![Why you need to know your e.l.f.ing numbers with Kory Marchisotto [Uncensored Renegades] — Uncensored CMO cover](https://img.transistorcdn.com/26qfoz7hFm2pva8nC1NvuTOrbTndCNI1cWQmLXEY_W0/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8zY2Zk/YTM5OWVmNjE0Njcw/NjFlMTBhYWE1OGNm/Y2Y0NS5wbmc.jpg)
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A
Welcome, ladies and gentlemen, to Uncensored Renegades. This is a new show that I'm launching with Cory Marchisotto and we're going to be focusing in on leadership and we're going to be doing that in a new format which is the two of us tackling one topic for 20 minutes. So shorter than a normal show, but super focused and with the absolute rock star that is Corey. I know you're going to love this. Now if you want to make sure you get this every single week, please do go and subscribe to Uncensored Renegades in your feed and then you'll never ever miss an episode again. But without further ado, let's get into it. Here it is. Okay, boss, we're back.
B
We're back.
A
We're back.
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We're going to try to do it under 20 minutes again.
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We're going to attempt. We're going to attempt. This isn't going so well, is it? But we're going to try. We're going to try.
B
We got this. Let's go, Johnny boy.
A
We're going to try and pick maybe the dullest topic that we could possibly pick. We're picking them, aren't we? At the moment, we're talking about numbers.
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I love numbers. You know what I say to my team all the time, Know your elfing numbers. If you are in business, if you are working for a publicly traded company, better yet, if you are working for a for profit institution, you better know your elfing numbers.
A
Years ago, when my daughters were quite little, I was putting one of them to bed and I spent. And she was like, daddy, can you tell me what you do? And I spent this about 15 minutes explaining everything that I do in marketing. And she looks at me, goes, so basically you do the cutting, the sticking and the coloring in. I love. I was crushed. I was like, yeah, okay, but how.
B
Sweet is that little distillation that she made?
A
She's about right, of course. Yeah, but, but I think the thing that people forget is that that's the reputation. That's. That's what people see. They see. The thing that most people tend to see from us is the advertising bit. The reality of a marketer's job in a role like yours where you're very senior. It's the business of business and it involves a lot of numbers, doesn't it? And having to convince the board to invest in what you're doing and to basically you are shaping the future P and L of the company.
B
Well, if you go back to your daughter's assessment she's not wrong. It's the sticking, the coloring. What was the third word? Cutting, sticking, cutting, sticking and coloring to drive the revenue.
A
There we are.
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And to make sure that we can run the math through the P and L and get to the place that we want to be going and reach the goalpost. Right. So one of the things that I hear on a lot of CMOs, especially complaining about is nobody understands them. We hear this all the time. Scott Galloway talks about CMOs have a branding problem. I actually don't think that's the problem. I think the problem is most functions are black and white. You know exactly what this function is doing. It's got a starting point, it's got an end point, and pretty much everybody can explain it. Marketing is amorphous. Again, I've said this before. Ask a thousand people, what is marketing? You're going to get a thousand different answers. When things are ambiguous, people are naturally confused. So then your job is to be the decoder. And I think CMOs don't realize that. If you are talking to a CFO, do not go in there with your magic wand talking bibbidi bobbidi boo shit. Go in there and talk about business impact. We did this thing. And here is a direct line to revenue impact. For example, I have somebody that just started on my team. He's absolutely incredible. He's day one impact. He literally ties every single creator that he gets to talk about ELF to either emv, which means earned media value, or revenue. And we can see that right away on Amazon, for example. Hey, kBoss, I hung out with these two influencers. They made this post and today that product is up 4x. He's a director. He's not even a C suite executive. And he sends that to me in texts. And I encourage him to keep doing so because I can then trumpet his triumph. Right? That's what CMOs need to be doing. Direct impact. We did this because of this. We saw this insight, this data point, whatever it was that led us to that moment. And because of this, this thing happened. That ability to connect the dots is the most important part of a cmo. And that's how you get increased budget. So if I think about my journey at ELF, when I started, we were investing 6% of net revenue into marketing and digital, and I oversee both of those areas. I didn't go in and say I need to have 24% on day one. I am at 24% six and a half years later, because I held hands with the CFO, we agreed together on Taking a pragmatic approach, I didn't know what was going to drive the brand. I needed to put a lot of stimuli out in market to see what it would react and respond to. So I took her along for the journey and we did it together. Hey, let's get to 10% as a starting point. Then let's pause and reflect. See what worked, see what didn't, see what it responded to. And then let's uptick if we see it works to 12. 12 became 14, 14 became 18. You see how this goes. But a lot of people immediately just say, I don't have enough money, I don't have enough people. I need everything now. No, you don't. Incremental progress and being able to pinpoint the specific metrics and tell that story with impact is actually how you win the C suite and the boardroom.
