#3271 RHOBH S15E14 Part 2: The Masked Zinger

Summary

Watch What Crappens – Episode #3271 “RHOBH S15E14 Part 2: The Masked Zinger”

Date: March 20, 2026
Hosts: Ben Mandelker & Ronnie Karam

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Episode Overview

In this fiery recap of “The Real Housewives of Beverly Hills” Season 15, Episode 14, Ben and Ronnie (joined by Heather McDonald and other guest voices) dive deep into the ongoing Italy vacation drama. The group is split by rumors, accusations, and that now-infamous "masked" comment—spinning conversations into a tornado of deflection, confrontation, and (of course) Bravo-style shade. The hosts expertly break down the complicated social dynamics, call out avoidance tactics, and provide signature Crappens mockery for both the “Housewives” and one another.

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Key Discussion Points & Segments

1. Sutton’s “Allegiance Swap” & Approval-Seeking (02:46–03:38)

• The episode jumps in with speculation about Sutton’s shifting alliances, especially her eagerness to be back in Kyle’s good graces.
• Quote:
  • Heather McDonald: “Sutton … just wants Kyle’s approval. It’s some psychological void … since middle school of needing to be accepted by the queen bee.” (03:15)

2. The “Masked” Joke, Accusations, and Confusion (04:47–07:11)

• The main conflict centers on whether Bose called Amanda “Pinocchio” (a liar) via a mask reference during their outing.
• Multiple perspectives blur the facts; Bose insists she only said “Pinocchio,” not “mask,” causing further confusion.
• Quote:
  • Bose: “If you say I said something about the mask, I didn’t say something about the mask.” (06:03)
• Amanda’s tendency to cloak directness in group discussions is judged as avoidance.

3. Calling Out Indirect Confrontation & Victimhood (07:30–08:15; 21:31–22:54)

• The crux of group frustration: Amanda runs to others (especially Kyle) instead of directly addressing conflicts, then claims victim status.
• Brandi: “Amanda’s such a wuss. Turn to me and say, hey, what the—? Don’t go to Kyle and make it a whole episode.” (07:41)
• The hosts (and Housewives) agree the ongoing avoidance is fueling drama.

4. Amanda’s “Cult” Story & ChatGPT Shade (08:15–09:46)

• Erica reads AI-generated info about Amanda’s alleged cult ties, exposing more contradictions in Amanda’s past.
• Quote:
  • Erica Jane (reading): “When it comes to Amanda Francis, there’s no credible evidence that she was ever part of a cult. Instead, what exists are … criticisms and controversies…” (08:46)
• Discussion turns meta, parodying “Housewives” research and AI’s role in sleuthing.

5. Dorit’s “Mania,” Tardiness, and Gucci Obsession (11:13–13:14)

• The hosts poke fun at Dorit’s revealing habits—being late, flaunting riches, and “manic” cleaning.
• Moment: Dorit defends her lifestyle (“I have 19 businesses!”) and admits having not eaten Pringles for 16 years (11:13).

6. Pool Party Mishaps, Body Image, and Late Arrivals (17:28–20:07)

• Only Bose actually dons a bikini; everyone else, as usual, refuses to swim—in true Beverly Hills fashion.
• The hosts and Housewives mock each other’s hesitations about getting wet or being seen in swimwear.
• Amanda’s repeated requests for gluten-free pizza become a running gag.

7. Group Confrontation: Cult-Following, Masked Motives, and Generational Language (21:31–28:14)

• At dinner, Sutton relays gossip about Dorit “deep-diving” into Amanda’s cult background, causing confusion and sparking heated debate on intentions.
• Amanda claims to be “emotionally regulated” and “unsafe” in these confrontational settings.
• Rachel calls out Amanda’s inconsistencies—questioning whether she’s the “strongest” or “biggest victim” of the group.
• Quote:
  • Rachel: “Are you the strongest and most powerful, or are you, like, the weakest victim? Because you can’t be both…” (27:41)

8. Fake Vulnerability & Alliterative Nonsense (28:02–29:44)

• Amanda unloads a self-help speech: “I have cultivated, curated and co-created and manifested it intentionally this way.” (29:07)
• House skepticism grows about the authenticity behind Amanda’s language and life story.

9. The Infamous Bridge Conversation—Circular Logic (31:20–38:25)

• Amanda and Bose bicker about who really said what regarding the mask; Natalie waffles on her previous confirmation.
• All parties dodge plain admissions, frustrating hosts and listeners alike.
• Quote:
  • Brandi: “It’s so Beverly Hills to just be like, let’s not ever say what we really said and just keep going around in circles for 20 minutes.” (43:43)

10. Meta-Critique: What REALLY Bothers Everyone About Amanda (35:05–37:05)

• Hosts voice what Housewives won’t: Amanda’s self-help “TikTok speak” and grifter vibes annoy the group far more than her lack of vulnerability.
• Quote:
  • Heather: “They use [demands for vulnerability] to explain why they’re annoyed, but they’re annoyed because she’s fake, she’s a grifter, and she’s just annoying.” (36:13)

11. Finale: Amanda Accused of Cult-Like Leadership (49:01–50:09)

• Off-camera, the “cult” accusation is finally said aloud:
• Quote:
  • Bose: “She’s built a cult. There, I said it. She walked away from one and she built another.” (49:44)
• The hosts agree: someone finally summed up the entire Amanda storyline.
• Light-hearted stinger from Sonja and Dorit: “And now we’ve said it.” (50:06–50:08)

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Notable Quotes & Memorable Moments

• Heather McDonald (on Sutton): “She just wants Kyle’s approval. It's some psychological void ... since middle school of needing to be accepted by the queen bee.” (03:15)
• Bose (defending herself): “If you say I said something about the mask, I didn’t say something about the mask.” (06:03)
• Brandi (on Amanda): “You talk like a robot, and you’re not even a good online bot.” (47:10)
• Rachel (to Amanda): “Are you the strongest and most powerful, or are you ... the weakest victim? Because you can’t be both...” (27:41)
• Bose (on Amanda's role): “She’s built a cult. … She walked away from one and she built another.” (49:44)

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Timestamps for Major Segments

| Timestamp | Segment Description | |-----------|-----------------------------------------------------| | 02:46 | Sutton’s shifting alliances & Kyle’s approval | | 04:47 | The “masked” joke fallout | | 07:30 | Group confrontation over direct vs. indirect drama | | 08:15 | Erica reads AI/ChatGPT responses about Amanda | | 11:13 | Dorit’s “manic” behavior called out | | 17:28 | Pool party plans and body shaming humor | | 21:31 | The dinner fight: cult, masks, and emotional safety | | 27:41 | Rachel grills Amanda’s contradictory personas | | 29:07 | Amanda’s alliterative self-help speech | | 31:20 | The bridge convo: who really said what? | | 37:05 | Hosts dissect real reasons for group’s annoyance | | 49:44 | Bose labels Amanda a cult leader |

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Final Thoughts from the Hosts

• The hosts point out the exhaustion (and production tactics) behind circling minor conflicts for weeks.
• They lament Bravo’s trend of never letting a storyline resolve, milking indirect accusations for maximum drama.

