Ep 224: Triumph & Robert Smigel

Summary

Podcast Summary: "We Might Be Drunk" – Episode 224: Triumph & Robert Smigel

Episode Information:

• Title: Ep 224: Triumph & Robert Smigel
• Release Date: March 24, 2025
• Hosts: Sam Morril and Mark Normand
• Guest: Robert Smigel
• Produced by: Gotham Production Studios, LLC

---

Introduction to the Episode

In Episode 224 of "We Might Be Drunk," hosts Sam Morril and Mark Normand welcome special guest Robert Smigel, the creative mind behind the beloved character Triumph the Insult Comic Dog. The episode delves deep into the realms of comedy, Robert's illustrious career, and the intricacies of producing humor both on stage and behind the scenes.

---

Recent Tapings and Personal Anecdotes

The conversation kicks off with Mark and Sam sharing their recent experiences traveling and performing in various venues. Mark recounts their visit to Chicago, highlighting the vibrant atmosphere and memorable interactions, including an amusing encounter with Santino, the mayor of Chicago.

Mark Normand remarks at [00:30]:

"Who’s a young kid who’s cool now?"

Sam Morril responds playfully at [00:33]:

"Dude, we’re too old to even know who's cool."

This light-hearted banter sets the tone for a night filled with humor and camaraderie.

---

Triumph the Insult Comic Dog and Charity Initiatives

A significant portion of the episode is dedicated to Triumph's role in supporting the Autism School Services Program. Robert elaborates on the inception and evolution of Triumph, emphasizing the character's impact on charity events.

At [09:10], Robert Smigel shares:

"And so now we just do it at the Beacon live. Because people get to do stand up and not have to worry about burning their act."

Robert highlights how Triumph's performances blend humor with philanthropic efforts, creating a unique platform for fundraising and awareness.

---

Behind the Scenes of Saturday Night Live

Robert Smigel offers an insider's perspective on his time at Saturday Night Live (SNL), recounting interactions with iconic figures like Al Pacino, Eddie Murphy, and Larry David. He narrates the challenges and triumphs of writing for a legendary show, shedding light on the creative processes that fuel SNL's enduring success.

Robert Smigel reflects at [16:19]:

"It's a whole new game. And so I wanted to pitch by, so."

He discusses the collaborative environment at SNL and the transformative influence of female comedians like Sherry O'Toole and Molly Shannon, who brought fresh energy and creativity to the sketches.

---

Anecdotes and Memorable Moments

Throughout the episode, Robert shares a treasure trove of anecdotes from his extensive career. From improvisational sessions with Al Pacino to humorous failed pitches and memorable party stories, listeners are treated to candid and often hilarious insights.

At [21:32], Robert Smigel amusingly recounts:

"Nobody has footage of him laughing. I saw him laugh once on the View."

These stories not only entertain but also highlight the behind-the-scenes dynamics of show business and comedy writing.

---

The Evolution of Comedy and SNL's Legacy

The discussion shifts to the evolution of comedy, particularly focusing on how SNL has adapted over the decades. Robert emphasizes the pivotal role of key performers in shaping the show's direction and maintaining its relevance.

Sam Morril inquires at [33:03]:

"What happened with Pacino?"

Robert Smigel responds thoughtfully at [46:57]:

"He's one of the most fun people I've ever worked with."

This segment underscores the importance of collaborative creativity and the enduring legacy of comedy legends.

---

Comedy Insights and Industry Reflections

Mark and Sam engage with Robert on broader comedic philosophies, exploring what makes certain sketches timeless and how comedians navigate the fine line between humor and offense. They delve into the competitive nature of the comedy world, the pressures of maintaining an edgy persona, and the balance between personal authenticity and audience expectations.

At [31:04], Sam Morril muses:

"Well, the tough thing with the angry comic is they have to stay angry about everything."

This introspection offers listeners a nuanced understanding of the challenges faced by comedians in the industry.

---

Upcoming Projects and Future Plans

As the episode draws to a close, Sam and Mark enthusiastically share their upcoming tour dates and promote "Night of Too Many Stars," a charity event featuring an impressive lineup of celebrities. Robert adds his own promotions, encouraging listeners to support autism services through their events.

Robert Smigel announces at [87:38]:

"And we're gonna go out there, we're gonna play this other team. And we will grab them and we will fuck their sisters."

This blend of humor and promotion encapsulates the show's spirit of entertaining while advocating for meaningful causes.

---

Conclusion

Episode 224 of "We Might Be Drunk" offers an engaging blend of humor, heartfelt stories, and insightful discussions, making it a must-listen for comedy enthusiasts. Through Robert Smigel's rich experiences and the hosts' witty interactions, listeners gain a deep appreciation for the art of comedy and the people who bring it to life.

---

Notable Quotes:

• Mark Normand at [00:30]: "Who’s a young kid who’s cool now?"
• Robert Smigel at [09:10]: "And so now we just do it at the Beacon live. Because people get to do stand up and not have to worry about burning their act."
• Robert Smigel at [21:32]: "Nobody has footage of him laughing. I saw him laugh once on the View."
• Sam Morril at [31:04]: "Well, the tough thing with the angry comic is they have to stay angry about everything."

---

Final Thoughts

This episode masterfully intertwines laughter with meaningful dialogue, showcasing Robert Smigel's profound influence on comedy and his enduring legacy. Whether you're a longtime fan or new to "We Might Be Drunk," Episode 224 provides a rich, entertaining, and insightful experience that celebrates the art of making people laugh.

Transcript

[Mark Normand]

Hey, look at that. What are the odds? Hey, they got a cool bar in the lobby.

[Sam Morril]

I heard it's sick.

[Mark Normand]

They don't play music, though.

[Sam Morril]

Did I just say sick twice?

[Robert Smigel]

Yeah.

[Sam Morril]

Who the do I think? I heard it's dope, bro. Dweeb. Sorry.

[Mark Normand]

All right. I'm hanging out with a Bieber. I don't have any cool kids.

[Sam Morril]

No, my asshole's fine. Well, you're the one saying it.

[Mark Normand]

Who's a young kid who's cool now?

[Sam Morril]

Who's cool?

[Mark Normand]

Like, who's the cool kid?

[Sam Morril]

Column A. I don't know.

[Mark Normand]

He's.

[Robert Smigel]

He's even 30.

[Mark Normand]

I'm talking like about 30. 19 year old cool.

[Sam Morril]

Dude, we're too old to even know who's cool.

[Mark Normand]

Wow. Yeah. I don't know. Let me call Kevin Space.

[Sam Morril]

Who's the cool kid? I know Macaulay Culkin. That kid's cool.

[Mark Normand]

So then flew to Chicago to three at the Den. Drank all. The Den is amazing.

[Sam Morril]

Dennis sick.

[Mark Normand]

Unbelievable.

[Sam Morril]

Dennis sick, dude.

[Mark Normand]

One of the great. Hella cool.

[Sam Morril]

Hella cool. No, I taped a special there for a reason. It's great.

[Mark Normand]

Yeah. I walked in, I was like, this is a perfect.

[Sam Morril]

You're repping it.

[Mark Normand]

That's right. They give me free shit. You give me anything free, I'll wear it.

[Robert Smigel]

I gotta.

[Sam Morril]

I got a turquoise blue one I wear all the time still.

[Mark Normand]

Great fit, great fluff.

[Sam Morril]

Yeah.

[Mark Normand]

Then went to bed, you know. Drank all night.

[Sam Morril]

Yeah.

[Mark Normand]

Santino. Text me, let's get a drink in Chicago. It's St. Patty's Day. I got a ginger.

[Sam Morril]

He's the mayor of Chicago.

[Mark Normand]

He's the mayor and he's a lucky Irish mick. Patio. So we hit the town and then we did Adam Ray's thing and then we drank there. Then we went to an after party and drank there. It was.

[Sam Morril]

He always is an after party.

[Mark Normand]

Always. It was a hell of a big.

[Sam Morril]

Name show up for Ray.

[Mark Normand]

Chevy Chase showed up and then it was just me and Santino. So. Not really.

[Sam Morril]

That's pretty good.

[Mark Normand]

But I don't know if I can say much because I don't know when it comes out. But Jeremiah did Barron Trump.

[Sam Morril]

Oh, yeah.

[Mark Normand]

And it was huge. He came out on a bird scooter. I mean, it was gold slick back hair.

[Sam Morril]

When I did theirs, he came out in a skateboard as you. But yeah, he asked me to do one in Dallas, but it was after like a 10 day road stretch. And I was like, dude, I'm cooked.

[Mark Normand]

Yeah.

[Sam Morril]

These long bus runs by the end you're just. There's just nothing left.

[Robert Smigel]

You guys, we have a special guest in the studio.

[Mark Normand]

Oh, really?

[Sam Morril]

Is there a camera on our special guest? Yes, sir.

[Robert Smigel]

Hello, can you hear me? Hey, look at this.

[Mark Normand]

It's Triumph the Insult Comic dog.

[Robert Smigel]

Yes, isn't that exciting, everyone?

[Mark Normand]

Hey, what? Shit. Now what accent is that?

[Robert Smigel]

Who cares? Seriously.

[Mark Normand]

Sounds Almost eastern block.

[Robert Smigel]

30 years.

[Mark Normand]

All right, I know I'm here.

[Robert Smigel]

I'm here to, you know, because the Jew up my ass isn't quite enough for you guys, you know, he's here to plug a charity event and as if that should be enough. But no, no, we need the dog. We need the 30 year old doc.

[Mark Normand]

From we love the act. What? We love the dog. What was the benefit?

[Robert Smigel]

We love you. So this is unlike the bartender we're trying to make. You know, the network called in and they said they want the show to be more like Andy Cohen's, you know, so I'm like the bartender. So the show is just like a Bravo show, only gayer now.

[Mark Normand]

Well, I'll do some hair of the dog.

[Robert Smigel]

Hair of the dog. What did it. What did it be? How about. How about Bodega Cat?

[Sam Morril]

Yeah, I love it.

[Robert Smigel]

See, I got the plug in and everything.

[Mark Normand]

Yes, nice to see a dog and a cat getting along always, you know.

[Robert Smigel]

But I'll tell you what though. I love cats, but never let a cat give you a hand job.

[Mark Normand]

Oh, really?

[Robert Smigel]

Trust me, trust me. Not my favorite beans. Not a good idea. Mark you. No, but you guys are great. You guys are great. Now I'm getting to the prepared jokes, but you guys are great. Oh, you prepared for two great comedians who definitely know which strip club has the best brunch.

[Mark Normand]

Is that a joke?

[Robert Smigel]

It's technically a joke.

[Mark Normand]

Okay, I like it.

[Robert Smigel]

Here we go. Now, Sam. I don't know. I'm a little worried about Sam. Are you angry at me or is that just your eyebrows, how they always look?

[Mark Normand]

You've already gone through two cigars. What are you, Bill Clinton?

[Robert Smigel]

Please don't start any fires with your mind until I've left. I love Sam. No, seriously, Sam. Where's the fucking other eyebrow? I got two more eyebrow jokes.

[Mark Normand]

Bring it on.

[Robert Smigel]

Holy shit. Where are they?

[Mark Normand]

You're like Kanye.

[Robert Smigel]

I know, I'm exactly like Kanye except. Oh, shit, here's the. Oh, yes. Yeah, we finished about the eyebrows, the smooth transition. Sam. So seriously, Sam, is it true that when you die your eyebrows will float away and find the next worthy host? That was worth the wait. Wasn't that worth the wait? Ladies and gentlemen, slow brow. I love this show, you guys are like if Joe Rogan traded all his money, fame, and following for a Jew fro. I'm just glad I could be here to make the episode somehow even more Jewish.

[Mark Normand]

Please.

[Robert Smigel]

Yes. You're so little. Ad now for your sponsor, the Wailing Walmart. Oh, my God. Who wrote that one? Jesus Christ.

[Mark Normand]

Is there a greeter?

[Robert Smigel]

Is there a greet that I thought Sarah Sherman was going to be on? I had six.

[Sam Morril]

She bailed on us. Hit her with a joke.

[Mark Normand]

Anyway, yeah, Sherman, you'll know.

[Robert Smigel]

Sarah's like, I love her because she's like an innovator. You know, She's. She's the first sketch comedian who wears her costume off stage.

[Sam Morril]

That's good.

[Mark Normand]

I like it.

[Robert Smigel]

Usually she looks. She's a sketch comedian who looks like she's not in a sketch when she's in a sketch.

[Mark Normand]

Right?

[Robert Smigel]

She's not in a sketch. She. Okay, you get the idea. You guys good? Is it weird, Let me ask you, is it weird interviewing a ridiculous puppet who isn't like the mayor? You see little political joke there.

[Mark Normand]

I like it.

[Robert Smigel]

I got a few left over from my appearance on Rosanna Scotto. Would you like to hear?

[Sam Morril]

Oh, yeah, let's do it.

[Mark Normand]

Who's that?

[Robert Smigel]

Oh, Rosanna. I was on Good Day New York last week. These are great. Rosanna, just which one of you wants to play Rosanna?

[Sam Morril]

I'll be Rosanna.

[Robert Smigel]

Okay, Rosanna, what the fuck is with your eyebrows? No, that's a pre written one. Just a coincidence. Seriously, Roseanne, it's so great to be on a new show on Fox that isn't just demanding that we pardon John Wilkes Booth. Rosanna, Rosanna, you're so much better. I love you, Roseanne. You're way better than Live with Kelly and Mark. Your show. Do you know how bad the show has to be for Ryan Seacrest to walk away from it?

