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Hey, listeners, it's Sunday, November 9th. This is what's New Sunday. And for this week's show, we've got an episode of WSJ's Take on the Week. It's our weekly show focused on the news that'll move markets in the week to come. We thought you'd like this episode on one of the biggest business stories right now, Paramount Skydance's bid to buy Warner Brothers Discovery. It also digs into other media mergers, streaming and tech megadeals for sports broadcast rights and plenty more. So give it a listen. And if you like what you hear, subscribe to WSJ's take on the Week, wherever you're listening to us.
Telis Dimos
Welcome back to another episode of WSJ's Take on the Week. I'm Telis Dimos.
Miriam Gottfried
And I'm Miriam Gottfried.
Telis Dimos
Well, we've got a big episode this week. Our main conversation is about, well, our own business, the media, a lot going.
Miriam Gottfried
On, a lot going on, a lot of drama.
Telis Dimos
But first, we've got a few hot topics to cover. A lot happening in the news this week and a lot coming up. We've got Donald Trump versus the Supreme Court. We've got Mayor Mamdani. And we've got, as always, especially when you're here, Miriam, private credit.
Miriam Gottfried
One of my favorite topics.
Telis Dimos
More to talk about there. All right, Supreme Court, well, of course, the president, well, the president's lawyers were in court to defend the president's use of a certain tariff power, the IEEPA, or eapa, which I'm sure all of you know, ipa, which all of you know, of course stands for the International Emergency Economic Powers act, which is one of the ways that he used to create the reciprocal tariffs, basically by declaring.
Miriam Gottfried
That we were in a state of emergency. And that was what gave him the power under this law to, you know, enact these tariffs, which would typically be the role of Congress.
Telis Dimos
And so now it's all the way to the Supreme Court. And it sounded like it didn't go great for the president this past week, the way that our Supreme Court reporters here at the Journal described it was that they, they, they seemed skeptical that the President is able to use the powers to, to act as, as aggressively as he did with tariff.
Miriam Gottfried
Yeah, a number of, even Trump appointed justices seemed skeptical of this argument, of the government's argument. So that means it maybe isn't looking good for Trump in this case. And you know, the question is, what does that mean?
Telis Dimos
You know what, what our reporters have said is that typically when the government is found to have illegally taken money from somebody, the court orders to give it back. Normally, of course, we don't pay too much attention to the intricacies of trade law, but in this case there's the fiscal question of whether or not the US Government would actually have to be ordered to give back the billions and billions of dollars that it collected in tariffs. And then there's the question for the stock market of whether companies that had been impacted by tariffs will no longer.
Miriam Gottfried
Be impacted by tariffs, which has been one of the main narratives this year.
Telis Dimos
In the stock market and the huge, really, really the big story in the stock market this year. But that said, even if President Trump does ultimately lose this case, there are other authorities that President Trump can use to impose tariffs. For example, there's section 122. I won't get into the super details of it, but that basically will allow tariffs of up to 15% for 150 days to address trade imbalances, which one of our reporters, Gavin Bade, wrote that that would give time for Trump to devise individualized tariffs for trading partners under a different provision, section 301. So basically tariffs wouldn't go away. They might just come back in some other form.
Miriam Gottfried
But tell us, you know what this all boils down to is more uncertainty for corporate America. I mean, if you're a company that's been subject to these tariffs and now they may or may not be going away and there may or may not be another set of tariffs that could be put in their place. You really don't know. And what does that mean for your stock price and what does that mean for your ability to plan? I think uncertainty is the enemy here if you are a publicly traded company.
Telis Dimos
But is it though, because here we are at or near all time highs for the stock market and the companies have been living with this uncertainty for some time. It seems that the market maybe has moved on and that this uncertainty is holding people back.
Podcast Host/Announcer
I don't know.
