← Tony Mantor's : Almost Live..... Nashville
Tony Mantor's : Almost Live..... Nashville
Alison Limerick: Her musical journey and the evolution of her hit song, "Where Love Lives" to her 2026 tour
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- [00:00]
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- [01:01]
Reggie
Reggie, I just sold my car online.
- [01:03]
Grandpa
Let's go, grandpa. Wait, you did?
- [01:05]
Reggie
Yep, on Carvana. Just put in the license plate, answered a few questions, got an offer in minutes. Easier than setting up that new digital picture frame.
- [01:13]
Grandpa
You don't say.
- [01:14]
Reggie
Yeah, they're even picking it up tomorrow. Talk about fast.
- [01:18]
Grandpa
Wow. Way to go. So, about that picture frame.
- [01:21]
Reggie
Ah, forget about it. Until Carvana makes one, I'm not interested.
- [01:25]
Lysol/Carvana/Grainger Advertiser
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- [01:44]
Tony Mantour
My career in the entertainment industry has enabled me to work with a diverse range of talent. Through my years of experience, I've recognized two essential aspects. Industry professionals, whether famous stars or behind the scenes staff, have fascinating stories to tell. Secondly, audiences are eager to listen to these stories which offer a glimpse into their lives and the evolution of their life stories. This podcast aims to share these narratives, providing information on how they evolved into their chosen career. We will delve into their journey to stardom, discuss their struggles and successes, and hear from people who help them achieve their goals. Get ready for intriguing behind the scenes stories and insights into the fascinating world of entertainment. Hi, I'm Tony Mantour. Welcome to Almost Live Nashville. Joining us today is Alison Limerick. She is a celebrated UK based singer songwriter whose powerful soulful voice has defined generations of dance and house music. Born in London and trained at the London School of Contemporary Dance, she began her career blending performance art with music from West End musicals to Backing vocals for icons like the Style Council, she exploded on the global scene in the early 1990s with her timeless club anthem Where Love Lives, a soaring house classic that topped US Dance charts multiple times and remains a staple in clubs worldwide. Follow up hits like make it on My Own cemented her status as a dance diva, earning her the Best Female Artist award at the 1992 DMC Awards. With a career spanning decades, Allison has collaborated with legends such as Frankie Knuckles, David Morales, and Brooklyn Funk Essentials while continuing to perform live at festivals, orchestral house events and venues across the globe. Her enduring legacy lies in tracks that uplift, empower, and keep the dance floor alive. She has so much to share about the stories behind her iconic songs and her exciting plans for her future. So before we dive into our episode, we'll be back with an untapped, uninterrupted show right after a word from our sponsors.
- [04:04]
Reggie
Reggie, I just sold my car online.
- [04:06]
Grandpa
Let's go, Grandpa. Wait, you did?
- [04:08]
Reggie
Yep. On Carvana. Just put in the license plate, answered a few questions, got an offer in minutes. Easier than setting up that new digital picture frame.
- [04:16]
Grandpa
You don't say.
- [04:17]
Reggie
Yeah, they're even picking it up tomorrow. Talk about fast.
- [04:20]
Grandpa
Wow. Way to go. So about that picture frame.
- [04:24]
Reggie
Ah, forget about it. Until Carvana makes one, I'm not interested.
- [04:28]
Lysol/Carvana/Grainger Advertiser
Car selling made easy on Carvana. Pickup fees may apply.
- [04:33]
Grainger Advertiser/Podcast Host
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Tony Mantour
Thanks for joining us today.
- [05:04]
Alison Limerick
Pleasure, pleasure. Absolute pleasure.
- [05:06]
Tony Mantour
Yes. Great to have you here. In your early years in the 90s, you performed in pubs and bars in London. Could you tell us a bit about the history of what led you there and what got you started?
