Ep 232: Ed Helms SNAFU

Summary

Podcast Summary: We Might Be Drunk - Ep 232: Ed Helms SNAFU

Release Date: May 19, 2025

In Episode 232 of "We Might Be Drunk," hosts Sam Morril and Mark Normand, joined by special guest Joe DeRosa, delve into a whirlwind of comedic insights, personal anecdotes, and reflections on the state of comedy in both film and live performances. The episode navigates through various topics, blending humor with thoughtful commentary, providing listeners with an engaging and enlightening experience.

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1. Substance Use and Comedy

The episode kicks off with a humorous yet candid discussion about substance use. Sam Morril shares his personal journey of abstaining from alcohol due to its adverse effects on his heart.

Sam Morril [00:12]: "I love. I used to like it, and it does weird things to my heart."

Mark Normand adds his perspective, reinforcing the notion that alcohol can be detrimental.

Mark Normand [00:21]: "Yeah. I think it's bad for you."

The conversation takes a cheeky turn as Sam jokes about substituting alcohol with cocaine, highlighting the hosts' penchant for blending dark humor with personal experiences.

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2. The Rise and Fall of Comedy Films in Theaters

A significant portion of the discussion centers around the evolution of comedy movies in theaters. The trio reminisces about the "Hangover" trilogy, debating its release timeline and impact on the comedy genre.

Sam Morril [02:14]: "Most of the time, I was happy to oblige."

Joe DeRosa and Mark Normand explore how the success of comedies like "The Hangover" marked a peak in comedy films, after which the genre's presence in theaters began to wane.

Joe DeRosa [08:27]: "They were all great."

Mark Normand [03:03]: "I saw Bridesmaids come after Hangover."

They contrast this with contemporary trends, noting a decline in comedic offerings in cinemas and attributing it to the rise of live shows and the oversaturation of comedy clubs.

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3. Sam Morril's Career and Creative Ventures

Sam Morril takes the spotlight as he discusses his multifaceted career in comedy. From his early days performing stand-up in New York to landing a spot on "The Daily Show," Sam shares the challenges and triumphs he's faced along the way.

Sam Morril [12:03]: "I started as like, four times four is 16. It's 16. It's just 16."

He elaborates on his latest project, a book titled "Snafu," which stems from his passion for history and comedic disasters. Sam explains the transition from podcasting to authoring, emphasizing the structure of his book as a collection of historical snafus.

Sam Morril [20:23]: "It's a compendium of snafus as opposed to like a deep dive into one thing."

Additionally, Sam touches upon his involvement with improv groups like the Upright Citizens Brigade, underscoring the importance of diverse creative outlets in his career.

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4. Absurdity in History: CIA's Outlandish Plans

A highlight of the episode is the exploration of some of the CIA's most bizarre historical projects. Sam narrates several absurd initiatives, such as attempts to weaponize cats for espionage and schemes to detonate nuclear missiles on the moon.

Sam Morril [22:27]: "They tried to surgery implant microphones into cats' ears and train them to sit next to bad guys in the park."

Sam Morril [26:18]: "They tried to hatch a plan where someone would put thallium salts into his shoes... to make Fidel Castro's beard fall out."

The hosts analyze these plans with a blend of fascination and incredulity, drawing parallels between these real-life "snafus" and the comedic absurdity often found in writers' rooms.

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5. Stand-Up Comedy and Writing Process

The conversation shifts to the art of stand-up comedy, with Sam sharing snippets of his stand-up routines and discussing his influences, such as Brian Regan and Jim Gaffigan.

Sam Morril [18:27]: "There was an ad for, I think like American Airlines... 'Is it cool if we just drive to Phoenix?'"

Sam Morril [19:26]: "I wanted to be on Saturday Night Live or, you know, something like that."

Sam emphasizes the importance of writing and maintaining a list of bits, showcasing the creative process behind crafting jokes and routines.

Sam Morril [19:35]: "I keep it going."

The trio also touches upon the challenges of balancing writing with performing, highlighting the demands of touring and creating new material.

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6. Promoting Creativity and Collaboration

Towards the end of the episode, the hosts discuss the significance of creative collaboration and the mutual support within the comedy community. They acknowledge the contributions of peers like Todd Phillips, lauding his work on "The Hangover" series and "Joker."

Sam Morril [43:02]: "He's like Sidney Pollock level."

They celebrate the collaborative spirit that drives successful comedy projects, attributing much of their own success to the vibrant ecosystem of comedians and creators they interact with.

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7. Upcoming Projects and Tours

The episode concludes with updates on the hosts' upcoming projects and tour dates. Sam mentions an upcoming shoot in Vancouver, while Mark and Joe share their extensive touring schedules across the United States and internationally.

Sam Morril [58:34]: "I'm gonna be shooting something this summer in Vancouver."

Mark Normand [57:05]: "Red Bank, New Jersey, Count Basie Theater, the Wilbur in Boston in August..."

Their enthusiastic discussion underscores their active engagement in the comedy scene, leaving listeners anticipating future episodes and performances.

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Conclusion

Episode 232 of "We Might Be Drunk" offers a rich tapestry of humor, personal stories, and insightful discussions on the comedy landscape. From reflecting on the golden era of comedy films to exploring the absurdities of historical espionage tactics, Sam Morril, Mark Normand, and Joe DeRosa provide listeners with a blend of laughter and thoughtful commentary. The episode serves as a testament to the enduring spirit of comedy and the continuous evolution of its mediums.

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Note: Time stamps correspond to the points in the provided transcript where specific quotes and discussions occur.

Transcript

[Mark Normand]

We started up. Let's roll.

[Sam Morril]

All right.

[Joe DeRosa]

How about you, Ed? You like the booze?

[Sam Morril]

Nah.

[Joe DeRosa]

Come on.

[Sam Morril]

I mean, I love. I used to like it, and it does weird things to my. To my heart.

[Joe DeRosa]

Oh, really?

[Sam Morril]

Yeah.

[Mark Normand]

Yeah. I think it's bad for you.

[Sam Morril]

I just kind of stopped it. It kind of sets my heart in weird rhythms and.

[Joe DeRosa]

Oh, geez. So you just stick with cocaine?

[Sam Morril]

Yeah, I drink cocaine.

[Joe DeRosa]

Yeah.

[Sam Morril]

That is super weird, but it's great.

[Joe DeRosa]

I wonder if that would work if you mixed it in, like a. Like a liquid iv, you know, if that would get you.

[Mark Normand]

No one's ever wanted to waste that much cocaine.

[Joe DeRosa]

I guess you're right. It would dissolve.

[Sam Morril]

What I do is I melt it.

[Mark Normand]

Yeah.

[Sam Morril]

See? And then I. And then I get it in a syringe, and I inject it into my eyeball.

[Joe DeRosa]

Is that free basing? No, that's where you smoke it.

[Sam Morril]

It's free balling. That's.

[Mark Normand]

This is the nerdiest drug conversation I know. Is that what freebase?

[Sam Morril]

This is like those conversations a kid has with. With their dad, right? Where the dad's like, now listen, I don't want you to do the coke, the. The thing that you snort.

[Joe DeRosa]

Yeah.

[Sam Morril]

Say, dad, you don't snort marijuana.

[Joe DeRosa]

Yeah.

[Sam Morril]

How do you know? You already know too much.

[Joe DeRosa]

You got to test your weed. There's fentanyl in it. You're like, dad, the people.

[Mark Normand]

Did people always try to do a shot with you after the hangover?

[Sam Morril]

Oh, man. Yeah. I mean, that was. Hangover Fans like to drink. Yeah. Put it that way. So when that movie came out, it was a lot of like, we're buying you shots, and they, like, shove a shot in your face, and if you didn't drink it, you could get punched.

[Joe DeRosa]

Yeah. Isn't that weird? They get really upset if you don't drink it. You're like, I never asked for this.

[Sam Morril]

Most of the time, I was happy to oblige.

[Mark Normand]

Yeah.

[Joe DeRosa]

Yeah. Till the heart failure.

[Sam Morril]

Yeah. Till things got weird.

[Mark Normand]

We have a friend, Joe Derosa, who I feel like likes funerals because you can't turn down the shot. You can't be like today. If you gotta be like, all right, fine.

[Joe DeRosa]

Yeah. He actually goes to funerals. He doesn't know.

[Mark Normand]

Yeah.

[Sam Morril]

He's a funeral crasher.

[Joe DeRosa]

Yes. Sequel.

[Sam Morril]

Right.

[Joe DeRosa]

That's not bad.

[Mark Normand]

But, yeah. I feel like old school fans, hangover fans. I feel like they will. They want to do a shot with, you know.

