Trapital Podcast — Mailbag #2: D-Smoke’s Potential, Lovers & Friends Fest, Jay Z the Wartime Leader, The Cost of Album Bundles, and Def Jam…oh Def Jam
Host: Dan Runcie
Date: March 3, 2020
Brief Overview
In this engaging, in-depth mailbag episode, Dan Runcie fields Trapital member questions on pivotal topics at the intersection of hip hop, business, and technology. The conversation navigates D Smoke’s mainstream potential, the chaotic rollout of Lovers & Friends Festival, Jay-Z’s legacy at Def Jam, the economics of album bundles, music incubators in West Africa, and Jay-Z’s venture capital moves. Runcie delivers frank analysis, industry anecdotes, and personal insights, making this episode a must-listen for anyone interested in the business side of hip hop culture.
Key Discussion Points & Insights
1. D Smoke’s Crossover Potential — [01:00]
- Background: D Smoke, winner of Netflix’s Rhythm and Flow, is gaining visibility, with notable interviews and public appearances.
- Seen as “the next Kendrick” due to his Southern California roots and thoughtful, conscious lyricism.
- Unique for his bilingual (Spanish/English) rapping skills.
- Challenges:
- The industry struggles to categorize an artist like D Smoke.
- Comparisons to Wale: Wale’s career underperformed relative to expectations—possibly because he was “almost too talented in several different ways” ([03:40]).
- Risk that D Smoke could also be “relegated to niches” due to his diverse talents.
- Opportunities:
- The current landscape offers more ways for niche artists to thrive.
- If D Smoke can “find the niche of someone that will appreciate both the bilingual aspects of his rap and the consciousness...more power to him” ([06:25]).
2. AI in Music Production: “Travis Bot” & the Producerless Future — [07:00]
- Question: Will AI like Travis Bot make human producers obsolete?
- Perspective:
- AI-produced tracks are increasingly convincing, but Runcie doubts full replacement of human creativity.
- “Beat making and the production of records is a skill...there’s still going to be room for the tastemaking that happens from these super producers” ([08:50]).
- Technology democratizes access, but “we’re not gonna see a complete takeover” ([10:05]).
3. Lovers & Friends Festival: Opportunity and Risk — [11:10]
- Announcement: Goldenvoice (Coachella organizers) launched a nostalgic throwback festival.
- Controversy: Initial confusion as artists publicly denied involvement; later clarified, with a second festival date added.
- Lineup Highlights: Lauryn Hill, Usher, Ludacris, TLC, Meg Thee Stallion, Nelly, more.
- Analysis:
- The festival is a “nostalgia play...people want to see” ([13:45]).
- Goldenvoice benefits from lower artist fees compared to major contemporary festivals.
- Real risk of artists pulling out—especially veterans with less financial need; “the running joke for a while has been whether Lauryn Hill actually shows up...or if she does, will she show up on time?” ([15:20]).
- Wonders about the fest’s true “aesthetic”—will it fit the typical influencer/Coachella crowd, or the 90s/early-2000s R&B/hip hop fans ([16:48])?
- “Music festival organization is [Goldenvoice’s] thing...but this is the first festival [of its kind], there’s always a risk” ([18:00]).
4. Jay Z as Def Jam CEO: “Wartime Leader” — [19:00]
- Background: In light of Paul Rosenberg’s lackluster Def Jam tenure, Runcie re-examines Jay Z’s run as label head (2004–2007).
- Achievements:
- “He was able to help propel Rihanna’s career, put Rick Ross on...Kanye had dropped both Late Registration and Graduation...we saw Ne-Yo go through his rise...” ([19:45]).
- Shortcomings:
- Young Jeezy’s momentum fizzled post-debut.
- Jay Z’s own album Kingdom Come is widely seen as a dud (“What the hell was that? He acknowledges himself that that was his worst album” ([22:32])).
- Leadership Style:
- Jay Z wanted to take risks—new merch, new revenue models—but was frustrated by the slow-moving label system.
- Notable quote on inefficiency: “We have 57 artists signed on this label and only four of them are going to break. What kind of business is that?” ([24:00]).
- “Jay Z operates best in situations where the boat needs to be rocked...he truly is a wartime leader. He is not a peacetime leader” ([24:30]).
