Dick Van Dyke & Arlene Silver

Summary

Podcast Summary: "Where Everybody Knows Your Name with Ted Danson and Woody Harrelson (sometimes)"
Episode: Dick Van Dyke & Arlene Silver
Release Date: January 22, 2025

In this heartwarming episode of "Where Everybody Knows Your Name", hosts Ted Danson and Woody Harrelson reunite with beloved actors Dick Van Dyke and his wife Arlene Silver. The episode delves deep into their enduring friendship, illustrious careers, and the personal bonds that have stood the test of time. Below is a detailed summary capturing the essence of their engaging conversation.

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Reconnecting with Dick Van Dyke & Arlene Silver

The episode kicks off with Ted and Woody expressing their excitement about having Dick and Arlene as guests. They reminisce about their first meeting with Dick in his Malibu home, filled with memorabilia and personal touches that reflect a life rich in creativity and love.

Quote:
Dick Van Dyke (06:06): "Ladies and gentlemen, Dick Van Dyke and Arlene Silver."

A Walk Down Memory Lane

The conversation takes a nostalgic turn as Dick shares his early experiences with television, revealing how Woody was his first introduction to the medium.

Quote:
Dick Van Dyke (09:11): "I grew up without a television in Arizona. My first TV came when I was at Stanford University. I found one on the street, lifted it up to our room, plugged it in, and watched the first moment I saw you on 'Cheers.'"

Woody reciprocates by sharing his admiration for Dick's physical comedy skills, attributing much of his own comedic style to Dick's influence.

Quote:
Woody Harrelson (10:21): "I practiced a lot as a kid. I used to watch Laurel and Hardy movies on Saturdays and then come home and practice falling down on the grass. I was prepared."

Behind the Scenes of The Dick Van Dyke Show

Dick opens up about the challenges faced during the initial run of "The Dick Van Dyke Show," including its early cancellation and subsequent revival thanks to Sheldon Leonard's advocacy.

Quote:
Dick Van Dyke (13:03): "The show was canceled after the first season because we were up against Perry Como on NBC every night. Sheldon Leonard convinced Procter & Gamble to give us another chance, and we ran for five successful years."

Woody shares anecdotes from the set, highlighting the camaraderie among the cast and the improvisational nature of the show.

Quote:
Woody Harrelson (29:13): "The longest laugh I ever got in my life was during an episode where our babies were mixed up, and the other couple turned out to be black when they walked in. The audience couldn't stop laughing."

Personal Lives and Challenges

The discussion shifts to personal topics, including Woody's experiences with sobriety and the impact of loss on Dick. They candidly talk about overcoming addictions and the importance of support systems.

Quote:
Woody Harrelson (35:28): "I went through a short period where I realized I was trapped and I went to AA and got help right away."

Dick reflects on the loneliness that comes with outliving friends, expressing his efforts to connect with younger generations.

Quote:
Dick Van Dyke (65:15): "It's hard not to be depressed about loss and grief, but having Arlene in my life has kept me alive, working, and young."

Collaborative Projects and Creative Ventures

The guests delve into their creative endeavors outside of acting, such as Halloween monster creations and animated projects. Arlene showcases her passion for live performances, particularly her impersonation of Ursula from "The Little Mermaid."

Quote:
Arlene Silver (40:45): "We put a stage in front of the garage with real lighting and everything. We open the gates from six to nine so all the kids can come in. It's just great fun."

Woody shares his foray into computer-generated imagery (CGI), discussing a motorcycle project he contributed to.

Quote:
Woody Harrelson (41:09): "I made a motorcycle CGI model in Lightwave, and they used it in a special effect. It was a great hobby."

Stories from Iconic Productions

The conversation highlights memorable moments from classic productions like "Bye Bye Birdie", "Chitty Chitty Bang Bang", and "Mary Poppins." Woody recounts the challenges of filming in Europe and the joy of collaborating with talented individuals like Carl Reiner and Mary Steenburgen.

Quote:
Woody Harrelson (55:35): "We shot 'Chitty Chitty Bang Bang' in France because of the weather. It took over a year, but I loved every minute of it."

Dick praises Woody's dedication and unique approach to performance, emphasizing the importance of joy in their craft.

Quote:
Dick Van Dyke (57:08): "Your spirit that you put out is the energy of love and interest. It comes from doing what you love."

The Strength of Their Friendship

A significant portion of the episode is dedicated to the deep bond shared between Dick and Arlene. They discuss how their relationship has provided mutual support, inspiration, and a source of continuous joy.

Quote:
Woody Harrelson (45:52): "She's done so much for me. Kept me alive and working and young."

Reflections on Aging and Legacy

As the conversation nears its end, the guests reflect on aging gracefully, staying active, and the legacy they hope to leave behind. They share personal routines that help them maintain their vitality and humor.

Quote:
Woody Harrelson (15:02): "I've always exercised three days a week. We still go to the gym three days a week, and I think that's why I'm not stuck up like my peers."

Dick adds his thoughts on personal growth through relationships, highlighting the spiritual fulfillment it brings.

Quote:
Dick Van Dyke (47:55): "My growth comes from my relationship with Mary. We grow spiritually and inspire each other every day."

Conclusion

The episode wraps up with heartfelt thanks from Ted and Woody to Dick and Arlene for sharing their stories and insights. They encourage listeners to support meaningful causes like World Central Kitchen, emphasizing the importance of community and compassion.

Quote:
Ted Danson (73:06): "Please consider giving to World Central Kitchen by visiting wck.org. Thank you."

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This episode serves as a beautiful tribute to enduring friendships, the joys and challenges of a life in entertainment, and the personal connections that enrich our lives. Through laughter, shared memories, and candid reflections, Ted Danson, Woody Harrelson, Dick Van Dyke, and Arlene Silver offer listeners a glimpse into their cherished relationships and the legacy they continue to build together.

Transcript

[Ted Danson]

Where everybody knows your name with Ted Danson and Woody Harrelson sometimes is brought to you by Progressive Insurance. Do you ever find yourself playing the budgeting game? Well, with the name your price tool from Progressive you can find options that fit your budget and potentially lower your bills. Try [e-mail] Progressive Casualty Insurance Company and and affiliates price and coverage match limited by state law. Not available in all states.

[Woody Harrelson]

Oh my God. I guess everybody's dead. I can. I'm not hurting anybody's feeling.

[Ted Danson]

Welcome back to where everybody knows your name with me, Ted Danson.

[Mary Steenburgen]

And me, Mary Steenbergen.

[Ted Danson]

And we're married. For those of you who don't know that because of the fires in la, we're not at the Team Coco studio as we usually are. We're hunkered down in our home. We're safe. Sad, but safe. I know a lot of you have been watching this on TV and social media and like all of us, we everybody wants to find a way to help. And I know there are many really good causes out there, so we encourage you to pick whichever one speaks to you. Today we're going to talk about World Central Kitchen that Jose Andres created. He's out in LA right now working to feed first responders with his food trucks and his emergency kitchens. And I should say that Jose was on our podcast a couple of months ago and one of the most remarkable people I've ever had the pleasure to talk with.

[Mary Steenburgen]

You came home that day and you couldn't stop talking about him and how extraordinary he was. And as amazing as you might think he is.

[Ted Danson]

Anyway, we really encourage you to check out World Central Kitchen.

[Mary Steenburgen]

They've served millions of folks in crisis zones all across the world. So if you would like to help, you can visit wck.org and give generously. And there's also a link to donate in today's episode Description this is the.

[Ted Danson]

First time we've gone into a studio or our home to record something since the fire started. So it's tricky because you don't want to seem tone deaf, but we also want to share with you some of the remarkable people we've been talking about. So what we're trying to do is always make sure that if you're listening to this, you're being guided in a direction that will support and nurture the people who have been affected by these fires. We're working on this and we'll get back to you soon on how we're going to do that. But first we're going to talk about the remarkable Dick Van Dyke and his wife Arlene Silver, who we got to talk to in their Malibu home a couple of months ago.

[Mary Steenburgen]

It was, it was, it was an unreal experience.

[Ted Danson]

It really was.

[Mary Steenburgen]

You know, for us, Dick was. Has been a hero since we were very young. We watched him in movies and on television. I think for you, the Dick Van Dyke show was very seminal.

[Ted Danson]

Literally the first thing I saw when I got my first tv, because I grew up without a television. Well, but I had.

[Mary Steenburgen]

Please tell them how you got your television show.

[Woody Harrelson]

All right.

[Ted Danson]

I was at Stanford University and I grew up with that. Literally, this was my first tv. My parents didn't want a TV in the house. I got back at them, didn't I? I found this old discarded TV on the street at Stanford and I put it up in my dorm room and I crawled out on the roof to tap into the cable of some teacher that lived below us. Forgive me. And turned on the TV at 11 o'clock in the morning and literally saw Dick tripping over the ottoman on the Dick Van Dyke Show. And I was in love from that moment. I mean, one of the most remarkable physical comedians we've ever had the pleasure of being exposed to.

[Mary Steenburgen]

So I have to say, going to their house, I had no idea what it would be like. And it's this lovely old Spanish home in Malibu. It's just filled with fantastic memorabilia and love letters from all kinds of people.

[Ted Danson]

And Charlie Chaplin, he has this letter from Charlie Chaplin.

[Mary Steenburgen]

There's a life size sculpture of Dick that's very real looking. And you keep kind of being startled because you think he's somehow behind you. And that was from Mary Poppins. What I took away when I left there was. We had just interviewed one of the oldest people I know and also his. His partner in crime, who's a lot younger than him. But the two of them are beautifully like children together. They play, they laugh constantly, they love to dance. She adores him. And she's very much like this wonderful, supportive archive of his life. If he can't remember a name. And by the way, he remembers so much detail. But when he can't remember a year or a name or something, she knows it. She's like this wonderful Dick Van Dyke computer that knows all the answers. And they're joyful.