[Mark Normand]

Good point.

[Robert Smigel]

Killed on Fox. Seriously, let me plug Night of Too many Stars because that's what the Jew is here for. It's going to be filled with amazing celebrities. Absolutely amazing.

[Mark Normand]

Who's gonna be there?

[Robert Smigel]

Oh, my God. Well, it's gonna be like the Oscars, but nobody has to pretend that they watched Amelia Perez. I've got Jon Stewart, Amy Schumer, Adam Sandler, Susie Essman, Alex Edelman, Sam Morin.

[Sam Morril]

Wow, this is really falling off.

[Robert Smigel]

Sarah Sherman. And then for the sake of diversity, Jim Gaffigan. Lot of Jews. Lot of Jews. It's a little awkward, you know, because I have a lot of Jews. We're talking about this Show. And you know, Sam is going to be on it. Mart, I would have loved to have you on it. Please, I would have done anything to have you on it, but you're not good. I can. I kid. He's great. No, no, seriously, Mark. If being. If it was in my hands, you know, it's out of my hands. I can't make you funny. If I could, I'd. In a second, I'd have you on the show.

[Mark Normand]

Thank you.

[Sam Morril]

Well, luckily, you have a great comic like Drew Barrymore on.

[Robert Smigel]

Ouch. No, she's. She's great. We're on Hollywood Squares together. We're on Hollywood Squares together. I love working with Drew, and I love to see her on Hollywood Squares because it means she's not shooting Fever Pitch, too. All right, You've been a great crowd.

[Mark Normand]

Killed it.

[Sam Morril]

That was awesome.

[Mark Normand]

Oh, heads up. Jesus Christ. Wnba. Over here, man.

[Sam Morril]

That was killer.

[Mark Normand]

Hey, well done. You still got it, Michael.

[Robert Smigel]

Oh, my God.

[Mark Normand]

So not too many stars, everybody. That's gonna be awesome at the Beacon.

[Sam Morril]

I'm pumped.

[Mark Normand]

One of the best rooms in the city.

[Sam Morril]

I have a great memory from when I did it last time, and I. I. Oh, I think I closed on a dead baby joke, which is probably not the best choice.

[Robert Smigel]

That was hilarious.

[Sam Morril]

But I got off, and I remember seeing a look of horror on Steve Buscemi's face. And then I looked over and saw a look of horror on Harvey Keitel's face.

[Robert Smigel]

You managed to horrify Harvey. Yeah. That's bad.

[Sam Morril]

Lt. I. And then I turned to my left, and I just saw Paul Rudd, and.

[Mark Normand]

He was like, hell, yeah.

[Sam Morril]

I was like, ah. Saved by Rud.

[Mark Normand]

For the record, that might have just been Bus's face. It might have.

[Robert Smigel]

Yeah, that's true. His default face.

[Mark Normand]

Yeah.

[Robert Smigel]

Appears to be.

[Sam Morril]

No, it's. It's a huge event, and it's for a great cause, so that's really cool. I don't know.

[Mark Normand]

Is it autism?

[Robert Smigel]

Really? Yeah, no, it's. It's for autism school.

[Mark Normand]

Oh, thank you for the money.

[Robert Smigel]

Autism School Services Program. Programs. And it's. You know, my wife and I started it, like, 25 years ago when everybody was just focusing on curing autism, and we couldn't get our kid into any kind of school that was. That was helping him because there's such a shortage of schools. And then we realized, like, Jesus, people who don't have dog puppets have it even harder. I. I knew everybody in comedy, and I figured, Jesus, I'd be an asshole if I didn't do. Do this.

[Mark Normand]

Hear, hear.

[Robert Smigel]

And then John. So we did one at Roseland, and I didn't know John very well. I had, like, Adam and Conan were my friends who were, like, kind of anchoring it, and I had a lot of SNL people on it, but John was on it, too. And John asked me a million questions. He just walked over to me at one point, just wanted to. He was so curious what. What it was like, what it was like for parents. And at one point, I was telling him, yeah, we're thinking of maybe trying to start a school with other parents, try to raise money. He said, I'll. I'll just. Just let me know. I'll host an event for you. And he did, and we were able to start a school. It ended up not being a great place for my son, but it helped a lot of people. And then John just went to Comedy Central, where he was doing the Daily show and said, I want to have this on Comedy Central.

[Mark Normand]

All right.

[Robert Smigel]

We. Then it became a regular thing.

[Mark Normand]

Hell, yeah.

[Robert Smigel]

Comedy Central went to.

[Mark Normand]

Yeah, yeah.

[Robert Smigel]

And so now we just do it at the Beacon live.

[Mark Normand]

Hell, yeah. Even better.

[Robert Smigel]

Even better. Because people get to do stand up and not have to worry about burning their act.

[Sam Morril]

Yeah, it was fun last time, and, yeah, it's awesome. You do it.

[Mark Normand]

Is it.

[Robert Smigel]

What are we looking at?

[Mark Normand]

Is it a telethon? Can you call in, like, Jerry Lewis?

[Robert Smigel]

No, the TV ones. We did have a phone in thing, and we would give away weird prizes, like a Tina Fey calendar where she. She posed in. I Can't Even Remember. We superimposed her body over bizarre things, and then, like, a bikini calendar. And then one year, we actually did this for people who donated over the phone. $100 or more. We gave them a DVD of the first episode of Game of Thrones with color commentary by J.B. smooth.

[Mark Normand]

Oh, that's amazing.

[Sam Morril]

That's amazing.

[Mark Normand]

Yeah, Great idea.

[Robert Smigel]

Ever since then, I've been wanting them to just do that as a TV show.

[Mark Normand]

Yeah.

[Robert Smigel]

Just their own version of Mystery Science Theater.

[Mark Normand]

Do you have to pay them to watch it? Because they got to do that, right? You actually have to do it.

[Robert Smigel]

The creators of Game of Thrones donated the rights to, like. Is that what you mean?

[Mark Normand]

No, I mean, like, do you have to pay Tracy Morgan? Like, hey, can you sit here and watch this for an hour?

[Robert Smigel]

Oh, no. He was. He's like my old SNL buddy.

[Mark Normand]

He did it for free.

[Robert Smigel]

Of course he did. I was about to imitate him, but he threw up at the nick. I hope he's doing great.

[Mark Normand]

He had food poisoning. He's fine.

[Robert Smigel]

Is that right? Yeah, poisoning.

[Mark Normand]

That's what they said on the news.

[Robert Smigel]

Oh, good. Oh, okay.

[Mark Normand]

It'll be fine because I don't know.

[Robert Smigel]

I heard he had like, a kidney transplant.

[Mark Normand]

Oh, he was eating.

[Robert Smigel]

What, he's gonna do 10 minutes on it now.

[Mark Normand]

Of course he's gonna sell out from that.

[Robert Smigel]

Yeah, he's at Conan's Mark Twain Award Sunday night.

[Mark Normand]

Is he?

[Robert Smigel]

Yes.

[Mark Normand]

Oh.

[Sam Morril]

Oh, my beautiful.

[Mark Normand]

Is he receiving or just doing it's.

[Robert Smigel]

Gonna be stealing it from Conan.

[Mark Normand]

Oh, Conan's doing it. Hell yeah.

[Robert Smigel]

Conan's getting the award. Yeah.

[Mark Normand]

It's about time.

[Sam Morril]

Yeah, he. He crushed the Oscars.

[Mark Normand]

Killed it.

[Robert Smigel]

No, it's really good timing because anybody, if anybody had any doubt of how great he was, would.

[Mark Normand]

Did you write on that?

[Robert Smigel]

I had one idea that I called in.

[Mark Normand]

Hell yeah.

[Robert Smigel]

Who was it was the section where Lithgow. No.

[Mark Normand]

The dune worm.

[Robert Smigel]

No.

[Mark Normand]

Ah, that felt like a you.

[Robert Smigel]

It felt like a me. It could have been, but no. So I had heard that they were struggling with how to handle the LA fires, you know, and there was a lot of talk going back to January, we gotta. Gotta address it. So I suggested you have firemen come on. And then they tell incredibly rude Golden Globes style jokes. That's.

[Sam Morril]

Yeah, that was great.

[Robert Smigel]

That are too offensive for Conan to tell and that they're protected because they're heroes. But I didn't write the jokes. But, but yeah, that was the idea.

[Sam Morril]

It's a good idea.

[Mark Normand]

Isn't it crazy? L. A fires, billions of dollars of damage, people lost their homes. It's all right, We've already moved on. We're like on to the next thing. No one cares anymore.

[Robert Smigel]

Yeah.

[Sam Morril]

We don't live there.

[Mark Normand]

Well, I mean, I'm just saying the country feels like it's like we've already had three fires.

[Robert Smigel]

Country's attention span is just, just laughable in general.

[Mark Normand]

Yeah.

[Robert Smigel]

If they had any attention span, global warming would be a huge thing on everybody's mind.

[Mark Normand]

Yeah, I guess so.

[Robert Smigel]

I mean, think about like a couple of summers ago. Remember when New York just had the orange sky and that.

[Mark Normand]

Oh, yeah.

[Sam Morril]

I was out of town for all those days.

[Robert Smigel]

Oh, you were.

[Sam Morril]

Whenever something bad happens in New York and I'm not here, I feel like a traitor.

[Robert Smigel]

But yeah, those Canadian wildfires.

[Mark Normand]

Yeah.

[Robert Smigel]

Spread so far that the sky was orange.

[Mark Normand]

Right.

[Robert Smigel]

And people were wearing masks again.

[Sam Morril]

Well, we raised. That's why we brought the tariff. They.

[Robert Smigel]

I thought, oh, finally. Yeah, finally people are going to give a about this because now it's affecting the east coast show.

[Mark Normand]

Well, you know who hasn't piped up is Thunberg. She hasn't said a peep about the fires.

[Robert Smigel]

She's moved on.

[Mark Normand]

What? That was her whole thing was the environment. She would take a tugboat.

[Sam Morril]

You go with the money.

[Robert Smigel]

The environment is so 2020. No, I don't know. I don't know what to say. It's like, I thought that would do it. And then they thought maybe the LA wildfires would do. Yes, but they're so brilliant at changing the subject. They made it all about the depleted fire department and the depression, and one.

[Sam Morril]

Of them was a lesbian. God damn it.

[Robert Smigel]

All these dumb side issues that, you know, just distract you from what's really going on in the world.

[Sam Morril]

This unavoidable fire happens, and then everyone's like, the fire chief's a lesbian.

[Robert Smigel]

Yeah.

[Sam Morril]

This is crazy.

[Mark Normand]

No wonder she don't know how to handle a hose.

[Robert Smigel]

Global warming. Here's the statistics. She's a lesbian now.

[Sam Morril]

There could have been things, I'm sure, done better, but. Yeah, it is hilarious that that's where, like, they. They you find to get outraged about. Right?

[Robert Smigel]

Yeah, but your point, you're right. There definitely. Things could have been done better. But what always drives me crazy is that they always turned it into an either or. Can't be both.

[Sam Morril]

Right?

[Robert Smigel]

God forbid. It's like both mental health and gun control.

[Mark Normand]

Yeah.

[Robert Smigel]

It's always like. It's not the guns, it's our mental health.

[Mark Normand]

Right.

[Robert Smigel]

We gotta get to the source. Like, by the way, how many people.

[Sam Morril]

Do you think are mentally. How many people do you think in this country are mentally ill?

[Robert Smigel]

Healthy?

[Mark Normand]

Gotta be 78%.

[Robert Smigel]

78% healthy or unhealthy.

[Mark Normand]

Yeah, I mean, we're really getting down to it.

[Robert Smigel]

But abusing. Abusing a gun, Unhealthy.

[Mark Normand]

That's probably a. Yeah, that's a 75 spectrum. But you're right, it's a nuance. Nuance is the new N word. No one wants to. It's all good or bad, black or white.

[Sam Morril]

And I love saying it.

[Mark Normand]

Exactly.

[Sam Morril]

You said you had a great Pacino story before we were on air.

[Robert Smigel]

I got a million stories.

[Sam Morril]

You'Ve written on everything.

[Robert Smigel]

Snl. Yeah, I'm very old. Very, very old and accomplished.

[Sam Morril]

What happened with Pacino?

[Robert Smigel]

Well, Pacino I got to do. If you Google Duncachino, that would you.

[Sam Morril]

That was you?

[Mark Normand]

Yeah, Duncachino.

[Robert Smigel]

People don't even know it's from Jack and Jim. Yeah, yeah.

[Mark Normand]

It's from a movie.

[Robert Smigel]

There are A lot of people who think that Al Pacino literally did a commercial for Duncan Chino the whole movie.

[Sam Morril]

You've never seen this?

[Mark Normand]

No, I've stayed away from Jack and Jill. No offense.

[Robert Smigel]

I know. I understand.

[Mark Normand]

It did great in the box office.

[Robert Smigel]

It's not Al anymore. It's Dunk.

[Sam Morril]

Dunkachino.

[Robert Smigel]

Don't mind if I do. What's my name? Duncano. It's a whole new game.

[Mark Normand]

Holy one creamy goodness.

[Robert Smigel]

I'm your friend.

[Mark Normand]

Say hello to my chocolate Glenn.