A
Yeah, totally agree. Make the investment case, not. Not the cost. That's right, not the cost case. One of my favorite ever quotes I've come across is Len Lodish and Carmela. I think it was Harvard business review about 10 years ago and they said this, if brands are built over decades, why do we manage them in quarters? And I think that comes to some of the rub here, doesn't it? Because we so often measure what's easy, not measure what's hard, for sure. And it's you Talking about the 6% to 24%, that's where you win the game. That's hard to measure, really. Much harder to measure than what we sold yesterday or how many people saw us on TikTok. How do you make the case for the longer term moves that you make?
B
Well, remember, we went from 6% to 24% over six and a half years. Essentially those 25 quarters by which we started to raise the investment and where we're staying Today, we have 25 consecutive quarters of net sales growth and market share gains. So we know it's working. We also do ROI analyses to make sure that we can tell our shareholders and our board of directors that this investment is, is delivering results. So by whatever metric we look at it by, we see that marketing works. Now, I wouldn't walk into any room and say marketing works. I would walk into our room and say our marketing works because we're doing community based marketing. We're essentially co creating the brand with our community and that's actually making them a stakeholder in the business, if you will. Right. Because they're actually creating it with us. And I think it depends on what you hold dear as a Company and usually whenever anybody, especially CMOs ask me for mentoring all the time, almost every question they ask me, I say it depends. Do not go into your boardroom and sell a campaign called so Many Dicks unless you are ELF right, you'll get fired. There's a reason I can do that and it's because the case is ironclad. Not only is it a reflection of who we actually are, but we've done our homework. We know our numbers, we've done the math, and we've earned the right to be bold and funny. Don't all of a sudden wake up and think you're going to go to the market and be hilarious if you've been boring for the last 20 years. So you have to earn those rights incrementally. So does a CMO come into the business? Shoot a three point shot, don't even worry about winning the game, shoot a three point shot. And once you shoot that shot, bring that story into every room you walk into. Hey, we did this. It got us three points. Fantastic. Can you make another one of those? I sure can. If I can have this. To do it right, I need this, this and that. So I think that's where the key is. Do you understand the inner workings of a P and L? Do you understand that there is top line that affects bottom line? Do you know what your company's metric is that they hold dear? For us, we were bonus on ebitda. This is why our CFO teaches a class which is called what the ELF is ebitda. Because most people don't know what that is. But if I'm going to be bonused on it, well, then I better know what that is. And the only way I know how to get there is if I start at the top. And now I need to understand that my job impacts revenue. Unless you're in A not for profit, then we can have an entirely different discussion, right?
A
I've always believed actually of all the C suite roles, the CMO role probably has a bigger impact on the future value of the company than any other role because you're A, you're representing the consumer, but B, you're very often setting the future. Strategy, innovation, roadmap, you know, all that and brand building. You should be having a material difference and that should matter a lot. It's interesting, I absolutely love what you said there about earning the right. And so many CMOs I meet where they do really bold work. Actually, if you ask them, they built, they've earned the right over many, many years. I mean Remember Meg Fareng who's the CMO of KFC in the uk? There was this crazy moment where KFC ran out of chicken and it was like national headline news. Like KFC don't have chicken. Right? I mean, this is. And she said, what do I do? Right? And Motherhood Creative Agency. Picture this idea where they change KFC to fck. And on the bucket, they wrote this apology letter on the bucket.
B
That's hilarious, right?
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How good is that?
B
That's hilarious.
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She launched it in 24 hours. Did not tell a soul. But I say, I like Meg. How do you do this right? She goes, I had earned the rights and the trust over seven years to be in a position where actually I can take those kind of decisions. Another, another funny example. I met Fernando Machado. He's like, you know, one of the most celebrated rock starry CMOs and done some, done some great work. I'm like, dude, how'd you get away with this stuff? And he just goes, you hire Fernando Machado, you get Fernando Machado.
