Lil Yachty-I Am The King of The Youth

Summary

Episode Summary: Toure Show ft. Lil Yachty - "I Am The King of The Youth"

In this insightful episode of the Toure Show, host Torre engages in a deep and candid conversation with the acclaimed rapper Lil Yachty. Released on February 2, 2025, the episode titled "I Am The King of The Youth" explores Lil Yachty's ascent in the music industry, his creative process, personal challenges, and his perspectives on fame and philanthropy. Below is a detailed breakdown of the key discussions, insights, and conclusions from their conversation.

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1. Introduction and First Impressions

Torre begins by sharing his initial encounter with Lil Yachty during a Rolling Stone story on the Migos. He recounts feeling an immediate sense of uniqueness from Yachty's presence.

Torre ([02:00]): "I met him a few years ago... as soon as he walked in the room, I was like, who is that? He just had this aura about him."

Lil Yachty acknowledges the introduction and expresses gratitude for being part of the show.

Lil Yachty ([02:48]): "Thank you for having me."

2. Music Creation Process

The conversation delves into Yachty's approach to making music. He emphasizes his reliance on selecting beats that resonate with him and inspire his lyrical themes.

Lil Yachty ([02:54]): "I just go through beats, find a beat that I like, and then figure out what it makes me think of."

Torre notes Yachty's distinctiveness in the studio, highlighting their shared experience of debating over beats.

Torre ([03:21]): "I was like, that shit was hot. That was hot. And you're like, no, no."

Yachty explains his preference for unique sounds that set his music apart.

Lil Yachty ([03:54]): "I don't like regular sounding beats. I like my beats to be different. Sound different."

3. Unique Vocal Style

Torre praises Yachty's unconventional use of his voice, noting his experimentation with tonality and volume.

Torre ([03:58]): "The way you use your voice is different than most rappers."

Yachty attributes his vocal uniqueness to his tendency to try new things without overthinking.

Lil Yachty ([04:18]): "I just try things. I just try things."

4. Evolution of Work Ethic

Yachty reflects on how his work ethic has evolved, particularly contrasting his early days of paying for studio time with his current approach when studio access is free.

Lil Yachty ([05:01]): "Now I just sitting there all night and just, you know, just pick it out there."

He admits that financial constraints previously forced him to be more focused and efficient.

Lil Yachty ([05:45]): "It was stronger when I, you know, when it only... you gotta work more."

5. Handling Pressure and Fame

The discussion shifts to the pressures of maintaining success. Yachty shares his transition from trying to prove himself to embracing a more relaxed and enjoyable approach to his career.

Lil Yachty ([07:18]): "I just like to enjoy... I stopped caring about trying to prove stuff to people."

Torre contrasts his own motivation to prove himself with Yachty's more carefree attitude.

Torre ([07:58]): "I like to have something to prove... it's harder."

Yachty explains that the constant need to prove himself was stressful, leading him to adopt a more laid-back mindset.

Lil Yachty ([08:14]): "I'm having more fun. I'm back chilling instead of trying to prove something."

6. Influences and Inspirations

Yachty discusses his diverse musical inspirations, ranging from Coldplay and Kid Cudi to pioneers like Soulja Boy and Lil B. He cites these artists for their unique sounds and impactful presence.

Lil Yachty ([18:01]): "Chris Martin, Kid Cudi, Soulja Boy... that's kinda where I learned my social media ethic from."

He particularly highlights Lil B for promoting positivity and authenticity.

Lil Yachty ([19:53]): "He was very positive... he promoted being yourself."

7. Philanthropy and Giving Back

A significant portion of the conversation centers on Yachty's philanthropic efforts. He emphasizes the importance of helping others without seeking recognition.

Lil Yachty ([37:14]): "I try to help... I had a homeboy hit me up that... his mom needed surgery. I just help."

He differentiates between meaningful assistance and superficial gestures, advocating for genuine support.

Lil Yachty ([40:49]): "If helping somebody is something good... you shouldn't have to tell people you're helping someone. Just do it."

8. Dealing with Negativity and Criticism

Yachty opens up about his experiences with negativity and criticism, especially early in his career. He describes how these challenges eventually led him to develop a thicker skin and a more resilient outlook.

Lil Yachty ([09:03]): "A lot of times or sometimes people can just crush it... that really breaks people."

Over time, he learned to dismiss unwarranted criticism and focus on his own path.

Lil Yachty ([09:57]): "I don't care anymore. I promise, I don't care anymore."

9. Personal Growth and Authenticity

Torre and Yachty discuss the importance of authenticity in his music and public persona. Yachty stresses being true to oneself and using his platform to inspire others.

Lil Yachty ([62:16]): "I try to be that positive light in everyone's life."

He shares his philosophy on success, emphasizing planning and relationship-building over superficial pursuits.

Lil Yachty ([28:44]): "My mother always told me, you gotta have a plan."

10. Future Plans and Legacy

Towards the end of the episode, Yachty contemplates his future beyond music. While he expresses a desire to continue evolving, he also considers exploring other avenues like acting.

Lil Yachty ([49:20]): "Trying to think on it now, you know, but big, you know, bigger. Bigger than life."

He envisions a legacy that transcends his music, aiming to leave a lasting positive impact.

Lil Yachty ([62:26]): "Everyone needs positivity and everyone doesn't have it."

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Conclusion

The episode concludes with Torre thanking Lil Yachty for his openness and insightful contributions. Yachty's journey showcases a blend of creativity, resilience, and a genuine desire to make a positive difference, making this conversation both inspiring and enlightening for listeners.

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Notable Quotes:

• Lil Yachty ([07:18]): "I just like to enjoy... I stopped caring about trying to prove stuff to people."
• Lil Yachty ([19:53]): "He was very positive... he promoted being yourself."
• Lil Yachty ([40:49]): "If helping somebody is something good... you shouldn't have to tell people you're helping someone. Just do it."
• Lil Yachty ([62:16]): "I try to be that positive light in everyone's life."

This episode offers a comprehensive look into Lil Yachty's mindset, highlighting his evolution as an artist and individual. For those seeking inspiration and a deeper understanding of what drives success, this conversation provides valuable insights.

Transcript

[A]

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[B]

No, but. But it's parts of it, you know, every. All artists aren't just living their best life, you know, it's not an easy life, you know, like, it's a lot that comes with it, you know, it's not what it looks like. I'm not always sad, but I have sad moments, you know, when I'm lonely or I want to just go somewhere I know I can't, you know, or just gotta work all fucking day and night. But not always sad.

