rethink entrenched beliefs and envision a more inclusive and empowered existence. Major Jackson's insightful commentary bridges the gap between poetic expression and actionable reflection, making this episode a thought-provoking addition to the podcast's repertoire.

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Transcript

Unknown Speaker (0:00)

If you could hear love, what would it sound like?

Major Jackson (0:11)

Son, can we talk about your drinking? Yeah, Dad, I think we should.

Unknown Speaker (0:19)

Helping those closest to you think about their excessive drinking. Maybe that's what love sounds like. More@rethinkthedrink.com An OHA initiative major here.

Major Jackson (0:33)

I want to thank you, our listeners, for joining us on the Slowdown each weekday. Whether you press play for a moment of calm or to find vivid inspiration, we're glad you're here. Because you believe in the power of poems, I hope you'll consider making a tax deductible gift today. Support from listeners like you makes this podcast possible. Contribute today@slowdownshow.org donate or find the link in the show Notes. Thanks. I'm Major Jackson and this is the Slowdown. Long ago I knew I needed a new conception of heaven, the one with pearly white gates and winged angels from my youth and church just wasn't working for me. I mean, I get clouds and blue skies as symbols of ascension from from earthly planes. And it wasn't just in church. Heaven was everywhere, in museums and in movies too. But those early images lodged into my subconscious weren't inclusive or realistic. Except for the 1936 Hollywood classic Green Pastures. I like the idea of heaven that is paradise imagined. It is low key, political, and I think we should conceptualize our notions of heaven, one that is secular and functional. As Belinda Carlisle sang in the 80s, heaven is a place on earth. Constructing one's celestial city, one's promised land, is empowering. It's a radical act that forces us to imagine our freedom. It's the place where our longings and sense of justice coalesce into a vision that we can work toward that is here right now. For example, if your vision of heaven doesn't include environmental waste, then we can fight today against companies polluting rivers and waterways. Or if your image of heaven is a planet where hate has no home and love permeates all of our interactions, then we can advocate for human connections. Over dinner recently, I inquired of friends what their yonder looks like. One said, it is a place where I know all the answers to the questions that have plagued me. Another said, all of my dogs are there. Today's poem critiques the damaging effect of canonical images of heaven and all its associative patriarchal symbolism while wishing for a mother's release out of fear and then to herself, voice clear as by Kimmy Alaby when my mom discovers heaven's just a noise festival, the God choir of all her loves, breathing unsnagged by asthma or Newport dragged lung the true song life makes untethered from a body tugged at last from the men who hold its reins. Will she blame her pastors like I did for Sunday portraits of pooled white gold? Will she miss the wooden flute of her body, Mourn the days corner propped cloaked in dust too pious to disturb a room's skin cells and stray hair with her sound snapped awake at the nightmare of a slip fringe the private note sung aloud or unburdened by hell? Will she excel and hear the bells? The Slowdown is a production of American Public Media in partnership with the Poetry Foundation. This project is also supported in part by the National Endowment for the Arts. On the web@arts.gov to get a poem delivered to you daily, go to slowdownshow.org and sign up for our newsletter and find us on Instagram at slowdownshow. When work gets crazy, I like to stop by the bar after have a few cold ones. I don't drink at all until 4:00. We limit ourselves to one bottle of wine a night.