[Sam Morril]

Yeah. Office fans are like, let's have a. Let's have a craft brew.

[Joe DeRosa]

Right?

[Sam Morril]

Let's have it. Let's, let's have a nice conversation over a craft brew.

[Joe DeRosa]

That's cool. I'm down for that.

[Sam Morril]

Amen.

[Joe DeRosa]

I feel like the Hangover though, it was 2008, 2011 and 2013, the three trilogy.

[Sam Morril]

I think you're off a little bit.

[Joe DeRosa]

May pull that up there.

[Sam Morril]

Wasn't it like 2010 or 11? The first one.

[Joe DeRosa]

But I feel like that was the last run for the fun loving comedy.

[Mark Normand]

Movie and you got, I think Hot Tub Time Machine was like the last one year. Was that, that was it, right?

[Joe DeRosa]

I feel like it kind of cut off around there. But you guys got them in at.

[Sam Morril]

The Buzzer and they were snuck that one in there.

[Joe DeRosa]

Yeah. And they were all great.

[Mark Normand]

I. Hangover is one of the last comedies I remember seeing in the theater. It's 09 was the first one.

[Joe DeRosa]

11. Right.

[Mark Normand]

I mean I did Bridesmaids come after Hangover.

[Sam Morril]

Bridesmaids.

[Mark Normand]

I saw that in the theater. But how many comedies can you remember?

[Joe DeRosa]

Like Tropic Thunder.

[Mark Normand]

That's.

[Joe DeRosa]

That was awesome.

[Mark Normand]

Was that before?

[Joe DeRosa]

Yeah, I think it was a little later.

[Sam Morril]

I think it was before.

[Joe DeRosa]

Oh really?

[Sam Morril]

I think Tropic Thunder was before.

[Mark Normand]

But there's something about, I guess like live shows of, you know, thank God for us because we tour all the time and we people come out to see standup. But I mean I feel like back, back in the day, like it was great to see a comedy in a packed theater.

[Joe DeRosa]

Oh, the best.

[Sam Morril]

Oh man. I remember we're, we're like sort of midtown west here, right? In this.

[Joe DeRosa]

Yeah.

[Sam Morril]

So I remember when I lived here, going to see something about Mary. Such a, such a huge Ben Stiller fan from the Ben Stiller show. And, and I was, you know, it was early. What year was that? Pull that one up.

[Joe DeRosa]

94. I'm calling.

[Sam Morril]

No, no, no, no. Okay. 98. So I just, I moved here in 96. I'd just been here for two years just struggling to get those open mic spots and doing as much comedy as I could. And, and I loved Mr. Show and the Ben Stiller show and, and all these, all those great shows and, and like Ben Stiller's in a movie. Oh my God. And I went by myself.

[Joe DeRosa]

Yeah.

[Sam Morril]

And it was in this neighborhood because they, for some reason I lived in Brooklyn, but this was where maybe it was, I snuck out of work or something and, and I sat in this packed theater by myself and it was like one of the best movie going experiences ever because I loved that movie. I, I, when I first saw it, I Was crying in the theater. Sitting in by myself between, like, you know, it was packed.

[Joe DeRosa]

Yeah.

[Sam Morril]

Because that's when theaters were packed. When a movie came out and people were excited. Like they packed theaters.

[Joe DeRosa]

Oh, yeah.

[Sam Morril]

And.

[Joe DeRosa]

And it was real. That was back when Water Cooler Talk. Everybody was talking about the. The jizz and the hair and the franks and beans and the like the Brett Favre of it all. That was a hell of a time.

[Sam Morril]

Matt Dillon, such a killer in that movie.

[Mark Normand]

And it's all killers. Like Lee Evans kills it. Like Chris Elliott. Like everyone's amazing.

[Sam Morril]

Yes. But.

[Joe DeRosa]

Yeah, but Matt Dillon stole it forehead like a drive in movie theater. Yeah.

[Mark Normand]

It's also amazing because I saw we were on the road once we downloaded, I guess like the extended version of it. And the scenes they chose to cut were exactly right. Like they just.

[Sam Morril]

Oh, interesting.

[Mark Normand]

They just kind of disrupted the momentum. It was one of those things where they just. They nailed it.

[Sam Morril]

Yeah, that's good. That's reassuring when that happens.

[Mark Normand]

Yeah. Well, you know, some comedies, they.

[Sam Morril]

They don't know.

[Mark Normand]

I love it. I love a comedy. I love a 90 minute comedy.

[Sam Morril]

You got to keep it tight. I remember when we were shooting those hangovers and we'd be shooting scenes like that might. We should. You shoot out of sequence. But we'd be doing the scenes that are like towards the end of the movie. And Todd Phillips, the director was always just like, faster, guys, faster. We're like, we're just trying to get the lines out. He's like, it's the end of the movie. It's the race to the finish. Which was, as he kept saying, it's the race to the finish. Which I think he said was something that Ivan Reitman told him. It's like a critical sort of comedy thing when you're. When you're making a comedy, that third act, it's a. It's just like Guns Blade.

[Mark Normand]

Interesting.

[Joe DeRosa]

You gotta go Irishman on a comedy, you know, you gotta keep it tight.

[Mark Normand]

I mean, they're just old in a prison dying. Isn't that funny?

[Joe DeRosa]

Although that scene where he beat up the guy was pretty.

[Mark Normand]

That was pretty funny. But yeah, he did not look young.

[Joe DeRosa]

Seinfeld too, you know, they were like, here's a. Here's a Brinks truck full of money. Make eight more seasons. And he's like, now we're cutting it here. Yeah, the show's over. It's all about timing. You gotta know when to wrap it up.

[Mark Normand]

Yeah, it's Hangover. Did you know when you're making that, you're like, this is really good.

[Sam Morril]

I think we knew that we were having, like, an unprecedented amount of fun, and so we all felt like we were onto something. There is never. At that point, none of us were very well known, so there was no sense that, like, oh, this is going to be a hit. But we definitely knew we were making something that we were going to love.

[Joe DeRosa]

Yeah.

[Sam Morril]

And be proud of, and we would hope people would see it. And honestly, I think that energy is what that's like. I think that carries projects is like, when you can feel that the team involved, whether it's the cast and sometimes the crew and everybody is like, when you can feel that they're psyched. It doesn't matter if it's a comedy or a drama or an action movie. When you can feel the cat. I would say the same thing about the Office. Like, everybody on the Office loved the Office and loved making it and loved being in that conference room together and cracking each other up. And that, I think, is like, this intangible magic that makes the product good. And that love that a cast brings to something is what sort of opens the door for an audience to. To feel that way.

[Joe DeRosa]

You can feel it on, like, those Seth Rogan, Franco, Mov. They're. They're actual friends. You can feel them. Not anymore, but they're actual friends. And you can feel it in the. In the. The movie for sure.

[Sam Morril]

This is the end.

[Joe DeRosa]

Yes. Pineapple Express.

[Sam Morril]

I love. Yeah, I love those movies.

[Mark Normand]

They're so good. That was like a crazy stretch, like, we really took for granted. I was sick a couple weeks ago when I love you, man just came on. I was like, oh, this is funny. I forgot. These are just all funny.

[Sam Morril]

Oh, my God. Samberg in that movie.

[Mark Normand]

Yeah.

[Sam Morril]

Is just.

[Joe DeRosa]

He's great. We used to have comedies. It was like.

[Mark Normand]

I mean, that was. But that was like, a crazy amount of hit comedies at once.

[Joe DeRosa]

Yeah.

[Mark Normand]

Like forgetting Sarah Marshall was on, too. I was like, this is hilarious.

[Joe DeRosa]

Isn't that weird? Because my agents always, like, comedies don't play well in theaters now. And you're like, but that's what's supposed to be a theater. Comedy and horror are great for theater or for movie theaters. Should be where still hits or hits. But you know, they say comedy in a movie theaters no go anymore.

[Sam Morril]

Which is insane because you would think like, like, comedy clubs are a thing because people like to laugh together.

[Joe DeRosa]

Yes.

[Mark Normand]

I think that might be hurting. It is. How many live acts are on the road right now? I think people are like, I'll just go See this live show.

[Sam Morril]

Wait, was it.

[Mark Normand]

I think there's so many live shows in any city at a given time that they're like. Instead of going. And there aren't that many comedies being made. So I think those two combined. How many comedies are in the theater, first off? And then secondly, like, oh, there's eight comedians doing a show. There's all these comedy clubs or theater act comics, you know, and at a.

[Joe DeRosa]

Comedy club, you're going to get the Elon Musk jokes, you're going to get the Trump jokes, you're going to get that. I think people are craving that because the news is top bonkers. Yeah. And you're not going to get that with a comedy movie.