- Evaluation: Rates Jay Z’s Def Jam run a B/B-, contrasting with Rosenberg’s D-minus.
5. Mr. Eazi’s West African Music Incubator — [26:00]
- Initiative: Nigerian executive Mr. Eazi offers an artist incubator with mentorship (featuring Diplo, Afrobeats producers), $10K seed funding, and masterclasses.
- Comparisons: A blend of Y Combinator and Rhythm & Flow competition.
- Implications:
- Meets the moment as artists resist traditional label deals.
- May still primarily benefit “those that were already going to be most successful” ([28:50]), but does increase flexibility and opportunities in West Africa’s booming music (and tech) scene.
- Potential: “This is something that I’m going to check in on myself because I’m interested to see how this model will progress” ([30:55]).
6. The Real Cost of Album Bundles: Digital vs. Physical Goods — [31:50]
- Current Economics: Artists bundle albums with merchandise, tickets, or digital goods to boost chart sales.
- Pros/Cons:
- Physical goods (like T-shirts) cost more to produce and ship, but have marketing value: “Each of these items...gives people an opportunity to take a picture of themselves on Instagram...it’s a form of clout” ([34:00]).
- “It’s hard to do that with a digital good...It doesn't have the same thing as me wearing one of these T-shirts that says ‘I just went to AstroWorld and all I got was this fucking T-shirt’” ([35:30]).
- Artists like Travis Scott keep merchandise production costs low and make up for volume and impact on culture/social media.
- Conclusion: While digital goods could reduce costs, “I just don't think that a digital good can create that same level of social media impression...I just don't see that happening soon” ([36:24]).
7. Jay-Z’s Marcy Venture Partners: Hip-Hop’s Next Power VC — [37:55]
- Jay Z raises $85M: Marcy Venture Partners is his new fund (previously Arrive); already seven investments.
- Context: Jay Z’s been envious watching Nas become the star VC (“a couple weeks ago, [I] saw the top celebrity investors list—Nas, Ashton Kutcher, Carmelo Anthony...Jay Z’s list wasn’t on there” ([39:22])).
- Strategic Value:
- His Uber investment cemented his billionaire status.
- “He wants to leverage [his cachet] and continue to build...Rock Nation has not shown any hesitancy when it comes to trying to expand on an opportunity and I don’t look at this any differently” ([41:55]).
- Anticipates symbiosis between Roc Nation’s talent and Jay’s VC portfolio—an ecosystem of investments, advice, and deals.
Notable Quotes & Memorable Moments
-
On D Smoke and niche success:
“He’s almost too talented in several different ways that he got relegated to niches. That’s what I think could happen to D Smoke.” — Dan Runcie [04:10]
-
On AI and beatmakers:
“We’re not gonna see a complete takeover. [Tech] will make it easier, but they won’t be true threats to one of the core pieces of music creation, specifically in hip hop.” — Dan Runcie [10:05]
-
On artist cancellations at festivals:
“The running joke for a while has been whether or not Lauryn Hill actually shows up to any of the music festivals that are on her schedule, or if she does, will she show up on time?” — Dan Runcie [15:20]
-
On Jay Z’s leadership:
“Jay Z operates best in situations where the boat needs to be rocked...he truly is a wartime leader. He is not a peacetime leader.” — Dan Runcie [24:30]
-
On clout value of physical merch vs digital:
“It’s a form of clout. It’s a form of repping that you love that artist. It’s hard to do that with the digital good.” — Dan Runcie [34:00]
Timestamps for Important Segments
- 01:00 — D Smoke’s Mainstream Viability
- 07:00 — AI/Travis Bot & the Future of Production
- 11:10 — Lovers & Friends Festival: Hype, Risks, Demographics
- 19:00 — Jay Z’s Tenure at Def Jam
- 26:00 — West African Music Incubator by Mr. Eazi
- 31:50 — The Cost & Value of Album Bundles
- 37:55 — Jay Z’s Marcy Venture Partners and the Celebrity VC Race
Final Thoughts
Dan Runcie delivers candid, nuanced analysis with a tone that's both conversational and deeply informed. Each question is addressed with industry context, personal anecdotes, and a critical eye toward how hip hop navigates the changing landscape of business, technology, and culture. This episode is essential listening for anyone seeking a deeper understanding of the forces reshaping music and entertainment.
