215: In LA With David Spade

Summary

Podcast Summary: "We Might Be Drunk - Episode 215: In LA With David Spade"

Introduction and Setting the Scene

In Episode 215 of "We Might Be Drunk," hosts Sam Morril and Mark Normand delve into their recent experiences in Los Angeles, joined by special guest David Spade. Released on January 20, 2025, and produced by Gotham Production Studios, LLC, the episode captures the trio's reflections on a hectic week filled with a Netflix roast, limited sleep, and navigating the challenging LA comedy scene.

The Netflix Roast Experience

The conversation begins at [00:06] with Mark and Sam arriving at the Comedy Store, humorously contemplating whether they're drunk or merely hungover from their recent events. They recount their participation in a Netflix roast, highlighting the absence of an after-party or refreshments, which added to their exhaustion and frustration.

Mark Normand [01:15]: "We surprised the booze."

Sam echoes this sentiment, emphasizing the lack of support post-event.

Challenges with Production and Audience

At [01:18], Mark shares the chaotic experience of waiting outside the Comedy Store, dealing with long lines and minimal facilities. The roast's organization left much to be desired, with attendees freely choosing their seats, creating a "bedlam" atmosphere.

The hosts also discuss the nature of the audience, which included celebrities like Seth Green and Brecken Meyer, making it difficult to read typical comedy crowd reactions.

Mark Normand [07:44]: "What crowd was. I mean, it was definitely a lot of industry people."

Interactions with Celebrities

A particularly tense moment unfolds around [04:20] when Sam makes a joke about John Stamos during the roast. The joke about Stamos not being memorable since Rebecca Romijn doesn't land well, leading to an awkward exchange that underscores the challenges of performing in a celebrity-heavy environment.

Sam Morril [04:24]: "There was a lot of older people. Really?"

Reflections on Comedy Writing and Stand-up Career

Mark and Sam praise the unsung heroes behind the roast—the writers who worked tirelessly to craft jokes under tight deadlines. They express concerns about the production team's ability to compile the material effectively, hoping that post-production edits will salvage the show's coherence.

The discussion shifts to broader reflections on the comedy industry, with David Spade joining in [13:30], sharing his experiences with stand-up, writing, and the pressures of maintaining relevance in a competitive field. He highlights the difficulties of balancing creative control with the demands of large production studios like Netflix.

David Spade [13:30]: "They have grips and all that. I don't know how to do any of that."

David Spade's Insights and Experiences

David Spade provides an insider's perspective on working with major comedy platforms. He recounts his time on "Saturday Night Live" ([36:13]), detailing the high-pressure environment, the struggle to secure recurring roles, and the emotional toll of trying to balance personal authenticity with external expectations.

He delves into the nuances of comedy writing, emphasizing the importance of storytelling in stand-up and the challenges posed by the shift towards filmed and edited content in the digital age.

David Spade [29:18]: "But you gotta fail. I think that's why Eddie Murphy is like, I'm gonna come back."

Conversations on Stand-up and Industry Dynamics

The hosts and Spade discuss the evolving landscape of stand-up comedy, touching upon the rise of internet platforms and the diminishing returns of traditional stand-up tours. They explore the financial and creative incentives that keep comedians on the road, as well as the personal toll it takes.

Sam Morril [32:08]: "We're trying to make a movie right now, but it's a different. It's a different."

Interactions and Anecdotes

Throughout the episode, the hosts share humorous anecdotes and personal stories, enriching the discussion with relatable experiences from the comedy world. From encounters with other comedians to behind-the-scenes tales of late-night performances, the conversation remains lively and engaging.

Mark Normand [64:33]: "We had him on this pod, and we were trying to be reverent and supportive."

Concluding Remarks

As the episode winds down, Sam and Mark reflect on their upcoming performances and tours, sharing details about their schedules across the US and Europe. They express gratitude for David Spade's participation, acknowledging his contributions and insights into the comedy industry. The episode closes with lighthearted banter and plans for future collaborations, leaving listeners with a sense of camaraderie and anticipation for what's to come.

Notable Quotes

• Mark Normand [00:08]: "We might be drunk. We're here at the Comedy Store."
• David Spade [29:18]: "But you gotta fail. I think that's why Eddie Murphy is like, I'm gonna come back."
• Sam Morril [04:24]: "I did that with Nikki because she came in the night a couple nights before, and I go, I want to do my last joke."
• Mark Normand [64:33]: "We had him on this pod, and we were trying to be reverent and supportive."

Insights and Themes

The episode delves deep into the multifaceted world of comedy—from the grueling demands of live performances and roast events to the intricate process of writing and producing comedic content for major platforms like Netflix. It highlights the delicate balance comedians must maintain between creative integrity and the pressures of industry expectations.

David Spade's insights provide a valuable perspective on sustaining a comedy career amidst evolving digital landscapes and production demands. His experiences emphasize the importance of storytelling, resilience, and adaptability in navigating the challenging terrains of modern comedy.

Listeners are left with a comprehensive understanding of the behind-the-scenes struggles and triumphs of comedians in Los Angeles, offering both humor and heartfelt reflections on the art of making people laugh.

Transcript

[Mark Normand]

Hey.

[Sam Morril]

Oh, my God.

[Mark Normand]

We might be drunk. We're here at the Comedy Store.

[Sam Morril]

Might be hungover.

[Mark Normand]

Yeah, I'm there too. That bodeg will get you three hours.

[Sam Morril]

Of sleep, I think. Oh, that was crazy.

[Mark Normand]

Five star hotel, three hours of sleep. Was that five star?

[Sam Morril]

Five star. But in downtown la.

[Mark Normand]

That's how they get you.

[Sam Morril]

That's how they get you.

[Mark Normand]

Yeah, we got called a. What we could call to die. Die on the way.

[Sam Morril]

Oh, my God. Yeah. Guy screamed at that. Made me homesick. Yeah. Screaming at us. I was like, hey, let's speed up.

[Mark Normand]

Yeah, yeah, let's walk away.

[Sam Morril]

It's ten in the morning right outside the store.

[Mark Normand]

Oh, yeah. Sunset Boulevard, baby. What a town. Good movie.

[Sam Morril]

Good movie.

[Mark Normand]

So just to set the table, we. We're out here doing a Netflix shoot roast and. And we're done. And we'd had a little. Little mixer last night and now we're here.

[Sam Morril]

Yeah, the roast was a lot.

[Mark Normand]

Oh, yeah, it was off the road.

[Sam Morril]

No after party?

[Mark Normand]

No after party. No snacks, no nothing. No drinks even. We. We surprised the booze.

[Sam Morril]

Nothing.

[Mark Normand]

Netflix, Come on.

[Sam Morril]

How was the experience for you, Matt, in the audience?

[Mark Normand]

Well, I got there like 558 and I stood outside till 8 o'clock.

[Sam Morril]

Oh, my God.

[Mark Normand]

There was one bathroom downstairs. There was a lot. 40 people in line to go to the bathroom. That was insane. Gee, the migrants have a better situation. I mean, I don't want to, like, trash production, but trash it. It was pretty shitty.

[Sam Morril]

Like they didn't have any organization. Oh, we know. We were there too.

[Mark Normand]

Yeah.

[Sam Morril]

You didn't tell anybody where to sit.

[Mark Normand]

There was just like, sit wherever you want. It's like, this is bedlam. Bedlam.

[Sam Morril]

Yeah. Mark turned to me, he goes, it's Seth Green in the front row. And then we were like, oh, shit, it's Seth Green in the front row. Like, this might not be a good crowd. This is like a celeb crowd.

[Mark Normand]

Exactly. It was fun. I mean, it's great guests, great jokes. You guys were fantastic. Of course, Tim Dillon did great.

[Sam Morril]

Tim was killed.

[Mark Normand]

Amazing.

[David Spade]

Of course.

[Mark Normand]

Oh, Adam Ray killed it.

[Sam Morril]

Oh, my God. I mean, we went first, which is probably good, I think, but we did have some dark jokes up top.

[Mark Normand]

Yep.

[Sam Morril]

But then by the end, you're just like, get me out of here. I mean, how? I had a weird moment with Stamos.

[Mark Normand]

We gotta talk about that.

[Sam Morril]

That was a weird moment.

[Mark Normand]

Super weird. So the show's winding down. Thank God. We've been. Feels like we've been sitting on that stage for nine Hours.

[Sam Morril]

It really was close to four.

[Mark Normand]

Really?

[Sam Morril]

I mean, yeah. That was almost four hours with people doing pickups. That was. It was rough. And Mark and I were itching for a whiskey, and Ms. Pat's like, didn't you already have one? We're like, I don't think you know how this works.

[Mark Normand]

It's not a sandwich. I need multiple. Although she might eat multiple sandwiches. But you see what I'm. Man, yeah, Ms. Pat's great. But, yeah, we're sitting there forever and we work so hard on this. We. We flew out to la.

[Sam Morril]

We got like a week to write this, which is not a lot of time. God bless the writers.

[Mark Normand]

We're writing every day around the clock, just trying to perfect it, tweak it.

[Sam Morril]

But the writers on this roast are like the unsung heroes.

[Mark Normand]

Yes.

[Sam Morril]

Because they have to write so much.

[Mark Normand]

That's true.

[Sam Morril]

Shout out. Like Mike Lawrence, Dickie Egan.

[Mark Normand]

Oh, yeah.

[Sam Morril]

Pat Barker.

[Mark Normand]

Yes.

[Sam Morril]

So many good writers. Mike Gibbons.

[Mark Normand]

Yeah, He's a beast. So, yeah, we really worked on it, and then it sucks when you work on something super hard. And then the show feels kind of half assed. So you're like, come on, we did our part, you queefs.

[Sam Morril]

Yeah. They didn't know what they were doing.

[Mark Normand]

Yeah.

[Sam Morril]

Hopefully it came together in post.

[Mark Normand]

We don't know yet, but editing is pretty magical. I mean, they put Jurassic park together. We'll see what they can do with this.

[Sam Morril]

But I think this would be harder to put together.

[Mark Normand]

I think so, too. They can open doors. All right.

[Sam Morril]

Yeah. The Stamos moment was weird. The show's winding down, his segment's not going great, so I decide they're doing the people's Sexiest Man Award thing.

[Mark Normand]

John Krasinski.

[Sam Morril]

So the joke is he's got the award and Stamos is mad that it's not him, which is, you know, very relatable. And. And it's not hitting. And I, you know, we had lines in our head that we wrote. We also had lines like, you know, some of his writers feed us, and I'd take a shot and I'd go, I mean, love you, John, but you haven't been anything memorable since Rebecca Romijn.

[Mark Normand]

Great joke.

[Sam Morril]

Does okay. It's not a hot crowd.

[Mark Normand]

Nah, the crowd was tough.

[Sam Morril]

Does okay. And he gets fucking angry. Like something changed in him when I said that.

[Mark Normand]

That's true.

[Sam Morril]

And it turned into something where he's like, that joke's been done at the Bob Saget Roast. And I was like, I mean, that was 15 years ago.

[Mark Normand]

Yeah, I didn't.

[Sam Morril]

I'm sorry. I didn't know it was a line I was fed by a writer. I can't say that. So now he's basically been like, this guy's a joke thief. There's not a lot you could do. Ends with me being like, what? All right. I'm like a little throne.

[Mark Normand]

It was wild. I thought you guys were going to come to blows.

[Sam Morril]

I know. And then he goes, well, this guy's career is dead. Which is like the most la.

[Mark Normand]

Well, you said he's dead. He goes, who's dead? And you go, bob Saget.

[Sam Morril]

Saget. I mean, like, that's how long ago it is. And he goes, this guy's career's dead. And it got a pop. And I was just like, that got a pop. I was like, what the fuck? So it was weird. And you can't really bounce back from just being called a thief. Yeah, it was a weird moment.

[Mark Normand]

It was super weird.

[Sam Morril]

I mean, none of it's gonna make it. I hope. It was weird as hell.

[Mark Normand]

It's all on the cutting room floor. But you can't throw the rider under the bus. So you're also going back and forth with John Stamos. I mean, that was not on my dance card. I did not see that coming. We were working on this. Yeah.

[Sam Morril]

And it was already, like. We were already exhausted. I was like, that was. Tim Dillon looked at me like, what the. Tim grabbed me. Like, why was he so angry?

[Mark Normand]

Yeah, that was crazy.

[Sam Morril]

That was weird.

[Mark Normand]

I think he's been the butt of a joke for 40 years, and I think he took it all out on you.

[Sam Morril]

Yeah, well, it was weird, but, man.

[Mark Normand]

Does he look great.

[Sam Morril]

He looks good.

[Mark Normand]

He's a full head of hair, handsome, son of a beast. Pants. Yeah. He split his pants. All the girls went crazy. Must be nice. Yeah.

