Sexy TV is back

Summary

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Today, Explained (Vox) – "Sexy TV is Back" – January 18, 2026

Episode Overview

This episode of "Today, Explained" dives into the cultural phenomenon of "sexy TV" making a comeback, with a spotlight on the Canadian series Heated Rivalry, currently streaming on HBO Max. Hosted by JQ (Jon Glen Hill) with guest voices including Popsugar editor Emma Glassman Hughes, TV writer Michelle Gannon, and intimacy coordinator Chayla Hunter, the discussion uncovers why “spicy” shows like Heated Rivalry have captured the popular imagination, explores the broader concept of yearning in media and life, and examines how sex and intimacy are created, performed, and received on modern television.

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Key Discussion Points & Insights

1. The Obsession with “Heated Rivalry” and the Return of Sexy TV

• Main Premise: The show revolves around closeted queer professional hockey players balancing romance, secrecy, and lots of explicit, vulnerable, and frank depictions of sex.
• Impact: "The show Heated Rivalry has taken over my group chats, my scrolling, my brain. Maybe it's taken over yours too." (B, 02:02)
• Tone: Hosts and guests express both nostalgic and fresh excitement for romance-driven, sensual television.

2. Why Now? The Cultural Moment of Yearning

• Universal Yearning: Emma Glassman Hughes discusses how Heated Rivalry taps into a widespread desire or “yearning”—for romance, hope, and connection—even beyond the screen.
• Social Examples: TikTok’s trending “1,000 rejections” challenge (putting oneself out there and embracing vulnerability) and a yearning for better political options (e.g., the momdani campaign) reflect a need for hope and risk-taking during challenging times.
• Quote: "I think yearning could be seen as sort of a distraction from that. But I actually think it's sort of a grounding force… like yearning is really located in the body and it's this like, deeply bodily, like, human experience to despair over, like, not having what you want and to feel the pain of being like, so close yet so far." (C, 06:09)
• The All-Consuming Crush: There's a collective nostalgia for “simpler” teenage crushes—a longing for feelings that take over your entire world (C, 07:16).

3. Who Gets to Yearn? Gender, Queerness, and Representation

• Queer Yearning Center Stage: The fact that Heated Rivalry is about queer men is significant. Typically, women are portrayed as the objects of yearning and not the actors of it.
• Desire for More: Emma notes, "I think there is a difference between the sort of passive wishing and the real like gut level yearning. The latter is what I want to see more of from women and queer people this year. Not just like wistful stuff, but like the tornadoes and the storms and the like shattered glass of it all." (C, 09:18)

4. The Evolution of Sex on Television

• From Tame to Explicit: Michelle Gannon draws a timeline from the “sneak and watch HBO” era through to today’s streaming landscape where explicit sex is abundant and censorship has shifted from broadcast to streaming platforms.
• Historic Shifts: Early sex on TV had shock value (e.g., Sex and the City), while today’s shows like Heated Rivalry and Sex Life push boundaries further—often tied to increased creative freedom and less censorship.
• Changing Tastes: Audiences, especially younger viewers, have mixed feelings; some research notes that “a lot of young people say they aren't interested in seeing sex in movies and TV, and yet there's all this explicit sex on TV.” (B, 17:07)
• Quote: "Sex and intimacy can be a place of discovery that is isolated... I think in terms of building really compelling characters, those scenes can be really pivotal and important. And that's how it is in Heated Rivalry and in some of the best shows that I've watched." (A, 17:37)

5. Joy and Escapism in Queer Romance

• Heated Rivalry stands out because it defies the usual tragedy narrative for queer characters; instead, it indulges in joy, hope, and escapism.
• Straight Audiences Welcome: The importance of broad appeal—especially among straight women—helps queer-centered shows succeed. “I think the show wouldn't be successful without its straight women audience. So I thank them. I'm like, thank you. I get more of this.” (A, 21:49)

6. Anatomy of Onscreen Sex: The Role of the Intimacy Coordinator

• Chayla Hunter’s Perspective: As the intimacy coordinator for Heated Rivalry, Chayla describes her role as ensuring all intimate acts are fully consented and choreographed with performers’ boundaries respected.
• Quote: “My main priority is to ensure that any intimacy, nudity or hyper exposure… the way that that action plays out is being fully consented to by anyone who's participating in it.” (D, 25:22)
• Process: “We always have like a private rehearsal and blocking before we actually film any simulated sex or nudity or anything like that.” (D, 29:01)
• Craft of Choreography: Chayla explains the details behind creating the show's long sex scenes, emphasizing that everything is meticulously scripted and practiced to make the performances feel natural and ensure everyone is comfortable.
• Why Include Sex?: “Sex is a part of the human experience. And as long as it feels relevant to the story, then it belongs there.” (D, 30:13)