[Robert Smigel]

Attica. Who are lucky. Like this whole trial is out of sight. They pull me back in with hazelnut too. Caramel swirl. I know it was you, everyone.

[Mark Normand]

Oh, wow.

[Robert Smigel]

Can't get enough of my Duncano. Kids from 7 to 7 lining up for my Duncan Chino. What's my name? Duncino. Yeah.

[Sam Morril]

Boom.

[Robert Smigel]

There you have it. It's actually 32 seconds, so I gotta lose two seconds. Maybe you.

[Sam Morril]

How did you pitch this to Al Pacino?

[Robert Smigel]

Well, there's a whole movie about. That's the thing. It's not a real commercial. It's a whole movie about Adam Sandler's in the ad. He's. He runs an ad agency. And I think to save his job, he needs to make a big splash. So he. He had. At the same time, he has a sister, also played by Adam Sandler.

[Mark Normand]

Don't give it away.

[Robert Smigel]

Who wants to? Well, 2009, I think pretty much everyone's seen this movie.

[Mark Normand]

Spoiler alert.

[Robert Smigel]

No. So he brings his pain in the ass sister to a Laker game and Al Pacino, because he hears that Al Pacino is going to be there, and then Al Pacino is way more interested in his sister. Sister. Ah. And.

[Mark Normand]

And then there's comedy.

[Robert Smigel]

But eventually he does the Duncan Chino commercial. And then it was just put online and. And everybody. A lot of people thought it was just a real commercial and. But yes, my job on that movie. I didn't write the movie, but I. I came in to do a rewrite that was mostly just about Al Pacino's part. And then I. He asked me to work on the set whenever Al Pacino was on set.

[Mark Normand]

Oh, hell yeah.

[Robert Smigel]

So I got to, like, be. You know, I don't want to use the term babysitter because he's not a baby. He's a brilliant handler. I don't know what I was. I was Al Pacino's.

[Sam Morril]

He's not a baby. But he's still having babies, which is true.

[Robert Smigel]

But I would get calls in the middle of the night. Robert. It's ow. I had a thought about the movie. What if my guy dreams of being Don Quixote? What if Al is. The part that he's never gotten to play is Don Quixote. We'll talk about it tomorrow.

[Sam Morril]

I love that he's approaching it. Like it's dog day or something, Right?

[Mark Normand]

Yeah, right, right.

[Robert Smigel]

No, but he. Well, he was. He's, like, going for the comedy of it like that. Al Pacino has this dream of playing Don Code.

[Sam Morril]

Has he ever done a comic?

[Robert Smigel]

We actually put that in the movie. It was actually.

[Mark Normand]

Oh.

[Robert Smigel]

It turned out to be a funny idea. And he was, like, the most fun actor I've ever worked with. He.

[Mark Normand]

Whoa.

[Robert Smigel]

You would think that this would be, like, total slumming for him.

[Mark Normand]

Yeah, I'm just doing it for the.

[Robert Smigel]

Money, whatever this is. But no, he, like, he made Adam and me and another actor. I can't remember who. He would make Adam do, like, script sessions with him where we're going to read the part and then we're going to improvise and we're going to learn about the character. And we would go to his house and they would go through the lines, and then he would, like, riff, and then he would lecture us afterward. You see what happened there? You see what happened? We had. I'm sorry for the. You know, let's get Bill Hader in here. The rest of this.

[Mark Normand]

We couldn't get him.

[Robert Smigel]

No, but he. It was hysterical how. How into it he was and how much fun he was and enthusiastic he was about doing this movie. And. And at one point, we had dinner with him, and he said, it doesn't matter what the movie is. You always approach a movie as if you have a chance to win an Oscar.

[Mark Normand]

I don't know about Jack and Jill, but. Yeah, that's. That Duncan Chino. That was unreal. I can't believe he did that. What a cool dude.

[Robert Smigel]

I know. It's the kind. It was like a dream to, like, just jam every catchphrase.

[Mark Normand]

Yes. That's worth the ticket price right there at the movie theater.

[Robert Smigel]

Yeah, it's definitely, like, a really big thing on. On YouTube, that's for sure.

[Mark Normand]

Wow. That's why you want to be a writer. So just. You can make sure. Like, it.

[Robert Smigel]

He's one of the most fun people I've ever gotten to work.

[Sam Morril]

Who else was, like, on that level of fun? Who surprised you?

[Robert Smigel]

Well, that surprised me. I mean, Larry David getting to be on Curb was.

[Mark Normand]

Yeah.

[Robert Smigel]

One of the most exciting things I've ever done. My dream didn't surprise me, it was just, like, better than I ever dreamed it would be.

[Mark Normand]

Yep.

[Robert Smigel]

Because they've let you improvise, and it was an insane part they gave me where I played this.

[Mark Normand]

Oh, yeah.

[Robert Smigel]

I played a mechanic who. Oh, there he is.

[Mark Normand]

That was on the baseball team in Central Park.

[Robert Smigel]

Yes. It was like I. I was a mechanic who ran. Who sponsored the softball team, and I took it way too seriously. And like, literally I get to the set, and the director, Larry Charles, is like, can you give a pre game speech before the scene starts?

[Mark Normand]

And as Amy Schumer.

[Robert Smigel]

Yes, before she was Amy Schumer.

[Mark Normand]

Right.

[Robert Smigel]

And yeah, I got to. I had like 15 minutes to, like, think in my head what I'm gonna say, and then I. I got to do it and. And then I got to do another scene with just Larry where I got to yell at him.

[Mark Normand]

Hell, yeah.

[Robert Smigel]

And make him laugh in the middle of it. It's just a dream. I mean, I love that show so much.

[Mark Normand]

Me too.

[Robert Smigel]

Yeah.

[Mark Normand]

And this is the early. Those are the best years.

[Robert Smigel]

This is actually not. I don't know what's early. Actually not. This is 2011, the season that he did in New York City.

[Mark Normand]

Oh. Oh, really?

[Robert Smigel]

Yeah.

[Mark Normand]

Oh, I thought this was one of, like, season two or something.

[Sam Morril]

This was the season with Bill Buckner, I think.

[Mark Normand]

Yes.

[Robert Smigel]

This is the episode with Bill.

[Sam Morril]

Yeah, yeah.

[Robert Smigel]

This is the Bill Buckner episode.

[Mark Normand]

The car periscope and the what? The car periscope.

[Robert Smigel]

What is that?

[Mark Normand]

Oh, pull it up. It was one of his inventions.

[Robert Smigel]

It's in the same.

[Mark Normand]

It's in the. The New York season. Oh, but it's not episode. So we have.

[Sam Morril]

Do we have any on YouTube? Do we have the. The speech.

[Mark Normand]

Oh, Yaris, I didn't know you could act too well.

[Robert Smigel]

That's subjective.

[Mark Normand]

Thank you.

[Robert Smigel]

Oh, that's what it looks like. It's not what it's gonna be.

[Mark Normand]

We don't have to watch the whole. But what's cool about this scene is Larry goes to where he lost his virginity in New York City, and I walk by there all the time and I go, ah, there's that building that Larry David lost his virginity in. So it's fun to see.

[Robert Smigel]

Is. Is. Did the real Larry David lose.

[Mark Normand]

Yes. Yes.

[Robert Smigel]

Oh, that's beautiful.

[Mark Normand]

Oh, yeah. It was in a NoHo area. That's to lose it back in the 40s or whenever that was. So, you know, it's a different time.

[Robert Smigel]

Did I mention Susie and Jeff Garland are going to be on the show?

[Mark Normand]

Oh, nice.

[Robert Smigel]

They're going to be on together. Nice people are going to get to bid to interact with them.

[Mark Normand]

Interact with Garland. You should pay them.

[Robert Smigel]

Well. We're having Susie next to Jeff to make Jeff look normal.

[Mark Normand]

All right, all right. That helps. She's a good buffer.

[Robert Smigel]

Yeah.

[Mark Normand]

One of the first people I wrote him for.

[Robert Smigel]

We made it. We made it to the big game center stage. Every one of you all give yourselves a clap on the hand. I'm so proud of everyone. I literally giggled in the middle of. You know, I didn't know I was. Before I came out today. I think about. I'm like the Steinbrenner. And I think, what would Steinbrenner say right now? He would say that when you put on this uniform with my name on it, there is no substitute for winning.

[Mark Normand]

No substitute.

[Robert Smigel]

Or you hit the deck. So we're going to go out there, we're going to play this other team.

[Mark Normand]

And this is all off the dome. Wow.

[Robert Smigel]

With their pussy mustard yellow shit uniforms. We aren't just going to beat them. We will grab them and we will fuck their sisters. Are you listening? Bring it in. Come on. Fuck these people. Fuck these people.

[Mark Normand]

Wow.

[Sam Morril]

So you really do two voices is what you're trying to tell us.

[Robert Smigel]

You know, it's so funny because you had, like, every comedian in New York audition for parts. Like, there was just one day where Larry, Jeff and Larry Charles were just looking at everybody who was a funny actor in New York, and they had me read for a completely different part. And then Larry Charles said, oh, let him try for Yari. And I just did sort of an Israeli thing. And then I get a call from Jeff later, Jeff Garland, and he says, larry, Larry loves you and he wants you to play the part. But he says, just do the triumph voice. Whatever.

[Sam Morril]

That's awesome.

[Mark Normand]

Wow.

[Sam Morril]

Did Larry write for SNL when you were there?

[Robert Smigel]

He came for one episode he had written for snl, I think either the year or two years before I was there, like in the early 80s when Dick Eversole was the producer and he was miserable. He got almost nothing on. And that's where the story of the Seinfeld episode about pretending that he didn't quit after chewing out the boss. Yeah. And just showing up again. And then, oddly enough, I'm not going to say who did this, but there was a writer who ended up working for Larry who didn't chew out the boss, but he got fired and then still showed up. Whoa. Like the next week and everybody.

[Sam Morril]

So he pulled a Larry.

[Mark Normand]

He did, but Larry quit.

[Robert Smigel]

This was before Seinfeld.

[Sam Morril]

I think.

[Mark Normand]

Who was it, Schneider?

[Robert Smigel]

No, I can't say.

[Mark Normand]

All right.

[Robert Smigel]

But he ended up being a very successful writer. But. But not on Saturday Night Live. But Larry did do one episode. So Jerry Seinfeld hosted SNL in, like, 1991.

[Mark Normand]

Whoa.

[Robert Smigel]

And I was there, and I wrote a sketch called Stand up and Win, where Jerry is hosting the game show. The game show with all the other comedians.

[Sam Morril]

Yeah.

[Robert Smigel]

And all the questions are, like, rhetorical, like, what's the deal with peanut with airplane food or whatever.

[Mark Normand]

Yeah.

[Robert Smigel]

And then the correct answer is, I know.

[Mark Normand]

He'S a great sport about that. You can do the deal with all day long. And he's. He's never offended.

[Robert Smigel]

Yeah. And I hear. I saw in an interview where he never said, what's the deal?

[Mark Normand]

That's right.

[Robert Smigel]

In his act, he never does, but it just never said, what's that deal? Yeah. I don't know.

[Sam Morril]

But he'll say, like, what's up with this?

[Mark Normand]

Yeah.

[Robert Smigel]

Yeah. But what's the deal? Because years ago, before this sketch, I wrote a sketch with Tom Hanks and Damon Wayans.

[Sam Morril]

Dude, this one I've seen. Pull that one up, too. First for the writer's room, you're just like, what's a. What's a shitty version of a Seinfeld joke?

[Robert Smigel]

Exactly. I mean, that's like, it was inspired more by. And probably what's the Deal? Because that's where I put it in the original Tom Hanks version was because I had noticed that there were so many Seinfeld knockoffs.

[Mark Normand]

Right, right.

[Robert Smigel]

And that's really what I was parodying at the time. Less than Seinfeld himself.

[Sam Morril]

Sure.

[Robert Smigel]

So that's probably where what's the Deal came, Because there were comedians.

[Sam Morril]

But Jerry found it very funny.

[Robert Smigel]

Oh, yeah, yeah, yeah. Obviously, because he played along in this one. And Sandler and Schneider, who were both working standups at the time and intimately aware of. Of hacky.

[Mark Normand]

Oh, yeah.

[Robert Smigel]

They both helped me write this.

[Mark Normand]

Nice.

[Robert Smigel]

Yeah. And. And there's Sandler's character. After a while, he just gives the same answer over and over, which is, who are the ad wizards who came up with this one? No matter what the question was, who are the ad wizards?

[Mark Normand]

That was a huge trope in Stand Up. Who put this together? I'd love to be in the room when they came up with whatever powder or whatever.

[Robert Smigel]

Does that really ever sink in?

[Sam Morril]

That, like, you have millions and millions of people.

[Robert Smigel]

Private jokes are just things that you wrote.

[Sam Morril]

Like lines like that were private jokes.

[Robert Smigel]

Of me and my friend. Oh, that's so funny. Yeah. I hear people tell me every now and then. Yeah, I repeated. And it's a line I don't even remember to my friend for years.

[Sam Morril]

Yeah.

[Robert Smigel]

Like. Like there's a sketch I wrote where it's at a Greek restaurant and. And Rob Schneider is the lead guy. They're serving gyros. And is it about juice?

[Sam Morril]

Because this is a problem.

[Robert Smigel]

Like, it. Juice. I have that with my friends.

[Mark Normand]

Huge.