- [05:16]
Alison Limerick
Well, yeah, even before the 90s because the 90s all kind of kicked off with the single. But prior to that I had been a singer for hire. I'd done sessions. I've been in a couple of bands that tried to get a deal and just get bands that gigged. I did two West End musicals, one out of town musical, one regional musical. Yeah, I was busy. Reasonably busy.
- [05:40]
Tony Mantour
Yeah, yeah, that's great. Whether we get a deal or not, all we want is to do what we love to do.
- [05:46]
Alison Limerick
Exactly. I've been so lucky in that I've just been able to keep doing what I love to do. Yeah, yeah. Since the. I guess the mid-80s. Yeah.
- [05:55]
Tony Mantour
So in the 90s, you were doing musicals, you were doing bars, pubs. That's kind of what springboarded your career, I understand.
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Alison Limerick
So I was in a. I was actually doing a weird kind of fashion show where the designers didn't want to use models, but they wanted to use performers of. So we had jugglers, we had dancers, we had singers. And Lattice Cronland, who wrote Where Love Lives, he saw me singing God Bless the Child of All Songs and said, I want to work with that voice. Kind of hit me up after the show finished, said, and I'm a producer. I'd love to work with you. Do you fancy doing it? And I was like, yeah, why not? And that was about two years before he wrote Where Love Lives. So we did. I think we did maybe three songs. The first time I worked with him because he lives in Sweden. And then he came back and said, I've got some more songs. And I think we did two more songs, and one of them was Where Love Lives. And then he kind of went off to do whatever he was going to do. And I was at that point in a West End musical, and I got a phone call from Arista Record saying, we want to sign your record. I was like, I'm sorry, what record? What is this? What is this? Slightly startled and surprised because it had been months since I'd seen Latti, and meanwhile he'd been working really hard to get it onto a table in front of an A and R guy. And Chris Cook at Arista had heard it, loved it, and decided immediately that he wanted to sign it. I think he had a bit of encouragement. Cause I think he'd taken the demo of it to America. And Frank, Frankie Knuckles had heard it and had said, yeah, I'll remix that. That sounds great. So he came back like, we need to get the paperwork done and get it all signed off. And so that's what happened. It took a lot of time, actually. So by the time I finished my cause, I was signed to Starlight Express. That was my last musical for a year. So by the time it finished, about a month later, Where Love Lives was ready to be promoted. So I went straight from a West End musical to singing in clubs and, you know, dance weekenders up and down the country.
- [07:57]
Tony Mantour
Yeah, that's a great start. Now, was this song released in 92,
- [08:01]
Alison Limerick
if I remember correctly, it was released. So we made it in 90. Got its first proper release in 91.
- [08:10]
Tony Mantour
Okay.
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Alison Limerick
Yeah. And then I think 92 the album came out. I think it was 92 the first album came out. This is so long ago.
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Tony Mantour
I know, I know. I've been here in Nashville for 30 years now, and I have to think from time to time what I was doing back in 1992.
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Alison Limerick
Yeah, exactly.
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Tony Mantour
But that year was a good year for you too. If I remember correctly, you was up for best female artist for the DMC Awards.
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Alison Limerick
Yeah, yeah. That was lovely. That was an award show. I think that one was at the Out. Royal Albert Hall. So it's a huge venue.
- [08:43]
Tony Mantour
Yeah.
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Alison Limerick
And they didn't tell me I'd won.
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Tony Mantour
Oh, wow. Okay.
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Alison Limerick
Cause they said, you're just gonna do it. You're just gonna sing at the award show. And I'm like, oh, yeah, not a problem. And then I came out expecting to sing, me and my two dancers. And then I got dragged off to the side and said, you've won this. And I was like, oh. So then I had to sing and my brain was just gone. So I don't know how I got through the song. Yeah. So, yeah, I won the best female something or other at the dmc. I think we were up for a mobo that year as well, which I didn't win. Very sad. But I got to go to the awards, which is fabulous.