[Sam Morril]

I really wish we did that. New York or Chicago or, like, San Diego.

[Mark Normand]

Anything.

[Sam Morril]

Just get real people in there.

[Mark Normand]

I know.

[Sam Morril]

I mean, look, I feel like we did pretty well.

[Mark Normand]

We did. We did well.

[Sam Morril]

We did our part, but, you know, we. We ran the. Out of this.

[Mark Normand]

Oh, yeah.

[Sam Morril]

You need more than a week's notice to roast a concept. It was. We're not roasting a person. Roasting a year. It's a very strange.

[Mark Normand]

That's what the show was as a concept. There was no hard, clear agenda. It was just like, well, we'll figure it out. That's what the show should be called. We'll figure it out. But we got through it, and we got a story out of it stay. Most. We got yelled at by a hobo. We did black. Black Sundays. Or what is it called? Chocolate Chocolate sundaes. That was fun.

[Sam Morril]

La. It's never. It's never boring.

[Mark Normand]

No, no. It's a wild town.

[Sam Morril]

It's always interesting.

[Mark Normand]

Tinseltown, La La Land.

[Sam Morril]

God damn. That was a. It was a weird night.

[Mark Normand]

Yes, to say the least.

[Sam Morril]

No gift bag.

[Mark Normand]

Oh, come on.

[Sam Morril]

What is that, like a varsity jacket? I'm never gonna wear Netflix. Come on.

[Mark Normand]

VH1 gives you a gift.

[Sam Morril]

Fucking sinking. They're like, here's, you know, a candy bar.

[Mark Normand]

Yeah. Comedy Central got you a candle.

[Sam Morril]

Crazy Comedy Central will give you good gifts.

[Mark Normand]

Netflix is playing fast and loose. I mean, they gotta. They gotta step it up there. Flicks.

[Sam Morril]

People. People will probably watch it. But you know, Comedy Central, no one watched but you get a pair of Jordans.

[Mark Normand]

Right, Right. You know, Hulu. You hear that? Gift bag.

[Sam Morril]

Gift bag.

[Mark Normand]

It was a weird crowd, though. There was a lot of older people. Really?

[Sam Morril]

I mean, dude, fucking Mr. Magoo was in the front row. What was that?

[Mark Normand]

Oh, yeah, the Monopoly guy. Yeah. Adam Ray got that because the two guys with the Muppets are here.

[Sam Morril]

That was good.

[Mark Normand]

That was good. It had to be said.

[Sam Morril]

Yeah.

[Mark Normand]

What.

[Sam Morril]

What crowd was. I mean, it was definitely a lot of industry people.

[Mark Normand]

Notoriously the worst laughers and hot girls and celebrities. Not a great batch for stand up laugh reactions.

[Sam Morril]

Yeah, These are hard honed jokes. We're looking at the crowd, there's women texting. We're like, oh, good.

[Mark Normand]

I know. At least it was a. My candy there. I was so bored on that stage.

[Sam Morril]

Seth Green, by the way, I'm next to Mark. We're backstage, we've had a few, and Mark goes. Seth Green is so short. I'm like, he's right next to us.

[Mark Normand]

Oh, yeah, he's a little.

[Sam Morril]

Definitely heard you say that.

[Mark Normand]

Well, I might have gone over his head. Okay.

[Sam Morril]

He was. He's tiny.

[Mark Normand]

Sweet guy, though.

[Sam Morril]

He was so nice.

[Mark Normand]

There was a moment I was like, I'm talking to Seth Green.

[Sam Morril]

He's such a nice guy. Yeah.

[Mark Normand]

He's been around forever. Oh, yeah. Carly Wade. Austin Powers. Saw it in the theater.

[Sam Morril]

Yeah.

[Mark Normand]

Robot Chicken.

[Sam Morril]

Now, you know, Colin Quinn was supposed to be Scott Powers.

[Mark Normand]

Wow. That would not have worked. It would have worked. The kid.

[Sam Morril]

Yeah. That's why it's funny.

[Mark Normand]

He's too old.

[Sam Morril]

That's why it's funny.

[Mark Normand]

All right.

[Sam Morril]

Cuz, he.

[David Spade]

He.

[Sam Morril]

He did it in Larry Sanders. The. The Shitty son.

[Mark Normand]

Oh, that's true.

[Sam Morril]

I think he could have pulled it off.

[Mark Normand]

All right. All right. But. Yeah, well, he's in a Woody Allen movie, too. New York stories, I believe.

[Sam Morril]

I don't think that's like, one. I didn't say give it a go.

[Mark Normand]

But yeah, we also got to see Derek Myers. What's that guy, Breckenmeyer.

[Sam Morril]

Oh, yeah.

[Mark Normand]

Clueless fame. So it was a real 90s someone, too.

[Sam Morril]

That was a real thing where True pointed out, like, Diplo. That's the DJ Diplo. I didn't know who that was, but I knew who Brecken Meyer was. I was like, that says a lot about me, I guess. I've seen Road Trip.

[Mark Normand]

Oh, yeah, good point. I didn't even know who Diplo was. He's a dj.

[Sam Morril]

I don't know. I've heard the name.

[Mark Normand]

Yeah, he refucks everybody's girlfriend. That's what I know about Diploma.

[David Spade]

Damn.

[Sam Morril]

I don't know what mine is right now.

[Mark Normand]

Yeah, we. Well, we've reached a new Diplo, but seems like a nice game. He was sitting next to Simon Rex. It was two couple of hunks right there.

[Sam Morril]

Yeah, good. That's what I mean, though. Simon at least last. But that was a. Why would you want an industry crowd out of. Maybe it turned out well.

[Mark Normand]

Yeah, they'll sweeten. It'll be fine. But you just want to kill and you want the work that you put in to pay off.

[Sam Morril]

Yeah.

[Mark Normand]

You know, you want. You want to get from them what we put in, but hey, that. That ain't showbiz, baby. That's why the Internet's winning. I can't say it enough.

[Sam Morril]

Yeah, it's an ugly biz, buddy.

[Mark Normand]

Oh, yeah.

[Sam Morril]

Falling apart.

[Mark Normand]

You got to take control. Speaking of control. All right. We're glad we got that out.

[Sam Morril]

Yeah.

[Mark Normand]

So watch it on just said what does this come out there?

[Sam Morril]

Pete January, right?

[Mark Normand]

No. Okay. All right, wait.

[Sam Morril]

This come out before or after the Santino one?

[Mark Normand]

After. All right, well, the show's already out, so take a gander.

[Sam Morril]

Take a gander. We did great.

[Mark Normand]

Yeah.

[Sam Morril]

They didn't sweeten the crowd. We were killing that hard.

[Mark Normand]

That's true.

[Sam Morril]

We were just ripping.

[Mark Normand]

And him and Stamos are moving in together. We're best friends, so it's all gonna work out. We gotta get out of la.

[Sam Morril]

I hate it.

[Mark Normand]

It's like you said, we're two detectives. We're all road hard, put away wet. We're sipping scotch and crying.

[Sam Morril]

I don't sleep. I wake up like a hitman in the hotel. Like, huh. My heart's racing oh, yeah.

[Mark Normand]

Been there.

[Sam Morril]

Three hours of sleep in that fucking hotel.

[Mark Normand]

That's the worst.

[Sam Morril]

The worst.

[Mark Normand]

What are you just tossing and turning or you look at the phone?

[Sam Morril]

Tossing and turning. And I watched. I like, watched a little tv and then I fucking. You just. I keep peeing.

[Mark Normand]

Ah, the peeing. Yeah, LA's so weird because they're just holding onto this Hollywood thing. Like, you drive down Sunset, it's all these billboards for movies and TV shows and you're like. Feels kind of over.

[Sam Morril]

It's like if you went to a city and they forced you to speak Latin.

[Mark Normand]

Yeah. They're stuck in the past. It's dead, it's done.

[Sam Morril]

There's a couple things still popping right, but it's like overall it's like, this ain't this thing the 70s?

[Mark Normand]

Yeah. It's like going to Dollywood. I'm like, she's over. Yeah, she's got a moment here and there, but it's. She's not. She's not Elvis.

[Sam Morril]

She's. Dolly's big.

[Mark Normand]

That's true. That's bad example. I should have gone Graceland.

[Sam Morril]

Graceland. He's dead.

[Mark Normand]

You hear that, you conspiracy nuts? Elvis is dead. JFK is not though, but it's quite a headshot. He's good. All right. But. Yeah, so now we're waiting on it. We got a hot guest.

[Sam Morril]

Yeah, we got a good one. I'm excited for this one.

[Mark Normand]

I guess you saw the thumbnail already. It's not like it's a secret.

[Sam Morril]

Yeah, I know. Why did we do that? People do that. You got a big guy, could be anyone.

[Mark Normand]

Yeah, you click.

[Sam Morril]

You clicked.

[Mark Normand]

Well, we'll see. It could be late. It is LA after all. Gotta. Gotta be fashionable.

[Sam Morril]

Is it fashionable or is it just the traffic light? But it's like we're late everywhere. Just cuz we're like, you know.

[Mark Normand]

Well, remember that old Ellen joke where she yelled at the staff and then flew flood the country? No. Where she goes, you ever talk to somebody and there's 25 minutes late and you're like, what happened? They go, traffic. Like, how'd you think I got here? Helicopter in.

[Sam Morril]

That's good.

[Mark Normand]

So they. It was the Kobe.

[Sam Morril]

He was considerate.

[Mark Normand]

He was. Oh, is this something?

[Sam Morril]

Is this something?

[Mark Normand]

No, it's a little blonde girl. So it could be David. Hey, it's that guy.

[David Spade]

David in his chair.

[Mark Normand]

Oh, he's gonna have a nice chair.

[David Spade]

50 is just two minutes behind me.

[Mark Normand]

That is not the most comfortable chair. I'm shocked. That feels more comfortable than that. Listen, I Mean, I'm not.

[David Spade]

We don't even know it came in. It's no big deal.

[Mark Normand]

It's a lovely chair. It's like a church pew, but.

[Sam Morril]

Hi, guys. Nice to meet you.

[Mark Normand]

Hey.

[David Spade]

I work with David.

[Mark Normand]

Hey, Heather. Nice to meet you. Thanks for having us.

[David Spade]

No, thanks for doing this.

[Mark Normand]

Good boots. All right, we're switching out a chair. Leave all this in. This is good stuff. There we go. Chairman of the board. Not at all.

[Sam Morril]

It just needs to be straight up.

[Mark Normand]

What was the. What was it? Sporting issue. What do you think was the back?

[David Spade]

I don't know.

[Sam Morril]

I think just. People have back problems, dude. The body don't get better.

[David Spade]

It's something. When he was. Something to do with a.

[Sam Morril]

You can ask him about at a.

[David Spade]

Variety show, like around 12 years old.

[Mark Normand]

What? See, this is good stuff.

[David Spade]

12 to 14 somewhere.

[Mark Normand]

Glad I asked.

[David Spade]

Yeah.

[Sam Morril]

Okay.

[Mark Normand]

Oh, boy, is it traumatizing. I don't want to trigger him.

[David Spade]

No, no, no, not at all. It's okay.

[Mark Normand]

Okay.

[Sam Morril]

It's in his act. He says.

[Mark Normand]

Oh, all right. All right. Great. There you go. Where do you guys want me?

[David Spade]

Is there a spot out here?

[Mark Normand]

Wherever you want. I gotta tell you, I'm excited about this flight.

[Sam Morril]

Oh, I'm so jealous.

[Mark Normand]

Not because I like a flight. It's just like. That means it's done.

[Sam Morril]

I know. Put a little bow.

[Mark Normand]

I know. When are we gonna invent teleportation? What are we waiting for here? Let's get that cooking. This. This flying back and forth is for the birds. No pun intended.

[Sam Morril]

Teleport. We kill the airline industry. Be beautiful.

[Mark Normand]

That would be great.

[Sam Morril]

But is there. Is there jobs in teleportation? Killing a lot of jobs.

[Mark Normand]

That's a good point. Be better also, it seems like it'd be bad for you. Like, ah. You get like three teleports a year. It's like smoking. You know, you can't do it all the time.

[Sam Morril]

Fucks your body up.

[Mark Normand]

Yes. You show up without a finger. You're like, God damn it. What happened? Teleport.

[Sam Morril]

I'd get rid of a pinky if I could just teleport all the time.

[Mark Normand]

I would. Do you know, if you lose your pinky, lose 50% of your hamstring. Give it a go. I know it sounds crazy, but that's a real, real scientific fact. Pull it up and. I don't. Believe me. I read it in the Tweet.

[Sam Morril]

How much?

[Mark Normand]

Percent 50.

[Sam Morril]

That can't be right.

