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Katy Charlwood (1:59)
Hello delicious friends, and welcome to who did what Now? The history podcast. That is not your history class. With me, your host, Katy Charlwood, history harlot and reader of books. Now, as a millennial, I'd say that I've lived through, you know, a good amount of major historical events, some might say an abundance of major historical events. And frankly, we can just be chill for a while. Maybe. Like I'm just saying that it would be great if we could just not have to live through yet another major historical event. Unless that major historical event was a great time of peace and kindness and consideration and love for our fellow man, women, etc. Right? That would be great. That would be great to have. I would like to not have to worry about my kids growing up in a world that is on fire, both literally and metaphorically. So a lot has happened, she says, gesturing vaguely at the world. A lot of terrible things. And as a historian and sociologist, I'll be honest with you, I'm. I'm I'm worried. I'm. I'm worried. And because of everything that's going on, I very nearly didn't almost make this episode. Like, my original plan was always to end, you know, my 1940s crime series with the Black Dahlia. Like, it's such a. A famous, slash, infamous case. You know, it has been mythologized over the years. It's like almost fictionalized. I mean, it has been fictionalized in across the board, really. And within that, you know, Elizabeth Short, the victim, is a footnote in her own story. And I hate it. I hate it so much. This happens all the time when it comes to. To Crame, especially when women are the victims. And it's this historically, you know, and they're just an addition. They're like morsels in the meal. Like a bit to nibble on as you're going through. And I find that really offensive. And I'm sorry I've been losing my voice for a little bit, but I. Sorry I've been losing my voice a little bit. But this is part one. I did a vote on my Instagram about whether to do this as one, like, just really long episode and everybody voted. All the people who voted. It was like 70, 30, almost with two parts. So I'm gonna do two parts and I'm gonna try and cover as much in depth information as possible. And okay, I live for drama, but I live for, like, sneaky drama, snidey drama, like heists and, you know, sassy remarks and all that jazz. Right. What I don't like is the dramatization and the grotesquery and. Gratuitous. Nope, the gratuitousness. Gratuitousness. No, gratuitous. It's just gratuitous. That's. That. That's great. I'm really good at the words, guys, but I will provide details. I will provide accurate information when it comes to the autopsy and things. I will be as clinical as possible to provide as much accurate information without being fucking salacious about it. Also, I will probably swear at parts of this due to undiluted rage. So if you're not okay with, you know, the discussion of murder and also autopsies and things like that, you might want to exit stage left. And I know what you're thinking. You're thinking, katie, you are four minutes in. Quit your jibble jabber and fact me and fact you. I will. But first we've got to get our source on Hard Boiled Hollywood Crime and Punishment in Post War Los Angeles by John Lewis. The Black Dahlia Los Angeles Most Famous Unsolved Murder by Jim Bartlett the True Story of the Black Dahlia by John Gilmour Cold Cases Famous Unsolved Mysteries, Crimes and Disappearances in America by Helena Katz Black Dahlia Avenger A Genius for Murder by Steve Hodel Sisters in Death the Black Dahlia the Prairie Heiress and Their Hunter by Eli Frankel Daddy Was the Black Dahlia Killer by Janice Knowlton and Michael Newton FBI Archives Black Dahlia e short on the FBI vault. There are also many, many, many just newspaper articles. We've got the Los Angeles Times, the examiner, the Herald, we've got United Press, the Times and the Daily News, right? It's just, it's just everywhere. There's, there's a reason I have subscription to newspapers.com. are you sitting comfortably? Good. Then let's begin. It was a Friday morning, January 15, 1947, and Mrs. Bertie Berzinger, she'd left her home at 3705 South Norton street with her three year old daughter Anne. On their way to a cobbler to get a pair of shoes repaired, they walked south down Norton Avenue in Leamort Park. It was around 10:30am that they were nearing a vacant lot in the 3, 800 block of Norton. It was here that Mrs. Berzinger spotted something pale in the tall grass ahead. At first she thought it was a mannequin. Spoiler alert, it was not a mannequin. As they got closer, she realized that laying just a foot away from the sidewalk was a female body mutilated and cut in half. She rushes with her daughter to the nearest house so that she could call the police. And like if you look at