[Sam Morril]

Yeah.

[Joe DeRosa]

It's just a movie about a lady who's autistic and.

[Sam Morril]

Okay.

[Joe DeRosa]

Or whatever.

[Sam Morril]

All right.

[Mark Normand]

We hope it comes back. We're trying to make a movie right now. We. We want comedies. And I love seeing a comedy movie in a theater.

[Joe DeRosa]

Oh, yeah. Especially a black theater.

[Mark Normand]

Yes.

[Joe DeRosa]

Nothing better. I saw American Pie and a black theater, and that was. That added an element. Popcorn, fly and riffing, you know, their own jokes. It was great.

[Mark Normand]

I saw 12 Years a Slave in a white theater. Not a good experience. Oh, boy. It wasn't good. When you're on the Office. We were talking about that before. Matt and I were talking about that before you came here, about how you showed up. It was season three, Right?

[Sam Morril]

Correct.

[Mark Normand]

That's a hard thing to be, the guy who shows up and becomes a fan favorite, like, I think about, like, Married With Children. And when Jefferson showed up and people wanted to hate that guy. You know what I mean? I know it's a different show, but, like, I think that guy was great on Married with children.

[Joe DeRosa]

Ted McGinley.

[Mark Normand]

Yeah, he's hilarious.

[Joe DeRosa]

Yeah, he was in a bunch of.

[Mark Normand]

Comedy, but, yeah, you. I mean, you're kind of like the enemy of Dwight. You show up and you become like. You just embrace it, man. It's great.

[Joe DeRosa]

Tough shoes.

[Sam Morril]

Yeah. You know, it was that there was something about that moment where the show had decided to kind of bounce Jim over to this Stamford branch, and so that obviously needed a cast. It wasn't. We weren't introduced as an intrusion into Dunder Mifflin. We were sort of introduced as this kind of satellite thing, and I think that made it easier for fans to sort of digest. And then I would also just share that, the cast and the writers and the whole sort of office community when we showed up. And when I say we, I mean, Chip Esley, who Played our boss there in the Stanford branch. And Rashida, you know, when we showed up as these new characters, we were so embraced by the cast and everyone. You know, I think there are situations where, like, cast members can feel threatened by new people or there'd be sort of bad mojo or bad energy, like, hold on, we're just a czar show. But there was none of that. And the writers were so excited and to welcome us. And again, like, that's the energy that we're feeling and the cast is bringing and audiences feel that too. I think all of that sort of comes through the screen and it was, it made it so much easier. I felt like we just got landed in this nice warm basket. Yeah, it was, it was, it was amazing.

[Joe DeRosa]

I mean, it's. The show is just never not on. My wife watches it to fall asleep. No offense, that sounds bad, but like, it's just so.

[Mark Normand]

It's a comfortable. It's a comfortable watch.

[Joe DeRosa]

It is, yeah. Now, wait, I didn't know you did standup. I'm an idiot.

[Sam Morril]

Oh, yeah.

[Joe DeRosa]

Really? Yeah. In New York.

[Sam Morril]

Oh, yeah.

[Joe DeRosa]

Oh, wow. Was that, was that the. The entrance to comedy?

[Sam Morril]

That was, that was the on ramp.

[Joe DeRosa]

Wow.

[Sam Morril]

Yeah. Cuz I, I, you know, like everybody else, I, I wanted to be on Saturday Night Live or, you know, something like that. And, and so I moved here right after college. I went to college in Ohio and I moved here and almost right away just started. I mean, at that time, I, I don't even think the Internet was much of a thing. This was like 97. So there was Internet, but it was like I found all the holy. Well, so that was my. That's when I. That was my big appearance on.

[Mark Normand]

You look like Dwight here. This is crazy, right?

[Joe DeRosa]

Wow.

[Sam Morril]

But you made baggy jeans.

[Mark Normand]

Yeah.

[Joe DeRosa]

You made it to tv. So this is you. You got there.

[Sam Morril]

Yeah.

[Mark Normand]

When was Daily Show? When did that start?

[Sam Morril]

That started 2002 for me.

[Mark Normand]

Yeah, that cast that you were on is like. That's like the 70s SNL cast before the show. That's a crazy cast.

[Joe DeRosa]

Who are we talking? John Oliver? Or was that pre?

[Sam Morril]

Oh, no, very pre. John. When I started Lewis Black. Well, actually, when I. When I first started, Steve Carell was still on it. Oh, yeah. So there it is. So we overlapped. There's a cast photo from that time. Might be that big one there. Yeah, that's the one.

[Mark Normand]

Did that have anything to do with you getting on the Office or just a coincidence?

[Joe DeRosa]

It all helps.

[Sam Morril]

Yeah, I think it's up. But that's the One that I was.

[Mark Normand]

Wait, zoom in.

[Sam Morril]

Was like, right when I started. So you had Lewis Black, Mo Rocca, Colbert, Corel, Nancy Walls.

[Joe DeRosa]

Oh, yeah, I had a thing for her.

[Sam Morril]

Rob Cordry, obviously. And DiCario. Right. Wow.

[Mark Normand]

And a tell was on, like, right before that. Right?

[Sam Morril]

Yeah, there were.

[Joe DeRosa]

Wow.

[Sam Morril]

Yeah. And I think Vance DeGeneres was also. I overlapped with for a minute, a Whitney Brown.

[Joe DeRosa]

Oh, yeah.

[Sam Morril]

Who had been on Saturday Night Live and.

[Joe DeRosa]

Right.

[Sam Morril]

Was on this. Was on the Daily Show.

[Joe DeRosa]

But this white. Isn't that wild? It's a different time.

[Sam Morril]

It is very, very, very much so.

[Joe DeRosa]

It's like a diner in the 50s.

[Sam Morril]

But I think that's two. That's around 2000. That must be 2002. Yeah, that was right when I started. I couldn't be more thrilled to be in that photo. I remember that photo shoot. I just was like, I can't believe I'm sitting here with people.

[Mark Normand]

I remember Colbert and Crow that. Steven versus Steven. That was like a crazy era of just.

[Sam Morril]

Yeah.

[Mark Normand]

Really funny.

[Sam Morril]

Yeah.

[Joe DeRosa]

How much talent there.

[Sam Morril]

But then after that, it. It pared down to this when it. Then there was a. A good, like, two years where it was just Sam B. Rob Cordry, Stephen Colbert, and me as the. As like the four correspondents.

[Joe DeRosa]

Was that scary? Because they kept whittling down. It was like a reality show. You get eliminated.

[Sam Morril]

It was thrilling. I mean, we were. We were so busy. It was. That was also a time when. When we just did field pieces relentlessly. And that's honestly what kind of crushed New York for me. I was in and out of the city so much on the basic cable budget travel. So it was like La Quinta Inns on, you know, Southwest Airlines to Homer, Alaska, or like all over the country, in and out of New York City airports, which if you do constantly. Because the New York City airports are. Are hard to get to.

[Joe DeRosa]

Yeah. We know, like, we're on the road every week.

[Sam Morril]

It's just. It's. It's. It's crushing. It's crushing over time.

[Joe DeRosa]

Yeah. Making those flights. Security.

[Sam Morril]

Yeah.

[Joe DeRosa]

Terminal. What seat am I in? It's brutal.

[Mark Normand]

Oh, and you get sick all the time. Yeah. I think about the early years of the road and how grueling they were that now when you have any comfort in travel, I'm like, this is incredible. You know, you really. You really don't take anything for granted.

[Sam Morril]

Yeah, but it was.

[Joe DeRosa]

So you made it heady days.

[Mark Normand]

Yeah.

[Sam Morril]

Yeah.

[Joe DeRosa]

But you did it. You. You did the stand up. You got the. The premium blend. Then you Got the Daily Show. This is like a textbook career here.

[Sam Morril]

Yeah. And there was of improv mixed in there. After, after about three years of like grinding and stand up, the Upright Citizens brigade was emerging, I remember. And I was like, I want to, I want to join that, that crowd that they're doing really cool stuff. So I did that and it was kind of a mix there.

[Joe DeRosa]

Wow, man, what a, what a career. What a run. That is wild.

[Sam Morril]

Yeah.

[Joe DeRosa]

Do you remember any old bits?

[Sam Morril]

Old Stand up.

[Joe DeRosa]

Yeah, Give me, give me like your, your big. A foolproof bulletproof. Never failed zinger.

[Sam Morril]

Let's see.

[Joe DeRosa]

No N word. Please keep it clean.