[A]

Thank you for joining us for a Toray show Patreon Friday exclusive. And it's really cool to bring you this conversation with one of my favorite rappers, Lil Yachty. I met him a few years ago when I was doing a story on the Migos for Rolling Stone. And I did not know who Yachty was, but as soon as he walked in the room, I was like, who is that? He just had this aura about him and this way about him that made him seem different and stand out. And as I got to know him, I saw that he is different, but in a really great way. Let's go. It's my man Lil Yachty on Toure show. What up, y'all? It's Torre at Brick with Lil Yachty for Torre's show. Thank you for coming.

[B]

Thank you for having me.

[A]

Yo, I want to know about how you make music. Like, how do you make a song? Like, what do you do? Where does it start?

[B]

I just Go through beats, find a beat that I like, and then figure out what it makes me think of. Like, what does this beat make me think about?

[A]

Now wait, we need to go back a little bit. Cause I have been in the studio with you when you were sitting there picking beats, and I'd be like, that shit was hot. That was hot. And you're like, no, no. So where do you. Like, where do you even start from? Like that I'm gonna rock on.

[B]

I just have a specific sound, you know, like, it's different. I can't rap on anything. It's. I don't even know how to explain it. It's just different, you know?

[A]

Is it different when you're moving toward a yachty song versus a boat song?

[B]

For sure, yeah.

[A]

Different mindset from the beginning and different.

[B]

Vibes, you know, with completely different topics. So it's just. I just don't like regular sounding beats. I like my beats to be different. Sound different.

[A]

I mean, everything about your music sound different.

[B]

Sounds different. Sounds different, right?

[A]

I mean, you. The way you use your voice is different than most rappers. You know, you play with a lot of tonality. You play with volume. You play with different. Different parts of your throat. Like, are you being really conscious about that or just comes out.

[B]

Pause. But yeah, I just. I just try things. I just try things.

[A]

So are you writing with a pen? Are you writing in the booth?

[B]

Yeah, I haven't written with a pen since like a, you know, doing like a signature. But like. Yeah, it's been a minute.

[A]

So you mean you're writing in the booth, like on the mic?

[B]

Sometimes I freestyle and sometimes I write it in my phone.

[A]

Write it in your phone?

[B]

Yeah. I haven't ever written a rap on paper. Yes, I have. In high school. I wrote my earlier songs on paper. I mean, not high school, college.

[A]

I mean, generally, are you coming to the studio? Like, here's what I want to talk about in this record.

[B]

I used to. Back when I used to have to. Like when I used to have to pay for studio time when I only could get three hours for $65 and that was all I had. I would have everything planned. I'm gonna do this beat, I'm gonna have this road, this one I'm talking about, so I could knock it out in that short period of time. Now I just sitting there all night and just, you know, just pick it out there.

[A]

You need that time to just. Just vibe, take it slow.

[B]

Well, yeah, but not really. I was more, you know, focused and my work ethic was stronger. Back then. Cause I only had so much time, you know, when it's time is that they like, you gotta go, you know, when you got a free range of time, just sit, do what you want. You know, you might. Back then I made like five, six songs every time. No, I might make two, I might make three.

[A]

So your work ethic, you think is less.

[B]

I just feel like it was stronger when I, you know, when it only. When I only have. When I only got $50 and I gotta come up with $65 for three hours. Oh, every second of the time it's gonna, you know what I'm saying? But when it's, you know, it's free and you can spend the whole time, it's just more time to lounge, you.

[A]

Know, I feel like for an artist you need that time to lounge. You shouldn't be like, you got three hours and you're out of here at 12 in the dot.

[B]

No. Yeah, for sure. I'm not saying, I'm just saying like it's, you know, when the situation is more compressed, it forces you to work more. And that's a different point in your life also. You know, you're trying to become someone, you know, when you're already somebody, you don't need to be pressured into doing anything. You know, you work at your own pace. Cause your creativity, you know what I'm saying? It's different. Opposed to you trying to get there.

[A]

You are there now. Do you feel a lot of pressure.

[B]

To maintain yourself in the air? It's so awesome.

[A]

Do you feel a lot of pressure to maintain where you are versus when you were just coming up?

[B]

Well, well. So like I did at one point in my career, you know, at one point in my career I was just trying to prove to everybody something and just trying to stay at this specific spot. But nowadays I just like to enjoy, you know, you want to make sure you have fun.

[A]

Nothing to prove.

[B]

That's where that came from that you feel like. I feel like at this point, you know, with this album I don't have. I just stopped caring about trying to prove stuff to people.

[A]

I mean, we know as an audience, we know who you are, we know you have multiple sides, we know what you can do as a musician. So you really don't have anything to prove.

[B]

I used to feel like I did.

[A]

I mean, I like to have something to prove. Cause it makes me feel like, you know, like an athlete. Like, ah, I gotta show these guys. If you don't have that, it's kind of. I don't Know, it's harder.

[B]

See, it was just. It was more stressful for me, you know? Cause it seemed like it was never enough for people. That's why, you know, I stopped caring. Like, I keep trying to show these people things and they don't even care.

[A]

It's better when you don't care.

[B]

No, no, no, no, no, no. I mean, like, I just kept trying to prove things to people who, like, didn't really matter to me, you know, like, their opinion didn't matter to me and.

[A]

But you must feel liberated. Or do you feel liberated?

[B]

I just. I'm just more. I'm just. I'm having more fun. I'm back chilling instead of trying to prove something. That shit is stressful, bro.

[A]

What's stressful?

[B]

Like, trying to, like, make something so someone else will like it. I don't know if that makes sense.

[A]

Are you now making music for yourself more?

[B]

Yeah, exactly.

[A]

And that is less stressful, of course.

[B]

Cause it's what I like.

[A]

I mean, you are. You do have to think, like, something that like a million plus people will like, which is really hard.

[B]

Yeah, that's why I tell people all the time, like, this job isn't as easy as you would think it is. You know, being an artist, you gotta think. Or being an entertainer in general. Like, you literally spend your life creating something for someone that you may never meet and know nothing about in hopes for them to like it. You put your all into it. And then people just. A lot of times or sometimes people can just crush it. People just be like, oh, that was terrible. Oh, that movie was such and such. Oh, it sucked. He spent months making that movie. You know, he spent a year creating his album to just be told by everyone, oh, it's trash.

[A]

Yeah.

[B]

Oh, that was the worst album I ever heard in my life. That really breaks people. That's how a lot of people don't see, though. And they really don't, you know, people don't give a fuck, but shit is real.

[A]

It hurts.

[B]

Yeah. It's like someone's work, like, that's what.

[A]

They just spent months doing, like, is a bad review. Or are you talking about like a fan not liking anything? It hurts.

[B]

I'm not. I'm talking about, like, this is what I was going through, like, early in my career. It's not till now I really honestly start giving a fuck. I'll read a bad review and jiggle, giggle, like, laugh. I don't care. I promise. I don't care anymore.

[A]

Really?

[B]

Yeah. But it had to get to that point.

[A]

You Know, it used to hurt.