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Tone and Language

• Signature Watch What Crappens: heavy with parody, satire, and sharp, character-based humor.
• Frequent impersonations, exaggerated Bravo tropes, and pop-culture allusions.
• Even pointed criticism is delivered with tongue-in-cheek affection for Bravo's chaos.

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Summary

This “Watch What Crappens” episode delivers a thorough, hilarious play-by-play of RHOBH’s ongoing Italian debacle—spotlighting avoidance, performative vulnerability, and Bravo’s endless appetite for circular drama. Biggest takeaways: Amanda’s “mask” (and possible cult-leader status) finally gets called out, Sutton and Dorit’s tension resets, and the hosts remind us why the Housewives universe remains prime real estate for reality TV mockery.

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Next Week: Will Amanda address the “cult” claims—or just manifest some new drama? Stay tuned for more signature Crappens snark and Bravo breakdowns.

Transcript

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[Brandi Glanville]

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[Heather McDonald]

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[Brandi Glanville]

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[Heather McDonald]

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[Brandi Glanville]

Watch what crap.

[Heather McDonald]

Watch what happens. Who cares what happens when there's so much good crap? Watch what happens. Who cares what happens when there's so much that happens? Hello and welcome to Watch what Crappens, a podcast about all that crap on Bravo that we just love to talk about. This is part two of the recap. If you missed part one, go check out your podcast feed. It's right there. And without further ado, let's get right

[Sonja Morgan]

back into the recap.

[Brandi Glanville]

So Dorit's like, oh, off.

[Dorit Kemsley]

Well, I'm surprised by this because Sutton and I had turned to Q in

[Sonja Morgan]

it's like now I understand why Sutton really, really sought out to room with Amanda. Kyle and Amanda are thick as thieves and Sutton is thinking, am I on the wrong side? I gotta get back on their side. So she's willing to sabotage our friendship that that has made leaps and boons just to score points with Kyle and it's really pathetic.

[Heather McDonald]

I think that is actually also a good theory. I think, yes. I think Sutton, for whatever reason, has like some hard on for Kyle. She just wants Kyle's approval. It's Some psychological void that she has that she carries with her since middle school of needing to be accepted by the queen bee. And I do think some of that is true.

[Brandi Glanville]

I do, too. Yeah. And I thought it was weird that Sutton is suddenly. She's like, let's be friends to read. And then she killed it. To read, yell at. To read. She's got this whole thing in Italy where she wants to see yelled at. So Rachel's like, you know what we need? Caffeine and Gucci.

[Heather McDonald]

Yeah, I die for that. Oh my God. Can you send some caffeine and Gucci to Kaya in the Hamptons? I think actually at one point she does say she. She does get Gucci and she gets Gucci bracelets for the kids, so. By the way, I have to say, this may be from the this may be naive band who doesn't have kids, but if I have a 13 year old boy, I'm not getting the Gucci bracelet. Hell no. He's going to get a slap bracelet at most a swatch. I don't know. But I'm not giving you a designer Bracelet when you're 13 and watching you skip, scuff it up or lose it. Right? No siree.

[Brandi Glanville]

Well, we're not rich, you know, that's how rich people are. I'll just get them a little bobble. A little Gucci bobble. He deserves that. He went best moisturized in school, so he gets that. So Jennifer, Eric and Bose and Natalie are in a van and Erica's like

[Erica Jane]

a woman told me I look like a lot of Trump. I can't even begin to tell you how that made me feel. Good.

[Brandi Glanville]

Probably good, actually.

[Erica Jane]

But Natalie, tell the group what you told me about tga.

[Brandi Glanville]

She like, well, Amanda was sharing with Kyle that she overheard you and both say something about a mask when we were on the Brit masks.

[Bose]

What are you talking about?

[Erica Jane]

I said, look, there are those masks. I remember that. And I said, that one. That's a. That's a come mask. Sweet. Come all over the mask so you don't get co while you still try to take a load on the face.

[Heather McDonald]

I thought I was the sexy one. And I thought you said her name

[Kyle Richards]

referencing a joke of some kind. No, I did not say Amanda's name in reference to a damn mask.

[Heather McDonald]

She's like, well, we're so obsessed with Amanda, by the way. So the. It's all getting distorted here because. Because it was Natalie who said like, who would be the Pinocchio? And Bose said Amanda and like, Pinocchio means Like, you know, the nose coming out, the liar. Right. But now they're talking specifically about, like the conversation was about masks. And yes, the Pinocchio was a mask, but they're making it seem like they were having a discussion about masks and who would be the most masked person. And so I think Bose is like, I don't, I don't remember even having this conversation.

[Brandi Glanville]

So they were composed of being like a literalist, where it's like, well, I

[Bose]

didn't say anything about the mask. I said something about Pinocchio. So if you say I said something about the mask, I didn't say something about the mask.

[Brandi Glanville]

Or do you think she just doesn't remember at all?

[Heather McDonald]

I think it's all the above. I think she's being an accidental literalist. I think, because I think if they said, no, remember about the Pinocchio, who'd be the Pinocchio? And you said Amanda, she'd be like, oh, yes, that. But because they're not. They didn't phrase it like that. They phrase it so it's almost sound like a little bit of a different conversation. I think she sort of doesn't remember because she's thinking too literally about it in this moment. So I think, I think she looked genuinely confused. I thought, I didn't think it was fake. I thought we all know she said

[Brandi Glanville]

she did too, but she did say it. And I'm also like, well, she's not dumb. She would remember saying that. So is she just being like, well, I didn't literally say mask and it's such a stupid thing. Like, honestly, I cannot believe this show. And now, you know, the next six weeks of our lives, we have to talk about this because it's going to be every. And it's going to be every five minutes on this show. We're have to argue about this for six more weeks. So anyway, Kyle. But we go to Kyle, Amanda and Kathy's van, and Kyle's like, oh, my God.

[Bose]

I'm still surprised that both said that.

[Brandi Glanville]

Shut up. God, get a lie.

[Heather McDonald]

Kyle really meant it as a joke. You know, do you, do you.

[Kyle Richards]

But do you like being in the butt of a joke?

[Heather McDonald]

She's like a butt. You mean a bottom. It's like, okay, the butt of a joke.

[Brandi Glanville]

Kathy, come on. Like, how would you feel?

[Dorit Kemsley]

Like you would not like that guy?

[Brandi Glanville]

Like you would not like. So Bo is like, whatever.

[Bose]

Whether or was said is not the issue. But she really, if she really felt a certain way about what I said, then she should have just come to me Directly, but she prefers to pull Kyle in so she can deflect. And I don't play that game.

[Brandi Glanville]

And that's exactly the problem. You know, Amanda's such a wuss. Turn to me and say, hey, what the. Don't go to Kyle and make it a whole episode and then try and get everybody on your side and whine

[Amanda]

and be a victim.

[Brandi Glanville]

You're wuss. You don't belong here. Kick her off the bus.

[Erica Jane]

Well, you know where she did well last night? When we actually explained. When she actually explained the cult to us. At least we have the story as to how. When, when, where, how what? Woo. Where?

