#3283 RHOBH S15E15 Part Two: All Dope Abandon

Summary

WATCH WHAT CRAPPENS – EPISODE #3283 SUMMARY
RHOBH S15E15 Part Two: All Dope Abandon
Release Date: March 27, 2026
Hosts: Ben Mandelker & Ronnie Karam

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Episode Overview

Ben and Ronnie kick off the second part of their Real Housewives of Beverly Hills recap, continuing their loving yet merciless breakdown of all Bravo drama. This episode focuses on the RHOBH ladies' tense Italian excursion, particularly the unraveling friendship between Kyle and Dorit, gelato-fueled confrontations, and the group’s struggle to handle “honest feedback” with, well, zero grace. Expect signature Crappens humor, character voices, and biting meta-observations throughout.

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Key Discussion Points & Insights

1. The Abandoned Town Gelato Quest & Friendship Therapy

(00:36–08:47)

• Setting the Scene: Kyle, Erika, and Dorit visit a deserted Italian village allegedly searching for gelato, but really it's an excuse for Kyle and Erika to grill Dorit.
• Dorit’s Reluctance: Dorit repeatedly asks what they’re actually doing here, hinting at discomfort (01:07). Ronnie jokes that the trio are on a “fetch quest in Zelda” (01:09).
• Shade Shuffle: Dorit's constant scooching to stay in the shade (“Let me rearrange myself to stay in the shadows,” 03:14) becomes running gag material.
• Kyle vs Dorit: The confrontation unfolds awkwardly as Dorit is asked about being “erratic,” a term Kyle eventually half-apologizes for but continues to use regardless (03:55).
• Quote – Ben: “Erratic was probably too strong of a word… which is why I will use it several more times later this episode when we fight again.” (03:58)
• Friendship Clichés: Dorit invokes the reality TV mantra — “if you have concerns about me, come to me” — and Kyle immediately mocks her for it (06:12).

2. Kyle’s Tactic: Rallying the Troops

(08:47–13:24)

• Deflection and Paranoia: Kyle tries to justify gossiping about Dorit by accusing others of saying the same things; the hosts call her out for classic Real Housewives behavior.
• Ben’s Insight: "Kyle’s torn between yearning to be the Alpha and lacking the confidence… Once she’s exposed in the light, she spins out. She always has to recede back to the group." (11:09–12:44)
• Quote – Ben: “Put simply, the crown is heavy, darling.” (12:35)

3. Housewives Logic 101: The “Come to Me Directly” Paradox

(20:10–22:08)

• Meta-Observation: Ben and Ronnie deconstruct how every season, HWs vent to others, then demand issues be brought ‘directly’ to them, knowing it only leads to more drama.
• Quote – Ben: “I want at some point someone to say, ‘Yeah, I’ll bring it to you eventually, but first I have to talk to my friends about it because that’s what humans do.’” (20:41)

4. Group Dynamics: Rachel Bows Out

(22:11–24:57)

• Rachel’s Reluctance: Rachel repeatedly declines to be dragged into Kyle’s crusade against Dorit, providing measured, diplomatic responses.
• Quote – Ben: “Rachel’s like, I’m not getting on this Kyle train.” (25:03)
• Dorit’s Lateness Syndrome: The hosts highlight how Dorit’s tardiness is treated differently than, say, Kathy Hilton’s — “Dorita’s not famous enough to be as late as she is.” (24:18)

5. Dinner Showdown: Awkwardness on Full Display

(32:04–39:02)

• Dinner Table: Accountability Avoided: Kyle attempts to make the group back her up; everyone cringes and refuses to engage. Dorit demands Kyle own her opinions without pulling others in.
• Quote – Ben: “Everyone at this dinner is cringing. Even Natalie is like, ‘Oh god, this is awkward for me,’ and Kyle is just getting more and more worked up… and it is hilarious.” (39:02)
• Hooks & Headdresses: The group distracts from tensions with jokes about Erica’s music, Jennifer’s hairpieces, and feathered caftans for gardeners (33:41, 29:28).

6. Recap & The Cycle Continues

(39:10–end)

• Dorit’s Final Word: She summarizes the betrayal, exposing Kyle as the “common denominator” in the backtalk (39:19).
• Mocking the Mechanics: The hosts lampoon Kyle’s desperate, cross-eyed defense and the repeated justifications of “I don’t care about your finances” — despite relentless evidence to the contrary.
• Quote – Ronnie: “Please stop saying you don’t care about something when you’ve just mentioned it a million times.” (40:17)

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Notable Quotes & Memorable Moments

On the gelato quest:

• Ronnie: “They’re like, on a fetch quest in Zelda — got to walk through this town to find the gelato guy.” (01:09)

On reality TV arguments:

• Ben: “Erratic was probably too strong a word… which is why I’ll use it several more times this episode.” (03:58)

On Kyle’s psyche:

• Ben: “Put simply: the crown is heavy, darling.” (12:35)
• Ronnie: “She is torn between two things. She yearns desperately to be Alpha... but doesn’t have the confidence.” (11:09)

On Housewives patterns:

• Ben: “Time and again they say ‘just come to me directly’ — but when people do, they fight. It’s just this.” (21:44)

On Dorit’s lateness:

• Ronnie: “Dorita’s not wealthy enough or famous enough to be as late as she is… Like, no, Kathy will be late and everyone’s like, ‘Kathy! Isn’t it hilarious?’” (24:18)

On group dinner awkwardness:

• Ben: “Everyone at this dinner is sitting there cringing. They’re looking at Kyle like, ‘oh my God.’” (39:02)

On Kyle’s constant denial:

• Ronnie: “Please stop saying you don’t care about something when you’ve just mentioned it a million times.” (40:17)

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Important Segment Timestamps

• 00:36: Italian village gelato trip sets up confrontation
• 03:27: Dorit slides down the wall for shade, setting the physical and emotional tone
• 05:54: “Come to me, Coyle!”—Kyle mocks the Housewives’ classic defense
• 11:09: Ben’s psychological breakdown of Kyle Richards
• 20:10: Meta-analysis of “bring it to me directly” Housewives trope
• 22:11: Rachel refuses to be part of Kyle’s anti-Dorit campaign
• 32:04: Dinner commences, tension at the table and behind-the-scenes snickering
• 39:19: Dorit identifies Kyle as the common denominator, finale approaches
• 40:17: Ronnie and Ben, exasperated by Kyle’s circular logic

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Tone & Language

Ben and Ronnie maintain their signature combination of snark, affection, and deep Bravo-lore referencing, frequently diving into character impersonations, theatrical asides, and inside jokes while providing psychological observations on the cast’s behavior.