the crime scene photographs, right, you can see there's a good distance. Like it's an empty space, like there's a good distance before you see houses in the distance. So like she gets there cuz like that's not the thing one sees on the regular. And we will discuss this more later on. But there are basically two versions as to what happens next. One is that she's like super calm and collected and she's just trying to explain that, you know, there's a mannequin or a naked woman just like out in the grass, you know, go deal with it. The other is, is that she is absolutely terrified because she's just come across a bisected corpse. And because she's just all like freaking out, she ends up just trying to explain it but not doing a very good job of it. And so there's like this communication issue with The University Division of the lapd. So the communication officer, like, they end up calling a patrol car to the scene. Like a possible 390 at 39th and Norton Avenue. When officers Frank Perkins and William Fitzgerald arrive on the scene, it's clear this is not a 390 code for a stuporous drunk. Oh, and Betty, her name and phone number were not taken by the dispatch officer like, either. So they know that somebody made the call. They know a woman made the call. They don't know who this woman is. So these two officers, they arrive, they're not homicide detectives. They're just a patrol car that was told to go get a drunk person that was just all over the place. Right? And so reporters and journalists, they're like listening to the police radio as well. Yeah. So they hear, you know, stripper is drunk, possible naked lady. They're like, okay, this is weird, let's get in on this. Because if nothing else, you know, it's January, slow news day, off they go. So they radio the boys, the two cops, they radio for backup, right? Because they're just like, hey, this is, this is clearly a bisected corpse. So it wouldn't be long before investigators and the press would be swarming all over the scene because, yeah, you've got these journalists listening in for, like, interesting calls over the police radio. And, and so when they could, they would try to be first on the scene so that they could get the story to the press. They wanted to, like, get the scoop. And it wasn't surprising to see like, journalists at crime scenes. Like so much so that, like, when you look at these sort of old timey crimes, there are so many more like, photographs because they were physically developed that give you so much perspective of the crime scene. But yeah, they, some of the reporters, because like, they'd called homicide and so some of these reporters, right, got there before the homicide detectives did. Now, Aggie Underwood claims to have been the first reporter on the scene. Meanwhile, reporter Will Fowler and photographer Felix Pragel say that they were the first to arrive between officers, detectives, journalists, photographers, and just, you know, nosy people. The crime scene was very much contaminated. They actually had at one point to make a human chain just like around the perimeter just to stop more people from like, trampling all over the crime scene. Like, they had to make a human wall because too many people were getting on top of the active crime scene. Investigators weren't exactly new to a body dump. It's Los Angeles. It was a growing city, and vacant lots were a fairly standard Option. However, typically, the body would be hidden. Like, it wouldn't be out in the open. There would be an attempt to disguise and cover up, you know, and this was different. This body had been posed, elbows bent, legs spread, a shocking sight designed to send a message. Detective P.W. freestone told reporters that this was the most brutal example of a sex crime that he had ever seen. And this was no spring check. You know, this fella was long in the tooth. The victim had been cleanly cut in half, drained of blood. There were cuts all over her body. Her face had been beaten, and she had been cut from ear to ear. Her lower half had been, for a lack of a better term, mutilated. Initially because of her. Her height and, you know, her petite frame. Investigators initially thought that she might be a teenager around 15, 16. And so at the scene, the Los Angeles county coroner, Frederick Newbar, recorded the bisected victim as Jane Doe number one. So this was the first unidentified female corpse that they had discovered in 1947. So that would be. Well, I mean, it's the 15th of January. They're halfway through the month. You know, Dr. Newber would perform an autopsy the following day. But the victim's fingerprints were taken at the crime scene. News about the murder spread like wildfire, and soon calls flooded into the LAPD Central Station. You know, fearing that this Jane Doe was there, missing friend or family member, reporters had put together a description, and there was a sketch