[Robert Smigel]

Yeah, that was huge. Yes, absolutely. It's big on the Internet.

[Mark Normand]

We said that in school.

[Robert Smigel]

Yeah, that's so.

[Mark Normand]

And the bears was that.

[Robert Smigel]

Well, the bears everybody talked about.

[Sam Morril]

In this climate, it's just nice to hear someone say they like the juice.

[Robert Smigel]

You're not like the Jews.

[Sam Morril]

He's just watching this, like, well, comedians must be insufferable to hang out with. This is what some people must think it's like to just be hanging out.

[Robert Smigel]

Folks, if you're watching, comedians aren't like this at all. They're just really angry and bitter and.

[Sam Morril]

They'Re a blast in their heads. Yeah.

[Mark Normand]

Somebody made an account because they do comedies in cars. Getting coffee. And it was like the poor waitresses. And it's a cut of all them trying to be funny with the waitress. You know, Larry David and Will Ferrell and all these people and the wage. Like, all right, I'm just trying to take your order. Like, stop with me. We're going to diner. Leave me alone.

[Robert Smigel]

Lewis Black guys are fun. And, like, I'm generally, like. I kind of recoil when I'm around too many comedians. I get tense. Like it feels competitive and stuff. Or. Or angry. There's. There's so much that are just so angry, and I. I just get afraid to hang out with them.

[Sam Morril]

Well, the tough thing with the angry comic is they have to stay angry about everything.

[Robert Smigel]

Yeah.

[Sam Morril]

So you're just on stage like, have you seen these fucking socks? And you're like, why are you so.

[Robert Smigel]

Mad about this socks?

[Mark Normand]

Right. I mean, Lewis Black is a candy corn chunk. And you're like, how can you be mad about candy corn? Is this real? And then how do you manufacture that?

[Robert Smigel]

Every bit sweetest guy.

[Sam Morril]

Oh, dude, he was so good on this show.

[Robert Smigel]

Oh, I bet.

[Sam Morril]

Yeah, man. We got to get him back because he said he'd drink with us the night. He didn't drink with us last night, but, yeah, we.

[Mark Normand]

He dropped a hell of an.

[Robert Smigel]

And he would finally stop shaking, I think, if he. No, he should get drunk.

[Mark Normand]

Oh, yeah, yeah.

[Robert Smigel]

He's got that thing.

[Mark Normand]

Yeah, right. He's a jiggler.

[Robert Smigel]

He's a jiggler. Is that the term? Yeah, there's a stand up term for every type of comedian.

[Sam Morril]

The nemesis of the Rizzler.

[Mark Normand]

Yeah, the jiggler.

[Robert Smigel]

That's what Sherman's got. That a funny.

[Mark Normand]

Oh, really?

[Robert Smigel]

Well, just that, that it. I mean, I think she's hysterical on Saturday night.

[Sam Morril]

Yeah, she has that so funny.

[Robert Smigel]

Very funny kind of body movement where she.

[Mark Normand]

Yeah, it's like jerky.

[Robert Smigel]

Jerky. Yeah, yeah, yeah.

[Mark Normand]

Beep. Japole. Pull up a little. Sherman jerk. Oh, wait, I don't type that in, but yeah, yeah, I like that. You know who had the best jerk was Jerry Stiller. Yeah, it's kind of a halting way of speaking.

[Robert Smigel]

Oh, yeah.

[Mark Normand]

Killed me. Yeah. Look at that. Very intentional movements. How major. Where do you buy these clothes? President.

[Sam Morril]

He would have been like, we can't.

[Robert Smigel]

Go to war with Iran because it's too expensive.

[Sam Morril]

She's jerky rifles.

[Robert Smigel]

Cuz they're too loud. What is that? Medicare for Dick is swinging around.

[Mark Normand]

It's funny how no matter how alternative or wacky you go, it still just comes back to stereotypes. You know, with comedy, it's like, it's too expensive. I'm a Jew. Whatever. It's. It's. You can go like this peak level of. Of comedic intelligence when it's just.

[Robert Smigel]

That's probably the most mainstream thing she does.

[Mark Normand]

That's. Yeah, probably. What was that?

[Sam Morril]

Were you at that big SNL thing? Oh, yeah, that was.

[Robert Smigel]

That was like a whole weekend.

[Mark Normand]

Let's hear it.

[Robert Smigel]

It's like a destination wedding or destination bar mitzvah.

[Sam Morril]

Did you write any of this stuff?

[Robert Smigel]

No, I pitched a couple of things that didn't get up.

[Sam Morril]

What do you think?

[Mark Normand]

Still getting shot down or. You're a legend.

[Robert Smigel]

I'm not. I wasn't part of the writing team, so I'm. I was just like calling Steve Higgins.

[Mark Normand]

And like, oh, you're just annoying.

[Robert Smigel]

What if we do? Well, there are a couple of things I thought of, and this is what I do. I sit at home. I'm supposed to be rewriting Leo or something. The Oscars. So I'm like, anything to not do what I'm supposed to do. Yeah. So I thought of something for Conan and they used it. But for snl, well, there are a couple of things. One thing was I thought it was really funny that Trump and Elon Musk had hosted the show.

[Mark Normand]

Oh, yeah.

[Robert Smigel]

And there were so many. You know, that's what they do. They bring back all the hosts, you know, like. And they're in the audience so there were a lot of people wondering if Trump was gonna be invited or not. I don't know if he was or not, but he obviously wasn't there. But I thought it'd be really funny for. For James Austin Johnson to either sit in the audience, you know, during the show and kind of schmooze with Keith Richards, you know, like.

[Mark Normand]

Right.

[Robert Smigel]

Or some other person who's hosted in the past, like, you know, Jeff Goldblum and like, what was it like, you know, you know, or do a thing where.

[Mark Normand]

Love the fly.

[Robert Smigel]

Or do. Yeah, exactly. Or. Or do a thing where they like a pre taped interview. Because there have been so many documentaries about SNL, it's been like examined more than World War II. And like where they interview like two previous hosts like Ariana Grande and. And I don't know, let's say who's a person? Anybody?

[Mark Normand]

Tom Hanks.

[Robert Smigel]

And Tom Hanks. And they're just talking earnestly about. Yeah, the first time I was so scared and I walked in there and, you know, that would be. I was like, you know, Lorne Michaels had begged me for years to do the show and I was like, is everybody going to be as funny as me? I was worried, you know, for.

[Mark Normand]

Were you there for that episode?

[Robert Smigel]

I was there for the Trump first episode. Not the controversial one. Oh, yeah, 2016 or 2015, but in 25. 25. He was the host of the Apprentice. And everybody loved him back then.

[Mark Normand]

Sure, I watched it.

[Robert Smigel]

Yeah. And he hosted. And I actually had a cartoon in the show that required Trump to do a voiceover. So we actually came into the booth and did this voiceover for me and then the cartoon got cut. But it was a cartoon. I don't know. There was a little commercial within the cartoon about the Trump Cartoon Network and he was going to make the Flintstones live in a luxurious prehistoric high rise. You know, I don't know. He was like redoing every cartoon so that it was luxurious. I don't remember anything else about. You can't find it because it was.

[Mark Normand]

Cut like the Flintstones house. But he makes it better.

[Robert Smigel]

The most luxurious, beautiful caveman. All the other cavemen are scared and intimidated.

[Mark Normand]

Was he cool with it?

[Robert Smigel]

And Popeye now has. I can't. I can't remember.

[Sam Morril]

Could he laugh at himself himself back then?

[Robert Smigel]

Yeah, yeah, he could. I mean, he read it. Yeah. And he was very polite and.

[Mark Normand]

Ah.

[Robert Smigel]

And you know, you never see him laugh.

[Mark Normand]

No one has footage of him laughing.

[Robert Smigel]

I've seen him laugh once.

[Mark Normand]

Okay.

[Robert Smigel]

It was on the View.

[Sam Morril]

It Was a baby in a cage and.

[Robert Smigel]

No, it was the time. This is a very famous quote.

[Mark Normand]

Pull it up.

[Robert Smigel]

So he's on the View and he says he.

[Mark Normand]

Is this. When they're blowing him because they used to love him.

[Robert Smigel]

No, everyone blew him back then.

[Mark Normand]

Colbert, everybody.

[Robert Smigel]

No, he. He was on the View with Ivanka.

[Mark Normand]

Okay.

[Robert Smigel]

And they're just, you know, being interviewed together. I don't remember why. Probably because she was on the Apprentice with him.

[Mark Normand]

Ex wife.

[Robert Smigel]

And at one point he says, isn't she beautiful? You know, he's always, like, objectifying her right in front of her.

[Mark Normand]

Yeah.

[Robert Smigel]

Can you believe these tits? My daughter, you know.

[Mark Normand]

Sorry.

[Robert Smigel]

I mean, have you ever seen tits like this? And can you imagine how tight a pussy must be? It was never that bad. Bad. Never that bad. But he's. Oh, yeah, yeah, this is it. He's.

[Mark Normand]

Oh, the old View. Yeah.

[Robert Smigel]

He says, I'd be dating her if she wasn't my daughter.

[Mark Normand]

She is a trick.

[Robert Smigel]

Oh, it's so weird. Stop. No, keep going. Oh, no. So right after that, she. If Joy Behar says, you know, what are you, Woody Allen? Something like that.

[Mark Normand]

Solid line. Yeah.

[Robert Smigel]

And Trump laughs his ass.

[Sam Morril]

Really?

[Mark Normand]

Oh, we gotta find that. I gotta see.

[Robert Smigel]

It's like a longer version of. Of the same clip.

[Mark Normand]

Wow.

[Sam Morril]

Well, the fact that he laughed at. That's probably a good sign.

[Robert Smigel]

Yeah.

[Mark Normand]

Oh, yeah.

[Sam Morril]

It's way worse to be insulted by that.

[Mark Normand]

Right?

[Robert Smigel]

Exactly. That's a very good point. Here's a clip where it says, this.

[Sam Morril]

Is his real laugh from a clip from the Apprentice.

[Robert Smigel]

Okay.

[Mark Normand]

Ah, that's a chuckle. I need a laugh. Yeah, that's a. Hehe.

[Robert Smigel]

He laughs his ass off. All right, Behar's line.

[Mark Normand]

We got that. We can do this again. We'll go to Norm on the View talking about how clean.

[Sam Morril]

Oh, that was a funny one.

[Mark Normand]

So good.

[Robert Smigel]

What Norm? Norm on the View. Oh. When he accuses Hillary of murdering.

[Mark Normand]

I thought it was a. A matter of public record.

[Robert Smigel]

Yeah. People murder. Yeah. Everybody knows.

[Mark Normand]

Pretty damn good.

[Robert Smigel]

Oh, yeah. I did a thing once on. I was a guest on Seth Meyers, and I wanted to do this bit where I imitated Norm, but it was. I don't know, they were afraid the audience would find it too dark. It seems to be scrubbed.

[Sam Morril]

I cannot find.

[Mark Normand]

Oh, interesting power right there. Yeah.

[Robert Smigel]

Okay, it's gonna cut off again. That's it. Oh, it's gonna cut off.

[Mark Normand]

Yeah.

[Robert Smigel]

20 seconds.

[Mark Normand]

Yeah, it's not gonna make it.

[Robert Smigel]

It's not. There you go. See? And he. That's the hardest.

[Mark Normand]

And he Gave her props. He's, like.

[Robert Smigel]

Very personable. That was his. I mean, that's. That's why he's who he is.

[Mark Normand]

Damn.

[Robert Smigel]

I think he. I give him credit for, like, changing politics because I covered.

[Mark Normand]

Sure.

[Robert Smigel]

So when I was doing. In 2016, I did a whole series of political specials as Triumph. Covering. Covering the primaries first. And so I went to Iowa and New Hampshire, and I went to, like, Ted Cruz and Jeb Bush, and. And they're all doing these, you know, rote kind of speeches. No matter, you know, how many times I would see them, they're doing the same prepared shit. And to the point where I did one remote where I was, like, going to every Ted Cruz pit stop, and by the third one, I was reciting the speech, like, down to the pauses next to people who were listening. As Triumph. I'm, like, literally repeating the speech verbatim as he's saying it. But Trump was like, this guy who's just like, how's everybody doing? And he's just like Regis Philbin.

[Mark Normand]

Right.

[Robert Smigel]

He's literally just your friend. He's like, isn't this great? We're gonna get everybody together. And. Oh, and did. Did I tell you what happened last night? I was with Arnold Palmer, and, you know, he's got a huge dick, as everyone knows, but. And he's just so conversational, and he made the audience feel like they were all in on this movement.

[Mark Normand]

Yeah.

[Robert Smigel]

In. In a completely different way than all these other guys doing the. Trying to be Obama. We are going to. Together. We will. Bloody blue.

[Mark Normand]

Yeah.

[Robert Smigel]

You know, and it makes a huge difference. And I feel like. I feel like that's had a really positive. That's the one thing he did that's had a positive impact on Right. Politics. I feel like more people are trying to really communicate as.

[Sam Morril]

Yeah, except Democrats won't go on podcasts.

[Robert Smigel]

Yeah.

[Mark Normand]

What's up with that?

[Robert Smigel]

Oh, well, whatever happened with that? Because then there was, like, he said, she said, where Kamala claimed that she did want to go on the podcast, and Rogan, she went on call her.

[Sam Morril]

Daddy, and that's it.

[Robert Smigel]

No, I know, but she created. She was claiming that Rogan created an excuse.