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For Listeners Who Missed the Episode

This recap offers all the laughs, the critical play-by-play of major RHOBH “friendship” battles, plus classic Watch What Crappens humor. Key moments include the hilariously awkward Italian town excursion, the group’s universal eye-rolling at Kyle’s politicking, the comedy gold of Dorit’s “keep to the shade” maneuvering, and an emotionally revealing dissection of Kyle’s need for Alpha status. Anyone needing a dose of Bravo snark — or insight into Beverly Hills drama mechanics — will be right at home with this summary.

Transcript

[A]

Who cares what happens when there's so much what happens? Who cares what happens when there's so much that crappens?

[B]

Well, hello and welcome to watch what croppens.

[C]

This is part two of a two part recap. If you're like, hey, wait a minute, I didn't hear part one, guys. It's because we put out a lot of recaps. Go back and listen to part one. Okay, it's before this one.

[D]

Bye.

[C]

Enjoy the show. And now let's go to Erica. Kyle and dorit going to the abandoned church in San Mateo or wherever. So they're going there and Dorit's like,

[E]

so where are we going?

[C]

Like, San Mateo.

[F]

But what are we doing here?

[D]

We're gonna walk around to read, but

[F]

we're not doing anything specific here. What are we doing specifically? Is there a store? Is there a store where we can go shop?

[G]

There's like, some, like, we're gonna get gelato somewhere.

[A]

They're like, on a fetch quest in Zelda. They have to, like, walk through this town to find the gelato guy.

[D]

Despite dorit claiming that she and Bose are now both besties. And Eric, me and Erica are the closest in the group to dorit. So we want to talk to her in a more private setting to try and get to the bottom of what is going on with her. But, like, as far as she knows, we're just doing, like a little sightseeing and getting a little gelato.

[A]

So they start walking down. They're going down a staircase, and, you know, some half of them are in heels. It's like.

[G]

And Kyle's like, oh, this place is really dead.

[A]

Kyle's so mad that they're like, not in a cooler place than the other girls. And I like that one.

[C]

Location scouts, you losers.

[A]

I like. One point, Erica goes, well, there's one

[H]

lonely soul, and we see just like

[A]

some random girl, and they put an arrow on her to be like, there's another. That was the funniest, stupid thing that they did. Like, thank you, editor. Whoever decided to add that little arrow in apple motion. We see you. So they're walking around.

[H]

Erica's like, okay, guys, I feel awkward. I care about you both, but you two are still at odds, and I hope you're able to resolve it. But I don't know. That's all I got. Okay.

[A]

Thanks for the therapy.

[H]

Hey, just fix it, okay?

[E]

You guys find the shit. We should be friends. I mean, I don't fucking know. And they're supposed to gelato around here somewhere. Jesus Christ. So I gotta blow to get out

[H]

of this mess here's to you here's to me May we never disagree if we do you here's to me okay, let's get gelato.

[F]

Oh, so we're going to sit on a wall, are we? Okay, a wall. Okay, well, honey, honey, honey, before you.

[A]

Before you launch into what she actually says, they do sit on this. Like, they sit on, like, a little wall above, like, a high. Like, I was. Like, they could fall back and die.

[H]

And.

[A]

But, like, Kyle and Erica sit in the sunlight because they want to be well lit. But Dorit actually cares about her skin, so she's trying to see the shade. But over the course, this entire scene, the shade keeps on moving and she keeps having to slide down the wall. And that was the funniest thing where

[I]

she's like, I'm mad at you now. Let me rearrange myself to stay in the shadows.

[E]

Thank you.

[C]

She has to keep moving as the, like, line of shade keeps moving, and it's going downhill on a cobblestone thing

[A]

on a brick wall or whatever.

[B]

So she's like,

[A]

eventually she gives up. She's like, let's walk.

[F]

Please, let's just move,

[E]

Honey.

[F]

I don't know we have anything going on between us. I just know that I've been told that Kyle is having conversations about me being erratic and being lead and spending too much.

[D]

Well, erratic might have been too strong of a word. Okay, maybe, like, erratic was too strong a word. Maybe psychopathic. I don't know.

[G]

Erratic was probably too strong of a

[A]

word, which is why I will use

[G]

it several more times later this episode

[A]

when we fight again.

[G]

But, yeah, psychopath, crazy. Cuckoo for Cocoa Puffs. How do you say in Italian? Totally deranged.

[A]

So Dreet's like.

[H]

It's like, I.

[A]

Look, I didn't really mean to use that word, okay? The word I meant to use was total.

[G]

Okay? And I said, like, you may be having just, like, a little bit of OCD.

[A]

I'm like, oh, so that's somehow better. Dr. Kyle Richards, therapist at large, says,

[H]

and look, look, look, the lateness just has felt disrespectful. And I love you. I don't want anything bad for you. I don't even want you to fall

[A]

off the side of this wall.

[H]

Although if that did happen, it would be kind of funny. You might die, but it would be hilarious, right, guys?

[C]

And I liked Erica in this moment because she's just telling her, yeah, it's the lateness. Like, okay, Kyle, Kyle's saying whatever but you're late, and it's rude.

[A]

Like, just say that, because that's all

[C]

really, anybody has a point about.

[F]

So, Dre, it's like, but, Erica, am I being a rutic. Am I. Am I being rudic?

[E]

And she's like, well, I mean, you seem overwhelmed.

[F]

Thank you. Thank you, Erica. Thank you.

[H]

Why are you juggling those pebbles right now?

[I]

I don't know. I just decided to do it in the moment.

[B]

Erratic.

[A]

So Kyle's like, that's what?

[G]

That's just what I said. I said erratic might have been too strong of a word. Why is it okay that she can say it, but I can't?

[A]

And Dreet's like, one moment.

[I]

I need to reposition myself deeper into the shade.

[G]

Okay, what were you saying that was so erratic? I can't believe you're, like, moving into the shade like that. What a crazy person. Someone call a 5150 on her.

