#2726 RHOBH S1411 Part Two: Reba McEnTerror

Summary

Watch What Crappens Episode #2726: RHOBH S1411 Part Two: Reba McEnTerror Release Date: February 12, 2025

In this poignant episode of Watch What Crappens, hosts Ben Mandelker and Ronnie Karam delve deep into Season 14, Episode 11 of The Real Housewives of Beverly Hills (RHOBH), titled "Reba McEnTerror." This two-part recap focuses on Sutton's emotional journey and her fraught relationship with her mother, Reba. Below is a comprehensive summary capturing the key discussions, insights, and notable moments shared by the hosts.

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1. Introduction to the Episode

The episode kicks off with Ben Mandelker and Ronnie Karam setting the stage for Part Two of their recap. They briefly acknowledge listeners who might have missed Part One, encouraging them to catch up before diving into the current discussion.

Notable Quote:

• [01:31] Ronnie Karam: "Well, hello and welcome to Watch What Happens. This is part two of a two-part recap."

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2. Sutton's Emotional Journey

Ben and Ronnie explore Sutton's visit to her late father's home, highlighting the emotional weight of her actions and memories. Sutton's decision to move her bed frequently symbolizes her attempt to cope with her grief and the chaos surrounding her family's dynamics.

Key Points:

• Sutton moves her bed to alleviate her mother's frustration with the noise.
• She reminisces about her father, sharing heartfelt memories that reveal their close bond.
• Sutton's guilt over her father's sudden passing after she last saw him underscores her emotional turmoil.

Notable Quotes:

• [02:22] Ben Mandelker: "Unless, of course, you're on the Little House on the Prairie, I guess when you're kind of like a child celebrity, you don't have to worry about moving beds around."
• [04:00] Ronnie Karam: "So Bob. Like pancakes. Oh, God. Kyle."

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3. Reflections on Father-Son Relationship

The hosts delve into the depth of Sutton's relationship with her father, emphasizing the specificity of her memories and the lasting impact of his passing. They commend the show's portrayal for its emotional authenticity, likening it to high-quality American theater.

Key Points:

• Sutton's father, John (a simple and relatable name discussed humorously by the hosts), was a loving presence who enjoyed cooking with his daughter.
• The moment Sutton pulls on her father's toe before his death serves as a powerful narrative device, illustrating her deep connection and subsequent guilt.
• Ben expresses the profound emotional effect the story had on him, highlighting its cinematic quality.

Notable Quotes:

• [04:53] Ben Mandelker: "It's just this story was so gutting. Like, it was so gutting."
• [05:26] Ben Mandelker: "This is just the Augusta way of being, like a famous person, right? Moving your bed around?"

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4. Interactions with Reba

Sutton's strained relationship with her mother, Reba, is a central focus. The episode showcases their conflicting perspectives on career, motherhood, and emotional expression, culminating in a tense dinner scene.

Key Points:

• Sutton seeks acceptance and validation from Reba, yearning for her mother's praise of her career endeavors.
• Reba remains critical and dismissive, often undermining Sutton's achievements and lifestyle choices.
• The hosts discuss Reba's passive-aggressive behavior, particularly her remarks about Sutton's business and personal life.

Notable Quotes:

• [06:51] Ben Mandelker: "Reba just calls up and said, if you want my next part of my life to be fun and peaceful and not strained, get someone else to make the grits next time."
• [10:02] Ben Mandelker: "No disrespect, but having a baby but not telling the man, I love you."

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5. Analyzing Family Dynamics

Ben and Ronnie analyze the complex family dynamics portrayed in the episode, touching upon themes of unspoken emotions, generational differences, and the struggle for mutual understanding.

Key Points:

• Sutton's difficulty in expressing love and seeking approval reflects deeper familial tensions.
• Reba's inability to verbally affirm her pride and love adds to Sutton's emotional burden.
• The hosts draw parallels between Sutton's personal struggles and broader societal expectations of women balancing career and family.

Notable Quotes:

• [20:08] Ronnie Karam: "I can't find that romantic. If you're like, I'm going on a trip with my daughter, and then he just shows up to Ghana. That's weird."
• [33:12] Ben Mandelker: "So you don't need my validation. But that is a stupid jacket."

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6. Hosts' Emotional Reactions

Throughout the recap, Ben and Ronnie share their personal emotional responses to the unfolding drama, highlighting the episode's effectiveness in portraying genuine human experiences.

Key Points:

• Ben admits to being moved to tears by Sutton's story, emphasizing the episode's emotional depth.
• Ronnie empathizes with Sutton's struggle to carry unresolved guilt from her past into adulthood.
• Both hosts praise the show's ability to depict raw and relatable emotions, comparing it to esteemed theatrical performances.

Notable Quotes:

• [05:21] Ben Mandelker: "I started to cry."
• [19:54] Ben Mandelker: "It's all really weird to me, but someone said when he went through all of his lawsuits in London that he probably hid a bunch away, which is true."

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7. Comparisons and Conclusions

In their concluding sections, Ben and Ronnie compare the episode to other reality shows and highlight what sets RHOBH apart in its storytelling approach. They commend the show's ability to intertwine personal growth with familial reconciliation, leaving listeners with a sense of hope for the characters' future interactions.

Key Points:

• The hosts liken the episode to a Southern Gothic narrative, rich with family secrets and emotional revelations.
• They express admiration for the show's depth, suggesting it deserves accolades comparable to mainstream television dramas.
• The recap ends on a hopeful note, with subtle advancements in Sutton and Reba's relationship, suggesting potential healing and understanding ahead.

Notable Quotes:

• [41:02] Ben Mandelker: "This was like the Southern Gothic version of, like, the Monica and Linda scene from Salt Lake."
• [43:25] Ronnie Karam: "That's a big deal for her because that is her saying she's not going to break down and be like, oh, I do love you, honey."

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8. Final Thoughts

Ben and Ronnie wrap up the episode by reflecting on the powerful storytelling and character development witnessed in Sutton and Reba's interactions. They emphasize the show's strength in portraying multi-layered relationships and emotional honesty, making it a standout in the realm of reality television.

Notable Quotes:

• [46:26] Ronnie Karam: "That was a good one."
• [46:04] Ben Mandelker: "This was so cold. When Sutton is like, well, I just wanted you to tell. I don't want to make you say something that you don't, you know, you don't feel comfortable saying, but I just want to let you know how I felt."

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Conclusion

Episode #2726 of Watch What Crappens offers a richly detailed and emotionally charged analysis of RHOBH's "Reba McEnTerror." Through insightful commentary and heartfelt reflections, Ben Mandelker and Ronnie Karam provide listeners with a deeper understanding of Sutton's struggles and the complexities of her relationship with Reba. This episode not only highlights the show's compelling narrative but also underscores the universal themes of family, loss, and the quest for acceptance.