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Notable Quotes & Memorable Moments

• "There's not a moment that I'm awake that I'm not thinking about the gay hockey show." (A, 02:10)
• “Yearning can provide this sort of like, masochistic joy... We all need more joy in our lives right now.” (C, 06:09)
• “I think there is a difference between the sort of passive wishing and the real like gut level yearning. The latter is what I want to see more of from women and queer people this year. Not just like wistful stuff, but like the tornadoes and the storms and the like shattered glass of it all.” (C, 09:18)
• “When I see a love story, it involves marginalized people. I'm like, oh God, when is the hate crime coming? When is the bad thing happening? When is the... and it doesn't. And that's admittedly really nice.” (B, 21:11)
• “I think that says a lot also about queer media and marginalized stories. It's like, we are, like you said, you. You brace for that impact of, like, the hate crime or the horrible thing that's about to happen. So I think it was nice to take a break from it.” (A, 21:49)
• “The sex in the story for these characters is such a huge part of their relationship, and it's so important to the narrative, and it moves the narrative forward.” (D, 27:38)

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Important Timestamps

• 02:10 – Obsession with “Heated Rivalry”, why the show resonates
• 03:19 – 06:04 – Yearning as a cultural force, both romantic and otherwise
• 09:18 – Gender and yearning; the need for more depictions of active yearning in women and queer people
• 13:38 – 18:45 – The evolution of sex on TV, from broadcast taboos to streaming freedoms
• 21:11 – The relief and novelty of queer joy and happy endings
• 23:43 – 27:38 – Chayla Hunter discusses intimacy coordination, consent, and choreography
• 29:58 – The value of showing sex and intimacy on TV

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Concluding Thoughts

Heated Rivalry’s success is both a barometer and an engine for changing attitudes toward sex, yearning, and representation on TV. The show’s explicitness, vulnerability, and joyful queer romance are embraced because they reflect a deep longing for connection—across identities—and a hunger for narratives that offer both escape and authenticity. The thoughtful work behind intimate scenes, including the growing role of intimacy coordinators, signals that the modern era of “sexy TV” isn’t just about titillation, but about telling fuller, richer human stories.

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Transcript

[A]

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[A]

I have a huge problem, which is that I can't stop thinking and talking about heated Rivalries.

[B]

Anyone who's ever had a really intense crush knows that it also feels really painful.

[A]

I promise you're not going crazy, you're just being emotionally and existentially impacted by a brilliant story.

[B]

There's really only one thing I can think about right now.

[A]

Will you come to my cottage this summer? Don't go to Russia. We'll have so much fun. It's so private. No one will know. No wonder you know we can't do that.

[B]

The show Heated Rivalry has taken over my group chats, my scrolling, my brain. Maybe it's taken over yours too.

[A]

There's not a moment that I'm awake that I'm not thinking about the gay hockey show.

[B]

My Heated Rivalry. Thought of the day. Release me. For those who have not watched, here's the Quick and Dirty Heated Rivalry is a Canadian series on HBO Max created by Jacob Tierney, based on the best selling books by Rachel Reed, and it follows queer, closeted professional ice hockey players as they try to keep their romance under wraps. There's also a lot of sex. Like so much sex, this is your.

[A]

First time with a man. You no.

[B]

And even though the nudity has everyone talking, it's also really sweet and sad and vulnerable and brave.

[A]

It's given me so much hope. It's reawakened my sense of yearning. It's reminded me that I can take charge and change the direction of my Life. And that's kind of been the intention that I set for 2026. And I have this show to thank.

[B]

I'm Jacqueline H. This is. Explain it to me from vox. And today we're going to find out why the Gay Hockey show has captured everyone's attention. Keep in mind, the show is what people nowadays refer to as spicy. So you may want to put your headphones on for this one. To start things off, I called up another super fan.

[C]

My name is Emma Glassman Hughes. I'm a writer and reporter, and I'm an editor at Popsugar.

[B]

Emma doesn't think Heated Rivalry is an anomaly. She says the show is successful because it taps into a universal experience. Yearning.

