Transcript
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Narrator (1:00)
He was a boy Scout leader, a church deacon, a husband, a father.
Alice Sebold (1:06)
He went to a local church.
Anthony Broadwater (1:08)
He was going to the grocery store with us.
Alice Sebold (1:10)
He was the guy next door.
Narrator (1:13)
But he was leading a double life.
Anthony Broadwater (1:16)
He was certainly a peeping Tom, looking through the windows, looking at people, fantasizing.
Alice Sebold (1:21)
About what he could do. He then began entering the houses.
Anthony Broadwater (1:25)
He could get into their home, take something and get out and not be caught. He felt very powerful.
Narrator (1:31)
He was a monster hiding in plain sight.
Anthony Broadwater (1:35)
Someone killed four members of a family. It just didn't happen here.
Narrator (1:41)
Journey inside the mind of one of history's most notorious killers. Btk through the voices of the people who know him best. Listen to Monster BTK on the iHeartRadio app, Apple Podcasts, or wherever you listen to your favorite shows.
Anthony Broadwater (2:01)
Hi friends. I am so excited to share this new Season 2 episode of True Crime with you. If you want an ad free listening experience, subscribe to Tenderfoot Plus@TenderfootPlus.com or on Apple Podcasts. Hi friends. Thank you so much for all the love on the first few episodes of season two. From sharing the podcast in your Instagram stories to leaving sweet review and sending us thoughtful DMs. Honestly, it means the world. I'm so pumped. Truly, you're the reason that we get to keep doing this, and that's not lost on me. But I do have a quick favor to ask you. If you haven't already, could you just pause this episode right now and follow us on social Media? The show's TrueCrimePod on Instagram x and Threads. And I'm Helicia Stanton on Instagram and TikTok. It's worth it, I promise. We are sharing case photos, behind the scenes moments and lots of reels and TikToks diving into the stories we cover here. Plus I'm dreaming up fun ways to connect things like live Q&As, polls, giveaways, collabs. But I need to know if that's even something you'd like. So the best way to tell me is to follow us. And also you can let us know in the comments or DMs. Alright, so go ahead. Seriously. Pause, hit that follow button and come back. I'll wait for you. All set? Perfect. Thanks again for being part of this little corner of the true crime world we're building together. It means the world. Now let's get into the show. Please be aware that today's episode contains references to sexual assault and physical violence. Please take care while listening I remember being 14, sitting in a movie theater, eyes glued to the screen. It was early 2010, back in the days when Netflix was still primarily a mail in DVD service and Hulu was free. The big screen was, to me, still the apex of movie watching, and that day I was captivated. The film, an adaptation of a novel by the same name, was called the Lovely Bones. I'd learned later in a college psych class that human personalities often remained stable, unchanging throughout much of our lives. So knowing that now, it's hard to feel shocked that 14 year old Celicia, who'd grow up to become a true crime podcaster, felt entirely sucked in by the movie's plot, a fictional drama about a girl of my same age who, after being raped and murdered, watches her friends and family from heaven as they struggle to move forward in the aftermath of her death. While the film would earn mixed reviews, the novel on which it was based was an undeniable success, selling 10 million copies worldwide. Years later, when I happened across the book in a thrift store, I purchased it. But what I didn't know then, that day in the theater, nor the one at the Goodwill, was that for Alice Sebold, the novel's author, the Lovely Bones had been a sophomore release. Had I known that, 14 year old Celicia would certainly have read her first book, Eager to hear more from a new favorite storyteller. This book, a memoir named Lucky, shares a subject matter equally as dark as the second, chronicling Alice's own traumatic experience as the victim of a brutal crime. But two years ago. When I finally did learn about Alice's debut work, much like in that theater in 2010, I felt drawn in. But this time, the things that stood out were different. Lucky wasn't some fabricated tale about tragedy. These were real events involving real people, and I would soon uncover that major aspects of those events deserved a retelling. It's a story far different, but running in meaningful parallel to the one Alice wrote in Lucky. And so today we'll share both this is the story of Alice Sebold and Anthony Broadwater. I'm Celicia Stanton, and you're listening to truer crime telling. Today's story means weaving together two narratives, two points of view that are at times painful in their juxtaposition, often at odds yet always entwined. When I started working on this episode, I wondered where to begin, eventually deciding on the same place it began for Alice and Anthony, with the same story that unfurls in the opening chapter of Alice Sebold's bestselling memoir, Lucky, in the early hours of May 8, 1981, when Alice, a freshman at Syracuse University, is walking home alone along a mostly empty stretch of road near campus. According to the New York Times, Alice had just left a friend's end of semester party. Summer break was imminent, but any warm, lingering feelings after an event spent with friends are sudden gone. When she's grabbed from behind, a hand wraps over her mouth. I'll kill you if you scream, he tells her. In her memoir, Alice writes that she never fought anyone before. No, she was the person people chose last in gym class. But trauma and tragedy are not known to spare the unprepared, so she fights back anyway. In the struggle, he drops a knife, which police will find later abandoned nearby. They'll also find Alice's broken glasses. He drags her to a nearby tunnel, and once inside, he commands her to take off her clothes. I have $8, Alice says, but