[D]

But here's what's not cool. Like, I can say something that makes me mad, but then Boz will say something like, she said your finances were in a dire situation.

[C]

When did she say that?

[H]

She did say.

[A]

Well, even Erica's like, what?

[H]

What?

[D]

Yeah, I mean, what was the word she used? Like, erratic finances. Erratic. Dire. Poor. Poor. She's poor. Descamisado. I think she said descamisado.

[F]

It's like Erica goes, wait, what?

[E]

When was I there?

[D]

Guys like, God damn it, Erica.

[F]

Well, it come to me that you had concerns about me, so come to me. Come to me. Coil.

[A]

You know what I loved, actually? This. This is what I was like. Oh, it's a good Kyle episode. Because when Dorit said, if you have

[I]

concerns about me, come to me.

[A]

And when she said, come to me, Kyle just goes, come to me. Because the Kyle knew Dorit was gonna say that. And Kyle just, like, parrots it with this. Like, she bobs her head back and forth because it's such a cliche on reality tv, if, like, next time, come to me. And I love the way Kyle was like, ah, stupid.

[C]

It's just mocking her and, like, making head. You know, making faces and stuff.

[A]

Like, I'm not on Kyle's side in this fight, but I did enjoy that bit of mockery.

[C]

Well, at least she's got some life, which is more than we can say for the past few seasons. So Dorit's like, well, the only friend.

[F]

The only thing that a friend of mine has come to me with is that you have consorts. Okay, Coyle.

[E]

And Erica's like, well, look, I feel that anything anybody comes to you with, including myself, is immediately met with, like, defensiveness or something. I understand that you go through a tough time, blah, blah, blah, blah, blah. My question is, did you walk in after Tom had been robbed? Somebody stolen his eyeball and he fell down the hill and his heart was on fire? Come on.

[H]

Look, there was my tough time. I was very defensive and I acted hardly towards everybody. I mean, non waterproof mascara. What was I even thinking?

[I]

Dude's like, yes. So you understand then that when you're going through a tough time and the friends that you're leaning on for support are coming at you not out of

[A]

concern, I'm like, yeah, but you should also understand that when someone's acting like the way Eric acted or the way Kyle acted, that people are going to ask questions, you know? So it does go both ways. So Kyle's like, what?

[G]

Who's coming at you, Dorit? Who's coming at you?

[A]

Which is funny that Kyle's asking that when she's literally coming for coming at her very moment.

[C]

And both of them are like, who? Who?

[E]

Oh, baby, who? Who? Who, who?

[F]

You guys. And now Erica has an issue with me. Coil, you have an issue with me.

[E]

Well, look, I'm having an odd. I'm having an honest conversation with you about my feelings, okay? So screw me, all right?

[I]

Which I appreciate.

[G]

Like, okay, so you appreciate her, but, like, you're mad at me. I'm so sick of this share with you, dorit.

[C]

And yeah, Kyle, because you're the one going behind her back talking to her about everybody, which is her point. Erica's not. You are, Coil.

[I]

You do it every time, and you do it so well. And it's just.

[H]

It's like, scary, Kyle.

[I]

It's very scary.

[A]

So Kyle are now, like, they're squabbling over talking over each other.

[G]

And Kyle's like, okay, so it's okay for Bose to say something.

[I]

Here's the thing, Kyle. I trust Bose. I don't trust you.

[C]

Kyle's like, yeah, good for her. Because Bose didn't even say any of that stuff. You said it and tried to get Bose to agree with you so then you could turn around and use it against her. You're so sneak. You're so sneaky and sneaky. And I'm so glad she's being called out. And I loved when she said, I trust booze.

[F]

I don't trust you, boozy.

[C]

She's like, you.

[D]

And Kyle's like, unbelievable. Dori is like, up Buzz's ass, and

[C]

it's a Little outputting.

[F]

Little outputting.

[I]

Last year it was trust issues with the whole texting PK thing. This year we're supposed to be working back to trusting one another. But how can I trust someone who is talking about me behind my own back?

[G]

So Kyle's like, I've given you nothing

[A]

to not trust me about. Except for the fact that I call everyone in our group and tell them how erratic you are behind your back.

[F]

You've given me every reason not to trust you, Coyo.

[D]

Tell me. Tell me, then. Tell me what it is. Tell me. Because you're the first one that read my text for millions of people to see.

[C]

Oh, God, Kyle, you're bringing that up from two reunions ago. Oh, for Christ's sake.

[A]

Oh, my God. That was like the. The way that Kyle has tried to latch onto that to excuse her own bad behavior in this friendship is so shitty. And she's going right back to it yet again.

[I]

So she's like, oh, we're gonna go back.

[A]

But I love when Dorit does this. This is her favorite gesture is when she does the oh, we're gonna go back. Because she does this every now and then. She like throws her whole body.

[I]

She goes, oh, we're gonna go back. Is that what we're gonna do? We're gonna go back.

[A]

So, yeah.

[C]

Well, hello.

[D]

Where do you think the mistrust came from?

[F]

She's like, well, when you were going through changes and going through something vagina and you weren't being honest about it, I didn't go behind your back and express consoling coil.

[G]

Bose asked me what was happening, so I shared with her. And I'm not saying anything that the rest of the group hasn't already said. And by the way, Rachel's already said those things. Yeah, coolest girl in the group.

[A]

She also believes it too.

[G]

So who's the loser now?

[A]

You are.

[C]

Dreet's like, I love debris for staying calm here. And she just does her squint and she, like does her finger thing where she, like, closes everything with all her five fingers.

[F]

She's like, is it possible for us to just talk about all friendship coil?

[D]

It's like, well, I'm not going to be singled out when everyone else is saying the same thing.

[C]

You are the one saying it to everyone and you are the only one saying it. You are the one who's going to be singled out. And she's not even singling you out. You brought her to this abandoned God forsaken place.

[A]

Does God forsaken gorgeous place. Kyle is what makes Kyle fascinating after everything, for after all the we talk like, oh, God, it's time for Kyle to go. What makes her always compelling to me is that she is torn between two things. She yearns desperately to be the Alpha, to be the queen bee of a situation, but she doesn't have the confidence to really be that person. And I think it's because she was the younger sister and she always had to take care of Kim. Like.