[Kyle Richards]

And Bo's like, well, but we still don't know what made her want to leave.

[Erica Jane]

America's like, well, let's ask Chat GPT.

[Heather McDonald]

So she goes to Chat GPT.

[Brandi Glanville]

Yeah, because only Erica would think that that was a complete story with the beginning, middle and an end. She. That was not. She just said she was part of a youth group. She followed the youth group. She didn't like it. There was some unspecified, you know, pressure. And then she ran away. Well, once she said she ran away in the middle of the night, but in the beginning of the season, she said right after church, she ran to her sister's house. So I'm not sure if those. Maybe church was in the middle of the night. I mean, I don't know. But. So Erica pulls out the chat GPT.

[Erica Jane]

When it comes to Amanda Francis, there's no credible evidence that she was ever part of a cult. Instead of what exists are a number

[Sonja Morgan]

of criticisms and controversies and both like,

[Kyle Richards]

oh, wow, let me look at this.

[Bose]

Multiple posts.

[Brandi Glanville]

I just have to say, Erica, reading is so funny. It's like you really see the education system wherever Erica grew up is like failing because she, like,

[Erica Jane]

there is no evidence that she will ever. Oh, God. Some of those. Read this. Jesus Christ, I already did the calm gutters bit.

[Dorit Kemsley]

I'm done here.

[Erica Jane]

Some. Somebody else read my paid for this.

[Kyle Richards]

I shall take over. Multiple posts accuse her of misleading conduct, content and high pricing. And several users have raised concerns about her brand coaching style. Some feel her approaches mix Christian language with new age manifestation in a way that's off putting or manipulative.

[Sonja Morgan]

And Sun's like, no, I don't. You know what? I don't like this business bashing stuff.

[Heather McDonald]

I don't like this girl.

[Kyle Richards]

What are you talking about?

[Erica Jane]

Shut the up, son.

[Kyle Richards]

Shut the up back there. Quiet.

[Erica Jane]

Boo.

[Kyle Richards]

Hits do.

[Erica Jane]

Oh, God, I'm gonna get the Pope to write you another letter. Taking Away your new last name, you idiot.

[Heather McDonald]

Stefano's like, let her speak.

[Dorit Kemsley]

So Dton Gabana says, let her speak.

[Heather McDonald]

Sutton says, you know, what Erica and Bose are doing to Amanda is no different than doing a deep dive of the cult digging that Dorit did to Amanda. Only this is kind of worse. I'm like, oh, come on. Come on, get over. She's a grifter.

[Brandi Glanville]

A blog. She wrote a blog about it. It's allowed to be discussed.

[Heather McDonald]

Yeah, seriously. So then Erica's like, well, don't ask.

[Erica Jane]

Chat GPT about me, honey. Might as well just call me Escobar or Savannah Trump.

[Brandi Glanville]

I thought she was saying, like, they

[Erica Jane]

call me a fucking.

[Brandi Glanville]

So they. We go to the other van, and

[Amanda]

Amanda's like, but jokes can be mean.

[Brandi Glanville]

Well, why don't you just ask her about it?

[Amanda]

Well, I guess I'm gonna have to.

[Brandi Glanville]

And back to Beau.

[Bose]

She's like, ha. Well, if she wants a fight, she can have one. I'll give it to her.

[Heather McDonald]

Good. It's about time. I feel like, you know, I feel like Bose. I would like to see her in more conflicts just because I find her to be really funny and smart, and I just feel like she. She could just, like, destroy someone like an Amanda. So then Rachel now in the van with Rachel and Dorit and Rachel, that Rachel, they. Rachel got her Gucci for the kids. And Dorit's like, gee, I'm a firm

[Sonja Morgan]

believer in living life and enjoying. I work hard. And I don't know if I told you this, but I haven't had a Pringle in 16 years because PK would always eat them for me. There, I said it finally. But also, Bose told me that Kyle was concerned that I might be manic. Could you even believe that?

[Heather McDonald]

Like, you're literally washing all the windows inside this van right now.

[Sonja Morgan]

What are you talking about? They're dirty.

[Dorit Kemsley]

It's just so I can do an Instagram with my hands up against the windows doing this.

[Brandi Glanville]

So Rachel's like, but haven't. Haven't you, like, always been late? Just literally.

[Dorit Kemsley]

Literally. And also, first of all, the spooning. And don't talk to me about boring and spooning money. You don't know what I earn, what I spend. I have 19 businesses doing things.

[Brandi Glanville]

Girl, you don't earn any money. What are you talking about?

[Dorit Kemsley]

Beverly Beach.

[Brandi Glanville]

Beverly Beach. And the wedding dresses. What was that called? Like, pearls?

[Heather McDonald]

The Pearl, Ladies and gentlemen, do read. Now, please welcome in the Pearl. But this one's called the blue Jay. This one over here is called that sort of brush you use to wash long glasses.

[Dorit Kemsley]

And if I show up tonight with my four Gucci bags, she'd consider that part of my manic behavior. Maybe I'll do that.

[Heather McDonald]

I love when Rachel says, but aren't you always late?

[Sonja Morgan]

She says, yes, exactly.

[Heather McDonald]

I'm always late. Like, she's, like, proud of it.

[Brandi Glanville]

How is that manic?

[Heather McDonald]

It's.

[Brandi Glanville]

It's a regular.

[Heather McDonald]

Okay.

[Brandi Glanville]

And Rachel goes, yeah, if someone called me manic, I can't. I can't.

[Sonja Morgan]

I put our friendship in a box.

[Heather McDonald]

Oh, my God. Like, literally a box. Is it a Gucci box? Should I send it to Kai Us in the Hamptons? So Rachel's. I'm not sure your friendship is working. Just so you know, now and then. Now we go to back to Villa Bibiani, and everyone arrives and they're getting dressed because they're gonna be having a pool party, which means they're supposed to be getting into bikinis, which, of course, Dori would have, since she is the owner of a bikini business.

[Brandi Glanville]

I don't think so.

[Heather McDonald]

No, she does not have.

[Brandi Glanville]

I don't think. But I don't think that's still a thing. Is it privately beach? Let's look it up.

[Heather McDonald]

Very beach. Was it ever taken the first place? Let's be honest. So son and Amanda are in their room, and they're trying on stuff. Amanda's putting on some crazy thing.

[Sonja Morgan]

She's like, is this look like swimsuity I met?

[Heather McDonald]

And then there's a knock on the door, and Sutton's bag arrives finally.

[Sonja Morgan]

And Amanda's like, I manifested that. You get it before dinner, remember?

[Heather McDonald]

He probably manifested that every single day. And eventually it came true. Okay, this doesn't count.

[Brandi Glanville]

I'm looking at Beverly Beach. I'm sorry, but podcast break. Beverly Beach. Did you find anything? 471 posts, 75% off sale. Beverlybeachbydirit.com Let me see when the last post was. It's a lady in front of a slide holding a baby. And it is from 170 weeks ago. I think it's Dorit. Maybe jumping on a trampoline, not in a swimsuit. So I'm a little confused. A little confused. Okay. BeverlyBeachbydrit.com error 1000 DNS points to prohibited IP.