[Woody Harrelson]

They are.

[Ted Danson]

It was kind of one of our best double dates. But the room was surrounded with production people and cameras and sound people and producers and everyone. Everyone in that room felt like we were experiencing something magical.

[Mary Steenburgen]

Yeah.

[Ted Danson]

Anyway, we're probably talking too much about It.

[Mary Steenburgen]

We should just care about them, speak for themselves.

[Dick Van Dyke]

Yeah.

[Ted Danson]

Ladies and gentlemen, Dick Van Dyke and Arlene Silver.

[Dick Van Dyke]

Thank you for letting us into your home. All of us.

[Arlene Silver]

We're so much easier.

[Woody Harrelson]

They just lowered the federal rate a half a percent. Yeah.

[Dick Van Dyke]

We know nothing about money. Literally. Tell me what that means and if.

[Arlene Silver]

That'S okay, it doesn't either.

[Dick Van Dyke]

Terrible.

[Woody Harrelson]

My sense of. I was talking today about guys like Tom Hanks who are not only good actors, but you have a business sense. And he's out producing. I don't do anything.

[Arlene Silver]

No.

[Woody Harrelson]

I don't have any business head whatsoever.

[Dick Van Dyke]

Just so you know. We've been so excited all week that we sat in bed this morning having our many cups of coffee, watching Chitty Chitty Bang Bang.

[Mary Steenburgen]

Yeah.

[Woody Harrelson]

It wasn't on, was it?

[Mary Steenburgen]

No. Well, it can be. It's. You just go to Apple TV and there it is. And I hadn't seen it for quite a few years. And we're singing. We're seeing this song.

[Woody Harrelson]

And speaking of business, I'm supposed to own 20% of that movie, but I haven't seen any checks in 30 years.

[Mary Steenburgen]

Oh, my God.

[Dick Van Dyke]

Did they come for a while and then stop?

[Woody Harrelson]

No, they never came. Oh, yeah.

[Dick Van Dyke]

We'll call Tom Hanks and we're going to get a lawsuit going.

[Woody Harrelson]

Right.

[Dick Van Dyke]

Get you your money. But didn't you just. We're going to jump all over the place. But didn't you hurt yourself on that film?

[Woody Harrelson]

Yes, I did. I. I like the other dancers who warm up. I didn't warm up before a dance number, and I'm twice as their age. And I had to kick on. Remember we were going around the. In the bakery.

[Dick Van Dyke]

Yes.

[Woody Harrelson]

And stuck my foot out and tore my. The muscle in the back of my leg. Oh, yeah. So I had to. We shot other stuff till I healed up.

[Mary Steenburgen]

So you were fine. You got through the old bamboo fine. Yeah. And you didn't. That one looks so funny. Tricky.

[Woody Harrelson]

I never have in Broadway, you know, the kids would be out on the stage warming. I never warmed up. I never vocalized nothing. Just walk out and do it. Very unprofessional of me.

[Dick Van Dyke]

That's like Barbra Streisand. She never sings around the house. She barely warms up ever.

[Woody Harrelson]

Really?

[Arlene Silver]

Yeah.

[Mary Steenburgen]

I asked her husband, I said, so when she goes in the shower, do you just, like, run there and stand there listening? And he goes, no, she doesn't sing in the shower.

[Woody Harrelson]

She doesn't sing. She doesn't have to.

[Mary Steenburgen]

No, you said that.

[Arlene Silver]

You told me that she goes up on a piano and goes along to tone her voice. That's what you told me.

[Woody Harrelson]

That's what she told me. Okay. Well, I introduced her the first time, her first trip to Los Angeles many years ago. I introduced her at the some hotel. I got to introduce Coconut Grove.

[Arlene Silver]

Was it the Coconut Grove?

[Woody Harrelson]

Maybe my memory is.

[Arlene Silver]

I can't remember what I had for breakfast.

[Dick Van Dyke]

You're welcome to the club.

[Woody Harrelson]

We almost look alike, don't we?

[Dick Van Dyke]

We do.

[Mary Steenburgen]

You guys have such a similarity. Such similar. Tall, beautiful shapes. And both so graceful.

[Woody Harrelson]

Yeah, we look like brothers.

[Dick Van Dyke]

Well, let me jump to my origin story with you. I grew up without a television in Arizona. My mother didn't want one, so we didn't have one. My first TV came was I was at Stanford University. I found one on the street, lifted it up to our room, plugged it in and tapped into some teacher's antenna, crawled out on the roof, turned it on and it was around 11 o'clock in the morning. And it was a rerun of the Dick Van Dyke Show. And as I turned it on, it literally was you tumbling over the ottoman.

[Woody Harrelson]

Oh, really?

[Dick Van Dyke]

And I was smitten. And I was your fan and stalker from that moment on. I remember early on when I started to do Cheers and we'd be at a similar event. I could almost feel like your eyes started to cross when you saw me coming towards you again to tell you that story or worship at your feet. You are my hero.

[Woody Harrelson]

So I was your introduction to tv?

[Dick Van Dyke]

You were, yeah. And to physical comedy. Nobody, nobody does it as well as you did it. Really?

[Woody Harrelson]

Well, I practiced a lot as a kid. I used to go to Laurel and Hardy movies on Saturday and then come home and falling down on the grass. Practicing falling. Yeah, I was prepared.

[Mary Steenburgen]

And what, and what town was that? Where did you grow up?

[Woody Harrelson]

Oh, in Danville, Illinois. Yeah?

[Mary Steenburgen]

Yeah.

[Dick Van Dyke]

Didn't you get a chance to say something to Stan Laurel to.

[Woody Harrelson]

Oh, yeah.

[Dick Van Dyke]

Were you claimed you.

[Woody Harrelson]

I started looking for my, you know, Stan and Buster Keaton the minute I got out here. I was looking up a phone number one day and there it was at Stan Laurel in Santa Monica. And I called him up, he knew me from the show. So I got to go out to his house and meet him and I've got pictures. And I did the same with Buster's house in the Valley.

[Mary Steenburgen]

They were in the phone book.

[Woody Harrelson]

No, he wasn't in the phone, but I got him through Stan.

[Arlene Silver]

Stan was in the phone book though.

[Woody Harrelson]

You know, I did the eulogies at both of their funerals.

[Dick Van Dyke]

Really?

[Woody Harrelson]

Yeah. And the one to Stan ended up in a book of the hundred best eulogies of the century by Stan.

[Dick Van Dyke]

Really?

[Woody Harrelson]

Yeah. I worked hard on it.

[Dick Van Dyke]

Yeah.

[Mary Steenburgen]

Wow.

[Dick Van Dyke]

I remember you quoted in the book you wrote that you told him, stan, I did steal a lot of my material from you. And he just went, I know.

[Woody Harrelson]

He said, I know. That's right. I've got his derby.

[Dick Van Dyke]

Yeah.

[Woody Harrelson]

And I've got Buster Keaton's pool set. Pool cube.

[Dick Van Dyke]

I'm gonna.

[Ted Danson]

Oh, look.

[Woody Harrelson]

Yeah.

[Mary Steenburgen]

Yeah.

[Woody Harrelson]

That had quite a history. Somebody picked it up on the camera team, I think, when he died, took it home, gave it to his uncle. And I didn't get it till not too long ago when his uncle died. And they.

[Arlene Silver]

I think he got lost in a card game. That's what the.

[Woody Harrelson]

Oh, is that how.

[Arlene Silver]

Yeah, yeah. So we have it.

[Dick Van Dyke]

Now, you also mentioned that your other hero was Carl Reiner. I love that you mentioned that.

[Woody Harrelson]

He was not only a great talent, he was one of the nicest people I ever knew. He was an angel, that guy. Loved him.

[Dick Van Dyke]

If you don't mind me pushing this around, how did that the Dick Van Dyke show come to be? Where did it come into your life? How was it?

[Woody Harrelson]

Well, I was still. I was doing Bye Bye Birdie for a year and the pilot came up and my agent told me it was between me and Johnny Carson to do the pilot. Wow. And I thought, well. And so when the birdie was over, I. No way. I took a week off, flew out here and did a pilot with Carl and came back and he called me, said it sold. And then the end of the first season, we got canceled. Really got canceled. We were on against Perry Como, who was on NBC, and he beat us every night, so we got canceled. Sheldon Leonard, who was the executive producer, went down to Cincinnati to Procter and Gamble and talked him into it. He said, this show deserves another chance. And we. They gave us another chance, and then we ran for five years.

[Mary Steenburgen]

Wow.

[Dick Van Dyke]

Did they move the night? Did they move it to a different.

[Woody Harrelson]

During that first year? Bounced around a little bit. Yeah, I think. What was the final night? Tuesday.

[Dick Van Dyke]

I don't know. I came in with reruns.

[Mary Steenburgen]

Yeah, that's right.

[Dick Van Dyke]

Didn't have the TV.

[Woody Harrelson]

When were you born?

[Dick Van Dyke]

47.

[Woody Harrelson]

47?

[Dick Van Dyke]

Yeah.

[Woody Harrelson]

I got married in 48. And when you think I go back to 25, I'm almost 100.

[Dick Van Dyke]

I know.

[Woody Harrelson]

This is insane.

[Mary Steenburgen]

You were. You were about a month old when my father's sister was born. She's about a month younger than you.

[Woody Harrelson]

Really?

[Mary Steenburgen]

And you're both going to celebrate your 100th birthday. Birthdays.

[Woody Harrelson]

Oh, great. Yeah. I want to have a big party.

[Dick Van Dyke]

I love the book you wrote about. We're talking about age and how you never thought about age until somebody came along and said, write a book about age and. But for you, it was never a thing at all. No, you would just live, live your life.

[Woody Harrelson]

I've got another book in me by now. That was what, 50 years ago?

[Arlene Silver]

No, no, no, the Keep Moving book.