- [09:18]
Tony Mantour
Yeah, yeah, yeah. So from there, you just kept putting out new material one after another and just kept building your career. Then you kept recording, and I think it was with your fourth album that you hit top five and you hit gold again with Put your faith in me.
- [09:34]
Alison Limerick
Oh, yeah. Put your faith in me. Yeah, that was. That came off the fourth album that was on a tiny little label. So we. We were really pleased that he got any attention at all. Yeah, yeah. That was a track that was written for me by the Visnadi brothers.
- [09:46]
Tony Mantour
Okay.
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Alison Limerick
So they. They did a really CR job on that. Yeah. Put your faith in me was lovely. That was a lovely album. That spirit rising and spirit rising that I'm re releasing now because it's got some cracking songs on it that people don't really know that I've done.
- [10:01]
Tony Mantour
Yeah, that's always cool when someone hears something new and they don't realize it's you. Now with everything that you've done, what stands out that you really like to
- [10:10]
Alison Limerick
do the most, the first and always the first and last, is that I love to perform and I will Be performing until my last breath, probably. So I. So having the single has just. It's enabled me to keep working live. I love working live. Yes. I like recording. I love working with. With musicians in the studio, when you can be very focused on getting exactly the right sound that you want.
- [10:35]
Tony Mantour
Sure.
- [10:36]
Alison Limerick
At the end of the day, it's all as a. As a means to an end. And that is. I am a performer. I've been on a stage since I was 15.
- [10:45]
Tony Mantour
Yeah.
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Alison Limerick
In one form or another, whether as a dancer or as a singer. And I've just. I've just. I have been so lucky that I've just been able to just continue to do that. Yeah. So it's going to be a busy next year as well, because we're going to be doing lots of live.
- [11:01]
Tony Mantour
Yeah. That's awesome. Now I understand this year Where Love Lies has kind of resurrected itself because of an advert that's come out with a large company there in the uk.
- [11:11]
Alison Limerick
Yes, here in the uk there are some big institutions that every year they drop their Christmas advert into the marketplace. John Lewis is one of those. It's a very traditional kind of department store. It has doors in different parts of the country. It also has its own kind of affiliated food grocery store as well. And every year they have the Christmas advert. And sometimes they are amazing, sometimes they're emotional, sometimes they're funny. But everybody knows about the John Lewis advert. And this year, why, I don't know. But they chose my first single with Arista to be the song that gets played on their ad.
- [11:54]
Tony Mantour
Nice.
- [11:55]
Alison Limerick
So it's just been all over the tv, people have been talking about it. Yeah, it's astonishing. So it's reaching a really. A huge wider audience than it ever has before.
- [12:05]
Tony Mantour
Yeah, that's great. And isn't it really cool when you go through your life, you go through your career, you create your own following, you know what to expect from them, then all of a sudden you get a new group of people that are exposed to your music.
- [12:22]
Alison Limerick
Yeah. It's amazing to me, I mean, considering that the song is 35 years old.
- [12:27]
Tony Mantour
Yeah.
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Alison Limerick
It was re released in 96 and in fact, in the UK it charted higher in 96 than it did when it came out in 91.
- [12:36]
Tony Mantour
Wow.
- [12:38]
Alison Limerick
So it's had. It's had a second bite of the cherry. But I thought. But that came kind of through normal channels. It was re released. There were some remixes on it, it got played in the clubs and then it got played on radio. Great. Mar did some TV Fabulous. But this is a whole other realm of exposure.
- [12:54]
Tony Mantour
Yeah.
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Alison Limerick
And that everybody seems to know the song and it's a kind of cross generational thing. Cause people are looking at the advert and seeing themselves and their children in it, or they're people that grew up listening to my song in the 90s, have children and they're resonating with what they're seeing on the advert. So, yeah, it's a whole new advert, a whole new kind of audience. I'm on TikTok. I didn't have an account until about a month ago and Now I'm on TikTok. And it's. People say you're trending, you're trending. I'm like, I don't know what that means.