[B]

It used to just. I used to be confused, you know, like, why? Like, what did I do wrong?

[A]

And now you're. I mean, like, when you can get, like. I remember comedians telling me about getting to that place where you really don't care, then you can really do comedy. But you have to definitely before you get to the point where you're like, I don't really care.

[B]

Exactly.

[A]

You know what I mean? But, like, when you get to that place, then you can be even greater. But it's hard. It's hard to get to that.

[B]

Well, it just takes trial and error time. It's not an overnight thing. You have to actually either fail or just feel like you failed or just felt negativity to get there. Cause you can't be. You can't. Like, if you've lived a positive, happy life where everyone was dick riding and everybody's, oh, that boy. Good. Oh, he's awesome. He's great. And you have no failure or no negativity or no hate. You don't know what it feels like. You know, it takes countless, you know, situations of just negativity and people just, like, just kicking you down for you to finally get to the point of, you know what? Fuck you. You know, you can't have that feeling if you've never experienced it.

[A]

And you get there, you got there through. You saw a certain number of negative reviews. You saw fans just hate.

[B]

Just hate all over, you know, I.

[A]

Mean, you got so much love and attention pretty quickly.

[B]

Yeah.

[A]

Almost as soon as you came in the game, people were like, wow, like, he's different, he's special, he's unique. So, I mean, I'm sure the ego boost of that must have been huge.

[B]

I hate to.

[A]

Yeah, no, of course anybody knew was gonna get that. But, I mean, you exploited fairly quickly, and people were very excited about you right away. So then when you encounter the negativity, is it hurt that much more because you back then.

[B]

Cause I was like 17, 18, 19, you know, and I didn't really understand why people would hate me because I was such a good person. But who gives a fuck, man?

[A]

I mean, part of what you're dealing with now is when you were new, you were unique, different, special. Oh, my God, look at this guy. You are the same person, but we've been seeing you for years now, so you can't be. You know what I mean? Like, the red hair no longer surprises.

[B]

And everybody got it. Yeah.

[A]

So that's a shift for you. So how are you dealing with that? They shift.

[B]

I don't care. I be chilling. I just spend my life chilling.

[A]

There is something, though, that is definitely unique about you and you. Maybe you can't even explain it, because I remember the first time you walked in the room, right? I'm doing the Migo story. You had on just basic gray sweatsuit, nothing special, nothing expensive. You walked in with a bunch of people, and I was like, who's that?

[B]

Yeah.

[A]

And I knew the name Yachty, but I didn't know the face. So I didn't know, oh, that's Yachty. And I'm like, something different about him versus everybody else who just walked in. And I'm like, that's that it thing. That you could see it even when I wasn't responding to, like, oh, my God, I loved his videos. I saw him on tv. It was like, there's something about that guy that's different. What is that thing? Do you know what it is?

[B]

No, but I've always tried to have that since high school. What you talking about? Like, it's crazy. You say that like I've always wanted to be that person that just stood out always, you know, that was always my thing.

[A]

You wanted that?

[B]

Yeah.

[A]

Did you have it?

[B]

Yeah. In high school? Yeah. I was voted most likely to be famous.

[A]

Really?

[B]

Yeah.

[A]

Cause you had that it thing.

[B]

Just. Yeah, it's popular, and you could just.

[A]

Hang with all the different crews and everybody. Almost everybody liked you in high school?

[B]

Yeah.

[A]

Everybody liked you or almost everybody?

[B]

Pretty much everybody. Yeah.

[A]

So that. So you saying you naturally had it or you kind of cultivated it?

[B]

I was natural. You know, I'm just pretty likable person, and I'll be chilling. I'm cool.

[A]

It's. You know, I love how you let your vulnerability come out in your music. You're not hard. You're. You know, you're cool. But then sometimes you're like, you know, I feel different. I feel sad, I'm depressed, whatever. And we don't always. Especially as black men, we always let the vulnerability and the depression come out and stuff. Why? Why do you. Why do you let it out?

[B]

That's how I'm feeling. That's what it is. You know, I just make with however I'm feeling, and that really be what it is, you know, I think that's why it's so different, though. Like, you know, it appeals to a specific fan base because it's just. It's not like everything else, you know?

[A]

So, yeah, you get depressed sometimes. You go up and down.

[B]

Not depressed. I mean, I've had times, but not depressed. It'd be usually girl trouble. That's what it usually is. It's not like. It's not like nothing too crazy.

[A]

It doesn't really go away.

[B]

Girl trouble?

[A]

Yeah. No, it doesn't go away. No, I'm telling you, it doesn't go away. Even when you pick one, it doesn't go away.

[B]

Yeah, it's just there.

[A]

It's always up and down. There's always something.

[B]

Right.

[A]

Do you like the sound of your voice?

[B]

Uh, I never really thought about it. It's very distinctive, though. It is, yeah. It is what it is.

[A]

You know, I like the sound of your voice.

[B]

A lot of people do.

[A]

I find most artists don't like the.

[B]

Sound of their voice or my voice.

[A]

No, most artists don't like the sound of their own voice. Oh, that'd be crazy. If I asked you, most artists don't like Yachty's voice.

[B]

I would have been like.

[A]

I asked all these artists, do you like Yachty's voice? They all said no.

[B]

Yeah, that was good.

[A]

But they like his music for some reason. They just don't like his. No, especially when you go into that. That deeper tone, like deeper in the throat. Ooh, what the spoke like, I. I like that sound a lot.

[B]

Yeah, I just be. I just be trying stuff. No, it doesn't hurt to try things. And then that's how you come up with things. New things, I guess. You know, just try things.

[A]

I mean, there's definitely been times when you are kind of whispering on the mic that I really like, you know, that you really are a vocal artist and not. You're not just a rapper, but, like, really you.

[B]

I like to just do all kind of things, you know?

[A]

Yeah. I mean, it's not really even right to call you a rapper. Cause you also sing, right?

[B]

I try and do everything. Whatever you want to call me, as long as it's not broke.

[A]

You look like you're pretty far from broke. How much are you wearing?

[B]

This was 35. 140. This was 45. Oh, shit, my ring. This was 90. This was. This was 90. This was 50.

[A]

You just almost dropped 90,000 on the floor.

[B]

Now, this was 12. This ring was 12,012. And this was 15. And I think this was 15. So you add those up, and this was for free. I got this as a gift. And this was 25.

[A]

I can't even keep up with those kind of numbers.

[B]

Yeah, I don't either, but it's a lot over 300,000, I believe.

[A]

Who were the Musicians who you watched and learned from Coldplay.

[B]

Chris Martin, Kid Cudi, Soulja Boy. That's kinda where I learned my, like, social media ethic from.

[A]

Soulja Boy.

[B]

Yeah. Lil B, Kanye west, early on, you know, early on. Travis Scott, Rocky. ASA Rocky. That's about, you know, growing up, like, early age on that was pretty much what I listened to. Yeah.