[Heather McDonald]

So, yeah, that's Beverly Beach. More like Beverly Beached. Yeah, like a whale. Beverly breached.

[Brandi Glanville]

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[Brandi Glanville]

So Sutton, in Amanda's room, I don't know, they're all talking about like what they're going to wear to dinner and no one's going to wear a swimsuit. So they start gathering at the bar and Jennifer sees a guy and she's

[Erica Jane]

like, are you here? Here to make us delicious drinks? Fabiola, Is that your name? Frederico? No, Daniela Leonardo.

[Brandi Glanville]

She's just in one of her modes where she just won't stop talking. Like they just show her walking through

[Erica Jane]

the house being like, I love swimming pools. They're places where water goes to rest. Are these chairs? That's what people sit on? I've always approved of chairs. Are we outdoors? I love outdoors because there's not as much many walls.

[Heather McDonald]

Oh God, she is bantering about little thing.

[Sonja Morgan]

She's like, I'd love to sit outside on a nice Italian night.

[Heather McDonald]

Bose comes out, she's the only one in a bikini.

[Kyle Richards]

And she's like, I thought this was a pool party.

[Erica Jane]

And Erica's like, that looked like that it would be.

[Brandi Glanville]

God, no kidding. Cuz her body is like a statue. It's like, oh my God, what a perfect body. And then she sits down even in the bikini.

[Amanda]

I'm like, oh, if I was in

[Brandi Glanville]

a bikini, I would wolf. That would never happen. But if I was, I wouldn't even sit down because I'd be like, oh my God, what's happening down there?

[Bose]

But she's like, hello, I still look perfect even sitting down at a bikini. What do you think of that?

[Erica Jane]

Yeah, well, I can't even get in the pool. I'd have to wash my hair. And if there's chlorine, it might turn green. And then what would happen if I actually have a good time? I'd actually have to be joyful and show some personality. I'm not gonna do that. You'll never see me in a swimsuit. You might see me in a pool without my swimsuit.

[Brandi Glanville]

And Kathy's like, no, well, I don't go into. I don't want to get my hair wet. And I just. No, no.

[Kyle Richards]

Rachel, where's your bathing suit?

[Heather McDonald]

Are you okay? Like, I'm wearing a caftan. That's what I swim in. And by swim I mean, I sit on chairs too much.

[Brandi Glanville]

So Kyle's like, where's the pizza?

[Bose]

I'm. Where's Dorit?

[Brandi Glanville]

So Erica is telling us, you know,

[Erica Jane]

Dorit's getting on nerves, like, last night, tonight again, always late for.

[Heather McDonald]

Well, they do say one of the early symptoms of mania is when you show up a little bit late to a pool party. You know, Kyle's like, I mean, by

[Kyle Richards]

now Dorit being late is like a joke. Like, nobody expected to show up on time.

[Heather McDonald]

Like, yeah, it's been like seven years of it. Why are you suddenly reacting to it now? So Rachel's like, oh, my God, Dorit. Like, Dorit is going in the pool. She's, like, wearing bikinis. She's, like, hot. She's like, doing so much. Oh, my God.

[Sonja Morgan]

She was like, no, I'm not going to go in. But everyone looks beautiful.

[Heather McDonald]

So everyone's annoyed with her because she did show up 45 minutes late. And then pizza comes out and Amanda

[Sonja Morgan]

keeps on saying, is there a gluten free pizza on the way? Can you let me know about the gluten free pizza? Just like, gluten free? Is that coming Any gluten free?

[Heather McDonald]

God, you know, they must hate her. Like, gluten free.

[Brandi Glanville]

Yeah, because most people in Italy are like, I don't even have to be gluten free because I'm in Italy and they do gluten different here.

[Heather McDonald]

Yeah.

[Sonja Morgan]

So Amanda's like, I just really want my pizza. Where's my gluten free? Oh, where's my.

[Amanda]

Oh.

[Heather McDonald]

She's just like, you're whining even about that. Come on, It'll come. You're rich. Don't worry, they'll make you your gluten free.

[Amanda]

Oh, my God. Thank you so much. Wait a minute. Is this a pile of hair?

[Dorit Kemsley]

It's gluten free. Huh? There's no gluten in here. Eat it, you stupid sputana.

[Brandi Glanville]

So Bose is asking if everybody feels good, and Rachel's like, it was a hard person all day, but, like, I'm here now, so it's all good. You know, it's like my accent stuff, but it got sorted, so my kids are gonna go to the Hamptons. You know, it may not.

[Heather McDonald]

Hard heart. It was like, hard to know that, like, my kids were not in the Hamptons for a weekend, but, like, now they're there and I'm gonna have Xander look after them.

[Brandi Glanville]

It makes me to know that my kids are now in white linen, so everything's fine.

[Heather McDonald]

White linen and, like, black fedoras. Because, like, Xander styling them this weekend. So Sutton's like, well, I don't know about y' all personally, but I've been hearing bits and pieces today about, like, not gossip, but, like, you know, probably

[Sonja Morgan]

gossip, but, like, talk, you know?

[Kyle Richards]

So it was like, well, tell us about the conversation you were having.

[Heather McDonald]

And son goes, well, Kana picked up this morning from our conversation last night.

[Kyle Richards]

We talked to Amanda, and Kyle's like, oh, God.

[Heather McDonald]

As if, like, Kyle was not the one who's been prompting everyone to confront each other tonight.

[Kyle Richards]

And now she's like, oh, God, are

[Heather McDonald]

we really gonna have a confrontation tonight?

[Dorit Kemsley]

Yeah, well, you know, and with the

[Brandi Glanville]

investigatory cult thing, you know, I would have been pissed.

[Dorit Kemsley]

I would have been pissed. Dre's like, oh, by the way, little missy. She's like, oh, really?

[Brandi Glanville]

Little missy?

[Dorit Kemsley]

Oh, okay.

[Erica Jane]

Okay, Missy.

[Brandi Glanville]

And Kathy's like, by the way, Nancy Drew.

[Sonja Morgan]

It's like, wait, Sutton, when you showed up at Kyle's house and you put your hand out to shake, I thought, I want to give it a shot. Little by little, naturally and organically, we start to move forward. But then today, out of the blue, I hear that you're talking shit about me in my manic state. Well, unfortunately, if I hadn't been so busy cleaning every window in our car and also in the nearest cathedral, I would have had some say something to you much earlier. But unfortunately, my work is never quite done.

[Erica Jane]

Manic.

[Sonja Morgan]

Manic.

[Erica Jane]

Manic. Well, how did I talk?

[Brandi Glanville]

How did I talk?

[Dorit Kemsley]

67 toothpick. 67 toothpicks. 67 toothpick. Oh, sorry.

[Kyle Richards]

I was like, 6, 7. 6, 7.

[Erica Jane]

Dorit.

[Dorit Kemsley]

Did some investigating on a munda. That's what you said.

[Brandi Glanville]

Well, I wasn't talking.

[Dorit Kemsley]

Well, are you suggesting I did a googly deep dive?