Miriam Gottfried
I think the uncertainty is holding people back, but people don't know whether to react positively or negatively to these particular tariffs. Being removed. Like, let's say, you know, things are leaning toward, you know, Trump losing this case, this argument. What does that mean? We still don't really know because as you said, there could be another set of tariffs. So should I sell my stocks? Should I buy stocks? Like, I don't really know.
Telis Dimos
And of course, there's all other layers of uncertainty that are coming in to focus right now, which is what happened in politics elsewhere, which was we had some elections. We had, of course, the New York City mayoral race. Zoran Mamdani won. We had a couple of other closely watched races, too. We've got the governor's races in New Jersey and Virginia. Democrats took those races. And we had Proposition 50 in California passed, which means the Democrats are able to redraw some of the congressional maps there and likely pick up some congressional seats in the next time around. So what does it mean for the market, if indeed Democrats are kind of succeeding, maybe going to be strong in these midterms? And what is the message that they have for Americans? What's helping them right now?
Miriam Gottfried
I think the unifying message across all of the candidates who won was affordability. Once again, as our colleagues have written, the economy was front and center, as it always is. And inflation, which has been a big thing that we've talked about on this podcast, was, was a big focus, I think, for these candidates, you know, daily life is unaffordable. That was something that mom Donnie drilled home. His, you know, campaign platform was all tied to affordability in the city. And that was a winning argument. And of course, you know, that was part of how President Trump got elected by saying, you know, Biden was responsible for all the inflation and I can get us out of that.
Telis Dimos
But live by the sword, die by the sword for Republicans, right? They've got to be wary of, of these inflation and kind of cost of living.
Miriam Gottfried
I mean, it just shows that a lot of it isn't really the control of politicians, probably.
Telis Dimos
I was watching the market the day after the New York City mayor race and a bunch of banks who are lenders into the New York City rent regulated market. Of course, Mamdani has promised to freeze the rent, meaning that he will not allow rent regulated rent stabilized apartments rents to go up. In theory, of course, that's bad for landlords and bad for their lenders. But the stocks of several of these banks were actually up the next day. And the shares of one of the largest apartment developers, one of the largest apartment real estate investment trusts, which again, you know, has, has rent regulated properties in New York.
Podcast Host/Announcer
Their, their shares were up a little bit too.
Miriam Gottfried
Some drama in the market that I cover in the past couple weeks. The alternative asset managers, also known as the private equity and credit firms. When Blackstone reported earnings, it, even though it beat earnings, its shares fell because people were really worried about the health of the private credit market. And private credit has become a very big business for Blackstone. That narrative seems to have changed throughout the course of the earnings cycle over the weeks as more and more of these lenders started reporting earnings and sort of continued to beat the drum, saying that recent bankruptcies tied to First Brands and a subprime lender called Tricolor, or Tricolor, however you choose to pronounce it, you know, that these bankruptcies were isolated incidents. They didn't really have to do with the thing that we normally call private credit, that their businesses were still healthy, there's no major crisis going on. And they, you know, as executive by executive continued to repeat this mantra, people seem to maybe sort of buy it a little bit more. And we saw, you know, an improvement in their stock price performance after earnings. By the time Apollo reported, people were kind of cheery about it. Although there were other factors in that Apollo report too.
Telis Dimos
Yeah, although Jamie Dimon scared everybody earlier this cycle when he talked about cockroaches in reference to recent corporate bankruptcies that were scaring everybody about what other sort of disasters could lurk. But you know, despite that, we haven't seen a wave of increased defaults for, for any of these markets yet. Now maybe there's still things bubbling under the surface, but, you know, you know, at some point does, does, does the greed factor kick in for the market and overcome the fear factor, that, okay, maybe there are some cockroaches, but maybe that, that these things won't derail what has ultimately been this huge wave of money coming into the private markets, you know, in search of yield and alternative forms of credit and things like that, the AI boom will continue to fuel all of this. And, and, you know, okay, so we have to smoosh a couple of cockroaches and then move on. Right.