[Mark Normand]

I get maybe significantly reduced. It doesn't give you a number. 33 and 54.

[Sam Morril]

That's crazy because this side, I guess, is a lot of the.

[Mark Normand]

That's what it is.

[Sam Morril]

That's what it is. You see, it's a weird jerk off without a pinky too.

[Mark Normand]

Well, that's too regal.

[Sam Morril]

It's too regal.

[Mark Normand]

Like a cup of tea.

[Sam Morril]

Yeah. So the Brits already do it? Probably.

[Mark Normand]

When I was a kid, my dick was so small I would do three fingers. You ever do that? I still do that. What am I talking about? You know what's the worst? When a girl blowing you, she tried to do the two hander and you're like, hey, hey, I don't play for the Lakers.

[Sam Morril]

The two hander. Ringing at a fucking towel.

[Mark Normand]

Yeah, I'm on the liberty here. Hey, Dave. We got your chair, you weirdo. Might be drunk. Is brought to you by Perfect Gene. I got one right up my ass. Say goodbye to stiff cardboard denim. Like this shit. This year with the perfect jean. They fit like a dream, look amazing and are comfortable and you'll forget you're wearing pants. I like that. You know what?

[David Spade]

I'll tell you the truth. I wear these. Not right now because I'm suited up on stage, but the rest of the time. I wear pajamas all the time. And this makes you look like you're wearing real pants when you're wearing actually sweatpants is what it feels like.

[Sam Morril]

The most comfortable pair of sweatpants. Hear, hear.

[Mark Normand]

Well said. The perfect jean comes in a massive range of sizes. So what you're packing. They've got the gene for you. I need a mini. I love these. I wear them every day. They're very nice. I just got a new pair. I can't wait to throw these puppies on. Pair your perfect jeans with the perfect tee. It has just enough stretch to hide a beer belly while accentuating your arms and chest. Doug. And they're as comfy as the jeans.

[Sam Morril]

I don't buy the T shirt because.

[David Spade]

That sucking in my gut is the only exercise I get. But they do work and they do look good.

[Sam Morril]

What is there.

[David Spade]

Is there a promo code or somewhere I could get a discount?

[Mark Normand]

I'm a man on a limited budget. You better believe it, fatty. It's finally time to stop crushing your balls and uncomfortable jeans by going to the PerfectGene NYC. Get 15% off your first order, plus free shipping, free returns and free exchanges.

[David Spade]

And I don't want to use bad language, but you know what? Fuck your khakis. Get the perfect jean.

[Mark Normand]

When you use code DRUNK15 at checkout, that's 15% off for new customers. At ThePerfectGene NYC with promo code DRUNK15. They'll ask you where you heard about them. Support the show and tell them we sent you. Fuck your khakis and get the perfect chain.

[David Spade]

You stole my line.

[Mark Normand]

Oh, sorry.

[Sam Morril]

Don't let your dick become an icicle this winter. Get some sheath underwear and put it in a little pouch. Hold on a second. Oh, shit. We both got it.

[Mark Normand]

Love the sheath. Under wear underwear.

[Sam Morril]

Ah, yeah. If you haven't, I wear an inferior brand.

[Mark Normand]

You know what?

[David Spade]

Don't get stuck with the bread.

[Mark Normand]

What do you got? Fruit of the loom sacks.

[David Spade]

Sachs never sponsored us, but I still have the leftover product. And I'm a cheapskate. Don't be a cheapskate.

[Mark Normand]

Get the real thing.

[Sam Morril]

Sheath is changing the game. Sheath has two pouches. One's for your dick, the other's for your balls. Keep things cool and warm in the winter. I mean, you already saw it. We're wearing them. We love this shit. They got all kinds of colors, patterns, where some, you know, military shit wear some log cabin, you know, red flannel animals. Yeah, there's a.

[David Spade]

Where the cock and balls pouches match.

[Sam Morril]

Ooh, there's a one where an Asian woman's holding up your balls. It looks pretty cool. Go to sheathunderwear.com and use code drunk to get 20% off your first order plus sheath. 100% money back. Guarantee that sheathunderwear.com promo code drunk at sheath underwear. Support the show. Support your balls.

[Mark Normand]

Here, here. How the hell are you?

[Sam Morril]

Hey, guys, come in.

[David Spade]

Got that?

[Mark Normand]

We got Google.

[David Spade]

Oh, is that what that is?

[Mark Normand]

Maybe need to pull something up.

[David Spade]

Hey, pull it up.

[Mark Normand]

Pull it up.

[Sam Morril]

Hey, man, we're already rolling. See you, dude.

[Mark Normand]

Hey, what's up?

[David Spade]

Thanks for coming. Blocking all the promo or whatever.

[Mark Normand]

We sell our own hooch. Yeah, there you go.

[David Spade]

I look like you got a picture and everything. Yeah. Oh, real?

[Mark Normand]

We're a little hungover, we're not gonna lie.

[David Spade]

Is that the idea?

[Mark Normand]

Wow.

[Sam Morril]

Wow.

[Mark Normand]

It's a vice.

[Sam Morril]

We did it. We did a little Netflix roast thing last night, and we just did not sleep.

[David Spade]

Is that last night? Yeah, that was. The whole thing was last night.

[Sam Morril]

I wouldn't call it a whole thing.

[Mark Normand]

It was rough.

[Sam Morril]

It was bad. But.

[David Spade]

Oh, because I thought. We're going, right?

[Sam Morril]

Yeah, we're rocking.

[David Spade]

This guy, he's been here for, like, a half hour.

[Mark Normand]

I know he's good.

[David Spade]

He's like, oh, you're gonna have a guest today.

[Mark Normand]

He gets paid in check.

[David Spade]

He got like, a full curveball. Then I walked in, he's like, oh, really? No one told me about this. Anyway, I thought you were ARGUS because I went to the Improv the other night and to bomb and then they said you guys were after me and so I was like, oh, cool. And I was gonna stay and say hi. And then I even gave. I saved a good joke from you guys walked in. So my last joke would be 6 out of 10, which is a high.

[Mark Normand]

We did the urban shower.

[David Spade]

By the way. No offense, Chrysler. Every guy at the airport looks like Bert Kreischer.

[Mark Normand]

That's true.

[David Spade]

Literally every third time, every guy in.

[Sam Morril]

America looks like Bert Kreischer.

[Mark Normand]

Right.

[David Spade]

And we missed.

[Sam Morril]

We missed the show because we were here and we got stuck at the.

[David Spade]

Store and then I threw someone, some bus boy.

[Sam Morril]

We end up doing Durade Davis a show and fucking bombing.

[Mark Normand]

We died.

[David Spade]

That was together?

[Mark Normand]

Yeah.

[Sam Morril]

Yeah.

[Mark Normand]

We had to read our roast jokes together.

[David Spade]

Oh, is that it? So I was hearing about this big Netflix roast and I don't know about big. I don't know if this comes on before after that, but when does that come on?

[Mark Normand]

27Th. This is in January.

[David Spade]

Oh, so this is. Will be over.

[Mark Normand]

Yes. So we can trash it.

[David Spade]

So we'll know. Yeah, but so you guys went on together and what did. You wrote? You did jokes about the year?

[Mark Normand]

The year? Stephen Hawking, Taylor Swift, P. Diddy, all the good stuff.

[David Spade]

Okay, good. And it went okay, Luigi.

[Mark Normand]

Yeah, we did okay.

[Sam Morril]

The jokes were pretty good. It's in la. It was an LA industry type crowd.

[Mark Normand]

Yeah.

[David Spade]

You didn't do it here.

[Sam Morril]

We did it at the store. Downtown la, some little tiny theater. They're like, give us a link to promote. And then there's like 250 seats and it's all agents and fucking hot chicks. It was crazy.

[Mark Normand]

Couple B list celebs.

[Sam Morril]

Yeah.

[Mark Normand]

Seth Green, Breckenmeyer, the other guy, Diplo.

[David Spade]

So brutal.

[Mark Normand]

Yeah.

[David Spade]

I'm looking at me in the monitor, so keep talking. But look at the hairs all. I just did the hair. I just got a haircut on the way here.

[Mark Normand]

Well squashed.

[Sam Morril]

Yeah.

[Mark Normand]

Looking good.

[David Spade]

Fishing a little bit, but that's all right. I fished a little bit. Back in a little tug.

[Mark Normand]

We missed that show you were on because we had to apologize to Dane Cook for bumping him.

[Sam Morril]

Yeah.

[David Spade]

Did you bump him here or over there?

[Sam Morril]

Here.

[David Spade]

Oh, how'd it go?

[Mark Normand]

He was nice.

[Sam Morril]

Very nice.

[Mark Normand]

Kiss the ring a little.

[Sam Morril]

Yeah, we showed respect.

[David Spade]

Yeah, he. He did. I talked to him recently. He was pretty cool. So, you know, God, that guy's Had a roller coaster.

[Mark Normand]

Oh, crazy.

[Sam Morril]

Yeah.

[David Spade]

Holy. If my brother doesn't give me back a hundred bucks.

[Sam Morril]

How?

[David Spade]

Try millions. I love when you're millions.

[Mark Normand]

Like, I know.

[Sam Morril]

Was it 10 mil?

[David Spade]

I think something.

[Sam Morril]

It's a lot of money.

[David Spade]

Plus, you got to make 30 to make 10. It's right.

[Mark Normand]

Right?

[David Spade]

I mean, good points. Throw around money like that, but you're like, fuck every. All the money is so hard to come by these days.

[Sam Morril]

Talk like this. You're going to move to Austin.

[David Spade]

You know, I don't know if it's that great. I mean, Austin is cool. Yeah, but you don't escape the Federal. I mean, there's so much going on. I mean, you're getting gunned down no matter where you're going.

[Mark Normand]

Yeah, yeah.

[David Spade]

So that's. I like these CEOs that are like. They're like, hey, go ahead and shoot them. Everyone's like, you know what? This is a great idea. Like, well, if we can shoot everyone we're mad at, then let's. Okay, yeah, Right.

[Mark Normand]

But no abortion.

[David Spade]

Oh, right.

[Sam Morril]

Yeah.

[David Spade]

Anyway, let's look at a clip. We'll be right back. What a cliffhanger. So, you guys, I'm running it now. So, you know, now you guys go, I'm sorry.

[Mark Normand]

Whitney told me she might move there, and I was like, you have a palace here. You live in the greater place with a giant infinity pool. Don't leave, you psycho.

[David Spade]

I agree. I would rather just talk about moving and not move, because Tim Dillon went and came back.

[Mark Normand]

Came right back.

[David Spade]

Adam Egot is still there, but he works there.

[Mark Normand]

Yeah. So begrudgingly.

[David Spade]

Yeah. I don't know if he loves Austin in particular, but it is there.

[Mark Normand]

Yeah. It's only so many girls.

[David Spade]

Part of the. You're part of the mothership. So it's fun at least. I mean, at least there's stuff to do. Like, in my head, if California gets too tricky with all this shit going on here, I don't know where I'd go. I'm from Arizona. I like it. But there's no one in sync with any sort of showbiz. There's no. I can go on the improv, maybe, or stand up live, but where do you practice?

[Sam Morril]

You get up a lot still.

[David Spade]

I just. You know what? I didn't for such a long run. And Adam Egot, I said, he goes, you never come to a Comedy Store. I go, I've not passed. I tried when I was 21.

[Mark Normand]

No way.

[David Spade]

And Schmitz, he said, no.

[Mark Normand]

You have credits.

[Sam Morril]

Isn't it a Little silly, the whole getting past thing.

[David Spade]

I know. I never went. I never went in here again. That was. And I lived here my whole life. I just drove by it every day. And I was like, just in my head knowing, as a comedian, nope, that's not for me. And then never went to a show, never saw a show and wasn't practicing enough doing like a sitcom or a movie. I wasn't really working on my act the way I should be to keep up with everybody. And so once I realized I could go on here, and then I went on a few times in the improv, it. It made it like, oh, my act is. Has to be better. Like, right. I kind of cobbled together to do a corporate or to do something, but I was never on tour. And then I watched everyone like Nate Brigazzi hitting a pinata full of fucking bitcoins. And I'm like, wait, this guy. These guys make so much money.

[Mark Normand]

Oh, yeah.

[David Spade]

And they go on the road. But I never in my head thought, I can't take that year off off of showbiz. But. And then Alex, who handles me and Nate and Nikki and all these people that do great, he said, just try it. You can always cancel it. I'm not. I don't like to cancel even spots here. No offense to Bobby Lee, but even spots here, I don't.

[Mark Normand]

I'm with you.

[David Spade]

Sorry, Whitney, but I don't like to cancel the last second and jack them. So I don't want to cancel a tour when people get babysitters, but they're just like, if you have to move it, move it. So luckily no movie came up and I did a whole year tour. I didn't have to cancel, so I kind of liked it. It was hard. You guys do it all the time.