[Woody Harrelson]

Oh, keep moving. I think it was 10, 15 years ago. Well, somebody said, you know, how do. To what do you attribute your age and physical condition? I said, I've always exercised three days a week. We go to the gym still three days a week. And I think that's it. Why I'm not stove up like my equals.

[Dick Van Dyke]

I. That's one of the. I had met you before at events and. And then we lived in Malibu for a while, Mary and I and kids and everybody and I would go to the same gym you did. And if I got there early enough, I would see you literally work out on some weight machine. And then almost like you were doing circuit training, you would not walk to the next machine. You dance. You literally dance to the next machine. And I watched that for a couple of weeks. And finally I talk to you about your exercise. And you said you would come to the gym and work out for whatever hour, whatever it is, then you would go home, you would swim laps for whatever, and then get back into bed and take a nap.

[Woody Harrelson]

And then take a nap. Exactly. Yeah. Good routine. Was that at Canaan?

[Dick Van Dyke]

Yes, the upstairs kind of jet.

[Woody Harrelson]

Yeah, you should see the new one. Oh, really? Great. Yeah, just a couple of blocks from here.

[Dick Van Dyke]

Do you do what? Elliptical stuff. What do you do? What do you work on?

[Woody Harrelson]

Well, I get down and do a lot of stretching and yoga type things. Sit ups.

[Dick Van Dyke]

Right.

[Woody Harrelson]

And they have machines, right? You know, sit up machines again. Yeah, something for almost every exercise.

[Dick Van Dyke]

Yeah.

[Woody Harrelson]

And she did. Works out too. Can I tell you my favorite experience in my life?

[Dick Van Dyke]

Yes.

[Woody Harrelson]

I was 15 years old in Crawfordsville, Indiana. My dad had just been transferred there. I was a freshman in high school on the freshman track team, running 100 and the 200. The high jump across the street from me was Wabash College. And on Saturdays they had their track meets. So I'd go over and watch that and our coach would be one of the officials. One day I'm at, they're running against Purdue. And he came over and he said, the anchorman on the, on the Relay team twisted his ankle. You want to run it? I say, yeah, sure. I ran barefoot against Purdue. Beat the guy by five yards. Beat him by five yards. The Purdue guy. I'm 15. I couldn't believe it. I thought, I'm going to the Olympics. I was never that fast again. I think it was the bare feet makes the difference.

[Dick Van Dyke]

So bare feet was just for that moment, or did you go barefoot a lot?

[Woody Harrelson]

No, I didn't go barefoot after. They wouldn't let me barefoot now. But the Africans all run barefoot.

[Arlene Silver]

Always barefoot.

[Woody Harrelson]

But I was really fast.

[Arlene Silver]

That's another secret. You're always barefoot.

[Woody Harrelson]

Yeah.

[Arlene Silver]

You're ground. I have the ground, the grounding.

[Woody Harrelson]

You remember when Fosbury, the Fosbury flop went over 7ft backwards?

[Dick Van Dyke]

They do, yeah.

[Woody Harrelson]

There's the first time in my wife I. My life I ever swore I said, son of a. When I saw that. Because the old western roll and.

[Dick Van Dyke]

Or the scissors. When I started, it was just the scissors.

[Woody Harrelson]

Yeah. They get you anywhere?

[Dick Van Dyke]

No.

[Woody Harrelson]

And there was a western roll and the eastern row.

[Dick Van Dyke]

Yeah.

[Woody Harrelson]

But he went over backwards, over seven feet, and everybody. Why didn't somebody think of that before?

[Dick Van Dyke]

That's amazing.

[Woody Harrelson]

No girls are jumping that high.

[Dick Van Dyke]

So how did you. Wait, so there are two things I want to talk about. Your voice. You were singing a cappella early on in life, is that right?

[Woody Harrelson]

Well, yeah. I sang with the choir in high school and then formed a barbershop quartet, which I still have.

[Dick Van Dyke]

Are you still doing that? I knew you did it up until.

[Woody Harrelson]

Nobody does barbershop anymore. I was looking for a new bass. Can't find anybody who even heard of it.

[Arlene Silver]

What else do we do at the gym?

[Woody Harrelson]

We sing duets all day.

[Arlene Silver]

But I play music he knows.

[Woody Harrelson]

Right.

[Arlene Silver]

And I play it in the sound system.

[Woody Harrelson]

He's singing her music. I don't understand.

[Arlene Silver]

So I had to learn music he knows. So I've learned thousands of songs.

[Woody Harrelson]

She knows every 40 song there is.

[Mary Steenburgen]

They're pretty great. Yeah, they are great.

[Arlene Silver]

They are.

[Mary Steenburgen]

Yeah.

[Dick Van Dyke]

Did you take dance classes early on?

[Woody Harrelson]

Did you. No.

[Dick Van Dyke]

No.

[Woody Harrelson]

When I first got in the business and, you know, actually started working, I thought, somebody's going to find out that I have no training and I want to be in trouble because I never had dancing, acting, singing, nothing. I just broke in and managed to fool everybody all these years.

[Mary Steenburgen]

Wait, so, Dick, did you first go to New York and you did Bye Bye Birdie there, or did you come to California first, touring with your partner, Phil?

[Woody Harrelson]

Yeah, we had a record act, another guy, local guy and me, called the Merry Mutes. Very popular in those days. Pantomiming to records, you know, Bing Crosby and Mary Martin. We traveled all over the country as an. As an act.

[Dick Van Dyke]

Yeah, yeah.

[Woody Harrelson]

And we ended up in Atlanta, Georgia, because we liked it. And we finally split up. I got a job at a television station as an announcer and doing a show. And I got a buddy of mine from the army, from the Air Force. Ended up a director at CBS and said, if you. I'll pay your way up if you want to do an audition. So I go to New York. Who was the gal's name? I did us on a show.

[Arlene Silver]

Oh, Janie Ford.

[Woody Harrelson]

No, no. Anyway, it was some opera singer who had a show. And at the end of it, they held the audience over and I did my little act. I sang a song which I can't remember.

[Arlene Silver]

Once in Love with Amy.

[Woody Harrelson]

Once in Love with Amy. With a little horse, little horseshoe, little horseshit. And I did a little monologue and that was it. And the next morning they called me in and said, you've got a seven year contract. Just like that.

[Dick Van Dyke]

Wow.

[Woody Harrelson]

Starting at 20,000 a year. That was twice what I was making. So we moved to New York and I was the host of the morning show, the CBS Morning show for a.

[Dick Van Dyke]

Year with the anchor. Who was the anchor? Somebody famous.

[Arlene Silver]

Walter Cronkite.

[Woody Harrelson]

Walter Cronkite was my newsman.

[Dick Van Dyke]

That's so esteemed. Astounding. I'd never heard that.

[Woody Harrelson]

Nobody ever heard me because Dave Garaway was on NBC and took all the ratings. But Walter had just come from radio, of course. Wonderful man. You know, he did a strip tease. I. I never saw it, but I understand. It was sensational. But finally they want to transfer him to nighttime. And he came to me, he said, dick, what did I do? I said, you jerk. I can't fire anybody. I'm lucky to have this job. So he went to Nighttime and became Walter Gronkite. He was a wonderful guy.

[Arlene Silver]

Who is your news lady?

[Woody Harrelson]

Tell me.

[Arlene Silver]

Barbara Walters.

[Woody Harrelson]

Barbara Walters. Well, she was continuity at the time. She was writing.

[Arlene Silver]

Yeah, well, still, I mean.

[Woody Harrelson]

So were you in each other's books?

[Arlene Silver]

Yeah.

[Dick Van Dyke]

So did you leave that seven year contract then to go do Bye Bye Birdie or.

[Woody Harrelson]

No. CBS left that contract.

[Arlene Silver]

Broke up with you.

[Woody Harrelson]

They left. Kept me for three years. They tried me as a game show host. I was awful. And I forget what else you tried.

[Arlene Silver]

You were the. Did the pilot for Price. Price is Right.

[Woody Harrelson]

I did the pilot for Prices. Right.

[Mary Steenburgen]

You're amazing, by the way.

[Arlene Silver]

I know everything.

[Woody Harrelson]

My memory.

[Arlene Silver]

I wish a million.

[Dick Van Dyke]

We have a half a brain each.

[Mary Steenburgen]

Yeah.

[Dick Van Dyke]

When we play Wordle, we do it.

[Mary Steenburgen]

Together because together we're genius.

[Woody Harrelson]

It takes two of us.

[Mary Steenburgen]

Yeah.

[Woody Harrelson]

No, they called me in and got an audience off the street and I did it, you know, a pilot of it and went home. I said the dumbest thing. People guessing how much something cost. That's a television show. That was 50 years ago. I still don't understand it.

[Ted Danson]

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[Woody Harrelson]

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[Nick Leow]

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[Ted Danson]

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[Dick Van Dyke]

How did you get to Bye Bye Birdie on stage?

[Woody Harrelson]

The CBS dropped me, and there I was on Long island with a family and no job. So I just started going around auditioning for everything. You know, with opera and ballet, anything. I stood in lines all day, every day. And I auditioned for a G Champion who directed it. And I sang Once in Love with Amy and did my little thing again. He came up and said, you've got the part.

[Dick Van Dyke]

Wow.

[Woody Harrelson]

I've always thought it was because we were almost the same height, build and everything that he would, you know, he thought I. Yeah. And then I almost got fired out of town because I wasn't delivering. I was a wreck. You know, you go to Philadelphia with the show and still perform for audiences, but you're still trying things.

[Dick Van Dyke]

Right.

[Woody Harrelson]

And for some reason, I couldn't. I was just a nervous wreck about Broadway. And they brought a tune down for Cheetah Rivera and she said, look, Dick hasn't anything to do in the first act. Why don't you give it to him? It was happy fits. She gave me happy face.

[Mary Steenburgen]

Oh, my gosh.

