Transcript
Matt Abrahams (0:01)
Hi Matt here. I need to let you in on a secret. I am incredibly insecure about my written communication. I get nervous when I write important emails and articles. That's why I and the thinkfast Talk Smart team use Grammarly when we write Grammarly, helps us find just the right wording based on audience and context, and works across more than 500,000 apps and websites. You too can write better and get more done with Grammarly. Download Grammarly for free@Grammarly.com podcast that's Grammarly.com podcast good stories provide opportunities for both simulation and inspiration. I'm Matt Abrahams and I teach strategic communication at Stanford Graduate School of Business. Welcome to this bonus Quick Thinks episode of Think Fast Talk Smart, the podcast. During my recent interview with Dan Heath, he offered a masterclass in what makes for a great story by not only telling a great story, but helping me analyze it. Before we get started, I wanted to let you know that my first book, Speaking Up Without Freaking out, is now available as an audiobook on Spotify. The audiobook helps you manage symptoms and sources of anxiety, while also helping you handle blanking out, staying composed during Q and A, and so much more. Thousands of people have found value from the print version of Speaking Up Without Freaking Out. Now you can listen to it, check out Speaking Up Without Freaking out on Spotify, or go to Faster, Smarter IO. Speaking Up I want to come back.
Dan Heath (1:43)
To storytelling because one of the things that really impresses me in your work is not only do you talk about story and analyze story, but you're actually a really good storyteller. Can you give us a little insight into your process? For one, thinking about the stories that you tell in your books and when you speak on your podcast, but also the process about how to craft and deliver those stories because that's equally as powerful.
Paul Suet (2:07)
It is the heart of what I do and what takes the most time out of everything I work on as a writer. So maybe what I should do, let me just tell a story from the book and then talk a little bit about just gesticulate at it and tell tell what my intentions were in using it. So the very first story in Reset is about the receiving area at the Northwestern Memorial Hospital. So this is the part of the hospital that takes in packages, gets them delivered to their ultimate destination, and at the point when the story starts, it takes them an average of three days to get packages delivered within the hospital. UPS might get some medicine across the country in a day or two, and then to get the package from the basement to like the Third floor takes another three days. So it's just crazy, but it's been crazy as long as anyone can remember. It is something that everyone's adapted to. They're not dumb people. They're not lazy people. They have just always lived in a system where it takes three days to get these packages out. So this is expensive. They're having medications expire in the box. They're having people over order because they want to dodge this chaos of the receiving area. They have people trying to make side deals with FedEx drivers to come directly to the third floor and bypass the receiving area. So into this mess comes a new person named Paul Suet. And if we just freeze there for a second. So what is this story doing? Number one, just observe that there is nothing naturally compelling about this topic area, right? There's no sex, there is no violence. There are no celebrities. It is the most boring imaginable domain. And yet there are universal themes here that kind of get us on the hook. Like, these were the pariahs of the hospital. All of a sudden, implicitly, we're rooting for them. Right? And then this new guy comes in, and you wonder, what is he going to do? There's a detective story element. What is he going to do to untangle this mess?