[Mark Normand]

I like the road, but.

[David Spade]

Yeah, the road is okay. Yeah. I'm more fragile and frail, obviously. But I did like working my act and take it more seriously and just like, really, it was scary at first. And then. Plus, if more people are coming in a theater, I never done theaters. I'd always just go, Irvine Improv.

[Mark Normand]

Right.

[David Spade]

Do a couple nights.

[Sam Morril]

But how did when you work out, like, take the hit that's special. You do hitting clubs.

[David Spade]

God, I was just doing clubs. And then I think I'd done snl, so I really never went on. Maybe once in sn in SNL in New York. I didn't know any clubs to go on.

[Mark Normand]

What?

[David Spade]

And I just was fucking there till 1am every night. So I didn't go on. And I think Chris Rock, on the weeks off would do it. Adam. Maybe on the weeks off, but I didn't. I was too obsessed with trying to get sketches on. And then after that, was a sitcom. Here, just shoot me.

[Mark Normand]

Oh, yeah.

[David Spade]

Oh, a couple people remember.

[Mark Normand]

I love.

[David Spade]

Dude.

[Sam Morril]

Great show. Great cast. Like.

[David Spade]

Yeah.

[Sam Morril]

Thank you, everyone. Wendy Malik. So funny.

[David Spade]

She's great.

[Sam Morril]

George Siegel. Holy.

[David Spade]

Yeah, it's just her birthday. She's great. So that was a luck. That was a lucky break after snl. But then I started doing Stand Up a little more. Just a couple clubs, and they offered me a special. Back then when it was, you know, an HBO special was hard to come by, but I didn't really even appreciate that much. I was like, okay, it was just one more thing. Like, yeah, yeah, let me throw together. But I had never shown any of it, so I really had enough to do it. And then in those days, you guys know you're too young. But, like, what if I was opening or middling on the road? The headliner would do about 45 to an hour, and they wouldn't change it. I'd see him a year later, it was the same. And they would just drink. Yeah, it's not a bad life. They would just travel. And then the next time they came, it's kind of a new crowd. And then.

[Mark Normand]

Right.

[David Spade]

But nothing new. And so I was not learning. I was not learning, like, hey, you gotta rotate the shit. And then I go and do that. Take the hit one, which I did like. And.

[Sam Morril]

Yeah, it's great.

[David Spade]

It was 10. I didn't think about a special again. They weren't everywhere in the Netflix sort of blew it up.

[Mark Normand]

Yeah. I think Louis changed it, too. With all that hour a year shit that really.

[David Spade]

Jesus.

[Mark Normand]

Got people writing.

[David Spade]

Yeah. And to write. I do like writing, and I think I'm a good writer. I like to try to write. And it's really just always a Rubik's Cube puzzle. To crack a joke to figure out something you like. If it fucking works, it's still the best feeling.

[Mark Normand]

But you gotta fail. I think that's why Eddie Murphy is like, I'm gonna come back. And then you're like, no, you're not. Because you're gonna have to bomb for a year and a half.

[David Spade]

I agree that it's in a new world of filming and even keeping the phones and the pouches.

[Mark Normand]

Oh, yeah.

[David Spade]

I don't have the balls to do that yet.

[Mark Normand]

It's a little expensive, too.

[David Spade]

Is it really?

[Sam Morril]

Yeah, it's pricey.

[David Spade]

Oh, it is.

[Sam Morril]

It's a pricey move.

[Mark Normand]

15 grand a show or something.

[Sam Morril]

The comedy seller just uses, like, Ziploc bag, like staples bags or something like, this is, like, pretty bad for the environment.

[David Spade]

Bank of America. It might not work.

[Sam Morril]

The best is when, you know, they're so proud of, you know, locking it up, but then the phone rings and the person can't get it open. I'm just stuck with a. An Amber alert.

[David Spade]

Everyone's got an Amber Alert at the same time. Yeah. So those guys are making at least 15 grand a show. Okay.

[Mark Normand]

Yeah.

[David Spade]

Easily spades thrown off the rest of the show.

[Mark Normand]

But you got the commercial money coming in.

[David Spade]

Oh, yeah, I just have. But I honestly, the fact that I have any money left is just because you try to do so many things and then most of them don't work. I have a sitcom in development right now, animated show, movies and all this stuff. And it all sounds good at a party when I tell everyone.

[Mark Normand]

Right?

[Sam Morril]

But it sounds good here.

[David Spade]

I actually stopped telling people about 10 years ago because I'm like, first of all, I sound like a fucking asshole. Third of all, when they say, what are you up to? It's just such a weird question. Here's the stuff.

[Mark Normand]

I know, I know.

[David Spade]

Here's my CVS receipt of things in development. But when they don't see one happen, it's such a weird business. And then now I used to want to do stand up, to do movies, to do a sitcom, and it's quietly turning into just do stand up. And these guys don't really care if they do a movie or do a sitcom. And I.

[Sam Morril]

It's true, because it's just too tiring.

[David Spade]

And it's going away. It's just too hard to get one. There's not as many. And there's actually just money in stand up. You just go and you get paid that night. We like that. Even when they give you a couple bucks to do a set and you get cashier. Yeah, Yeah, I love it. Nothing like actual money.

[Sam Morril]

Taco money. I love it.

[Mark Normand]

A guy like Bargazi, I think he would lose money if he did a movie.

[David Spade]

100 stay on the road, do arenas, people would lose. So if you can combine it a bit, take time off, you know, like.

[Sam Morril]

That'S the time you're going to take off the road anyway. You're like, I'll make a movie. I mean, right? But that's also like, I remember talking to Chris Rock once, and he was like, you know, you guys, you young guys do the road too hard, and you got to make other Stuff. And like, we can't just make other stuff, you know, it's hard. It's a different thing, you know, Like, Mark and I are trying to make a movie right now, but it's a different. It's a different. We just. I just did the thing you said at the parties. We're trying to make, but a couple things are developing.

[David Spade]

Don't worry. Me and Theo were talking about that for two years. Theo was talking about his podcast again. I go, he shouldn't talk about it. It's not happening because we wrote Doing.

[Sam Morril]

It for a year, probably. Right.

[David Spade]

Well, first of all, the hard part is writing it. So here's me and Theo trying to get in the same room and then both on the road. Our zoom here, two hours here, and then meet in LA at my house and finally get it down, then do like another pass. But even just to get to the end. And then you go, there's a lot of problems with it. But we got to the end.

[Mark Normand]

Yeah.

[David Spade]

And then you go, what if this guy did? And then you go back, listen, it's not fucking Inception. Let's not worry about that. It's two fucking morons in a movie. But you have to make it make sense. As long as it just makes sense. My argument is if it makes sense, it's just people remember if it's funny or not. So all the movies I've done, no one ever said horrible, but I did like that it all made sense. I mean, they don't even know. I don't even know what step brothers about. I don't know what Dumb and Dumber is about. I don't know what. There's movies I see. And I go, what was the pitch? Yeah, it just was funny. You just go, oh, look at fucking Google. Finally got a wake up call.

[Mark Normand]

That's true, though. Dumb and Dumber is about getting a briefcase back, but you don't even think about that, right? You're just like, oh, he's making funny noises.

[David Spade]

Oh, he's wearing funny outfit now.

[Mark Normand]

Yeah.

[David Spade]

Oh, he has to go somewhere.

[Mark Normand]

Right?

[David Spade]

Okay. And he looks ridiculous. So that's just be funny. So there's a lot of those. We were going over, going, what was that one about? Quickly. And they're like, so whatever, but this one will make sense. And then what you guys might do is same kind of thing we saw. We sort of he. It was more him said, let's. The future is not going to all these streamers right away. Let's just try to just make it.

[Mark Normand]

Yeah.

[David Spade]

And then maybe Just get it to the consumer. Because a lot of stuff is just like that. And then I go, I like the idea. I just don't know if I want to be the first one. Like, let's let someone else. Then we figure out what they did wrong.

[Mark Normand]

Yes.

[David Spade]

And then we go in and. But now we're just saying, fuck it, let's. Somebody came in and said, hey, we'll give you. There was people that wanted to give money. There was places that wanted to read it. And we were kind of going, honestly, mostly Theo, because I'm from half the old school and half the new one, and I appreciate what's going on right now versus before. And I'm kind of stuck in the old way. So are all my people, you know, around me. I have a team, like Taylor Swift. I have, like a thousand people. No, I just have one old agent that goes, what are you doing? You go to Netflix. So. But I still love Netflix, and I like all. You know, my last movie was Netflix, and so it was great. It did well, and I was so stoked. So it's hard to let that go and go, like, should we try to work it for them? But he goes, no, it'll be. Let's just do it our way. No notes. And it's kind of hard because we both are in charge. And usually you have a studio. Paramount. You know, on Tommy Boy, you have Paramount, and these are the movies. Black Sheep, Lorne Michaels, or the director is brought in. You know, on Black Sheep, we got a director that was paid more than me and Farley. So now suddenly we have a boss that we didn't really have on Tommy Boy, Right? And she's saying, I know it's funny for you guys. And you go, oh, so these are the things that you can run across, even though everyone means to do well. Studio notes, TV notes, everything is. You always hear these stories. I would just rather tune it out and say, do we have the wherewithal to do this? And then if it works, it works. If it doesn't, doesn't. But at least we did it. And then you go on from there. But it is really fun. Like a bit where it's. Like a long bit. We have to crack every code.

[Mark Normand]

Yeah.

[David Spade]

What do we wear? What are we doing? Does this make sense? Is this funny? Is this stupid?

[Mark Normand]

Well, it's bittersweet because if you're in control, you have to do all the work, and Netflix has some control. But they do all the filming, the editing, the production, they have grips and all that. I don't know how to do any of that.

[David Spade]

Exactly. That's what we're learning. And. And Theo hasn't really done anything. Anything. You don't think he's talking to Trump. He has Stand Up. That works. And he has a podcast that works really well.

[Mark Normand]

Yeah.

[David Spade]

So he's coming in with confidence. But he also knows this is scary because.

[Mark Normand]

Yes.

[David Spade]

It's so almost uncontrollable. It's too overwhelming. There's so, so many ways to fuck it up. And I like those. When they hire me for Netflix and I walk in, where does fucking spade go?

[Mark Normand]

Exactly.

[David Spade]

Put your hat on. Turn.

[Mark Normand]

It's catering. Craft service.

[David Spade]

Yeah. Even those Grown Ups movies, like, we give Adam ideas and then we just see if they show up in it because someone has to make the final call. So on that one, Adam. So I go, what if this guy did this? Or what if you said this? What if this? And then at the end of the day, you get there and you go, shut the fuck up and do it. Because it has to move along.

[Mark Normand]

Yeah.

[David Spade]

And you can't talk about it forever. You have to go, go, go. And those movies are fun. Sometimes. Like in Grown Ups, you'd huddle up after a scene and go, hey, what if Kevin James said this? And Adam would go, that's funny. Actually, you say it. Or someone would say this. And he would spread jokes around. So it would be kind of fair in a weird way. But we all think of stuff. Like if you guys are in a movie, you think of stuff the whole time.

[Mark Normand]

Yeah.

[David Spade]

And then someone. He was delegating. But we knew that because Adam's in the scene, he's right there, and it's easier than us arguing. Or, you know, you don't know. It's better to have one person pick. And sometimes it's Lauren, you're on snl and they go, lauren didn't like that. And you're like, fuck. You know, you can gripe and grouse, but the truth is someone.

[Sam Morril]

And you find that out at, like, rehearsal that he didn't like it.

[David Spade]

Is that at snl?

[Sam Morril]

Yeah.

[David Spade]

Yeah. You find it out when someone goes, lauren doesn't like you. One time they would say, lauren would pick someone each year to not like. I go, that cannot be true. Even though it seems true. Because someone would just feel like an all year. But Lauren did like me when I was there, but I just couldn't get anything on. I think Al Franken didn't really think I was hilarious.

[Sam Morril]

Which us either. He did our pod and he was like, Every joke he's like, try the veal.

[David Spade]

Oh, yeah.

[Mark Normand]

No. Yes. And nothing.

[David Spade]

I mean, listen, I give it to him because he was part of the original snl, and then I was. Sadly, I don't think he loved the new guys coming in. And it was. Of course, it was upsetting. That's how it works.

[Sam Morril]

New people. That's how shows like that, we can't just keep the same cast forever.

[David Spade]

Yeah. And I'm no genius, but, you know, don't take it out of me. Take it out on Sandler and Farley. It was too many, you know, And I think with me, he could kind of go, maybe I can keep this guy. Which.

[Mark Normand]

Oh, right.

