#2858 RHOA S16E12 Part Two: Country Clubbed w/ Kempire

Summary

Watch What Crappens Podcast Summary: Episode #2858 - RHOA S16E12 Part Two: Country Clubbed w/ Kempire

Release Date: May 26, 2025

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Introduction

In Episode #2858 of "Watch What Crappens," hosts Ben Mandelker and Ronnie Karam delve into the intricacies of "The Real Housewives of Atlanta" Season 16, Episode 12 Part Two, titled "Country Clubbed." Joined by guest Kempire, the hosts dissect key moments, character dynamics, and pivotal storylines that unfold during the episode. This summary captures their insightful discussions, notable quotes, and the comedic yet critical analysis that "Watch What Crappens" is known for.

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1. Angela’s Real Estate Ventures

The episode kicks off with a discussion about Angela's ambitious foray into real estate, highlighting her acquisition and management of multiple properties.

• Ronnie Karam expresses amusement over Angela's extensive property portfolio:

  "Dunking on Angela's properties. I love these because they're always hilarious to me that Angela's like, I have seven. Investment. Seven." ([04:11])

• Kempire acknowledges the challenges Angela faces:

  "They're not bad properties, though." ([04:17])

The hosts commend Angela for her authenticity in showcasing her real estate endeavors, contrasting her approach with other housewives who may inflate their property dealings for the cameras.

• Ronnie Karam adds:

  "Angela's like, this hurts." ([04:34])

Insight: Angela's genuine portrayal of her real estate struggles adds a layer of relatability, setting her apart within the show's competitive environment.

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2. Brit’s Husband and Their Dynamic

The conversation shifts to Brit and her husband, focusing on their interactions and the evolving nature of their relationship.

• Ronnie Karam recalls a humorous scene:

  "Brit had a conversation with her husband too because he was trying to be so nice today." ([05:40])

• Kempire comments on the husband's demeanor:

  "He's trying to be better... he doesn't want to be here kind of thing." ([06:32])

The hosts discuss the visible changes in Brit’s husband, noting a shift from his usual demeanor to a more accommodating and perhaps strained interaction dynamic with Brit.

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3. The Country Club Polo Party

A significant portion of the episode revolves around the elite country club polo party, which serves as a backdrop for major conflicts and character developments.

• Ronnie Karam critiques the event's execution:

  "Shamia tried to pull a cheap ass housewives trick and only feed her own table... but they accidentally set all the tables." ([07:23])

• Kempire adds insight into the event’s reception:

  "It was a lame event. It was definitely giving lame." ([08:11])

The hosts highlight the mishaps during the party, such as the absence of food and inappropriate gift presentations, which lead to widespread dissatisfaction among attendees.

• Ronnie Karam humorously notes the awkwardness:

  "All of them are sitting around on their phones looking so pissed." ([08:25])

Insight: The country club party exemplifies the underlying tensions and miscommunications among the housewives, showcasing the show's characteristic drama and interpersonal conflicts.

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4. Drew’s Music Label Controversy

Drew's subplot concerning her music label becomes a focal point of contention and analysis.

• Ronnie Karam questions the legitimacy of Drew's label:

  "Isn’t this just, like, a thing that you sign up for on the Internet?" ([26:18])

• Kempire provides a critical perspective:

  "It's a good project, it's a good album, but you still have a lot of work." ([26:39])

The hosts debate the efficacy and authenticity of Drew's music label, scrutinizing its impact on her career and the broader implications within the reality TV landscape.

• Ronnie Karam adds skepticism:

  "She signed with Dennis hasn’t catapulted you to be on the big ticket show where your song is being played." ([27:20])

Insight: Drew's venture into the music industry is portrayed as ambitious yet possibly misguided, reflecting the challenges reality TV personalities face when branching into new business endeavors.

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5. Phaedra’s Return to the Show

The return of Phaedra to "RHOA" sparks significant discussion among the hosts, focusing on her potential impact and past narrative arcs.

• Ronnie Karam expresses excitement mixed with skepticism:

  "I have to see Phaedra. I need to see Phaedra's scenes." ([29:34])

• Kempire questions the timing and authenticity of her return:

  "It came too late in the episode." ([35:54])

The hosts analyze Phaedra's interactions, particularly her confrontations and attempts to rekindle past relationships, assessing whether her presence will rejuvenate the show's dynamics or fall flat.

• Ronnie Karam remarks on Phaedra's role:

  "They just need to move it along. Also, I need Drew to find out that they went out with Ralph." ([25:25])

Insight: Phaedra's return is viewed as a strategic move to inject fresh drama and rekindle existing tensions, although the hosts remain cautiously optimistic about its effectiveness.

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6. Kenya’s Storyline and Departure

Kenya’s involvement in the season and her subsequent departure is a topic of critical reflection.

• Kempire expresses disappointment:

  "The season wasn't hitting... the most interesting episodes were those first five with Kenya." ([38:15])

• Ronnie Karam echoes the sentiment:

  "She’s not going to be at the reunion. I know." ([39:16])

The hosts lament the diminished focus on Kenya’s storyline and the implications of her exit on the season's overall narrative strength.

Insight: Kenya's early departure is perceived as a setback for the season, potentially weakening the show's engagement by removing a central and dynamic character prematurely.

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7. General Reflections on Season 16

Throughout the episode, Ben and Ronnie provide overarching critiques and observations about the trajectory of "RHOA" Season 16.

• Ronnie Karam compares it to past seasons:

  "Sometimes it doesn't work. Like New York didn't work. That second season tanked." ([39:27])

• Kempire discusses character development:

  "They start seeing what they saw in the early parts of the season... becoming a little bit more self-aware of the cameras and production." ([06:32])

The hosts assess the season's strengths and weaknesses, noting shifts in character authenticity, storyline coherence, and production quality.