[Mark Normand]

He wanted her idea, and he was. He said she gave him a lot of parameters.

[Robert Smigel]

I heard that, but I don't know.

[Mark Normand]

Yeah.

[Robert Smigel]

About later. I don't know if they're just trying to cover their ass.

[Mark Normand]

I think so.

[Robert Smigel]

Yeah. I mean, in general, Trump's just way ahead of the curve in terms of how to. How to break through as a communicator. As an entertainer, too, as president, he's basically. I mean, when he, when he was. He was doing rallies. When he was president, like almost every week he would just be doing rallies. Like.

[Mark Normand]

Yeah, it was like a stand up act.

[Robert Smigel]

Like, whether Biden. Whether you think Biden was successful or not, he was horrible at making the case that things were going well.

[Sam Morril]

He was, he was hiding.

[Robert Smigel]

Yeah, Hiding and. Yeah.

[Mark Normand]

I don't know, falling off bikes.

[Robert Smigel]

It's so confusing because, like, I saw him be interviewed on Conan's podcast and he was really. He seemed really sharp.

[Mark Normand]

Biden. Yeah, he did Conan's pod.

[Robert Smigel]

He did Conan's pod. Jimmy Kimmel. And he was really sharp on that. And I was like, why are people saying he's seen all this is like the late, late 2023. And then I, I don't know. I think he must have declined or something, which is eminently possible. Or. Or he just has bad days.

[Sam Morril]

All it takes is a bad day, right? I mean, yeah, that one debate was. Was rough.

[Mark Normand]

He had a couple bad days.

[Sam Morril]

Yeah.

[Robert Smigel]

Yeah. But most of them were hidden, I guess.

[Mark Normand]

Yeah. Yeah, I think so.

[Robert Smigel]

Yeah. I don't know. Someone said that was the genius of Trump's insults, is that you'll eventually live up to it.

[Mark Normand]

Ooh.

[Sam Morril]

So if he's like, sleepy Biden this, that, and like, there'll be a day.

[Robert Smigel]

Where you fuck up and you're sleepy or like, you get something or you stumble. Sleepy Joe. Yeah.

[Sam Morril]

Eventually Ron DeSantis is like, I need a fucking sandwich right into my plan.

[Mark Normand]

Remember Trump did the marriage reflect. Remember that show? That Seinfeld? Yeah, Trump did that.

[Sam Morril]

Who's he on?

[Robert Smigel]

Papa was the host.

[Mark Normand]

I think Adam Carolla was the other guest. And maybe Madonna.

[Robert Smigel]

Trump and. And Melania were on.

[Mark Normand]

No, no, it was like a panel.

[Robert Smigel]

Show giving advice on marriage.

[Mark Normand]

Yes.

[Robert Smigel]

What you want to do is get a prenup. But I also believe you learn something from. You're very helpful. People can learn a lot about their own marriage and maybe that's a good thing. And don't do what I did. Whatever that. You know, just listen to my advice and do the opposite. You learn a lot. You.

[Sam Morril]

Did you work with other presidents?

[Robert Smigel]

Did I. Yeah, I got to do. I wouldn't call it working with more than working at. So in 1995, you know, like when Conan started or even the whole late night show on NBC, they did this bit where Conan would interview celebrities and it was a photograph and they would cut the lips out and the lips would like. Oh, I would do Bill Clinton and Arnold Schwarzenegger and Trump a couple of times and Bob Dole and everybody. Basically, I did Bill Cosby. I did a million people on that show. But yes. So Bill Clinton was the most popular thing I did in the early 90s. And Conan got invited to host the White House Correspondents Dinner and he got to speak. Sorry, that's just a text. Somebody has the Bill Cosby joke.

[Mark Normand]

No, Jack and Jill.

[Robert Smigel]

I remember that one. So Conan, they wanted Conan to not just speak, but interview Bill Clinton in front of Bill Clinton. So it was a pretty trippy experience getting to imitate the president right in the same room. Right in front of him was Clinton.

[Sam Morril]

Yeah. Is there footage of this?

[Robert Smigel]

Maybe on C Span? Oh, he laughed like a donkey.

[Mark Normand]

Really?

[Robert Smigel]

Yeah. And I don't know if to this day, I don't know if he was being sincere.

[Sam Morril]

You can only say that about a white president, by the way.

[Robert Smigel]

Sorry.

[Mark Normand]

That's true.

[Robert Smigel]

Yeah, that's true. Back then, I did a lot of black people on the show.

[Mark Normand]

Did you?

[Robert Smigel]

Oh, yeah, I did. Don King.

[Mark Normand]

Oh, hell yeah.

[Robert Smigel]

Only in America, the whole thing, it was one of the most popular ones. I did.

[Sam Morril]

What? Yeah. Is it there or.

[Robert Smigel]

No, no, that's just Bill Clinton on. Oh, that's just a typical Bill Clinton bit. Yeah. Yeah. You seem pretty. You seem pretty upbeat given what's going on right now. Oh, yeah. Oh, yeah, I'm upbeat, man. Yeah. Nothing. Nothing gonna bring me down. Yeah. It's Christmas time at the White House. Yeah, Christmas time.

[Mark Normand]

Like 70s.

[Robert Smigel]

That's right. Well, a very merry Christmas to you too, sir. This is the Monica Lewinsky scandal, I guess.

[Mark Normand]

My favorite president, I'd say. Well, what do you think? Got a favorite?

[Robert Smigel]

Eisenhower. I don't know.

[Sam Morril]

I'm a big Lincoln, man.

[Robert Smigel]

He's aged well. Eisenhower hour. Of course. Lincoln.

[Sam Morril]

What?

[Robert Smigel]

So Clinton. So I did Clinton in front of Clinton.

[Mark Normand]

Yep.

[Robert Smigel]

And he's laughing like a. He's. He hawing. He's. And I don't know if he's laughing to show what a good sport he is or if he was really thought it was funny. Maybe, but Hillary was there, too.

[Mark Normand]

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[Robert Smigel]

And Hillary, you know, angry. A little more serious person than Bill Clinton.

[Mark Normand]

That's what I hear.

[Robert Smigel]

And we made it a point not to do any like dick suck jokes. Dick suck jokes, Jennifer Flowers, any of that. We're going to do any poon dog hound jokes. Yeah. Because it was. It would be rude to do it in front of his wife. So we didn't do that.

[Mark Normand]

But what's left?

[Robert Smigel]

Well, there was, you know, getting high and stuff like that.

[Mark Normand]

And saxophone.

[Robert Smigel]

There was. Yeah, there was. I mean, we made a joke out of the fact that this was on C Span. So I had Clinton start confessing things like I inhaled. Yeah. And it's all killing because he's like, nobody's watching it. C Span. It's like a tree in the forest.

[Mark Normand]

That's cool that he did it though.

[Robert Smigel]

It is. No, and. But then at one Point. I did this joke and Conan and I debated whether to do it or not. And all it was was like, he's just making more confessions. And he's like, me and Willie Nelson got high on the roof of the Kremlin naked. And, you know, and I don't even remember what. What the joke was, but he's just taking it too far. And Hillary just dropped her head.

[Mark Normand]

Wow.

[Robert Smigel]

Oh, and Dick cavs.

[Sam Morril]

You did that more. Maybe he wouldn't have done what he.

[Robert Smigel]

Maybe so. Ladies and gentle. Wish I had said that back then. That would have really brought the room down. Hey, Hillary, why aren't you laughing? What the hell? You're dropping your head for the first time.

[Sam Morril]

I love rocks a bit. Hillary put the whole country at risk. I know what kind of man you have.

[Mark Normand]

Weed smoking fornicator.

[Robert Smigel]

That's right.

[Mark Normand]

It was a great bit. Great.

[Robert Smigel]

Bit brilliant. But he. So Dick Cavett's in the audience. You know who that is?

[Mark Normand]

Sure, sure. The first podcast dude.

[Sam Morril]

His old Orson Welles interviews are maybe my favorite.

[Robert Smigel]

All his interviews on that AB show he did, Everybody.

[Mark Normand]

Groucho, John Lennon.

[Sam Morril]

There's an. There's an amazing interview with him. And it's. God, it's Peter Falk. John Cassavetes.

[Robert Smigel]

Yes. They're all drunk and they're all fucking hammered.

[Sam Morril]

45 straight minutes. He just has to roll. And he's such a pro. He's just rolling with them. Who's the third? Ben Gazzara.

[Robert Smigel]

And they're the craziest.

[Sam Morril]

And they're all fucking.

[Robert Smigel]

Yeah, they're completely gone.

[Sam Morril]

And they're not. Not at all charming. They're just like, annoyingly.

[Robert Smigel]

I don't know. To me they were charming because. Did you ever see the movie Husbands?

[Sam Morril]

I didn't see this one.

[Robert Smigel]

It's an amazing movie.

[Sam Morril]

Yeah.

[Robert Smigel]

Cassavetes is one of the great films.

[Sam Morril]

He's great.

[Mark Normand]

Bach looks good.

[Robert Smigel]

Peter Falk, the in laws is one of my favorite.

[Sam Morril]

I love.

[Mark Normand]

He's still drinking on the right.

[Robert Smigel]

He's done it all and it's over.

[Sam Morril]

Would you like to nominate.

[Mark Normand]

Nominate one who speaks like protector.

[Sam Morril]

It's charming at first, but like 30 minutes in, you're like, what the.

[Mark Normand]

Yeah.

[Robert Smigel]

No, it. It. To me, it was fascinating. This is the television I want to see where everything goes wrong.

[Sam Morril]

Yeah.

[Robert Smigel]

Too many. Too much. Television is like, yeah, that was nice. And we all love each other, but.

[Sam Morril]

By the way, Fallon is like doing like lipstick karaoke or whatever. Meanwhile, these guys come out, they show up in a blackout.

[Mark Normand]

Hell yeah.

[Sam Morril]

And they air the whole thing.

[Robert Smigel]

Basically. It's amazing.

[Mark Normand]

There's been a few drunks on Letterman back in the day.

[Robert Smigel]

Oh, Rubbing Glover.

[Mark Normand]

Oh, that was pulling up.

[Sam Morril]

That was a.

[Robert Smigel]

That's a classic.

[Mark Normand]

Who a Barrymore? Yeah.

[Sam Morril]

Watch the Tarantino one on Leno where he was bombed.

[Mark Normand]

He was wrecked. Oh, we got to get him on.

[Robert Smigel]

But Dick Havoc said to Conan, after the. After the Clinton bit, he said, hillary. Hillary's face changed from Dr. Jekyll to Mr. Hyde. And the whole room saw it, and we lost the audience.

[Mark Normand]

Oh, wow.

[Robert Smigel]

Because they're taking their cue from President and his wife. And Hillary just was like this. And. And we lost the audience. And we had, like, another two minutes or three minutes to go. Yeah. Like Jimmy Carter coming in. And it was like, do we cut bait?

[Mark Normand]

What about Chris Farley on C Span? That was a classic. Remember when he did Newt Gingrich?

[Robert Smigel]

Oh, yeah, yeah, yeah.

[Mark Normand]

It's like Charles Manson.

[Sam Morril]

What drugs is he on here?

[Robert Smigel]

He claimed that he was in character, that he was like. He was making a movie and he was trying to stay in character.

[Mark Normand]

What about Joaquin Phoenix? Remember he had that.

[Robert Smigel]

Oh, that was brilliant. Was that he was in character doing that for his documentary. And then Letterman had the classic line, well, I'm sorry you couldn't make it tonight.

[Mark Normand]

Solid. Solid. This is back when we watched tv.

[Robert Smigel]

Exactly. I feel like when Letterman ended, that was the end of watching tv.

[Mark Normand]

Conan had a run before that once.

[Robert Smigel]

He was on tbs. He did brilliant stuff. But people don't.

[Sam Morril]

But it was online.

[Robert Smigel]

Yeah, people watch it online, which no.

[Sam Morril]

One watched that show live. You do. You stand up there, and you'd be lucky if you got one tweet.

[Robert Smigel]

Exactly, exactly. But we didn't know that at the time. But it turned out that Conan ended up building this amazing online presence, and that's how everybody watches everything now. I know nobody stays up to watch any of this shit.

[Mark Normand]

No, this is live, and no one's catching it. Wouldn't that be weird?

[Sam Morril]

Well, who. Other people you work with on SNL that were like. Like crazy.

[Mark Normand]

Did you work with Elon?

[Robert Smigel]

I did not work with Elon, but, yeah, that was something I pitched. So the Elon Musk thing. Yeah, I wanted the. I wanted to pitch that. And then the other thing I wanted to pitch was a song about Lorne Michaels. Because I have this sick desire going back to when I started at snl, to always poke the bear.

[Mark Normand]

Sure. Comedians do.

[Robert Smigel]

Yeah. So, like, I mean, when I did the SNL cartoons, I always started with Lorne Michaels chasing a. Like, a little dog. Came and tore the logo of the show away.

[Mark Normand]

Oh, yeah.

[Robert Smigel]

Revealing TV funhouse and Lorne Michaels cartoon. It's like, come back here with my show.

[Mark Normand]

Oh, yeah.

[Robert Smigel]

And so I wanted to pitch by, so. And I was one of the first people who impersonated Lauren. Me and Dana Carvey.

[Mark Normand]

Yeah.

[Robert Smigel]

And then it just spread over the years. And now I'm told that everyone at the show impersonates Lauren.