Transcript

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[Keke Palmer]

Hey y'all, it's your girl, Keke Palmer. And let me tell you, we're kicking off this new year with a whole new mindset. If you're ready for that new year new mindset energy you've gotta tune in to, baby. This is Keke Palmer. If you're looking for more podcasts to help you tend to your well being, check out New year new Mindset on the Wondery app.

[Ben Mandelker]

Watch what Happens. Watch what Happens. Who cares what happens when there's so much feature? Who cares what happens when so much that happens.

[Ronnie Karam]

Well, hello and welcome to Watch what happens. This is part two of a two part recap. If you're like, hey, wait a minute, I didn't hear part one, guys. It's because we put out a lot of recaps. Go back and listen to part one. Okay. It's before this one. Bye. Enjoy the show.

[Ben Mandelker]

So Sutton's like, okay, all right. So they, they go in and they, they look around and it's like, it's, this is, it's, this is very sad, like. And she's talking about how this is gonn healing step for her, you know, and so she, she also wants, Sutton wants to say goodbye to her father. And she talks about how she misses him so much and she shows everyone her bedroom first. She goes, well, this is my bedroom. You know, the bed used to be over here. And I just move it from here to there, from there to there. Mainly because the noise of the bed moving on the floor drove my mother nuts. So just every day, just move that bed around.

[Ronnie Karam]

Yeah. Kyle's like, yeah, that's the only thing you can really do as A kid. And to have any power, move the bed around and.

[Ben Mandelker]

Unless, of course, you're on the Little House in the Prairie, I guess when you're kind of like a child celebrity, you don't have to worry about moving beds around. But that was cute for you. I guess this is sort of like the Augusta way of being, like a famous person, right? Moving your bed around? I don't know. I wouldn't know.

[Ronnie Karam]

So Sutton's talking about how she was daddy's girl. And he didn't say a lot, but he liked being in the kitchen, and they'd make chili. And her mom was a terrible cook. She only did frozen fish sticks. So it went from really great food to really terrible food. And then she talks about how she likes scrambled egg sandwiches with mayonnaise. People think they're disgusting, but they're not. I love. It's like an emotional tour to force over the egg sandwich. I'm like, no, you go for it. And then we, you know, it's just lots of dad memories and stuff. And then they go to this room, like this relaxing room, The. The den or the dad den. And he designed it and built it, and there was a wood burning stove, and he'd make pancakes on it. And then Kyle goes, um. What was your dad's name again?

[Ben Mandelker]

Kyle.

[Ronnie Karam]

Kyle. Just. Just be quiet. You know what I mean? Like, who says that you should know that?

[Ben Mandelker]

Just you should know. And then sudden goes, John. Johnty. You know, kind of the most basic name you could get.

[Ronnie Karam]

Could you?

[Ben Mandelker]

Is it hard to remember? Kyle? John. You know, okay, here's the way you can remember it. His name is the same name as the generic name you give someone when you don't want to name them in a court case. John. Okay, John Doe. Okay, so Stephen. No, John.

[Ronnie Karam]

So Bob. Like pancakes. Oh, God. Kyle. Well, and then she sees a chair, and she's like, this is the last place I ever saw my dad alive. And she talks about how she was leaving for one of her dance performances, and she remembers saying goodbye to her dad, and she kind of tugged on his toe, but he was really sick, and she said he was really out of it. And then the next day he died. And she still has guilt because whenever she would pass that sofa in high school or wherever, he would always hold out his hand and he would slap it. You know, they would give a high fives, or he would give her a thumbs up. And when he was on that sofa, he was so out of it, and he didn't put his hand out that day. And she thought it was strange, but she grabbed his big toe and kind of pulled on it. And that's the last time she saw him. And she saw his guilt that she should have known or she should have sat with him for about, you know, at least five minutes to make sure he was okay. Mean.

[Ben Mandelker]

It's just this story was so gutting. Like, it was so gutting. I don't know, because I think it's something about the specificity of it. Like her describing walking by that sofa and the dad putting his hand down. Then she would just slap it. It's such a specific thing that also expresses, like, such a relation. It's like a small gesture that expresses everything in their relationship. And, like. It's like a moment of, like, tenderness and care and their bond. And it was like I was. I started to cry.

[Ronnie Karam]

Yeah, it was really. It's really so. That's a lot. So then it was just.

[Ben Mandelker]

This was. I mean, it was. It really felt like, truly, like, you know, when I. I'm saying that it sounds like American theater. Like, it sounds like a great American play. It's like, I'm not being facetious about it. Like, this is. This is People. Her monologue here and her description of it is what I think actually playwrights would aspire to. Just, like, this raw, this. This rock, this raw moment with these details that are so particular but say, like, volumes about. About this. About this relationship. So she's telling it and.

[Ronnie Karam]

Well, and just feel that she's carrying around with it because, you know, she probably couldn't. It probably wouldn't have. Maybe it would have been a different day. But, you know, it's sad, the things you think, like, that you could have done something with something that heavy and something that deep that goes so beyond her, you know? And it's so sad to see a kid carrying that around into adulthood. It's terrible. So then she says, well, I can't believe my mom said. When all. When I offered to give a full report, she said, I don't want it. And Garcelle's like, well, it's probably painful for her, too, you know? And then we see some pictures of her and her mom, and she says that her mom has had a rough go since the dad's death and maybe even before. And she's like, but I want my. My next phase of my mother's life to be happy and peaceful and fun, not strained. I was like, okay, but part of your mom's fun is going to be hating on your store. So you're Going to have to. You're going to have to give her that.

[Ben Mandelker]

Reba just calls up and said, if you want my next part of my life to be fun and peaceful and not strained, get someone else to make the grits next time.

[Ronnie Karam]

Reva's like, I'm having plenty of fun. Have you not read your Yelp reviews lately?

[Ben Mandelker]

So, you know, sun tells us that, like, Reba means a lot to her.

[Ronnie Karam]

In great Sells a scarf from ebay. Congratulations ends.

[Ben Mandelker]

They should rename the store from Satan to Sut off, because that's what all the fashions are, like, set, done. So they leave, and Kyle is like, that was, like, way more than I expected it to be. Yeah, it was, considering you had no idea who her father was or what happened to him. So, of course, it was a lot like, it was baseline. Going to people out more than you thought it would be.

[Ronnie Karam]

I feel awful for Ted. Where are we gonna have lunch now?

[Ben Mandelker]

How do you know this guy again? So then we go to Hollywood, and we're at Grandmaster Records, which is low key, a popular destination for Bravo shows. It's kind of like the new Mixology 101. So they are. We have Bose arriving with Erica and Dorit, and they. They all sit down and everything. And Beau's like, the girls need to get out and celebrate life. Also, I brought over some leftover caramel and chocolate sauce that my daughter wouldn't even touch. So Erica's like, all right, well, guess what. Okay, waitress. All right, this one over here, the one with the bug eyes and the crazy accents, she's gonna have the same old drink, okay? A Belvedere soda with three lemons and no rind. See how you can just say no rhymes instead of carcass out? Come on, Dorit.