[Sam Morril]

So, so this, this is one that I, that was pretty reliable. There was an ad for, I think like American Airlines at the time. And the slogan was the way you'd run an airline. And I was like, the way I'd run an airline. I don't know how to fly a plane. I don't know. You'd get on an airplane, it'd be like, ladies and gentlemen, I gotta be honest with you, I have no idea how to fly this plane. Is it cool if we just drive to Phoenix? Just so you know, you'll all be getting lap dances in about five minutes and yeah, just, you know, right on and on.

[Joe DeRosa]

That's great.

[Mark Normand]

That's cool.

[Sam Morril]

Wow.

[Mark Normand]

You feel like your voice as a stand up is similar to the characters you play in movies and stuff.

[Sam Morril]

Maybe a little bit of, maybe a little bit like Andy Bernard. You know, one of my big influences was Brian Regan. So the way that Brian would, the way I loved Brian's and Gaffigan does this a lot too. Like they kind of play idiot versions of themselves. So they'll set up a story and then they'll kind of play themselves as the, as the adult in the story and their voice changes a little bit. And so I kind of took after that. Like, that was, that was. I just loved that type of joke writing and storytelling and, and so, yeah, that the voice that I would take on as the sort of idiot version of myself may have kind of crept into Andy Bernard a bit. But otherwise, no, I don't think so.

[Mark Normand]

Like, Stu, you still have like stand up thoughts?

[Sam Morril]

Oh, yeah, yeah, for sure.

[Mark Normand]

We do a thing like, called working on any bits.

[Sam Morril]

Yeah. Oh, I got a whole list.

[Mark Normand]

Oh, man.

[Joe DeRosa]

Shut up.

[Sam Morril]

Yeah.

[Joe DeRosa]

Really?

[Sam Morril]

I keep it going.

[Mark Normand]

Can we talk about something?

[Sam Morril]

Sure, yeah. I, I, I do, I still do stand up occasionally. Like at, mostly at, at Largo in, in la, sure. But yeah, you want to. Let's see.

[Joe DeRosa]

Oh, boy.

[Sam Morril]

I'll give you a dry run on a couple of things.

[Joe DeRosa]

Oh, by the way, check out the book snafu.

[Sam Morril]

Can we talk about the book?

[Joe DeRosa]

Of course.

[Sam Morril]

Guys, I'm on my book tour for.

[Joe DeRosa]

Guys got the book here.

[Sam Morril]

I'm telling you my, my dumb jokes that, that I, that I put no thought into. I've just put it a little. Meanwhile, I spent years pouring my heart into this book.

[Mark Normand]

We can do both. We can do both.

[Joe DeRosa]

Do book. First you want to stand up.

[Sam Morril]

Let's talk book. Let's tease the stand up.

[Joe DeRosa]

It's okay.

[Sam Morril]

And talk book.

[Mark Normand]

It's an awesome idea for a book. It's, it's, it's really cool, man.

[Sam Morril]

It's, it's, it's spun out of my, my podcast. I started a podcast a couple of years ago called Snafu. And, and it's, it's really, really. I'm insanely proud of it. It's, it's. There are three seasons out now. The. Each season is like a deep dive. It's like a heavily produced, like immersive audio production into one major historical snafu. A SNAFU being a disaster.

[Joe DeRosa]

Is it a.

[Sam Morril]

It's an acronym.

[Joe DeRosa]

Acronym. Sorry.

[Mark Normand]

Something up?

[Sam Morril]

Yeah. Situation Normal all up.

[Mark Normand]

Yeah.

[Joe DeRosa]

Oh, it's meaning it's like fubar.

[Sam Morril]

Exactly. Yeah.

[Mark Normand]

Or fubu.

[Sam Morril]

Yeah.

[Joe DeRosa]

FUBAR up beyond all recognition.

[Sam Morril]

Exactly. And, and so the podcast was just this sort of marriage of my kind of nerdy love of history with. Well, like what's, what's funny about history? Well, obviously the screw ups are funny.

[Joe DeRosa]

Yeah.

[Sam Morril]

And so, you know, we built this great team. We've got, I've got a bunch of researchers that help out with the podcast and help put it together, audio producers and. And then also we just had a flood of ideas and I was like, I'm putting this in a book. And the book is, is different from the podcast in that. In that it's a book and not a podcast. But it's different because it's just basically a compendium of snafus as opposed to like a deep dive into one thing.

[Joe DeRosa]

Yes.

[Sam Morril]

So every chapter, there's 31 chapters and they're all different. Each one's a new a different snafu. So it's perfect for. To just like pick up at the beach and open up anywhere and just read a chapter.

[Mark Normand]

Can you tease a snafu for us?

[Sam Morril]

Oh, hell yeah. There's so many great ones. So it's divided into decades, 50s to the present and, and let's see.

[Joe DeRosa]

Gotta be a Lot of military snafu.

[Sam Morril]

Yeah, it's a lot of like CIA, FBI, one of my all time.

[Mark Normand]

Pearl Harbor. That was a snafu.

[Sam Morril]

Big snafu. No, but that's actually. You bring up a good point. So they're. You're not going to find a lot of things in the book that you've heard of. So that was part of my like curatorial decision was to kind of like not do World War II but. Or like the Titanic. It's more kind of obscure stuff.

[Mark Normand]

So, so funny to think of the Titanic as a snafu.

[Sam Morril]

Yeah.

[Joe DeRosa]

Whoops.

[Sam Morril]

Whoopsie.

[Mark Normand]

Wow.

[Sam Morril]

So let's see. The, the. In the, in the 1950s the Cold War is heating up. The Soviets and, and America are both trying to flex nuclear power, right. So somebody in the CIA gets this brilliant idea. Maybe we can shoot a nuclear missile at the moon and detonate, you know, a nuclear, a nuclear explosion on the moon. The Soviets will see it and they'll be shaking in their boots. Right. Because they'll be so rattled that we can we have the firepower to hit the moon with a nuclear weapon.

[Joe DeRosa]

Movie premise. Well, strange love shit.

[Sam Morril]

It is. It's literally strange love. And there's a lot of stuff like, I'll tell you more, it's like very strange love level stuff. A lot of this stuff feels like it was written by comedy writers, but it is sadly real. And Carl Sagan, when he was right out of grad school, worked on this particular project. They eventually realized, you know what, it's probably not a good idea because if anything goes wrong, if we miscalculated at all, it's very probable that the missile could slingshot around the moon and come back and hit the earth. It was. They also realized that it really probably wouldn't even be visible from the earth. You know, the thinking being it'd just be like a little dust cloud or something. But just the idea of nuking the moon and like getting as far as they did is absolutely insane. There's there, there's another great story about, let's see. Oh, the CIA tried to basically weaponize cats. So, so everyone knows cats are, can hear really well because their ears are kind of that, that cup shape and they can turn, they're directional. So someone hatched the brilliant idea to surgically implant microphones into cats ears and then train the cats to go and like sit next to bad guys in the park so you could listen in and do your espionage.

[Mark Normand]

Just scratching sex offenders in the park.

[Joe DeRosa]

Yeah, every villain has the cat on the lap. You get all the info?

[Sam Morril]

I guess so. But. But what they failed to take into account is that it's. It's real hard to train a cat to do pretty much anything.

[Joe DeRosa]

So there's no cat in the police or the fire department?

[Sam Morril]

Yeah, there, there are canine units.

[Joe DeRosa]

Exactly.

[Mark Normand]

Sniffing dogs.

[Joe DeRosa]

Yep.

[Mark Normand]

I get nervous when I see them at the airport. Even though I don't have drugs on me.

[Joe DeRosa]

Same.

[Mark Normand]

I get uncomfortable.

[Joe DeRosa]

Yeah, you got to do that walk. And they, they let the dog sniff you. You're like, how do you know where I've been? You know, I've been at a party last night. But yeah, that's great. It feels very male. I feel like there's a woman, one woman in the room. She'd be like, wait, wait, shooting a rocket at the moon. Come on, Phyllis.

[Sam Morril]

I think you're a hundred percent right. I, I totally agree with you. And it does like they're. There's another. I get into all the ways that the CIA tried to assassinate Fidel Castro or explored like, different. Yeah, that was one of them. But there were over 630 plans.

[Mark Normand]

600 and thirty. What's the weirdest one?

[Sam Morril]

Well, the weirdest. They tried to train a cat to bite his face off.

[Joe DeRosa]

They was a sloped roof.

[Sam Morril]

The weirdest one. Okay, so they, they tried to hatch a plan where someone would put thallium salts into his shoes. This is a particular kind of toxin to humans that makes your hair fall out. And the thinking was that if they can get Fidel Castro's beard to fall out of his face, then he will, his. He will lose his manhood and lose his, his leadership over Cuba.

[Joe DeRosa]

Right.