[C]

We're deep in a yearning moment. I think the people are yearning every which way. I think in a more classic sense. Like, we've seen the success of Heated Rivalry.

[A]

Ilya Rosenoff. Shane Hollander. I wanted to introduce myself.

[C]

The summer had turned pretty.

[A]

I'm pissed about last summer. We hooked up, and then you hooked up with my brother, and then everyone expected me to act like I was fine.

[C]

Those have blown up and really are good examples of how everyone is just excited right now about the burn of, like, a true crush.

[B]

Yeah, you know, it's interesting. I have loved watching Heated Rivalry. I may have even done some rewatching. I feel like it's awakened feelings in me that I have not felt since the theatrical release of youf Got Served, back when I was like, a B2K Stan before we were using the term Stan in that way. Are you seeing this yearning anywhere else? Like, even beyond TV and movies?

[C]

Yeah. I think of yearning in a pretty broad sense around the momdani campaign in New York.

[A]

Hope is alive.

[C]

My feeds were full of energy and enthusiasm and, like, true, like, yearning and aching for a better future, for some new options. I've also seen this, like, New Year's resolution trend on TikTok, where people are aiming to receive a thousand rejections in 2026.

[B]

My name's Liv, and I'm on the.

[C]

Road to 1000 rejections.

[D]

Okay.

[C]

So I made a post yesterday that my resolution for 2026 is to get 1,000 rejections.

[B]

This year, I am attempting to get.

[C]

Rejected as many times as I can. And that means, like, putting yourself out there at least a thousand times and proving to yourself that you're willing to try and be vulnerable and face the prospect of failure. And to me, that's big yearner energy. And obviously, like, along the way, in between the thousand rejections, you're bound to get some yeses, whether that's romantic partners or jobs or like community organizing or whatever it is that you're chasing.

[B]

I think that's so interesting to think of yearning beyond just the romantic.

[A]

Yeah.

[C]

You know, if we look around, like, it's really hard to exist in the world right now and we're being inundated with distressing news event after news event, and I think yearning could be seen as sort of a distraction from that. But I actually think it's sort of a grounding force. Almost like yearning is really located in the body and it's this like, deeply bodily, like, human experience to despair over, like, not having what you want and to feel the pain of being like, so close yet so far. We're all familiar with the concept of exquisite pain. And I think yearning can provide this sort of like, masochistic joy too. And like, we all need more joy in our lives right now.

[B]

Yeah. It's interesting that you say that. Like, you know, life is not easy right now. And crushes are fun, but they can be excruciating. But it's also like, oh, gosh, this is kind of great. I don't know, it's hard to describe, like, how it's both painful and enjoyable.

[C]

Yeah, I think, like, when I think of yearning too, it's like the phrase that comes up is all consuming and I think, you know, like, going back to like, romance factor. Like, I'm in a long term relationship right now, so it's like kind of been a long time since I've had, like a true crush. But I actually really miss that. I miss that feeling. I would love to have that feeling again. I think it's like, I talk about this with my friends too. Like, there's sort of a nostalgic quality to like some person sort of taking over your entire world, you know, for however long. And it's kind of like a simpler time when you're 13 and like, that's all that you can. That's all you can think about. And nothing really matters beyond that.

[B]

So if I open up my phone right now, I will probably see several text messages about heated rivalry. It's everywhere. Saw my boys at the Golden Globes.

[A]

You think everyone in the audience has seen heated rivalry? That's a maybe. But their trainers have and their moms have. Their daughters have. Hi, moms. Hi, daughters.

[B]

So many edits. The edits again. It makes me feel like a kid again.

[C]

It's definitely a huge topic of conversation on the Popsugar team, but I'm queer and all of my, like queer female friends are very taken with this show and like very drawn to these more vulnerable depictions of masculinity that we don't really get to see very much of.

[B]

I want to talk about who yearns. You know, heated rivalry is special because it's about queer men. It's like yearning, typically something that's seen as something only women do. Like who yearns.

[C]

I argue in my essay that women are frequently the objects of yearning, but we see fewer depictions of female yearning out there. I think we see a lot of depictions of women kind of passively wishing or hoping for something, but to me that's not true yearning. I've been thinking about this a lot since Popsugar posted about the essay on our Instagram. Someone actually commented something that has stuck with me. They were saying that, you know, we're always seeing depictions of women who want and never receive. And that really made me think like, I think there is a difference between the sort of passive wishing and the real like gut level yearning. The latter is what I want to see more of from women and queer people this year. Not just like wistful stuff, but like the tornadoes and the storms and the like shattered glass of it all.