[Ronnie Karam]

No, I'm sorry. That's not the correct drink. Everything she says until the end, and then it's oats.

[Ben Mandelker]

So have you guys seen each other since Kathy's? Which, by the way, I had a nice time. I would never have thought that, but I had a great time with Kathy's. And she's. I had a great time. I was literally just like, wow, this table setting right here, I don't even know where to begin.

[Ronnie Karam]

And I gotta change my place settings. So they order some pizza and stuff. And then Bose is like, I have to update you on so many things. And. And Erica and Dorita, like, who do it? And they do this, like, leaning on each other, like they're so excited to hear. And it's like, oh, you are ridiculous people. Well, Here we go. Keely and I have talked about having a baby, but we've actually never said the words, I love you girls. Go ahead, give me your reaction so I can take it. Look at both of you. All right? And Erica's like, hold up, hold up. I need a moment. Back up, back up. Boop, boop. No, not that far again. Tom, you're gonna fall down the hill. Ah. Tom just rolled down the hill, rolled 10 times, flipped over. Oh, God, it's snowing in Pasadena. Jesus, don't start me on this monologue.

[Ben Mandelker]

Well, I want him to say it first. I want to know what he's feeling. Well, I can hear that. I can feel that. I. I do hear that. There's some. Some sort of concept called empathy that I think I'm gonna try to access right now for you. Nope, don't have it. I'll just have to trust what you're saying.

[Ronnie Karam]

Well, I do love him. And there's moments I want to say it, and then I say, don't do it. Don't do it. Bows. And she's like, he has to say it first.

[Ben Mandelker]

No disrespect, but having a baby but not telling the man, I love you.

[Ronnie Karam]

I mean.

[Ben Mandelker]

All right, what are. Well, not patting the puss.

[Ronnie Karam]

No disrespect, but having the baby, not telling the man, I love you. Okay, all right. Where are we going? Here? Where are we going? Here?

[Ben Mandelker]

So Erica is like, so, what do you think is going on? She goes, well, I think it's as simple as saying keely. Do you think it's weird that we haven't said gee, I love you to one another? Do you think it's weird that you haven't offered to share some Pringles with me in all of our time together? Keely. Keely. Isn't it weird that every time I go to the store and say, could you please bring me back some green juice? You come back with bags of marshmallows? All right, Dorita, I think you sort of lost the course there.

[Ronnie Karam]

Booze. How about you say, keely, I've been waiting for you to say I love you, but you haven't said it, and it feels a little bit bully.

[Ben Mandelker]

Jabs. Little jabs, little jabs, little jabs. Bully.

[Ronnie Karam]

And she's like, I'm not saying any of this, okay? She goes, no. Well, I don't want him to be like, oh, but I love you too. And then I feel like I made him say it. Erica's like, okay, don't do what she said. All Right. That's not a good idea. Don't force the situation. I'm like, who is. I mean, Erica's advice isn't terrible, but I can't imagine this with. I can't imagine this working out with anybody that Erica's been with either, you know, so. But I was like, well, I'm acting on the belief that he loves me. I know he's gonna say the words one day, we love each other. I know that he showed up to Ghana. I don't know. I think it's fishy that he showed up to Ghana. I don't, like. I don't find that romantic. If you're like, I'm going on a trip with my daughter, and then he just shows up to Ghana. That's weir. And, well, you haven't even told her I love you or you haven't.

[Ben Mandelker]

Yeah, you might say I love you.

[Ronnie Karam]

The. The guy to the kids yet. I don't know. It feels weird.

[Ben Mandelker]

Yeah, that is a little weird. On the one hand, I think it's like, oh, my God, like, have fun. Like, I would love it if I went to Ghana. And then Dom showed up. I'm like, oh, my God, Dom came. But the thing is, we say. We also say, like, I love you to each other. So, yeah, it is weird. And also, like, again, he hadn't met the kid. It is a little. That's a little bit of a strange move because it also forces. It forces her hand to have to, like, have a conversation with her daughter. And that's kind of not cool to do, if you ask me. So you know what I decided?

[Ronnie Karam]

Dorit's like, here's what you do. Hold a can of Pringles up to your face. He'll say it immediately. That's how I got my ring. You know, my original ring was actually an aluminum cardboard can. It was very large. Very, very large. Eventually, we had to cut down and had a couple of zirconiums sucked in there. And it's worked out for a decade. Just short of a decade. Oh, my God, it's almost been a decade.

[Ben Mandelker]

Actually, our. Our first. My first engagement ring was actually merely just a funyun. But since then, we've really moved on to Pringles box. And then finally Eminem's rapper. So I'll had diamonds. All had diamonds. Well, do you consider that you are dating for marriage and. Oh, we see that. We see their beach picnic. It doesn't matter. So Bose is like, why not continue their conversation about the baby and the marriage and our future While we build the words together. I don't see anything wrong with that, really. I'm like, yes, but you've. You're. You yourself say that you love being in love, and the last person that you fell in love with actually was leading a double life. So maybe put some. You know, let's put some regulations on.

[Ronnie Karam]

This a little bit, I think, from what she said, you know, being a certain age and trying to find a single man without a ton of baggage and stuff at that age who also wants kids. It's just. He's all of write things on paper. So you're just gonna try and make it work and. I don't know. I don't know. I just. I don't know. I'm not feeling it. So then, of course, Dorit jumps in. She's like, you go, I spoke with Pinky. Can someone else have a scene? For Christ's sake? Just let the woman have a scene, Dorit, okay?

[Ben Mandelker]

Drop it on us. No, it could hurt you. Well, what's. What? Come on. You had a conversation with what? Who? I mean, pk. Oh, God, you. How are we even in this conversation? What did he even say? Oh, go. I picked up the phone, and we just started talking. I mean, first I realized it was a banana, so that was awkward. But then when I actually picked up the real phone, the conversation was much better.

[Ronnie Karam]

First of all, he called me, but he couldn't really speak. You know what I mean? So I said, piquet, pretend I'm a bagel. And he said, I'd like nothing more than to toast you, butter you up and swallow you all. I said, we're back in business, baby.

[Ben Mandelker]

It was like we were friends. It was just like the old days of me, PK, Boy George, hidden in a room that we said had black mold. It was just the old days. And Bose is like, that's a lie. It's a lie. I mean, where is my lipstick? Now, it's funny because Bose recognizes the with PK but can't see that there may be some happening with Keely and vice versa.