[David Spade]

And I get along with him now, but I just thought at the time I was told someone finally went up to me and goes, dude, he doesn't like you.

[Sam Morril]

Damn.

[David Spade]

And I was like, oh, my God.

[Sam Morril]

That'S gotta feel weird because that environment's already stressful as hell.

[Mark Normand]

Yeah.

[David Spade]

And at least it. And then everything sort of clicked. And they're like. When they're picking sketches, you know, even Lauren Downey smile. Those guys liked it. He'd go, ah, come on, what are we doing here? And they go, okay. And I go, well, don't roll over. Fight for me. But there's too many people. I was just there three months ago whenever this airs. Or two weeks ago. So I was there two weeks ago, and they called me on a Friday at 1 because Dana Carvey's there. And Dana goes, I think they're gonna. They're gonna do this sketch about church lady, sort of what you guys did, like, what happened this year? And who was misbehaving? And he goes, I said, what about Hunter Biden? Because Spade always says, why don't you do Hunter Biden on the show? So he goes, do you want to come? I think they're gonna ask you. And I go, when would it be? And he goes, tomorrow's show. And I go, oh, well, I'm at McDonald's. And so what are you doing? Lauren's office called, said, you want to come out? Can you get a 3:30 flight? I go, Impossible. Not at all. It's one.

[Mark Normand]

Yeah.

[David Spade]

And the way flights work. And I turn into a neighbor God seek joke. So I went to. I went. Got in at 1 in the morning. And then I. They didn't even tell me the script. Nothing. They just said, just try to pull off some semblance of Hunter. We'll throw a wig on you and Jesus. And then Dana had seen it that night and Said we were practicing it at midnight, and it's way too long. We're just gonna chop it down. So anyway, you could get there and get cut. This is reminding my old days. Like, what if I go there?

[Mark Normand]

Yeah.

[David Spade]

And they go, it's just too long. Sorry. I'm like, sorry, what? They're like, go back home. Sorry, Al.

[Sam Morril]

Frank is in the back.

[David Spade]

Like, no, I sound like I'm trashing Al. I just. Listen, if he doesn't think I'm fine, that's okay. It just wasn't what I wanted to hear at my.

[Mark Normand]

I don't know if I'm supposed to say this, but I did a show at Gaff again. He's been doing the Tim Walls or he was election, and I was like, how cool is that? He's like, I'm losing road work. Like, I'm losing money. They pay you, like, four grand or something. This is crazy.

[David Spade]

It's cool to do, but that's. I mean, snl, like, this one was not a money thing, but it was definitely really fun to go in. Plus, we talk about it a lot. And then. And it was fun with Dana and Church Lady I always thought was funny. And so I just did. It wasn't even some huge impression, but it was. You know, you run in there, you get a wig. They're fitting. They're taping your head like, go. Go to fucking word of. Then I see all the other cast and.

[Mark Normand]

Yeah. And then just snort some fake lines.

[David Spade]

Yeah, dude. Oh, this is where you see the lines.

[Sam Morril]

Yeah.

[David Spade]

And then go to my old dressing room. Go to the bathroom. This is where I used to throw up before the show.

[Mark Normand]

Do you get back there and go, thank God I'm not in this world anymore?

[David Spade]

No. It does give me anxiety, which I wish we had that word back then. Fuck. I would say that we just didn't have it. You know, it's funny. You're a kid. You just can't blame everything on everything. You're just like, that's true. Hey, it's a scary show. It's tough. I don't feel great today. That was it.

[Mark Normand]

Everyone just drank heavily back then because they didn't know what anxiety was.

[David Spade]

Yeah. They knew how to do it or therapy or eat. Yeah.

[Mark Normand]

Yeah.

[Sam Morril]

When you do make a movie, like Tommy Boy, does that just come together by Lauren being like, you guys should make a movie? Like, what's the process?

[David Spade]

You know? Pretty lucky just being there. I wasn't even doing that much on the show. I was never. I was never in any year had, like, a huge year. It was always just chipping away at writing, trying to get in a few lines, getting in there more, you know, Farley came out of the gate great, but everyone knew it when he came in. Sandler clicked right away. Chris Rock had his whole thing when he got there. So Schneider actually did well pretty quickly, but it was very hard to just sit there on the sidelines and keep trying to get a few lines. Or I had Dana Carvey, who's great. He's too good.

[Mark Normand]

You know, he's the best.

[David Spade]

And they're like, you're gonna be here for when Dana craps out. I'm like, by the way, Dana's still doing it as of last Saturday. So I got, like, a backup quarterback, I don't think. I don't want to pull the Aaron Rodgers. Three years waiting. You're gonna be great one day. And I'm like, well. So with Farley, I'd done a little more, but it was more about around the office and making fun of him and laughing, and we just always had a good time. And he would always go, david, make fun of me. Say something about. He just thought it was so funny.

[Mark Normand]

Yeah.

[David Spade]

And so we would all obviously shit on each other. And then when Lauren said, make a movie about these two, because he had a deal at Paramount. And so for a summer movie, they're like, what do you got, Lauren? He's like, got too many good things happening. He's like, all right, I'm supposed to do a movie. They just did Wayne's World or something. Well, maybe get these two. And two of the writers, Bonnie and Terry Turner, can write out a rough idea for these two.

[Mark Normand]

So it's a good script.

[David Spade]

So they wrote. Yeah, they wrote it, and it was called Billy the Third. And a Midwestern. It's kind of funny. A little tagline. Right. And then.

[Mark Normand]

I like that.

[David Spade]

And then we were going to shoot it that summer, and Fred Wolf came in to help it and make it better. And. And then they were Sandlers doing Billy Madison.

[Mark Normand]

Ah.

[David Spade]

And so we had to change the name. We were like, oh, my God. Of all names. So his was coming out first. So Tommy Madison wasn't an option. I guess we should have thought of that.

[Sam Morril]

But Happy Madison.

[Mark Normand]

Yeah.

[David Spade]

Yeah. That came later. But I. I agree that it was. We were like, we'll change it. And then we just could not think of a name for the movie. And Brian Dennehy, I think, kept calling him Tommy Boy. And. And then when they told me Tommy.

[Mark Normand]

Boy, I go, boo.

[David Spade]

Because I Wasn't I still like the old one? And I, I just didn't know if that would be any good. It didn't sound like any movie I'd ever seen. Didn't sound like Caddyshack right now. It didn't sound as cool. But that worked out. But then the next year, they just go, do another one. This is the first time. This is how easy I thought it was. Lauren's like, okay. Tommy, always doing great. So next year, another one. Chris, you too. We're like, he's a. Yeah, yeah, boss. So we're like, fred writes Black Sheep. And then we got a director and. And then it was greenlit and it wasn't even finished. It was just like, they're going to write it and you're going to shoot it next summer. I'm like, and then you just think how hard it is to get movies in the real world, right? Because then I think the next time he goes, you want to write a Gap, Girls? I'm like, no. Even though I thought, I'll just do another one next year, whatever my choosing.

[Mark Normand]

Yeah.

[David Spade]

It was really like lightning in a bottle, window shutting, you know, you don't know. And then I leave the show and there's no point to doing any sketch ones anymore, really. And luckily got on. Just shoot me. And then luckily, whatever other shit happened. But it's, it's just. I don't know where I'm going with this. I'm just still talking.

[Mark Normand]

Well, you're at the mercy back then. You're at the mercy of like, I gotta get a gig.

[David Spade]

Yeah.

[Mark Normand]

Now I feel like you can do your own shit.

[David Spade]

Well, now I can do stand up.

[Mark Normand]

Yeah.

[David Spade]

As hard as it is, I'm fucking late in the game. Because, man, it is a beating to go.

[Mark Normand]

It is. But when it works, it's fun.

[David Spade]

Yeah. And when it works, it's great. I mean, this, the shows itself are fun. I feel like I'm doing something. You feel like you're good at something if it works. And then.

[Sam Morril]

And you got your voice so down. I mean, your voice is.

[David Spade]

I think so.

[Sam Morril]

I hear, I hear one of your jokes. I'm like, that's a spade joke.

[David Spade]

Oh, good.

[Sam Morril]

Like dry and kind of sarcastic and self deprecating. You just know a space.

[David Spade]

Stanley used to call me and he goes, hey, have you seen this comic? I go, and he goes, he's doing you. And I'm like, that's a thing you can do that. It was like, over the years, they're just doing your. I go, what Is my shit. Because you know, that's thing about lately, my stand up, I'm trying to tell more stories because stories are really the. The only way. It's your fingerprint where this is just what happened to me and my version of it and my take on it. But if you say, you know, when I used to go open or middle, I throw metal in there. Because when I got an. I was a middle and I wasn't ready to headline, then they go, you should go headline on the, on the weeks off I go and do what, 40 minutes? So how do I take 25? Google. How do I take 25 and make it for you? Yeah, you go to the crowd.

[Mark Normand]

So who was doing you, Jay Pharaoh?

[David Spade]

No, there was. I don't know was. There was. And. And one was a girl.

[Mark Normand]

Oh.

[David Spade]

So. But it was funny. Take just the idea of like, it could be something because I was always a research paper of like Kevin Nealon and Dennis Miller. Everyone. I liked Seinfeld, everyone. I saw you just start steering your style from just comedy in quotes. It's like music. When girls like, I like a guy that's funny. It's like, well, what, what kind do you like?

[Mark Normand]

Yes, exactly.

[David Spade]

Because there's so many kinds. It has to sync up. So do you like R and B? Do you like rock? So with comedy, it's like this kind I like. I started to hone it. I started to think that that was funny and then started to write. But writing, writing, part of it is tough too. But some of these, some of these stories are funny. And then if you. I did a joke I was saying when I was on the road and this, this headliner, right before I brought him up, he goes, you're going before me. And grandiose, no Jeopardy jokes, no Wheel of Fortune. He's doing my whole act. I'm like, huh? And he's like, no, this. Know this. I'm like. He goes, I do all that.

[Mark Normand]

I'm like, oh, no.

[David Spade]

Oh. In a funny coincidence, so do I. So I literally had a je. Not only I have a Jeopardy joke, I had a play school xylophone.

[Mark Normand]

Oh, geez.

[David Spade]

Yeah.

[Mark Normand]

Good time.

[David Spade]

Just lit up. And I go like this. Bing bong. Oh boy.

[Mark Normand]

That was the 70s, you know, it was a different time when I.

[David Spade]

When I. My buddy lived at Columbia and Vic Henley, this old.

[Sam Morril]

We knew Vic. Yeah.

[David Spade]

So Vic, shockingly, for being a goat roper from Alabama or wherever he's from, he wound up in Arizona. So I met him and then we lived together for a year. Wow. And he had a gacked out roommate. His roommate was so gacked out. I remember when Vic was gone, I was kind of scared of him because he was so. And he had all this cola, and he's like, you're fucking doing something tonight. And he was like, tweaking. And I'm like, you know, it's. I would love it. It's just at this juncture right now, I have to kind of go over here and do this. I just. It's like I had a whole day the next day, and he trapped me in the kitchen. And he's like, do this line. I'm like, dude, I can't. He was like, going to beat. Because I'm going to beat the shit out of you.

[Mark Normand]

Oh, up.

[David Spade]

He's all fucked up. And I was like, I did it. And then it was over. He's like, all right. Then he went and watched tv, and I'm like, no, what now? I was like, jomine, I walked around the apartment complex 3,000 times. Next day ruined. Yeah, go to sleep.

[Mark Normand]

Yeah.

[David Spade]

I was like. And it was literally anyway. So I go, this is supposed to be fun. It's not fun when you have a gun to your head.

[Mark Normand]

Right?

[David Spade]

And then immediately the fun was over for him once I did it. So I escaped my pounding, by the way. The Comedy Store basement. Little dank. Now. I didn't. I wasn't expecting miracles. I just. I'd never been down here to see where the bodies are buried. But this is just a ghost of a Poly shore handjob from 1991.

[Mark Normand]

There's so many rooms.

[David Spade]

No, this is.

[Sam Morril]

Was there pressure on your cast SNL to get fucked up? Was everyone drinking parties so much?

[David Spade]

You know, actually less.

[Mark Normand]

Plus Farleys.

[Sam Morril]

Yeah.

[David Spade]

I think Farley took it upon himself to keep the traditions going because we. It was too valuable of a job.

[Mark Normand]

Right?

[Sam Morril]

Yeah.

[David Spade]

Sandler was never a big drinker. Chris Rock, never. And it was more everyone so lasered in on the job going. Because the word around there was, you're about to get fired. And we still talk about that word even today. You can ask Sarah Sherman. Anyone there? They're like, I think I'm gonna get fired. Because you just don't know. And you're never doing quite good enough in your eyes. And you're in that bubble of the. You know, you do the show like I did last week, and then you don't know anything until you leave. And someone's like, oh, hey, I saw you then. I'm at the airport. The guy's like, oh, I saw you do Hunter Biden last night.