[Sam Morril]

Is there truth. Is there truth to the fact that. That Mike Myers and Dana Carvey had a falling out because Dr.

[Robert Smigel]

Evil, supposedly there was like. It was a real falling out. But I think Dana has said on. In interviews that he was a little upset that because the pinky. I remember distinctly Dana Carvey. Part of his impression of Lauren was Lauren looking at the board. Imagine these are all just sketches that are, you know, and he's contemplating the running order, just like.

[Mark Normand]

Whitney.

[Robert Smigel]

What do you think? What do you think?

[Mark Normand]

Right, right.

[Robert Smigel]

If we move Act 2, 2, Act 3.

[Mark Normand]

Yeah.

[Robert Smigel]

And so I think that was the thing that may have gotten Dana is just that he used the pinky and never like, just called Dana and said something like, hey, I'm gonna use the pinky. I'm doing Lauren.

[Sam Morril]

It is crazy if you feel like someone.

[Robert Smigel]

Your pinky.

[Mark Normand]

Right.

[Sam Morril]

Or someone kind of takes an impression you do and makes it huge. I could see that he could have.

[Robert Smigel]

Done a different voice and it still would have been. I mean, those Austin Powers movies were so amazing.

[Mark Normand]

Theater he was like.

[Sam Morril]

The first one especially was incredible.

[Mark Normand]

Yeah.

[Robert Smigel]

One's amazing too.

[Sam Morril]

Got great moments, for sure.

[Mark Normand]

I heard he's difficult.

[Robert Smigel]

Mike Myers, you know what he. I mean, I've heard I'm difficult at times. It's like people who. I could see difficult. I could see hated. I could see not.

[Sam Morril]

Do you get along well with Mike?

[Robert Smigel]

I actually saw Mike at the. At the week over that weekend. And I. I don't know if this is. It's very weird. So I go up to Mike at this. There was like a. There was like a Friday night thing at Radio City with all the musicians. And then there was a toast to Lorne Michaels on Saturday night in the Rainbow Room that only the fancy people got invited to. And I got in and I was very flattered that they included me. But I mean, I did work there 20 years and Mike was there. And I just looked at him and I said, you. Have you ever thought that you could play Elon Musk on the show? Like, Dana did like a 3 second impression in December or in November after the election. And he on it Publicly.

[Mark Normand]

Oh, pulling that up.

[Robert Smigel]

Mike's was.

[Sam Morril]

Then Mike took it again, and we flew with it.

[Robert Smigel]

Much more broad and Mike looks much more like him.

[Sam Morril]

Yeah.

[Mark Normand]

Oh, it's just like Dr. Evil all over again.

[Robert Smigel]

Dana didn't. Dana did it reluctantly.

[Mark Normand]

Wow.

[Robert Smigel]

So I don't know if. But. But there was like a week later. Were you close? Literally later. He's. Mike is doing. I'm very close with Dana Carvey. He's one of my best friends.

[Mark Normand]

He's funny.

[Sam Morril]

We want him on the pod. We're big fans.

[Mark Normand]

One of the funniest people on the planet.

[Sam Morril]

We had Spade. We got to get Carvey, man.

[Robert Smigel]

Oh, yeah, Carvey's.

[Sam Morril]

I think he's. I think he's one of the best.

[Mark Normand]

Oh, yeah.

[Robert Smigel]

He's in a lot of people's top five. If you were to make a top.

[Sam Morril]

Five, I think it's hard to leave him out of your top five.

[Mark Normand]

Let's do top five each.

[Sam Morril]

It's hard, right?

[Mark Normand]

Make this episode interesting. Come on.

[Robert Smigel]

I'm sorry.

[Sam Morril]

No, you're great, man.

[Mark Normand]

Cast.

[Robert Smigel]

Cast. I would say that Will Ferrell, for me, is the all time best.

[Mark Normand]

All time number one for me because. Wow.

[Robert Smigel]

If you look at it like a five tool player.

[Mark Normand]

Yep.

[Robert Smigel]

Like, he could be funny as like a regular guy in a sketch. He could do funny impressions. Crazy ones like Robert Goulet and. Oh, yeah, and George Bush. He did amazingly.

[Mark Normand]

Right.

[Robert Smigel]

And he could write his own.

[Mark Normand]

Really?

[Robert Smigel]

Absolutely. He wrote the.

[Mark Normand]

The cheerleader.

[Robert Smigel]

No. Well, I'm sure he co wrote that, but he wrote the cowbell sketch. Whoa. All by himself. All by himself. There you go. There you go.

[Mark Normand]

That's insane.

[Robert Smigel]

Cleaning up.

[Sam Morril]

Who else is in your five?

[Mark Normand]

That's one.

[Robert Smigel]

Murphy, obviously.

[Mark Normand]

Okay. That's a two.

[Robert Smigel]

There's nobody. Whoever has a list can't leave Eddie Murphy out. Yeah, that's. I don't see that.

[Mark Normand]

All right.

[Robert Smigel]

Nobody's carried the show like Eddie Murphy did for the years he was there.

[Mark Normand]

Yeah, that's true. It was tanking in the 80s.

[Robert Smigel]

And then it gets. I think after those two, it's gets subjective. Like, some people would say Hartman.

[Sam Morril]

Oh, Harvey, I don't know how you don't put Hartman in there too.

[Mark Normand]

Yeah.

[Robert Smigel]

But then there's Dan Aykroyd, who's also the same kind of thing.

[Mark Normand]

Farley.

[Robert Smigel]

And then Farley and Belushi. Like, which one of those. But then there's like, Kristen Wiig. I would put Kristen wig.

[Sam Morril]

She's amazing.

[Robert Smigel]

I would make her. I would put her up there with the. Those guys.

[Mark Normand]

All Right. What do you got?

[Robert Smigel]

That.

[Sam Morril]

It's very. That's very close to Bill Murray.

[Robert Smigel]

I would.

[Mark Normand]

Ah, my hero.

[Sam Morril]

It's tough for me. Yeah. I mean, Feral's so good. And I was. I was like the perfect age for him at that time.

[Robert Smigel]

Right.

[Mark Normand]

All right, I'm going. Ellen Cleghorn.

[Robert Smigel]

How about me? I was like the fourth Bears guy. I'm just saying. Fourth guy in that skill.

[Mark Normand]

Molly. Shannon's pretty.

[Sam Morril]

I love her, dude. I think she's awesome.

[Robert Smigel]

Yeah, Shannon.

[Sam Morril]

I do think she's a great dramatic actress too.

[Robert Smigel]

Yeah.

[Sam Morril]

That movie where she had cancer, what's it called again?

[Robert Smigel]

That was.

[Sam Morril]

She was amazing.

[Robert Smigel]

She's also. She was amazing on the White Lotus.

[Mark Normand]

Oh, yeah.

[Robert Smigel]

She's.

[Sam Morril]

She rules.

[Robert Smigel]

And she. People knew she was a great actress when she was on the show. I remember people talking about, like, she just had a. A depth to her acting.

[Mark Normand]

Yeah.

[Robert Smigel]

It was beyond sketch.

[Sam Morril]

We were at a party at Schumer's once, and Rachel Feinstein like, like, oh, we're late for the seller. We're like, oh, goddamn, get mad. Us, like, many years ago. And Molly Shannon just overheard us saying this and she, like, sprinted across the street and got us a cab. And I was like. That was like cartoonish the way she just.

[Robert Smigel]

She sprint.

[Sam Morril]

She's like. She's like, you're gonna make it.

[Robert Smigel]

And we're like, molly Shannon, she's hilariously kind hearted.

[Sam Morril]

She rules.

[Robert Smigel]

Yeah, she's the best. I love.

[Sam Morril]

I was like, already a fan. I'm like, this is crazy.

[Mark Normand]

Damn.

[Robert Smigel]

Sherry O'Terry had an enormous impact on the show. Like, they came in together in, like, 1995, and I was. There was like, right in the middle of my time there. And I gotta say, like, when I was hired, it was like, for all the. The cast was entirely. They looked like they might as well have been, you know, the cast of the Office or something.

[Mark Normand]

Right.

[Robert Smigel]

All white people and. And dominated by men. And the writing was dominated by men. And there was like an inherent, like, justification. Like, well, you know, more men are public figures and in politics and whatever.

[Mark Normand]

Yeah, yeah.

[Robert Smigel]

And there was a perception, I'm sure among some people that men are funnier.

[Mark Normand]

Sure.

[Robert Smigel]

Then Sherry and Molly come in and they're just writing their own characters and they're murdering.

[Mark Normand]

Right.

[Robert Smigel]

And they were the first two to really do that. Bring in their own care. I mean, Gilda Radner probably did it in the 70s.

[Mark Normand]

70S, yeah.

[Robert Smigel]

But after that, like, there were a lot of great women, but Tina Fey, that was later.

[Mark Normand]

Right, right.

[Robert Smigel]

It was like those Two just destroyed with like, you know, Mary Katherine Gallagher and the cheerleaders. Sherry had like five or six that, you know, because before that, women would be in sketches that they wrote and there was this prejudice. Like, oh, that's a woman's sketch. It's like, sort of tender and, and it's about, you know, it's more about. There was this perception that they're, they write the sketches that are softer and just about relationships and.

[Mark Normand]

Yeah.

[Robert Smigel]

Womany things. And then these two come in and do these really big, broad characters that are, they're killing. And the show changed overnight and it's never been the same.

[Mark Normand]

Interesting.

[Robert Smigel]

Women are just as or more important now on the show than men are.

[Mark Normand]

And let's not go more.

[Robert Smigel]

Well, like, that was a period where women kind of dominated. Dyer came in and like, you know.

[Mark Normand]

Yeah. And Tina Fey and Amy Poehler with a, Then Tina and Amy Weekend Update.

[Robert Smigel]

Yeah. So what about those two? A lot of credit.

[Sam Morril]

What were other highlights of that weekend? Because that just seems so crazy.

[Robert Smigel]

So. Well, first, I'll tell you the pitch that I had, which was, so it was going to be a song called Everybody's Got a Lauren that I had pitched to Martin Short, and he liked it. Everybody's got a Lauren. And then he was going to shove the microphone into all the, into the audience and just make celebrities impersonate Lauren as he knew that everybody did a Lauren and we would find funny people to do it, whether it's like Emma Stone and then, you know, Charles Barkley.

[Mark Normand]

Right.

[Robert Smigel]

And then we'd get to, like, previous cast members and they would do their Lawrence. And then, you know, coming back to Marty Short every now and then. And then he'd get to current cast members and they'd be afraid, you know, and they'd be like, I'm Lorne Michaels and I'm a legend or whatever. They try to it up and then finally get to like, like a cameraman who's like, please, please. I, I haven't paid my mortgage off. I, I, I got a kid. I still got two kids going to college. Do your Lauren.

[Mark Normand]

Yeah.

[Robert Smigel]

I think that the show is really cool. Just desperate.

[Sam Morril]

What's it like pitching to Martin Short?

[Robert Smigel]

Oh, he's not intimidating. He's a really nice guy.

[Sam Morril]

Oh, cool.

[Mark Normand]

Canadian.

[Robert Smigel]

And he's also really friendly. It helps that I'm like, really old and accomplished. So he's like Robert sm.

[Mark Normand]

I can see that he's. You're a genius, huh?

[Sam Morril]

He's one of the funniest humans ever.

[Robert Smigel]

He's he's never. Not funny dating Meryl Streep.

[Sam Morril]

What the.

[Robert Smigel]

Dating Mel Stre.

[Mark Normand]

How the hell do you. I mean, imagine watching Martin Short Jizz.

[Robert Smigel]

He did it. Here it is.

[Mark Normand]

My se.

[Robert Smigel]

With the Ed Grimley voice.

[Sam Morril]

Can I ask you something?

[Robert Smigel]

That was very. And that was highly stimulating, I must say.

[Mark Normand]

Take it. You. Wow.

[Robert Smigel]

Yeah.

[Sam Morril]

That is a cool ass couple.

[Mark Normand]

Very cool. A lot of stories.

[Robert Smigel]

Well, Meryl Streep was on the show. She did a sketch with Kate. Kate. I always call her Kate. Kate Middleton.

[Mark Normand]

Middleton.

[Robert Smigel]

No, Kaden. Kate McKinnon.

[Mark Normand]

McKinnon.

[Robert Smigel]

Another legendary performer.

[Mark Normand]

She's great, too. Wow. Barrel must be tiny because Martin shorts, what, three foot eight.

[Robert Smigel]

He's wearing heels. Three foot lifts.

[Mark Normand]

Okay.

[Robert Smigel]

Wow.

[Mark Normand]

Good for him. That's a win.

[Robert Smigel]

5, 8.

[Mark Normand]

5 8. Okay.

[Sam Morril]

That's average.

[Mark Normand]

What's Barrel?

[Robert Smigel]

He's the nicest guy.

[Mark Normand]

Sweet boy.

[Robert Smigel]

Yeah.

[Sam Morril]

And I know who is an. Amigos that you had to work with.

[Robert Smigel]

Who's an.

[Sam Morril]

Yeah.

[Mark Normand]

Five, six. Yeah. Come on.

[Robert Smigel]

There weren't that many. I got it.

[Mark Normand]

Say Michael Che. Come on.

[Robert Smigel]

He's such a nice guy. He actually was walking around with a jacket that he got everyone to sign. Like at the end of the show, he's just walking around with this, you know, with. With. And he's making people sign it. It was so cute because you don't think of Che as like a nerd, but he's a.