- [13:33]
Tony Mantour
I love it, I love it. So when you first heard that it was going to be released that way, and then all of the attributes that's been coming in, all the exposure, the new fans, what was going through your mind with all that happening all at once? Because it's completely different than first getting signed and putting out your first record.
- [13:52]
Alison Limerick
Yeah, entirely different. One, I had no expectations when I was first signed. I did not know what was going to happen. I didn't know it was going to have the life it had. The song was going to have the life it had.
- [14:03]
Tony Mantour
Right.
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Alison Limerick
I knew once I was told that the song was going to be used for the advert that it would get, I mean, immediate exposure. Because when John Lewis or a company that's that big, when they promote it, it's on every. Everybody's seen it at least once. Everybody in the country who has a tv who has any kind of advertising coming at them will have seen it. So it's great for me because I'm thinking I'm going to reach people that have forgotten about the song that knew it in the 90s.
- [14:33]
Tony Mantour
Right, right.
- [14:34]
Alison Limerick
But also you're out there being played not to your niche audience, not to a club audience, not to people that wouldn't necessarily like your kind of music anyway, but people that might hate it. I have had a couple of comments where people have said, this is not a Christmas song, it's a Christmas advert. Why is this. This is not in any way, shape or form a Christmas song. Right. But those comments are so few compared to the people who have just welcomed it and loved it and been so generous with their praise of it. Yeah, it's. Yeah, I'm told it's now a Christmas song, which is very strange.
- [15:10]
Reggie
Yeah.
- [15:10]
Tony Mantour
But that's nice. Have you found your phone ringing or your emails pinging with opportunities because of.
- [15:16]
Alison Limerick
I mean, I have. I have a manager and he had to set up a whole new email because our original company email just got swamped by people saying congratulations first. But also, can you come and do this? Or do you want to do this? Or can you work in this country? Or there's a show and. Yeah, so I. I have had offers for work that I will be taking through till autumn next year.
- [15:44]
Tony Mantour
Nice.
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Alison Limerick
I mean, I always have a few shows booked in advance, but never many. Yeah. I need to stay very, very fit next year because there is. There isn't zero time to. There is zero time downtime. There won't be a holiday next year. It'll just be work through and then next Christmas I'll have a rest with my family.
- [16:02]
Tony Mantour
Yeah. Nice, Nice. So I understand that you're reworking some of your songs and going to do a new release for next year.
- [16:08]
Alison Limerick
Yes. So next year we'll be making a kind of album that's going to have brand new music on it.
- [16:14]
Tony Mantour
Okay.
- [16:15]
Alison Limerick
And also we are. We are collating songs because I've worked with a lot of different producers and remixers throughout the years, and not everybody knows that I've done these other works. So we're going to try and get them all under a kind of single umbrella. Not sure how it's going to work because there's a lot of songs and just present the world with a more complete picture of what Alison Limerick does and has done. So it'll be brand new music and there will be also songs that people will be surprised to know that I did.
- [16:47]
Tony Mantour
Yeah.
- [16:48]
Alison Limerick
From, you know, 10 or 15 years ago.
- [16:50]
Tony Mantour
I tell you, being a producer here in Nashville is always just a great feeling to go back in the studio and work with session players and develop and create new music. So how has that felt, going back in and reworking some of these things, knowing that it's going to get a new audience that you might not have hit before?
- [17:08]
Alison Limerick
Yeah. I love actually being in the studio. I stress slightly that I don't. I never quite get that definitive take. But working on sounds and working on arrangements, it's great. And the idea that a new audience will get to hear them is.
- [17:24]
Tony Mantour
Yes.
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Alison Limerick
Oh, it's lovely. It's really lovely.
- [17:26]
Tony Mantour
Yeah. Now, with everything that you've done, anything in your bucket list that you still want to do?