• Ronnie Karam concludes:

  "They fought too many times or they just don't know each other well enough, or they just don't care about each other enough to really fight." ([36:35])

Insight: The hosts suggest that while "RHOA" Season 16 brings moments of humor and drama, it struggles with consistency and depth in character relationships, impacting overall viewer engagement.

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Conclusion

In this episode, "Watch What Crappens" offers a comprehensive and entertaining analysis of "RHOA" Season 16, Episode 12 Part Two. Through their candid discussions and humorous takes, Ben Mandelker and Ronnie Karam, along with guest Kempire, explore the complexities of the housewives' interactions, business ventures, and personal dramas. Notable quotes and timestamped insights provide listeners with a vivid portrayal of the episode's highlights and shortcomings, making the summary invaluable for fans and newcomers alike.

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Notable Quotes:

• Ronnie Karam on Angela’s Properties:

  "Angela's like, I have seven. Investment. Seven." ([04:11])

• Ronnie Karam on the Country Club Party:

  "Shamia tried to pull a cheap ass housewives trick and only feed her own table." ([07:23])

• Ronnie Karam on Phaedra’s Return:

  "We just have to watch if Phaedra can make me laugh, then I'm good." ([37:42])

• Kempire on Kenya’s Departure:

  "The most interesting episodes were those first five with Kenya." ([38:15])

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Final Thoughts

"Watch What Crappens" continues to deliver insightful and engaging recaps of Bravo's most talked-about shows. This episode's in-depth analysis of "RHOA" Season 16 provides listeners with a clear understanding of the show's current dynamics, making it a must-listen for reality TV enthusiasts.

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For more detailed recaps, exclusive content, and to join the community, support "Watch What Crappens" at www.patreon.com/watchwhatcrappens.

Transcript

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[Ben Mandelker]

Who cares what happens when there's so much? Who cares what happens when there's so much that happens?

[Ronnie Karam]

Well, hello and welcome to Watch what crappens. This is part two of a two part recap. If you're like, hey, wait a minute, I didn't hear part one, guys. It's because we put out a lot of recaps. Go back and listen to part one. Okay. It's before this one. Bye. Enjoy the show. Okay, so now we get to my personal favorite scene. Dunking on Angela's properties. I love these because they're always hilarious to me that Angela's like, I have seven. Investment. Seven. No, start with one. Start with one. Who can do seven? That's crazy. So they go check out this house and Charles is with her. So she's like, do you like it, Charles? He's like, I would like if it was sold.

[Kempire]

Because he's partially invested too. His money.

[Ronnie Karam]

Yes.

[Kempire]

They're not bad properties, though.

[Ronnie Karam]

What's that?

[Kempire]

They're not bad properties.

[Ronnie Karam]

They're not bad properties. Yeah, she's not doing a terrible job. Yeah, it's just. And I like that she's sharing it too, because I feel like a lot of housewives would be like, oh, I'm selling this for $5 million. And then you'd never see it again. But Angela's like, this hurts.

[Kempire]

And that's the thing. That's what people are liking about Angela. There's a level of authenticity that we're getting from her that we're not getting from anyone else on this show. And I think this is why Andy has compared her to Charay, because although Sheree has lied and continues, there's this level of, like, awkwardness and like woo woo woo. To her, that is just that it's funny to watch. But Angel's not afraid to show it.

[Ronnie Karam]

Yes. So they look it over. I mean, the house looks nice for the most part. It's a mess. Like it hasn't been cleaned up, it hasn't been finished. Right. And she's using like those paper blinds and they're all. It looks like an animal went wild in there on the blinds. I don't know what's going on with the blinds, but she bought this for 338. She listed it for five for 499. And now it's back down to 338, which is really sad.

[Kempire]

Yeah. I mean, look, anyone that's been in this business of buying and selling and renovating homes completely gets it. I don't think it's a big deal. I think she'll be fine. Maybe not taking on that many properties at the same time.

[Ronnie Karam]

Yeah. It's just too many.

[Kempire]

Yeah.

[Ronnie Karam]

Yeah. But yeah, I agree. I like her. I'm rooting for her. So then we go to party setup. Okay, so Brit. We've skipped a scene with Brit and her husband, which was really funny because I think Brit had a conversation with her husband too because he was trying to be so nice today. Usually her husband is just like, ugh. He has this look on his face like, God, shut up. But they did this scene in their bathrobes. And she's like, it's been a hard week, baby. Been working up here naked. And he's like, I can't wait for you to do it, babe. It's gonna be amazing. And I'm gonna have a poa classic party at the country club with hats.

[Kempire]

And he's like, great, I completely forgot that scene.

[Ronnie Karam]

Yeah. And he's pouring champagne in their bathroom and the robes. And he's like, you're great. I can't even tell that you had Botox, babe. Like, who is. Who are you? Bring the moody one back.

[Kempire]

I think he's trying to be better. You start to see what you saw in the early parts of the season and you see how they change throughout the season. This is them becoming a little bit more self aware of the cameras and production. Telling them like he's coming up a little, you know, like he doesn't want to be here kind of thing.

[Ronnie Karam]

Yeah, yeah. They're like, he looks like something smells in the room all the time.

[Kempire]

Always.

[Ronnie Karam]

He really does. It's so funny to me. So now we go to her country club polo Party. She's like, you know, I just want this to be a classy party. This is going to be classy and demure. And so they all, of course, show up to the country club in micro skirts and stilettos. Yes, yes, Atlanta. And let's go golfing in stilettos. I cannot believe they didn't have a bunch of country guys out there. Like, get those stilettos off my green.