B
Yeah, you know, I actually have. And I love Fernando. He's an amazing guy. And this is not to discredit him at all. I have a different position on that. You need to stand at the intersection of who you are and what is the brand you represent. I'm going to be a very different CMO if you put me in a different company because it's not my job just to be me, it's my job to be me at the company I'm working for and understand deeply what is this brand about? What does it want to say to the world? How is that uniquely differentiated from anything else? And it's going to be wildly different than if I am the CMO of a different company that doesn't. Wasn't born to disrupt. Right? The company I'm standing in front of right now was born to disrupt. It's in our DNA. I am compelled to be disruptive. Otherwise I'm not being true to my brand. So. But you need to understand that as a cmo, you can't just come in and say, it's my way or the highway. This is how I'm doing it. You've got to come in and ask a lot of questions. You really need to get under the hood. You really need to understand what makes this brand tick, what not do you love about it. John Evans. What do the people we're serving love about this brand? And when I came into elf, the first thing that I did was go right into the consumer bank. I read every Single letter, all of them, especially the handwritten ones. Because if somebody is going to take the time to handwrite a letter to their brand and send it in and find the address and put a stamp on it, I mean, that is a real commitment. And here's what I found out. We weren't actually in the business of beauty at all. We were in the business of democratizing access. The letters that I were reading were people saying to me, thank you for opening a door for me that everybody else shut. That is a very important insight. Everybody else put velvet ropes. Everybody wouldn't let me come to the party. They priced me out. I was shut out. And I'm like, holy shit. I gotta think about this business very differently. And when you reframe it that way and say, what business am I actually in? You'd be surprised how much that opens a door for you to rethink how you engage the community you serve.
A
That's very true. Well, one thing that struck me, actually, as you told that story, is the consumer focus. But we mustn't forget that we need to take the same approach internally. I remember way back early in my career, I was pitching for a new business unit where I was going to basically be responsible for all the new brands and run it as a separate company. So the idea was that, you know, we were launching things and they were failing because we just moved on to the next thing. And I said, what if we had a separate company that only did the new stuff, that obsessed about it from, you know, the idea through the execution that we managed it, we integrated everything, you know, all the way through the brand managers, the sales team, the merchandising team, all the way into store. And that was the concept. And I remember, you know, I. I was quite young, probably my late twenties, my first big pitch, the board. I remember getting a mentor. And she was kind of talking me through how to do this. She said, well, look, you just need to lay out, right? Who do you need to win over to make the decision? Like, who's got an influence over the decision? Where are they today? Where do you want them to be? I remember as part of this, I actually interviewed the entire board of the company. And I started with the CEO. And the CEO said to me, remove every reason to say no. And I had this idea. So I went around all the board and I just said, tell me what is wrong with my pitch. Tell me every reason you could give me why this will not work. And you would say, no, right? And then I remember when it came to pitch, day. So I came in and my very first. Very boring. I didn't have the vision and the mission and the exciting stuff. And here's my new team. And here's what we're calling it. You know, I just said, you gave me 26 reasons why this is going to fail and here's my mitigation plan against every single one. And. And I didn't get past the first page because the CEO looked at the team and said, well, I assume on this basis you're all in agreement that John's going to go ahead, right? And it was the quickest yes I ever got. And I only. And all I did was say, here are the reasons to say no, but this is how I'm going to mitigate it. And that's the other side of the coin, isn't it? When you're trying to pitch to a board is that their fiduciary responsibility is to manage the risk and return of the company. And sometimes it's about making sure you've done the thinking and, you know, think about the risk. What could go wrong? What are you doing if that happens as well.
B
But that's a really good metaphor because so many people want to do what ELF is doing right now. Companies 10x our size are unpacking us every day and studying what we do and trying to figure out how they can do what we do. Who doesn't want 25 consecutive quarters of growth? Who doesn't want 25 consecutive quarters of market share gain, Right? Here's the thing, right? They don't realize exactly what you just pointed out, which is 26 reasons why not. We actually don't spend time there. We ask why the ELF not? And we ask what if? So many times. Everybody's starting point is all the reasons we can't do this. And it actually poisons the well. And I totally get it in the case of your pitch, and that's a brilliant approach, I would encourage all of the people listening to this episode to not start from a place of no. Because when you start from a place of no, you believe the no yourself. And you can't get to bold breakthrough work if your starting point is all the reasons why this is not going to work. So I have a formula that I created that works brilliantly every time. And almost everything we do passes through this formula. Step one, tune the ELF in. Who am I serving? What do they want? What is the insight? This is super important. What problem am I trying to solve? Like, tune in, ear to the ground. Listen to the people you're serving. Step two, put your head in the stars. Notice, my second step is to dream big. Not to point out all the reasons why we shouldn't, but to actually go imagine what could be possible to the fullest extent. And I push people, push the work as far as you can. Let me tell you, you went off the cliff right Big, bold imagination. Step three is put your feet on the ground and make it happen. Now go do the big thing. Step four is do it fast. Because you've got to move at the speed of culture. You've got to operate in real time. And step five, super important. And I learned this from another Johnny boy, who's my nephew who interned with us, and he has this line that I love that I use all the time, which is, it's hard to beat a team that's having a good time. So step five is have fun while you're doing it and it will show in your work.