[Woody Harrelson]

Which won me a Tony.

[Mary Steenburgen]

Yeah.

[Woody Harrelson]

Yeah.

[Mary Steenburgen]

And what year was that?

[Woody Harrelson]

61. 61. Something like that. Because then I. Once I got a year there, I came straight out to Carl and we started the show. And that was 61 to 65 or 6.

[Dick Van Dyke]

6.

[Arlene Silver]

61 to 66, I think.

[Dick Van Dyke]

Yeah.

[Woody Harrelson]

Yeah. It was five years. Nobody wanted to quit the show. But Carl want to go on, do some movies and things.

[Dick Van Dyke]

Right.

[Woody Harrelson]

I mean, the cast was. We were heartbroken. We had such fun. It was such a great group. Wouldn't, like, come under work at all. Cara was fun. Oh, you know, half those scripts were written on the floor. He'd give us a basic script and then. But between Rosie and Maury and me, we start throwing lines and.

[Dick Van Dyke]

Right.

[Woody Harrelson]

Yeah. That was the fun of it.

[Mary Steenburgen]

There was improv in there.

[Woody Harrelson]

A lot of it. Yeah. Even on the air. There was really. Sometime. Well, we had an audience. And I could never understand how can you do comedy without an audience? You need them to work with you.

[Dick Van Dyke]

I found you never as good in your Rehearsal or dress rehearsal, as you are with the audience. It takes, you know, to a whole new.

[Woody Harrelson]

Several notches. Yeah. And. And they guide you. They can change the mood by their reaction.

[Dick Van Dyke]

Yeah.

[Woody Harrelson]

The longest laugh I ever got in my life was one that CBS didn't want us to do. But we thought our babies were mixed up and the other couple turns out to be black when they walk in.

[Dick Van Dyke]

Right.

[Woody Harrelson]

That was. We had to cut the cameras because the audience wouldn't stop laughing. And the network was scared to death of it. Scared to death of it. Back in those days. Oh, what a laugh. It was just great.

[Dick Van Dyke]

I got to work with Mary once. She was a Mary Tyler Moore. Mary Tyler Moore, yeah.

[Woody Harrelson]

You know, from day one, she just had it. She just had it. Carl picked her because of her voice. You know, she had that high pitched ping in her voice. The pilot, she was, you know, good. She played her part. But after working with Maury and Rosie and me, she picked it up like by the third show, she was dynamite. She was the greatest.

[Dick Van Dyke]

Yeah.

[Woody Harrelson]

I couldn't have picked anybody better. And I'm so happy for her. Her career went.

[Dick Van Dyke]

Yes.

[Mary Steenburgen]

And you were a big part of that. You really championed, actually all the women that you worked with. And that wasn't true of all the male actors of your time. But you were really so. You know, she had the nicest things to say about you.

[Woody Harrelson]

Oh, Mary did?

[Mary Steenburgen]

Yeah.

[Woody Harrelson]

Oh, great. You know, when the show was over, I could tell the network just saw her as the wife who supported. She wasn't getting anything from the network. So we did a special called Dick Van Dyke and the Other Woman where we showcased everything she did. Dan said she just blew the place away. The next day they called her and got the marriage. We had to get their attention.

[Dick Van Dyke]

I hope this was after the show.

[Woody Harrelson]

The network, you got to nudge them a little bit. They didn't get it that she was great.

[Dick Van Dyke]

So that was through 66. The Dick Van Dyke Show. Did you take time off or do Bye Bye Birdie during the summer?

[Ted Danson]

When did you show up?

[Woody Harrelson]

I did Bye Bye Birdie during the summer.

[Dick Van Dyke]

Wow.

[Woody Harrelson]

Right.

[Arlene Silver]

You did Bye Bye Birdie Be and then you left it to do the Dick Van Dyke Show.

[Ted Danson]

Right.

[Mary Steenburgen]

But the movie.

[Woody Harrelson]

I'm sorry, the movie, yeah.

[Mary Steenburgen]

Oh, yeah.

[Woody Harrelson]

Did you ever see the stage show?

[Dick Van Dyke]

No.

[Woody Harrelson]

It was a. It just made me so angry. It was a romp on Broadway. It was just such a great hit. And they rewrote it for Ann. Margaret and Margaret.

[Ted Danson]

Right.

[Woody Harrelson]

And changed all the lines, Changed everything changed. Took out some of the songs. And it was nothing compared to the Broadway show. It just missed entirely. And the only two from the. The original were Paul Lynn and me. And we were both saying what a. This is terrible. They really ruined it.

[Dick Van Dyke]

I'm sorry to hear that.

[Woody Harrelson]

Yeah. Can't go back and fix it. But the Broadway show was a Just flew.

[Dick Van Dyke]

Who played. I thought Maureen Stapleton was very funny in the movie.

[Woody Harrelson]

Yeah, yeah.

[Dick Van Dyke]

She was amazing. That's the first time I think I saw her.

[Woody Harrelson]

You know, she was afraid of going out in the world. Bothered her. She didn't like to cross the street by herself. She had the strength. Yeah. Sweet as she could be.

[Arlene Silver]

What about that?

[Woody Harrelson]

She had this phobia.

[Arlene Silver]

The Hollywood party. The rap party.

[Woody Harrelson]

Paul Lind, Can I say these things?

[Dick Van Dyke]

Yes, you can.

[Mary Steenburgen]

You can say anything.

[Woody Harrelson]

We are at a big long table and Paul then leans down on the table and Margaret. I'm the only one here that doesn't want to. Ya.

[Dick Van Dyke]

That's great.

[Woody Harrelson]

Paul was as funny as you can get a nice guy. Except when he drank and then he got a little, you know, sharp.

[Dick Van Dyke]

Was that an example of him drinking? A little bit, yeah.

[Woody Harrelson]

Oh, yeah. Well, I thought the party for the movie was at the director's house. Everybody had finished anyway. Came in the living room.

[Arlene Silver]

Oh, no.

[Woody Harrelson]

Marina's sitting on the floor with a bowl of salad.

[Arlene Silver]

It's like his first Hollywood party.

[Woody Harrelson]

Oh, my God. I guess everybody's dead. I can. Oh, my. I'm not hurting anybody's feeling.

[Dick Van Dyke]

Wow to you. Tell me about. I loved the movie. Now I'm blanking on his name. The Carl Reiner wrote for you and directed the comic. Oh, I thought that was outstanding. Where you played the silent movie star.

[Woody Harrelson]

Yeah.

[Dick Van Dyke]

Who.

[Woody Harrelson]

You know, it didn't do anything and people wouldn't go to see me do a serious role. And it wasn't really a serious role. But we would go out with a camera, a handheld 16, and look for things to do right. If a fire engine went by, jumped on it, and we had reams of footage, unfortunately that disappeared. Just fun things we did out. Out in public. And then we took all the film out in my backyard and dragged it over the grass to make it look old.

[Dick Van Dyke]

Oh, really? So it would project.

[Woody Harrelson]

Yeah.

[Dick Van Dyke]

Like an old movie.

[Arlene Silver]

They're so authentic, those silent movies.

[Woody Harrelson]

We both felt that it was a great example of that period. We thought we really caught it, but people didn't want to see it. And nobody. And what was the other one?

[Arlene Silver]

Nowadays people always talk about that movie.

[Dick Van Dyke]

Oh, it's wonderful. And your Performance is astounding. But recovering or still alcoholic? I can't remember the character.

[Arlene Silver]

You had a drinking problem?

[Woody Harrelson]

Yeah, yeah. During it. Yeah.

[Dick Van Dyke]

No, no, the character you play.

[Arlene Silver]

The character you're playing.

[Dick Van Dyke]

Yeah. Was a recovering alcoholic and. Yeah, I think so.

[Arlene Silver]

That's morning. After that you love.

[Woody Harrelson]

There's a crazy guy.

[Arlene Silver]

Mickey Rooney.

[Dick Van Dyke]

Do you talk about your sobriety? Do you talk about it in your book?

[Woody Harrelson]

Not much. It's been. Got what, 45, 50 years, right. I went through a short period where I realized I was trapped and I went and AA and got help right away. Went to some place where you rehab who you get rehab? Yeah, One of those things you had.

[Arlene Silver]

To go to rehab?

[Woody Harrelson]

Yeah, I didn't have it for long.

[Dick Van Dyke]

Right.

[Woody Harrelson]

What took me the longest was smoking.

[Dick Van Dyke]

Wow.

[Woody Harrelson]

Did you ever smoke?

[Dick Van Dyke]

Yeah, it was tough. It took me.

[Woody Harrelson]

We both said it was. That's rough. We did a movie about it.

[Dick Van Dyke]

That's right.

[Woody Harrelson]

With Norman Lear. What was name?

[Arlene Silver]

Cold Turkey.

[Woody Harrelson]

Cold Turkey. And we had both. We were doing pretty good. Not smoking. But he had to direct a room full of local people. It had to be smoke filled. Everybody was smoking. And it was one little lady who didn't know how to do it. And Norman said, no, hold it like this. And I saw him take the draw and I. His eyes go, oh, no. He smoked a pack that day. I saw. I should have said no because his eyes just changed.

[Dick Van Dyke]

Yeah. I've never trusted people who can smoke one cigarette a day. It's like I'm one cigarette away from a pack a day. I know. Yeah.

[Ted Danson]

I.

[Woody Harrelson]

How do you do that? One a day. No, it's like one drink a day.

[Dick Van Dyke]

Yes.

[Arlene Silver]

But you love your Nicorette. Now. You. You.

[Woody Harrelson]

I'm still on it to this day.

[Arlene Silver]

Yeah.

[Woody Harrelson]

Yeah. I still chew.

[Dick Van Dyke]

And it's. And it's the delivery system that's bad for you. Right. It's the smoke and the tar and the nick. It's not the nicotine. If you deliver it through gum.

[Woody Harrelson]

Yeah.