[A]

Interesting. You said Coldplay first.

[B]

My favorite rock band.

[A]

Yeah.

[B]

Of all time.

[A]

Why?

[B]

It's just amazing. The sound is different. Doesn't sound like anyone else.

[A]

You definitely found a way to incorporate some of what they do in terms of creating those big moments in a song. Those big sort of emotional moments in a song.

[B]

I don't think I would ever be able to do what they do, but I'm just a big fan of everything, you know, their evolution, everything about them.

[A]

It's crazy how much influence Lil B has on a lot of people in your generation.

[B]

Yeah, I told you, boy.

[A]

And the older. Well, especially Lil B has been very controversial. Cause people older have been like, that's not even really rap. And your generation's like, no based God. We love him. He's the man. What did you take from Lil B?

[B]

Positivity and not giving a fuck. Being yourself. Those three things.

[A]

There's also a way that he really kind of talks on the mic, right. Rather than really well.

[B]

See, the things I took from Lil B weren't really as far as music. It was as far as, like, just his Persona and the person he was. He was very positive. He promoted positivity. Although he talked about crazy topics. But in real life, he was promoting positivity. He always promoted being yourself. Love your own self. Love the person you are. And he never gave a fuck. He wanted to wear dangling earrings with a skirt, you know, whatever he wanted to wear. I mean, he didn't give a fuck. You know, those three things I really took and made myself from the V.

[A]

That he didn't give a f. Yeah, he would wear a skirt.

[B]

Like, I mean, I'm not saying I'm gonna wear a skirt. I'm just saying, like, as far as, like, just not caring what people think about you. He had an album called I'm Gay, saying I'm Happy, but, you know.

[A]

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[B]

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[B]

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[A]

When did you start making songs? How old?

[B]

Seriously? Probably about 16, 17.

[A]

So who. I know you talked about some of the general influences, but, like, who really showed you? Like, okay, you gotta have a chorus. Verse, chorus. You gotta have 16 bars. You gotta.

[B]

Well, my music's never been like that.

[A]

True, true.

[B]

So I never even.

[A]

But you're not just freestyling. You do have a structure.

[B]

Yeah, but it wasn't. I didn't get into that until I signed and had an engineer, and he was like a real engineer. He's like, you know, you gotta do. This is a verse 8 bars, 12 bars. I still to this day sometimes. Don't be giving a fuck about that, you know, it wasn't like I heard it in music, like. Cause I didn't really have. Like. My dad loved music, but he wasn't in. He was a photographer, so he didn't know like bridge hook chords, like. So it wasn't like we ever went that deep into it. It wasn't until I got became into it, you know, so nothing like that.

[A]

So what gave, like, who showed you the way to say I don't need those things? I don't need to focus on a whole.

[B]

It's just me. It's just I made what the fuck I wanted to make, you know. And I didn't know much about that type of shit to follow it, you know. If you don't know something, you can't live by it. Right. You know. And then I came to a point I was lazy too sometimes. Like I don't feel like rapping that long sometimes. I don't want a hook, you know.

[A]

So I feel like a lot of your artistic choices are based somewhat on laziness sometimes. Is that.

[B]

It is what it is.

[A]

I mean, I feel like you work harder than you are giving yourself credit for.

[B]

A lot of people don't give me credit for shit.

[A]

What are you not getting credit for? The first song on a new album is Give me my respect. What are you not getting respect and credit for?

[B]

Respect? Probably give my respects because I know I can rap, you know, And I did a lot for hip hop. I don't care what nobody say, like what as far as just like the change on it. Like it was when I came into music, the reason I blew up so big was because it was not how it was now. You know, it was not as colorful and positive and like just fruity melodic sounding like. And just. Just wasn't as accepting. And we switched it up. You brought color, love and a lot of. I don't know. Yeah.

[A]

So you talking about that or are you also talking about. Cause you did some things business wise. That.

[B]

That too, yeah.

[A]

Like going to Sprite, going to Nautica.

[B]

Odd endorsements, I guess I feel like I probably got the most endorsements as a rapper.

[A]

You're up there. You're definitely up there.

[B]

Maybe I know for a fact in a new generation, I'm top number one, but I'm up there with like and like hip hop history. I'm not number one, but like I'm in the top. I think I'm top 10 and not.

[A]

Even just the number aside, the way that you guys use those endorsements really helped push you up. I mean, this bright ad with LeBron really increased your visibility. So it wasn't just we did an ad, it was we did an ad that changed our career.

[B]

Yeah, yeah. Couple things. You know, target commercial during the Grammys. I've done a lot of stuff. You know, the creative designer for director for Nautica, Reebok. Deal.

[A]

When you're the creative director for Nautica, are you actually designing?

[B]

Yeah, I did two lines, fall and spring.

[A]

Can you talk about some of your inspirations, your motivations for the lines?

[B]

Vintage nautica. I love 90s. I love the 90s. Hip hop era style, Grand Poobah era. Just baggy clothes, all that. I love all of it.

[A]

The Tommy Hilfiger was hot. The Polo was hot. The Burberry was hot.

[B]

Yeah.

[A]

People were definitely expressing themselves. Like, I want to look like a.

[B]

Rich white boy with a twist, though.

[A]

Oh, no doubt. With a size twist, with a flavored twist. But definitely choosing certain sorts of lines.

[B]

Yeah, it's dope.

[A]

But who sort of helped you see, like, this is the way as far as what? As far as career, as far as music? Cause it seems like. It seems like you kind of knew what to do. And I'm wondering, like, was there any advice or direction or just somebody you saw? Cause, like, you seem so young to just know what to do.

[B]

Well, I just had a plan. You know, my mother always told me, you gotta have a plan. And I watched Soulja Boy growing up. You know, he made his career on the Internet, you know, first pioneer on the Internet to take the Internet and make a music career.

[A]

Wait, go back. Say what was the plan?

[B]

It was. It's a long plan. It's long. But just had a plan to just start a social following in person, you know, and gather up and make friends with people who just had a social following. Because, you know, when you ask someone to maybe post their music or someone on the street says, hey, take my card or take my mixtape, you know, nine times out of ten, not gonna listen to it. But if you have a friend, you gonna support your friend. What's your friend? So I, before even pushing music on anybody, just built relationships with these people that had a following. You know, I wasn't using them, but it was just my plan. And then when it came time to show music, they all was supporting me, they all had my back, and they all was promoting my stuff. And I did the same thing down in Atlanta, and I Was just. It was just. It just spread it quickly. Plus, I had an image. I knew I had an image. I knew I was cool. It was no one that looked like me. Right.