[Mark Normand]

You did, right.

[David Spade]

Because you forget that it goes out to the whole world and then it's on TikTok and it's on, you know, whatever, Yahoo News. So if you're there over and over, it's just like a little click. But we didn't drink. The question is, we didn't drink and get too up. Unless maybe the week's off or the after party, because we had to be. I knew I had to give every possible way to be good on that show.

[Mark Normand]

Yeah.

[David Spade]

And I was falling apart anyway because the stress of just, like, losing weight and feeling like just eating pizza all day. We didn't know what carbs were. This is. Honestly, I swear to God, I did not know what carbs were. It was just pizza. Pizza. Probably not great for you.

[Mark Normand]

Yeah, pizza.

[David Spade]

Spaghetti at night, not a water bottle in sight. You know what I mean? Like, my dad hasn't had a glass of water in 22 years.

[Mark Normand]

Yeah.

[David Spade]

There's people that do not drink water. And then you're like, you need about three gallons a day.

[Sam Morril]

It went from nothing to just. Yeah, I have to drown.

[David Spade]

Right, Exactly.

[Sam Morril]

Who were the hosts that were awesome and who sucked, like, as a human? I mean.

[Mark Normand]

Still got beef with Eddie Murphy.

[David Spade]

I don't.

[Mark Normand]

Oh, good.

[Sam Morril]

Good.

[David Spade]

I don't have to see him at the 50th.

[Mark Normand]

Come on in, Eddie.

[David Spade]

Yeah, I'd like to see Eddie do stand up again. I mean, that would be fun. But I. I think it would be hard for Eddie, like you said, to just practice. Of course, no one gave a. Back in the day. He's in New Jersey, wherever he lives and just doing clubs.

[Mark Normand]

Yeah.

[Sam Morril]

Yeah.

[David Spade]

No one knows what's going on. And now it's just too. It's too much news.

[Sam Morril]

It's. If he comes in here, it's news.

[Mark Normand]

Exactly. That phone comes out.

[Sam Morril]

Yeah. How did. At that level. How do you work out? I guess you can.

[David Spade]

Chris. I mean, everybody likes Chappelle, but Chris.

[Sam Morril]

Will pop into the cellar.

[David Spade]

Right. But it's still. Do they have to put their phones in a bag?

[Mark Normand]

Everyone does. Yeah.

[David Spade]

When Chris comes in.

[Mark Normand]

No, no, just default.

[Sam Morril]

You walk in.

[Mark Normand]

That's the new thing there. It's kind of nice.

[David Spade]

Know that.

[Mark Normand]

Come by. Love to have you say the N word.

[David Spade]

I did figure out, finally, a way to call the seller and get in. And so I was like, oh, come on. Because I was. But if you don't know anyone, I'm just gonna walk in and how dare I try to bump or something. Just shoot me.

[Mark Normand]

Great show. Throw that around.

[David Spade]

Lost and Found, Emperor's new groove. The guy Kuzco's here from Emperor's new Groovy said fucking seas part.

[Mark Normand]

Well, you never know. I mean, didn't Dana Carvey went viral online just doing a Biden? Is that where SNL plucked? Yeah, figured. That's incredible.

[David Spade]

Well, we were doing the. Our stupid podcast, and we. And we were joking that they never do Biden or show. And. And he goes, I think I kind of got a hook on Biden. And he would do a little bit. Then he had a new one. Then he's like. And furthermore. And see here. And here's the thing. And.

[Mark Normand]

Yeah.

[David Spade]

And then he started doing it and just doing that. We did that. And we talked about Fauci.

[Mark Normand]

Oh, right.

[David Spade]

And I mentioned something at the border and just that you forget that people are so used to hearing just one.

[Mark Normand]

Right.

[David Spade]

Like, I think we're supposed to talk about everything. And I just said it was something about COVID Of course. And I said I knew it was kind of a scam, because if they're letting everyone in the border and they don't give them a shot, then what am I worried about? Like, if it was so scary, legal, illegal. You have to get a shot if you're coming in.

[Mark Normand]

Right.

[David Spade]

And if they're not on my. I can't go to work. That's all I said. I go, that was something sketchy going on. And that was 6 million views in one second. I was like, oh, wow. Oh, what happened? They're like. And then half the people like you like me. What? What? What am I saying?

[Mark Normand]

Yeah.

[David Spade]

And then Dana goes. He goes. Fouchy's like, you get a shot. When you go to the airport, you get a shot. We're gonna have six shots a day, and we're gonna shoot the. Out of you.

[Mark Normand]

Yeah.

[David Spade]

Just being funny like that. But again, people flipped out. And we're like, is this really controversial to make fun of? You're supposed to make fun of everybody.

[Mark Normand]

Yeah.

[David Spade]

You can't just praise everyone.

[Mark Normand]

Right?

[David Spade]

So then he said Biden. He's like, hey, come on. And he made fun of Biden. And then we did that a few times. And then, you know, he makes fun of Trump, but no one says anything. But we make some of Biden. And we got mad. And so then we're like, we're doing both. We're doing both.

[Mark Normand]

Yeah, that's what you should do.

[Sam Morril]

I think it's good for SNL that they're doing both now.

[Mark Normand]

It Was good.

[David Spade]

Then they saw Biden. They said, why don't you come out and do it right? And he was like, oh, shit. Yeah. Because it was getting funnier. And I said, dana, we should put up a podium and just do like a little sketch about it. Yeah, it's funny, you know, you're just doing it right here, but put a wig on you or something. Anyway, they brought him out, did it. It was kind of a good, you know, way to do it. And then. And now he's doing a lot of stuff out there.

[Mark Normand]

Oh, great.

[David Spade]

Yeah. Fun again.

[Mark Normand]

Why the Internet is great? Because they would have said, no, you can put it online yourself.

[David Spade]

But, you know, they had to see that it worked. Somebody liked it. It started to work, right? Okay. It was like an audition in a weird way. They go, oh, that works.

[Mark Normand]

Yeah.

[David Spade]

And he should do Fouch. But ifau. She's not around anymore. But he does a lot of funny people. I mean, he's so good at just picking something and then grinding it down and getting it going.

[Sam Morril]

Dude, we had the VHS of Opportunity Knocks in my household.

[David Spade]

Oh, yeah.

[Sam Morril]

That was my brother's favorite movie. So we watched it probably 12 times.

[David Spade]

Yeah, he gets a lot of people that know the old movies. You know, I think after you do you got that?

[Mark Normand]

I got it.

[David Spade]

Close up of slow motion, I'm very decisive. You're hovering over it. You're like this. Then you go, I don't want to interrupt the story, but exactly. Lunar landing. Yeah. Yeah. Dana's great.

[Mark Normand]

Yeah, he's always great.

[David Spade]

I like you two turds dressed up in tuxedo.

[Mark Normand]

That's all Photoshop. It's not even a real tux.

[David Spade]

Is that real?

[Sam Morril]

It's not real.

[David Spade]

Oh, you.

[Mark Normand]

And we don't even own a tux. Tricks.

[David Spade]

One for one. You tricked me when I walked. So you go up and do spots after this or how does it work?

[Mark Normand]

I'm flying home.

[David Spade]

Oh, yeah, you guys are going home today.

[Mark Normand]

We did four last night. Four last night, but before that.

[Sam Morril]

Yeah, we were running into the ground, man.

[Mark Normand]

Worked way too hard on this.

[David Spade]

It's hard if you get someone that doesn't talk. Luckily, I'm a fucking yapper. But I. Yeah, because on ours, if people don't talk, you go, oh. And then we go. They go, you over talk. I go, well, people aren't talking. I know it's very hard to think of to ask people, right?

[Mark Normand]

It's work.

[David Spade]

Either that they don't get asked or whatever. You just want to sort of like you're at dinner. And I go, I don't care if people over talk, but it's hard to keep things moving.

[Mark Normand]

I like when people talk because it's less to do.

[David Spade]

You guys, I like. You guys are both zoned out. It's good. You guys like action? No, I cut my hair now. He looks more like me then.

[Mark Normand]

Yeah, he's got the flip.

[Sam Morril]

Yeah, he flipped.

[David Spade]

Mine's buzzed. Because in the. In Bus Boys, I might cut off all the sides and dye that top black. I'm just, like, around with it, and I just wind up with a wig. Who knows?

[Mark Normand]

Top black. You're like a famous blonde guy. Go dark.

[David Spade]

Some of the. The salt is taking over the pepper. I mean, this I just saw in the back, I thought was blonde. And someone goes, it's gray. I go, what the fuck did you say? You know who it was? Al Franken. He walked up behind me getting a little gray. That too. Geez, I can't win.

[Mark Normand]

We had him on this pod, and we were trying to be reverent and supportive. He's such a legend. And we played all his sketches, and they all died. It was brutal.

[Sam Morril]

He was laughing.

[Mark Normand]

Yeah.

[David Spade]

He'S funny. He used to write those political things on the show. I just was. I could see why we didn't a thousand percent sync up. I just. If I'm not popping off the page from the first minute I was a writer there, you see people come in, you go, I want to write for them.

[Sam Morril]

Who are the people you want to write for?

[David Spade]

Well, I mean, I could tell immediately when Adam would just have different ideas. I go, fuck. Adam really knows what he's doing. Like, different characters. Super weird idea. Smiggle would go right with him. I'm like, oh, fuck. And he also gets Smigel and Downey. And they all liked him. I think they liked me. But as you know, I'm more of like. I want to say one note because it's accurate, but it sounds bad, but it is sort of. When I was there and I liked a Bill Murray type.

[Mark Normand]

Yeah.

[David Spade]

I felt like he was always kind of Bill Murray. He wasn't super impressive.

[Mark Normand]

Not a lot of range.

[David Spade]

Yeah. So I go. I'm kind of like this. What I should have done is probably try to do Weekend Update earlier. I never wanted to.

[Sam Morril]

You kind of did that?

[David Spade]

I did something like that. And I'd go on and do it, and then I go, then it was almost too late. Because if I wasn't that concentrated and harsh, it's. It's like Nikki Glaser. Like when she did that Amazon football thing, do that. You know what I mean? Once they see something work, then everyone's like, do that.

[Mark Normand]

Exactly.

[David Spade]

You should. On so many hours.

[Sam Morril]

You should. On so many famous people. You like showbiz show and you. I mean, did. Did you have to run into people around town who would be, dude, well, everyone hates it.

[David Spade]

It's just you can't really say you don't like it because then you don't want to make an enemy of me because suddenly I'm this from Arizona who's 27 or something, and I'm like, you know, sucks. Elizabeth Taylor, you know, it's like some.

[Mark Normand]

Huge star and was like, what?

[David Spade]

And then I go, they suck. And she's looking like. Sleeps on her face every night. God damn, dude. But then they laugh and they go. So it's just basically what you say anyway around with your friends. So.

[Mark Normand]

Right.

[David Spade]

That. But that saved my job, you know, I wasn't doing enough. I did some sketches and they were fine, but not enough to be like, you have to be here. So when it. Ultimately, that bought me some time and then do a couple other things and then fucking got out and then luckily land on something because you know that cliff you can fall off leaving SNL as you know.

[Mark Normand]

Oh, yeah.

[David Spade]

I mean, you look at the reunion, we're coming up to this big 50th reunion, and they're like, here's the 900 cast member. I'm like, what? There's some that want to be on our podcast. I'm like, no idea. They go, oh, they were on for 11 seasons.

[Mark Normand]

Isn't that weird?

[David Spade]

But in fairness, we usually say, like your favorite casts, most people's is like seventh grade through college, like high school, like all the time when you're fucking thinking so funny and they're doing shit you can't believe. And it's just like, you talk to your friends about it and then you get distracted after that and you're out every night and.

[Mark Normand]

Oh, yeah.

[David Spade]

So. But there's a. There's a special place for people that have their cast they like. So people come, they go, my favorite cast is Kristen Wiig. And I'm like, of course they're still good people. And there was before or when we were there after, but they said we were horrible. And then, wow, we believed it. Then later, Will Ferrell got there and they go, no, those guys are horrible. You guys were good. And then later they're like, yeah, where's Will Ferrell? And I'm like, guys, you see what you're doing. Yeah, this happens every time. Whoever's there now is bad.

[Mark Normand]

Yeah. It's the same with generation. These kids today. Every generation says that.

[Sam Morril]

Yeah, including us.

[David Spade]

Yeah, I'm exactly what you're doing. I'm bitching about everything now.

[Mark Normand]

Well, I gotta ask. Personal question. So you used to skateboard? Yeah, I was my whole life growing up.

[David Spade]

Oh, for real?

[Mark Normand]

Yeah.

[David Spade]

Yeah.

