Commercial Outtakes & Bloopers

Summary

Under the Influence with Terry O'Reilly: Episode Summary – "Commercial Outtakes"

Release Date: April 12, 2025
Host: Terry O’Reilly
Podcast Network: Apostrophe Podcast Network

---

Introduction

In the episode titled "Commercial Outtakes," host Terry O'Reilly delves deep into the often humorous and chaotic world behind the scenes of commercial production. Through a series of engaging anecdotes and illustrative outtakes, Terry explores the challenges faced by advertisers, directors, and actors in creating memorable and effective advertisements. The episode offers listeners insight into the delicate balance between creativity and professionalism in the high-pressure environment of advertising.

---

Behind the Scenes of "Young Frankenstein"

The episode opens with a nostalgic recount of the making of the classic film "Young Frankenstein." Terry narrates the numerous obstacles the creative team faced, including budget constraints, creative differences, and the difficulty of maintaining the film’s original aesthetic. Notably, the insistence of Mel Brooks and Gene Wilder to shoot in black and white despite studio resistance is highlighted as a pivotal moment that preserved the film’s authentic feel.

Notable Quote:

"Young Frankenstein had to overcome many obstacles to get made... Mel Brooks and Wilder insisted that it look like the original 1930s Frankenstein films." [00:48]

The segment underscores how creative vision often clashes with commercial interests, a recurring theme in the advertising industry.

---

The Hilarious Challenges of Celebrity Involvement

Terry shifts focus to the complexities of working with celebrity actors in commercials. Drawing from his extensive experience of directing over 14,000 commercials, he emphasizes that celebrities can be "wild cards" due to their high demands and tendency to disrupt the recording process with improvisations or tantrums.

Orson Welles and the Frozen Peas Commercial

One of the highlighted stories involves the legendary Orson Welles voicing a frozen peas commercial. Known for his "Thundering Voice," Welles found the task tedious, leading to a series of outtakes where his frustration is palpable.

Notable Quotes:

"Orson is losing patience almost immediately... Can you emphasize a bit in 'in July'?" [08:23]
"That's just stupid. In July. I'd love to know how you emphasize 'in' and 'in July.' Impossible, meaningless." [08:56]

This anecdote illustrates the difficulty in translating written scripts into natural spoken dialogue, especially when even masters like Welles grapple with the content.

William Shatner’s KFC Commercial Chaos

Terry recounts directing William Shatner for a KFC commercial, where repeated takes and Shatner’s insistence on adhering strictly to the script led to mounting tension.

Notable Quote:

"Now, Shatner was being tough on that director, but if you give line readings to professional actors, you're an amateur." [12:25]

Despite initial frustrations, Terry reflects positively on Shatner, describing him as "pleasant, fun, and great to work with," emphasizing the importance of maintaining professionalism in challenging situations.

---

Spoonerisms and Verbal Slip-Ups in Advertising

A significant portion of the episode is dedicated to discussing spoonerisms—errors where the initial sounds of words are swapped—highlighting how these can undermine the effectiveness of a commercial.

Examples of Spoonerisms:

1. Thirst Quencher Misstep:

   "Winter or summer Instant white rose, hot or cold Orange tico pea." [16:54]

2. Stay Tuned Gone Awry:

   "Now stay nude for the news." [16:54]

3. Preparation H’s Christmas Message:

   "From Preparation to you and yours, very Merry Christmas." [14:50]

4. Ornamental Sword Pitch:

   "The tip of the sword goes flying," resulting in injuries during the punch-down of a mock sword. [20:37]

These examples serve to illustrate the precarious nature of live or tightly scheduled commercial recordings, where even minor mistakes can lead to significant hiccups.

Notable Commentary:

"While spoonerisms are every actor's nightmare, there are other words that look like one thing but are actually another." [18:37]

Terry underscores the necessity for precision in advertising scripts, where auditory clarity directly impacts message delivery and brand perception.

---

Live Commercials and Bloopers

The episode further explores the realm of live commercials, where spontaneity often leads to unanticipated and humorous outcomes.