- [17:33]
Alison Limerick
Oh, oh, oh, there's probably. The bucket list is probably reasonably long. People that I would want to work with or places I'd love To play venues. I'd love to play. It's all, it's all really about work. It's all about the work. Okay. Yeah, Yeah. I mean, I want to go back to Japan and work in Japan again. I love, I love being in Japan. Every time I've been, I've loved it. So, yeah, I'd love to do that. But, yeah, I, I love what I do. So if I can keep doing what I do, wherever I'm doing it, I will be happy.
- [18:08]
Tony Mantour
Yeah. And, you know, I really truly love it that you love what you're doing. I have friends of mine here in Nashville and they're very, very well known throughout the world. Then all of a sudden you'll see them playing with someone and they're not getting paid and people are wondering why they're doing it and it's because they love the music.
- [18:29]
Alison Limerick
Yeah.
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Tony Mantour
All it is is they like to play, they like to be around other musicians. They don't care what the money is. They only care that they're doing it. Yeah. That's the most important thing.
- [18:40]
Alison Limerick
Yeah, exactly. I always say to young people who are starting out, you have to want to do it. Even if you've got sudden success, that success can actually be really hard work.
- [18:50]
Tony Mantour
Yes.
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Alison Limerick
And you have to want to do it because what I hate seeing is people start out and they've got all the enthusiasm and then it's like, well, I don't really want to go and see the people. I don't want to perform, I don't want to sing. I just want to be in the studio. Well, how are your audience supposed to Eng with you? Look you in the eye. You look them in the eye.
- [19:05]
Tony Mantour
Right.
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Alison Limerick
You. You need to encourage them to.
- [19:08]
Tony Mantour
Yeah.
- [19:09]
Alison Limerick
To want to stay loyal. Yeah. I've never understood singers that don't want to sing.
- [19:16]
Tony Mantour
Yeah. I agree. 100. Because there is nothing like being on stage seeing someone that might have a bad day. Then because of your music, they're having a great day and you just don't get that type of engagement any other way. It's fantastic.
- [19:30]
Alison Limerick
Yeah, it's a magical. It's a two way street as well. You can. I can be knackered, I can be ill and I'll get on a stage and they lift me and I want to give to them. And then they give to me and I give to them.
- [19:42]
Tony Mantour
Yeah.
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Alison Limerick
That conversation with an audience is great. And it doesn't even have to be a stadium audience. It can be a small hundred room audience. Exactly. That they give to you. And if you think they're not quite with you, you just work a little harder. And you see the faces come around and they come up to the front and then at the end and they come off and they go, that made my night. That made my night. I was feeling a bit grumpy and that just made my night. And that's worth everything.
- [20:06]
Tony Mantour
Absolutely. Before I moved to Nashville, I was a singer songwriter myself and I performed in many four to five hundred seat venues. The atmosphere you get from that kind of venue, you can't buy it. It's one of the most real situations you'll ever have as a performer.
- [20:22]
Alison Limerick
Exactly. And you can't imagine it. You can't do it, imagine it from your bathroom. I do have, have some friends that have given up the business because it's too terrifying.
- [20:31]
Tony Mantour
Yeah.
- [20:32]
Alison Limerick
Every time they go on stage, I mean I'm. I always get nerves. I don't have nerves. Then I, then I'm. Then I'm not caring enough. So I always have nerves before I get on stage. But then I use that, I use that to, to fuel the performance. Yeah. And it takes practice. It takes practice and you will get used to it and you use it well.
- [20:49]
Tony Mantour
You know, they say as long as you're doing something you love, you're never working.
- [20:53]
Alison Limerick
This is what they say, never work a day in your life if you love what you do.
- [20:56]
Tony Mantour
Yeah, that's exactly right. Now, how do people find, how do your fans and new fans find you on your website and social media?