[Mark Normand]

So I think you were in. Was it Police Academy?

[David Spade]

Yes, sir. First movie. First for the good one. Yeah. It answered the questions from 1, 2, and 3. They did seven, by the way, and they did not put me in five. And I flipped out.

[Mark Normand]

No way.

[David Spade]

I was like, what did I do so wrong?

[Mark Normand]

Well, Steve Goodberg, poor man's Bill Murray.

[David Spade]

Goody put the skibos on me.

[Mark Normand]

Really?

[David Spade]

No. There was actually an extra on Police Cabbie. And I, I, I have obviously no game. I was never famous. I couldn't. No dates in high school. Barely. I was always like a friend. And then college started. Stand up. But when I got on Police Academy, I'm kind of, you know, I have a trailer and stuff, and one of the extras was just knockout. And so I'm like, I'm in here for 10 weeks. I have nothing to do. So I asked her to go to Bob Seeger. Oh, nice fucking great concert to go to.

[Mark Normand]

Night Moves.

[Sam Morril]

Yeah.

[David Spade]

And she goes, yeah. And then I was talking to Goody at luncheon, the Goat. The two funny things were, it was raining, so I just sat in his trailer and we bullshitted to lunch. And he made my whole salary while we were sitting there. Of course, I calculated it.

[Sam Morril]

I was like, you got him back.

[David Spade]

Because he got 1.9 million on that movie. Wow. The back Then I'm like, for what? No offense. What do you do?

[Mark Normand]

He was cute.

[David Spade]

He's hot. So Gutenberg was friendly to me. And we. And then he's. I said, oh, I'm going to. I go, you want to go? He goes, oh, I love Bob. Yeah, I'll go. Let me grab some skeezer. So we, we doubled. Isn't that funny? We went to Bob Seeger.

[Mark Normand]

Oh, geez.

[David Spade]

And then my date, his date liked him, and my date liked him. And it was the first time I just saw the trade up. So clearly, because I was in the movie, I thought it was hot, right? Turns out I was cold boogers. And she was like, fuck, this guy's so great. And so she was flirting with him. Clearly. And then he didn't bite any. And he, he brought me out. I mean, if he did, he did it behind. Which is better.

[Mark Normand]

Yeah.

[David Spade]

But at the time, he's like, no, no, dude, I'm. I wouldn't do it. So. I like that.

[Mark Normand]

Can we pull up Gutenberg's dating history? I think he had quite a run. Well, him and Scott baio.

[David Spade]

Good looking. 1.9 million.

[Sam Morril]

Yeah.

[David Spade]

Fourth one. It must have gone up after that.

[Mark Normand]

Yeah.

[David Spade]

And then. Nice guy. Funny. I'd still see. I don't. I don't see much, but I just.

[Mark Normand]

Yeah. What's he doing now?

[David Spade]

But you're asking about the skateboarding.

[Mark Normand]

I. Oh, yeah.

[David Spade]

That was great. I love skateboarding. Arizona skating pools. We had a ramp in my backyard.

[Mark Normand]

Hell, yeah.

[David Spade]

Shadiest ramp. But we had pipes. We. We had desert pipes. Those are the one thing we had. No one had.

[Mark Normand]

Yeah.

[David Spade]

Mahoney.

[Mark Normand]

Mahoney. I mean, Tiffany. Amber Thiessen.

[David Spade]

Oh, really? I don't know any of these. Rumor. Jill Martin from Quincy Jones. What are these? What, these old?

[Mark Normand]

All right, maybe I was wrong.

[Sam Morril]

Elizabeth Taylor.

[David Spade]

Holy Betsy Ross.

[Mark Normand]

Maureen McCormick.

[David Spade]

Oh, you're joking.

[Mark Normand]

That's insane.

[David Spade]

That chick's AI.

[Sam Morril]

That is weird. That pops up now on Instagram.

[David Spade]

I can't just. If I could block my phone from AI.

[Sam Morril]

Yeah.

[David Spade]

And I don't know, what's. Anything. First of all, all the girls are AI. Second of all, I don't know. Well, all the UFOs right now, I think they're real. But there's drones.

[Mark Normand]

You ever crank one and you're like, oh, that was a fake woman. I've had that.

[David Spade]

I crank it. It was a drone.

[Sam Morril]

Oh, that was one of mine that bombed last night. The drone joke. I said. I said, usually when a guy from New Jersey says, what is that thing he's talking about a trans person that bombed your crowd? It wasn't our crowd.

[Mark Normand]

No, no. It was Breckin Meyer.

[David Spade]

I say. I asked and l. I was gonna say, is it true that these drones are just. Are the. The orbs are. Each of them have a cast member from the 90s. And they're just dropping them in the studio every week because we all keep showing up. Sandler was there last week.

[Mark Normand]

Oh, that's right.

[David Spade]

Chris was the host.

[Mark Normand]

Yeah, he killed that monologue.

[Sam Morril]

It was great.

[David Spade]

Now I go. I go, I got a joke for you. That's all I have so far.

[Mark Normand]

Superman can't walk.

[David Spade]

So what he says, Is that a joke?

[Mark Normand]

Yeah. What's next? Hulk gonna get the gout? Aquaman gonna drown on the tub? I know his whole act.

[David Spade]

Is that what he used to say? Hulk gonna get the gout.

[Mark Normand]

Yeah.

[Sam Morril]

I don't remember that one.

[Mark Normand]

Yeah. Christopher Reeves in a wheelchair.

[David Spade]

Has it been long enough? Can I do that? One time when I was doing Stand up at the beginning, I was. I was just at a local comedy club. I'd only been to one comedy club and seen someone. I was absolutely floored that they did an hour. I'm like, you this guy making this up? This is unreal.

[Mark Normand]

Yeah.

[David Spade]

So I go, they start these shitty comedy nights in Arizona. I told Colin Quinn, I said, this was before there was a comedy scene in Arizona. He goes, you think there's a comedy scene in Arizona? Who said that? I go, you're right. So anyway, I go to this place and then I go, oh, I was telling someone what I was going to do because it was, you know, open mic night.

[Mark Normand]

Right.

[David Spade]

And they go, that's pretty funny. Yeah, that's Billy Crystal. I was just listening to his album. And they go, oh, and where are you going to do that up there? And I go, yeah. And I go. They go, I don't think you can do that. I go, I think you're just supposed to get up and just try to be funny. Right. I had no idea.

[Mark Normand]

Wow.

[David Spade]

And I didn't do it, but I was like, I didn't know. There's no rules. No one says anything. No mic night. No one tells you one thing. But then I just go, it's funny.

[Mark Normand]

The xylophone, too. You were really.

[David Spade]

Yeah, I sort of had a hunch. I had a. I had a Wheel of Fortune. It's killer, actually. I had a Tom Petty hat. And I do. Tom Petty had a big, like, top hat, you know, and then at the end of. And then one. One time, Dennis Miller, who was my favorite. I still love Dennis.

[Mark Normand]

Okay, babe.

[David Spade]

I was opening for him one of my Glitco Spudly, and. And I was there, and I. And I was walking up front. I had. The girl was standing. There was after New Year's Eve, I had a girl standing there and I was holding it like this, waiting for the taxi. You sleep in that hat spot. I go, oh, no, this is just. He goes, oh, I know what it is. He goes, I think it's time to lose the props.

[Sam Morril]

Wow.

[David Spade]

I go, really goes. You're not a prop actor.

[Mark Normand]

All right.

[Sam Morril]

I did you a favor.

[David Spade]

He gave me two good piece of advice. Told me to lose the hat. Xylophone, obviously goes with it.

[Mark Normand]

Sure.

[David Spade]

The whole, you know, storage unit goes. The whole storage unit act?

[Mark Normand]

The whole trunk.

[David Spade]

Yeah. It was actually just a small Suitcase. And then. And I did open for him.

[Mark Normand]

And then I.

[David Spade]

It was like the. Oh, the old, like, black and white special I opened for.

[Mark Normand]

Killer special.

[Sam Morril]

Yeah, Good stuff.

[David Spade]

And then I. And then, like, a little later, I'm like, he sees me. It's something by the seashore in. In New York, not Caroline's, but maybe there's something that was on the sea. There's something seaboard. And I got. He goes, he changed your act? And I go, yeah, I wasn't doing that good on the road. And then I. And I was actually doing hackier shit in a weird way. And he goes, nah, you gotta go back to the other shit. What?

[Sam Morril]

Hand you back the hat.

[David Spade]

He goes, if you. He goes, just do the shit you're doing because that's innately from you. And he said, if it doesn't work, then you're just not cut out for it, but don't change it. I was like, fuck. And then I did it slowly came back. One last thing, and then I'll let you guys talk. Bob Goldthwaite, like, gave me a good piece. I opened for him and he said, I remember being in can, and now Oklahoma, whatever it was 3000 cedar, which is way too much even today. A club is great when it gets over 2,3000. It's just hard to manage, you know?

[Mark Normand]

Right.

[David Spade]

And so, like, we did those homes with Sandler. Yeah, they're kind of hard to manage because. Yeah, if there's a lag and then there's people talking over here and people getting up and. Anyway, it's hard to get, like, throwaway jokes. That's a lot of. My act is throwaway. And my whole act should be thrown away, obviously. So. So I go in wherever I was, and I do 3,000 seater with Bob, and I'm like, you guys watch Michael Jackson, you ever notice? And I do my dog shit, and then I'm getting screamed at, heck of the whole time. And so I feel bad backstage. And he goes, why? You know what? No, I'm kidding. He'd drop it and talk normal.

[Mark Normand]

Yeah.

[David Spade]

He goes, do you know that every bit starts with a question? I did not know that. He goes, just say it. Just say Michael Jackson's new album and do your joke because you're giving them a window. You say, you guys heard the new Michael Jackson album? And they go, no, right? And every joke started like.

[Sam Morril]

And then you got to be like, well, I'm still doing it. I'm still doing the joke.

[David Spade]

I'm doing the joke. But I don't leave Them a pause to ruin it. Yeah. So I just go, I got the new Michael Jackson album and if you notice it. And then they can't. There's no reason for them to talk.

[Sam Morril]

That's a good cutting fat, too.

[David Spade]

Yeah, cutting fat.

[Sam Morril]

Yeah.

[David Spade]

And then at the end, they just boo at the end. Which is smart. It helped me. They're like, just a whole act is a boo. And so we're not going to interrupt you the whole time. We're gonna save it.

[Mark Normand]

Right. So these Sandler shows you guys did, was that arena?

[Sam Morril]

Yeah.

[Mark Normand]

Whoa.

[Sam Morril]

We did one. We did one that was like in the. That outdoor.

[David Spade]

Was it St. Augustine, maybe?

[Sam Morril]

We did a couple.

[David Spade]

Yeah, we did. I jumped on you. Everyone's kind of jumping in and out.

[Sam Morril]

Yeah.

[David Spade]

It was good to see you there because you were. You're not normally on those. And it was fun. Super fun.

[Sam Morril]

Yeah.

[David Spade]

And it's just fun.

[Sam Morril]

Yeah. I felt a little like. I'm like, you guys all go back 30 years and I was like the only guy who wasn't a part of that. So I was like, ah.

[David Spade]

But yeah, you were like a child. We're like babysitting. No, he comes out and. And you know, Sarah Sherman came on a few hours on. You came on. Was she on that one?

[Sam Morril]

No, no, I think. I think he brings one younger person.

[David Spade]

Oh, yeah.

[Sam Morril]

And it's me or Sarah.

[David Spade]

Are you the young guy?

[Sam Morril]

I guess.

[David Spade]

Anyway.

[Mark Normand]

Compared to Schneider.

[Sam Morril]

I said younger.

[David Spade]

Thank you. Give me the Franken.

[Sam Morril]

Try the veal.

[David Spade]

No, no. But it's funny because it's really fun when he's there and everyone's there and other people are there. It's. And Bula Dan Bulla is super.

[Sam Morril]

Yeah, he's great.

[David Spade]

He's on SNL writing and he's so good at it.

[Sam Morril]

He's a killer.

[David Spade]

Really. Just a great find, you know, because he writes for those things. He writes for Sandler specials and. Good, good all around. Dude. You know they all wear suits on show night.

[Mark Normand]

All the writers.

[David Spade]

I didn't know. I didn't know that the Please don't destroy dudes are all standing there like this.

[Mark Normand]

Really?

[David Spade]

With all suits on. I'm like, what fucking shitty bit are you guys doing? We wear suits. Like, oh, wow. I went to the cast party embarrassingly like this.

[Mark Normand]

Right.

[David Spade]

I was in my three minute sketch. It's weird to be in like one thing and then.

[Mark Normand]

Right.