Johnny Carson’s Mrs. Paul’s Frozen Seafood

Johnny Carson’s live commercial for Mrs. Paul’s Frozen Seafood becomes a humorous case study as Carson struggles to maintain composure amidst script deviations and on-air mishaps.

Notable Quote:

"Mrs. Paul has done that for you, the sweet old lady." [25:25]

The segment highlights how live settings amplify the potential for errors, making rehearsed professionalism both challenging and essential.

Roger Federer and Rafa Nadal’s Charity Match Promo

In a light-hearted segment, tennis stars Roger Federer and Rafa Nadal attempt to record a charity match promo. Their inability to maintain seriousness leads to a series of giggles and missteps.

Notable Quote:

"Rafa, do you know what you're gonna give me for Christmas yet?" followed by multiple unfinished and corrected lines. [23:20]

This example underscores the universal difficulty of maintaining professionalism in live recordings, regardless of the celebrities’ stature.

---

Power of Outtakes in Modern Advertising

Terry concludes the episode by reflecting on the evolution of outtakes in the advertising industry. Unlike the past, where mistakes during live broadcasts were often kept under wraps, contemporary advertisers embrace these bloopers as a means to humanize brands and engage audiences.

He shares a personal anecdote about an outtake where an actor’s unintended ad lib was so amusing that it disrupted the professional environment, yet highlighted the importance of balancing creativity with discipline.

Notable Quote:

"When you work in the advertising business, you deal with a wide range of products... and the hijinks ensue when you're under the influence." [30:05]

This sentiment encapsulates the episode’s overarching theme: the unpredictable nature of creative endeavors and the inherent humor found within the high-stakes world of commercial production.

---

Conclusion

"Commercial Outtakes" offers a captivating exploration of the behind-the-scenes intricacies of advertising. Through engaging stories, notable quotes, and vivid descriptions of recording mishaps, Terry O'Reilly provides listeners with a comprehensive understanding of the challenges and humorous moments that define the creation of memorable commercials. The episode serves as both an entertaining narrative and an insightful commentary on the art and chaos of advertising.

---

Notable Quotes Summary

1. On Creative Obstacles in "Young Frankenstein":

   "...Mel Brooks and Wilder insisted that it look like the original 1930s Frankenstein films." [00:48]

2. Orson Welles on Frozen Peas Script:

   "That's just stupid. In July. I'd love to know how you emphasize 'in' and 'in July.' Impossible, meaningless." [08:56]

3. William Shatner’s Frustration:

   "Now, Shatner was being tough on that director, but if you give line readings to professional actors, you're an amateur." [12:25]

4. On the Nature of Spoonerisms:

   "While spoonerisms are every actor's nightmare, there are other words that look like one thing but are actually another." [18:37]

5. Reflection on Advertising Hijinks:

   "When you work in the advertising business, you deal with a wide range of products... and the hijinks ensue when you're under the influence." [30:05]

---

Additional Resources

For those interested in exploring more about the making of iconic commercials and the humorous outtakes from various advertising campaigns, "Commercial Outtakes" provides a treasure trove of anecdotes and expert insights. Listeners can enhance their understanding by following Terry O'Reilly on social platforms and tuning into future episodes of "Under the Influence."

Follow Terry O'Reilly at @terryoinfluence
Podcast powered by Acast

---

Transcript

[Terry O'Reilly]

Hi there. Sydney O'Reilly here.

[Ryan Reynolds]

We regret to inform you that the.

[Terry O'Reilly]

Rejection Podcast is back for its sixth season and Terry and I have some fun episodes to share with you. This year we'll be telling the stories of Yellowstone, Josh Allen, Bill Hader, Monty.

[Ryan Reynolds]

Python, Billie Holiday, and Canada's own Alanis Morissette.

[Terry O'Reilly]

It's jagged little Rejections this year on.

[Ryan Reynolds]

We Regret to Inform you.

[Terry O'Reilly]

Hope you'll join us.

[Ryan Reynolds]

Ryan Reynolds here from Mint Mobile. I don't know if you knew this, but anyone can get the same Premium Wireless for $15 a month plan that I've been enjoying. It's not just for celebrities. So do like I did and have one of your assistant's assistants switch you to Mint Mobile today. I'm told it's super easy to [e-mail].