[Sonja Morgan]

I didn't say Google. I said hotbot.

[Heather McDonald]

Isn't that a search engine that you use? So then. So then Sutton's like, I mean, you said you googled it last night at the table. And Kathy's like, well, you went and read the blog, you know, about the cult stuff. And Jennifer's like, satin.

[Sonja Morgan]

I googled every person in this group, and I just think it's a natural curiosity.

[Brandi Glanville]

Well, I didn't say Google deep dive. I mean, somebody else said that. I don't even know that term. Google deep.

[Dorit Kemsley]

What is that? Oh, then why did you see it?

[Brandi Glanville]

Dorit. Dorit.

[Dorit Kemsley]

Where did. You're implying to her, Amanda, that she should be mad at me because you would be mad at me. So now she has to be mad at Me.

[Sonja Morgan]

I just said, if it were me,

[Heather McDonald]

I would have had a reaction. And so therefore, you should have a reaction, because you should be like a

[Sonja Morgan]

little version of me.

[Heather McDonald]

And Kai was there too, so we were both, like, asking Amanda, don't you feel something about this? So maybe you should be mad at Kyle, okay? Because remember how I. How we were mad at Amanda for passing the buck over to Kyle? I'm going to now pass the buck over to Kyle. But you can't be mad at me about it because I've already been on

[Brandi Glanville]

the show, because it's always Kyle. It's Kyle stirring the pot all the time. So Kyle's like, well, I mean, you have emotion, and then you don't have emotion, and then you do have emotion, but not the emotion we want.

[Heather McDonald]

What?

[Erica Jane]

Yeah, there's a little bit of that too.

[Heather McDonald]

So Sutton's saying, like, that. She's like, I'm just trying to do Dorit a favor by exposing the situation,

[Sonja Morgan]

bringing it up to Amanda for them

[Heather McDonald]

to hash it out together, essentially, you

[Brandi Glanville]

know, like, no, you're trying to start shit. You're trying to get someone to fight with Dorit because you still don't like Dorit. Okay. Just got to it. So Dorit. Dorit to us is like, are you

[Erica Jane]

a total,

[Dorit Kemsley]

or do you think I'm a total? I mean, do you want to get her to more expressive? I want her to express her own thoughts. Not the thoughts you're putting in a little, tiny blonde head.

[Heather McDonald]

Oh, it's. Didn't realize it's a little, tiny blonde head. I thought it was just a giant potato chip for me to eat. Oh, wow. So Kyle is like, well, I. I

[Kyle Richards]

thought that's what was bothering you to read, that Amanda wasn't having a reaction.

[Sonja Morgan]

Amand's like, I have something to say.

[Kyle Richards]

It's like, okay, let us speak for herself.

[Sonja Morgan]

I resent the idea that being calm and centered and grounded and emotionally regulated is fake. I try to practice not giving energy.

[Heather McDonald]

By the way, they're all rolling their eyes now around the table.

[Sonja Morgan]

I try to practice not giving energy and space to every little thing. And I do not feel safe when we're at the dinner table. Like, that would normally be a time that I choose to get vulnerable and open up more, but instead, I have felt emotionally unsafe.

[Brandi Glanville]

Oh, God. Just off. And Dorit's just crossing her eyes.

[Dorit Kemsley]

She's like, oh, Jesus, Thank God I have my lifesaver here. A cuckoo cooler. I can't go anywhere without kooka cooler. Enjoy cook.

[Heather McDonald]

Dorit has learned from the Kyle Richards school of reacting to someone else's speech. Because Kyle is normally the one who bulges her eyes and looks down to the right. But in this case, Dorit's like, I'm

[Sonja Morgan]

gonna do it too.

[Heather McDonald]

So Erica's like, but there's also a

[Erica Jane]

way to have tough conversations there.

[Heather McDonald]

I mean, just, like, if you want to have the conversation in the first place, but maybe you just want to go to the Hamptons, right?

[Erica Jane]

Kyle, I see you making a face over there, but you know what I'm talking about.

[Brandi Glanville]

She's like, it's just a lot. Honestly, it's just like, a lot.

[Bose]

Everybody's always coming for Amanda.

[Brandi Glanville]

And she says that she knows why Amanda doesn't feel safe opening up to this group because she's been on the defense giving this, you know, all the time. It's poor man, all the defense. And so Rachel's like, yeah, but, like, emotionally unsafe. That can also be a trigger word. See, I can do it too.

[Kyle Richards]

It's like a generational thing. And, like, as a member of the

[Heather McDonald]

younger generation, I would like to say that, like, sometimes we use words like safe and on fleek and just a little different.

[Kyle Richards]

That's it.

[Dorit Kemsley]

Oh, please. Hina Montina.

[Brandi Glanville]

And Rachel's like, But, like, age 40 is not, like, age 25. So, like, it's different.

[Heather McDonald]

Yeah, but, like, if you, like, subtract her age from my age, we're basically, like, 12 years old together. So, like, it's fine. It's like a millennial expression. And I know that as a member of gen Z guys.

[Brandi Glanville]

And Amanda says it is.

[Bose]

Well, perhaps this environment is different for Amanda with friends who actually hold her accountable.

[Brandi Glanville]

And Rachel's like, yeah, you know, like, my Amanda problem is, like, are you the strongest and most powerful, or are you, like, the weakest victim? Because you can't be both, and certainly not at the same time in the same day when my goods went Hamptons.

[Heather McDonald]

Are you the strongest or are you the most moisturized? Just tell me.

[Brandi Glanville]

And that is. That is the thing about Amanda.

[Dorit Kemsley]

She's like, I'm a strong, independent woman.

[Heather McDonald]

That's 100, right? I think, actually, Rachel nailed it.

[Erica Jane]

So Erica's like, if you think that anything you've experienced the last six weeks in this group comes anywhere near what the other women have gone through in this group, you should get in your car, drive away.

[Heather McDonald]

I'm like, I mean, it's true. It's also funny. Just be like, oh, shut up. We've all been through worse. I'm going through A million court cases every single day. And you will be too soon enough with your grift.

[Erica Jane]

Wait until they all blame you for having to read a 12 page article. That's something the whole season of with these.

[Amanda]

So Amanda's like, my life looks good, Cousin is gone.

[Brandi Glanville]

And everyone just holds her eyes. Even Sutton. Sutton has been trying to stand up for her this whole dinner. And Sutton's like, oh God.

[Heather McDonald]

So Amanda, like, clearly she's like rehashing some lines from her seminar because she's

[Sonja Morgan]

like, I have cultivated, curated and co

[Heather McDonald]

created and manifested it intentionally this way.

[Kyle Richards]

I was like, girl, you're not going

[Heather McDonald]

to see your alliteration all the way through.

[Kyle Richards]

Cultivated, curated, co created, manifested.

[Heather McDonald]

What's manifest? No, just even say can. Invested. Come on, you can't just like up the alliteration like that.

[Sonja Morgan]

She's like, by design on purpose. And I do so every day and I want it to look good and feel good. And I absolutely have flaws. I don't have secrets, you know, one of my flaws is I married a guy who can't pay for. That's why I do it all myself. I bought tuna last week. I bought the tuna in the house.