Miriam Gottfried
Well, and I think there's also this idea that stocks are at all time highs. And our colleague Spencer Jacob wrote a very well read column about how a very important metric, the Shiller PE ratio, is indicating that stocks are not going to really give us that much over the next few years in terms of returns. So people are looking for alternatives. And there's an argument to be made that maybe private credit could be one of those alternatives. And that's an argument that Apollo made, too. So I think that's kind of an interesting theory. We'll see if that pans out.
Telis Dimos
Obviously, another thing powering these alternative asset managers will be the improved deal making environment. We're seeing a lot more M and A, a lot more deals taking place. People predicted that earlier this year. It finally seems to be landing. Now that could be good for these managers, too. So that's, I think, something to really watch with them.
Miriam Gottfried
And speaking of deal making, that relates to our big conversation today, which is about media consolidation, specifically the possible deal between Paramount sky and Warner Discovery and what else might happen to Warner Discovery if that deal doesn't happen.
Telis Dimos
Well, I'm glad we're doing this because I know even though I work in the media biz, I lose track of who owns what these days. Like, for example, I learned recently when CBS News was in the news itself, who owns them? Which, which of the firms owns them?
Miriam Gottfried
Paramount, Skydance owns cbs.
Telis Dimos
Okay. And then, but then CNN is owned by Warner Discovery. Okay, great. So they could in theory be part of the same company at some point.
Miriam Gottfried
Yeah. I mean, wouldn't that be quite a convergence?
Telis Dimos
Well, that's wild stuff.
Miriam Gottfried
And joining us remotely for this episode to talk about that are Michael Nathanson, senior analyst from Moffitt Nathanson, and his colleague Robert Fishman, also a senior analyst at Moffitt Nathanson. These guys are both longtime media analysts. They've been following this industry forever and they say that this is potentially the very last stage in the long history of media consolidation.
Telis Dimos
Yeah, you recorded this interview earlier this week and I've been excited to hear it ever since. So let's get to it.
Miriam Gottfried
That's coming up in a bit.
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Miriam Gottfried
We are here with our guests, Michael Nathanson, senior research analyst and founder of Moffitt Nathanson, and Robert Fishman, senior research analyst, Moffatt Nathanson. Good to have you guys.
Michael Nathanson
Good to be here.
Robert Fishman
Thanks for having us.
Miriam Gottfried
So the biggest story in media right now is what's going on at Paramount Skydance, fresh off the merger that created this company, it's now trying to buy Warner Discovery, which is itself a product of a 2022 merger. And a deal to combine these two companies would create a media behemoth. Robert what are Paramount, Skydance and its CEO David Ellison trying to achieve with this merger?
Robert Fishman
I think the timing of when they're trying to do this signals to me at least that this was the plan all along. And the reason that they, I think, are pushing forward here is because they need to reach scale and scale in streaming specifically. Most of the media companies are trying to compete with Netflix now, who's already won in terms of the scale war and in terms of profitability. So when you think about global scale, what I think Warner Brothers Discovery is, is looking to solve for Paramount is to achieve, get them closer to achieve that global scale ambition.
Miriam Gottfried
And that kind of gets to the next question I wanted to ask you, which is the media business is facing a lot of stress right now from a variety of factors. We have, you know, the changing economics of streaming, the ongoing decline of the cable ecosystem and the rise of short form video sites like TikTok. What can consolidation and scale, as you said, do to change that?
Robert Fishman
So in terms of the global scale, really what, what these media companies need to achieve is having that global subscriber base that allows you to spread all of this investment costs over a much larger base. And so what they need from the scale, both in the US if we want to start there, is the ability to better monetize the existing subscribers, both through subscription pricing, but also probably more importantly going forward, advertising. And as these ad dollars are shifting from the traditional linear ecosystem that you alluded to and going towards connected TV and different ways that the viewers are engaging with content today that allows you to compete better for those ad dollars going forward, especially on a global basis. When thinking about how these companies are looking to grow over the next five, ten years.