[Terry O'Reilly]

Switch upfront payment of $45 for 3 month plan equivalent to $15 per month Required intro rate first 3 months only, then full price available, taxes and fees extra. See full [e-mail] does it ever feel.

[Ryan Reynolds]

Like you're a marketing professional just speaking into the void? Well, with LinkedIn ads, you can know you're reaching the right decision makers. You can even target buyers by job title, industry, company seniority skills. Wait, did I say job title yet? Get started today and see how you can avoid the void and reach the right buyers with LinkedIn ads. We'll even give you a $100 credit on your next campaign. Get started at LinkedIn.com results terms and conditions apply.

[Cloris Leachman]

Hey prime members, are you tired of.

[Ryan Reynolds]

Ads interfering with your favorite podcasts? Good news. With Amazon Music, you have access to the largest catalog of ad free top podcasts included with your prime membership. To start listening, download the Amazon Music app for free or go to Amazon.com adfreepodcasts that's Amazon.com adfreepeals to catch the latest episodes without the ads. This is an Apostrophe podcast production.

[Cloris Leachman]

We're going to show you our big new Studebaker Mamma Mia. That's a spicy meatball. What love doesn't conquer. Alka sells her will. Lee.

[Terry O'Reilly]

You'Re under the influence with Terry O'Reilly.

[Ryan Reynolds]

One evening I was on a plane flying to Los Angeles. It was a very late flight and there weren't many people on the plane, but I recognized one person sitting across from me. It was actress Cloris Leachman. When I spotted her, I didn't think of the Mary Tyler Moore show and I didn't think of her Oscar winning role in the Last Picture Show. I Thought of this Young Frankenstein. Young Frankenstein is one of my favorite movies of. Gene Wilder came up with the idea and co wrote it with director Mel Brooks. But Young Frankenstein had to overcome many obstacles to get made. The first studio they approached was only mildly interested and offered a tiny budget. So they had to find another studio to finance the film. Mel Brooks wanted to film the movie in black and white, but the new studio fought him on that, saying black and white films don't do well at the box office. But Brooks and Wilder insisted that it look like the original 1930s Frankenstein films. Eventually, the studio reluctantly acquiesced. But maybe the biggest obstacle to making the film come in on time and on budget was due to the cast and crew. They all kept laughing and ruining the takes. Sometimes it would require up to 15 takes just to get a short scene filmed because they would keep breaking into hysterics. When Gene Wilder's character leans in to kiss his fiance goodnight, played by Madeline Kahn, she says, no tongues. That was an ad lib that broke up the cast. When the blind man, played by Gene Hackman, yells to the Frankenstein monster as he's leaving, Hackman ad libbed, I was gonna make espresso. The scene immediately fades to black because the crew erupted into laughter, Brooks kept the line. Cloris Leachman improvised the dialogue in which her character, Frau Blucher offers Dr. Frankenstein warm milk and Ovaltine, which made the cast laugh hysterically. And when Marty Feldman's Igor character's hump kept shifting sides left to right, that too was improvised by Feldman. It became one of the funniest ongoing gags in the movie. Gene Wilder wrote the script so he knew the lines, but he kept laughing at how the amazing cast delivered those lines. Like this moment with Cloris Leachman.

[Cloris Leachman]

Follow me, please.

[Ryan Reynolds]

In this scene, Marty Feldman's Igor ad libs a line. Um, Igor, would you help me with these bags?

[Cloris Leachman]

Certainly. You take the blonde and I'll take the one in the tavern. Oh, please.

[Ryan Reynolds]

Even director Mel Brooks broke into laughter there, ruining the scene. The outtakes are hilarious and you can find them all on YouTube. The world of advertising also has its hilarious outtakes. Just like the movies, there are multiple takes, lots of pressure, and lots of mistakes. Sometimes actors get the words all mixed up to hilarious results. Sometimes celebrities have meltdowns, and sometimes professional actors just break down in a fit of the giggles. And none of it is Abby normal.

