Transcript
Annie Lamott (0:00)
I've said this in every book, but there was this priest, Father Dowling, who helped Bill Wilson get AA off the ground in 1935. He was not an alcoholic. And he said to Bill, sometimes I think that heaven is just a new pair of glasses. And so with people that are very resistant to any kind of higher power, a power greater than their own troubled, angry, controlling minds, I asked them to try to put on a new pair of glasses.
Father Jim Martin (0:32)
Welcome to the spiritual life. I'm Father Jim Martin. On this podcast, we reflect on how people experience God in their prayer and in their daily lives. And I'm joined by my. I always try to think of a good adjective. I was thinking insightful producer. How's that? Maggie Van Doren.
Maggie Van Doren (0:48)
Thanks, Jim. It's really good to be here. And I cannot believe that we are speaking with the great Annie Lamott.
Father Jim Martin (0:56)
Yeah, and I'm really curious about your own experience with Annie Lamott. We asked her at the beginning. She's Anne Lamott, but she goes by Annie, so that's what we're gonna call her in the interview. When did you first discover the writing of Annie Lamott?
Maggie Van Doren (1:09)
It was in undergrad when I was a doe eyed theology major. I think I was first introduced to her work Bird by Bird. Then later in div school, it was her book help. Thanks.
Annie Lamott (1:24)
Wow.
Maggie Van Doren (1:25)
But yeah, I just fell in love with her writing. It was candid, probing, insightful, funny and irreverent, which was something that I wasn't used to hearing at that time. I thought that in order to be a religious person you had to adopt a certain pious speak. And Annie wasn't performing any of that. She was authentically herself and spiritually seeking all the same.
Father Jim Martin (1:55)
Yeah. So honest. And that's what really appealed to me when I read. I think Traveling Mercies was the first book that I read. You know, sort of autobiographical. I like that kind of spirituality, narrative theology. And you're right, she's just. She brings that kind of poets and writers sensibility to the spiritual life, which not all spiritual writers have. I mean, we're not all perfect writers. And she's really a great writer, so that helps.
Maggie Van Doren (2:19)
I so appreciate her attention to language and wordplay. And she doesn't disappoint even in your conversation with her, Jim. She is just real clever and has these very original expressions that roll off the tip of the tongue. And I've been thinking a lot about how important that was to me as a fledgling writer poet, but also someone, as I mentioned, who struggled with some of the kind of Older language around the spiritual life. And you get to that in this conversation, just how there are different ways to describe God or to name God, and how that language can be really important for someone who, I don't know, finds themselves at odds with religion or hesitant or reluctant in some way that having a. A different perspective or different language really to try to articulate this reality, that it can create an opening where there wasn't one.