[Sam Morril]

Which is so Looney Tunes. Like what? It's like how many steps. But this was, this was explored. And even it got to this stage of like almost attempting. And when you look at this, the list of ideas, and you start to think about how absurd they are and how crazy they are, it really does feel like a comedy writers room.

[Joe DeRosa]

Totally.

[Sam Morril]

Like sitting around just pitching the dumbest shit.

[Joe DeRosa]

That's where they need a doge to go in and like look up all the fucked up, wacky ideas. We're going to get his beard out. That'll kill his ego.

[Mark Normand]

I remember hearing something a long time ago about Che Guevara. The doctor said, you gotta only do two cigars a day because it's killing you. And she just started smoking cigars like this long. What a cool move. Yeah.

[Joe DeRosa]

Damn, that's great. I had a baby recently that was a snafu. But this Is great. I can't wait.

[Mark Normand]

This is interesting stuff.

[Joe DeRosa]

This could be a movie or, like a TV show.

[Mark Normand]

A lot of them could be movies. Yeah. Or series, like miniseries.

[Sam Morril]

Yeah.

[Mark Normand]

I mean, you do a podcast, but.

[Sam Morril]

Or it could be like a history of the world type movie, like Mel Brooks style. Yeah, just do all of them in one movie.

[Joe DeRosa]

Totally. All right, well, get the book, folks.

[Sam Morril]

Check it out.

[Joe DeRosa]

And check out the Pod Nafu.

[Mark Normand]

What's the best place for people to buy it?

[Sam Morril]

Basically, today is. Well, I don't know when this will air, but today is publication day. It's anywhere you get your books. And a really easy place to go is just snafu-book.com. i also did the audiobook. I read every single word.

[Joe DeRosa]

Wow.

[Mark Normand]

Was that exhausting?

[Sam Morril]

It was kind of took a long time.

[Joe DeRosa]

Yeah, you got to do it in chunks. Just don't hate yourself.

[Sam Morril]

Yeah.

[Joe DeRosa]

All right.

[Mark Normand]

You ever think you'd write a book?

[Sam Morril]

No, I didn't. I started, I guess, a few years ago, I started to think. I got some funny ideas. I got some fun stuff to say, and it started to become this possibility. And. And also, like, my agent was kind of like, hey, you're writing a book. You ever think about writing a book? I'm like, all right. Because, you know, people write books, and it's. It can be a fun outlet and just another creative outlet. So I didn't have an organizing principle for it. I didn't have. It wasn't a spark. Until I started working on snafu, the podcast, and I was like, pretty early on, I was like, there's. There's a book in here. Like, something's going to come out of this in book form, and here it is.

[Joe DeRosa]

You think Hitler's agent did that? Like, you're doing so great. Write a book.

[Sam Morril]

And he's like, I already did.

[Mark Normand]

No one.

[Sam Morril]

I'm doing water. I've been doing watercolors. Nobody likes those.

[Joe DeRosa]

All right, come on, give me one bit.

[Mark Normand]

Hell, One bit.

[Joe DeRosa]

Give me something.

[Sam Morril]

All right.

[Joe DeRosa]

And you're. You seem pretty like a clean comic. Were you clean?

[Sam Morril]

I mean, I said bad words, but.

[Joe DeRosa]

No, you weren't going.

[Mark Normand]

Well, he also said Gaffigan and Regan. That's why you're thinking clean, right?

[Joe DeRosa]

Maybe. Right?

[Sam Morril]

Yeah, Yeah, I think I. Yeah, I was generally. I did a bunch of, like. I did, like, some corporate shows and college gigs and stuff, and I was. Yeah, I was generally pretty clean.

[Mark Normand]

When you did college, they send you out with other comics?

[Sam Morril]

Oh, yeah.

[Mark Normand]

Who do you go out with?

[Sam Morril]

I did a really crazy Tour once with Christian Finnegan.

[Mark Normand]

Oh, nice.

[Sam Morril]

And. And Doug Stanhope.

[Joe DeRosa]

Wow.

[Mark Normand]

Yeah. Not the three I would have envisioned.

[Sam Morril]

Yeah, well, it was.

[Mark Normand]

We love Doug.

[Sam Morril]

Oh, Doug's. What a. What a just wild character. That one was crazy. We went to. I remember we had a stop at Ohio University, I think, or. No, it was the University of Ohio, and it was parents weekend. And if there's anybody you don't want on stage during parents weekend at your college, it's Doug Stanhoe. Especially in the Midwest, in a conservative area like Ohio. So he gets on stage, and he had. At the time, he was doing a lot of material that was kind of like Christian baiting, you know, like just kind of nitpicking things in the Bible and this and that. And some parents, like, stood up and started to leave or, you know, some audience people started to leave, and one dad stood up and started to heckle him, but it really turned into this, like, theological debate and. And never debate Doug Stanhope on theology or anything, because he's. He. He's just dialed. He's got it all. He's. And he's. He's relentless, and he's quick. Yeah. He's so fast. And. And he. And he has a microphone.

[Joe DeRosa]

Right.

[Sam Morril]

Like, you just. Like, people should know you shouldn't argue with comedians because they have microphones.

[Joe DeRosa]

Yes.

[Sam Morril]

That's always a trump card.

[Mark Normand]

And he's one of my favorite lines. I said it when he did our pod, but when he said, when I do comedy, it's like taking you into war. You're not all going to be here at the end. I love that.

[Sam Morril]

Yeah.

[Joe DeRosa]

Also has a book, I believe.

[Mark Normand]

I think a couple books.

[Joe DeRosa]

Geez, if Doug can write a book.

[Mark Normand]

Yeah.

[Joe DeRosa]

We got to get to work.

[Mark Normand]

Well, he's in Bisbee, Arizona. He's not doing shirts every night.

[Joe DeRosa]

That's true.

[Mark Normand]

Oh, there we go.

[Sam Morril]

That's a good picture on. How recent is that?

[Mark Normand]

It's not too long ago.

[Joe DeRosa]

Weeks ago.

[Mark Normand]

Yeah.

[Sam Morril]

That's awesome. Still cold out, I would say. I would guess this, that the tour that I'm talking about was over 20 years ago.

[Joe DeRosa]

Oh, wow.

[Sam Morril]

Yeah, like 2002.

[Joe DeRosa]

Wow.

[Sam Morril]

Something like that.

[Joe DeRosa]

Damn, boy, you've lived.

[Sam Morril]

Yeah. Oh, I've had a life, boys.

[Joe DeRosa]

And you're 51. You look amazing.

[Sam Morril]

Oh, thank you.

[Joe DeRosa]

How do you do it?

[Mark Normand]

Yeah. What is that? What. What kind. What are you doing?

[Sam Morril]

Well, I inject cocaine into my eyeballs. Um, you know what's funny is, like, I like you pulled up that premium blend clip, and, like, I'm in better shape now than I was. Yeah, like I didn't, I just didn't take care of myself for a long time. And people, it's funny, I like, I just, I feel better. I'm more active and I eat better. That's like, that's been my big lifestyle change.

[Joe DeRosa]

That's really all it is. You know, people have all these books on losing weight and getting healthy and you're like, just walk around, eat a salad.

[Mark Normand]

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[Joe DeRosa]

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[Mark Normand]

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[Mark Normand]

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[Joe DeRosa]

Yeah, spread the love.

[Mark Normand]

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[Sam Morril]

Drinking about a couple years, like maybe two years ago, that for me, drinking was like a pathway to food. Like, I was. People get the munchies with pot. I would get the munchies with a buzz, and I would just love to eat. Like, eating became. Was so joyful when I had a buzz. And.

[Joe DeRosa]

And you're eating at four in the morning piece, and you're eating the worst. Yeah.

[Sam Morril]

If you. And. And so when I stopped drinking, I. I just kind of. Without realizing it or without any conscious effort, I was just eating less and better, so I didn't know you could.

[Joe DeRosa]

I was sober.

[Sam Morril]

Yeah, well, I'm not. I just. Because of the heart stuff.

[Joe DeRosa]

Oh, right, right, right, right, right. Damn. What are you, an edible guy? What do you got to have? Advice.

[Sam Morril]

I know. I'm kind of. I'm kind of searching for advice.

[Joe DeRosa]

Killing hookers.

[Sam Morril]

I don't.

[Mark Normand]

Gambling.

[Sam Morril]

I don't. What'd you say, Ambien?

[Mark Normand]

No, I said gambling, but I didn't know if he was gonna throw out killing hookers before. Really?

[Sam Morril]

Yeah. He heightened you. Yeah, I had.

[Mark Normand]

I had it coming out as he said. I was like, oh, gambling's not that bad. As bad as killing. We could do both in Vegas.

[Joe DeRosa]

That's true.