[David Spade]

I was never in a ton. But it's just weird to just know for sure. A you're in this and a. It's not getting Cut. But B, you're nothing else. So the energy went up and then it dies down. Because dress, it's over. And then you'll wait two hour dress and then another 45 till the show starts. Then it goes up again. And then I gotta wait the whole show. Then I go, must go to party.

[Mark Normand]

Yeah.

[David Spade]

Crawl. Must act cool.

[Mark Normand]

Yeah.

[David Spade]

Must eat free linguini.

[Mark Normand]

I remember the first party SNL party I went to. I thought the drinks were free. I was like a poor open maker. And I drink 8,000 Jack and Cokes. And they were like, that'll be $600.

[David Spade]

Oh, for real? I actually thought it was free too.

[Mark Normand]

Yeah.

[Sam Morril]

I've never been to one. I assumed it was free.

[Mark Normand]

They're fun, but it's a fancy steakhouse or.

[David Spade]

Yeah, yeah, yeah. I mean, this was like tables and booths, but they put me in the way back. It was actually too far from the action because it was like a bar area fun. Then like a few tables and cool area where I looked for where to sit. And they go, no, you're back here. And then kind of around a corner. And then you could see us. But it was like Lauren's table, me, Dana, and I think Sarah Sherman. But it was too far removed. Like, I kind of wanted to go out here and see everybody.

[Mark Normand]

Yeah.

[David Spade]

Because cast, you know, when I went there, they'd get me and go, like, all right, if Chris Rock or Schneider's here, we'll pair you up with them. You know, like, you guys get a four top table. But Mike Myers would have his full table. And it's just always. It's always that and everything, so. And then Lauren, you go up. Hey, Lauren, this isn't UFO related. Sprint it out of here.

[Sam Morril]

It was a loud.

[Mark Normand]

I remember meeting Lauren, somebody introduced me to him and he had a big. He's got a big mitt. He's got quite the paws on that guy. Pull those hands up. I mean, he's like, pull those.

[David Spade]

Lauren's hands up. It's the first Google search in history of law.

[Mark Normand]

We lost the Google guy. But yeah, Lauren is. He's a. He's like a mob boss.

[David Spade]

That guy that's printed out of here. Where do you think he went? I like your lights are so.

[Mark Normand]

He had a rub one up to Yasmin Blue.

[David Spade]

That is not Lauren's hand, is it?

[Mark Normand]

I'm telling you, look at those middle.

[Sam Morril]

That is crazy.

[Mark Normand]

It's like Joe Rogan's hand. It's crazy.

[Sam Morril]

Jesus Christ.

[Mark Normand]

Oh, he could squeeze it in turn and pop them like a Zip.

[David Spade]

He was great. We did this first show, you know, and then he's. We didn't talk too much about his hands, but he. I said, I go, mark Norman thinks you have a huge dick. He said that. I go, well, basically, your hands are big. Then he kind of went, oh, yeah.

[Mark Normand]

Well, Lauren's the man. You know, our buddy Shane Gillis got fired, you know, remember that whole thing? And he still calls him, like, to apologize probably like, once a week.

[David Spade]

Shane, I like, the shame. Went back.

[Mark Normand]

Yeah, it's fun.

[David Spade]

Why not?

[Sam Morril]

That was good.

[David Spade]

Millionaire. Yeah, why not?

[Sam Morril]

Yeah.

[David Spade]

I mean, Norm went back when he got.

[Sam Morril]

Oh, that monologue was so good. That Norm. That Norm monologue show blows. Yeah, that was great.

[David Spade]

I'm sure everyone's had. Like, this.

[Mark Normand]

Why.

[David Spade]

Why do we have this guy back worse than Shane? Norm is, like, on a mission.

[Mark Normand]

Yeah.

[David Spade]

On a mission to ruin his life and career at all times. So he's just like.

[Mark Normand]

Well, legend has it, he was in the green room with Artie Lang, and he was like, you know what? Maybe I'll just walk. Like, I'll just leave them with no host. And Artie's like, that's funny, but you'll never have a career again.

[David Spade]

Yeah.

[Mark Normand]

So he did those.

[Sam Morril]

When Artie Lang is talking sense.

[David Spade]

India.

[Mark Normand]

I love reason.

[Sam Morril]

I love Artie, but. Holy.

[David Spade]

Yeah. I haven't seen Artie in a long time.

[Sam Morril]

I know. I see, though. He's. He's the best.

[David Spade]

But same around or.

[Sam Morril]

No, not in a while.

[David Spade]

As much.

[Mark Normand]

A little bit. You see comedy class Colin every night. You see Colin Quinn always around.

[David Spade]

Oh, good.

[Sam Morril]

Oh, constantly. Yeah. Colin. It's so funny. We're running that roast set, and Colin said, you know these supportive texts, like, you're gonna kill. It's so good. Then we see a tell, and a tell goes, Yeah. I say you're, like, 70% there. We're like, will we tape tomorrow?

[David Spade]

So I literally thought it was in the future because I was. When I was fucking waiting on you assholes the other night, I was like, with my big closer. I did that with Nikki because she came in the night a couple nights before, and I go, I want to do my last joke.

[Sam Morril]

I want to hear this joke.

[David Spade]

Rock her off the hinges.

[Mark Normand]

Right? It. Al Franken hated it.

[David Spade]

It was a new joke. I was, like, so happy. And then. But Nikki. Yeah, I saw her. She watched. But then. But your guys. I thought it was, like, maybe because it's not airing. I thought it was live. No, I thought you're doing it like.

[Sam Morril]

Oh, my God, if that were live.

[David Spade]

It wasn't the Ace Theater. Right. Was it smaller?

[Mark Normand]

Smaller. It was the bellwether. It's a 300 seat Brock Club.

[Sam Morril]

And it was less people because they had, you know, the cameras. It was.

[David Spade]

It's where they have.

[Sam Morril]

It felt lighter than the Cellar. It.

[David Spade]

Baseball card. Collectible meetings.

[Mark Normand]

Yeah, exactly. Exactly.

[David Spade]

Jeff scouted it out. Was he still the roast master that day?

[Sam Morril]

Yeah.

[Mark Normand]

Oh, yeah.

[David Spade]

No one's doing that job.

[Mark Normand]

No, he's got it.

[David Spade]

I mean, he does have it cornered.

[Mark Normand]

He does, he does.

[David Spade]

Tonight we have the roastmaster. Lieutenant.

[Mark Normand]

We were the privates.

[David Spade]

Bill Squankmeyer. Is the general sick? Are you covering up? All right.

[Mark Normand]

Hey, Simon. Rex was front row. Yeah.

[David Spade]

All right. I'm gonna have to let you guys go.

[Mark Normand]

All right.

[Sam Morril]

Oh, dude, you're the best.

[David Spade]

You guys, thanks for having me. I think we all learned a lot.

[Mark Normand]

Yeah.

[David Spade]

Learned a lot. I think you guys are both hilarious. And I see you more on Instagram than in real life. But I like, always funny.

[Mark Normand]

Good relationship.

[David Spade]

Yeah, it's good. At least I see something.

[Mark Normand]

Yeah. Thanks for the comments.

[David Spade]

No, yeah, I do put comments.

[Mark Normand]

That helps. That goes. I can show my mom.

[David Spade]

I put a comment. Sometimes I just put random ones and this girl. This girl the other day just, you know, pops up in your feed. Sometimes they have a hundred thousand million likes.

[Mark Normand]

Yeah.

[David Spade]

I look at some and I go, this has five likes. How did it come across my desk? How did this get to my fucking phone? But she said, hey, guys. So I'm having an operation. I'm getting my butthole removed. And if you have any questions, just put them in the comments. I wrote, self explanatory. No further questions. It's like a million likes. Because everyone's like, what are you doing over here? I'm like, I don't know if I saw it and I had to say something and then I move on.

[Sam Morril]

And you blew it up.

[David Spade]

Yeah, I blew it up. Get some fucking attention. I felt bad for. She's getting her butthole removed.

[Mark Normand]

Yeah. How's that work?

[David Spade]

I had a million questions. Yeah, I acted like I didn't.

[Mark Normand]

Where do you poo.

[David Spade]

I go, no, I got it. You blow your nose, there's diarrhea. I get it.

[Mark Normand]

Was that the closer from last night?

[David Spade]

That's my big.

[Sam Morril]

That's a seven out of ten.

[Mark Normand]

Dude, we missed that.

[Sam Morril]

We missed it.

[Mark Normand]

I gotta text Nick.

[David Spade]

Yeah, yeah.

[Mark Normand]

How about Nikki? Geez, what a career. Golden Globes.

[David Spade]

Great. Yeah.

[Mark Normand]

Yeah.

[David Spade]

Killing gloves are exactly the one to pick because I think there's talk of her doing the Emmys. I think Golden Globes are the one that's smart.

[Mark Normand]

You're a little looser.

[David Spade]

They're gonna wait for if. If you have Ricky Gervais, then it's good, right? Because they're gonna go, at least we know this world of getting on. And everyone's, like, gonna tighten up when they walk in there.

[Mark Normand]

Oh, yeah.

[David Spade]

But I did see some of the jokes. They're great.

[Mark Normand]

They're great. She's always.

[David Spade]

I told her, slow down.

[Sam Morril]

She's made for it.

[David Spade]

You're already 90% there.

[Mark Normand]

Yeah.

[David Spade]

I should have said 70. Really? You up a little bit? You're like 70.

[Sam Morril]

Oh, yeah.

[David Spade]

And which ones was it that were not so good? You'll figure it out.

[Sam Morril]

I. I called it till after that thing last night. I was like, yeah, you made the right decision bailing on this.

[David Spade]

Oh, he didn't do it.

[Sam Morril]

Yeah. Yeah.

[Mark Normand]

They pushed hard.

[Sam Morril]

They put. They want him to be Jeff Ross's tumor.

[Mark Normand]

Oh, that would have killed.

[David Spade]

Who got that job.

[Sam Morril]

The tumor.

[David Spade]

There was no real tumor. Played the tomb. Well, I'll keep putting comments on. All right, guys. Thank you. Give me a head start. Give me a couple steps, and then.

[Mark Normand]

Get out of here.

[David Spade]

See you in the parking lot. Okay. I guess that's it. That's how we ended.

[Mark Normand]

There you go.

[David Spade]

Good to see you boys. Good to see you very much. Thanks.

[Sam Morril]

Hey, so David Spade, awesome to see him.

[Mark Normand]

Fun guest drink.

[Sam Morril]

Bodega cat whiskey. Bodega whiskey dot com. See us on the road. I'll be in Pittsburgh January 23rd through 25th. We got Charlotte, Richmond, Philly, DC, Bethlehem, all theaters coming up on the bus. Tulsa, Austin, Dallas, Houston, New Orleans, Memphis, Knoxville, Nashville, Birmingham, Georgia, Durham, New Haven, Providence, Portsmouth. Added a second. Thank you, guys. Portland, Maine, Burlington, Montreal, Toronto, Buffalo, albany. Much more samrall.com shows or go to Punchup Live Samorrel tickets or whatever. Punchup Live. Mark Norman. Find our tickets there. Mark, where you gonna be, man?

[Mark Normand]

Thank you. I will be at the Addison Improv in Dallas, Texas, and then at the Ryman in Nashville, Asheville, North Carolina, at some theater. And then I'm going to Europe and Australia, doing the whole thing. New Zealand. So check out the website.

[Sam Morril]

Where in Europe are you gonna head?

[Mark Normand]

I'm doing the big ones. I'm doing Gay Perry, then I'm doing the whole Scandinavian area.

[Sam Morril]

I got food wrecks for you. Have you performed in the Scandinavians?

[Mark Normand]

I have, yeah.

[Sam Morril]

They're so good.

[Mark Normand]

I love Norway and Stockholm and Sweden. And then I'm going to Rome, which I've never performed in Athens as well Damn Rome.

[Sam Morril]

I, I. You're gonna have to hit me with Rex.

[Mark Normand]

I will.

[Sam Morril]

You know, I was so mad I didn't hit Italy or Germany. Yeah.

[Mark Normand]

All the wrecks, but yeah.

[Sam Morril]

All right. Well, this was fun, man.

[Mark Normand]

Yeah. Spade. How about that? In the legendary Comedy Store. Thanks La.

[Sam Morril]

Thank you.

[Mark Normand]

Get some bodega and we'll see you at hell, check out the special on Netflix the roast Sunday's the day for.

[David Spade]

My next bender A bit of piva wreck, you know, the beer juice Close I've had a little too much bourbon and Norman's talking shit about the fucking punk and I get down in the same way up on the roof like a cops coming and naked Samuel is feeling dangerous I'm out to lunch here.

[Sam Morril]

In New Orleans this woman doesn't look.

[David Spade]

Like I remember her and I get down in the same way.

[Sam Morril]

We might be true.