[B]

I love that the shattered glass of it all. Heated rivalry is all about the shattered glass. Up next, how TV got here. Support for this show comes from Quince New Year, new you. Well, that's a pretty tall order. New year new wardrobe might be all you need for a fresh start. For that, you can check out quints from soft Mongolian cashmere sweaters that feel like designer pieces without the markup to 100% silk tops and skirts for easy dressing up to perfectly cut denim for every day of the year. Quint makes quality wardrobe staples that are stylish and affordable. Our own Andrew Melniszyk has gotten some.

[A]

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[B]

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[A]

I'm the author of the appointment viewing column in the Cut and I write for a few different publications.

[B]

Okay, so in our first segment we talked about yearning, but I want to shift gears about what comes next and that's the consummation of that yearning. Okay? And not to age myself, but I grew up during a time where it's like, oh, my par are in bed. Let's sneak and watch HBO or like Showtime or even, you know, Cinemax.

[A]

Next.

[B]

When a beautiful model turns up missing her twin brother sets out to find.

[A]

Her, there's trouble abroad in nothing Underneath. Next on Cinemax.

[B]

This was the late 90s, early 2000s, and you'd have a good chance of seeing someone naked.

[A]

I mean, growing up, I think I'd Google like Queer As Folk sex scene or kissing scene. You wanted to see me? I decided you should take me back.

[B]

Oh.

[A]

Even though I have made a few mistakes, I think you'd be making an even bigger one. Not to give me a second chance, but those scenes were always very tame. Like you didn't see that much at the time. Now, like on streaming platforms like Netflix, you can find family programming as well as Full frontal nudity on a show like Sex Life.

[D]

I'm tied between sleepy and horny all day long.

[A]

Why am I just hearing about this now? And I mean, historically that comes from, you know, FCC censorship for what was on broadcast, and that being intertwined with advertising. And so for many, many decades, pre streaming, there just wasn't a lot of nudity. And broadcast TV today still has some of those guardrails. I remember seeing an interview, I think it was related to Pretty Little Liars about their sex scenes. You know, that was a show that it was very clear the characters are having sex, but you cannot be thrusting during a sex scene. Maybe this isn't such a good idea.

[D]

I think we spend entirely too much.

[C]

Time thinking, don't you think?

[A]

Yeah, if you watch those sex scenes, the characters are kind of just like not moving or just like, you know, the focus is on their kissing. So I think broadcast is still tied to some of those censorship rules. But when you look at streaming and everything, sort of hbo, premium cable, the shows that were on late at night, those, those are the shows with, with the sex and the, the nudity.

[B]

Yeah. How have we seen sex and intimacy on TV change over the last several decades?

[A]

You know, these early shows, it was really like the shock value of going on HBO and seeing nude bodies. Like, I think that was sort of the, the watershed moment, I guess, for nudity on tv. And, you know, a show like Sex and the City represented sex in so many different ways. I think this pre premium cable, to post premium cable is, is really the, the big shift. But I think more recently, especially in light of like, niche programming and all these different streamers popping up, it's become sort of ubiquitous. And I think a backlash has sort of come with that in terms of some generations perhaps not wanting or desiring, you know, sex on their shows. So it's interesting to see how it's shifted.

[B]

Yeah, I've seen research that a lot of young people say they aren't interested in seeing sex in movies and tv, and yet there's all this explicit sex on tv. So what do you think audiences want right now?

[A]

I think it's been really interesting to see what shows audiences have really grabbed onto recently. I mean, I remember when Fellow Travelers premiered on Showtime. Who do you belong to?

[B]

You.

[A]

That was two years ago. Folks were really shocked by some of the gay sex on that show. I mean, it was super explicit, but it didn't, it didn't, I think, break out in a huge way amongst like a mainstream audience because it was, I think, A very tragic story, as a lot of queer stories can be. Whereas as I'm sure we'll talk about, Heated Rivalry has really grabbed onto an audience that I think is looking for joy and escape. And there's just a lot going on on a day to day basis, you know, in our neighborhoods worldwide, on the news. And I think that sex and intimacy can be a place of like discovery that is isolated from that. And I think in terms of building really compelling characters, those scenes can be really pivotal and important. And that's how it is in Heated Rivalry and in some of the best shows that I've watched.