[Cloris Leachman]

You're under the influence.

[Ryan Reynolds]

I've directed over 14,000 commercials in my career, and I've witnessed some very amusing bloopers. Celebrities are the wild cards because a lot of money has been spent hiring them. Everyone wants to keep them happy and they know it. Celebrities often arrive with an entourage. Their agents make outrageous demands, and during the recording sessions, many celebs try and add a heaping teaspoon of intimidation to the process. Arguably the most famous outtakes within the advertising industry came courtesy of Orson Welles. He of Thundering Voice took on many advertising jobs later in his career, but never seemed to enjoy it. Here's Orson recording the voiceover for a frozen peas television commercial. Orson Welles and frozen peas. Already you know it won't go well.

[Cloris Leachman]

We know a remote farm in Lincolnshire where Mrs. Buckley lives. Every July, peas grow there. Do you really mean that? Yeah. So in other words, I'd start half a second later. Don't you think you really want to say July over the snow? Isn't that the fun of it? If you can make it almost when that shot disappears, it'll make. I think it's so nice that you see a snow covered field and say every July peas grow there.

[Ryan Reynolds]

As you can tell, Orson is losing patience almost immediately. The classically trained Wells is also a stickler for grammar.

[Cloris Leachman]

Can you emphasize a bit in in July? Why? That doesn't make any sense. Sorry. There's no known way of saying an English sentence in which you begin a sentence with in and emphasize it. That's just idiotic, if you'll forgive me if I say so. That's just stupid. In July. I'd love to know how you emphasize in and in July. Impossible, meaningless.

[Ryan Reynolds]

Orson makes a good point coming up. Writing something that is meant to be heard is much different than writing something that is meant to be read.

[Cloris Leachman]

You don't know what I'm up against because it's full of things that are only correct because they're grammatical, but they're tough on the ear. You see, this is a very wearying one. It's unpleasant to read. Unrewarding.

[Ryan Reynolds]

Ouch. But I'm with Orson there. Good advertising writers know how to write for the ear. So was Orson having a peachy time in that recording session?

[Cloris Leachman]

I spent 20 times more for you people than any other commercial I've ever made. You are such pests. Now, what is it you want? In your depths of your ignorance, what is it you want?

[Ryan Reynolds]

I'd say no in the world of commercial directors. Note I started that sentence with the word in. Sorry. Orson, you are in charge of the entire recording session. That means you're telling the sound engineer what you want. You're listening to Client feedback, and you're giving the actors direction. One of my absolute rules when directing commercials was to never, ever give the actors line readings. In other words, never read the script to them. Only bad directors give line readings. A good director, on the other hand, gives the actor some background on the commercial, explains the goals for the campaign, who the intended audience is, if it's a dialogue, commercial explains the characters and the relationship between those characters. And a good director communicates the kind of read they are looking for, explaining tone, pace, and which sections of the script to emphasize. But again, there is nothing more insulting to an actor than a line reading. Here is William Shatner recording a voiceover for an upcoming attraction.

[Cloris Leachman]

This is William Shatner, and I would like to invite you to take a journey with me into the 21st century. So take the next few minutes and listen very closely. You'll be amazed at what you hear. Okay, can there be a little more excitement in the beginning? I love it. Okay. All right. It sounded like really laid, you know, really simple, laid back.

[Ryan Reynolds]

Well, I'm, I'm.

[Cloris Leachman]

I'm saying, okay, I'll try and do that. Let's do take two. This is William Shatner, and I would like to invite you to take a journey with me into the 21st century. So take the next few minutes and listen very closely.

[Ryan Reynolds]

The director still isn't happy, so he gives Shatner a line reading.

[Cloris Leachman]

This is William Shatner, and I would like to invite you to take a journey with me into the 21st century. So take the next few minutes and listen very closely. You'll be amazed at what you hear.

[Ryan Reynolds]

Time to fasten your seat belts.

[Cloris Leachman]

I know you're here to see that I do it the way the company wants it, so I'm going to do it the way you read it. You know I don't want you to do it, but you're telling me how you want me to do it. Well, I'm sorry. No, no, no. I am going to do it your way. No, there's no apology necessary. You know what you want. You know what you want. No, I don't. I mean, you come in here and you don't know what you want.