[G]

Like Kim was the famous one, the more famous one.

[A]

And Kyle was tasked by big Kathy to always look out for your big sister. Cuz, like, Kyle's a responsible one. So Kyle's always been under someone and she always yearns to not be under someone. But then when she is exposed in all the light, like, that's the space that she's not used to because she normally gets to be behind someone and when she's up there, she sort of spins out. She always kind of wants to be an Alpha and then she's up there and then retreats behind a true Alpha and here. And so when she does this stuff, when she goes around and rallies the troops about one person, that's actually an extension of this behavior in my mind, because she can't just sit in her truth of saying, I think you're being shitty. She needs to make sure she's like. And everyone thinks so too. So that way everyone can protect me if this all comes down on me, like, oh, you don't get mad at me. We all believe it. So she can kind of recede into the group again. And so it's so fascinating the way Kyle goes between these two. These two pole, like, these two places of, like, wanting to be the main one. But she just, once she's there, she sort of like, loses her mind and she always has to recede back. I.

[C]

You know, put simply, the crown is heavy, darling.

[G]

The crown is heavy.

[A]

It's too heavy for Kyle. She cannot do it. She really can't.

[C]

Yeah. So Dorit's like, well, listen, if anybody wants to. She said Bose did not voice her concerns to me. And so if she went to you with concerns or frustrations, I have a problem with it. And just like I have a problem with you bringing concerns to Bose and not me. So if that. If Bose did do that, I'll have a problem with her. But right now we're talking about you, Kyle. And so now she's doing her thing again where she's like, coil is doing

[F]

everything but owning her own opunion. And she's getting more and More heated at me trying to defloat from her being such a short friend and bringing my other friends into the situation.

[C]

Is she still chewing a candy? I can't tell what she's doing. She keeps, like, sucking.

[I]

You know, I'm overwhelmed, and I'm going through a lot. And you just said, you understand.

[G]

It's like, yeah, yeah, of course I understand.

[I]

So you can't show me some grace, Kyle?

[G]

She's like, well, I mean, I have been showing you some grace, and that's why I didn't say anything to anything.

[H]

Yeah.

[I]

She's like, well, you've said it to other people.

[G]

Well, yeah, but we've all. We've all said it. And this isn't something that you're. You're supposed to get defensive about, but you're the one. You're the one screaming coil like, well, okay, well, fine.

[A]

So at this point, they've now stood up and they've been walking, and they've arrived at this random in the middle of nowhere, gelato guy. Like, literally not a soul in this town. There's no evidence of even any stores. It's just, like, old buildings with windows that are high up, and there's, like, not even a commercial district. And somehow this little gelato stand with. With these, like, tubes of. Of cones is just there with an umbrella, and they're like, okay, now we'll have our gelato.

[C]

Yeah, it's all expired. There's not been anybody in that town for years. It's time for a commercial. It's time for a crappin's commercial. So Dorit's like, well, I'd like to

[F]

have a conversation about how you have such a tough time showing me support coil.

[D]

Well, do you ever ask about Mo and me ever? Because I'm separated, and we were married a lot longer than you and PK

[C]

okay, so now it's the competition on marriage. Okay. Your marriage was the strongest, Kyle, and nobody can ask you a thing because you cry about it and say that they're not allowed to because you're allowed to go through. Through things in your own time, Kyle. Yeah, they've tried asking you about it.

[A]

And you also say you guys have, like, the best separation ever. So, like, what is there else? Ask also, Mauricio is there all the time. There's, like, nothing to ask about. I'm surprised he didn't show up. I'm surprised, like, when they got to the gelato stand and, like, we'll have a gelato, please. Like, Mauricio didn't turn around. With, like, two cones in his hand, like, oh, hey, ladies.

[B]

And read. How's it going? It's. I just happened to be in the neighborhood. You know, this guy is maybe gonna try and sell his gelato stand or whatever, so, you know, fix the moldings. I told him.

[C]

And by the way, two years crying about people asking about her relationship.

[D]

Two years?

[C]

Three years. Has it been three? And now she's like, would you ever

[D]

even ask about us?

[F]

So she goes, oh, yes. But you always say everything is perfect, and you even seem that you don't even want to talk it. So when you were the priest, you told us, after the food, how do you meet your support? How do you measure it? 5,020, 500, 600 minutes.

[G]

Okay. Yeah. That's how long my last run was. I at least ask you questions.

[A]

So now they're like. They all have their gelato. By the way, this. This guy, they probably told him, like, you have to be here. These people are going to shoot. And he's been waiting there for hours. And they show up there. They're screaming at each other, and then he just has to sit the. Watch. Watch them.

[G]

I was sur.

[A]

Surprised they even ate their gelato, to be. To be frank. So they're walking around with the gelato, and they're now, like, talking over each other. And Dorit's like, erica, please.

[H]

And she's like, oh, please What?

[I]

I'm not doing this, Erica. I'm. I'm trying to. I'm talking to Kyle about issues I have with Kyle, and you're interjecting.

[H]

She's like, well, I'm gonna do it.

[E]

I'm not gonna stop talking unless I'm

[H]

eating my gelato, which I got into in a cup and not a cone, because you guys are animals. You can have gelato on your fingers while during the middle of your fight. Okay, well, I'm.

[F]

I don't want you to stop talking. Eureka.

[E]

She's like, well, you're not gonna make me stop talking ever.

[C]

Ever thing where Erica decides to be mad for no reason.

[A]

She's like,

[I]

well, that's what you think I want you to do. You think I want. You think I want you to make you stop talking?

[H]

It's like, well, right now?

[E]

Yeah, that's what I feel like that

[I]

she's like, all right, you know what? I'm go. Let's go.

[E]

It's like, I'm not going anywhere. Well, I am.

[I]

Go yourself.

[A]

So Dreet takes her gelato and goes over to the van, and they just watch her, and she's like, we're going. And they leave.

[G]

I think I was like, she really just left us.

[A]

Here they are left in the middle of the brigadoon of Italy.

[C]

I mean, she did, but this show thinks we're all morons. I mean, there's another twin black van right next to it. Like, there's nobody else in this town. And there's another Mercedes van exactly like that one right next to it.