[Amanda]

I'll talk about anything.

[Brandi Glanville]

And she says, yeah, I mean, I

[Amanda]

told people about Zion's death my first night of meeting though. And like the women have taken time to get to know me, see me as authentic, but the ones who have not taken the time are the ones making conclusions about either Untrue.

[Heather McDonald]

It's such an interesting parallel with what's going on with this show and the parentheses, far superior Ladies of London. Because we have sort of two things of like, like you have two cast members on one on these shows talking about like, hey, I shared this very heavy thing. And so therefore, because I was so vulnerable, you should be giving me more respect. You should be like holding space. You should be halting everything. You should be saying, oh my God, you know, and you have other women who are like, I mean, that's terrible that that happened. But like you're just bringing up now to kind of just like manipulate the conversation, right? And so it's kind of interesting how on two shows are happening at the same time to different degrees of energy.

[Brandi Glanville]

This one they're like tiptoeing around how to say it, like, stop bringing up your trauma for fudgeing social collateral. And on the other one, she's like, you know, the Kimmy's just like, shut the fuck up.

[Erica Jane]

Why?

[Brandi Glanville]

Why do I have to talk about that?

[Heather McDonald]

So good. Yeah, because I Understand your brother died, but doesn't mean we gotta be bored at a wine tasting. God bless.

[Brandi Glanville]

Isn't it bad enough he got shot in the first place? You have to ruin my glass of wine about. I'm trying to enjoy a block to blanc.

[Rachel]

Blanca blanc.

[Heather McDonald]

The amount of times I said blanc to blanc this week.

[Erica Jane]

Block the block.

[Heather McDonald]

Okay, so Amanda is.

[Sonja Morgan]

She's like, I need to ask a clarifying question.

[Brandi Glanville]

Oh, God.

[Sonja Morgan]

I need to ask a clarifying question.

[Brandi Glanville]

Like, she's getting. She's getting three questions. Someone cross examination in a courtroom.

[Sonja Morgan]

When we were on the bridge, Bose, you know, you saw the mask. Did you say that's.

[Kyle Richards]

Amanda was like, I don't think I said that.

[Heather McDonald]

And we see this, the thing like, who's going to be Pinocchio? Amanda? And that's my point. Who's going to be Pinocchio is a little different than, like, who wears a mask, who is masked. So that's why I think that she's confused.

[Brandi Glanville]

So then Kyle's like, well, I mean, this is what you said.

[Bose]

This is what you said. And bros goes, why would you need to remind her of what she said? Let her say it. If she remembers, I want to hear it from her. Kyle, like, if this. Is this a conversation with me and Kyle or me and Amanda, she goes, but like, it's because Natalie said something too, though.

[Brandi Glanville]

And Amanda's like, yeah, the truth is, I think you know you said it, girl.

[Bose]

What?

[Dorit Kemsley]

Well, she's saying you're a liar. That's what she's saying. Or if you'd like to hear it in Italian, she's calling you a.

[Heather McDonald]

So Buzz is like, I know.

[Kyle Richards]

And she's trying to tell me what I know. And if you have a direct question, let me know.

[Sonja Morgan]

Amanda goes, but did you look at a mask and say, that's like, Amanda,

[Kyle Richards]

why would I say that?

[Sonja Morgan]

Just because you think I'm fake?

[Kyle Richards]

Okay.

[Heather McDonald]

Do you think I'm fake? She's like, I think you that you

[Kyle Richards]

are not being clear about your life

[Sonja Morgan]

because it looks and feels good. I can't have. That is I'm not allowed to have a life that looks and feels good.

[Bose]

It's not pure, and we've all seen it. You're preventing. You're presenting your life like a Stepford wife or something. And it's not.

[Sonja Morgan]

My life is beautiful. I worked and created that way. It's great.

[Bose]

But there are warts in it. And all I'm saying is we should hear. We should hear all your warts.

[Amanda]

She's like, but what have I not been forthcoming about?

[Kyle Richards]

Well, you present things as perfect and they're probably not. It feels to me that whenever there's a situation, it's like, poor Amanda. You're kind of like Keely's hairline. I see through it.

[Amanda]

But what am I, poor Amanda,

[Dorit Kemsley]

right

[Kyle Richards]

now, in this very moment.

[Heather McDonald]

Notice how you're. It's like, see how you're speaking right now? You're doing it right now.

[Kyle Richards]

Right now you're asking me why I said this thing that makes me appear as an aggressor to you.

[Dorit Kemsley]

Well, I think you're being maybe a bit hyper sensitive, Amunda. And if I've come at you and.

[Brandi Glanville]

And how.

[Dorit Kemsley]

And acoustic you, what I do see from you is you show up as very Suki, you know.

[Kyle Richards]

Tariq, why are you vacuuming right now?

[Brandi Glanville]

The manicure.

[Dorit Kemsley]

You make faces like this.

[Brandi Glanville]

This is what you look like, Amanda.

[Heather McDonald]

Kathy's like, that's true. It's true.

[Brandi Glanville]

So let me just stop here and say. Because Bo said her thing, I wish Bose was a little more honest with her in this because I don't really see. I don't think Bose is presenting a great case here, especially since she's known all that this is coming. I wish instead of saying like, you're not. You don't seem honest about your life or you seem like a victim or something like that. Tell them why you don't like her. You know it. I wish she would just say, yes. I made a joke on the bridge because she said, who's Pinocchio? And I said you, because I feel like you're inauthentic. You come in here, you act like you're authentic, but all you do is gobbledygook, like millennial, like pop psychology, tick tock speak. You don't say anything real. You use tragedy for social capital and as arguments against people, which is totally tacky. And I think your business is a ripoff. Think it's crazy that you're saying you're charging thou like tens of thousands of dollars when you say you came from a cult and it looks like you're running a cold. Like, that's what I think. I think you're an inauthentic loser.

[Heather McDonald]

Yeah, I, I agree. I, I would. It's like about this, like, oh, you're not showing us your real life warts and all. I was like, I actually don't think that's the issue. I don't think it's like about. She's not. I mean, she sort of actually did share Like a major wart that happened in her life, you know, a tragic one. And so, like, I don't think that's the issue. It's. It's 100. What? You said 100. I have the exact same reaction, which is like, don't say like, oh, she's not showing her life, because the truth is none of you guys actually really want that. Like, I can't tell any single person in this. In this group that's like, oh my God, I can't wait to find out more about Amanda's life. I think they're using that as a way so that they have some sort of like, moral high ground of why they're. They're feeling. They. It's what.

[Dorit Kemsley]

It's.

[Heather McDonald]

They use that to explain why they're annoyed, but they're annoyed because they pick up on Amanda. What we pick up on is that she's fake, she's a grifter, and she's just annoying. And she like, like, you can't really even have a conversation with her without herself promoting or like, suddenly like acting like a, like a victim in the most annoying way. But they don't want to be the ones to accuse her of that because they. That's so harsh. So instead they're going to.

[Erica Jane]

To.