[Mark Normand]

Or Reno.

[Joe DeRosa]

Yeah.

[Mark Normand]

Yeah.

[Sam Morril]

AC yeah, I've tried both. They don't do it for me.

[Mark Normand]

No. But that would suck to kill a hooker. And you're like, yeah, not for me. Yeah, it's my thing. Yeah.

[Joe DeRosa]

I've tried getting to gambling, but I just lose every time. So it's. I can't get into it because I never win.

[Mark Normand]

I don't. I don't enjoy winning as much as I hate losing and gambling.

[Sam Morril]

Yeah, I think you're right.

[Mark Normand]

I'll do. I can do sports betting. I'll do like this in my phone And I still enjoy the game even if I lose. What I do is I bet on the Knicks, and I'm just like, all right, if they lose, I'll be mad anyway, so who cares if I lose some money?

[Joe DeRosa]

True.

[Mark Normand]

But if I'm playing, like, blackjack and I lose a few hundred, I'm just, like, fucking angry.

[Sam Morril]

Yeah.

[Joe DeRosa]

Same.

[Mark Normand]

Well, if I win, I'm just like, whatever.

[Sam Morril]

I think. You know, we spent so much time in Vegas on those hangover movies that I just got kind of bored of be. Because we were just in. We stayed at Caesar's palace, and I would just be like, you're, like, walking through the casino. You're working your ass off, and. And any kind of, like, any feeling that, like, maybe some gambling would be fun, you're just too exhausted, and you're walking by it, and then you get kind of, like, sick of the noise and the smells and the vibe, and you're like, I just don't want to hang out in here. The other thing I realized, though, playing. Because I. I enjoyed playing blackjack, but I realized that. That you don't. That the. The whole idea of, like, making money. Gambling is such a myth because you don't stop gambling until you lose.

[Joe DeRosa]

Yes.

[Sam Morril]

Right. So, like, is something. Something, like, clicked for me where I was just like, why do I never walk away from the table with money? And I was. And it just. I was like, because it's not fun until. Or it's like, you don't.

[Joe DeRosa]

You're up.

[Sam Morril]

You don't have that tension.

[Joe DeRosa]

Yes.

[Sam Morril]

Until you're losing and you're getting angry, and then you're like. That's when you have to walk away.

[Mark Normand]

When you're drunk, and it's like 4 in the morning, and you're just like. They're like, we should leave. And you're like, all right, let me just throw it all on this next. Yeah.

[Joe DeRosa]

Yeah.

[Mark Normand]

The hell am I doing?

[Joe DeRosa]

I know. Just check. Cash out. But that's too much work.

[Mark Normand]

It's interesting that you spend all that time in Vegas for the hangover because you have to be kind of beaten down by the end of that movie. And you are probably beaten down just from being in Vegas.

[Sam Morril]

Yes. Yes.

[Joe DeRosa]

Well, there's a. There's a moment where Vegas gets sad. You know, first you get to Vegas, like, whoa. The third day, the noises, the money. And then after a while, you're like, this place is bumping the respirator. The guy with the limp. The lady and the rascal. Yeah. There's too many sad things.

[Sam Morril]

And we were shooting in, like, parts of Vegas that you. You don't go. Like, people don't it. And. And so we were getting a kind of sense of.

[Mark Normand]

Of a.

[Sam Morril]

Of just. I don't know, like. Yeah, not. Not so much an underbelly, but just kind of like, not fun. Like, this is the. These are parts of Vegas that are sort of like mundane city. And it's like, hot and green.

[Joe DeRosa]

Yes, yes. And fat people. So many pigs.

[Sam Morril]

Oh, boy.

[Joe DeRosa]

Can I ask about Todd? Phil, of course. The guy is, like, a phenom.

[Sam Morril]

Yeah.

[Joe DeRosa]

And I've listened to so many interviews with him where he hates the studio because they won't give him any money. They don't believe in him. Like, he had to push for Galifianakis, I heard. And they were like, we don't know this guy. It's not good for the movie. We're trying to sell tickets. And he was like, no, no, he's great. And then, of course, he killed it.

[Mark Normand]

I mean, you say Caesar's palace, that line is like. I think every time I see it, it's just where the real Caesar lives. Yeah.

[Sam Morril]

Is this real Caesar's.

[Mark Normand]

It's incredible.

[Joe DeRosa]

And even made Joker, and Joker was awesome. We won't get into the sequel, but, you know, the guy is so great. Do you think he's. Is he appreciated yet? Does he have the respect?

[Sam Morril]

Gosh, I think so.

[Mark Normand]

I think.

[Joe DeRosa]

I hope so.

[Mark Normand]

But you look at how you're talking about.

[Sam Morril]

I feel like he's one of the greats.

[Mark Normand]

Yeah.

[Joe DeRosa]

I agree.

[Sam Morril]

Not just in comedy. Like, he's like. I mean, I have. I just am so indebted to Todd, and. And I love the man so deeply, but I also. If I step back from that, I'm like, He's like Sidney Pollock level. Like.

[Joe DeRosa]

Oh, yeah.

[Sam Morril]

He's like.

[Joe DeRosa]

I agree.

[Sam Morril]

Old school. But it's that combination of a guy who has delivered movies for the fans and the. The. The studios make money.

[Joe DeRosa]

Yes.

[Sam Morril]

Which is like, a rare, broad comedy.

[Mark Normand]

That are actually really good.

[Sam Morril]

Yeah. And not just broad comedies. I mean, Joker, too.

[Mark Normand]

Like.

[Sam Morril]

Like, these are. These are huge movies and huge endeavors and, like, just, you know, creative. It's like you just pour your whole life into these things for years, and. And he delivers.

[Joe DeRosa]

So you think he was obsessed with, like, the Blues Brothers, the Animal Houses of the World, the Caddyshet. Was that his bread and butter as a kid?

[Sam Morril]

I would say yes. But. But he had the kind of. He had a little bit of a different. What am I trying to say? He had so, yes, he totally got all those movies. And he was very close with Ivan Reitman and Danny Goldberg, who produced a bunch of, like, Animal House and other movies. He produced the Hangover.

[Joe DeRosa]

Oh, wow. I didn't know that.

[Sam Morril]

And. And I. And I. So I think, yes, all those movies informed Todd's comedy. But. But what really set the Hangover apart at that time was that he didn't shoot the Hangover like a comedy. He had this, like, the foresight to really make the movie feel and look like a gritty. Almost like a western or a mobster movie or something like an action thriller. And that. That was the sort of aesthetic of the movie.

[Mark Normand]

You have a missing friend, like, that is kind of dramatic.

[Sam Morril]

Yeah. And then so the visual. And of course, Larry sure was the dp and. And. And he's brilliant. And they're. They're. They're unbelievable. Force of nature as collaborators. Larry also shot. He shot all three Hangovers. He shot the. Both Jokers and I think won an Oscar for the first one, right?

[Joe DeRosa]

Probably.

[Sam Morril]

I think so. But anyway, Larry's a genius, so. So they. They just kind of figured out, like, if we shoot this comedy more like. Like how Scorsese would shoot a movie or, you know, like Casino, then.

[Joe DeRosa]

Yeah.

[Sam Morril]

Then. Then it will heighten the comedy stakes so much more. And nobody had really done that until that moment. I think there was a lot that came after it, that. That now when you look back at the Hangover, it might not feel that unique or the look might not feel that unique, but when it came out, it was like. Yeah, I think that look really startled people in an exciting way.

[Joe DeRosa]

Yeah, it feels more legit. I mean, it's kind of like, is this Reitman or Landis? Like, what's the movie with Eddie Murphy? Trading Places.

[Sam Morril]

Oh, Landis. Yeah.

[Joe DeRosa]

That is like a real movie that happens to be hilarious.

[Sam Morril]

Yes, you're right. It looks like a brutal land is.

[Mark Normand]

48 hours the other day, same thing.

[Sam Morril]

It's like a great comedy that's funny. That sounds like barely has moments.

[Mark Normand]

Yeah, but Eddie Murphy's hilarious.

[Sam Morril]

Yes, he has. There's a couple of big funny set. Yes, but, but, but, yes. I asked. Trading Places is. Is so funny and so legit looking. Yeah, it's a good. It's a very grounded look for an extremely silly movie.

[Joe DeRosa]

Yes, exactly.

[Sam Morril]

Oh, man.

[Mark Normand]

What else is like that? What are other movies that are like.

[Joe DeRosa]

Beautifully shot comedy Coming to America looks pretty cool too. It looks like a real movie, but I think that's Landis as well.

[Sam Morril]

Naked Gun. No.

[Joe DeRosa]

Great movie. Airplane.

[Mark Normand]

Yeah.