taken at the scene as well. And like, the one thing that always sticks in my head was one of. One of the reporters described this again, bisected woman as having, and I quote, trim legs. And this was when they thought she was a teenager. Like, this teenager has trim legs. Sorry, this teenage murder victim has trim legs. I feel like inappropriate language even for the 1940s. So the cops thought they had a lead when women's clothing had been discovered stashed behind a used car lot on West Adams Boulevard. Because, like Jane Doe, she had been found in the nip completely naked. And this car lot was only three and a half miles from the crime scene. But their hopes were quickly dashed when they searched this, like, bundle and they found a dry cleaning tag with women's info on it, right? A woman who informed them that her laundry had been stolen from her car a few days earlier. This case had happened in the morning, and then later in the afternoon, they thought, wow, we've got this clue. And it turned out to just be a dead end that afternoon. Aggie Underwood story, front page story, I might add. And The Herald Express newspaper hit the stands. So there used to be like a morning edition of the newspaper and an afternoon edition of the newspaper. So like, you would get news twice a day. Now, like newspapers were printing. It was. It was the main source of information and not only because you got like, the story, but you also got pictures. So the newspapers were big business and they were huge for this time period. And so there it is in black and white. Nude girl found slain near LA Coliseum. And so began the public's obsession with one of LA's oldest unsolved murders. Jane Doe's fingerprints had been taken earlier at the crime scene. And so they were compared with prints on file at the sheriff's department and of course, the lapd, but nada. No matches were found. The next step, of course, was the FBI. So their plan was to send the prints by airmail to Washington D.C. but the best laid plans of mice and men. Because a snowstorm had shut down everything east of St. Louis, aircraft had been grounded and it would take days for snow to clear and for it to be safe for any air traffic to resume. So detectives Harry Hanson and Finis Brown were offered a solution when they stopped by the Los Angeles Examiner's office because they'd gone to pick up a copy of the newspaper sketch of Jane Doe Number one. Sidebar. The examiner was owned by none other than William Randolph Hearst, who also owned the Herald, that Aggie Underwood was writing for along with like 26 other papers across the US he was a newspaper magnet. Newspaper was big business also. What? Somebody controlling the news narrative. What? What a silly thing to bring up for no reason. So anyway, the assisting managing editor, Waldo Willard, offered the LAP detectives the use of their sound photo, an early fax, email or fax machine. It had never been used to send fingerprints, but they didn't really see any reason why it wouldn't work. So Captain Jack Donahue agreed to a deal. In exchange for sending the victim's fingerprints, the examiner would receive exclusives in the case. Note, it wasn't uncommon for the press and the police to work together, like, especially back then now, you know, police hold information back. More like they don't give out as many details of the crime, you know, until after. But yeah, back then, less so. So Woolard called the Washington Bureau, Hearst Newspapers. He relayed the information to Ray Richards, the director of the D.C. office. I'm sorry, but so many of these names have alliteration. I'm just. I'm just saying that they sound like they've been written by Stanley Ray Richards then contacted the FBI and arranged for the Bureau to receive the fingerprints in the morning. So, like it took them a couple of goes for a clear image of the prints to be transmitted. But they made it to the examiner's office before dawn in Washington dc. So when the prints got to dc, it took less than an hour for the FBI to find a match in their database of over 100 million fingerprint records. In fact, they found two. The first was from an application for a job as a clerk at the Camp Cook Army PX near Lompoc in January 1943. I had to look up what PX was because I didn't recognise it. Because PX to me, because I'm used to reading medical records was would mean patient, like PX is patient. But PX is post exchange, which is, it comes from like the frontier times and there would be like a military post. It was just. It all comes from that. We'll go into that more another time. The second set of fingerprints was when the victim was arrested for underage drinking on the 23rd of September 1940. So they're both from the same year. So because they had this, because she was arrested, they had a print of a mugshot and most importantly, a name. Elizabeth Short. But who was Elizabeth Short?