Michael Nathanson
Miriam what's been the biggest change the past decade has been the advance of these really large tech companies who have enormous balance sheets global reach. If you think about the people that are now competing with our coverage of media, you know, it's the likes of Amazon, Amazon prime, of course, YouTube and Google. Netflix is a massive company. If you're a traditional media company, you have to get scale, scale of balance sheet, scale of cash flow, scale of cost cutting. You know, it is a different playing field than what Robert and I encountered. We started our careers 20 years ago. Things have flipped on its head. And in the days where we used to say, you know, international businesses, media where Australia, Canada and the UK because they spoke English. That's no longer true. And I think our companies, ours being the media companies that we started covering way back when, they've been slow to wake up to the fact that you need global scale in all markets of the world, at all price points, at all content types in order to compete longer term.
Miriam Gottfried
So we should really start to be thinking about these media companies as competing with the big tech balance sheets in a lot of ways. I mean that that's a pretty high hurdle for them.
Michael Nathanson
I, I think it's incredibly high hurdle for them. I think as Robert, I talk about all the time, their biggest, the media company's biggest strengths, you'd say right now would be sports contracts that they've tied up for five to seven years. And library, you know, they have great library, they have great ip. And I think Robert and I would agree that they're starting to chip away the tech companies at the sports rights. You're seeing that more and more. The harder part, Robert. Right. Has been they've not able, the tech company's not being able to build even Netflix this kind of recurring great library content. Yeah, they have stranger things, but that's a one off. They don't have the IP that Disney or Warner's Universal Paramount would have.
Miriam Gottfried
So it's still really an IP game. Yeah. For the media companies.
Robert Fishman
Yeah, I was going to go there too. So in terms of sports, I mean, clearly the tech companies that Michael referenced are all looking at sports as this last critical IP to the traditional media ecosystem. And if they can disrupt that, that's like the next leg in terms of where traditional media has been holding on to as, as their last real asset to, to drive incremental advertising and to hold on to affiliate fee dollars as well. But if they lose control exclusively over the sports rights going forward, that's going to have another leg down in terms of the disruption that it's had on the traditional ecosystem. So if you can bring the critical IP and franchises to the table and monetize that in both a streaming and non streaming world, that's kind of like the ultimate solution here to compete.
Michael Nathanson
And Merriam, to your first question, I think the market was telling us clearly that our Paramount Global on its own and Warner Brothers Discovery on its own with the balance sheets that they had and their assets were not going to be long term winners in this business.
Miriam Gottfried
So in a way it's almost like a race against time for Paramount Skydance to bulk up in some way to get there, it seems like. And Robert, given that, you know, we have Paramount Skydance reporting earnings coming up, and given everything that's going on, what will investors be focused on in that report? I mean, are they just looking at the big picture or. Or do they care about the actual numbers for the quarter?
Robert Fishman
Well, I think it's clear that the numbers for 3Q specifically are much less important in terms of the overall picture here, especially when thinking about the future of Paramount and what we're going to learn in terms of the plans. This is really the first unveiling to Wall street in terms of where they want to go with this, and it will be interesting to hear how much we hear about consolidation as part of that plan. But even without consolidation, clearly Ellison and the whole Skydance team is thinking about the long term here. You've seen that through a lot of their early investments. And they might be head scratching and try to have difficulty in terms of making the math work initially thinking about the UFC deal as one example. But if they're thinking about this from a completely different perspective about the Next, call it 5, 10 years and not the next couple of years, I think that's what investors are probably looking for. How can you get returns on some of these initial investments?
Miriam Gottfried
Can you tell us a little bit more about the UFC deal for those who weren't following it?