[Ronnie Karam]

Well, I mean, that's so normal, though, too, right? You can't see it when it's your own life. I mean, I can call out everybody on Bravo, but then I date the worst every single time I'd like the worst at it. So, you know, I think it's easier to see when you're not in it, unfortunately. But yeah. Stupid dodo. Dorit is like, oh. When I was talking to him, and there. There it was, the father of my Children. The man I believed no longer existed on the phone with me, like, oh, yeah, because he knows you're he. Because Kyle went back and told him that your ass is going to get serious, and everybody told you to go after his ass because they know that. That 10 years. And so now he's going to call you and try and sweet talk your ass so he can screw you over before the time limit. Come on.

[Ben Mandelker]

Exactly. Yeah. So Drew's like, you know, I don't want. I don't want you to get confused, Erica. I mean, this was not a reconciliation. This was me saying, there he is, the man that I used to love, who I still love, and I want to get back together with him. But it's not a reconciliation. This was just very much. I asked him, I said, I need you to just slow down a little bit and let's just communicate. We can't be at war and the kids be okay.

[Ronnie Karam]

PK And Buzz is like, this is about you, not about the kids. You're asking him to slow down because you want to catch your breath. It's not about the kids. Well, you're absolutely right, but you need to understand, catching my breath is about the kids. Guys, I want to explain it so it's not confusing. Can you keep up, baby boy? Let me catch my breath. Make some noise. Let me catch my breath. Make some noise. Let me. Let me. All right, please don't bring Beyonce into this.

[Ben Mandelker]

I'm trying to ask where you ended up not asking what your favorite Beyonce song is, so. Well, the conversation was a hell of a lot better and different than I thought it would be. I was like, gee. And boss, well, it feels like a trick. A trick? No, no. That I can guarantee, because he's not that person. He's not a tricky person. It's not like he has debts from casinos or pantones he hasn't paid for.

[Ronnie Karam]

It was amazing. He's just not a tricky person at all. I said, PK, let's FaceTime. And I looked him straight in the eye, and he said, oh, I'm getting something from your ear. And it was a quarter. I mean, who uses quarters anymore? That's a man to be in love with, like, oh, gee. History.

[Ben Mandelker]

He's a very honest person. For instance, he threw me a Pretty Woman anniversary party and then tried to convince me that the song from Top Gun was part of that movie.

[Ronnie Karam]

So she. She's like, well, you know, the. The good person is the Pringles. Pk. The bad person is when he's raging. Now, stop Giving me city. What? Stop giving me sadui. What? Stop. Give. She's saying side eye. Stop giving a side. Thank you, Erica. I'm sorry.

[Ben Mandelker]

Because very, very frustrated PK is ruthless, especially if he's walking down aisle 7 in pavilions and going after some pickle chips. He is r in business, which means he'll be ruthless in the business of divorce. I keep yelling from the mountaintops, hey, you need to take shelter. No one's listening to me. Hey, I'm on top of a mountain and snow with a Pasadena.

[Ronnie Karam]

Get off the road, everyone, before you.

[Ben Mandelker]

Crash off the side of a cliff. But no one's listening. No one here.

[Ronnie Karam]

Someone online made a good point in a comment to us that said something like. Because I was saying last week, like, how could PK even have any money? I don't believe that he has me. So this is all really weird to me, but someone said when he went through all of his lawsuits in London that he probably hid a bunch away, which is true, but how can she legally get access to money that he's hidden away? You know? So I don't really understand where this is, but. Or where they're going with this, but I just feel like at this point, she's making more money than PK because of the TV show, so I would think that he's going to come after her for money. I don't think that he's got much to take, but I guess time will tell. We'll see.

[Ben Mandelker]

Yeah. So Bose is like, well, he needs to calm you down. This is the art of war, my dear. He needs to calm you down so you don't act so he can act. This is all the stuff I learned at Netflix. And Dorit is like, but what does that mean, though? Acting? I don't understand the advantage. The advantage is that he wants to have you have the upper hand. If you're cornered, like any animal, you're going to strike. And he's afraid of how smart you are and how you will strike. He's calming you down, Dorit. What can't you follow about this so we can run the bases on you?

[Ronnie Karam]

Correct. Legally, you can scoop up everybody so that you don't have good counsel. Yeah, but he has to pay the council. That's the problem. He can't go hiring every lawyer in town. But I think their advice is correct with Dorit, isn't it? Falling into the trap of being like, oh, guys, well, he called and he was nice, so maybe everything's different now. No, things are not different. If that man is still not showing up at your house and spending time with those children. Things have not changed.

[Ben Mandelker]

Isn't. But isn't. Isn't it? I could be totally wrong, but isn't it if you just, like, have a consult, like a meeting with a lawyer to see if, like, maybe I should hire you or not that. That immediately, like, take them off the table for someone else? I could.

[Ronnie Karam]

I don't think so. I think you have to retain the lawyer. I think if you went to a lawyer and I ended up not using them, that you would be able to use my lawyer. I think. What? What the do I know? Nothing.

[Ben Mandelker]

Nothing, huh? Well, so be it. John Jansen. So Bose, like, Dorit needs to keep her eyes open. A divorce is going to come. It's going to take her by surprise. She's going to get the short end of the stick. And guess what? There won't be any chocolate sauce to dip that stick into. You can't just stand still and wait for him to do to you. You can't be a victim.

[Ronnie Karam]

Do you think this is a game?

[Ben Mandelker]

Yes.

[Ronnie Karam]

Wake up. I'm just saying, she's like, whoa. Holy.

[Ben Mandelker]

I loved her. I loved Bo's being like. I love Bo's yelling wake up. At dorit. Wake up.

[Ronnie Karam]

Snap out of it.

[Ben Mandelker]

Wake up.

[Ronnie Karam]

Wake up. It's time for a commercial. It's time for a crappin commercial.

[Keke Palmer]

Hey, y'all, it's your girl, Keke Palmer. And let me tell you, we're kicking off this new year with a whole new mindset. You know how everyone's all about new year, new me. Well on, baby. This is Keke Palmer. We're taking it to a whole other level. We're talking new year, new perspectives, and, honey, it's gonna change your life. I sat down with astrology queen Chani Nicholas. Y'all, if you want to understand yourself better this year, this episode is. Is it? And then there's my chat with the incredible da Vinci where nothing was off the table. If you're looking to level up your mindset this year, his words are definitely going to hit different. If you're ready for that new year new mindset energy, you've got to tune into Baby, this is Keke Palmer. Catch it on the Wondery app or wherever you get your podcasts. And for the full experience, head to my YouTube channel. If you're looking for more podcasts to help you tend to your well being, check out new year new mindset on the wondery app. Let's make this year our best one yet. Baby. Welcome to the Offensive line. You guys on this podcast, we're gonna make some picks, talk some shit, and hopefully make you some money in the process. I'm your host, Annie Hagar. So here's how this show's gonna work, okay? We're gonna run through the weekly slate of NFL and college football matchups, breaking them down into very serious categories like no offense, no offense, Travis Kelce, but you gotta step up your game. If Pat Mahomes is saying the Chiefs need to have more fun this year, we're also handing out a series of awards and making picks for the top storylines surrounding the world of football. Awards like the He May have a Point award for the wide receiver that's most justifiably bitter. Is it Brandon Aiyuk T. Higgins or Devontae Adams? Plus on Thursdays, we're doing an exclusive bonus episode on Wondry where I share my favorite fantasy football picks. Ahead of Thursday Night Football and the weekend's matchups, your fantasy league is as good as Locked in. Follow the offensive Line on the Wondery app or wherever you get your podcasts. You can access bonus episodes and listen ad free right now by joining Wondery. UFO Lands in Suffolk and that's official, said the News of the World. But what really happened across two nights in December 1980 when US servicemen saw mysterious lights in the forest near RAF Woodbridge and claimed to have had a close encounter with an actual craft?