[Kempire]

I'm surprised about that, too. That was the first thing I thought.

[Ronnie Karam]

Yeah, I thought, oh, they're gonna have some grumpy old men up their asses in two seconds. But they didn't. They all dress crazy and go to this little party, and let's see what happens here. I guess the biggest things that happened here is one. Shamia tried to pull a cheap ass housewives trick and only feed her own table. So her plan was she was gonna sit all the ladies at one table where they would have dinner. And then all the extras from Twitter or whatever the Twitter people, as Nini would call them, would stand around just having the cheapest champagne that Trader Joe's sells. And no one would notice they're not eating. But they accidentally set all the tables. And so now everybody thinks they're gonna eat, but there's no food.

[Kempire]

It was a lame event. It was definitely giving lame. But, you know, production loves to do that too. Like, oh, let's show it. Like, this is her first event. She doesn't know how to throw the event. She doesn't know how this works. She doesn't realize that she's going to look terrible on camera.

[Ronnie Karam]

Yeah, show it. Of course. You got to show it. Well, the best part was showing all the people who weren't getting chicken, they were so pissed. Oh, my God. They kept showing the ladies kind of digging in, and no one wanted to eat. Portia's like, I'm going to put this in my purse. I know. And everybody's sitting around them on their phones looking so pissed. And she's like, all right, I've got an announcement that they're naked. And she started going on. I wanted to feel like you're naked or whatever. And people are just looking at her like, fuck off. And then she announces that she's bought, she's brought product for everybody that's eating. Which leaves out the point just with her special ladies.

[Kempire]

Awkward.

[Ronnie Karam]

So the Shade came here when she gives everybody their gift and of course is dissed by people. You know, Shamiya's like, oh, my God. I opened the box and there was nothing in It. It was bare naked. There wasn't even tissue paper in there. The box was lonely.

[Kempire]

Yeah. That was. Again, Brit doesn't know. It feels like Brit had a desperate attempt to, like, I need to shop or share some sort of business if I'm going to be on this show. And I think that's what she did with this business. Like, oh, I'm going to promote this. Because she doesn't have the insurance company. I don't. I don't think her insurance school that she would. That she's launched was set up by then. I don't know if it's.

[Ronnie Karam]

For 150. It's like, really?

[Kempire]

So I think she just felt like she needed to promote something and that's why. And again, she just doesn't know how to present. She doesn't know how to host. And then, no. No one has food. You're giving out the wrong sizes. You gave an extra large to Angela.

[Ronnie Karam]

Extra large to Angela. Oh, no.

[Kempire]

Do you remember what Angela looked like in. At the. The Go. The Pampered by Portia event? Angela looks good. Body.

[Ronnie Karam]

Yes, Angela looks good. So she tried it. Yeah. But. Yeah, that didn't really work. But I thought it was really funny that she couldn't feed everybody. Ha. They shaded her. Also. Can I just say, I kind of missed the Housewives days where you didn't have to have a business promoting something. What happened to, like, Vicky's. I go to the car wash all the time. That was Vicki's storyline in season one. She's like, in Orange county, we go to the car wash every day.

[Kempire]

And that's the thing. This is what Housewives has turned into. I wish production would lean away from that because it's okay if you have interesting personalities. We don't need them to be launching a business. Literally, the season we see Drew and in Shamia launching music, and I'm like, okay, pick one. Because I've seen them do that with other. Other reality shows. If someone has a similar storyline, they're like, okay, we're not going to show that or highlight that. It just feels like overkill. It feels desperate. It feels like a bunch of fans that are now on reality television, like, oh, I want to launch a business. I want to be the next Bethenny Frankel. Well, you're not going to be.

[Ronnie Karam]

I'm okay with you just being bored housewives or whatever. Just bored people with money starting fights because you're bored.

[Kempire]

Yeah, that's what I liked about it.

[Ronnie Karam]

You know, we don't need to all go out There and go get them. No, just stay home and take them.

[Kempire]

Be rich. And your money.

[Ronnie Karam]

Sit down. So Angela sees her extra large and she's like, maybe she got these confused with the size of her toothbrush for a big ass mouth. So then we get to find out. Portia asks Britt what her inspiration is for this line. And Britt's like, it's when I got a bbl. I was like, oh, no. Shapewear inspired by your first bbl.

[Kempire]

I mean, I don't know if you remember at the Nashville, everyone was pointing out like, oh, she's got a bbl. When she was in the bathing suit, I was like, yeah, at least she's. At least she's open about it.

[Ronnie Karam]

She's got a bbbl. It's a very big bbl. Kenya still won't admit to hers. And Kenya's looks crazy.

[Kempire]

Kenya says all. It's all accommodating to her. A stallion. Booty work.

[Ronnie Karam]

Yes. It's all crunches. Or not crunches. Squats. What? What are you squatting? You could lift a Mack truck. Get out of here. It's not squats. So she was very inspired by her BBL because when she started her insurance company, she really wanted to do it, but it wasn't the right time. But then her and her girlfriends went and had an out of town party and it was a plastic surgery party where they just all went and got surgeries together. Yeah, the fuck? What kind of friends are those and where can I find them?

[Kempire]

I don't want those types of friends because that says to me we're getting bootleg surgery. I'm not trying to get surgery. Give me Jenner surgeon, please and thank you. I think we've discovered him. I think I discovered him actually today. I'm not giving out his name. Yes, I'm a gatekeeper.

[Ronnie Karam]

No, I need his name. I need to get my lids done.