[Sam Morril]

He's a comedy nerd.

[Robert Smigel]

He is a comedy nerd. He's a great writer, too.

[Mark Normand]

Oh, yeah.

[Robert Smigel]

Such a funny writer. But you know what was really funny? Paul McCartney was like the last guy to leave Studio 8H. He. He had closed the show. He did the End and Golden Slumber, the end of Abbey Road, basically. He ended. He closed the show with those two songs and.

[Mark Normand]

Wow.

[Robert Smigel]

And then everybody piled onto the stage who had anything to do with being there. And I walked down there and then it was just so crowded. I was like, I'm it. I. I'm not gonna go up there.

[Mark Normand]

Do those people get paid?

[Robert Smigel]

Who?

[Mark Normand]

All the performers.

[Robert Smigel]

I think they have to get paid for just being on the show.

[Mark Normand]

But how much money did he give? Paul McCartney? The guy's richer than.

[Robert Smigel]

Oh, I'm sure he got scale.

[Mark Normand]

Oh, he got scale. Okay.

[Robert Smigel]

Yeah. Yeah.

[Sam Morril]

Who is the drunkest celebrity that you.

[Mark Normand]

There we go.

[Robert Smigel]

Oh, Jesus. You know, I. The party was Rip Torn. Rip Torn came back from the dead. Just.

[Mark Normand]

Oh, sorry. I didn't know he did it.

[Robert Smigel]

Yeah.

[Mark Normand]

Rip Torny.

[Robert Smigel]

He's very dead.

[Sam Morril]

It's been. It's been Years.

[Mark Normand]

Oh, I love Torn. That's a bummer.

[Robert Smigel]

Not enough to follow his. What'd you say?

[Sam Morril]

I said you were torn.

[Mark Normand]

And Rip.

[Robert Smigel]

Oh, no.

[Mark Normand]

Rip.

[Robert Smigel]

No, he's. I didn't see anybody. Totally hammered, I gotta say. It was just a crazy zoo. There was a party afterward at the Plaza Hotel, and they'd, like, had 15 rooms.

[Mark Normand]

Oh.

[Robert Smigel]

Like, literally, you could just go. And there were, like, four or five floors.

[Mark Normand]

What?

[Robert Smigel]

There were like a thousand people in each one.

[Mark Normand]

Five floors of horse.

[Robert Smigel]

Yeah.

[Mark Normand]

Was there blow?

[Robert Smigel]

It was a lot. I didn't see anything.

[Mark Normand]

This cast is changed.

[Robert Smigel]

See anything? No, it was. And there was a lot of dancing. There was a run. Room of dance. I'm not good at parties. You know, loud noises. Come on.

[Mark Normand]

You're not the party animal.

[Robert Smigel]

I know it's hard to believe, but.

[Sam Morril]

There were errors when you were there that were probably crazy, honestly.

[Robert Smigel]

Like, when I got there in the late 80s, we had heard all the stories about the 70s, and they were kind of like, you know, what's the term? When. It's like a teaching moment, Kind of like a cautionary tale, you know, Belushi had only died, like, two or three years before I got there. And, yeah, he hired a bunch of people that were literally like office workers in terms of their personalities. They were hilarious, you know, but it was like Kevin and Dana and Phil. None of these people were. Were wild like that. And then Farley came in.

[Mark Normand]

Yeah.

[Robert Smigel]

And. And things started to change a little bit. And then.

[Sam Morril]

What do you remember? Like, how do you remember Farley?

[Robert Smigel]

Oh, I loved Farley. He's a lot smarter than people gave him credit for. He was treated kind of like, you're worse than Norman.

[Sam Morril]

This is crazy.

[Mark Normand]

Well, my phone doesn't ring.

[Sam Morril]

No, but you get the beeping with it.

[Robert Smigel]

That's. That's the opening riff from I've Just Seen a Face. The Beatles. I actually wanted to talk to Paul McCartney and pitch him. I was like, why don't you do a country album? Because he's done a couple of amazing country songs. That's one of them. I just Seen a face, and I just wanted him to laugh in my face and say, that's a million people have suggested it's garbage. Whatever. But I didn't get the opportunity.

[Mark Normand]

Sandler sang a song.

[Sam Morril]

Farley.

[Robert Smigel]

Farley. Yeah. He was Robert. He was a lot like he was on the Chris Farley Show.

[Mark Normand]

Oh, yeah.

[Robert Smigel]

He loved comedy. And he was like, robert, remember when you did that joke? Like, if I would make a joke that he laughed at, he would Just savor it, you know, like, I used to do this thing where I would make fun of when people would make him fall in sketches.

[Mark Normand]

Yeah.

[Robert Smigel]

Because it just seemed kind of hacky after a while. So I like, you know, what are you gonna do this time? A triple box top. You know, just making. Giving his different falls names, and he would just be like, triple box stop. Great. Robert.

[Mark Normand]

I read in that book, gasping for airtime, that at one point.

[Robert Smigel]

Oh, that's Jay Moore's book. Yeah.

[Mark Normand]

I think him and Spade shared an office.

[Robert Smigel]

They did that.

[Mark Normand]

Yeah. So one time Spade was like, I've got this book, this, like, limited edition whatever book, some crazy book. And he went out of the room and Farley jerked off and jizzed in the pages, closed it. It. And then, you know, Spade had to come back and the book was ruined, obviously. But I just love that. That reminds me of my childhood, you.

[Robert Smigel]

Know, how much that book itself.

[Sam Morril]

He had a horrible father. What is this, the Catch a mockingbird, you queer edition?

[Mark Normand]

It was the correct. It was the Quran. But I'm just saying you could. You could do that. You can't do that in an office anymore. I just. Like, the. What? That's what I want to happen.

[Robert Smigel]

You can't jerk off to the Quran anymore.

[Mark Normand]

No, you can't.

[Sam Morril]

These woke.

[Robert Smigel]

No. And then go into that voice.

[Mark Normand]

Yeah, that's what I want.

[Robert Smigel]

No, it's inappropriate.

[Mark Normand]

It's inappropriate. Yeah, that's what they would say, Farley.

[Robert Smigel]

And they'd be right, of course.

[Mark Normand]

But that's the fun part.

[Robert Smigel]

But. And they would talk in that voice. Yeah, that's just. Every comedian does that voice now when any. Ever. Anybody's politically correct. No, it's not. They suddenly turn into a match game contestant from the 70s. Farley.

[Mark Normand]

He liked the hookers.

[Robert Smigel]

He liked. He. He. He had a while. He definitely brought the. Brought the show back.

[Sam Morril]

I've heard Sanders say that he'll like. He. He would drink and he'd be ready to throw down.

[Robert Smigel]

Really get angry when he was drunk sometimes.

[Mark Normand]

Oh, that's scary.

[Robert Smigel]

Yeah. No, there was a darkness, but he was clean for like two and a half years.

[Sam Morril]

Wow. Really?

[Robert Smigel]

On the show. He got fired from the show temporarily.

[Mark Normand]

Oh, no.

[Robert Smigel]

When I actually was with him. So I used to do things in Chicago with him, like the super fans, like me and him and George went. We would do these extracurricular bits because it was so big in Chicago. So one time, literally, we went to a Soldier Field before the Bears playoff game, and they had us give a pep Talk on the 50 yard line before the game started. Me, George, and Farley.

[Sam Morril]

Wow.

[Robert Smigel]

Like before an actual Bears playoff game. That's how big the characters were at the time. And Farley. But afterward, Farley sort of broke off from us. And later I heard that he cleaned out his hotel refrigerator.

[Mark Normand]

Oh.

[Robert Smigel]

And he put his hand through a glass window. Oh, yeah. He was with an old Second City friend.

[Mark Normand]

Oh, boy.

[Robert Smigel]

Who couldn't control him. And then Lauren heard he was out of control, and he fired him for a few. For at least a month or two. And it really shook Chris up. And he was literally cleaned up. He. He did. Tommy boy clean. I'm pretty sure.

[Mark Normand]

Oh, yeah. Can I just reiterate my point about the jizzing in the book?

[Robert Smigel]

Yes.

[Mark Normand]

Okay. I wasn't saying. My point is, I feel like if he did that now he'd be demonized, but we could. He can do that and still be considered a fun guy.

[Sam Morril]

No, I told. I was with you.

[Mark Normand]

All right, all right.

[Sam Morril]

What you were saying.

[Mark Normand]

Okay.

[Sam Morril]

We're just trying to make a joke.

[Mark Normand]

Oh, okay. All right. I love the jizzing.

[Robert Smigel]

I'm just sad because think of how many more books he would have jizzed in, you know?

[Mark Normand]

Good point. Well, you got to know where you're left off.

[Robert Smigel]

You know, they could. God damn it.

[Sam Morril]

Bring me Hanley's new book. Let me rub one out.

[Robert Smigel]

It could have been sold for charity, you know, they could have been. I could have raised a lot of money for. For. For my. Yeah, auctioned them off. Robert, whatever you need.

[Mark Normand]

You just. In mind, Kampf. There'd be a lot of dead Jews in there. All right, you get it.

[Sam Morril]

Strong, strong joke. Okay. That was solid.

[Robert Smigel]

That's.

[Sam Morril]

The jizz was solid.

[Mark Normand]

I'm trying to get us out of.

[Robert Smigel]

The day to tell that joke.

[Mark Normand]

That's true. There you go.

[Robert Smigel]

Yeah.

[Sam Morril]

What are some other. Are there any other, like, memories you look back on where you're not a one?

[Robert Smigel]

No, no, no, no. Let's see. Let's. Well, the SNL anniversary. Who else was got to talk to? Billy Crystal. That was exciting. Never met that guy before. Yeah.

[Sam Morril]

What'd you talk about?

[Robert Smigel]

And I met Eddie Murphy.

[Sam Morril]

Oh, hey, Burying the lead Murphy.

[Robert Smigel]

He was at that Lorne Michaels toast.

[Mark Normand]

Yeah.

[Robert Smigel]

And. And I. He just walked in my direction. Otherwise, I would never have approached him. I would have been terrified. But he's like, I don't remember how the conversation started, but he said, hey. And I was like, he knew who you were. That. That was what was crazy. I was really, literally, like a Little kid. I was like, my name is Robert Smigel. I did cartoons on the. I know who you are. You Robert Smigel.

[Mark Normand]

Whoa. That's gotta feel good.

[Robert Smigel]

It was shocking. I was just.

[Sam Morril]

What'd you talk about?

[Robert Smigel]

Well, I told him I just got all SNL nerdy because I am an SNL nerd. And I told him, hey, did you see there's a magazine article where they interviewed all the cast members and asked them what their favorite sketch was of all time on snl. And the winner was James Brown's Celebrity Hot Tub Part Party. You know, do you know the sketch?

[Mark Normand]

I'd pull it up.

[Robert Smigel]

Oh, now that's.

[Mark Normand]

That's sacral.

[Robert Smigel]

And I was one of the people who voted for it. I had actually met one of those writers in a really strange circumstance. The guy before he was a writer at snl, he was a. A segment producer for the Mike Douglas show, Philadelphia. My dad was a guest on that show. My dad was a dentist.

[Mark Normand]

Wow.

[Robert Smigel]

And he was. He was one of the guys who created. Invented tooth bonding. So he was demonstrating Jesus. On a person in the audience. Douglas Show Bar for guests. I know. But anyway, it's gotta be so hard.

[Mark Normand]

To be Eddie Murphy. What a. It's almost a cursed life because everybody knows you're the funniest guy ever. And now you have to be funny on command. I mean, the pressure. What if you have a bomb?

[Robert Smigel]

He can't bomb guys. Well, he can't bomb on. On the show. And he didn't. He was actually in two sketches. He didn't.

[Mark Normand]

Oh, okay.

[Robert Smigel]

Great. Amazing Tracy Morgan impression on the show.

[Mark Normand]

All right.

[Sam Morril]

He vomited.

[Robert Smigel]

And then he did another sketch with Will Ferrell. The two. Him and Will Ferrell, the number one and two interchangeable.

[Mark Normand]

Oh, hell, yeah.

[Robert Smigel]

Working together. It was pretty amazing to watch.

[Mark Normand]

I'm gonna watch that.

[Robert Smigel]

But I'll tell you one other crazy thing that I did on the. So. So I told you about the Lorne Michaels idea I had, and it was. It was shot down very quickly by Lauren. Yes, I was told by Lauren. I don't think he was necessarily offended by it, but he just probably didn't want the attention.

[Mark Normand]

Sure.

[Robert Smigel]

That. That level of.

[Sam Morril]

Yeah, he's already getting a lot of attention.

[Robert Smigel]

Yeah. All about him on his own show. So. But 25 years ago, I was doing cartoons on SNL, and they were very popular at the time, so they asked me to do an anniversary show for the 25th anniversary. And if you want to pull this up, it's insane. It's on instagram. It's on Triumph's Instagram page. So. And I did this cartoon and it was. I just decided to make it all about Lorne Michaels and because I just again, he didn't like it. Well, that's the craziest part of it. He pan down. Keep. Oh, there it is. Lauren. See Lauren? Yeah.

[Sam Morril]

What'd he say?

[Robert Smigel]

Well, he had me watch it with him and Paul Simon like an hour before the 25th anniversary. Here, watch a little of it. It. You'll get the idea.