[Ben Mandelker]

Encounters, a new podcast available exclusively on Wondery plus, takes a deep dive into one of the most famous and still unresolved UFO encounters to ever take place in the uk. Featuring shocking testimony from first hand witnesses, hosts, journalist, podcaster and UFO researcher Andy McVillan and producer L. Scott take us back to the nights in question and examine all of the evidence and conflicting theories about what was encountered in the middle of a Snowy Suffolk Forest 40 years ago. Are we alone?

[Keke Palmer]

Encounters is a podcast which is going to find out.

[Ben Mandelker]

Listen to Encounters exclusively in AD free.

[Keke Palmer]

On onery + join Wondry + in the Wondry app or in Apple Podcasts.

[Ben Mandelker]

Let's go back to the sleepy streets of Augusta, Georgia, shall we? Let's so sudden FaceTime's rebirth. And she's like, do you have that? Do you have that parmesan cheese? Oh, because Sutton is in the kitchen, but Reba's in her house out back, so she facetimes her to be like, do you have Parmesan cheese? And Reba's like, now see, I couldn't open up your messages about the ingredients, mainly because I saw Your name attached to it. And I said, I don't want to deal with my daughter right now. I'm having a good day, so why don't you go into the kitchen and look at the ingredients and see if you need anything.

[Ronnie Karam]

She goes, okay, Mother, I'll see you soon. Well, why are you asking Reba to do it? Call Instacart. I mean, Andrew, have Avi. Why isn't Avi. Dude. So then Kyle sits in her bed and calls Kathy. And Kathy's like, oh, hi. I'm just going outside. It's so beautiful. I had dinner with the girls and other. Oh, gosh, did you see the flowers? I had those flowers made. She's like, Kathy, you're on FaceTime. You need to stop holding the phone up to your ear. She's like, oh, we're sorry.

[Ben Mandelker]

Sorry, Kyle. Sorry, Kyle.

[Ronnie Karam]

Above her head. I was like, okay, well, now I can see the top of your sun hat.

[Ben Mandelker]

So, by the way, Mo and Portia Lee today for Europe. And. Because, you know, he's gonna take her on that trip, and he's just, like, dropping her off, you know, like a guided tour where they're chaperone. Then he, like, goes off for, like, four days, like, Switzerland and, like, Switzerland and, like, a meditation thing, and he goes off to meet, like, PK And San Trope. And Kathy's like, okay, that's great. Well, I do that every weekend, so it's not so surprising to me. Have a great day. Go. You know, that's great to be all meditative and everything. Yeah, yeah, they're gonna, like, party and everything. Wow.

[Ronnie Karam]

So then Garcelle is on the couch with Junebug, and Junebug's just staring at Garcelle. She's like, well, hello. Where's your mother? Why are you staring at me, Sutton? All right, let's go find your mother. You're making me very uncomfortable. The dog's just like.

[Ben Mandelker]

So then Sutton's in the kitchen with Avi, and she's like, did my mother text you? He's like, no, but I've also blocked her. She's like, okay, well, she didn't get any of my ingredients. I mean, I need. So I need. There's no bread. I need all these things. He's like, well, her mom got that gluten free. I asked for a very specific kind of bread. Okay. Then I, you know, I asked for a cucumber, and there's no cucumber in this salad. Like, then I. Or I asked for something else, and, like, look, she's just getting all wrong. All just by me. She wants to ruin my crab cakes.

[Ronnie Karam]

I texted mama, but she couldn't read it. She couldn't open my notes. And I was like. I said, once you get on your WI Fi, you could open it. It just needs to download. I thought she got it done. Oh, my God. You're talking to my mother about WI Fi? Are you kidding? She tried to have that outlawed.

[Ben Mandelker]

So Garcelle is, like, about to enter the kitchen, and then she sees it's, like, tense, so she just sort of like. She just. She backs out. She's like, I'm not getting involved with this. So she. She's gonna sit aside and listen in. So sounds like I was very, very specific. I said, cucumbers. No gluten free bread. And what did she get me? Cucumbers and gluten free bread. I mean, it's like she just hates me, you know? Guess what? I love crab cakes. And she tells a story about how her dad always made the best crab cakes, and he gave her the recipe, and in fact. And her mom loves them. And, like, two days after he died, they actually made the crab cakes for Christmas Eve, and then she burned them. I was like, oh, my God. This story just keeps on. Like, the burnt crab cakes on Christmas.

[Ronnie Karam]

Eve, but the fact that they haven't had the Christmas Eve. I mean, I get that you were promised, you know, trying to move on, but that is just. Can I just say that? So Southern to be, like, Christmas must go on. Everybody get their dresses on, and we shall have crab cakes. Sutton, do them. Well, Sutton failed, everybody. Let's just enjoy this Christmas. Jeez. My God, that was the next day.

[Ben Mandelker]

And then Sutton's like, we have to have Asperg Lettuce. I was like, okay, you are totally unraveled right now because no one is screaming that. Unless you're making a wedge. Yeah. So then Kyle goes to check in on Garcelle, and Garcelle's like, oh, God, Sun's a little stressed out. I don't know how it's gonna go. Well, I told her, have zero expectations. This is about getting it off her chest, whatever it is. I'm not even sure what this is about, but, like, you know, her mom is 82 years old. I wonder if we'll ever get to meet her. By the way, I love that lady who's downstairs, though. It's not about changing people at this point.

[Ronnie Karam]

So she's like, sentence a little on edge. And I think that's understandable. I mean, you know, ever since Ted passed. But she's been putting this conversation she's wanted to have with her mom for a very long time. And I think it' really building up. And she's just scared. That's what it is. She's scared. So now Sutton downstairs is telling the clean. The maid, I guess, Cheryl. She's her housekeeper. She's like, cheryl, I'm waiting on my mother. And Cheryl's just like, now, I told you if I was going to keep this job, it was under the. It was under the order that I would not have to mess with your mother. I need my mother. And she's like, okay, okay. So she walks out, so pissed off that she has to go to Reba's house. And she goes, okay, Dick. She goes, knock, knock. She goes, it's time for dinner. And Reba's like, well, okay, now, Dixie, I'm leaving you for a while, but I'll be back in a little while. And then we pan over to her fucking dog, Dixie. I. This was the most perfect dog. And this was Dixie Carter in dog form, wasn't it?