[A]

So it's important to building relationships. Yeah, I think a lot of people miss that step that they want to just, hey, here's this thing that I want you to consume or market for me or whatever. But they skip the point of like. Like you said, like, if we have a bond where I'm like, yo, I like Yachty, I want to look out for Yachty. It's not just some guy who's like, check out my tape. But like 100% for some people. It's tricky to create the relationship with an influencer who has lots of people coming at them when you know, I want eventually for you to help me out and like, it's a genuine relationship, but I want something from you eventually.

[B]

But it's not like they pretty. They were not really like anybody like popular or famous. They just were kids, you know, just who were cool on the Internet. And I just. I was just the smarter one to think of what to do with this, you know?

[A]

Because you saw Soulja Boy do it, right?

[B]

No, no, he did it a completely different way. I just. He used to always use the Internet to his ability. So I did the same thing.

[A]

I mean, the way that you digital natives have used the Internet sort of blows the mind.

[B]

Yeah, man. It's been used. So people are smart now, man. Internet tactics are at an all time high.

[A]

Yes, no doubt, no doubt. I saw you on Instagram, you supporting Stacey Abrams.

[B]

Yes.

[A]

And you were. You were rolling with Bernie Sanders during the.

[B]

Yeah.

[A]

So you really. I mean, it sounded very progressive, very democratic, for sure.

[B]

It's important, man. I'm not, I'm not with the other side. They got weird views on life.

[A]

What does it make you feel like when you look at, like a Kanye jumping out the window on the. Right.

[B]

Yeah.

[A]

Does it make. I mean. Cause for me it's. I'm like, damn, dude. Like, it's hard for me to roll with you.

[B]

That's how my friend is who loves. Cause I love Kanye west and my best friend loves Kanye West. Like, he loves him and it kind of like it upset him. Yeah, yeah, yeah.

[A]

It's hard. You know, I bought that. You know that my pillow that they advertise on Sports center all the time. There's this thing called my pillow. It's supposed to be like the illest pillow. Right. And I had a bad night sleeping and I went out And I bought one, and it was amazing. I'm like, this is so much better than the average pillow. And then I find out the guy's super Trump supporter, like, up in the White House, like, love you, Donald. I'm like, fuck this pillow. So what am I supposed to do with Kanye when I'm like, yo, I've been riding with you since album one, and you are really pissing me off with this shit?

[B]

I don't know, dawg. I love Kanye west, and I'm still gonna listen to the next album.

[A]

I mean, I am, too.

[B]

Now, I don't necessarily support his views, but I feel like somebody, you know, give him slap across the neck. Cause he made a tweet like, I'm staying out of politics. So, I don't know. I mean, finally, I just feel like, bro, you know, people Never really know 100% the full story behind something true. I swear, I don't really. I don't judge people.

[A]

Take me back to the beginning of how you learned how to rap.

[B]

I don't know. I used to just hang around dudes that was rapping, and I thought they were cool. I looked up to them, and at first, I wasn't that good. But I used to listen to people like Riff Raff, Soulja Boy, and Lil B, who just said funny things. Like, not the normal line, like something different, you know? I try to say, like, different things sometimes.

[A]

Like what? What do you mean?

[B]

Like, just a line you wouldn't expect. Just something that's silly, you know? I don't know. I don't know. I don't have one off the top of the head, but it's like. It's different stuff.

[A]

I mean, you know, Minnesota kind of accomplished that, right? Cause it really. It kind of surprised people. Cause it's kind of funny and ill at the same time. And the high notes sort of took you to the cold place, right? Like, the hook sort of evokes the cold in a way. But, you know, he's not really, really talking about actual cold.

[B]

But it was, you know, I don't know what the fuck I was talking about. Last long, I wrote that song in my dorm room. That was one of the songs I wrote on paper. I have been in Minnesota, though. My dad used to take me on just trips, like, so I could see. Like, see. Try and see the world. And we used to go up to Minnesota and it would be freezing. Oh, my God, it was so cold.

[A]

I remember the first time I heard Holiday, I was like, wow.

[B]

With Quavo.

[A]

Quavo Is the man. But I remember your part and your hook.

[B]

And I was like, song was dope.

[A]

This rapper is something different. And just you can create that energy that's different than what anybody else can create, which is interesting. You talk about Coldplay like that sort of Coldplay, emotional energy that you don't usually get in hip hop. Yeah, I mean, most rap songs have like one energy, Right. And it goes just straight through. A lot of rock songs have highs and lows. The music will go up and then.

[B]

It'Ll come down or sometimes they'll drop. Different albums that sound nothing like the last one.

[A]

Yeah, and rappers don't usually do that, but you will play with some of those shapes and structures sometimes.

[B]

Yeah, it's not as accepting either as like, it is in rock and hip hop. You know, if it's too weird, too different, they're like, I don't know about that.

[A]

Yeah, it's that. But I think it's also like producer gives you a track and you rap over it. Rather than we're in the studio together with Rick Rubin or whoever. Coming up with something.

[B]

Every artist is different. Every artist is different. Some artists like that. Some artists, they just pick from the email.

[A]

You usually pick it from emails.

[B]

It depends, you know, My friends make beats, so sometimes I sit with them when I tell people what I want to hear. It all depends.

[A]

Have you changed since you first started coming in the game?

[B]

I definitely don't give a fuck anymore. I used to care so much about what people thought about me. Like, man, I used to care. I used to want to impress people so much. I used to want to hang out with everyone, you know, be everywhere. I used to want to, like, be on a scene and go to the club cause somebody was gonna be there or go to a private party. I want to be invited to everything. Nah, I don't give a fuck. I'd be chilling at home with the gang, Twitch, everything. I mind my own business now, you know? I learned to be my own man and just make my own lane and live in that lane, you know, not worry about other people not being other people's business. I really be chilling.

[A]

Be your own man. What's it mean?

[B]

Yeah, just be me. Like, not worry about everybody else, you know? I realized I don't need a million friends and all that. I also learned just. Just what it's like to just like, provide for your family and. Yeah, well, yeah, I count my friends as family, so. Yeah, just be a provider and care.

[A]

Yeah, that means a lot to be able to. What does that mean, like we're going out to dinner? I got everybody. We're going to Vegas for the weekend. I got everybody. Like that sort of thing.

[B]

Yeah. And just use my voice and my. And this, you know, gift and financial blessing and just help, you know, there's people I don't even talk to, but I still sometimes help, you know, I had a homeboy hit me up that I haven't spoken to since like early high school, but his mom needed surgery. You know, we're not even friends, but he didn't even ask me. He was on Twitter and he was like, hey, I have a GoFundMe. My mother's very ill and she's scared. Anything you can donate helps. And I looked at it, it's like $2,000. It's like I just thinking about it, like, man, I spend money on the stupidest shit. Like $2,000 is maybe one pair of sneakers, you know, and I could help somebody get a surgery right now, you know, So I hit him up like, hey man, I got the whole 2,000 for you. You know, just. I was. When I was shooting a movie, I said, just come on set, I got you. You know, and we don't even talk. But then I had a. You know, I had a friend whose brother had cancer, needed chemotherapy. Just. I just like to help, you know, even people that I don't even like. And dude whose brother I had, I don't know, I'm not even friends with him, but I used to be and his family. But I just feel like if I was being blessed with, you know, financially to live this amazing life and do whatever I want to do, whenever I want to do it, why not help? And then on the other hand, use my voice when it doesn't cost a dollar just to use my voice and promote either positivity or just good things like voting, you know, and just like. Because kids listen. No.