[D]

But they're like, oh, my God, she left us. Now we have to get an Italian uber. Oh, my God, she speaks Italian. We don't even speak Italian.

[E]

Everybody better come correct to tell her exactly what they've been saying too, because that's not gonna work. None of that's gonna work.

[G]

All these women are claiming to be

[A]

closer than they actually are with dorit,

[G]

but none of them actually want to

[A]

do the dirty work. They just tell her that what she wants to hear, and I'm not gonna kiss her ass. And because real friends are honest, I love Kyle saying, I'm do the dirty work with Dorit. I go get gelato with her in a beautiful little city. The dirty work, they're dirtiest of work. A scenic vista while having a cool refreshment.

[C]

So then they make it look like Kyle and Eric are waiting on the side of the road for some uber or something. And then the twin Mercedes, the black Mercedes van picks them up. They're like, oh, my God.

[E]

Thank God we got this Italian Uber cut, you guys.

[C]

So then we go back to the villa, and they're like, oh, my God, should we find her? And in the dining room, Erica's like,

[E]

wow, I haven't even had a follow that with Dorit since Hong Kong. That was like eight years ago.

[C]

And then we see a flashback to 2016 on the junk boat.

[F]

You're the only one who hasn't. Who I haven't managed to connect with Ora, okay.

[H]

Because I don't like to read. And that's what I think you are.

[A]

Because, of course, that was Dorit's first season when she and PK the whole season was about a joke that PK made Erica's pantheas, or lack thereof.

[C]

So when PK was ogling her vag under her dress. PK is such a big. That was both of their first seasons, right? Didn't they came on. Didn't they come on the season?

[A]

I think that was maybe Erica's second. It was either her second or her third season. I think it was her second season.

[D]

Wow.

[A]

So now everyone else arrives, the villa

[G]

and Kyle's like, so, guys, basically the

[A]

conversation got intense and she didn't like

[G]

what was what we said, so she

[A]

just, like, left us at the place.

[G]

Well, where is she now? We don't know.

[A]

Like, she could be anywhere in Italy. But, like, you know, the conversation that

[G]

you and I had in the captains came up.

[A]

Thanks a lot, by the way.

[G]

She's like, yes, I told her everyone shares the same sentiment. And she's been like, late and all over the place. And both like, Kyle, I don't appreciate being dragged into this because I only expressed concerns based off of your concerns. And guess what? I took those concerns directly to dorit.

[A]

But by the way, I. I want to say one thing, though.

[B]

I.

[A]

This happens not just on this show, but on all these shows where people. Something happens, then people talk to their castmates about it because they need to vent and they need. Also, the producers are probably like, talk to so and so at lunch about this, and then it becomes a thing and then there's a confrontation and the confrontation ends. Next time when you have a concern, just bring it to me directly. And everyone says that, but the person who's, like, on the receiving end of it acts like they themselves also have been talking about the other person to everyone else. So everyone talks to everyone else. And so it's just so funny how time and time again they will get on these shows and they will just say, like, I went directly to the person I went. It's like, no, you guys all talk about each other behind each other's backs at all time. I want at some point someone to say, yeah, well, I'll bring it to you eventually. But I have to talk about my friends to my friends about it first, because that's what humans do, you know?

[C]

Well, but in this case, Kyle is calling people to talk shit about dorit. And then she's. She's being like, I'm worried about dorit. Dorit has ocd. Dorit is overspending. Dorit's doing all of this stuff. And then Bose is like, oh, my gosh. Well, that's concerning. And then Kyle takes that and it's like, even both said she was concerned about you and she's tricking everybody. And so I think they're like, no, you're not going to do that shit with us, Kyle. We've seen her do it multiple times over. Multiple. Even this season, she's done it multiple times. And I think she's like, no. And she's like, and when you gave me the concerns about dorit, I went Straight to Dorit and talked to Dorit about it. So, yeah, off with Kyle for sure.

[A]

Kyle is. Well, she is doing the thing that I was just saying before. She is going around and she's trying to build a case and.

[G]

And.

[A]

And rally the troops and circle the wagons against. Not circle the wagons, just rally the troops against Dorit. But it just in general, as like, a general note on all these shows, it's just so funny that everyone. Oh. Like, time and time again, they make declarations of next time come to me directly. And then the thing is that when people do come to people directly, then they get into fights. So it's just, you know, it's just like this.

[C]

So then said this, she's like, yeah,

[D]

and, you know, like, I also brought. Brought up Rachel, you know, like how she had anxiety over lateness. Remember Rachel?

[E]

Remember?

[C]

And Rachel's like, yeah, here's the thing, guys. Like, I've known to read for, like, two months and, like, just. I just have to assume that this is, like, how she's always been. Like, she's in a house and I'm there, but, like, she can open doors and I can't. I just, like, pass through them because I'm dead.

[A]

Literally.

[H]

Debt.

[A]

I can't even say Beetlejuice. It's so scary for me.

[D]

Yeah, but the point is, you even noticed her behavior as being stressful.

[C]

Yes, Kyle, but being annoyed with someone being late is a very small part of this. And you're turning it into everybody saying that Dori is losing her mind. It's very different. And Rachel's like, I mean, look, 100%. I can't live like that. I can't even be dead like that. You know, like, it would give me a panic attack, you know? Know my heart doesn't even beat. But, you know, like, I have other friends who can live like that and do that. So, you know, I just assumed to read spend, like, the same way, like, as long as you've known her, like, I don't know for a fact that this is new behavior for her. And this is Rachel subtly saying, I had to watch some of this show and Dorit's always been late. Like, don't drag me into this, girl. I'm not coming on this train either. You can't get bows, and you're not going to get me either.

[A]

Yeah, I think Rachel does not want to be dragged into this at all. I think she does not like this from Kyle. I think this will actually. I sense that, like, Rachel's the sort of person who she's not terribly confrontational. But what's going to happen is that Rachel will start to distance herself from Kyle because she's not going to like this being dragged into it. But also when Rachel says, I know people who operate on their own clocks, I kind of feel like she's talking about celebrities and celebrity clients who she just has to like, work around. I know she doesn't style anymore because she can't trust assistants because broad. But like, in a weird way, the vibe I got was she was kind of protecting her celebrity friends. Like, no, I'm not mad at my celebrity friends. Of course not. They. They take their own time and that's okay. I'm totally fine with that.

