After a decade of ideological conformity, is American theater ready to laugh at itself again?

This week Meghan is joined by Broadway star, comedian, and producer PJ Adzima, founder of Stage Time NYC and producer of Slam Frank—a mind-melting new musical that reimagines The Diary of Anne Frank through "an intersectional, multi-ethnic, genderqueer, Afro-Latin hip-hop lens." (You read that right.)

Slam Frank was conceived by composer and lyricist Andrew Fox, who was stunned and inspired by a Twitter thread in which someone asked, "Did Anne Frank ever examine her white privilege?" (You also read that right.) A play within a play about a progressive theater company twisting itself into knots trying to stay on the right side of history, the show has provoked both walkouts and rave reviews—including in The New York Times. (Again, you read that right.)

PJ and Meghan discuss the transformation of the theater world over the past decade, the legacy of The Book of Mormon (in which he starred for many years), the "Dear White American Theater" manifesto, and why he believes great art cannot be created by checking ideological boxes. They also talk about what happens when artists prioritize pleasing everyone over having a point of view—and why live performance still matters in an era dominated by algorithms and social media.

PJ was recently added as a guest at The Unspeakeasy's Small Gathering for Big Ideas retreat, Oct 19-21 in Kingston, NY. He joins fellow speakers John McWhorter and Lisa Marchiano. Spaces are filling fast. Info here.

Slam Frank opens off-Broadway at New York's Orpheum Theater in September.

Guest Bio:

PJ Adzima starred on Broadway in The Book of Mormon and is the founder of Stage Time, an underground-style variety theater company and artist collective in New York City. He is also producer of Slam Frank.

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