In 1968, a group of Luton apprentices started creating a rock opera. Chris Stokes and his band Genesis (not that Genesis) conceived a concept album with baroque piano arrangements and experimental passages, then packed it away and got on with their day jobs. For over 50 years, this album and other material spanning a decade, existed only on deteriorating tape and acetates. Chris recorded with various lineups from the mid-1960s including The Mantis Set, Genesis, and Sunday Painter, mostly at home on a Revox tape machine; self-financed, largely improvised, never properly released. Then Dimorphodons from Hand of Glory Records bought a battered Hohner keyboard on eBay for £10, heard a sample track, and discovered a treasure trove of lost British psychedelia. Chris and Dimorphodons share highlights from this incredible archive, with the bulk of these tracks heard in public for the first time.

Further information

Podcasts also available: The British Psychedelic Sounds of 1967, A Kaleidoscope Of Sounds Psychedelic & Freakbeat Masterpieces, Arthur Brown, Hawkwind’s Days of the Underground, Pete Brown – Cream/Jack Bruce

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The post The Genesis That Time Forgot: Unearthed British Psychedelia appeared first on The Strange Brew .