[C]

Yeah, I think she's like, she's late. But like we're in Hollywood and so she's like, the thing is that Dorita's not.

[A]

Dorita's not wealthy enough or famous enough to be as late as she is. I think that's also the other thing because no, Kathy will be late and they'll be like, oh, Kathy, isn't it hilarious? But Drew's like, wait, but we're not gonna wait for to read. No, that's crazy.

[C]

So Rachel's saying, yeah, look, I've commented that she's late, but I'm not chiming in about her being, you know, about worried about her finances or spending. I mean that's. Or that she's not mentally stable. You know, she's like. Cuz I don't know that to be true. And you know, I think there needs to be a pretty clear line of who's considered like, you all. She's like, who is you all? Like, who is we all? Because like, who's we all?

[A]

Who's we all? I'm not who sweet. Part of the all.

[C]

I'm not part of it.

[A]

If we're going to be in the all, like, sky and Kaius have to be part of it. Like, I don't do anything without my kids.

[C]

Yeah. So for the second time this season, we see a clear distancing. Rachel's like, I'm not getting on this Kyle train. So Kyle's like, well, I don't know

[D]

how tonight's gonna go, but like, I have a feeling that like everyone else, she's gonna be like, I know you're just coming from a place of concern, but then she's only gonna be mean to me.

[A]

Yeah, because you've been untrustworthy in the past. You were texting with her ex. Like, there's no reason for Dorit, to ever think that you're coming from a good place versus a fishing place, like, you've. You've burned that bridge.

[C]

Unfortunately, you're also starting it on this trip. She didn't start with you on this trip. Like, what are you doing? You're starting it. So Buzz is like, oh, don't do

[D]

your imitations of her. She says, no, I'm not going to do imitations. I mean, if I did, it would involve accents. Multiple accents.

[F]

Whoops.

[C]

No one laughs.

[A]

They're just ready to do an accent.

[C]

I just love that the whole cast basically is just staring at Kyle like, oh, it's like, cringe. They're already cringing. And Kyle is not picking up on the social cues. So now everybody's getting dolled up for dinner, and then they're getting cars. You know, Amanda's joking that Dorit's going to be late and all this stuff. And so Rachel and Dorit ride together, and Rachel's talking to Dorit about the conversation, you know, that Kyle just had with everybody. And Dorit's like, oh, well, Coyle is

[F]

driving, trying to drive a wedge between me and whomever else in the group. And I do not like blue cheese on iceberg. And I've hit it. I've hit it with quill.

[I]

I've had too much of it.

[A]

And then we see a series of scenes of Kyle talking about Dorit, and she's like, oh, my God.

[G]

Bose, like, she's manic. Oh, my God. Rachel. Dreed has ocd. Oh, my God. Amanda, like, dreats, like, all over the place. Oh, my God.

[A]

Sutton.

[G]

Like, Dreet's, like, erratic and a little all over the place. Oh, my God, she's crazy. She's gonna blow any moment. She's gonna blow. America, be careful, please. Send out, please and help.

[F]

If she can get the

[A]

group on

[F]

the opposite side of me, then she will feel victorious.

[A]

So then Kyle is now with Bose and Jennifer and Amanda in another car. And she's like, Even though everyone is

[G]

thinking and saying the same thing, she always gets so mad at me, and she'll let it slide with everyone else, and I'm just like. I'm tired of it. I've been a really good friend, and I'm sick of the narrative that I'm not being a good friend.

[A]

So you're saying that the person you're you being, like, she's lashing out at the person who's closest to her. Like, you. You're saying that Kyle, you're saying that Dorit is Being nice to everyone else. But the person who is closest to her, the person who is most entwined. Entwined in her group. That's the one she's lashing out at. Can we just roll the footage of season one of you stole my goddamn house? I just. Can we just. You're an alcoholic, Kim. Can we just roll that, please, for a second?

[C]

Oh, my gosh. So Jennifer's like.

[E]

Well, I think that she's just wound tight about her home situation, and she's just trying to appear to keep it all together.

[D]

Yeah, but we're all noticing these things, right, girls? Right. Right.

[F]

And is it.

[D]

Is it that big of a deal?

[F]

I mean. No.

[D]

I mean, so she's crazy, so she's ocd, so she's erratic, so she needs to be in a straight jacket. I mean, what's. What is the big deal is that she's only annoyed with me about it, not.

[C]

No one else is talking about it, Kyle. No one else cares. Please. So now we go to Dorit and Rachel's car, and Dorit's like, to me,

[F]

it doesn't come off as concealed. It just looks like someone looking to win things.

[A]

This friendship sucks. Okay.

[B]

Wow.

[A]

Wow, you're really. You're, like, really winding right now. You're like that kaleidoscope in Sedona, just, like, rotating. It's like, this friendship sucks. Like, it sucks. It's like a friendship. Like, this is not a girl friendship. Like, it sucks. Like, it's dead. It's done. I'm over. It's dead.

[I]

Yes. I'm not getting any enjoyment out of it.

[A]

Like, I don't know how you have a friendship where you can't trust each other or any relationship where you can't trust each other. Like, I can't even have a relationship with my gardener if I can't trust him. Like, right? Because he's just gonna, like, kill all my flowers. Like, my flowers will be dead.

[I]

It's one thing for me to be

[A]

dead, but for my flowers to be dead, Like, I can't. Like, I literally cannot.

[C]

And if I can't trust my gardener, who am I gonna give my caftans to? That's like the vision of passing Rachel's house, and there's just a gardener out there in a feathered caftan.

[A]

She's like, ready? Just like, Luis, you've done great work for me for 10 years. I bestow you this.

[C]

Captain dad, this is vintage goat. So now the women get to this train car that goes up a mountain thing, like a gondola type thing. And so they get in it, and we don't even get any of it. I thought we were gonna get, like, a big fight in a gondola or something, but nope, we just arrive at the restaurant.

[A]

It did look like we're gonna have a funicular moment because it was. There was this awkwardness because Kyle was sitting in one part of it and Dorit was, like, at the. Like. Like, sitting, like, above her. And I thought, like, ooh, are they gonna have a. A multi level fight in a funicular. Multi level funicular fight. Like, because this could be iconic. Like, oh, my God, the funicular fight. No, they just get to the top

[G]

and Kyle's like, oh, my God, we're so high.