[Kempire]

I heard he's very particular. Apparently he's also did. He did Brad Pitt, Demi Moore, and who else had some good surgery recently?

[Ronnie Karam]

Oh, Demi Moore looks good. Yeah, Brad Pitt still looks good. But I mean, that's kind of unfair. Those are the most beautiful people in the world. It's not like they ever looked at.

[Kempire]

Brad Pitt before, though. He was. He was. The age was starting to age. The milk was.

[Ronnie Karam]

Oh, really?

[Kempire]

Yeah, come on.

[Ronnie Karam]

Oh, I didn't even know.

[Kempire]

Oh, I've seen him some videos, but he looks fantastic.

[Ronnie Karam]

I said I read about his fathering skills.

[Kempire]

Oh.

[Ronnie Karam]

All the time.

[Kempire]

Or lack thereof.

[Ronnie Karam]

Yeah, that's rough. Who knew who knew a really hot guy with nothing going for him except his hotness and money would turn out to be an asshole?

[Kempire]

I mean, Jennifer Aniston could have told you.

[Ronnie Karam]

Yeah, Jennifer. Yeah, but that whole thing was weird, too. I'm sorry. There's so many tangents in this podcast, but I remember back in the day. By the way, why are they still on magazine covers? Like, do people really still care what Jennifer Aniston is doing every day? She's still on the grocery store tabloids every day. So, anyway, back then, I remember Jennifer saying in an interview, you know, I don't. Whatever this is with Brad is to me, I only want him to be with me if he wants to be with me. And if he doesn't want to be with me, then I'm glad he's with somebody else. And then he went with Angelina Jolie. I was always like, you shouldn't say that. You're supposed to say, if you ever leave me, I'm cutting your dick off and I'm slashing you down the middle of your money maker your face. That's it.

[Kempire]

But look what happened. He ended up with Angelina, and they have these beautiful children that he doesn't speak to anymore.

[Ronnie Karam]

Yeah. Now instead of just having Jennifer Aniston, who resents you, you've got Angelina and.

[Kempire]

Six children that hate you and how many years. They finalized their divorce recently, right?

[Ronnie Karam]

Oh, gosh, I don't know. He probably got the facial surgery before the divorce even happened. He's probably onto his next face before the first divorce was even. I don't know. But I want lids done. Okay, Text me that. Like, I could afford Kris Jenner's. I'll be. Can I trade you for a used Vespa?

[Kempire]

And I heard the guy is very particular on who he actually does. I'm like, oh, well, start saving your coins from now.

[Ronnie Karam]

I want whoever did Chloe, because I think Chloe looks like a totally different human being, and she gets criticized for that a lot. They're like, she got a head transplant. And I'm like, what's the number?

[Kempire]

It's probably the same guy.

[Ronnie Karam]

No. Probably. I'm in. Okay. So they start talking about what surgery they would want, and Shamia wants to get her back fat sucked out. And I saw my friend get her.

[Kempire]

Back fat sucked out, like, 20 years ago, and I could never do it. Women are special. I don't know how they go through these surgeries. And then after, like, the recovery, it's like, hell, I get. I get like, a hangnail, and I'm like, out. I can't. I don't know what it is.

[Ronnie Karam]

We're. We're pussies because we're men. That's how it is. It's like when a woman gives birth to, like, five children and she's back to work and then a man gets a cold and we're like, the same way. But did her skin really hurt for, like, years after her back fat surgery or did it.

[Kempire]

Well, I don't recall that part. I just remember I can literally still see her coming out of the surgery. Just, first of all, she was out of it, and then she had to wear this, like, garment for, like, how many days. I was like, I don't know how you do it. And the thing is, with that, you could gain the weight back and it might show up as a hump on the back of you. I got a cousin where that happened too. Oh, I should have said that.

[Ronnie Karam]

It's true. It's like when you get the, you know, the Botox wherever to stop your sweating, and then you start sweating in other places. So you'll be sweating out your wiener hole or whatever. Really? Yeah. You'll sweat other places. Like, random places. Not really. But like, you're like, oh, I've got sweaty elbows now. You know, start coming out. It's gotta come out somewhere.

[Kempire]

That's why I say God says, don't mess with anything in your body. Because I was thinking about it, I was like, you know what? I always sweat, especially when I'm in the studio. Like, you know, I don't want those sweat marks. But now I'm like, now you said that I don't be sweating somewhere else.

[Ronnie Karam]

Yeah, you'll be sweating somewhere else. So don't do it. But fat, I don't know. I want them to find, like, clips that they can just put me on my stomach, put clips on my back and lift me like in one of those torture videos. And then just sew me up. Just sew it all the way from the bottom to the top.

[Kempire]

I don't think I can make it through the recovery of that.

[Ronnie Karam]

Well, put me in an induced coma. You know how they have those for the entire recovery? I'll just be like, see you guys in a couple of years. I'll be dead for a while and just come back looking sweet with, like a big seam up the back of my body.

[Kempire]

I like, cry. When I literally just went to my esthetician, I still got a little. Some red marks on my face from my esthetician. Even that alone, I'm like, this is a lot. I don't know if I can do this.

[Ronnie Karam]

You know who doesn't cry? People in comas. So I'm just saying mini coma induce that.

[Kempire]

Do we know that, though? The people that you're not suffering even though you're in a coma?

[Ronnie Karam]

Well, they could be suffering, but no one has to hear about it. All right, so we talk about all of this bare naked stuff. What they're really missing here is a storyline of Portia getting pissed off that she stole her name. Like in Tipsy girl versus Skinny girl on New York. We really need that. And Portia did give her a little shade when asked about it, but I need more from that.