[Heather McDonald]

They're going to drape this other lofty thing on top of it, which is like, we are annoyed with you not because of your personality. We're annoyed because you're not sharing with us. And they're putting it back on her that way. It's like, no, you're annoyed because she's just annoying and just own up to it and live in it.

[Dorit Kemsley]

Yeah.

[Brandi Glanville]

When they dumb. It's like you're using all this victim language constantly. Like, we're having this discussion now and you're. The way you're saying it is, I'm feeling.

[Amanda]

Feel unsafe. Like I'm emotionally regulated, but I feel

[Brandi Glanville]

like it's hard to have a conversation with somebody who is like a. A therapy chat. GPT bot, you know? So I wish they would say that. I think Dorit kind of gets it the best, oddly enough, because she says

[Dorit Kemsley]

you can be flawed, imperfect, you. You can have a pass, but just be like.

[Brandi Glanville]

Just be yourself, in other words, and stop being this, you know, made up Persona.

[Dorit Kemsley]

Know.

[Heather McDonald]

Yep. So.

[Sonja Morgan]

So then Jennifer's like, I feel like you may have wasted a lot of time today being hurt over something that possibly didn't even happen.

[Kyle Richards]

And Kyle's like, but she was clear about what she heard on the bridge. And Natalie Even agreed that, yes, that's what Bose said as a joke.

[Heather McDonald]

And Natalie said, well, I said Bose said Amanda's name. And Kyle's like, yeah, but then, like, what was the joke part of you were referring to?

[Kyle Richards]

Just like Amanda. That was the joke.

[Heather McDonald]

I was like, well, obviously you know, so.

[Kyle Richards]

No, I'm asking.

[Heather McDonald]

And son's like, amanda knows. This is who said it, y'. All. And Natalie's like, no, like, Natalie starts to backpedal in a way that didn't really make sense to me.

[Brandi Glanville]

Yes, she won't say it either. She just wants to stay out of it. So Amanda's like, natalie, you were standing

[Amanda]

right there too, and you agreed that's what both said.

[Brandi Glanville]

And she goes, don't pin this on me. I mean, I took it as a joke and you should have too, and.

[Bose]

Cause like, but you're not saying what you said earlier. And she goes, but I didn't say she. But you confirmed it before.

[Brandi Glanville]

Now you're telling a different story, which is true. I don't know what Natalie's doing. I mean, Natalie should have just said, they asked me if I heard you joking about Amanda on the bridge. And I said, yes, but it was just a joke. Like, I don't know why Natalie's being a weirdo too. Now. They're all, I don't think they'll be weird in this episode. Like, I can't even follow any. I can't even follow why any of them are acting like this. But I also don't.

[Heather McDonald]

I don't totally see exactly how Natalie changed her story either. I just wasn't sure what was happening. And I feel like Natalie was. I feel like Natalie was caught off guard and didn't really know what was happening. And suddenly Kyle's like, you know, coming at her and she's like, huh? What?

[Kyle Richards]

And Kyle's like, what is this? Now you're scared of Bose, so you're not gonna admit to what you confirmed earlier?

[Heather McDonald]

And Natalie's like, I'm not playing this game of tag with you. I've watched this for weeks now. And Kyle's like, you said something different earlier. You realize we all see this, right?

[Sonja Morgan]

And Drew's like, my God, you just cannot help it.

[Kyle Richards]

She's like, you're lying.

[Erica Jane]

What?

[Sonja Morgan]

Huh?

[Heather McDonald]

I'm sexy. I'm just waiting for a way to talk about the fact that I got a happy ending once. Come on.

[Brandi Glanville]

Oh, you know what doesn't lie?

[Dorit Kemsley]

The cameras.

[Brandi Glanville]

She does her like cross eyed head bobble thing. And so Dorit just gets up and leaves.

[Dorit Kemsley]

And like, honestly, it seems like Coyle has lost all ability to be objective. She's fiercely protecting Munda with the hope to hopes that Amanda will eventually fall in line and be a soldier. And then Amanda can say to me all the things that Kyle really wants to say but apparently doesn't have the goods to say. And I know what's happening and I cannot watch it anymore. I'm going to bed.

[Brandi Glanville]

Like Dorit, you've been here five minutes. You were already three headed late. Sit your ass down.

[Heather McDonald]

Commercials. Here comes one right now.

[Brandi Glanville]

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[Heather McDonald]

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[Brandi Glanville]

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[Heather McDonald]

And with Bolan Branch, what I really like personally is that you can really feel the quality immediately. You know, when you get used to, like, not the best sheets and then you go to something really nice and lovely like Bolan branch, it's like, oh my goodness, oh my goodness, where have I been all this time? Where have these sheets been in my life?

[Brandi Glanville]

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[Heather McDonald]

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[Brandi Glanville]

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[Heather McDonald]

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[Brandi Glanville]

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[Heather McDonald]

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[Brandi Glanville]

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[Heather McDonald]

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[Brandi Glanville]

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[Heather McDonald]

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[Brandi Glanville]

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[Heather McDonald]

we sent you after checkout Lisa.com promo code crappens. So she, she leaves. Then Natalie's like, that was really harsh to say that I lied.

[Kyle Richards]

Well, you did. Even though I wasn't there. I mean, I was there, but I wasn't. But I was.

[Heather McDonald]

I was like, I didn't lie.

[Kyle Richards]

She's like, yeah, you did.

[Erica Jane]

Erica's like, oh, Natalie, you called me a lion. And I don't like that. Just please stop.

[Heather McDonald]

So I'm like, but they all say that it's not just Natalie.

[Brandi Glanville]

So Rachel's Natalie wasn't this though she should have just said, I did say I hear it. And I, I also said it was a joke. But instead she's like, I know.

[Heather McDonald]

I didn't. I didn't know.

[Brandi Glanville]

Although she did have a line in there where she said, I said it was a joke. But she won't say I'm saying, but she won't say what it was that she heard that was a joke because it's going to contradict. It's going to contradict bows, and she likes bows. And Kyle's been an. And she even says like, I've seen you doing this for weeks where Kyle will start a fight. She, she gets everybody fighting and then she brings the fight forward and then she's directly directing everything and directing them what to say. So I did like that Natalie pointed this out when she's like, I'm not playing your game of tag. I've seen you do this for weeks. But at the same time, you are it. And so you've gotta just say, this is what I heard. And I said it was a joke. Like, why it's so Beverly Hills to just be like, let's not ever say what we really said and just keep going around in circles for 20.

[Heather McDonald]

So Rachel's like, kyle looks like she's going to implode. She's like, zanned in the Hamptons without his fedora.

[Kyle Richards]

Kyle's like, well, it's frustrating because, like, Natalie is like, I just met you and. And you just lied, and it's just,

[Heather McDonald]

like, weird to me. So Natalie's like, how am I lying?

[Sonja Morgan]

And Amanda's like, because now you're saying all that happened was that my name was said, but in the street. You said it was about the mask.

[Heather McDonald]

I'm sorry. Like, they are. They are. Like, if Natalie's story changed. Whatever. I just feel like this is so. It's so stupid.