[Joe DeRosa]

Trying to think.

[Mark Normand]

Yeah. I'm thinking, like, straight comedies, though, because there's others. You think, like, action comedies don't count.

[Joe DeRosa]

That look good, you're saying. Yeah, well, Thunder was amazing.

[Sam Morril]

Yes, that's a good example.

[Mark Normand]

Great one.

[Sam Morril]

You know what else. You know what else I think is like, that is the Holy Grail. Monty Python's the Holy Grail, which Terry Gilliam directed.

[Mark Normand]

And he did, like 12 monkeys as well.

[Sam Morril]

Yeah, yeah. Well, if. If you watch Holy Grail, like, it's grimy. It's like, it looks medieval. Like they really committed. It's not like Camelot, you know, where everybody's like these. Everybody's in Shiny Night. Like he. John Cleese, I read would. Would get so exasperated because whenever they were setting up shots, Terry Gilliam was just like, more mud, more mud. Everybody's got to be more covered in mud.

[Joe DeRosa]

Yeah.

[Sam Morril]

And. And it. It. I don't know, it heightens the comedy. Life of Brian is the same way. It looks like it's like gritty Middle Eastern.

[Joe DeRosa]

Yeah.

[Sam Morril]

It's like it. It looks like dusty Samaria, you know, like ancient. Yeah, look at that. They're. Everyone's filthy.

[Joe DeRosa]

Yeah. They had a lot of mud on the bottom of those robes.

[Sam Morril]

Yeah.

[Joe DeRosa]

Now let's get to those.

[Sam Morril]

By the way, that's. That's Terry right there, where he's one of the. The. That just to the right of. Of the. Of Of. He's one of the guys with the coconuts.

[Joe DeRosa]

Oh, really? That's.

[Sam Morril]

That's Terry Gilliam to the shorter one. Yeah.

[Joe DeRosa]

Oh, wow, That's. I didn't know that.

[Sam Morril]

Yeah. Okay.

[Joe DeRosa]

And those guys had a run.

[Mark Normand]

Let's try just one or two.

[Joe DeRosa]

Yes. Just pick a good one so we can really, on you. Make you feel horrible about this segment. Just kidding.

[Sam Morril]

So.

[Joe DeRosa]

So.

[Sam Morril]

These are fragments, right?

[Joe DeRosa]

Okay.

[Sam Morril]

Okay. So this time that, That. I was just walking through an airport and a fan came up to me and she was like, oh, my God, I'm such a big fan. Do you mind if I hug you? And I. I said yes. And meaning, like, yes, I mind.

[Joe DeRosa]

Yeah.

[Sam Morril]

Like, I. I do have boundaries.

[Joe DeRosa]

Right.

[Sam Morril]

But she took it as like, yes, hug me.

[Mark Normand]

And she.

[Sam Morril]

It. You know, there's something there.

[Joe DeRosa]

Maybe there's a, you know, a gender thing.

[Sam Morril]

Yeah, I gotta. I gotta. I gotta. I gotta set it up a little better.

[Joe DeRosa]

Also reminds me of the Seinfeld. Kesha.

[Mark Normand]

I know.

[Joe DeRosa]

She. She couldn't believe it. It was like her brain malfunction. Like, wait, what? I can't hug You I did kind.

[Mark Normand]

Of feel for in that moment.

[Joe DeRosa]

I did, too. But I also loved every second.

[Mark Normand]

Yeah. I love that he. That he put the hand up.

[Joe DeRosa]

Yeah. Yeah. He's like, hey, I never said you could hug me. She couldn't believe it.

[Mark Normand]

That could be a fight with the wife, too. Just start hugging hot pop stars.

[Joe DeRosa]

Good point. Oh, here she comes.

[Mark Normand]

People are tired most of the time.

[Joe DeRosa]

Women. I don't think hot women here know a lot.

[Mark Normand]

No, thanks.

[Sam Morril]

No, thanks.

[Joe DeRosa]

Yes. It sucks being rejected.

[Sam Morril]

I love that so much.

[Joe DeRosa]

That's the best. Big chin in the back.

[Sam Morril]

Yes.

[Mark Normand]

Oh, my God. That is it. Look at. That's. He is bloated there.

[Sam Morril]

No, thanks. No, thanks. With the hand. Oh, so perfect.

[Joe DeRosa]

And she even tried, like, two more times. You're like, hey, hey. No means no, sister.

[Mark Normand]

Oh, Jer.

[Joe DeRosa]

It's his birthday today.

[Sam Morril]

Is it? Oh, there's an. There's an ice cream place in LA that. That's like. It's like an ice cream shop. And it says it's homemade ice cream. And I'm like, what. What does that mean? It's a store. This. This is no one's home. Like, is there? Unless you're sleeping in the back and. And you're like, like, is this. The people who work here, like, live here in the store? Yeah, that.

[Joe DeRosa]

Is there a nana working around the clock?

[Sam Morril]

Yeah. Come on.

[Joe DeRosa]

How.

[Sam Morril]

How is this home? Or do they make it in their apartments?

[Mark Normand]

Like, it's like when a restaurant says, hand cut fries, and you're like, I don't care. You cut them. Are they cut good? I don't care.

[Sam Morril]

Somebody cut their hand.

[Joe DeRosa]

Or there's a bodega. It's like, world famous bodega. You're like, this will be gone in a year. There's a cat in here. What are you talking about?

[Mark Normand]

Then you get, like, famous rays. Famous original rays. Original rays.

[Joe DeRosa]

Yes, exactly.

[Mark Normand]

It's a mess.

[Sam Morril]

There's something to. When I'm helping my kid with. With her homework, and, like, I know the answer, and it takes all of the restraint I have not to just be like. Like, four times four is 16. It's 16. It's just 16. Just write 16. Like there's something in. There's something in me that. That has to, like, prove I know these. Like a child's homework.

[Joe DeRosa]

Yes. Yes.

[Mark Normand]

Yeah. You'd be a bad teacher.

[Sam Morril]

Oh, I'd be terrible teachers.

[Mark Normand]

They have to guide most people. You just want to be like, no. What are you fucking dumb? Yeah.

[Sam Morril]

Or like, when my kid is reading and you know she's like, still in learning phase of reading, and you just. She's like, struggling with a word, and you're just like, it's pickle. The word is pickle. It's just pickle. And that's. It's not. That's not good parenting.

[Joe DeRosa]

Right.

[Mark Normand]

It must be like when you're struggling at your therapist and their therapist knows the answer, he's like, you just want to.

[Joe DeRosa]

Right?

[Sam Morril]

Exactly.

[Joe DeRosa]

I have that. You ever throw on Jeopardy, and it's the kids Jeopardy. I'm like, oh, I got this. I'm just like, oh, Cleveland Isosceles. You know, Finger Lake.

[Mark Normand]

Celebrity Jeopardy's an easy one, too.

[Joe DeRosa]

Oh, that was. They're dumber than the kids.

[Mark Normand]

That's a good one. Kids versus the celebs. Oh, that might be a show.

[Joe DeRosa]

I like that. Paris Hilton versus a four year old.

[Mark Normand]

She gets crushed.

[Joe DeRosa]

These are solid. Yeah.

[Mark Normand]

The premises. And I like that you're still writing them down. Yeah.

[Sam Morril]

I had a. This is a fragment.

[Mark Normand]

It's pickle.

[Sam Morril]

Now I think it turns into. I think this would turn into one of those, like, Brian Regan type performances. But. But I. I've been accused of falling asleep with my eyes open and. And. And like snoring with my eyes open, which is just an incredibly disturbing visual. This is. Podcasts are an audio. Audio medium. But. But just the idea of, like, seeing someone, like, in an airplane seat who's just like.

[Joe DeRosa]

That'S.

[Sam Morril]

They not know that they're doing, like, because you look awake.

[Joe DeRosa]

Right.

[Sam Morril]

Like, why are you making that sound?

[Mark Normand]

Yeah.

[Sam Morril]

So disturbing.

[Mark Normand]

You got to put on sunglasses, like, at all times.

[Joe DeRosa]

Oh, yeah. Or sleep mask. Do you do that? Really?

[Sam Morril]

It's. It's happened.

[Joe DeRosa]

That's why.

[Sam Morril]

Yeah, it's a weird. Yeah.

[Mark Normand]

That is creepy.

[Sam Morril]

Like, I think. I think I fall asleep, my eyes closed, but then they kind of like, they. They open a little bit. Just a little. This is like a sliver, but you'll.

[Joe DeRosa]

Never get robbed on it. If you pass out on a park bench, like.

[Sam Morril]

Yeah, but if I'm snoring, it's very confused.