[A]

When you're helping and I want to talk about voting, but when you're helping, is it because you should do that or because it makes you feel better?

[B]

It doesn't really make me feel better. It's just the right thing to do.

[A]

Just cause you're in this position.

[B]

Sometimes I get a lot of people that ask for stupid shit that it's like, come on, bro. No. Like a surgery for a plastic surgery. Like, no. Or your rent, you know? Cause you want to get a new condo. Like, nah. Like. But when it's like needed nine times out of ten, I'm a given person.

[A]

You know, so even for somebody you're not. I mean, like, I could see, you know, I got my friends, my crew is good, but, like, he's not my friend. I used to know him.

[B]

Yeah, but still.

[A]

Because I can do better in the world. Yeah, that can do something good for somebody.

[B]

Exactly.

[A]

100% think about.

[B]

And I don't post none of that. I ain't never, ever. I've never posted a good deed ever. I've never recorded me giving money to a homeless man. I never took a picture. The tip I left somebody. I never. I never. What I just told you, I've never told anybody ever. You know what I'm saying? I just spoke on it because you just. You brought the topic up. But I don't feel like those are things that you should have to boast. But at the same time, you're still doing it, so, you know, still power, too, because you still did it, you know, But I just don't feel like the other people do it so, you know, they can win people over, you know, hey, y'all, look at me. I'm giving money out. You know, I'm. I'm going back to my high school. I'm. Hey, look, I just helped this person. I gave him a hundred dollars.

[A]

You made me think about that Drake video, right where he's given.

[B]

Well, see, that was. That's not what I was talking about. That was actually very dope. You know, that worked in a couple. In a couple ways. That was more so, like, I look at it like art. Cause, you know, it was a music video. You know, like, a music video is to be creative, you know, and I was extremely creative. So why not. That's like, why not be creative and help? You know, it's different when you just. On Instagram.

[A]

Yeah.

[B]

You know, just. Just recording videos, you know, and it's completely a purpose in that. You feel it. That video. Did that make you cry or, like, just touch you a little?

[A]

Oh, it totally. I mean, because I'm an American male, I don't cry at such things. But it definitely touched me. And I was like, that is so dope. And, you know, it'd be amazing to be in that position, to be able to help everybody and, you know, all the things that go viral in this rap industry. Somebody raps over a beat, and everybody had a rap over that beat or whatever it may be. I was like, I want. I wish that would go viral. And every big rapper's like, okay, I'm gonna do my charity or my giveaway video where I go to my hood and Buy out the supermarket and buy out the school.

[B]

That wasn't even his hood. That was Miami. That's not even his hood.

[A]

Wherever it may be, your hood, somebody else's hood. Everybody needs help somewhere. And I want to see all the top 20, 30 rappers or whatever. We gotta all make one video where we're just like kicking off the community. Just like that's what I was hoping for.

[B]

Would have been dope.

[A]

But surely there's a lot of people giving who are just keeping it private for sure.

[B]

Cause it doesn't really. You don't have to. The world don't gotta know everything. If helping somebody is. You shouldn't have to tell people you're helping someone. Just do it.

[A]

I was just watching this Billie Eilish video interview video and she said all artists are sad. Is that true?

[B]

No, but it's parts of it, you know, all artists aren't just living their best life, you know. It's not an easy life, you know, like, it's a lot that comes with it, you know. It's not what it looks like. I'm not always sad, but I have sad moments, you know, when I'm lonely or I want to just go somewhere I know I can't, you know, or just gotta work all fucking day and night, you know. But not always sad. Slow.

[A]

But you're sad a lot.

[B]

I'm sad at times about what just told you.

[A]

Just.

[B]

Just like. Just like certain things that I, you know, I used to could do that I can't do anymore. Just. I don't know. Just your privacy goes out the window when you become famous, you know, you.

[A]

Can'T walk down the street.

[B]

You can do whatever you want in this world, but you.

[A]

I mean, like, I walk down the street, I can get somewhere. You. You can't do that.

[B]

Depends on the block, but yeah.

[A]

So you feel like fame, like gets in the way of life sometimes?

[B]

Sometimes. But sometimes it helps, you know, it speeds things up, you know? Yeah. That's why I don't complain about it. It is, you know. Cause it's just gotta know what you're signing up for.

[A]

It definitely speeds things up sometimes. And it definitely slows things down a lot of times too.

[B]

Yeah.

[A]

And you're like always being watched and judged and you never really know who knows and who's judging and who's watching and who's. Y'all saw Yachty, and he did this good thing. I saw Yachty, he did this shitty thing. And like. What? You didn't even ask me why I did it. If you asked me, you would understand. Like, I wasn't cutting that guy off. You know what I mean?

[B]

Like, and people feel entitled. True, man. I was in the airport yesterday, getting in the truck, and this lady asked for a picture. I ain't been sleeping, like, three days. I don't know. She just had a whole attitude, you know? She was like, don't nobody even know who he is right now. It was just like, you asked for.

[A]

The picture, and now you wanna hate.

[B]

I just wish some people just don't care to understand or, like, give a fuck about someone's, like, feelings or, like, opinions. I don't know. Just like, if I don't wanna take the picture, why does that have to be me being an asshole? You know? I really want people to put that in. Put in their footsteps. Like, if I walked up to them all the time, or people just walked up, say, hey, can I get a picture? Like, which they can never understand. Cause it doesn't happen in them. But, like, that shit is hot, you know?

[A]

Someone like you is getting it constantly. Try to eat. People want to. Try to get somewhere. People want to take a picture. I mean, I don't think the average person realizes how, like, you are the 20th person to ask him for a picture since he walked into this restaurant. So it's not just, I'm dissing you, and I'm just like.

[B]

And when it's in places like some, like, big places, sometimes, like, you know, people really just be waiting for the first person to ask. And once you take the one, it's all over.

[A]

No doubt.

[B]

You know? So I mean.