[A]

Oh, my God, we're really high up. Oh. There was also a moment earlier where when they were driving back from the city where there was, like, a fly in the car. And I was like, oh, there's a fly. There's a fly. It's a fly. So Dorit is. Somehow. She got herself carsick in this funicular that's only going in one direction and not actually curving.

[I]

She's like, oh, I feel sick after that funicular. It's too much for me.

[A]

So they get there.

[D]

Dorit needs help. Dorit's losing it. She can't be in a funicular.

[G]

I think she's on drugs. Oh, my God, guys.

[C]

So they go in and Jennifer is like, wow.

[E]

Hello, everybody. Actor Jennifer Cooley. I mean, Jennifer. What's her face? Hey, can you just send us over

[F]

the best wine, please?

[E]

We're very fancy people.

[F]

Can you tell

[A]

by the way, why isn't Jennifer. I feel like Jennifer Tilly should be in the white lotus. You just said Jennifer Coolidge, but I feel like Jennifer Tilly should be.

[G]

And I'm worried.

[A]

What'd you say?

[C]

One day.

[A]

But, you know, I'm worried that Mike white, like, doesn't watch real houses of Beverly hills. I feel like he's, like, not a real housewives gay. He's just strictly a cbs, like survivor amazing race gay.

[C]

Well, that's actually good because he probably wouldn't put on, like, a reality star in a lead role, but he would put a real actor and she's an academy award nominee. And she still says, yeah, but then she's.

[A]

She probably is, like, too close to the Jennifer Coolidge mold. But she should be on white lotus. Like, it feels very. And by the way, they were playing, like, full on white lotus music during this episode. Like, you could hear the voice. I was like, okay, settle Down.

[B]

Bravo.

[A]

This is not the White Lotus in a funicular.

[E]

Well, I would like to order,

[C]

Like.

[H]

Okay.

[C]

All right, lady.

[G]

Hi, everyone.

[A]

I've got an announcement to make, since we've obviously been tracking this all season on this show, and I'm sure none of this footage ever got cut. The culmination of my storyline is that my. My youngest. Whatever his name is, he's graduated from fixing vending machines, and he's going off to college in South Carolina to the University of. University of Vending. And he's leaving. I'll be an empty nester.

[C]

Very emotional. He has saved the last stuck. Almond Joy from that machine. And it's very emotional. They're like, yeah, no one cares.

[A]

So then sometimes you feel like in the. Sometimes you don't. But now there will be no option for me. The nuts have left. Thank you. And they play this, like, sad music, and it's like, aww. And then the scene just keeps on going. I was like, was this supposed to be her storyline? Did they just, like, decide to cut this entire storyline? They're like, okay, we'll just give her, like, one little token speech and we'll move on. Yeah, yeah.

[C]

Sutton's not killing it with the storylines. So then Kathy gives a toast, and

[B]

she's like, I would just like to offer a toast. Please take it. They worked hard on this bread. They put it in an oven and made it hard. Please eat it. You're gluten free. Is that a. Is that a celiacal or is it just. Is it really a thing? You know, I don't. I don't know that I trust that. Really? Nothing's free in life.

[C]

I'll tell you that right now.

[E]

All right, Kathy, sit the fuck down.

[A]

Well, thanks.

[B]

This is beautiful and very special.

[F]

Here comes one right now.

[C]

And so Dorit is complimenting Jennifer on all of her hair pieces. And then we see a recap of Jennifer's headpieces from the week. And Rachel's like, oh, my God, I want every headdress you have. I love them. I collect them like I collect headdresses. And it's really hard because I can't even pick them up because, you know, my hands don't pick things up because I'm dead. I have to rely on assistance. We're terrifying. I hate assistance.

[G]

Can I say something, guys? It just feels awkward and weird that we're, like, not acknowledging, like, what happened today, guys. What? Oh, that you guys got gelato. It is weird. I thought you guys were on a low carb diet. No, not that. Not that. Okay, so.

[D]

Oh, lord, here we go.

[G]

Dorit, you left.

[I]

And she's like, well, I left because I didn't feel conversational. It felt deflective. It didn't feel gentle. It felt aggressive.

[A]

What was defective?

[F]

Well, I kept wanting to talk about how you're feeling about our friendship, and you kept bringing it back to the group.

[G]

Well, because everyone shares the same sentiment.

[F]

Right?

[E]

Right.

[F]

I did hear you say that, Kyle. You said it multiple times. Stirring, stirring, stirring. You brought Rachel and Bose into it as will quail his wheel.

[A]

But it was.

[G]

It was nothing malicious or mean. It was just, like, you know, me trying to create a little gang so we could gang up on you.

[A]

Like, how can you gang up without the gang?

[G]

Okay, it was just an observation that Rachel and I talked about the airport

[A]

and, like, mainly Rachel. And Rachel was like, really?

[G]

Like, the headline is like, you are late.

[A]

And then she called.

[G]

Jennifer Gardner was like, oh, my God, Jennifer Gardner. Like, dorit's always late. Like, I'm just like, these are things that happen. It wasn't malicious.

[C]

Whoa. Can we get Haley Joel osmond in here? Because I need someone to see a dead person. Okay? I don't want to be confused. Like, my frustration with anyone who is late, like, dorit or anyone, like, it gives me overall feeling that someone else's time is more valuable than, like, someone else's time who's.

[G]

Yeah, yeah, yeah.

[C]

Valuable is like, someone else's.

[G]

Yeah, yeah, yeah, yeah. See what she said? And, like, in the Hamptons, you said, like, we're running under east time. Remember when you said that? You said, you're running under resignment. Remember? We laughed so hard, and you were

[A]

like, probably like, you're like, kyle, you're probably, like the. The best friend I have out here.

[G]

Remember when you said that? Right, right.

[A]

Rachel thought, God, this is so weak.

[C]

And Rachel's like, yeah, like. And I've said that to Dorit. I was like, oh, my God. You're on your, like, own time that we run on. I learned that. And sit down.

[I]

Well, there's nothing that Rachel has said just now that she hasn't already said to me directly. And the part that you're missing is that I'll address Rachel's issues with Rachel and Bose's issues with Bose.