[Kempire]

Yeah, Portia is like, you know, go naked's been around for 10 plus years. And I mean, based on what I've seen of the go naked hair, it actually looks good. I don't know. I don't know if the girls are really buying go naked hair like that. I'm gonna have to ask. I'll get back. I'll report back.

[Ronnie Karam]

I don't know. It's hard for me to judge because I've seen Dr. Heavenly's wigs, so that's pretty high quality. Oh, really? Oh, everything else pales in comparison.

[Kempire]

Yeah, everything fails in comparison to those heavenly wigs.

[Ronnie Karam]

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[Ronnie Karam]

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[Ronnie Karam]

Okay, so now we get some husband action. So Angela really awkwardly goes, okay everybody, well Charles doesn't have a side baby. And they're like, what? Charles is like, Jesus, yeah. Charles is like, oh Jesus Christ. Like I finally got Charles here and now I'm going to put him on the spot. And Britt's like, okay, well and also, I'm not one of Charles's whores.

[Kempire]

I was amazed by that. I was like, she never said you were one of his whores. She called you a whore?

[Ronnie Karam]

Yeah. I didn't think she ever said you could be one of his. Why does she even have to flatter herself?

[Kempire]

Damn.

[Ronnie Karam]

In the diss. She didn't say that, ma' am. Thank you for saying that, because I didn't think so either. But I was too lazy to go back and look at the episode.

[Kempire]

No, literally, what they flashback in this episode, what she said, she called her.

[Ronnie Karam]

You are a whore.

[Kempire]

And again, we're watching an edited show, so who knows what was said in that moment? A lot more could have been said. But based on what we saw, she called you a whore.

[Ronnie Karam]

Yeah. Thank you. So he's like, what are you talking about? I don't have a whore. And she goes, oh, well, she said that I could be one of your whores. And he's like, no. And she goes, well, I'm trying to be funny. He's like, that's not funny. I felt like Charles was just like, that's not funny. And the salad sucks. Have you seen one person even eat this salad? I'm surprised they didn't just start throwing the salad to the four people.

[Kempire]

The poor people attending.

[Ronnie Karam]

Lord have mercy.

[Kempire]

And they're all just reacting to, like, what is going on right now.

[Ronnie Karam]

Yeah. So then the fight moves on. So they've decided they're going to make up. So now people are like, should we make up with Drew too, while we're at the country club? So Shamia starts. Someone starts. Shamia and Drew start going on about Shamia being called the lap dog and that whole thing, which is, I'm tired of this fight. What is this? Episode 10, episode 12. Oh, my gosh.

[Kempire]

We're way past halfway through the season.

[Ronnie Karam]

So Portia. No. So Drew said, well, Portia shouldn't be mad about the music because I'll make so much money with this music. It could pay for Portia's college. I don't even think it was that bad. Did you?

[Kempire]

When she initially said, I was like. I was like, er, I don't think you should say something like that. But the way she said it was kind of funny.

[Ronnie Karam]

I thought she just meant she'll benefit from the money if she's getting money from Dennis. I didn't take it as that big of a deal.

[Kempire]

And she said in the after show, Dennis had said something similar to that and that's why she said that. So I don't think it was enough for Shamia to go bring it back to Portia. Like, she said it in such a negative way.

[Ronnie Karam]

Yeah.

[Kempire]

But I also.

[Ronnie Karam]

Especially when the whole Internet's kind of saying what Drew says. No offense, but, you know, the whole Internet's been saying that for a long time, but I can understand that. That's probably what makes her a little more sensitive to it, too. You know, I think she also was.

[Kempire]

Dragging out any sort of beef that she could have with Druro again, going on with Porsche.

[Ronnie Karam]

They just need to move it along. Also, I need Drew to find out that they went out with Ralph.

[Kempire]

Yeah.

[Ronnie Karam]

Why hasn't that become a thing? Is that going to become a thing.

[Kempire]

On the trip reunion?

[Ronnie Karam]

No, I need it now. You guys finally had something good happen. Do it now.

[Kempire]

Or maybe during the trip. Maybe during the trip they're going to bring. Bring it up that they had. They had dinner with Ralph, which was clearly, again, to me, you don't want to be called a lap dog, but that was clearly lap dog behavior. Yes. Ralph is going to you for podcast advice because you guys had a podcast together, which I think had, like, two episodes.

[Ronnie Karam]

I was gonna say, was that an actual podcast, or were they just guesting on somebody else's podcast?

[Kempire]

Because I could do it channel.

[Ronnie Karam]

I mean, come on. She's like, I can go to lunch with him. We were in business together. We've done a podcast.

[Kempire]

And then Portia magically shows up. I didn't know he was going to be here. Y' all think we're dumb.

[Ronnie Karam]

This is crazy. So then, speaking of do youo Think youk're Dumb? Drew's label. So Drew's going on and on about this label that she signed with. Isn't this just, like, a thing that you sign up for on the Internet?

[Kempire]

Well, I think the Hot Dog King has a hot dog label. Music label. And that's why they were having this meeting for her to sign contracts with the lawyer. If I'm not mistaken, in this day and age, you don't really need a label to put out music, especially. Especially. I mean, I have to say the project is good. I'm never going to take away from the project.

[Ronnie Karam]

I think she's good.

[Kempire]

Yeah, it's a good project. But again, I don't think she needed a label to put out this music, especially. She's in Atlanta. It's 2025. You really don't need a label.

[Ronnie Karam]

It's just so Drew to be like, I'm having a party for my label signing. And then we looked up the label because we were curious. And, you know, I love the Google, as you've seen. So we looked it up. And it was like, sign up now to be part of this label. And it was one of those, like, that distributes your music, you know, this kind that does it for a monthly fee or whatever.