[Ryan Reynolds]

Now, Shatner was being tough on that director, but if you give line readings to professional actors, you're an amateur and let the chips fall where they may. Here's the funny addendum to that story right after that Outtake first came out. Many years ago, I was scheduled to direct Shatner in a commercial. I remember our sound engineer saying to me, and good luck, with that. But you know what? William Shatner was pleasant, fun and great to work with. When you work in the advertising business, you deal with a wide range of products. Some are fun like soft drinking beer campaigns. Some are very serious like public service announcements for charities. Then sometimes you have to do your best for those rather delicate products. Some of you may remember a performer named Gary Owens. He was the stentorian announcer on the Laugh In Comedy show with his hand always cupped around his ear when reading a script.

[Cloris Leachman]

And now, from somewhere in beautiful downtown Burbank, NBC once more tries to prevent Rowan and Martin's laughing, with special guest star, the lovely and talented Peter Sellers appearing tonight as Ringo Starr.

[Ryan Reynolds]

I worked with the late Gary Owen several times. He had that rare ability to make something really funny by reading it perfectly straight. Except for this one time he was hired to read a heartfelt Christmas message from the makers of Preparation H. Christmas.

[Cloris Leachman]

Means many things to many people. To some, Christmas means glittering lights, gaily wrapped gifts, that's right, sounds of laughter and good cheer. To the folks at Preparation H, it means a time to pause for a few moments to give thanks to their friends who have been so generous. So from from Preparation to you and yours, very Merry Christmas.

[Ryan Reynolds]

Love that. When we come back the Trouble with Spoonerisms.

[Terry O'Reilly]

Instacart is on a mission to have you not leave the couch this basketball season because between the pre game rituals and the post game interviews, it can be difficult to find time for everything else. So let Instacart take care of your game day snacks or weekly restocks and get delivery in as fast as 30 minutes because we hear it's bad luck to be hungry on game day. So download the Instacart app today and enjoy. $0 delivery fees on your first three orders. Service fees apply for three orders in 14 days. Excludes restaurants.

[Ryan Reynolds]

This episode is brought to you by Progressive Insurance. Do you ever think about switching insurance companies to see if you could save some cash? Progressive makes it easy to see if you could save when you bundle your home and auto policies. Try [e-mail] Progressive Casualty Insurance Company and affiliates. Potential savings will vary. Not available in all states. Ryan Reynolds here from Mint Mobile with a message for everyone paying Big Wireless way too much. Please, for the love of everything good in this world, stop with Mint. You can get premium wireless for just $15 a month. Of course, if you enjoy overpaying, no judgments. But that's weird. Okay, one judgment anyway. Give it a [e-mail] Switch upfront payment.

[Terry O'Reilly]

Of $45 for 3 month plan equivalent to $15 per month required intro rate first 3 months price plan options available Taxes and fees extra. See full [e-mail].

[Ryan Reynolds]

Do you know what a spoonerism is? It is defined as a verbal error in which the speaker accidentally transposes the initial letters of two or more words. Reading a commercial script is not easy. An actor has to hit all the beats, it has to sound natural and they have to read it inside a very compressed amount of time. Here's a spoonerism and a half.

[Cloris Leachman]

So ladies, when you are thinking of an all season thirst quencher, treat your family to a drink that's a delight. Winter or summer Instant white rose, hot or cold Orange tico pea.

[Ryan Reynolds]

And when the two words rhyme, it's even worse. Here's an old time announcer who wants to say stay tuned for the news but instead says now stay nude for the news. That just makes me laugh. I think he said stay nude for the news. Back in the 1940s radio was mostly live, so if you suffered a spoonerism, there was no going back.

[Cloris Leachman]

And for you farmers now remember the.

[Ryan Reynolds]

Name is trap T R A P.

[Cloris Leachman]

Trap insecticide will trap and kill all bugs and fungus and will make your crop grow the way nature intended it. So don't forget it's trapped for a healthier crap.