[Sam Morril]

This takes me back.

[Mark Normand]

Oh, yeah.

[Robert Smigel]

But then in this case. Oh, hi, I'm Lord Mike. Thank you.

[Mark Normand]

Thank you.

[Robert Smigel]

Thank you. You know, I think it was when John and Danny were coming into their own, Chevy came back to host that the show really had that thing of are we a hit now? Is our.

[Mark Normand]

Great.

[Robert Smigel]

And Jimmy Fallon is hot. And that's the. Thank you. And then he starts. Thank you, Mike. That's really not necessary. Thank you. Thank you.

[Sam Morril]

Dave, is that you doing the Voice?

[Robert Smigel]

Yes. We've had a lot of fun tonight. As you know, Saturday Night Live isn't just about glitzy guests in fabulous outfits at glamorous parties. It's also about merchandise. No self congratulatory celebration would be complete without a new line of SNL anniversary gear you'll be hearing about in loud commercials during the 2am Jay Leno Show. Conehead suppositories. Beldar and his family are anything but regular. But why shouldn't you be? Here's the Dennis Miller squeeze me doll.

[Mark Normand]

And what about the people who transverse the entire gats to purchase with their turn signal on?

[Robert Smigel]

What do you think that clicking sound is, ass face?

[Mark Normand]

That was really mild.

[Robert Smigel]

Berry berry good orange drink. I was in St. Bart's when they approved this one. And if that's not enough, here's a few quick clips from the 45th anniversary show. Oh my God. Available on VHS worthy swing after all these years. Yeah. So heavy. Like Howard Hughes, right? Yes. The SNL anniversary is the talk of the town. Then it goes on into a long a whole song and dance number where he's deciding who gets to sit where, which celebrity, and he's just dancing around with glee and putting all the people from Dick Ebersol's years in the back and. And Eddie Murphy and his cat in the front.

[Mark Normand]

But anyway, at least you kept the caption short. That's good news.

[Robert Smigel]

Yes. So.

[Mark Normand]

Holy hell.

[Robert Smigel]

I know.

[Mark Normand]

Jesus, Rob.

[Robert Smigel]

I told the story that I'm about to tell you.

[Mark Normand]

Okay.

[Robert Smigel]

It's a good story. So literally.

[Mark Normand]

Oh, Wilson. Vince.

[Robert Smigel]

So like so. So I submit this script.

[Mark Normand]

Yeah.

[Robert Smigel]

And one producer tells me there that there are two producers under Lauren. One tells me, oh, you can't do that part about merchandising and telling the boring story. He's not going to like that. Then the other producer says, oh no, that part. I really like that part. I think he's not going to like the part where he sings and dances around and talks about all the guests. And I was like, what if I.

[Sam Morril]

Let's do.

[Robert Smigel]

I'll do it all and then we'll just see. It was like a perfect storm.

[Mark Normand]

Yeah.

[Robert Smigel]

Where I could just say, well, you don't like this and you don't like this, but that means you like the other half. Let's just try it. So I put it. I make, I make the whole cartoon and Lauren hasn't seen it. Or maybe he has seen it, but he. And I'm showing it like John. I show it to like John Lovitz who's. Who was at the. Who had makes a cameo at the end and Paul Schaefer and Lorraine Newman and they're laughing their asses off. And then I get a call. Lauren wants you in his office. And this is the 25th anniversary show. Everyone's in a fucking tuxedo.

[Mark Normand]

Yeah.

[Robert Smigel]

And I'm being told I gotta. And so I go into his office and it's just him and Paul Simon and Robert. I just. The cartoon, I just, I'm too close to it. I saw it, I just, I can't judge it. I'm too close to it. So we're just going to play it for Paul Simon, his best friend. So I'm him.

[Mark Normand]

Wow.

[Robert Smigel]

Alone with Lorne Michaels and his best friend. And I'm like thinking, oh my God, like if I would ever have told the 14 year old me.

[Mark Normand]

Yeah.

[Robert Smigel]

Saw the show and worship these two people. The 25 years later I would be in a room alone with them before this anniversary show, making them uncomfortable. It's just like crazy. A lot of pressure.

[Sam Morril]

Paul Simon here, right?

[Mark Normand]

Yeah, yeah.

[Robert Smigel]

And Paul Simon of course is stone faced. You know, he very serious. And so we watched the cartoon, including that part where it's basically like practically a Paul Simon skeleton in a toupee.

[Mark Normand]

Yeah.

[Robert Smigel]

Singing. Still crazy. And he watches the whole cartoon dead silent. And then just Lauren turns to him. Paul. And Paul's just like, well, I didn't think it was very funny, but I did think it was affectionate.

[Mark Normand]

Ah.

[Robert Smigel]

And. And I have no chill, I have no poker face at all. So I Just like, can't hide my relief. I'm just like, thank you. See? No. And I'm talking way too much. No, that's what I was going for because it is affectionate. It's not really meant to be. And Lauren's just looking at me like, get the out.

[Mark Normand]

Smart.

[Robert Smigel]

We get it. We get it. Okay. It's in the fucking show.

[Mark Normand]

Hey. Well, you got it.

[Sam Morril]

Wow.

[Robert Smigel]

I got it in. And then. No. And then this is also funny. Like, so then the show happens. And. And the reason I had written it was because the. I had worked on the 15th anniversary show, which was very self congratulatory. It was a lot of people at podiums just introducing clip packages and treating it like, you know, commemorating some amazing. It just felt like I always wanted to be like the 70s SNL where it was all counterculture and rep. Yeah. So I get in there and. Yeah. And, and, and, and these guys. So. So the show, the 25th anniversary show was way better. Like, Bill Murray's doing Nick the lounge Singer and people are doing sketches together. It's much more active. And now I'm feeling guilty that I made fun of the show because it's actually really good. And then they have these moments where they show a Chris Farley sketch. He had just died like a year and a half ago before, and Phil Hartman had died like a year before.

[Mark Normand]

Jeez.

[Robert Smigel]

And they have like the cast members introducing a Phil Hartman clip, and they're all holding hands. All these guys I worked with, you know, and I'm like, in tears at this point.

[Mark Normand]

Oh, boy.

[Robert Smigel]

And then I go up to like an area where there's writers like Adam McKay and. And some other guys I worked with. And I was like, practically in tears. I'm like, I'm gonna tell Lauren to cut the cartoon. It's just not. This show's great. And it's. It's. I don't want to on the show. It's not right. And Adam McKay's like, it's fine. Don't worry about it. It's. It's not really mean. It's fine.

[Mark Normand]

Okay, there you go.

[Robert Smigel]

I just shut. Shut it off.

[Mark Normand]

It's a comedy show.

[Robert Smigel]

Ultimately, I'm like, as racked as guilt as I felt. I just needed one person to say. I was like, okay, yeah, no, we'll do it. It.

[Mark Normand]

Yeah. Sadly, I have that guy in my brain. At least you asked another person. I go, well, maybe that was too much. And then the other guy in here goes, ah, do it.

[Robert Smigel]

No, I just. I always need one Person to. To justify my sick behavior.

[Mark Normand]

But man, what a career.

[Robert Smigel]

What a career.

[Mark Normand]

It's all over now.

[Robert Smigel]

It's all over. It's.

[Sam Morril]

Not too many stars, baby.

[Robert Smigel]

Nice when it lasted.

[Mark Normand]

Not too many stars. And Leo 2.

[Robert Smigel]

Leo 2? There's going to be a sequel to Leo.

[Mark Normand]

Is that out? I don't want to.

[Robert Smigel]

Oh, God, no, no.

[Mark Normand]

But I mean, is that take three?

[Sam Morril]

And Sandler and Burr back.

[Robert Smigel]

Sandler and Burr back. Turtle.

[Sam Morril]

Yeah. An old lizard and an angry turtle.

[Robert Smigel]

Jaded, bitter turtle. So Sandler had to put on a whole voice. Hi, I'm Leo. And Bill Murray is just like, what the is this? I'm a turtle now. Okay, now I'm a turtle.

[Mark Normand]

Look, should be the lizard and Adam should be the turtle.

[Robert Smigel]

Why do you say that?

[Mark Normand]

Lizards are angry.

[Robert Smigel]

Oh, they are.

[Mark Normand]

The iguana, the komodo dragon.

[Robert Smigel]

Those. Yeah.

[Sam Morril]

Mark, the movie's already done.

[Mark Normand]

That's true. Good point.

[Robert Smigel]

It worked out. People went with it.

[Mark Normand]

No, it's a great movie.

[Robert Smigel]

It's. Yeah. Kids were. My 5 year old was like. It took me out for a second. Why isn't Bill the lizard? But. But then I went with it.

[Mark Normand]

Robert Smigel, everybody. Come on.

[Robert Smigel]

Out of Too many Stars. Buy. You can buy tickets at n o t m s.org/. Oh, I got it wrong.

[Mark Normand]

Come on.

[Robert Smigel]

You can buy [e-mail] N O T M S. Sam will be there.

[Sam Morril]

Yeah.

[Robert Smigel]

Jon Stewart's hosting. Sandler's gonna do a set.

[Mark Normand]

Wow.

[Robert Smigel]

It's gonna be amazing. One of the hottest comedians in the world is a surprise guest. I can't say. Oh, she is. Oh, but she's gonna be there. And Judy Tenuda. Judy Tenute is coming back from the dead, along with Rip Torn.

[Mark Normand]

Hey.

[Robert Smigel]

And yeah, it's gonna have Amy Schumer and also Chris Rock. Chris Rock's gonna be there. Marcelo Hernandez, Sarah Sherman, please.

[Mark Normand]

Maybe follow Marcelo Killer.

[Sam Morril]

He kills the ladies.

[Robert Smigel]

Does he kill? Does he do stand up rushes?

[Mark Normand]

Yeah.

[Robert Smigel]

Oh my God.

[Mark Normand]

Murders.

[Robert Smigel]

Oh, I didn't know that.

[Mark Normand]

Funny, funny Cuban.

[Robert Smigel]

I'll have him do stand up. I. I don't know.

[Mark Normand]

Oh, you weren't having to stand up.

[Robert Smigel]

I didn't know. He did stand up. He does great.

[Mark Normand]

Give him 10 minutes, he'll blow the roof off.

[Robert Smigel]

Oh, my God.

[Sam Morril]

Mark. What do you got, man? Where you gonna be?

[Mark Normand]

Hey, Coming to Nashville, The Ryman Auditorium. Then Napa, California. Santa Barbara, Asheville, North Carolina, Bristol, Tennessee, New Brunswick, Ithaca, Reykjavik. We're going all over the. London, Birmingham. I know, but I'm doing That one first.

[Robert Smigel]

Oh, okay.

[Mark Normand]

And then Belfast, and then we're coming back to Rochester. Yeah. Ain't that comedy for you? You go to London, you live it up, and you land back in Rochester and get your ass eaten by a fat lady on a rascal. Burlington, Vermont, Westsaw, Wisconsin, Green Bay, Eugene, San Jose, Hyannis, Mass. Come out to the melody tent. Massachusetts.

[Robert Smigel]

Auckland, New Zealand.

[Mark Normand]

Then we're going Australia.

[Robert Smigel]

Melbourne.

[Mark Normand]

You better believe it. Can't wait. All right, what do you got, Sambo?

[Sam Morril]

We got Columbus, April 10th. And Royal Oak, Grand Rapids, Milwaukee, Madison, Des Moines, Iowa. Never been. St. Louis, Missouri, Kansas City, Minneapolis. Then we got Phoenix, San Diego, Sacramento, sf, Portland at a late show on a Monday. Don't make me regret it, guys. Seattle, Vancouver. Late show guys. Buy tickets to those. Boise, Idaho. Salt Lake City, I believe is already gone, but that's a small venue. And Denver, Colorado, and more dates coming very soon.

[Robert Smigel]

Reykjavik. Hang on. Reykjavik. He's coming.

[Sam Morril]

I'm coming.

[Mark Normand]

I got a good funny bone there.

[Sam Morril]

Robert Schmeichel, we love you, man. You're the best. Go watch his triumph, the Insult comic Dogs and Videos Daily Show.

[Robert Smigel]

I'm on the Daily.

[Mark Normand]

Oh. Oh, hell yeah.

[Sam Morril]

Yeah, dude.

[Mark Normand]

Good to have it back.

[Robert Smigel]

And on Hollywood Square. Oh, Ryan is on Hollywood Squares, too.

[Sam Morril]

Bodega cat whiskey. Come buy bottle of bodegacatwhiskey.com. we love you. Follow us both at Punchup live. Sam Morrell, punchup.live, mark Normand. And buy a bottle, guys. It's coming to your town, your liquor store. But yeah, and follow that Bodega cat whiskey Instagram. Let's build that up to impress the. The buyers.

[Mark Normand]

Yes. Good call. We got a lot of fun footage on there. Clips, our dates, you name it. So, yeah, tell a friend, queef it up. Comedy.

[Sam Morril]

See you next week, guys.

[Robert Smigel]

Sunday's the day for my next.

[Mark Normand]

You.

[Robert Smigel]

Know, the Fear Juice. Close. I've had a little too much burping and Norman's talking about the poke and I get down in the same way up on the roof like the cops coming and naked Samuel is feeling, feeling dangerous.

[Mark Normand]

I'm out to lunch here in New Orleans.

[Robert Smigel]

This woman doesn't look like I remember her and I get down in the same way we might be true.