[Ben Mandelker]

This. It was Dixie Carter, but it sort of had Eileen Davidson hair a little bit. It was so, so funny. It was. I. I actually was like, I. I, like, I. I literally rewound. I was like, of course, Reba has this dog, like, the long, flat hair that, like, flares out at the. At the bottom and then, like. But the poofy things around the legs and everything.

[Ronnie Karam]

Really tall, like, its legs crossed.

[Ben Mandelker]

And it was just sitting there. And, you know, the poodle was just the Reba of dogs, too, you know?

[Ronnie Karam]

Yeah. The poodle was like, don't forget the Parmesan this time.

[Ben Mandelker]

None of your business. Bravo. Woof, woof.

[Ronnie Karam]

Bring Romaine in here again, and you're dead to me, woman.

[Ben Mandelker]

Reba, Nadine, our notaker, says that Reba Dixie is an Afghan hound, which I think that is the. The long hair that comes down is like the defining feature of an Afghan Hound, I think. So, Cheryl. So Reba go, goes. And she enters. She enters the kitchen. She goes, hello, I'm here. And Sutton and Avi just are silent. And Reba sees what, Sees there's, like, a jar of pickled okra. She goes, oh, some pickled okra. I love pickled okra. And Avi just takes a bite of pickled okra and just kind of, like, stares at her with just. Yeah. And Reba just.

[Ronnie Karam]

She just bears at him like pig. And he's, like, eating it with my hands.

[Ben Mandelker]

But I think there was also that element of, like, and you're not going to offer me one. Like, a lady just entered the room and said she likes pickled okra. And you ate one, but you didn't offer me one. Like, she was disgusted on so many levels. The hams, the man.

[Ronnie Karam]

It was definitely a power play. I love that he just reached in with his fingers, grabbed a pickled okra, and swallowed it in front of her face and then walked away. I was like, yes, Abby.

[Ben Mandelker]

And like. And she. And Reba just gives. Her sister. Gives him a long ass dank face. Like, she just is like. She's, like, doing that thing where she's like, walking down through the kitchen, still looking at. At Avi. Like, I saw what you did. I saw my own eyes.

[Ronnie Karam]

Sudden is. She's like, I'll make the crab meat patties while we're talking. Okay, so. Okay, Mother, this is my capsule collection. She's like, this is your what? My capsule collection, Mother. Okay, this is what I've been working on. This is my sustainable green line that I do for setting brands. And she goes, oh, all right.

[Ben Mandelker]

That's great. Hey, as long as we're talking about sustainability, could you sustain those crab cakes a little bit more and keep an eye on them in the kitchen, please?

[Ronnie Karam]

She's like, okay, if you ever had ability to do a proper crab cake, it would be wonderful if you could sustain that, too. Fortunately, you've never had that ability to sustain, so that's a shame. Soul.

[Ben Mandelker]

Now, sustainability, I guess that's the word we don't use with your marriage to your ex. So Sutton's like, well, the past two and two and a half years, I've been working very hard on my new business, and we have started Sutton Green Line. And under that, I'm going to do a series of capsules. And Ariba's like, what the are you talking about? Green line capsules? None of. She's like, it's shirts and pants. Just say it's shirts and pants, Sutton.

[Ronnie Karam]

Well, for all my life, I've been wanting to acceptance from my mother, and she was always a career woman, and I'm so proud of her. I just want it to be reciprocated. So Reba's rubbing her fingers on this, like, kind of plasticky skirt thing, and she goes, is this real? She goes, yes, Mother, it's real. Like real Saran Wrap or real real, Mother. It's just real as in animal skin or pencil erasers. What is this supposed to be? It's real, Mother. Skin touch.

[Ben Mandelker]

No I didn't mean the materials real. I meant is this real or is this a joke? Like, this is what you're proud of that you met. You brought a trench coat into my house.

[Ronnie Karam]

So then there's a beige trench coat jumpsuit thing, and it has a big round patch that says, name them. Who's gonna wear that?

[Ben Mandelker]

No. Yeah, no, I'm sorry.

[Ronnie Karam]

I'm sorry. I'm not your mother, so you don't need my validation. But that is a stupid jacket. Take the name. I'm off there. You need to either have fashion or you need to have T shirts with, like, your funny sayings on them. Yeah, you can high fashion and then put housewives quotes on them. No one's paying.

[Ben Mandelker]

Yeah.

[Ronnie Karam]

For that.

[Ben Mandelker]

No, no, don't do that. Cerebra's like, oh, so this is a jump shoot jumpsuit. So good you can look like the cable man. And Sutton's like, what, Mother? It's actually a trench. And it's really cute. You know, this. And put this on. You know, I just tried this on last week. It looks really good. She goes, well, it would look awful on me. I mean, I'm very happy with my body. I just know that something that looks this awful on a table can't possibly look good on me as a human. Human.

[Ronnie Karam]

Now, listen, I'll tell you who would it would look good on. Inspector Gadget. He around? Maybe he's got a budget. Well, it's very complicated. It's very intense work because every single piece that you see has a code. And it goes to London, because that's where they're based. It's super fast and ships out from Houston. It's not easy, Mama. She goes, reminds me of ground beef.

[Ben Mandelker]

You know, ground beef is labeled made in the US as not. It's made in Cuba. She says in this way. I was like, cooper. I was like. I felt offensive. I'm, like, not totally sure why, but I just felt like it wasn't right.

[Ronnie Karam]

Enjoy your commie burgers from Cuba.

[Ben Mandelker]

So, son goes, okay, well, I'm gonna take these products, and I don't care where they are and where they're made, because I'm saving them from going to a landfill. Oh, like your marriage did. Okay, mother, that's too much. Okay. It's not like ground beef.

[Ronnie Karam]

I love that because that is just such a. That's such a mom thing to say. Like, ground beef.

[Ben Mandelker]

So Garcelle and Kyle are listening in, and Garcelle's like, oh, good, they're talking. They're making Little passive aggressive swipes at each other. This is going great, but they're only.

[Ronnie Karam]

On the clothing part. So then we cut back, and Sutton's like, I'm going to cut up some lettuce real fast. Okay, what would you like to drink? Cyanide? A bleach? Got a little Drano here. You want me to help you? What would you like, Mother? She goes, you realize I live by myself, right? So she opens the fridge and starts going through it. She says, you want me to get out the crab meat? She goes, yes, please, Mother. Thank you. So. Really about to have a breakdown? I don't know. For some of this, I just see the mom is just being like, whatever, great job. What's next? Like, something's really expecting a lot out of this woman that I just don't think she has a dinner together. Ever.