[A]

I went to the Essence Festival. I mean, like, I'm like, a fraction of your level of fame. I appreciate everybody who wants to take a picture or whatever, talk to me. But every once in a while, you get that thing right. I go to the Essence Festival and I walk out and, like, I'm out in the world for, like, two minutes, and people are like, yo, I want to take a picture. Take a picture. I'm like, sure, no problem. The 40th fricking picture. I haven't moved from this spot for 15 minutes. And I'm like, smile, smile, smile. And I saw this woman out of the corner of my eye who's, like, waiting, waiting. She must have waited, like, 10 minutes to take a picture with me. And finally it's her turn. And she slides up and she puts her arm around me, and she goes, who are you?

[B]

Yeah.

[A]

And I'm like, wow. I am happy to take a picture, have a conversation with People who are actual fans, but people who are like, I just saw everybody else, so I just did it. And I didn't want to miss out. I'm like, wow, really? You didn't even know who I am. Why are we doing this thing together? Taking a picture when you're going to be like, okay, great, whatever. Swipe Next.

[B]

It's weird.

[A]

It's weird.

[B]

That's so funny. I hate that people are weird sometimes. All the time.

[A]

What's the difference between being a good musician and being a great musician?

[B]

Damn. I don't know. I don't know. I guess being a great musician, leaving a legacy, maybe a good one, is just probably maintaining.

[A]

I feel like you're more than a musician.

[B]

I'm a brand.

[A]

Yeah. Like, music is one avenue of expression for you, but that there are other things you could do. And What I imagine, five, 10 years, he's not making music anymore. Now he's doing something different. He's expressing himself in a different way. Perhaps as an actor, perhaps as a who knows what.

[B]

Right.

[A]

What do you think? What do you see for Yachty in five years or seven years?

[B]

Trying to think on it now, you know, but big, you know, bigger. Bigger than life.

[A]

Is there gonna be a new plan?

[B]

That's what I need to start working on now.

[A]

Are you still in the midst of the plan that you had before? You've gone past that plan?

[B]

No, no, no. That plan has been succeeded.

[A]

So is there a current plan that you're working through or. Not really.

[B]

Not yet. But I need to start working on an extended plan of life. Be here before you know it.

[A]

What would be on it?

[B]

I don't know yet.

[A]

What is on the bucket list even?

[B]

See, it's the difference between bucket list and playing I'm talking about is the plan, like, it's gonna make it so I could retire from this and, you know, live forever. All generations be straight. Depends. Last year, definitely on stage more. This year I had a lot more free time doing the movie. So I've been in the studio way more, but usually I had no time. Last last two albums, last two albums I had, I was never home. I made them on the road.

[A]

What I mean, like, what is. What is. What is more exciting for you? What is more. More a better fit for you of rocking a stage or rocking a studio?

[B]

Oh, rocking stage. And that energy is unmatched. So much fun.

[A]

You'd rather be on the stage than in the studio.

[B]

Yeah, without a doubt. A stage with good energy.

[A]

Yeah.

[B]

You know? Cause when you're on Stage and the energy sucks. God, it's like the longest time period ever.

[A]

But when it's right, what is it like just fine.

[B]

And it goes by too fast so quickly.

[A]

I mean, it's heavy to be out there in front of, you know, 40, 50, 80,000 people screaming for you, you know, it's fun.

[B]

That was so much fun.

[A]

I know for a lot of artists you rock that stage and the energy's way up high and the adrenaline is maximum and you come off and it's hard to deal with that moment where now we're backstage, going to the hotel.

[B]

And like, I got flip switch.

[A]

What does that mean?

[B]

On and off? I'm real chill. I'm super chill. Soon as I'm. Before I'm on, I'm chilling. As soon as I'm off, back chilling.

[A]

And you don't, you know, don't you feel that like when the adrenaline falls off and it's like kind of as.

[B]

Soon as I say thank you and walk off the stage, my switch is flipped. Chilling.

[A]

So do you switch it on to get on stage and like, okay, now let's go, we're up.

[B]

Yeah.

[A]

Do you. Is there something you need to do to like.

[B]

Nah, you just feel it when you can hear them. You feel em. It's the energy. You feel it? Yeah.

[A]

What is some of the self talk when you're about to get on stage and you're feeling it, you're about to get up and like, I'm gonna go kill this, I'm gonna kill this crowd. And like, what are you saying?

[B]

Pretty much that like I had a show last night, I was kind of like nervous that no one was gonna come. Cause I hadn't did a show in a while. And so I was kinda just like. Kept saying like, man, God, I hope people show up. I hope they turn up. Then right before it was time, it just, let's do it.

[A]

Are you nervous about the performance itself and you on stage?

[B]

No, the crowd and the way they react. I know I'm gonna do me, but I can't do me unless they're reacting right. I can't turn up. And they just staring at me like, designer, designer. The crowd could be dead and designer gonna still give you 100% energy. I love that it could be three people in the crowd. He's still gonna give you show like it's 100,000. I can't. I feed off energy. If they like, I'mma be born. I'm gonna be a bad show.

[A]

So if you did, let's say the Grammys where typically people are just like industry, like just sitting there awkward. Yeah, it's not the same. Like that would be hard for you.

[B]

It's a lot harder. Yeah.

[A]

Tell me about the morning. What do you do in the morning? Even if Your morning is 12:00, I'm at home.

[B]

Ain't no morning. My morning is 1 2. I mean like I wake up about 1, then I work out with my trainer at 1:30.

[A]

Okay, but I want to hear about what you do when you work out. But what are you like? I talk to a lot of people on the show about their thoughts and feelings when they're first waking up. And a lot of people who are successful have really positive self messages when they are waking up and beginning their day.

[B]

I just stay in the bed, I mean the bed for a long time. I'd be on my phones chilling til the trainer pull up and make me get out the bed. And then I start the day and it's now since I've started training, my days are more energetic after working out. You know, you have more energy and just. You're ready for a day. You know, before I was working out, I'd just be in the bed all day. Chill.

[A]

Life. What do you do when you work out?

[B]

It's different every time. Every time it's different.

[A]

Weights, cardio, plyometrics, all that hate boxing bullshit.

[B]

No, not boxing. A lot of shit. That fucking sucks.

[A]

Why do you do it?

[B]

Oh man. Cause I want to get fit and just. I want to feel good and.

[A]

Are you fit?

[B]

Fuck no.

[A]

Are you athletic?

[B]

Fuck no.

[A]

Somebody said, let's go play some basketball. You'd be like, no. Or if we got out there, would you look awkward?

[B]

Or you could do. Are you talking about like on Xbox or.

[A]

No, I'm not talking about Xbox. I'm talking about actual basketball with like a hoop and a backboard and a ball.

[B]

Oh, no, thank you.

[A]

He said no thank you. I'd rather Xbox than actual basketball for sure. Football?

[B]

No, I can't play anything.

[A]

Frisbee, anything?

[B]

No, I used to go run. I used to be real fast, like a sprinter.

[A]

Yeah, no more.

[B]

Nah, we just chilling. I'm good at Uno.

[A]

At Uno?

[B]

Yeah.