Robert Fishman
Sure. So ESPN had the rights to the UFC deal, and basically tko, who owns ufc, took that to market and found a plus one bidder that was willing to pay, in our perspective, you know, much higher that than what the market suggested. And so what it did was really signal to the market that Paramount is going to approach these investments in a very different way. Again, that might mean losing money initially, but I'm sure from Paramount's perspective that if they can drive incremental subs on a combined basis, that can help offset the upfront losses.
Miriam Gottfried
So making a splash here at the beginning, we'll see how that works out. I guess I want to take a step back and zoom out a little bit and I want to turn to you, Michael, because you've covered media for a really long time and you have been following the ins and outs of these companies for a long time. And they're really part of a long history of, you know, big media companies getting together, breaking apart again. And, you know, if you look back at history, have media deals, media tie ups yielded positive, you know, results for shareholders? Have they been a good thing for shareholders?
Michael Nathanson
Yeah. Thanks, Miriam. Thanks for saying that. I'm old. But I appreciate that. You know, before I worked on Wall Street, I worked at a committee called Time Warner. And Time Warner was kind of poster child for big media tie ups. If you remember, in that time these two companies merged, then they bought Turner and aol. And that's always going to be kind of my exhibit one of why these tie ups may look great on paper and strategically make sense. They just don't work. So I don't love seeing these massive tie ups. I think what we've learned over the years, Robert and I, is that the small tuck in deals like buying a Pixar, buying a 2B, which what Fox did like being strategic and investing in growing categories with entrepreneurial spirits, is a better use of capital because trying to find scale through M and A, you end up paying a big premium for, for businesses that really, you know, at the end of the day don't live up to, you know, the valuations that were paid.
Miriam Gottfried
Robert, what do you think about that? I mean, given that history, should Paramount investors be rooting for this merger? And what about Warner Discovery investors?
Robert Fishman
Well, from Warner Discovery investors, I think you're clearly rooting for these mergers. But from the Paramount side, as Michael was saying that, I was questioning, you know, to myself, is this time really going to be different because streaming is this X factor. And clearly from the linear media side, I think, you know, to Michael's point, we haven't seen a lot of success stories there. But for streaming, I would raise the question, is this almost a necessity? Again, back to the scale issue. These standalone streaming services can't compete on their own. So I would argue it's almost a necessity that they have to come together. Let's look at Discovery standalone before they were merged with WarnerMedia. Clearly that that has not worked out well. Back to the Warner brothers, Discovery investors. But at the same time, without it, Discovery standalone probably would have been even worse off, to be honest about it. So if we think about what is a necessity versus where the end payoff is, those two answers might be pretty different.
Miriam Gottfried
Michael, after years of covering media, you now focus on big tech. And you know, as we've been talking about, these companies like Amazon and Apple and obviously Netflix are big players, you know, in the media game. Now we know Netflix, it's a pretty focused company in terms of its strategy. But if, if I'm Apple or Amazon, what is my goal in media? What am I trying to achieve? And you know, Warner Discovery has said that maybe some of its assets could be of interest to companies like that. What Would they be possibly trying to.
Michael Nathanson
Buy okay, if, if you're Apple, I'm not sure what the answer to that question is. You know, they've been making great content for a while here, but Apple is an enigma. I don't understand, you know, why they haven't gotten more aggressive in sports rights, why they haven't looked at other companies to buy when they had a chance. I don't think Apple knows what I want to do when it grows up in media. And their bigger challenge is really trying to build Siri to be next gen AI platform that people love. So I'd be surprised if Apple kind of broke thesis and went after media. Amazon, it's clear what they're doing. Their ad platform is growing like gangbusters and they are basically focused on more and more sports. Amazon prime, you know, they had, they had start the NFL now they had the NBA this season. So I think if you're Amazon, you're like, look, this is a way to disrupt the linear world. Add premium content and drive ads through our platform. And we have all the first party data. We know what Miriam bought versus Robert. We will this brand connectivity because we help brands sell more things than Amazon. Let's just find more surface areas to sell more advertising. I think it's, I think their story is really tight and really complete. And I think, you know, we think that they're not going away anytime soon.