[Mark Normand]

That's what Cosby would look for. Their eyes open. He's like, I'm innocent.

[Joe DeRosa]

Right. Okay. These are solid.

[Mark Normand]

All right.

[Sam Morril]

All right, thanks.

[Joe DeRosa]

I got a show tonight if you want to pop on. All right.

[Sam Morril]

Yeah, I'll open for you now.

[Mark Normand]

He's serious. He's got a. The comedy seller.

[Joe DeRosa]

Yeah, it's just 10 minutes.

[Sam Morril]

That's awesome. I can't do it.

[Joe DeRosa]

Okay.

[Mark Normand]

Are you doing a ton of press today?

[Sam Morril]

Yes. Yeah, I've Been bouncing around. I did. What did I do first? I did the View. And, and I did a Cosby jokes there.

[Joe DeRosa]

I have a lot of fun.

[Sam Morril]

What else? Oh, what did I do? Matt, I am totally blown.

[Joe DeRosa]

Oh, hey, Matt. We forgot you were here. Oh, yeah, it's three mats over there.

[Sam Morril]

Yeah. It's just been, it's a little bit of a whirlwind.

[Joe DeRosa]

Yeah.

[Mark Normand]

We won't, we won't keep you too long.

[Sam Morril]

But this is good. This is like, I got a nice comfy bench. I've got coconut water.

[Mark Normand]

This bench is not comfy.

[Sam Morril]

Delightful company. I have a rotary phone. It's very comforting, very nostalgic.

[Joe DeRosa]

Get the book, folks.

[Mark Normand]

Get the book.

[Joe DeRosa]

Snafu, baby.

[Sam Morril]

Yeah. I'm really proud of it. I truly am. Like, kind of can't. Still can't believe that I wrote a book.

[Joe DeRosa]

Yeah.

[Sam Morril]

And it's, it's funny.

[Joe DeRosa]

What's.

[Sam Morril]

It's actually good.

[Joe DeRosa]

What's the secret? Do you sit there and go, I'm doing five pages tonight?

[Sam Morril]

Well, the nice.

[Joe DeRosa]

Doing ten.

[Sam Morril]

The nice thing about this book is that it's not a novel. It's like each chapter is a sort of capsule episode.

[Joe DeRosa]

Yeah.

[Sam Morril]

And that I find very manageable. Like just doing these tiny chunks. Yeah. I don't know if I have a novel in me that feels, that feels.

[Mark Normand]

Profoundly weird when you find out like politicians or someone have like a set like Stacey Abrams. Yeah. Side hustle. It's just like she just writes like a ton of books. Or like Jake doesn't. Jake Tapper. Right.

[Sam Morril]

Yeah. Yeah, yeah.

[Mark Normand]

So weird. It's crazy to me that you're just. You get off your new show and then you're like, I'm going to write a. I'm going to write a mystery.

[Joe DeRosa]

Yeah.

[Mark Normand]

It's insane to me.

[Joe DeRosa]

I assume they hate their spouse because that's so time consuming to do TV. Like Bill O'Reilly has like 38 books or something.

[Sam Morril]

J.K. rowling, who's the famous legal thriller writer. Grisham. So he started out, he was a lawyer and he started out waking up at like three in the morning just to. Because he like had these ideas and just these books out of himself. And then all of a sudden, you know, his publisher is like, you can quit your day job. He became one of the great thriller writers.

[Joe DeRosa]

Crazy. I think it's either book writing or golf. Those are the two time consuming adult activities.

[Mark Normand]

Or gardening.

[Joe DeRosa]

Gardening's big.

[Mark Normand]

Gardening's a big one.

[Sam Morril]

What? When's your book coming out, Guys?

[Mark Normand]

We got nothing.

[Sam Morril]

Oh, I don't believe.

[Joe DeRosa]

Maybe when I'm like, break my leg or something in a ski accident, I'll write a book.

[Mark Normand]

I won't. I'll turn in a Jimmy Stewart in Rear Window. I'll break my leg and I'll just. I'll spy on the neighbors. That's what I'm going to do. It's a murder.

[Sam Morril]

Yeah.

[Joe DeRosa]

That original true crime.

[Mark Normand]

Oh, are we. Are we rapping? Yeah. Buy. Buy at Helm's Book. Listen to his podcast. I'm going to listen to snafu, too. I want to hear this. Yeah, I'm excited to hear this, man.

[Joe DeRosa]

And I need a new pod.

[Mark Normand]

Yeah. Awesome, man. So, Sam, you have some dates here. Yeah. What do we got? Rochester coming up, Porchester, Albany. Wait, is this me? Yeah, no, this is Mark. Oh, yep, it's Mark. Yeah. I'm like, I don't think I'm going to Rochester or Porchester this soon. All right, mark, start here.

[Joe DeRosa]

June 6th. I'm going to Rochester. Port Chester, Albany, Vermont, Wisconsin, Oregon, San Jose, Hyannis, Mass. At the Melody Tent, Mashant Tucket. That's at the Foxwoods Casino.

[Mark Normand]

Oh, yeah.

[Joe DeRosa]

Parks Casino in Ben Salem. And then I'm off to Australia for a whole run of shows. And then New Zealand. What do you got, Sammy?

[Mark Normand]

When is this coming out? 18th. Let me see what we got. There we go. Start. So we got Red Bank, New Jersey, Count Basie Theater, the Wilbur in Boston in August. Then we got Irvine Improv in Cali, Oklahoma City. Love going to that club. It's really good. Vegas. I'm doing the Venetian. Then we got busy. We're busy. I am going to Rochester, but I'm not doing a thing. I'm doing a bunch of club dates at the club there. And then we got. Yeah. Oh, Chicago theater is a fun one. October 4th, Salt Lake City. And the big one, Carnegie hall, baby. December 4th. So see you there. Buy Bodega Cat Whiskey. Yes, Bodega Cat whiskey dot com. If you got a bar, hit us up. Buy at Helm's Book, Snafu, wherever you get books.

[Joe DeRosa]

Any movies in the, in the hopper.

[Sam Morril]

Yeah, I'm gonna be shooting something this, this summer in Vancouver.

[Mark Normand]

Nice.

[Sam Morril]

Who's going to Foxwoods? I think I did Foxwoods.

[Joe DeRosa]

Oh, yeah?

[Sam Morril]

Yeah. It was once. I got on the Daily show, of course. Like, and I got. I was on tv. I had a TV gig. So, like my, my stand up booking options just exploded.

[Joe DeRosa]

Oh, yeah.

[Sam Morril]

And, and I had a, a booker. And she was like, yeah, you can do this. This big casino. It was One of the ones in Connecticut, right?

[Joe DeRosa]

Yeah. I think it was Fox Fox with Mohegan Sun.

[Sam Morril]

The other one, it might have been Mohegan's. Okay. And. And I was like, amazing. This is so great. And then I was so busy on the show that I didn't get get. I couldn't stay. I couldn't keep doing stand up.

[Joe DeRosa]

Right.

[Sam Morril]

To practice for this, like my first, like, giant headlining gig at a casino. And I'll never forget, I had a really rough set. And. And because I also had like almost never done like an hour before.

[Joe DeRosa]

Oh.

[Sam Morril]

And that was. Or like 50 minutes, whatever the required amount. Had a rough set the first night. And I had like three nights to go. And the next morning there was like a little like Mohegan sun newspaper that they put under everybody's door. And they written. There was a review of my show. And it was like a rough night for comedians. I was like, guys, I got three more shows.

[Mark Normand]

Oh, no.

[Sam Morril]

In your hotel.

[Joe DeRosa]

Oh, boy. Anyway, that's tickets. Yeah.

[Mark Normand]

Well, awesome.

[Joe DeRosa]

Casinos are notoriously rough.

[Mark Normand]

They can be tough.

[Sam Morril]

Yeah. Because there's no sound. It's like just like a vacuum of.

[Joe DeRosa]

Yeah. And they just want people to gamble more. So you're just kind of like a hold off till they. They. They watch your show. They hate themselves and then they gamble.

[Mark Normand]

And they hate themselves some more.

[Joe DeRosa]

That's true.

[Mark Normand]

Well, thanks for listening, guys. We'll see you next week.

[Joe DeRosa]

Thank you. Can I hug you?

[Sam Morril]

Sunday's the day for my next bender. A bit of Eva Jews close.

[Joe DeRosa]

I've had a little too much burping.

[Sam Morril]

And Norman's talking shit about the fucking poke and I get down in the same way up on the roof like a cops coming and naked Samuel is feeling dangerous I'm out to lunch here in New Orleans this woman doesn't look.

[Joe DeRosa]

Like I remember her and I get.

[Sam Morril]

Down in the same way I be true.