Transcript
A (0:00)
My dear flock, traffic during Christmas time is pretty bad in any year, but let me tell you, those Roman roads were bumper to bumper when Christmas was well invented. Now you're about to follow Mary and Joseph as they make their first Christmas commute. But before you do, I'd like to remind you that you can treat yourself to this week's bonus episode. This week, Helen Bond and I are delving into the reasons why the Nativity's myths and symbols have have stuck around for centuries despite not really happening at all. Like the donkey, the shepherds, and that Roman census. Consider these very potent plot devices. To listen to that bonus episode ad free Join this is History's holy family@patreon.com thisishistory in the meantime, Bethlehem beckons after this short break.
B (0:59)
Hi everyone, it's JVN from Getting Better with Jonathan Van Ness. This season we've been talking a lot about hope. Not the fluffy kind, but the grounded, gritty. We're actually doing something kind. One of the places I term for that is Americans United for Separation of Church and State. They're this quiet and mighty force that's been working to keep religion and government separate so all of us can live as ourselves and believe as we choose as long as we don't harm others. Church, state separation touches so many of the things we care about LGBTQI plus rights, marriage equality, reproductive freedom and abortion access. Americans United is out here being one of the vital voices of reason, fighting in the courts and in Congress and pushing back against Christian nationalist efforts to force everyone to live by one narrow set of beliefs. You can learn so much more about what AU does and how to support their work at AU.org gettingbetter your support, no matter the amount, helps to safeguard our freedoms. Americans United is fighting for freedom without favor and equality without exception. You can start a chapter in your hometown today. You can volunteer money or time. Get involved in your community. Learn more@au.org better think your lashes have hit their limit.
C (2:13)
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A (2:41)
Joseph the carpenter from Nazareth has a cold sweat running down the back of his neck. He knew the town would be busy. The Roman census ordered by the Emperor Augustus has caused chaos. Even so, this is crazy. He and his betrothed Mary arrived in Bethlehem a few hours ago. They've traveled nearly 100 miles to get here, mostly on foot through difficult terrain. With Mary heavily pregnant. They were hoping, well, expecting that when they got here there'd be somewhere to rest, clean up and prepare for the arrival of the baby. Which seems likely any time now, given that about nine months ago Mary was visited by an archangel and told that the child she's carrying is, direct quote, the Son of God. You might have thought the Almighty would have arranged for a suite at the Bethlehem Best Western. Apparently God works in mysterious ways. So here they are amid the hubbub of a town full of people who don't normally live there, and every place they ask is fully booked. Joseph approaches another guest house and waits for the owner to come down. But he knows what the answer is going to be and when the door opens, it's written all over the fella's face. Been full up all week, pal. Booked up next week too, and the one after that. The guest house owner is itching to shut the door in Joseph's face, but he moves closer, pleading, wondering if the my virgin wife got knocked up by like God and I was going to divorce her, but then an angel told me not to. Will get him any sympathy or just vibe psycho. Maybe he's better off leaning on his local connections. After all, this is his hometown. Before Joseph can decide exactly what his next slash last throw of the dice is going to be, Mary lets out a yell. He spins round. She has her hands on her knees, her face screwed up in pain. Jfc like literally the baby is coming. The guest house door clicks shut in desperation. Joseph looks around. There's nothing anywhere except an old stall with a manger for feeding animals. He puts his hands to his head. There's only one thing for it. It looks like the saviour of all mankind is going to be born in a stable. I'm Dan Jones and from Sony Music Entertainment. This is history. A nativity to die for. Episode two away in a manger. One of the horiest, scroogiest old complaints about Christmas is that the whole thing is basically made up. We've all got a mate who thinks this is a clever riff. You know that Santa Claus? Yeah, he was actually invented to sell people Coca Cola or Christmas Tree that was made up by Queen Victoria's husband who also invented the knob piercing. You might even have a super elite 10th dan, black belt clever clogspal who refuses to call Christmas Christmas at all, but refers to it as Saturnalia because that's what the Romans called it. This is likely also the same annoying friend who insists on referring to Halloween as Samhain. Well, guess what Rockstar? This premise is basically true. Christmas is indeed a rolling confection of ideas bolted together to create something incredibly weird. But the thing is, and here's the big historical point I want us to consider throughout this miniseries, the thing is that this is the most basic B point you can possibly make about Christmas. Noticing Christmas is a bran tub of different ideas and traditions isn't like seeing behind the curtain and revealing the modern day corruption of the original Christian message. It's been the absolute essence of the Nativity story ever since the get go. The sine qua non of the Season of Goodwill is that the whole thing is a non literal myth that's adaptable to circumstance. Compared to the Crucifixion, there is vanishingly little historical evidence for any of it happening. As we heard last time, even the alleged dates of the Roman census don't fit with the plausible timing of Christ's birth. The two scriptural accounts of the Nativity by the Gospel writers, Luke and Matthew, differ sharply from one another. They're designed to emphasize two scarcely compatible takes about who the real adult Jesus was and what he stood for, and the classic Nativity tableau of Mary and Joseph standing in the stable surrounded by ox, ass, camel and all the rest of them while the baby Jesus sleeps peacefully in a bed of straw. That only appears in art from the 4th century AD and was only invented as drama by the noted 13th century zoophile St. Francis of Assisi. Oh, and that donkey carrying the pregnant Mary into town. It's nowhere to be found in any gospel. It appears in another gospel that didn't make the final cut around the 2nd century AD. More on that in this week's bonus episode with Professor Helen Bond. Sign up@patreon.com thisishistory for more.