[Kempire]

Yeah. You know, and.

[Ronnie Karam]

But I don't know, maybe she could have a contract within that company. I mean, I don't know.

[Kempire]

And hadn't catapulted her music. Like, it's. Like I said, it's a good album, it's a good project, but it. You signing with Dennis hasn't catapulted you to be on. On the big ticket show where your song is being played. You're not on the charts. Sorry.

[Ronnie Karam]

Well, she. She was right. She. She was on number five on Apple.

[Kempire]

Well, the itunes. I'm talking about Billboard. Oh, yeah.

[Ronnie Karam]

I'm a podcaster. I just look at Apple. So.

[Kempire]

Which is good. No, don't get me wrong. It's good. And like I said, the project is good. And I'm rooting for Drew, but I'm also realistic. Like, girl, you still. There's a lot of work that you could be doing if you're going to sign to it. I have a music background for those that don't know. So if you're going to sign to a record label, it's got to be worth it. It's going to align you with certain producers, align you for certain opportunities. It's going to get you on the music charts. It hasn't really done that. Yes, itunes is fantastic, but that's off the strength of her name and being on Route's Wives of Atlanta. That's not going to open up doors when it comes to the actual industry that doesn't want to really welcome in reality stars.

[Ronnie Karam]

Okay, yeah, I got you. Because I was wondering, why is she renting out this Wework to pretend she's signing it. Like, is it an actual label? Because she made it sound like she was at the label, but then she was with her lawyer, and then she had to have a call with Dennis to clear up that he never said that he was fucking her in exchange for studio space.

[Kempire]

Yeah. Yeah.

[Ronnie Karam]

So it's all sorts of crazy.

[Kempire]

And I get it. People are like, you know, she doesn't lie about a lot, but she lies a lot. There's a lot of. There's a lot of, like, pretend that we get from. From Drew. And I also didn't understand why is there a road manager there? Is that your manager? But they said road manager. Like, are we on tour?

[Ronnie Karam]

I don't know. So much of Drew just confuses me. And then she signed the paper, but I don't know what she was signing.

[Kempire]

Neither does she.

[Ronnie Karam]

I still don't. I still don't know what she was sign. She was signing, like, her doordash tip. I don't know what it was, but she started jumping around and screaming. And then we get the scene. Some of us have been waiting for the return of Phaedra. Phaedra's back, and she's ready to fuck some shit up. So we had a Phaedra and Portia scene where they were also dancing around together with champagne and laughing. But I bought it because, I don't know, they've had more than a decade, or they've had like a decade to back it up or whatever, but have.

[Kempire]

They really even been around each other? I've seen Portia with Kandy more than I've ever seen. I have never even seen her with Phaedra since the show ended with them.

[Ronnie Karam]

I don't know. But today I went to a housewarming thing, and it was for my old boss that I used to. I used to wait tables at this Moroccan restaurant for, like, 10 years. And it was the waiters, like, me and these three girls. And we were, like, best friends. Like, we just saw each other. So I think I kind of. Housewives is probably, like, waiting tables where you see each other and you're like, do you remember that old fucker who used to come in and make us get extra butter? Like, no one gets me like you guys.

[Kempire]

But I would have expected at least maybe once we would have seen Portia and Phaedra together, especially. Cause they're in these worlds.

[Ronnie Karam]

Yes.

[Kempire]

And we just literally saw them come together recently for this show, so.

[Ronnie Karam]

Well, and they were both doing the housewife talk around, like, oh, gosh, we've stayed friends. Well, I mean, you know, we've. You know, we're kind of friends. Okay, well, we do see each other all the time. She's like, but you've never been to this house. Right? You've been there for a while.

[Kempire]

And the thing is, too, it's Atlanta. You see, these people see each other all the time. So it's kind of shocking that we haven't seen, like, them in photos or anything like that in the last 10 years.

[Ronnie Karam]

Yeah, well, maybe they weren't taking them together, because they probably get slammed every time they post a picture together in the past, ever since Phaedra left.

[Kempire]

They don't care.

[Ronnie Karam]

They don't think they care.

[Kempire]

No. And Phaedra still hasn't even Apologized?

[Ronnie Karam]

Did she not apologize?

[Kempire]

No.

[Ronnie Karam]

Really?

[Kempire]

No.

[Ronnie Karam]

Wow. So even now she's saying, like, well, and we see the clips of they didn't say. Well, yeah, I guess they did say what she said.

[Kempire]

Yeah.

[Ronnie Karam]

Which was they wanted to drug Portia and take her to a sex stunt, which was the craziest thing. Yeah, that was the craziest storyline. Anyway. It was the dumbest thing ever. Like, oh, okay, Candy and Todd really want to drug you. And then that's turned into people saying that they were calling Kandy a rapist. And I was like, well, a wanting to rap. I mean, I don't know. That whole thing was so problematic. So then Portia, she doesn't even go into the whole thing. She's just like, well, when I was a Real Housewife, the way that ended wasn't good. But she would let she, without sin, be the first to cast a stone.

[Kempire]

Well, here's the thing with Phaedra. She is great television, but I feel like in this particular world of where you have to share your life, especially if you're going to be full time, if she was a friend of. I think it would probably work. But she's coming in. This is the last two weeks of filming that they're coming that she's coming in.

[Ronnie Karam]

Oh, really? Is that late? So they just have the trip and then that's it, basically. Oh, wow.

[Kempire]

So there's not going to be a lot that Phaedra is going to necessarily bring. If anything, Cynthia should have been full time. She's been here since the beginning of the season, and she's hosting parties and doing all these different things and trying to navigate these different battles that's happening within the group. It doesn't necessarily make sense to me. Maybe next season. Because based on what Andy has said, it looks like Phaedra is formally back on Real Health's Wives of Atlanta until further notice.