[Dick Van Dyke]

Is not harmful for you. Is that right?

[Woody Harrelson]

We can check.

[Arlene Silver]

It can be at an excessive rate. I mean, the amount he does, it could cause some. I mean, they're like in your bloodstream, the nicotine.

[Woody Harrelson]

But it doesn't get in your lungs.

[Arlene Silver]

No, no, no. It's much better than smoking.

[Woody Harrelson]

Tom Poston was in that movie and he couldn't. The whole town had to quit smoking to get the money. And he couldn't stop smoking because he was also a drunk, A very rich drunk. And I don't know how many takes I had to do to get through. He broke me up because the drinking bone is connected to the smoking bone. He said, you see, they go. And I every. What do you call me? Riverman. I bet I did 12 takes and I thought I couldn't hold it. I just kept falling apart. But he is funny in that.

[Dick Van Dyke]

Are you a giggler on set?

[Woody Harrelson]

Yes.

[Mary Steenburgen]

I'm glad to hear it. You do worse. I'm terrible. I, I, I'm. I humiliate myself. I get out of control.

[Woody Harrelson]

It's funny.

[Mary Steenburgen]

Yeah.

[Woody Harrelson]

Deacon, you know, the big guy.

[Dick Van Dyke]

Yeah.

[Woody Harrelson]

When he was going to go up, a bead of sweat would appear and I would know and I would go.

[Dick Van Dyke]

Yeah.

[Woody Harrelson]

I was knowing he was going to go up and. But I'd see that beat a sweat.

[Mary Steenburgen]

Are there, are there outsakes from the Mary Tyler Moore show? Do you guys. Did anybody ever.

[Arlene Silver]

There are some.

[Woody Harrelson]

There's an outtake real.

[Arlene Silver]

I think there is.

[Mary Steenburgen]

Oh my God.

[Arlene Silver]

I bet that's great on YouTube you can find it. But Carl didn't like. I heard that Carl didn't like showing that because.

[Dick Van Dyke]

Because it breaks the. Yeah.

[Arlene Silver]

Reality or the.

[Woody Harrelson]

Actually I looked at him later and I didn't think they were all that funny. We thought, you know, we broke up and thought yeah, yeah.

[Dick Van Dyke]

Can we jump around a little bit more? Because when I first met you, I also heard stories of how you were building. I don't know if you built that, but building. I don't know if it's paper mache or what it was life replicas of people that you made so that some. So a woman could sit with this man next to her in the seat of her car and well, it's Halloween.

[Arlene Silver]

He makes monsters.

[Woody Harrelson]

Yeah, I make Halloween monsters.

[Arlene Silver]

We're.

[Woody Harrelson]

We do a Halloween a block long.

[Arlene Silver]

Oh yeah. We're obsessed.

[Woody Harrelson]

Thousands of people kind of. We've done. We're on what, 40th year or four.

[Arlene Silver]

Well, you've been doing since the 60s. But then we do. He was going to stop doing it 10 years ago. We sold all the monsters. James Cameron used to be our neighbor and we had competing Halloween and he bought all of our monsters and we said, yeah, we're going to stop. It's too much work. And then when Halloween came around, we were sad that we liked the street.

[Woody Harrelson]

Thing and that's what made the marriage. Halloween and singing together. It's coming pretty soon too.

[Arlene Silver]

So we, I thought, well, what else can we do? That's not a lot of work and I love to lip sync. So I did Ursula on the steps out here. And everyone loved it. And then Dick's like, we got to get a stage. We got to get lights. That was 10 years ago. I've been doing Ursula for 10 years. And we do a live show with puppets and dancing. And he comes out, if. If he feels like it.

[Woody Harrelson]

We put a stage in front of the garage.

[Mary Steenburgen]

Yeah.

[Woody Harrelson]

Real lighting and everything.

[Dick Van Dyke]

That's fantastic.

[Woody Harrelson]

We get so many kids. It's just great. We open the gates from six to nine so that all the kids can come in. Yeah, it's fun.

[Dick Van Dyke]

So maybe I got the mannequin thing wrong, but I do know you were into computer.

[Arlene Silver]

Oh, yeah.

[Dick Van Dyke]

And a cg.

[Mary Steenburgen]

Cgi?

[Woody Harrelson]

Yeah, animation.

[Dick Van Dyke]

Didn't they let you do something professionally on a film?

[Woody Harrelson]

Yeah, a motorcycle. Thing of a motorcycle. And I did it in. In Lightwave. My little CG machine. Yeah. And they used it, so I got a credit for a special effect.

[Dick Van Dyke]

Great.

[Woody Harrelson]

Yeah. Great hobby.

[Dick Van Dyke]

Do you still play around with that?

[Woody Harrelson]

I do. It's kind of grown past me. It's gotten so complicated.

[Dick Van Dyke]

Arlene, can we talk about how you guys met?

[Arlene Silver]

Sure.

[Woody Harrelson]

I was backstage at. In the green room of what? SAG Awards.

[Dick Van Dyke]

Right.

[Woody Harrelson]

And we're just sitting there by myself. And she walked by, and for the first time in my life, I approached. I just jumped up. I said, hi, I'm Dick. Almost without thinking. And she sat down. I introduced myself, and I was totally in love at site at first sight.

[Mary Steenburgen]

Wow.

[Woody Harrelson]

And I found out she was a makeup lady. And I said, you can come on my show. And she had one business card left, gave it to me in my tight little fish. And I got her on the show as makeup.

[Arlene Silver]

A Hallmark movie?

[Woody Harrelson]

Was that what it was? A Hallmark?

[Arlene Silver]

But what did I say to you? The first thing I said to you.

[Woody Harrelson]

Well, she didn't know who I was.

[Arlene Silver]

No, that's not true.

[Woody Harrelson]

Well, she was very interesting.

[Arlene Silver]

I know who he is. He's Dick Van Dyke. I said, I thought she had never seen anything.

[Woody Harrelson]

She'd never seen Mary Poppins. I think she thought it was Christopher Palmer.

[Arlene Silver]

No, I. I knew that Julie Anders was in another movie, like Sound of Music, and there was a guy in it like Christopher Plummer. So Dick was always, like, in my peripheral. Yeah, I knew who he was. I mean, he's Dick Van Dyke. But when I met him, I went, I don't know why I know who he is. Because the cast of Mary Tyler Moore was there to give an award for Best cast at SAG Awards. So Dick said, will you watch? Will you watch my seat? I'm going to go get my makeup done. And I'm like, okay. I didn't believe him. And then the cast goes out. No, he sits down. And then he. The cast goes out to give the award. And he comes over and sits next to me. And I said, aren't you supposed to go out with them? Because I thought he was on the Mary Tyler Morsh. I was like, wrong about everything. And then you said, oh, what do you do? And I said, I'm a makeup artist. I've had a million jobs. But at that. That night, I was a makeup artist. And he said, oh, I'm doing this murder mystery thing. I might need a makeup artist. I said, oh, hasn't that been on the air for a long time? Because Diagnosis Murder had been off the air for 10 years. It was this little hallmark. I just was wrong about everything.

[Dick Van Dyke]

Were you aware that he was looking at you?

[Arlene Silver]

No, no, not at all.

[Woody Harrelson]

In a way, it was kind of good for me because she wasn't over impressed or anything. I was just a guy.

[Mary Steenburgen]

Doesn't sound like she was very impressed at all.

[Woody Harrelson]

It was. It was a hard sell, I'll say that.

[Arlene Silver]

They were at the after party. I always go to the after party and I put my makeup away, and then we go to the after party. And Dick never goes to an after party. And there's pictures of him at the, like, going into the afterparty, like, plowing for me. And I was putting my makeup away, so I didn't. I wasn't even in there yet. And then people were coming up to me at the party saying, were you talking to Dick Van Dyke? And I'm like, yeah, what? I was like, I didn't think it was that big of a deal. And then I went to work the next day. I was working at a makeup school, and I told them I met Dick Van Dyke. And they're like, what?

[Woody Harrelson]

Well, going through the crowd. My manager was with me. And he kept saying, what is. What are you doing? What is the matter? And I wouldn't tell him I had.

[Arlene Silver]

To find this picture because Dick is all smiles and big eyes. And then Bob, his publicist, is behind him just, like, so puzzled, like he doesn't know what he's doing.

[Woody Harrelson]

He knows I don't go to a party.

[Arlene Silver]

Yeah, yeah.

[Dick Van Dyke]

There's something you. I don't know if you wrote it in the book, but in reference to you guys getting together, it just struck me. I loved it. That was me coughing, not breaking up in tears.

[Woody Harrelson]

Sorry.

[Dick Van Dyke]

Although it's a wonderful phrase you said in Reference to being a widower and then finding love again. That a happy heart is a horrible thing to waste. Yes, it's a quote.

[Woody Harrelson]

It's a good quote.

[Dick Van Dyke]

Yeah.

[Woody Harrelson]

But she's certainly done that for me. Kept me, you know, alive and working and young. Yeah.

[Mary Steenburgen]

There's so many beautiful photos of the two of you around, dancing and singing. You have a water slide outside.

[Woody Harrelson]

It feels like Jeremy is on the mantle there, which she won for producing a Van Dyke special.

[Arlene Silver]

Yeah.

[Woody Harrelson]

All my others are in here.

[Mary Steenburgen]

Well, it feels like you two have a lot of joy together.

[Arlene Silver]

Oh, yeah.

[Mary Steenburgen]

The whole house.

[Arlene Silver]

We have so much fun.

[Dick Van Dyke]

I'm assuming a lot of laughter.

[Arlene Silver]

Oh, yeah.

[Dick Van Dyke]

Boy, do we laugh a lot.

[Arlene Silver]

Yeah. How did you two meet?