A
I love that advice a lot. It's interesting actually with the. The what. What happened next with the. The pitch that I did because the. At the end of the meeting, the CEO turned around and said this same idea has been pitched seven times in the last eight years, but this time we said yes. And I'm like, oh, that's interesting. Why did you say yes? And apparently that everyone had identified what the problem was in the company, so the company had sort of failed to innovate and get behind small brands. And he's just said, this is the first person's actually come up with an answer and thought through how we do it. It's very easy in business. Say, oh, we should be doing this, we should be doing this. Yeah, but like as Mike Cesario says, ideas are worth $00. And it's like the ability to execute is everything. And I think is another. Again, another in terms of selling into the board. What they want is they want to know how, how are you going to do it? You know, and have you thought through the risks and, you know, what, you know, what's the potential?
B
Yeah, there's a very easy framework for that to boil it down for the audience. With them, you have to have all three. The what, the why and the how. Do not go with any one of those without the others. The what, the why and the how is how you make the best pitch and sell your pitch.
A
Absolutely brilliant. Absolutely brilliant. And just to the. The other part, if you remind me actually where I started with the idea, where the idea came from was quite interesting because we were away at a kind of management development program. There's off sites you do for sort of a few days. You get away to think about you, you know.
B
Yeah.
A
It doesn't happen often but anyway. But there I was think me. Yeah. And I, I forgot everything that anyone said for the entire four or five days, whatever I said, except for this one thing. And it's ridiculously simple. They someone just put this big kind of dark, big circle and said what are you talented and passionate about? Write everything down that you get energy from. You know where your talent is on the other side. What are the needs of the business that are currently unfulfilled in meeting the vision and the direction the company's going and where is that little overlap? And it's ridiculously simple. But just having the chance to go, you know, who am I, what am I about? Where am I going?
B
Yeah.
A
And what does the company need? And just marry those two things. I remember it's so simple. I was really excited. I remember phoning up a couple of board members and saying can I buy you breakfast on Monday? And I just literally took this pad of paper in with me 8am into the industrial park and wherever we were kind of thing and just said that is what I'm going to solve, you know. And then three months later was that.
B
That was the pitch that takes me to Sarah Blakely. She's the ex founder of Spanx. Well, the founder of Spanx who's now moved on to a new business, turned a crazy idea that everybody threw her out of the room when she pitched it into a multi billion dollar company. And she's got these three S's that I love. And she said it really all comes down to three things. Show up. People forget the power of just showing up. Show up with a solution and a smile.
A
That's brilliant. That is so simple. So, so simple. I love that. Well, I think that's probably where we end, right? Yeah, we got it. And ladies and gentlemen, we've managed this in 20 minutes.
B
And since the goalpost was 15, we're doing pretty good.
A
Exactly. We moved our own goalpost here, didn't we? Very successfully one day.
Podcast: Uncensored CMO
Host: Jon Evans
Guest: Kory Marchisotto, CMO of e.l.f. Beauty
Air Date: February 2, 2026
This high-energy, no-nonsense episode kicks off the new Uncensored Renegades series, where Jon Evans and Kory Marchisotto dive deep into essential marketing leadership topics in a condensed, focused 20-minute format. This episode is all about the critical importance of knowing your numbers as a marketer—demystifying the role of the CMO, making the business case for marketing investment, and sharing practical frameworks for marketers aiming to increase their impact and credibility inside the boardroom.
In this punchy, practical episode, Kory Marchisotto demystifies the CMO’s real role—grounded in numbers, business impact, and relationship-building. Winning the boardroom requires not just creativity, but also fluency in financials and an incremental, proven approach to investment. Earning the right to do bold, culture-shaping work starts with insight, consistent delivery, and fun. Marketers are challenged to “know your e.l.f.ing numbers,” build the case for their work, and always bring the what, the why, and the how.