[Ronnie Karam]

Well, it looks like she's gonna fuck things up. And I thought, you know, look, here comes Phaedra. She's got a chance to redeem herself. Let's watch her be nice for a few episodes. Nope. The first thing she says, she's like that Kelly. She's just so tiny. She's giving garden gnome. And, you know, I love small people. It's my fetish. Remember my Christmas party when I had all those tiny little people? And then we see her inviting, like, Pete. She's like, you are still so problematic. How is this your first monologue back on the show? What is wrong with you?

[Kempire]

A lot. A lot is wrong with Her. And she had some interesting things to say about Britt. Edie or it or Edie Britt, as she called her.

[Ronnie Karam]

Yeah, she said Britt E, I think. And she said, yes. She's a woman about town, a woman about the city and countries. She's got more bodies than Willie, they say. And I was like, leave Willie Nelson out of this. But then they showed that it was Willie the undertaker. Yes. So, see, that's the thing about Phaedra I like. She's still got that funeral business.

[Kempire]

She's got a lot of it. She's got the law firm. Yes, I did that with a question mark.

[Ronnie Karam]

Law firm, parentheses, question mark. So I think that that kind of is Phaedra's real life. I think that she's just kind of comes off as a phony. But, I mean, I don't know. Like, you know, like I said, some people are just like that. I don't know what you need her to show. I mean, I want to see the funeral business.

[Kempire]

I just need you to show your life clearly. I feel she's very much like Portia. She's not going to. She's only going to show us as much. And I already knew that based off of when she was on Ultimate Girls Trip and they were trying to bring up up the stuff of the past, and she was just not. She came American Medicine talking about she was dating a doctor. We never got to see the doctor. We saw our cartoon character. So I just feel like even when we're supposed to get something from her, we never get there. And it's just like, okay, so what's. What do you hear? Okay, if you're going to give us commentary on the friends.

[Ronnie Karam]

Okay.

[Kempire]

Be a friend of. That's all we need. I don't need to see you slobbing down Shake. Who. Who's really dating some other woman in. In Atlanta.

[Ronnie Karam]

So is that what's happening?

[Kempire]

Yeah, that's the word on the street that means.

[Ronnie Karam]

Oh, so she's the other woman.

[Kempire]

I think she's paying him, allegedly.

[Ronnie Karam]

Oh, okay. Well, she's got the money. Yeah. I mean, I think that. Is that the guy that was on Married to Medicine?

[Kempire]

Yeah.

[Ronnie Karam]

Oh, well, if he's paid, he does a good job. Like, he still kind of stands up for her and stuff. That's a good hoe.

[Kempire]

Who is this hoe?

[Ronnie Karam]

Where do I find a hoe like that? That's a good ho. So, yeah, so she's getting messy about Brit and basically slut shaming Brit and then kind of getting some little People commentary in there. And then she's saying, oh. And then I hear Charles Oakley has a wife now. So she's coming back to. She's coming back to cause some shit. And I like it because obviously I respect your opinion. I like when people are funny. So if they're funny, then I forgive. So as long as Phaedra can make me laugh, then I'm good. And I felt like this scene, I was like, oh, God, it's kind of back to life right now. Because I think it came too late. What's that?

[Kempire]

It came too late in the episode.

[Ronnie Karam]

It did come too late. Yeah, I agree. But we see scenes like the country club scene. And I think that's kind of the main problem with Atlanta. We see them all trying, which is good because they're making an effort, which is a lot more than you can say for some shows. But it's just. Yeah, truly. But it's just not really gelling. Like they tried to start maybe three or four different fights at that country club scene and they just weren't. It's like they fought about them too many times or they just don't know each other well enough, or they just don't care about each other enough to really fight. And so it was nice to see people. It was nice to at least laugh because I was laughing my ass, Phaedra. So wrong. Yeah.

[Kempire]

I want to mention though, when they talk, when Phaedra mentioned that, that Charles Oakley. Oh, he's married. Like it's a question mark. I think that would land. If Wendy Williams did not talk about Angela Oakley on her nationally syndicated daytime talk show. We all knew that Charles Oakley was married. It'd be different if we didn't know that. Like there wasn't this big drama that was in all the tabloids and on tv. Now it's coming up again. People know that he's married to Angela Oakley. Does he claim her on television? Well, that's a whole other thing.

[Ronnie Karam]

Well, I'm wondering if Phaedra's gonna bring up that she left him or they not together for a while. Cause that's so Phaedra to be like, oh, we had a wife. I thought that they broke up in the time he needed her the most or whatever. You know, Phaedra event.

[Kempire]

All of that drama we saw in the mid season trailer that happens at that group event where that random man is in the middle of it.

[Ronnie Karam]

Well, then she's doing her damn job. Which, you know, people and I, you know, read online. People are so pissed that they're bringing Phaedra back. But if she's gonna make it good, even for two episodes, like, I'll take. I will take a gold level couple of episodes of Atlanta.

[Kempire]

I'm open to it because I do believe that at some particular point, we have to be able to move forward. I don't feel like someone needs to be punished for forever. I think it's the same season, though, of firing Kenya for what she did, that you bring back someone that did what Phaedra did. I think that's where fans are sort of like. Like, that doesn't make sense. But I also see a lot of people that are excited for Phaedra to return. I will.

[Ronnie Karam]

Let's finish. Let's finish with this. And I'm sure you've given this opinion so many times, but I haven't heard it yet. So what are your thoughts on the Kenya ordeal?