[Dick Van Dyke]

Here and there, Hollywood style. Married to other people. Henry Winkler. Barbecue in his backyard. Birthday party. At an audition. I auditioned to play Mary's husband in Cross Creek. Did not get it, thank God, because I was a mess and she wouldn't have even seen me. And then later we made a movie together.

[Woody Harrelson]

Oh, you did work together.

[Mary Steenburgen]

Yeah, we did. I had just announced to everybody that would listen that I was done with love, that I look like someone who would be good at love, but I'm actually terrible at love. And I have two beautiful children. I'm finished, finit. No more. Then I work with him, Then I fall in love. So. But that was 31 years ago.

[Arlene Silver]

Awesome.

[Mary Steenburgen]

Happy to be wrong about that. Yes.

[Woody Harrelson]

Yeah. I couldn't bear to live alone. I'm not alone.

[Arlene Silver]

Oh, my God.

[Woody Harrelson]

I can't stand my own company for an hour.

[Dick Van Dyke]

But I think people grow spiritually or whatever in the real big way. They grow in different ways. I have to grow in relationship. I. My growth comes from my relationship with Mary.

[Woody Harrelson]

Yeah. I can't imagine emotionally. Maturity and wisdom.

[Dick Van Dyke]

Yeah.

[Mary Steenburgen]

Yeah. And just. Just following new paths together.

[Woody Harrelson]

Yeah, that's true.

[Mary Steenburgen]

Inspiring each other.

[Woody Harrelson]

You know something I've noticed, hitting 99, when you get to a certain age, you suddenly realize you can nail people. After a couple of sentences, I can tell you who somebody is on meeting them. There are certain mannerisms and I don't know what it is, but I can nail somebody almost immediately. And it comes, I think, with age, dealing with people.

[Mary Steenburgen]

You did.

[Woody Harrelson]

Interesting.

[Mary Steenburgen]

You don't think you were. Were able to do that when you were younger?

[Woody Harrelson]

No, no, I got taken quite a lot.

[Mary Steenburgen]

Oh, you did.

[Arlene Silver]

You're very naive and innocent.

[Woody Harrelson]

Yeah, innocent.

[Arlene Silver]

Which is good. Which is good. It's good to be that way.

[Ted Danson]

Yeah.

[Woody Harrelson]

I'm getting pretty suspicious these days.

[Dick Van Dyke]

As.

[Ted Danson]

You set resolutions for 2025, consider how learning a new language can enrich your life. Rosetta Stone has been a leader in language education for over three decades. With courses in 25 languages, Rosetta Stone's mobile app makes it easy to learn on the go. I now have family living kind of all over the world.

[Woody Harrelson]

Denmark.

[Ted Danson]

Renowned for having one of the toughest languages to learn on the planet. So here's my challenge. Rosetta Stone, if you can, if you can teach me how to speak Danish in a year or two, my truth is, I'll probably stick to Spanish. Porque es poco mast pasil parami y tambien yo bibe circa de Mexico.

[Woody Harrelson]

Oh, boy.

[Ted Danson]

You can see why I need this app. Start the new year off with a resolution you can reach today where everybody knows your name. Listeners can take advantage of Rosetta Stone's lifetime membership. For 50% off, visit rosettastone.com Ted and Woody that's 50% off. Unlimited access to 25 language courses for the rest of your life at rosettastone.com Ted & Woody today. Well, the holiday season is over, but the cold weather is sticking around. So luckily Home Chef is delivering new hearty recipes and your favorite comfort foods to help you stay cozy. Home Chef has everything you and your family need for a hassle free, delicious dinner. Now, Nick, you had one of these Home Chef meals, didn't you?

[Nick Leow]

Yeah, I got a kit for one pan beef cheeseburger style salad. It was simple, delicious. It came together in 10 to 15 minutes. It was under 10 grams of carbs, which works for my diet. And you know, even though I kind of feel like a 5 year old who needs to call salad something else in order to eat it, you know, with a cheeseburger salad.

[Ted Danson]

Right.

[Woody Harrelson]

I'm owning it. I'm owning it.

[Ted Danson]

Stuff a cheeseburger.

[Nick Leow]

It checks that box of comfort food like you were talking about. So, yeah, I really enjoyed this, Ted.

[Ted Danson]

Okay, for a limited time, Home Chef is offering our listeners 18 free meals plus free dessert for life and of course, free shipping. On your first box, go to homechef.com Ted and Woody that's homechef.com Ted and woody for 18 free meals and and free dessert for life. Home chef.com Ted and woody must be an active subscriber to receive free dessert.

[Dick Van Dyke]

Can I ask a question about you and another one of my heroes, Fred as there?

[Woody Harrelson]

Yeah. He came to visit me on the set of Bye Bye Birdie and I had on my best suit and I've got a picture with him. Who I look Like Emmett Kelly next to him, you know, he was so well tailored, but he liked my dancing and just blew me away.

[Arlene Silver]

Wow.

[Woody Harrelson]

That I was an amateur. He said, I like the way you move. Oh, my God.

[Dick Van Dyke]

That must have meant the world.

[Arlene Silver]

You heard him talk on the radio about that?

[Woody Harrelson]

Yeah, and. Yeah, I heard him on the radio say he liked the way he like. He liked the kid from west side Story. West side Story, Yeah. And he said, I like the way Dick Van Dyke moved. I wish I had that recording.

[Arlene Silver]

And now we're trying to.

[Woody Harrelson]

I have a letter that somebody sent me, a friend of Charlie Chaplin's, in which in the middle of it, he said, have you seen Dick Van Dyke? Charlie Chaplin.

[Dick Van Dyke]

That's amazing.

[Woody Harrelson]

I've got that pin on the wall.

[Arlene Silver]

You have style, Laurel. Letters to have him talk.

[Woody Harrelson]

Oh, yeah. Letters from Stan.

[Arlene Silver]

We should have a music. Our house is too small. We have. I have so many things that cool like that.

[Dick Van Dyke]

Yeah.

[Woody Harrelson]

You remember Jacques Tati?

[Dick Van Dyke]

Yes, yes.

[Ted Danson]

French.

[Woody Harrelson]

I was working in Paris and I kept trying to find him. I wanted to meet him. And they said he was a hermit. He would come into a drugstore and take some candy and leave and not pay for it. He was known for that. And they just let him. But he was. I couldn't find him. He was like a shadow. I never got to meet him.

[Dick Van Dyke]

The movies are like Mr. Hooley's holiday or something.

[Woody Harrelson]

Holiday.

[Dick Van Dyke]

Yes. And. And all mine wouldn't speak.

[Woody Harrelson]

Never spoke.

[Dick Van Dyke]

Yeah.

[Woody Harrelson]

Yeah. It just blew me away. He was so good.

[Dick Van Dyke]

Yeah. Did you ever see Marcel Marceau?

[Woody Harrelson]

Yes.

[Dick Van Dyke]

Yes.

[Woody Harrelson]

When he was working down at. In the Village.

[Dick Van Dyke]

Yeah.

[Woody Harrelson]

Oh, he was appearing. I made every Wednesday matinee, everyone. I'd go back and watch him. Finally got to meet him, got asked backstage, and he turned into Hannah Youngman. He did joke with us. Yeah. That's who he is. It's like a release for him. But we have. We're going to do an hour mime show together, and he died on me. Yeah. We were going to all do mime, and I was so excited about it, just to be, you know, put up there with him. And he died at a rather young age. I missed it. What else did I miss? People dying?

[Mary Steenburgen]

Not much.

[Arlene Silver]

You're outliving everybody.

[Dick Van Dyke]

That was one of your favorite people working.

[Mary Steenburgen]

I loved him. I worked with him a few times. Yeah, he was so great. Yeah, we did Elf together. Yeah, he was Santa Claus in Elf. Well, talk a little bit. Can we ask you about a couple of movies like Chitty Chitty Bang Bang, which I Love. Was that a wonderful experience?

[Woody Harrelson]

Oh, yeah. You know, Mary Poppins took inside of four months and shitty Bang Bang took over a year. But we had to leave England and go to Europe just to get some sun. It was.

[Mary Steenburgen]

It was raining too much.

[Woody Harrelson]

Too much rain and clouds. You couldn't get any light. So we're going through what's supposed to be the English countryside and their vineyards, the French vineyards. Actually. We did all that shooting in France. Yeah. It took forever to do, but I loved every minute of it. I just loved it. Lionel.

[Dick Van Dyke]

Oh, Jeff. Lionel Jeffries, one of my guy.

[Woody Harrelson]

We have such a friendship, but he was younger than me. He played my father and he was five years younger.

[Mary Steenburgen]

Really goodness.

[Woody Harrelson]

Great cast. A lot of fun.

[Dick Van Dyke]

Yeah. Really good cast.

[Woody Harrelson]

You know, that car was a big, heavy thing. It had a four cylinder engine in it, so you really couldn't get going very good.

[Dick Van Dyke]

Was it like the original? Was that a real car that.

[Woody Harrelson]

Oh, yeah.

[Dick Van Dyke]

Oh, wow.

[Woody Harrelson]

Yeah, there's a couple of them around the country now. Yeah, it was perfect. Just beautiful.

[Dick Van Dyke]

Yeah.

[Arlene Silver]

Well, the one from the special was a replica. There's a lot of replicas from the special.

[Woody Harrelson]

Yeah.

[Arlene Silver]

People just made.

[Woody Harrelson]

Oh, yeah. Everything was beautiful.

[Mary Steenburgen]

But can they go into the ocean?

[Woody Harrelson]

Yeah, it was about four cylinders and it took forever to get going. But once we did, it was fun.

[Dick Van Dyke]

You know, that special, CBS special, birthday special. We celebrated you. But it was so amazing to see all the actors there. We're so excited to be there, to be able to either perform for you.

[Woody Harrelson]

Yeah.

[Dick Van Dyke]

Or talk to you or acknowledge you in some way. You have so many people whose lives you delighted and changed, but also actors who wanted to emulate you and your movement, your voice, your spirit. Your spirit that you put out, Dick, is just that energy of love and interest.