- [21:04]
Alison Limerick
I have the socials, I have the Facebook, I have the insta. I even have. I want to call it Twit. It's not Twitter, it's. What is it? X now. And I've just taken an account on TikTok, but I'm. It's just so that I can go and see what's happening. But yeah, so it's easiest is to go through the socials. I also have a management company and they have a website, so Blueprint Management, that's my management company. I have been working on my own website for a very long time and it's never quite, it's never quite ready.
- [21:37]
Tony Mantour
Yeah, I get that.
- [21:38]
Alison Limerick
But yeah, by the beginning of next year that will be up and running and I'll be able to kind of centralize everything so that people can go via that and then find everything else.
- [21:48]
Tony Mantour
So with everything that you've done, you have, of course, like everyone else, you have lifelong fans that have followed you for your career and practically their whole life probably. What do you think is Important that they know that they might not know. And once they hear it, it might just surprise them because they didn't realize that you was doing all the things that you've been doing.
- [22:16]
Alison Limerick
It depends on the kind of fan there are. I have fans that only know me for the two or three house tracks that charted. I would love for those fans to go check my first album, which was and I Rise, and my second album, which is With a twist, and the new album or the re release album, which is called Spirit Rising. But also to know that I have sung on jazz albums. I've done acid jazz albums, I've done opera. I am and will always be a jobbing musician. What I am first and foremost is a. Is a musician who loves to sing. I hope that those that know me from the acid jazz, I mean, I did a couple of tracks for a collective called this Mortal Coil and I've met people who only know me for the tracks that I've done with this Mortal Coil, which are as far away from house music as you can get.
- [23:08]
Tony Mantour
Right. Right.
- [23:08]
Alison Limerick
So what I'd love is for these people over here and these people over here to kind of meet in the middle and to see the full spectrum of what I have done and what I can do and what I'm hoping to present in the future.
- [23:23]
Tony Mantour
I love what you just said in the fact that you love to sing and you've got such a wide variety of music that you've done and recorded. With that said, looking back on everything that you've done, songwriting, singing, recording, what stands out to you? What are some of the favorite things that you've done over your career?
- [23:44]
Alison Limerick
Oh, my. That's a. That's a question. I love. I love my house tracks.
- [23:52]
Tony Mantour
Okay.
- [23:53]
Alison Limerick
I. I love the energy that brings. I. Probably for the last few years, probably what I've has brought me the most fun is working with Brooklyn Funk Essential, okay. Which is a kind of 70s retro band with new sensibilities. So I've. I've written on the last two albums, so Stay Good and Intuition were the two albums that I've sung on previously. We've got a new album that will be finished and will come out in April next year. Two singles came out this year, another single is going to come out next year and I. I've been touring through Europe with them. Nice, France, Germany, Sweden, Italy, Spain. We've been. I love that. I love working in a band with people. There's nothing quite like it. So you feed off each other and something you want, something somebody wants. To let the end of a song go. Somebody wants to ad lib. And we've got horns, we've got a two piece horn section, sometimes three piece horn sections, always. We have sax and trombone. Our trombone player is astonishing. Ebert Osman. We also have a trumpeter called Jessica Pina who is phenomenal. So we have this great horn section and that live thing, I think that's the thing. That's what I like best, being on stage with musicians, whether it be the Brooklyn Funk Essentials or my own band or like just a few days ago I was on stage with Pete Tong's Ibiza Classics. So I do, you know, 48 piece orchestra, strings, horns, percussion and a full band and an amazing vocalist that in front of a, you know, at the O2, which is an enormous arena. Just fantastic. And it's that live thing that's what fires me the most, I think.
- [25:38]
Tony Mantour
Well, when you're on stage and you're feeding off an audience and they're feeding off you is a win, win.
- [25:45]
Alison Limerick
Yeah, always. I love going to see live music as well. So yeah, it's great.
- [25:51]
Tony Mantour
You mentioned being on stage with an orchestra. I mean, that's awesome. All the different instrumentation, all the different sounds that you can get, all those intertwining sounds, the way they work is just. Man, it's just great. That's an experience that not many people get to feel.