[D]

Well, when everyone's saying the same thing. Like, I'm not gonna have you single me out all the time, Doreen. Like, I'm not gonna have that. Like, everyone. You are singling her out again.

[C]

She didn't bring you up. She didn't even mention you. You are turning the whole dinner into being about her.

[A]

Yeah, it's like I'm.

[G]

Look, everyone seems to be off the hook.

[E]

I'm not off the hook.

[I]

Also, you know what's not off the hook? My music.

[H]

No hooks.

[A]

So Dorit's, like,

[E]

never found a hook. Hook, line and stinker.

[H]

How many hooks do I give?

[E]

Zero.

[F]

None, actually.

[H]

That was a hook.

[E]

All right. Never mind. I give myself.

[C]

Was a great journey for me when

[F]

booze came to me after hoomptons and she said Coyle had said Dorit was acting erudic. Kyle and I had been sleeping 10ft from each other for four days. And if there was any concern, I would have thought that quail would pink a donkey. Danka Dang come to me during four days that we were together and said, how are you doing? Because I'm worried about you and that Nova siblings.

[G]

Well, we were having fun and we had the best time. Why would I say it when I didn't? It didn't seem like the right time.

[I]

Because you didn't feel like it was the time to do. You didn't feel it was the time to speak to me about it. But it was a good time to

[F]

speak to Booze about it.

[C]

Yeah, it was a great time. Speak to her. But you called Bose fucking Kyle.

[D]

Yeah, because, like, it was more like you were, like, erratic, like, all over the place. Like, erratic. I meant at that time. So, like, not even getting out of the car in town today, like, you're in the. In the bag for 10 minutes.

[A]

You know, we see this footage of when they arrived at the ghost town. Dorit was, like, getting stuff out of her bag for, like, 10 minutes. And she's, like, going and finding every charger and rearranging things. And then, like, after what has clearly been like seven or eight minutes, because.

[I]

You're not waiting for me, are you?

[A]

No, they're observing the car. They're taking in the beauty of this van.

[D]

But it's like things like that that make me wonder, like, what's going on. And I really don't care about your spending. Like, I do what you want. I don't care. You know, I don't care about that.

[F]

It's like, oh, well, thank you, Coyle. And I don't think it's anyone else's business what I'm spoiling or boring. And if there is concern, I would appreciate if it was directed towards me.

[G]

Well, it's been brought up by others who share the same concern. Oh, well, I can see What Kyle is doing, she's trying to rally support for her opinions so it seems more palatable to Dorit. In reality, she should just stand on her own opinions instead of trying to pull everybody else in.

[C]

And by the way, I have to just point out again, everyone at this dinner is sitting there cringing. They're looking at Kyle like, oh my God. Because she's trying to get everyone to fight and no one will fight. They're just all looking at her like, awkward. Even Natalie is like, oh, God, I'm like the most awkward person here and this is even awkward for me. And Kyle is just getting more and more worked up and her eyes are

[D]

crossing more and more and she's just

[C]

like doing that head bobbing thing that she does and it's just getting so uncomfortable and it is hilarious.

[A]

I mean, it is so good.

[F]

And Dorit's like, coil, you've expressed concern behind my pick.

[D]

And Kyle's like, just stop.

[E]

Stop. Okay, stop.

[I]

Basically what I'm hearing from Kyle is that she's been talking to Rachel and Bose and the entire group about me. And that's. And what's the common denominator here, people?

[C]

Kyle.

[B]

And she goes, cool.

[C]

She does like these double jazz hands like Chicago. She's like, cool. So Kyle's like, I don't care what you.

[D]

I don't care that you bought a Kelly bag with your book advancement.

[A]

Just.

[F]

Well, it seems like you do cool.

[G]

I don't care. Bose is the one who cared about the Kelly. I said it one time. Bose did.

[A]

It was Bose.

[G]

It was Bose all along.

[C]

She did not care. What are you talking about?

[D]

She just said like, oh, she left a Kelly on the back, on the. On the counter or something like that.

[C]

So Bose is just watching her like, you are ridiculous. So Kyle Doritos holds her eyes. She's like, oh my God, I can't. And Kyle is like literally cross eyed and manic and crazy looking.

[F]

And it's like, please stop saying that you don't care about something when you've just mentioned it a million times.

[D]

She goes, oh my God. Great writing my ass. All the time.

[G]

To read. Oh my gosh.

[A]

And to be continued. Will they be able to settle their differences? We'll find out next week. But until then, thanks everyone for being here. We appreciate you. What a funny episode. And we will catch you on the next episode of Watch. Watch Crappens.

[D]

Bye Bye.

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[A]

It's Amanda V. Can I have a Kavanaugh?

[G]

It's Anna Kavanaugh. Somebody get us 10cc's of Betsy MD

[B]

we're taking the gold with Brenda Silva.

[G]

Let's get real with Caitlin o'.

[H]

Neal.

[B]

Put us on a stretcher. It's Charlotte Fletcher. Hogle your horses. It's Christine Hogle. Don't get salty With Christine Pepper. Can't have a meal without the Emily sides.

[G]

Who, what, why, where? And Gwen Pentland.

[A]

Nobody holds a candle to Jamie Kendall. We got our wish. It's Jen Plish.

[G]

My favorite Murdo. Karen McMurdo.

[B]

She's a total knockout. It's Katie Manock.

[A]

Let's get Savage With Laura Wildman in the study with a candlestick. It's Leslie Peacock.

[G]

We're ride or die for Lisa Ryder Baron.

[A]

She's a whiz.

[G]

It's Liz Sarthane.

[A]

Always killing it. It's Lola Al Kalani.

[G]

Roger that.

[A]

It's Marlis Rogers.

[B]

The incredible edible Matthew Sisters. She eases our woes. It's Melissa St. Rose there's a chance of meatballs It's Rebecca Cloud she's our princess It's Rebecca Prince Maximum love for

[G]

Sandy Maximoska she's the queen bee It's

[C]

Sarah Lemke we cannot tell a lie

[B]

It's Sarah Tell of son Shannon out

[G]

of a cannon Anthony, please don't stop.

[A]

It's solely and pop let's take off with Tamla playing Strike a pose.

[B]

It's Tori Rose she ain't no shrinking violet Coutar we love you guys.