[Woody Harrelson]

It comes from doing what you love to do. You know, you're having a good time, everything. I. I didn't do anything where I really was miserable, you know. Bye Bye Birdie. The movie was kind of a drag because we couldn't make it what it had been.

[Dick Van Dyke]

So did you. Can I ask because that's the second time you've said that. Was your part messed with? Was it shortened? Was it. Why was it so different that you didn't like it as much as the.

[Woody Harrelson]

Well, the. The Ann Margaret part was rather small on Broadway and they wrote special songs for her and took other songs out and it just changed the whole Gotcha piece of everything.

[Dick Van Dyke]

Gotcha.

[Woody Harrelson]

Yeah. Paul was really pissed all the time, but that was just kind of his nature.

[Dick Van Dyke]

Yeah, yeah. Well, it's. It's. I didn't get to see the play, but it was a wonderful movie.

[Arlene Silver]

A lot of people like the movie, and it makes me laugh when people.

[Woody Harrelson]

People who didn't see the Broadway show.

[Arlene Silver]

How much? Doesn't like it.

[Mary Steenburgen]

Yeah.

[Arlene Silver]

So. But if people like it.

[Mary Steenburgen]

So I'm one of those.

[Arlene Silver]

Yeah, just. Yeah, go with it.

[Mary Steenburgen]

And Mary Poppins. So where was Mary Poppins? Was that after Chitty Chitty Bang Bang?

[Woody Harrelson]

No, before.

[Mary Steenburgen]

It was before.

[Woody Harrelson]

Yeah. That's how Cubby Broccoli came to me about Chitty after I'd done Poppins, thinking I'd be good for the part. And I said, have you heard my British? Actually, when Sean Connery left the. The Bond series, Cubby wanted me to play it.

[Mary Steenburgen]

That's what I was going to ask.

[Woody Harrelson]

Why don't you be Bond?

[Arlene Silver]

Great Bond.

[Woody Harrelson]

I said, have you heard my British accent? He said, click. Yeah.

[Dick Van Dyke]

I love that you said that. Your dialogue coach for that was Irish and his accent wasn't any better.

[Mary Steenburgen]

Yeah.

[Arlene Silver]

Pat O'Malley.

[Woody Harrelson]

Pat O'Malley, who had a thick Irish accent. He came into my house one night after dinner for a couple of hours, and that was it. That was it. Yeah. Americans tease me a lot, but strangely enough, the British don't. They teased me a little bit, you know, because it was no accent of any kind.

[Arlene Silver]

It was charming.

[Mary Steenburgen]

It was still just one of the glorious performances.

[Arlene Silver]

Oh, my God. Singing, the dancing. Two roles. You did two roles that people don't even know.

[Dick Van Dyke]

I love that story, too. That. To play the older in the bank.

[Mary Steenburgen]

The banker.

[Dick Van Dyke]

The banker. To play that part which you came to the director or the producer and said, I think I should play it. Why don't you let me know?

[Arlene Silver]

Walt Disney.

[Dick Van Dyke]

Yeah. Oh, Walt Disney. That's it. You spoke to Walt Disney and he said, no. And then you said, well, I'll do it for nothing. It'll be free.

[Woody Harrelson]

Right.

[Dick Van Dyke]

And he said, no. And then you said, I'll pay you $7,000. Okay.

[Mary Steenburgen]

Yeah.

[Woody Harrelson]

I did a screen test. I made myself up and got out in front of what was the. The how. The bank's house. Right. And sang a little song, I think what sold it. At the end of the song, I went over and pretended to pee in the bushes. That broke. All walled up. He just loved it. I think that gave me the part. Yeah. And then I did an old man and what?

[Arlene Silver]

Mary Poppins Returns.

[Woody Harrelson]

Yeah, that's right. You pay a lot with Emily, that one.

[Arlene Silver]

Oh, she's so great.

[Woody Harrelson]

Yeah. But I had been working with A young couple.

[Arlene Silver]

Oh, Dee Dee and Mark, bro.

[Woody Harrelson]

A couple. Had been working with me on the show for a couple of dance numbers. And I mentioned them to Walt. He said, do you know anybody? I said, I think these kids are good. So he hired them. They got. They did that. And then they did Shitty Bang Bang with me.

[Dick Van Dyke]

Wow.

[Arlene Silver]

And then the Sherman Brothers wrote both.

[Woody Harrelson]

Rights and they came up with so many. Wore me out.

[Mary Steenburgen]

And was working with Julie. Just glorious.

[Woody Harrelson]

She is, sweetheart. But a lady through and through. She really is a British lady. You know, she doesn't let down her hair very often.

[Arlene Silver]

I hear she does.

[Woody Harrelson]

I'm sure she does. The opening number in Shitty Mule Bamboo.

[Dick Van Dyke]

Yes.

[Woody Harrelson]

Where I. We have to jump over the stick and die.

[Dick Van Dyke]

Yes.

[Woody Harrelson]

Every take, one guy would miss. We did 24 or five takes.

[Mary Steenburgen]

Wow.

[Woody Harrelson]

And I went. I made it every time. And these guys, they were half my age, but you'll notice that I catch it on my heel and I push it through because I knew I couldn't do another one.

[Dick Van Dyke]

And we just watched that this morning, and I think it's one take. It's just one frame. That whole dance. They don't cut into it?

[Woody Harrelson]

No, they don't cut.

[Dick Van Dyke]

It's just you.

[Mary Steenburgen]

So you had done it 22 more times than the one we saw.

[Woody Harrelson]

Yeah.

[Mary Steenburgen]

That was the 23rd day.

[Woody Harrelson]

Yeah.

[Mary Steenburgen]

I can't imagine it's.

[Woody Harrelson]

And then we're on the stage and we're doing a twist thing. Two of the dancers actually spit something. Doing that step, this with the leg going like. Yeah. I can't say no.

[Arlene Silver]

But then the thing where you. They go back and forth and you're jumping.

[Woody Harrelson]

I love that stuff. I just loved it. I don't know why you didn't study dancing when I was a kid.

[Dick Van Dyke]

You wrote that that was the hardest dance you'd ever.

[Woody Harrelson]

Oh, yeah, Yeah.

[Arlene Silver]

I think it's better that you didn't, because you're. You're unique, you know, That's. If you would have trained, they would have said, stop doing that.

[Woody Harrelson]

You're right.

[Arlene Silver]

And you would have been everybody the right way.

[Woody Harrelson]

And it would.

[Arlene Silver]

It's better that you didn't tell me.

[Dick Van Dyke]

About this gentleman behind us peering over your shoulder.

[Woody Harrelson]

I'm never that tall.

[Dick Van Dyke]

How did you get that? Was that in the movie or.

[Arlene Silver]

No, this is from the movie Ride the. The.

[Dick Van Dyke]

Oh.

[Arlene Silver]

From Disney World. And they were closing it down, and they asked us if he want. We wanted his chimney sweep. We're like, yes, Nice.

[Mary Steenburgen]

Very nice.

[Arlene Silver]

And it came in a ch. With a chimney. And he said, well, and he was sitting on the chimney. And we said, well, we can't. We have nowhere to put that. So we got it made into a standing. There he is.

[Dick Van Dyke]

I know we said we'd only be here for a little while, but I have to mention a show I was doing called Becker, where you played. Came in and played my father.

[Woody Harrelson]

Oh, my God, that's right.

[Dick Van Dyke]

And it was, you know, clearly, I worship you. And I told you, you were the beginning of this. It was even before I started acting.

[Ted Danson]

That I saw you trip over the aisle.

[Woody Harrelson]

God Almighty.

[Dick Van Dyke]

But then you played my father, and I think the rest of the cast absolutely sucked that week because we never got to rehearse. We just asked you questions. Tell us more stories. Tell us.

[Woody Harrelson]

Oh, really? Is that what we did?

[Dick Van Dyke]

Yeah.

[Woody Harrelson]

Yeah, that's right. We did do a show.

[Mary Steenburgen]

I never saw him more excited, more moved, more honored than the week he got to work with you.

[Woody Harrelson]

You know, funny thing is, you get to an age when you really don't care how you look anymore. You have to keep in mind, I might get a job, so I have to keep trimming the beard and trying to look nice.

[Dick Van Dyke]

We only lose weight and weight and get into shape and really exercise. When there's a movie part that just came around, then it's like, oh, boy, that's right.

[Woody Harrelson]

But a lot of people are just so stiff and everything from not moving. And it's so easy getting the water. Yeah. Did you see my slide out there?

[Dick Van Dyke]

Mary spotted it right away.

[Mary Steenburgen]

I love the water slide, by the way.

[Woody Harrelson]

Oh, my grandkids go crazy.

[Mary Steenburgen]

I bet.

[Woody Harrelson]

Because it's fast. It just zooms. Yeah.

[Dick Van Dyke]

Let me ask you one more thing about. I can't imagine outliving all your friends. I know the answer to why you're so happy and cheerful. It's you. Arlene would be my guest.

[Woody Harrelson]

Exactly.

[Dick Van Dyke]

But it must be hard not to be depressed about loss and grief.

[Woody Harrelson]

Yeah, every one of them. All my guys from my hometown are gone. Everybody I knew here, all my buddies are gone. Everyone. Bob Newhart was the last. And there's just nobody to even pick up the phone and call. Yeah, I hate that. So I'm trying to make younger friends.

[Dick Van Dyke]

Yeah, you got two here. I don't know how younger we are.

[Mary Steenburgen]

But not that much younger. And was it hard when you were first together for you, with the age difference? Not so much what you felt, but what people projected on to you.

[Woody Harrelson]

I don't.

[Arlene Silver]

I feel like everyone was happy about it. It was. It was weird how it. I think if it wasn't Dick Van Dyke, you know, it's. He's kind of an easy sell. I don't know. And he's so youthful.