[Kempire]

Oh, my gosh. I'm surprised that they kept it in because it happened so early in the season. But the fact that they kept it in. And I said this before the season started airing, I said the fact that they're keeping this incest. To me, the season wasn't that great because this happened the first three weeks of filming. They filmed for several months. I was like, okay, if you're focusing on that, that says to me everything else that you had during the season wasn't hitting. And then Phaedra comes in at the end, says, to me the season was not hitting. And based on what we've seen in these first 12 episodes, the most interesting episodes were, like, those first five episodes with Kenya there. I think it stood out to me. And I'm not. Again, I'm not, like, Team Twirl or Team anyone. I'm Team Me. I don't know these people. I don't care to know these people. But the thing for me is they had Kenya there without the confessionals, and that stood out to me. And it's like, okay, Kenya's there, and we kind of know Kenya would be funny and quirky and give us something in those confessionals. And it just felt empty. So, like, why give us that and then not give us everything?

[Ronnie Karam]

Yeah, yeah.

[Kempire]

She's not going to be at the reunion.

[Ronnie Karam]

I know. Oh, my God.

[Kempire]

That doesn't make sense. And she was a part of the season. Like, we were supposed to get the narrative from Britt. Edie.

[Ronnie Karam]

Oh, my God. Yeah. That whole thing. We're gonna get some Brit tears. And, like, no one is, like, played out. I'm tired of it. But, you know, Sometimes with new things, it's like with a first season, sometimes it's like, this sucks, you know, I mean, Salt Lake City was the last one, I think that was new, right? Like, totally. Well, New York, but like, totally new, I think was Salt Lake City. And the first year I thought, this is fun. Like, this is funny. Cause it's so different. But it was rough. And then to see what it became later, you know, so you gotta give them time. But sometimes it doesn't work. Like New York didn't work. That second season tanked. And then, you know, we'll just. But hopefully by next year, they'll, you know, really happen to be firing all cylinders. But, you know, I support the reboot. For the most part, I've just. Come on, Phaedra. Bring it. Bring it around. In the end, Phaedra, I think it's important.

[Kempire]

I mean, I think what. What we saw with Miami showed that it worked. But I think what. What was great about Miami was that they had a period of time where they weren't on the air. So even the people that were a part of it originally, we hadn't seen their lives in a very long time. They haven't been on television in a long time. I think it becomes a thing when people are on television, Television for so long that they start self producing. They start becoming a character instead of just being real.

[Ronnie Karam]

And well, now they're already kind of doing it, being new, you know, like, that's kind of what we're saying about Kelly and Shamia. Yeah. So who knows? But this was great. Thank you so much for coming and spending so much time with me. I really kept you here forever.

[Kempire]

I didn't even get that class. This is actually light. My Real Housewives of Atlanta recaps goes for like two and a half hours.

[Ronnie Karam]

Oh, my God. Well, this is great. Thank you so much for being here, everybody. Thanks for being here. Go check out kempire on his YouTube channel and also go see Kempire live this summer. Philly, July 10, Atlanta, August 5. D.C. august 22, New York City, September 12. Go to linktree thekempire for ticket links. Thank you so much.

[Kempire]

Thank you.

[Ronnie Karam]

I'll talk to you next time.

[Kempire]

Bye.

[Ronnie Karam]

Bye.

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Watch what Crappens would like to thank its premium sponsors. Ain't no thing like Allison King. It's always a party on Alison Block.

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[Ronnie Karam]

It's always a good time when you're wasting time with Bravo. She ain't no shrinking violet. Coutar. We love you guys. If you like, watch what crappens. You can listen ad free right now by joining Wondery plus in the Wondery app or on Apple Podcasts. Prime members can listen ad free on Amazon Music. Before you go, tell us about yourself by filling out a short [e-mail] survey.

[Sarah Gibson Tuttle]

At 24 I lost my narrative. Or rather it was stolen from me, and the Monica Lewinsky that my friends and family knew was usurped by false narratives, callous jokes, and politics. I would define reclaiming as to take back what was yours. Something you possess is lost or stolen, and ultimately you triumph in finding it again. So I think listeners can expect me to be chatting with folks both recognizable and unrecognizable names about the way that people have navigated roads to triumph. My hope is that people will finish an episode of Reclaiming and feel like they filled their tank up, they connected with the people that I'm talking to, and leave with with maybe some nuggets that help them feel a little more hopeful. Follow Reclaiming with Monica Lewinsky on the Wondery app or wherever you get your podcasts. You can listen to Reclaiming early and ad free right now by joining Wondery in the Wondery app or on Apple Podcasts.

[Ben Mandelker]

Every successful business starts with an idea, and on the Best Idea yet, we're obsessed with those light bulb moments, like.

[Ronnie Karam]

How a bored barista invented the Frappuccino.

[Ben Mandelker]

During his downtime and then it got acquired by Starbucks. Or how Patagonia's iconic fleece was inspired by a toilet seat cover.

[Ronnie Karam]

On the Best Idea yet, we dive.

[Ben Mandelker]

Into the untold origin stories behind the products you're obsessed with and the bold risk takers who made them go viral. These are the wild ideas and insights that made Birkenstock the best selling sandals since Jesus and made Super Mario the most played video game in the history of attention spans. Nintendo almost almost became a ramen company.

[Ronnie Karam]

Until Super Mario saved it.

[Ben Mandelker]

New episodes drop every Tuesday.

[Ronnie Karam]

Follow the Best Idea yet on the Wondery app or wherever you get your podcasts.

[Ben Mandelker]

You can listen early and ad free right now by joining Wondery Plus. And if this podcast lasts longer than 45 minutes, call your doctor.