Miriam Gottfried
And you know, going back to Warner Discovery. What kinds of things? Like if, if, if they were truly interested in some of the assets, like what assets might they be interested in?
Michael Nathanson
You have all the DC content. You have, you know, great history of DC comics. So you could see more Batman, more Superman coming through Amazon globally. Cnn, you want to add cnn. Robert, am I missing anything? Like for the Amazon thesis of why Amazon would want to chase these guys?
Robert Fishman
I think it comes down to that very valuable ip. I mean, we didn't touch on hbo, which obviously is one of the crown jewels there. So HBO and Warner Brothers content both on the TV side and on the theatrical side. What would be the reason that all of these other companies are going to at least look right?
Michael Nathanson
Our colleague Craig Moffitt covers Comcast. He's been a bit doubtful that Brian Roberts will find the regulatory approval necessary to buy these assets. And we'll see if Brian Roberts is able to horse trade to get a deal done. So I'm not sure that Comcast is really out of this at this point.
Miriam Gottfried
Michael, if you could just tell us why Comcast NBCU might be interested in some of the Warner Discovery assets.
Michael Nathanson
There's a whole bunch of reasons. One is peacock. You'd argue 41 million subs not growing. No global footprint is under scale. Right. So HBO and Peacock solves a peacock problem. HBO's global Universal Studios and Warner's and NBC are all contiguous. They all between Burbank and Universal City. They share a footprint. You would build the most dynamic studio in the world by combining Universal and Warners. That'd be pretty interesting. You also have all these sports rights one place, Right. So the NBA, which now Comcast has the NHL and baseball. And also now Comcast is spinning out Versant, which is a cable network company. And they can take out a lot of capacity in cable by combining Versant and Warner Discovery's assets.
Miriam Gottfried
Right. Versant is basically all of the Comcast cable networks spun out into one separate company. Right.
Michael Nathanson
Everything but Bravo. Bravo works on Peacock. But yeah, it's like, to me, that's the perfect. That's a much better fit, in my view, than Paramount.
Miriam Gottfried
So, Michael, let's say this mega media company, which I'm going to lovingly call Paramount, Skydance, Warner Discovery, or until it gets a better name, gets created, what would that mean for the competitive landscape? I mean, if I'm Disney right now, for example, am I quaking in my boots at the thought that this could happen?
Michael Nathanson
I don't think you're cranking your boots because what's going to happen here is that these companies will emerge. There'll be more discipline on the types of content they invest in. Yes. They'll be bigger, they'll be afford, you know, maybe more expensive things. But at the end of the day, you will lose a competitor. Right. Paramount or HBO will be merged into one. You lose a competitor, you won't be able to make as many films because you're going to look to scale back your film investment. Right. So at the end of the day, I would say everyone who's in this industry will be better off by having another competitor. No doubt scaled, but just less competition for weekends and for new content investments. I think it's really healthy for the incumbents to have this deal happen.
Miriam Gottfried
We're going to take a quick break and when we come back, we've got one more question. We are back with Michael Nathanson of Moffatt Nathanson. Michael, you know, I used to cover media for Hurt on the street, so I was following a lot of this stuff. I've been doing it for a long time, too. So you're not the only old one. Viacom split into Viacom and cbs, which later merged back together to create Paramount, which then merged with Skydance and now wants to merge with Warner Discovery. A decade from now, will we be talking about why these companies are breaking up again?
Michael Nathanson
That was the original sin, by the way. The breakup of the Viacom into two pieces was one of the dumbest things ever. We all knew it at the time. And look, look how badly the Redstone family has done as investors because of it. But I think we're at the end. That's kind of the sad part for me, truth be told. We're at the end. This is probably the last mega deal we will see if the cable network assets are the problem, not the broadcast asset, the cable networks. But that's going to be pushed off of people's balance sheets and what's left will be studios streaming broadcast in some combination of that. And that's kind of the end of it. Marion. We're like, I go back to my Time Warner start now, like the first mega conglomerate here. I think we're almost done. That asset will no longer exist, sadly enough.