[Ryan Reynolds]

Ooh, tripped on the last crop. Too funny. Here's another commercial where the voiceover actress is doing well until she serves sex easily.

[Cloris Leachman]

Why not keep a couple of economical large sized bottles in your refrigerator? It's delicious. A full 32 ounce size that will serve sex easily.

[Ryan Reynolds]

Here's a tricky one. This voiceover actor is reading a script about disc space, outlook, Dick Dick space outlook disk space and retention policy suffered a little slipped disc there. Spoonerisms happen on infomercials too.

[Cloris Leachman]

Bedskirt comforter, two decorative pillows, two pillow.

[Ryan Reynolds]

Shams, complete sheet set and windows treatments. While spoonerisms are every actor's nightmare, there are other words that look like one thing but are actually another. Take the word brazier. It's another word for barbecue spelled B R A Z I E R tricky.

[Cloris Leachman]

And the last memo, ladies, from your radio shopping service is a Father's Day reminder. It's barbecue time. And Schmidt's Hardware at 234 Main St. At the corner of Maple is featuring an ideal gift for dad on his special day. An all purpose brassiere for delicious outdoor meals.

[Ryan Reynolds]

Real people testimonials have long been used by advertisers. Here's an older couple doing a TV testimonial for their favorite restaurant. The husband's line is baked in a buttery, flaky crust.

[Cloris Leachman]

Baked in a buttery, flaky crust. Close your favorite spoon. Buttery. Baked in a buttery flavored crust. Baked in a buttery flavored crush crust. Yeah. Baked in a buttery, flaky crust.

[Ryan Reynolds]

Baked in buttery, flaky, flaky.

[Cloris Leachman]

Here we go. Baked in a buttery crispy crust.

[Ryan Reynolds]

His wife starts to lose patience waiting for her line.

[Cloris Leachman]

Baked in a buttery, crispy crust. Flaky. I thought I said flaky. Okay.

[Ryan Reynolds]

Then his wife gets fed up and suggests that she should read the line.

[Cloris Leachman]

Baked in a. Baked off. Baked in a buttery, crispy flake.

[Ryan Reynolds]

Too funny. Even when someone really knows the product well, a recording session can still go sideways. Here's Colonel Sanders recording a KFC commercial.

[Cloris Leachman]

Take one. Quiet place. Recording. Go again. I found a way to cook. I found a way to cook extra crispy. Come on over and try my crispy. It's entirely different. And yet it's just as tender and tasty. No. And it's just as finger licking good. You see, I found a way to cook chicken deep down and get that real crispy crust that some folks like. And it's just as tender and juicy. I'll get it now. That real crusty. Real what? What kind of damn crispy crust. Crispy crust. It's really. It's really different. Now you can have two kinds of Kentucky Fried Chicken to choose from. My regular recipe and my new extra crisp. Crispy. New extra crispy. I thought I said that.

[Ryan Reynolds]

I love the optimism of the director.

[Cloris Leachman]

We're rolling. This is the good one. Take five. Most most folks. Most most folks. Most most folks. Most folks. Once again, that's. That's why. That's why folks call it. That's why folks call it finger licking good.

[Ryan Reynolds]

Nailed it. When we return, actors get the G.

[Terry O'Reilly]

Instacart is on a mission to have you not leave the couch this basketball season. Because between the pre game rituals and the post game interviews, it can be difficult to find time for everything else. So let Instacart take care of your game day snacks or weekly restocks and get delivery in as fast as 30 minutes because we hear it's bad luck to be hungry on game day. So download the Instacart app today and enjoy. $0 delivery fees on your first 3 orders. Service fees apply for 3 orders in 14 days. Excludes restaurants.

[Ryan Reynolds]

And now a next level moment from ATT Business. Say you've sent out A gigantic shipment of pillows. And they need to be there in time for International Sleep day. You've got AT and T5G so you're fully confident, but the vendor isn't responding. And International Sleep Day is tomorrow. Luckily, AT&T 5G lets you deal with any issues with ease. So the pillows will get delivered and everyone can sleep soundly, especially you. ATT 5G requires a compatible plan and device coverage not available everywhere. Learn [e-mail] 5G Network Ryan Reynolds here from Mint Mobile with a message for everyone. Paying big wireless way too much. Please, for the love of everything good in this world, stop with Mint. You can get premium wireless for just $15 a month. Of course, if you enjoy overpaying. No judgments. But that's weird.