- [26:08]
Alison Limerick
Yeah, yeah. I always encourage everybody. If you have a band that you like or a kind of a style that you like, sometimes our heroes are so far away or the tickets sell out in three seconds or they're too expensive. But there are local bands who will play that. You can still go to your local event, a local arena, go to a festival and see bands that you didn't think you would like. And seeing them perform live can really switch you onto their music. And then you can go and study their back catalog if you want to. But yeah, live is something. It's unmatched in any other arena. You can watch a live concert, but being there in the room or in the field or going to a festival, it makes it more, more. The sum of its parts is more than just the parts themselves. It comes together and the audience and the filmers on stage make better. Always.
- [27:04]
Tony Mantour
Absolutely. And when you're on stage, the band is in sync and everybody's feeling it. There's no better experience than having that kind of sound on the stage at that point in time with the audience just grooving right along with you.
- [27:18]
Alison Limerick
Yes. Yeah. Hearing it and hearing it. It's New every time. It doesn't matter how rehearsed you are or how slick you are, every time you play, it's new. It is just. Oh, and I love our drummer. It's called Hux Deluxe. Hux Nettermom is an amazing drummer and he's really solid, really solid in the groove. But every time, it's new, the fills are new, and it can raise your game and it'll raise your game again. And the horns go and the backing vocals go and the guitar goes. And the voices go. Oh. Oh, tingles. Yeah.
- [27:51]
Tony Mantour
Yeah, I get it. I've been there. It's nothing like it. Now, what else would you like to tell people that they might just not know about you?
- [28:02]
Alison Limerick
I don't know if there's anything. You've had everything from me. Yeah. I'd love them to check out the album Spirit Rising. And if anybody's gonna pop over to England, come, Come see us play.
- [28:15]
Tony Mantour
Absolutely. And I'm sure they would see a great show and come away with great feelings of what you do. Now, do you have a site or any place where they can see where you're going to be?
- [28:25]
Alison Limerick
Songkick has a lot of the shows. She's a website that does that. I will be posting on my socials. I always try and keep a list of what's up coming in the next kind of couple of months. Yeah. So I will. That's the easiest way to find out what I'm doing. But again, as I say in the new year, the website will. Even if it's just got a list of where I'm going to be and what I'm going to do and who I'm playing with, I will have that up early in the new year. It's alisonlimmerick.com.
- [28:52]
Tony Mantour
yeah, that's great. This way here. They can follow you and keep up with you on where you're gonna be.
- [28:58]
Alison Limerick
Exactly. Yes. Yes.
- [29:00]
Tony Mantour
Yeah. Because right now you're getting a great warmth because of what you're doing and everybody's loving it. So it's gonna be a great feeling for you.
- [29:08]
Alison Limerick
It's lovely. Yeah. I'm gonna have the best Christmas of my life. I think just feeding off that. It's lovely. Nice.
- [29:15]
Tony Mantour
Yeah. Yeah, absolutely. I've really loved this. I think you've shown some of your fans something that they may not have known about you.
- [29:24]
Alison Limerick
I think some of them definitely will have found out some things they didn't know. Yeah.
- [29:27]
Tony Mantour
Well, this has been great. Great conversation, great information. I really appreciate you taking the time to join us today.
- [29:34]
Alison Limerick
It's been a pleasure. It's been really easy. Thank you.
- [29:36]
Tony Mantour
Oh, it's been my pleasure. Thanks again. Thanks for joining us today. We hope you enjoyed the show. This has been a Tony Mantour production. For more information, contact media plateaumusic.com.
- [30:06]
Grainger Advertiser/Podcast Host
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- [30:37]
Alison Limerick
If you like the show, please take
- [30:39]
Grainger Advertiser/Podcast Host
a moment to rate, review and subscribe.
- [30:42]
Alison Limerick
It really does help the show to grow.
- [30:44]
Grainger Advertiser/Podcast Host
Thank you for listening.