[Ben Mandelker]

Nope, not anymore. And so Reba's like, by the way, what time are you leaving? You know, I mean, I love having you all here, but Dixie gets very uncomfortable around homosexuals, which is odd, considering the way she looks. So I just want to know when A's going to clear out. Sun's like, well, our flats at 2:30. Okay, two by the. Why are there spoons in the freezer? Are we having caviar?

[Ronnie Karam]

And who put this ice in the ice maker? Don't tell me. I already know the Care Bear over there.

[Ben Mandelker]

Have you eaten yet, Mother? You're grouchier than usual. She's like, no. She's like, okay, well, have these dip things, okay? I can't deal with your hangry self. Well, I don't like stuff like that. Dips, that's for poor people.

[Ronnie Karam]

I'm anti dips. She goes, so I was talking to John Clark last night, and that's her brother. So we see the flashback of her talking to her brother, and she's like, well, I just don't know if she gets me or understands what I do. And he's goes, oh, well, I think so. I mean, she didn't say that. She goes, so you just have esp? He goes, well, I mean, you can tell. She goes, I can't tell. I feel like she's so guarded. And he goes, you know, I mean, think about what she does for a living. So.

[Ben Mandelker]

I know, but we are not her patients. So we come back and Sutton's like, you know, I was just. Like, I was just telling my. I was telling John. John Clark. I was saying, I just don't know if mom understands what I do or is proud at all. And Reba's like, oh, you're gonna try to do this to me on camera, huh? Like, her face has that look like.

[Ronnie Karam]

And she just squints at her and says, well, why are you making that face? And she goes, well, I just don't understand that. You don't understand what? Any of it. Any what? Why you would think I wouldn't be proud of you. Well, you don't say it because. Well, I don't need to. Do I need to say that the person who put the wrong eyes in the eyes compartment is your twit of a gay? No. We all know it.

[Ben Mandelker]

Well, maybe I need you to say it. She's. Well, okay. I'm proud of you. To me, it's kind of like saying I love you. It's so trite and so inconsequential. People just say, oh, I love you. It's overused. Something was about to be like. And I'd also like you to tell me, I love you. She's like, oh, okay.

[Ronnie Karam]

So then Garcelle and Kyle have migrated to the bottom of the stairs, and we just cut to their faces, and it's a beautiful pose. And they're just like, huh. So Reba's like, I think your prelude to this point is I was the way I was because I wanted to a professional working woman. And that got impressed on you. And you've actually become me. Ha ha ha. A professional working.

[Ben Mandelker]

He was like, guess what? You're me. You may hate me, but you are me, so get used to it.

[Ronnie Karam]

She goes, well, it took me time because I wanted to stay home with my children. And she goes, well, that's fine. She goes, but you gave me grief for it. Just. Well, what does it matter? You did it anyway.

[Ben Mandelker]

One of them turned out weird, and I warned you. Guess at home with him. Now you got a weird one. But that's okay. That's your choice. We are ok. The weird ones keep some my business and business.

[Ronnie Karam]

Yeah. So she's like, well, I don't think it's trite to tell your children you're proud of them. And I don't think it's trite to tell your children that you love them. She goes, well, I thought about that. Cuz it seems to be an issue not only with you, but with some of your friends. So I had to go back to the way I was raised.

[Ben Mandelker]

That was so like. Like the little. The venom that she just inserts is so good.

[Ronnie Karam]

Yeah. She's like, well, I was raised World War II, two post. And in those days, no one told me I was pretty when I was growing up. And it didn't matter whether I was pretty or ugly, because I just kept going because that's the way it was. Remember in those days, mothers put their baby in the crib and they just cried. Okay.

[Ben Mandelker]

And look how that turned out. Look how well adjusted Sutton is. So Sutton is like. She's like, well, I guess if it's trapped to you, I certainly don't want to make you do anything that it's not real for you. I just wanted to let you know how I feel. She's, well, thank you very much for telling me that. Which is her way of saying, well, go yourself.

[Ronnie Karam]

Well, there's just so much in this conversation that's like, crazy. So the m. It's not crazy. It's just. There's a lot of layers to it. So the mom's saying, you know, I feel like you have kind of a disrespect for me because I was never there for you growing up. So you feel like I didn't love you because I wasn't some stay at home mom. Mom. But I was a. I was a woman who wanted a career, and I went and got a career, and I'm not going to apologize to you for it. And Sutton's like, well, that's fine, but then you didn't respect my choice as a woman when I decided to stay home with my children. And she's like, but I did respect it. And she's like, no, you really didn't. You've never respected me ever since then. And you don't consider my career real because I. It wasn't my original career. I came up with it after I raised my children. So a lot of this is beyond even mothering. You know, it's just like a womanhood argument. It's so going on forever. I mean, there's just so many layers to it, and it's actually pretty fascinating. I would love, like, even more episodes of this, just listening to these two kind of go at it and peeling back what it really is.

[Ben Mandelker]

This. This was like the Southern Gothic version of, like, the Monica and Linda scene from Salt Lake.

[Ronnie Karam]

Oh, no, theirs is all fake.

[Ben Mandelker]

No, there's. But there. Well, no, there's was. Theirs was a. A. Theirs was like the trashy. There's, like, the trashy version of this, right? But it was, like, very compelling to me because they had all this. They have all this baggage between them, and now we're seeing the baggage here. But this is, like that Southern, like, We don't talk about those things kind of things. And so whereas Monica and Linda was the opposite, where it was like, oh, we're gonna. We actually overshare. All this so sudden is. I. I just love, loved this. It was just so cold. When Sutton is like, well, I just wanted you to tell. I don't want to make you say something that you don't, you know, you don't feel comfortable saying, but I just want to let you know how I felt. And the mom just being like, oh, well, thanks so much for sharing that. Like. Like, do you feel better now? Do you feel better now that you've said that? Okay, thanks.

[Ronnie Karam]

She's like, well, I have my show, and I'm doing a fashion show for this capsule, and it's a bit. Very big deal for me, you know? And I know you don't like to travel, but it would be great. She goes, I don't mind traveling.

[Ben Mandelker]

Traveling.

[Ronnie Karam]

Okay, well, you tell me that you don't want. I mind traveling to places where that little man is. Is what I said specifically. But, you know, I might could come to California. I think I could do that. She goes, but that would speak volumes to me, Mother. She goes, do I have to sleep in Philip's room? Please just don't make me sleep in the weirdo's room, please.

[Ben Mandelker]

I love that she said I might could come. I was like, oh, gosh. Just really leaning into the Southern stuff. So this is, like, a big breakthrough. The music changes. It's, like, nice. It's like, hey, hey, audience. We've decided that this is a. This is a nice moment because the mother gave a mild concession. So.