[Cloris Leachman]

Okay, one judgment.

[Ryan Reynolds]

Anyway, give it a [e-mail] Switch upfront.

[Terry O'Reilly]

Payment of $45 for 3 month plan equivalent to $15 per month. Required intro rate first 3 months only, then full price plan options available, taxes and fees extra. See full terms at Mintmo.

[Ryan Reynolds]

When you get the giggles in a recording session, it is contagious. Here's Roger Federer and Rafa Nadal trying to record a promo for an upcoming charity tennis match. But they're having a little trouble keeping it together.

[Cloris Leachman]

Three, two, one, go. So, Rafa, do you know what you're gonna give me for Christmas yet? You know what? I'm gonna come to Switzerland and play an exhibition master your foundation. So, Rafa, he looks at me. Okay, here we go. It's a. Rafa, you know what you're gonna give me for Christmas yet or not? You know what? I'm gonna play an ex division. It's perfect. Perfect. Okay, don't laugh. No, I won't. Don't worry.

[Ryan Reynolds]

Okay, then. Finally they serve it up.

[Cloris Leachman]

Rafa, do you know what you're gonna give me for Christmas yet as a present? You know what? I gonna come to Switzerland and play an exhibition match for your foundation. That's very nice, thank you. And what present you gonna give me? The presents for you. I give you the first set. How's that? That's nice. So, see you in third. That's it for today. More tomorrow.

[Ryan Reynolds]

Not even the great Johnny Carson was immune to a fit of the giggles. Carson used to do live commercials during his show for many years. Here he is doing a live commercial for a product called Mrs. Paul's Frozen Seafood.

[Cloris Leachman]

Okay. Hard as a carp. Is this really frozen or is it. No, it's a piece of wood. What piece of wood? In there. Well, that's Not a good buy, is it? People want food. We should. When you go to the supermarket and buy this, you do not get a piece of wood. We'd like to introduce. Oh, a new sponsor. What a nice welcome you have. Fine, fine. Sponsor. Mrs. Mrs. Paul's. She's. She lost her husband. Mr. Paul. Mrs. Paul's lights light Seafood. No, I got to get this right, because this is. They're a new first appearance. We'd like to welcome a new sponsor to The Tonight Show, Mrs. Paul's light suit. Mrs. Paul's light seafood entries entrees for people who like everything about seafood except cooking it. Mrs. Paul has done that for you, the sweet old lady.

[Ryan Reynolds]

Pitches on shopping networks are often live, so mistakes happen and there's no way to fix them. Here's a pitch for a digital camera and photo printer. Remember the picture of the horse I showed you earlier? Well, here it is, blown up. This is a big horse order now. You get the camera, you get the printer, 4x optical zoom, Schneider lens, photo printer, SD card. Look at that horse. The bushy tail, the big teeth, the hooves. Okay, my producer Tara Cates just told me this isn't a horse. It's a butterfly, actually. It may in fact be a moth. But look at what the zoom did. I mean, you can see details in the antenna when you mistake a moth for a horse in a photo. That can't be good. Here's a pitch for an ornamental sword. Not sure who would be in the market for a sword, but the presenter starts his pitch, then bangs the sword down onto the tabletop, and the tip of the sword goes flying.

[Cloris Leachman]

1101, 1816 is the item number on this one. And the nice thing about these practice katanas. Oh. Oh, that hurt. Oh, that hurt big time.

[Ryan Reynolds]

A piece of that just.

[Cloris Leachman]

The tip just got me. Odell. Oh, that got me good. You all right? A piece of that tip just got me. Folks, right now we may need emergency surgery in the studio.

[Ryan Reynolds]

I hate when that happens. We began the show today with the great Orson Welles, so let's end with him. Of the many commercials he made, he was most associated with Paul Masson wines. Orson was the longtime spokesperson for the vino with the classic slogan, we will sell no wine before it's time.