my mother has credit cards, and my sister does too. Her attempts to bargain don't interest him. I don't want your money, he replies. Please don't rape me, she begs, but he will anyway. When it's over, his demeanor shape shifts. I'm so sorry, he says, and moments later, are you okay? Then, just as suddenly, his mood changes and he's calling her a bitch. Calculating her best chances for survival, Alice begs him not to tell anyone about what had happened. Maybe if he thinks she'll keep her mouth shut, he'll let her out of here alive. She asks to leave. He asks for a kiss goodbye. She kisses him. He's remorse, more apologies. Take care of yourself, he tells her as she walks away. He asks her name. Alice, she says. Nice knowing you, Alice. See you around sometime, he calls before disappearing. Alice walks towards home, her face cut up and bruised, her hair filled with leaves. She can hear the voices of fellow students commenting on her appearance as she walks by. But she doesn't stop, continues instead towards her dorm, towards home. When she makes it there, she reports the assault to her ra. Suddenly, it's a flurry of police, a gurney in an ambulance, a bright white hospital room, painkillers and sedatives. According to local news outlet Syracuse.com, an emergency room doctor will conclude that she's certain Alice had been raped. But despite a rape kit, numerous injuries and a knife and broken glasses found at the scene, police are less sure. The officer will conclude his report by saying it is this writer's opinion that this case as presented by the victim, is not completely factual. Never mind the fact that he will provide no reason for his doubt. Never mind the evidence, the professional opinion. Never mind the young girl who walked bravely to her dorm with cuts on her face and leaves in her hair. Because it is, after all, still 1981 and nearly four decades later when a two word hashtag captures the attention of the world, we will still somehow be having this same conversation. So I suppose it isn't surprising that the case goes dark. Spring turns to summer, summer turns to fall, and Alice is left to pick up the pieces. Before the attack, Alice had always considered herself a bit of an outsider. According to the Guardian, most of her formative years were spent in a middle class suburb of Philadelphia. Raised under the roof of two academics, Alice was often at odds with her parents and described her younger self as too smart, too fat, too loud, too arty. She did her own thing, which included customizing her clothes with embroidery and acrylic paint. As a teen, she fell madly in love with writing and acting. When it was time to plot out her path post high school, she enrolled at Syracuse to begin her college career. But now her freshman year had ended in a trauma that would stick with her for life. She went home that summer and spent the coming months reeling from the attack. According to the New Yorker, she rarely left her parents home, her nightgown becoming her daily uniform. She felt more ostracized than ever, and her general sense that her father blamed her for what happened certainly didn't help things. Alice considered for a while whether she would return to Syracuse. Her parents wanted her to stay in Philadelphia, but Alice held tight to her dreams of writing, of making meaning out of the worst thing that had ever happened to her. And so that fall, she did just that. Back at Syracuse, Alice began writing about her attack for the first time. One day on her way to class, she stopped in town to grab a quick snack. Walking down Marshall street, she saw someone she recognized. Her attacker, alice would write in her memoir. Lucky that she ran through a mental checklist of what her rapist looked like, compared her memory to the man now in front of her. He was the right height and build. His posture felt deeply familiar. Hey, don't I know you from somewhere? He called out to her. This was all the confirmation she needed. It was her attacker now, mocking her all these months later. According to the cut, as Alice left, she saw the man talking to a police officer. He was taunting her, flexing his freedom, casually chatting and laughing right in front of her. Later, Alice called the cops to report the sighting. Without a name to go by, police began a search based on her description. And according to Syracuse.com, alice hopped into a sergeant's car and drove around town in search of the man she'd seen earlier that morning. And reading all this, I felt such deep empathy for Alice. I couldn't imagine how she must have felt driving around that night, replaying over and over again the moment she saw him, his nerve to call out to her. Anthony Broadwater was walking on Marshall street when he suddenly saw someone he recognized. Hey, don't I know you from somewhere? He called out. It was October of 1981, and Anthony, who was 20 years old, had been navigating a flurry of changes. According to the New York Times, he'd recently been discharged from the Marines after developing a cyst on his wrist. Now, back in Syracuse, he found work installing telephones for a telecom company. But Syracuse was familiar to Anthony. It's where he'd grown up. Syracuse.com writes that he'd spent his childhood playing sports and getting up to antics with his brothers. His mom had passed away when he was just five years old, and so his father, who worked as a custodian, raised Anthony and his brothers with the help of the boy's aunt. Despite being only 20, returning to Syracuse for Anthony had come with heavy adult responsibilities. His dad, whom he loved dearly, had recently been diagnosed with stomach cancer, and Anthony planned to spend time caring for him. However, on this particular day In October of 1981, Anthony was doing what most people his age did walking around town with a friend. It's when his friend ducked into a store on Marshall street that he saw that person he recognized a police officer he'd known as a kid growing up in Syracuse. A police officer, not Alice. Hey, don't I know you from somewhere? He called out.