[Ronnie Karam]

Well, that's huge for her because that is her saying she's not going to break down and be like, oh, I do love you, honey, because it's just not her. And she's not going to break and do it for tv, which I kind of respect, actually, that. She's like, I'm not going to give you that because you're. You're. You're blatantly bantering at this point. I'm not giving it to you, but I will show it to you by coming to see your little, little fashion show. And that's a bigger deal, I think. So I think she communicated it in her way, which, you know, she's a stubborn. She's a stubborn lady. But I think at least she's gonna show. If she does show up, then at least she's gonna show it. So I was actually, that's a big deal for her.

[Ben Mandelker]

And this is, of course, a parallel to the discussion between Bose and about Bose and Keely about, like, what needs to be said, what doesn't need to be said. So this is like a really well made episode. So sudden is like, well, where would you lie to sleep? Mother goes, well, is the aquarium still in that one? I can't sleep with the fish in there. You know, she okay, mother, well, I just want to be better. And Reba goes, well, we can do better. And she goes, I know we can't. And so Sutton is like, actually really touched cuz her mom said we can do better. Makes her. She says it gives her so much hope for their relationship going forward.

[Ronnie Karam]

It's like, I'm coming in for the hug, mama. You don't have to hug me back. She goes, oh, God, do I have to stand up?

[Ben Mandelker]

She's like, no.

[Ronnie Karam]

And now I can make crab cakes. And girl, when she served those crab cakes, they were burned. I felt bad.

[Ben Mandelker]

They were.

[Ronnie Karam]

And I'm proud of Reba for not saying.

[Ben Mandelker]

I think they were. I think they were browned. I don't think they were burnt. They were. They were on the edge.

[Ronnie Karam]

They're on the edge, burnt.

[Ben Mandelker]

So they hug and everything. And so now she's like, okay, I'm gonna go get my friends. So it's like a very sitcom moment because Sutton goes into the. Into the foyer to call down Garcelle and Kyle, and they're already there. So they go running. Garcelle runs away, and she doesn't really get to hide, but Kyle goes back up the stairs and then turns around and comes down. Walks down the stairs as if she was just casually walking down the stairs. It was actually one of the funniest things that Kyle ever did, the way that Kyle came down that staircase again. Like, yeah, no, I was. I was already headed down. I died. That was the best. That may have been the best thing that Kyle, which is ever did.

[Ronnie Karam]

So she's like, it all went really well. It was very calm, and she's going to come to the fashion show. And Garcelle's like, I'm so proud of you. And Ky's like, that's so great. Good for you. So when do we get to meet your mom?

[Ben Mandelker]

What fashion show is happening? So. So she serves the crab cake. They cook the crab cakes, and then they. They. They are like, that's. It's happy now. It's cooking. They sit down, crab cakes are served and everything. And Reba is smiling. Rebu. Reba goes, this salad is good. Which you know, again, that was her way of saying, I love you, daughter, and I'm proud of you.

[Ronnie Karam]

Yeah. And she said, well, I just want to give a cheers. I'll leave here with a smile on my face and I want to be a better daughter. And Reba says, a friend, she goes, and a friend, she goes, yeah, Good. Got it. Nailed it.

[Ben Mandelker]

And sun goes. All right. So as you are, my new friend, I'm going to leave you with cleanup duty.

[Ronnie Karam]

Bye.

[Ben Mandelker]

Wow, great episode. Like a real.

[Ronnie Karam]

That was a good one.

[Ben Mandelker]

Tour de force. Like that. Like, I literally think that Bravo should submit that to the Emmys for consideration. It'll never get nominated because, you know, the Emmys are like, they're totally biased against our craft of the Real Housewives. But it was so good that I actually think they. They should. They should submit that one because it was like. It was like kind of a great, perfect hour of television vision.

[Ronnie Karam]

That was a good one. All right, everybody. Well, thanks so much for being with us. Thanks for being with us on Patreon on video. And we will talk to you next time. Head over to Patreon for video and traders recaps and we'll talk to you soon. Bye, guys.

[Ben Mandelker]

Bye. Watch what crap INS would like to thank its premium sponsors. Ain't no thing like Allison King our.

[Ronnie Karam]

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[Ben Mandelker]

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[Ronnie Karam]

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[Ben Mandelker]

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[Ronnie Karam]

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[Ben Mandelker]

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[Ronnie Karam]

Jennifer Kearns she's our kind of mess. It's Jennifer Messer sip some scotch with.

[Ben Mandelker]

Jessica Trotch Knock, knock, knocking on Katie Manock's door she's our favorite streamer Caroline.

[Ronnie Karam]

Peacock, Kristen the piston Anderson get a bee in your bonnet with Lacy b.

[Ben Mandelker]

Ringing the funk it's Leslie Plunkett she.

[Ronnie Karam]

Gets a name from us it's Lindsey D. Let's give a kisserino to Lisa Lino fresh as a daisy it's Maisie mchenry we love her on the rocks it's Melissa Cox Megan Berg you can't have a burger without the berg this.

[Ben Mandelker]

Is living with Michelle Vivian I love.

[Ronnie Karam]

A YA Olivia Williamson Tastier than Flanderson.

[Ben Mandelker]

It's Rachel Manderson she sure is swell.

[Ronnie Karam]

It's Raquel yes we can It's Savannah.

[Ben Mandelker]

Cast a spell with Shannon Spellman let's share with Sharon Elliot Aldridge the Bay.

[Ronnie Karam]

Area and our super Premium sponsors she's VVIP it's Amanda V somebody get us.

[Ben Mandelker]

10Cc'S of Betsy MD she's got a leg up it's Beth Ani we're taking the gold with Brenda Silva let's get real with Caitlin O'Neal don't get salty.

[Ronnie Karam]

With Christine Pepper can't have a meal without the Emily sides who, what, why, where?

[Ben Mandelker]

And gorgeous Gwen Pentland it's our queen It's Queen Laifa Nobody holds a candle to Jamie Kendall Know your words with Jason Kerr we got our wish It's Jen Plish she's not harsh She's Jill Hirsch She's a little bit loony Junie my Favorite Murdo Karen McMurdo we love him madly It's Kyle Pod Shadley we're ride or die for Lisa Ryder Baron she's a whiz It's Liz Sarthi always killing it it's loa Al Kalani the.

[Ronnie Karam]

Incredible edible Matthew sisters She eases our woes It's Melissa St. Rose Give him.

[Ben Mandelker]

Hell Ms. Noel she's the queen bee It's Sarah Lemke Shannon out of a cannon Anthony let's take off with Tamla.

[Ronnie Karam]

Plain she ain't no shrinking violet Cootard we love you guys. If you like, watch what crappens. You can listen ad free right now by joining Wondery plus in the Wondery app or on Apple podcasts. Prime members can listen ad free on Amazon Music. Before you go, tell us about yourself by filling out a short [e-mail] [e-mail].

[Keke Palmer]

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