[Cloris Leachman]

Took Beethoven four years to write that symphony. Some things can't be rushed. Good music and good wine. Palmesson's Emerald Rye, a delicious white wine. Palmessan wines taste so good because they're made with such care. What Paulmesan himself said nearly a century ago. Is still true Today. We will sell no wine before its time.

[Ryan Reynolds]

Here's an outtake from one of those.

[Cloris Leachman]

Commercials, as always, but celebrated for its excellence. There is a California champagne by Paul Masson inspired by that same French excellence. It's fermented in a bottle and like the best French champagne, it's vintage, dated so Parmaison 102, take three. Action, please. The French champagne has always been celebrated for its excellence.

[Ryan Reynolds]

Remember when I said Orson didn't really enjoy doing commercials? Well, I think he was enjoying this wine commercial a little too much. Years ago, outtakes of commercials would be snuck out of recording studios. But these days, advertisers are releasing outtakes hoping the public will enjoy them, share them and spend more time with the brand. A lot of funny moments happen in recording Studios. In nearly 25 years of directing commercials, I only ruined one take. An actor ad libbed a line one day that was so funny I burst out laughing. The two actors just looked at me, wondering why I was being so unprofessional. But I couldn't help it. It was just too funny. Back in the days of live radio, mistakes floated out across the airwaves for all to hear. Shopping channels still go live. Movies release outtakes, sitcoms release bloopers. And all around the world, every day, hundreds of commercials are being recorded. And the hijinks ensue when you're under the influence. I'm Terry O'Reilly. This episode was recorded in the Tear Stream Mobile recording studio. Completely outtake free. Debbie O'Reilly Chief Sound Engineer Jeff Devine under the Influence Theme by Casey Pick, Jeremiah Pick and James Ayton. Tunes provided by APM Music. Let's be social. Follow me at Terry oinfluence. This podcast is powered by Acast. Hey, did you know you can now listen to our podcasts on YouTube. Just search apostrophe Podcast Network. See you next week.

[Cloris Leachman]

Fun fact.

[Ryan Reynolds]

Hi, this is Sarah from Kitchener, Ontario. Young Frankenstein was made for $2.7 million and made 86 million at the box office.

[Terry O'Reilly]

This is Paige Desorbo from Giggly Squad. Boost Mobile is no longer that prepaid wireless company you remember. They've invested billions into building their own 5G towers across America. With Boost Mobile's networks, customers enjoy the speed and service they'd expect from the big three, plus groundbreaking benefits you'd only get from a true challenger of the industry. Boost Mobile will let you try the network risk free for 30 days. So visit your nearest Boost Mobile store or find us [e-mail] today.

[Ryan Reynolds]

This episode is brought to you by Progressive Insurance. Do you ever think about switching insurance companies to see if you could save some cash? Progressive makes it easy to see if you could save when you bundle your home and auto policies. Try [e-mail] Progressive Casualty Insurance Company and affiliates. Potential savings will vary. Not available in all states.

[Terry O'Reilly]

What makes a great pair of glasses? At Warby Parker, it's all the invisible extras without the extra cost. Their designer quality frames start at $95 including prescription lenses plus scratch resistant, smudge resistant and anti reflective coatings and UV protection and free adjustments for life. To find your next pair of glasses, sunglasses or contact lenses, or to find the Warby Parker store nearest you, head over to warbyparker.com that's warbyparker.com Ever wonder what your lashes are destined for?

[Ryan Reynolds]

The cards have spoken.

[Terry O'Reilly]

Maybelline New York Mascara does it all.

[Ryan Reynolds]

Whether you crave fully Fan lashes with Lash Sensational Big Bold volume from the Colossal a Dramatic lift with Falsies Lash Lift or Natural looking volume from Great.

[Terry O'Reilly]

Lash, your perfect lash future awaits.

[Ryan Reynolds]

Manifest your best mascara today.

[Terry O'Reilly]

Shop Maybelline New York and discover your lash destiny. Shop now at Walmart.