Miriam Gottfried
You know, wow, end of an era. Well, this has given me a lot to think about. I love talking about media. You know, maybe it's because I work in the media. Thank you so much for joining us. Michael Nathanson and Robert Fishman of Moffatt Nathanson.
Michael Nathanson
Our pleasure. Thanks for having us, Miriam.
Telis Dimos
By the way, audience wanted to say that if you have a question on a hot news topic, we'd love to hear from you and we can answer your question in a future episode. We've mentioned some, some comments before on the show that we've seen on social media. So who knows, maybe yours could be next. Drop us an email@takeontheweekj.com and that's everything you need to know to take on your week. The show is produced by Anthony Bansi, Jessica Fenton and Michael Lavelle, with additional support from Jana Herron. Michael Lavelle and Jessica Fenton are our sound designers. Michael also wrote our theme music. Jessica Fenton is also our technical manager. Aisha Al Muslim is our development producer. Chris Zinsley is our deputy editor. And Falana Patterson is the head of news audio for the Wall Street Journal. For even more, head to WSJ.com I'm Telus Dimos.
Miriam Gottfried
And I'm Miriam Gottfried. Until next time, should we expect fewer streaming platforms or higher Costs?
Michael Nathanson
Yes. In 30, 30 seconds or less is my dog's barking. Hold on a second. Hold on, hold on. This is a crazy day. Energy, infrastructure and technology will require up to $100 trillion to modernize and meet demand. Long term growth demands long duration capital. That's where Apollo leads, partnering with companies today to power what's next. Learn more at Apollo. Com Renaissance.
This episode dives deep into the rapidly evolving media landscape, focusing on the latest wave of media mergers and consolidation – especially the potential acquisition of Warner Brothers Discovery by Paramount Skydance. The conversation explores whether these traditional media giants, amid declining cable subscriptions and the rise of streaming, have any chance of surviving or thriving against tech behemoths like Amazon and Netflix. Guest media analysts Michael Nathanson and Robert Fishman from MoffettNathanson provide context, history, and prognosis for legacy companies entangled in the so-called “last stage” of media consolidation.
Tariffs & The Supreme Court
Elections & Market Impact
Private Credit & Alternative Assets
The bid marks another major shakeup after decades of similar tie-ups and breakups.
Why Merge? Scale is the goal – especially in streaming.
The Threat from Big Tech
Track Record of Mega-mergers
Is THIS Time Different?
Netflix: Focused Powerhouse
Amazon: Mixing Commerce With Content
Apple: The Enigma
Why Buy Warner Discovery?
Comcast NBCU's Interest
Will Disney or other legacy companies be threatened?
Is this the Last Big Consolidation?
On Surviving in Today’s Media World:
On the Appeal of Warner Discovery’s Assets:
On the Nature of Consolidation:
On Whether This Is the Final Act:
01:10–05:03: Weekly political & market hot topics, tariffs and uncertainty.
07:18–10:12: Private credit, alternative assets, and dealmaking environment.
10:12–11:25: Who owns what in media; setting the stage for main discussion.
12:06–27:12: In-depth interview with Michael Nathanson & Robert Fishman:
27:30–30:08: Future of media: Is this the end of an era?
As old-school media giants face existential choices, the guest analysts are united: bigger might be better, but history is filled with failed mega-mergers. With tech superpowers like Amazon and Netflix already at scale, this merger race may be legacy media’s final act—for better or for worse.
For those following the future of streaming, sports broadcasting, and content ownership, this episode offers both a grounded sense of history and a candid, even bittersweet, look at the media industry's likely endgame.