[Brandi Glanville]

This would have happened if Amanda had the balls to just turn around and ask Bose what she said right then and there. But instead, she's had to make it this whole production, and no one else wants to play with it. And I like that. Everyone else is like, you know what? Even if we know we're wrong, we're not going to give you this. Because Kyle and Natalie or Kyle and Amanda, you both suck, so have fun floundering. So they're just all watching them and you see Kyle physically getting like, oh,

[Bose]

I mean,

[Brandi Glanville]

she's getting so upset, and everyone else is just staying calm and looking at them like they're crazy.

[Heather McDonald]

Yeah. Bose is like, look, look, if you

[Kyle Richards]

have something to say, just go to the person and say it.

[Sonja Morgan]

And Amanda's like, oh, I remember Bo saying that I can't control how other people behave in a friendship. And she's telling me right now how to act. Aren't you more mature than this Bows?

[Heather McDonald]

I'm like, I think, like, I get the logic of what you're saying, but I think what the sentiment is is that you can't control how. If people are offended or not offended. Like, you can't, like, you can't control people's emotional reactions. She's not saying, like, you can't control if someone decides to go and gossip to other people first before they come and confront you. She's saying, if you want to, like, succeed in your interactions, just come to me first. She's not trying to control you. She's giving you a strategy for how to grow and to.

[Brandi Glanville]

Yeah, Amanda, she talks like her bots online talk you know, there's been a lot of Reddit speculation on whether she's hiring bots to go fight for her online. Because they're from these accounts that seem like they're bots. Like, they're bought and paid for bots. Because they. They were answering things like, okay, we're hiring people to social media, people to go on and, you know, basically give their opinions or whatever for pay. And these people are responding, okay, I want in. And then suddenly they're showing up and they're fighting for Amanda, and all of the arguments are the same. And they. They started posting all these threads that are like, well, Bose has a workshop where she. The first thing she says, this is how to do something. Then the second thing she says, this is how to do this in business. And the third one is how to do this in business. But the fourth one is, well, this workshop will teach you how to take all the lessons from the first three workshops and manifest them into your life. So she's using the word manifest. Isn't she a hypocrite because of how she's treating Amanda? It's like, no, because she's using manifest in a way that's like, I've taught you things. Now I'm going to tell you how to bring these things, you know, how to make these work in your real life. But they're always missing the point. And they're like, but wait, isn't Bose

[Amanda]

doing the same thing that Amanda is doing?

[Brandi Glanville]

And it's just. I'm only pointing that out because it's been happening all week where there's, like, these attack Bose posts that are clearly by bots, because everybody's like, oh, shut up, bot. You know? Like, everybody knows at this point. But it's funny because the same language and the same tone they're using is exactly Amanda right now.

[Amanda]

Like, but wait, boss told me this thing, but now she's doing it, too. Aren't you more mature than this, Bones?

[Brandi Glanville]

Like, girl, we can see you. You're not even a good. You talk like a robot, and you're not even a good online bot.

[Heather McDonald]

Yeah, seriously. So Kathy has decided that this is. This is boring now. I mean, it was boring the whole time, to be honest. And she just is like, let me give some. Let me just say something generic that will just end this. So she goes, sometimes we go through things and we get to an even better place. Am I right? Like, that has nothing to do with anything. But now they're just sitting there quietly, and Amanda's just, like, eating her pizza.

[Sonja Morgan]

Jennifer's like, thank you, Buddha Kathy.

[Kyle Richards]

So Kyle's like, where did to Rico? Where did Rico. She's mad at someone bit.

[Brandi Glanville]

Look at.

[Erica Jane]

Look after.

[Kyle Richards]

Did she fall in the pool? Is she doing opera in the theater? Oh, my God.

[Sonja Morgan]

Be careful, everyone who knows what she is.

[Erica Jane]

I don't know what she's doing. I just know the world is. Wait for that.

[Brandi Glanville]

And Amanda's like, so that it bothers

[Amanda]

you that she comes late and leaves early.

[Erica Jane]

Yes, it does bother me. We all stop agreeing now. Stop lying. Just stop lying.

[Sonja Morgan]

So, guys, guys, I checked the Hamptons.

[Heather McDonald]

I called every single store in the Hamptons. Dorit isn't there, but guess what? She's in a room.

[Brandi Glanville]

Yeah. So she's being a drama queen. And Kyle's like, oh, God. You know, if Bose were honest, she'd

[Bose]

say that that's rude.

[Brandi Glanville]

But I mean, it's giving Irish goodbye. But we're in Italy.

[Bose]

So Bose was like, well, a lot's been said tonight, a lot to reflect on. I think it's time to wrap up and go to sleep.

[Brandi Glanville]

So Jennifer goes to the chapel, and

[Amanda]

she's like, dear Lord,

[Erica Jane]

please help us stop fighting.

[Heather McDonald]

Dorit is now sitting with Rachel and Bose and reads like, gee, I felt

[Sonja Morgan]

like I was in the twilight zone. Whatever Coyle was doing felt like she was trying to defend something that didn't need defending.

[Kyle Richards]

And Beau's like, well, I think that Amanda is very cunning. I could see it when she was deflecting. She has to make herself a victim in every situation so she then doesn't have to take accountability.

[Brandi Glanville]

So in the other room, Amanda's like,

[Amanda]

kyle, thank you for making points. And I couldn't make.

[Kyle Richards]

I'm just, like, really sorry that you experienced that today.

[Heather McDonald]

It was definitely not on fleek.

[Amanda]

Well, anything on the whole, I'm making progress with the group with letting them get to know me in here, me in my heart.

[Kyle Richards]

Amanda's not clear or honest about her life.

[Sonja Morgan]

Yeah, like, who's behind the curtain?

[Bose]

That's.

[Heather McDonald]

You like them?

[Brandi Glanville]

No, that's my outfit. No, it's just my outfit. I mean, like, figuratively.

[Bose]

Well, she's selling a mindset that she wants to impart and recruit others into. And look, this is going to be a very controversial thing to say. Are you ready? She's built a cult. There, I said it. She walked away from one and she built another.

[Brandi Glanville]

I can't. So finally someone has said it.

[Sonja Morgan]

And now we've said it.

[Dorit Kemsley]

And now we've said it.

[Heather McDonald]

Well, what will happen? What will happen now that Amanda's been accused of being a cult leader herself? Well, we'll find out. In the meantime, thank you all for being here and joining us for this. Somehow we wound up talking a lot more about this episode than there was actually content in it. Which is crazy. But that's just what we do at crap ins. A big exciting episode we'll do in 30 minutes and a boring ass episode we do. And two episodes worth. So thanks for being here and we will catch you on the next episode of Watch what Crappens. Bye, everyone.

[Dorit Kemsley]

Good boy.

[Heather McDonald]

Watch what Crappens would like to thank its premium sponsors. Ain't no thing like Allison King.

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[Kyle Richards]

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[Brandi Glanville]

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[Heather McDonald]

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[Brandi Glanville]

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[Heather McDonald]

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[Brandi Glanville]

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[Kyle Richards]

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[Heather McDonald]

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[Brandi Glanville]

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