[A]

I play that with my kids.

[B]

I play with the gang. I'm awesome.

[A]

You should play. If you like Uno, you should play exploding kittens.

[B]

Exploding kittens?

[A]

Yeah.

[B]

I've never heard of that.

[A]

Yo, son, that's the game.

[B]

Sounds intense.

[A]

Uno is. That's yesterday. Exploding kittens will blow your mind.

[B]

It's a card game. Yes, I have to look into that.

[A]

This is the illest. It's the illest card game.

[B]

Okay, no doubt. I'm gonna check that out.

[A]

So are you a game kind of person?

[B]

Yeah, for sure.

[A]

Like what games you love?

[B]

I play everything. Everything.

[A]

Spades?

[B]

No, not card games like that. I like Uno's, like the only car game I like.

[A]

So what other games you just.

[B]

Video games.

[A]

What's your video games? What's your games? What's your top three games?

[B]

I mean, right now, Red Dead Redemption, 2K, probably Call of Duty.

[A]

Are you like, good.

[B]

Good at 2k? Not really that good at Call of Duty. It's just people who. It's people who, like, devote so much time to playing video games and they're so skilled. I only. I get to play like 45 minutes out of a day. I used to be back when I was sitting at home, all I did was play games. Fuck. I don't get to play like I used to, but I still love it so much and have such a love and I have so much respect for, like, pro gamers.

[A]

Is there a failure in your life that you learned a lot from and you grew a lot from?

[B]

Yes. Tell me Tupac's situation. Tupac, Biggie situation, the whole battle. It's not even really a failure, but it was like a lesson. And when I and I got into like a argument. Not an argument, but like, it was like this little beef with Soulja Boy over female. Like those two situations.

[A]

So what happened with the Soulja Boy thing? I don't understand.

[B]

Nah, back when I kind of first started, it was this girl that kind of like had a crush on me that he was kinda like talking crazy around the Internet and I kinda hit him like, yo, don't do that. Playing Captain Save. I was trippin'I.

[A]

Mean, like, what I'm trying to get at is something that you did that then was like, oh, that was a mistake.

[B]

Well, I started a big arg. It was a big beef. And it was just like. I don't know, it was stupid. Then Tupac thing, you know, when I said, well, it was a Biggie thing, not Biggie, I think I said Biggie was overrated. Tupac and Biggie, I said something like that.

[A]

Do you still think that?

[B]

I don't think nothing about it at all.

[A]

You don't know if Biggie was overrated?

[B]

No, I said he was to me.

[A]

Right. Well, what are you saying now? You still say that now?

[B]

Nah, I say now I don't even speak on a topic. I don't even talk about it. So, you know, But I don't even talk about it.

[A]

So you don't want to comment on the opinion that you have because you are in Brooklyn. This is Biggie territory.

[B]

Understand it. I understand it.

[A]

There's a bunch of murals up the street.

[B]

Yeah, but I mean, that's the thing about life, man. An opinion is an opinion. You know, I can't wait till we get to the point in life where, like, people's opinion is understood as their opinion, you know, like, he feels like such and such isn't good. That's him. Whatever, you know, I love him. I love such and such. Such and such.

[A]

I mean, you could see how that's.

[B]

What I learned, though. I learned, you know, like, you know, the love and impact, you know, And I didn't get it at the time, but I understand it. I didn't grow up on that. I didn't know about it. I'm from Atlanta, but up on outkast, and my dad didn't play. Like, he played Coldplay and Kane and the Beatles and John Mayer, and that's what I was listening to, you know, So I had no clue about that stuff. Like, that was not my. I knew nothing about it. No songs, nothing. So, I don't know. I learned I definitely have 100%. I have a respect. No for both. You know, I was never even trying to disrespect. I was just telling my honest opinion. I didn't really know much about it, so. And I never lie. Ever. I don't lie. I don't have a reason to lie.

[A]

I didn't know you never lie.

[B]

Not really. I'm brutally honest.

[A]

Like, social lies. You look nice.

[B]

Nah, nah. I definitely tell the truth when they come in. Unless somebody know for real.

[A]

That jacket looks fucked up.

[B]

Yeah. Facts. I just don't. I don't.

[A]

What motivates you to do what? To do the things you're doing professionally. Cause I don't get the sense that you're, like, driven to be number one. I don't get the sense you're driven to prove yourself. So I'm not sure, like. And you already have millions, so it almost becomes like, why get out of bed? Why not just. Let's just hang out? Like, what is the thing that propels you? Like, yo, I gotta get back in the studio.

[B]

And you really don't.

[A]

I don't know.

[B]

It's just fun. It's fun to me. It's not like I need it. I need. It's just fun. I enjoy making Music, I want to act. So the things I like to do, you know, like, if I felt like I need another album out, yo, probably wouldn't be as good for me.

[A]

Cause that's not your energy.

[B]

Nah, I'd just be chilling. I like to just chill. Chilling.

[A]

Definitely get that vibe.

[B]

Chill.

[A]

What is your superpower?

[B]

I don't know. I don't know. I just try to be that positive light in everyone's life. For the most part.

[A]

You're getting there.

[B]

Yeah. Especially close people around me. That's important. You know, everyone needs positivity and everyone doesn't have it. You know, I realized that like, sometimes, like I meet people or girls or just people in general that I may not even know much about. But I ask, like, what do you want to do? A lot of people want to be rich and a lot of people want to be famous. They don't know how or why they should be. They just want millions, you know, I try to like have that talk with people all the time. Like, you know, like, if so, you know, it's possible. But you gotta have a plan. No one is gonna slap $5 million in your face, you know. So just try to motivate people, you know, no one has to be in a situation they in forever.

[A]

Thanks so much to Yadi for an awesome interview and thanks to you for listening and for contributing to Torre's show via Patreon. It means so much to the whole team that you believe in what we do to support us with your hard earned dollars. Thank you so much. Toray show gives you fuel to power your dreams because you can use your dreams like a rocket ship to blast you into a life you never imagined. You can make your dreams a reality and this show can help. You can find me on Twitter or and on Instagram orayshow. Torre show is written by me, Torre and produced by Jackie Garafano. Our editor is Ryan Woodhull. Our booker is Claudia Jahn. Our photographers are Chuck Marcus and Shanta Coving and were distributed by DCP Entertainment. And I want to give a shout out to my new super producers, Brit and Sam Montez. We will be back on Wednesday and on Friday with more amazing guests because the man can't shut us down. Why choose a sleep number Smart bed. Can I make my side softer? Can I make my side firmer? Can we sleep cooler? Sleep number does that cools up to eight times faster and lets you choose your ideal comfort on either side. Your sleep number setting. And now save 50% on the new sleep number limited edition smart bed, limited time exclusively at a sleep number store near you. Learn more at sleepnumber.

[B]

Com.