[Mary Steenburgen]

Anyway, happy for him.

[Arlene Silver]

Happy for him. Yeah. So it was. They wanted to see him happy and. I don't know, just. It never really was a big issue. Yeah, thank God. I mean, I was terrified when it, you know, came out. I think there was one article when he was doing his lucky life tour and there was, like, a mention of me. I was like, oh, my God. I was just always, like, thinking it was going to be all this bad.

[Dick Van Dyke]

Well, I tell you, from. I'm so happy for my friend Dick Van Dyke that you are in his life. I don't feel, you know, not sad, but whatever. In any shape or form. It's so nice to know, you know, and experience it today.

[Woody Harrelson]

I get my coffee in bed every morning.

[Dick Van Dyke]

I so does Shake.

[Woody Harrelson]

It's a small thing, but it's very important. It means a lot.

[Mary Steenburgen]

Every single cup of coffee I'm so grateful for. I never let it slide.

[Dick Van Dyke]

Are you black or do you like a little sweet?

[Woody Harrelson]

I like sugar in it.

[Arlene Silver]

Five cubes of sugar.

[Dick Van Dyke]

Whoa.

[Woody Harrelson]

I like mushroom.

[Dick Van Dyke]

Oat. Milk or creamer or what? No, just black. Just sugar and black. Wow.

[Woody Harrelson]

Yeah.

[Ted Danson]

Great.

[Woody Harrelson]

You had to come by on Halloween.

[Mary Steenburgen]

You really should sound crazy.

[Arlene Silver]

Yeah.

[Woody Harrelson]

You can be a monster if you want. Or.

[Arlene Silver]

Have you ever been in a horror movie? Either one of you.

[Dick Van Dyke]

I did the original creep show.

[Woody Harrelson]

You did?

[Dick Van Dyke]

Yeah. Stephen King, George Romero. And I was. I get killed by. In the. Drowned in the Water by.

[Mary Steenburgen]

Oh, Leslie.

[Dick Van Dyke]

Leslie Nielsen.

[Arlene Silver]

Oh, wow.

[Dick Van Dyke]

Leslie Nielsen, who had, by the way, As a real. In life, had a handheld. Pardon My. Whatever. Fart machine.

[Arlene Silver]

Yes, I heard.

[Dick Van Dyke]

And he was relentless. We actually got asked to get off a plane because we were sitting in first class and we had been boarded first. And every person who came by, he'd squeeze off a handheld fart. And finally. And he was asked to stop, and he wouldn't. So we were asked to get off the plane.

[Woody Harrelson]

I'd heard that story. He was a guy who wasn't really funny, but they made him.

[Arlene Silver]

Oh, my God. Airplane is one of the best movies. Airplane.

[Woody Harrelson]

And the second one was Airplane two was Nothing. And the first one was Hysteric.

[Arlene Silver]

I still watch it and see new things in it.

[Woody Harrelson]

Boy, this is great. We never have any company or anything. Yeah.

[Arlene Silver]

So nice.

[Woody Harrelson]

It's wonderful. You made our day.

[Mary Steenburgen]

Well, you made our year because this was really special.

[Woody Harrelson]

So you're not that far away, are you? No, oh, good.

[Dick Van Dyke]

Yeah.

[Woody Harrelson]

Well, you got to come by more often.

[Arlene Silver]

Yeah.

[Dick Van Dyke]

Do you imbibe alcohol still or. No, no, no. What am I saying? I just did that whole thing. Well, we don't either.

[Woody Harrelson]

Been there, done that.

[Arlene Silver]

All the alcohol we have here, people giving us.

[Woody Harrelson]

We have booze here.

[Dick Van Dyke]

Yeah. Would you like a little drinky dick?

[Arlene Silver]

Just a little bit, right? I can't believe it won't hurt you. You have. You have drank a little.

[Dick Van Dyke]

That'll be the edit.

[Arlene Silver]

You have had a little wine, like if he wants. If a little. But he does. He's beyond.

[Dick Van Dyke]

Not to worry.

[Mary Steenburgen]

That just was edited out and then.

[Arlene Silver]

Goes back to rehab.

[Woody Harrelson]

I had rehab in a place downtown called the Mission.

[Arlene Silver]

Midnight Mission.

[Woody Harrelson]

Midnight Mission, which is one of the best in the world. I spent a couple of weeks there and sobered up. And I used to go down a lot, you know, and visit the people. But since COVID I've gotten a little leery about that. Yeah, I used to go just table hop on Sunday to pass out.

[Arlene Silver]

Midnight Mission. Homeless. It's a homeless, right?

[Woody Harrelson]

Yeah. And mostly homeless, of which there are a lot more.

[Arlene Silver]

Oh my God. Yeah.

[Woody Harrelson]

There are people with kids living in their cars. You don't know how many of those there are. It's insane. I remember the Depression. You know, there are a lot of guys we call tramps come to the back door for a handout, but there weren't that many of them. They all hung out down at the. At the railroad tracks. But there's so many more now. Wasn't, you know, ever were the Depression.

[Mary Steenburgen]

Wasn't your grandfather a railroad man?

[Woody Harrelson]

He worked in the shop at the CNEI Chicago and Eastern Illinois Railroad. And he was slight like I am, but he had huge forearms from working thing. I thought they got Popeye from him because I saw Popeyes. It's a grandpa. Yeah, yeah. He was a slight little man. Big arms from all that kind of work.

[Dick Van Dyke]

Right.

[Arlene Silver]

He was your biggest influence on me.

[Woody Harrelson]

Yeah, yeah, yeah. I had a lot of grandparents and great grandparents on both sides. A lot of long lived people. And I'm the one that's lived the longest now.

[Dick Van Dyke]

Wow.

[Woody Harrelson]

My mom made it just short of 96, so yeah, I've got them all beat.

[Mary Steenburgen]

Your background, is it from Holland?

[Woody Harrelson]

The Netherlands. Yeah, yeah.

[Mary Steenburgen]

Same as me.

[Nick Leow]

Yes.

[Mary Steenburgen]

Steve Bern is too.

[Woody Harrelson]

Van Dyke. Yeah. I went to Amsterdam once and the phone book is nothing but.

[Arlene Silver]

And you say you're half Irish.

[Woody Harrelson]

Is that what you say, McCord? That's Irish, isn't it? Was my mother's made me.

[Arlene Silver]

I'm 100%. Both of my. All my family's from Ireland. And you always say that you're half Irish.

[Woody Harrelson]

Ma is Scottish and just mc, I think is Irish, I think.

[Arlene Silver]

Oh, now you're. You're backing up on your claims.

[Woody Harrelson]

Well, I'm half Irish.

[Arlene Silver]

I'm.

[Dick Van Dyke]

You've been so generous with us.

[Woody Harrelson]

Thank you both.

[Dick Van Dyke]

Yeah, we're all so happy that we got to be here.

[Arlene Silver]

Really.

[Woody Harrelson]

We'll be right back after these words.

[Ted Danson]

That was astounding. As you heard, he's been one of my heroes since I first got introduced to the idea of acting at all. So that was just remarkable, and I'm so glad we got to share it together. What was it like for you?

[Mary Steenburgen]

That was a privilege. Just to a delight. I loved it. Thank you for including me. Thank you, Team Coco. And I love that experience. I appreciate it.

[Ted Danson]

Did you love it so much you might come back and do that again?

[Mary Steenburgen]

Maybe. Yeah.

[Ted Danson]

Okay, we got a maybe. I'll go with that. Once again, please consider giving to World Central Kitchen and you can do that by visiting wck.org so thank you.

[Woody Harrelson]

That was fun.

[Mary Steenburgen]

Thank you.

[Ted Danson]

That's it for this episode. Hello to Woody and thanks to our friends at team Coco. As always, you can subscribe to our show on your favorite podcast app and give us a great rating if you're in the mood and a review on Apple podcasts if you have some time. Thank you very much. See you right back here next week where everybody knows your name.

[Mary Steenburgen]

Bye. Wy everyone.

[Dick Van Dyke]

Diary.

[Nick Leow]

You'Ve been listening to where everybody knows your name with Ted Danson and Woody Harrelson. Sometimes the show is produced by me, Nick Leow. Executive producers are Adam Sachs, Colin Anderson, Jeff Ross and myself. Sarah Fedorovich is our supervising producer. Our senior producer is Matt Apodaca. Engineering and mixing by Joanna C. Samuel with support from Eduardo Perez. Research by Alyssa Grohl, Talent booking by Paula Davis and Gina Batista. Our theme music is by Woody Harrelson, Anthony Genn, Mary Steenbergen and John Osborne. Special thanks to Willie Navarre. We'll have more for you next time where everybody knows your name.

[Woody Harrelson]

We have to do a sign off here, don't we? Say goodbye.

[Dick Van Dyke]

Dick. You start the sign offs.

[Woody Harrelson]

How do you do it?

[Dick Van Dyke]

I don't know. That's why I'm making you start.

[Woody Harrelson]

Yeah, my day's in radio. This is a sign off. 73, 30. Hey, I'm Paul Scheer.

[Mary Steenburgen]

I'm June Diane Rayfield.

[Nick Leow]

And I'm Jason Mantzoukis.

[Woody Harrelson]

And we're the hosts of how did this Get Made?

[Ted Danson]

A comedy podcast where we deconstruct, make.

[Woody Harrelson]

Fun of and celebrate the best worst movies ever made.

[Nick Leow]

Have you ever seen a movie that's so bad that it's actually good? Eh, that's what we're talking about.

[Arlene Silver]

From blockbuster franchises and made for TV.

[Woody Harrelson]

Romances to bonkers 80s action flicks and obscure sci fi musicals, we cover it all. You can find.

[Nick Leow]

How did this Get Made? Wherever you get your podcasts and don't forget to follow the show so you never miss an episode.

[Woody Harrelson]

Idiot.

[Arlene Silver]

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