[B]

Yeah, I mean it's so interesting because I think of Bridgerton too. And when it first came out everyone was like, oh my gosh, these scenes are so steamy. What is going on?

[A]

I burn for you. Yeah. And isn't it funny to kind of look back on those shows in the context of what you've watched most recently and be like, oh, maybe those scenes weren't actually that steamy. Like they just seem so at the time. I think, I think that about some, some shows. Although I, you know, I've gone back and rewatched like sex scenes from Sex and the City. I thought like, there's an episode where Samantha loses her orgasm because her friend is lost, her mother and she couldn't kind of reconcile her friend's grief. When I RSVP to a party, I make it my business to come. And so she like has sex in all these different ways to try and get to the bottom of where her orgasm went. And it's like just sex positions I've still not seen on tv.

[B]

Over here on the Explain it to Me team. We're like kind of obsessed with Heated Rivalry and he wrote a piece for the cut called Help. I'm obsessed with gay hockey smut. So I feel like you are one of us. What do you make of its success?

[A]

I mean, I think it's just so easy to get sucked into this world. And I don't know if you got around to reading the books, but the books are very, very smutty.

[B]

Like, oh, interesting. Yeah.

[A]

You're like, I'm going to be reading that.

[B]

Well, maybe I should hit up my local library.

[A]

Yeah. Once they get to the cottage on the show, there are like six 15 page sex scenes that happen in that setting alone. Like what? That is a huge part of the book. And so when I saw the show I was like, oh my gosh, this is actually quite tame compared to what was in the book. And I opened my piece in the cut writing about this thing that kept coming up in the book, this hyper fixation around the slit. And I don't know if you can put two together when I say that, but the slit is mentioned one too many times in this book to the point where I texted my friend and I was like, is this a real thing? Am I missing out on some part of the gay experience by not having focused on the slit, My friend and I sort of concluded it may have been because a woman was writing this material. Perhaps.

[B]

One thing I do wonder, because, you know, I'm a straight lady and I enjoy the series a lot. Like, I love, love. I love the story. Like, it's just really nice to see. I think there was also a moment and maybe this is too spoilery, but I think whenever I see a love story, it involves marginalized people. I'm like, oh, God, when is the hate crime coming? When is the bad thing happening? When is the. And it doesn't. And that's admittedly really nice. But what is it like? I. I wonder, like, how it feels that so many straight women are like, and I love this too. Like, is that strange or weird at all? Or is it like, okay, I think.

[A]

It'S just a nice break from what we're so used to seeing. And I think that says a lot also about queer media and marginalized stories. It's like, we are, like you said, you. You brace for that impact of, like, the hate crime or the horrible thing that's about to happen. So I think it was nice to take a break from it. And I think the show wouldn't be successful without its straight women audience. So I thank them. I'm like, thank you. I get more of this. I think if this group of straight women who love heated rivalry start watching more queer media across genres, I think I would be very happy to see that.

[B]

Coming up, the anatomy of a sex scene.

[A]

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[B]

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[A]

Oh no, we're just friends. Platonic travel companions. Comes your next favorite rom com. Who wants to go skinny dipping?

[D]

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[C]

Alex, I love it when you get weird.

[A]

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[D]

This is.

[B]

Explain it to me. I'm JQ.

[D]

Hi, I'm Chayla Hunter and I'm an intimacy coordinator.

[B]

Chayla's not just an intimacy coordinator. She is the intimacy coordinator.

[D]

Yes, that's correct. For heated rivalry.

[B]

So I feel like I have to acknowledge that your work has been the topic of discussion in my group chats for going on weeks now. Why do you think the audience has responded so passionately to heated rivalry?

[D]

Yeah, I think this show is very joyful. Like even though of course these characters all struggle with different things, you know, within society and their families and whatever, that ultimately the show is celebrating like queer love, queer joy, queer sex. Like that type of like positivity, I think within a narrative is so contagious and alluring and attractive. Like it's this kind of like magnetic, romantic, embodied, sensual, sexual, but also like personal and emotional connection with another person I think is like the romantic relationship or connection that a ton, if not all people desire, you know, in their life. And so to see it fulfilled in such a like visceral and complex way. Yeah, I think people are really attracted to that because we all kind of like crave that on some level, you.

[B]

Know, for people who didn't know that your job exists. What does an intimacy coordinator do?

[D]

Yeah, my main priority is to ensure that any intimacy, nudity or hyper exposure, anything that can kind of fall under the umbrella or rainbow of intimacy, which can include a lot of different things, to ensure that any of that content within a narrative, the way that that action plays out is being fully consented to by anyone who's participating in it. And that additionally that then the rest of the team the knows what has been consented to and what the actor's boundaries and consent levels are so that the job gets done and the story gets told in a way that's also honoring everyone's boundaries.

[B]

How do you get started in that line of work and how do you train for it?

[D]

I was an actor for a long time and still am. I did a ton of intimacy in my career. Like I did a ton of intimacy and a good amount of nudity as a performer. And, and I would say somewhere around when the role started to emerge and then gain popularity. I had people in my community reach out to ask me if I would be the intimacy coordinator on a project that they were doing. And so I did that for a web series for a friend of mine and did a bunch of research, you know, and tried to come as prepared as possible. But after I did that project, I went and did all this training with intimacy directors and coordinators who are based out of New York. And so I guess after that moment, I became interested in it, I guess because I'd had a lot of experiences, to be honest, where I didn't have an intimacy coordinator.

[B]

I wonder, how does your experience performing intimacy, how has that shaped the way you stepped into this role?

[D]

I think it shapes it a great deal in that I am able to go into the perspective of the actor. I have an awareness around what their process is. So I would say my approach to intimacy coordinating is super actor centric.

[A]

Yeah.

[B]

I want to get more into heated rivalry. What were your thoughts when you first.

[D]

Of course you do.

[B]

I mean, I always want to get more into heated rivalry. What were your thoughts when you read the first sex scene?

[D]

I was so astonished, to be honest, by all the scripts. They're so beautifully written. They're so exacting and hilarious and heartbreaking. And I think when I read the first sex scene, simulated sex scene, I was like, oh, this is so specific. Like, I could picture exactly what was happening. It's all laid out really, really specifically in the script. So, like, the sex in the story for these characters is such a huge part of their relationship, and it's so important to the narrative, and it moves the narrative forward. So, yeah, I actually just felt like it was so specific and kind of, like, jumped off the page. And of course, I was like, oh, wow, there's a lot of simulated sex in this story. But I understood why, and I actually just felt really, like, thrilled by the, like, boldness and originality of the writing.

[B]

There's a scene in episode one that takes place in a hotel where the main characters, Shane and Ilya, are hooking up for the first time.

[A]

And you make me curious. Do I make you curious? Obviously.

[B]

I think it's also the longest sex scene in the show. It might be somewhere between, like, seven and nine minutes.

[D]

Yeah.

[B]

Can you walk us through the process of choreographing that scene? Like, how did you do that?

[D]

I mean, we had a full day of rehearsals with the cast and myself, which was just wonderful. But it makes such a massive difference when the actors can, like, get the motions in their body. Before the day where there's like a thousand lights and all these people behind them. You know, we always have like a private rehearsal and blocking before we actually film any simulated sex or nudity or anything like that. But just I think that rehearsal was so helpful. And then on the day, that was certainly a scene where there's like all of the actions, the tiny little details, a ton of them that you're seeing play out were scripted. And so a big part of that was just honestly making sure we had the order of things correct and that then it was able to feel intuitive for them. So, yeah, there was a lot of that, me being like, actually it's this first and then this and then this and then you go to your knees, that type of thing.

[B]

You know, I, I see this larger conversation happening about sex being portrayed on TV and, you know, if it even needs to happen. What do you think that it adds to a story?

[D]

Yeah, I guess it would depend on, honestly on the content of the show. Like, there's still lots of ways to portray it. There's lots of different artistic approaches to how you're gonna show simulated sex or intimacy between characters. But I guess I would say that I feel like sex is a part of the human experience. And as long as it feels relevant to the story, then it belongs there.

[B]

That's it for this week. And if you're in need of another romance TV fix full of yearning. Bridgerton's coming back at the end of the month. Coming up soon on this show, we're working on an episode about online regret. Is there something you posted that you look back on and cringe? Tell us about it. Call 1-800-618-8545 or email askvox.com if you like this or other Vox podcasts, you can support us by becoming a Vox member. And it's not just a one way street. You get perks like ad free versions of this and all other Vox shows. This episode was produced by Kelly Wessinger. It was edited by Ginny Lawton in Avishai Artsy Fact checked by Melissa Hirsch and engineered by Brandon McFarland. Our executive producer is Miranda Kennedy and I'm your host, Jon Glen Hill. Thank you so much for listening. I'll talk to you soon. Bye.

[D]

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[B]

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