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Al Murray
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Al Murray
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Al Murray
Merry Christmas, everyone. Ah, the little drummer boy. Everyone's favorite at this seasonal time of year. It's me, Al Murray, co host of the WWII pod. We have ways of making you talk. The world's finest second World War podcast. And you know what? At this time of year, it's important to think about what's important, isn't it? Spending time with loved ones, looking to the year ahead, enjoying the finer things in life. And of course, the most important thing of all, the question that irks so many at this seasonal time of season. What exactly is a pocket battleship? Now, we all like to say, of course, that it's just the thought that counts when it comes to gift giving. But actually, why not have a good thought, right? It can't just be a thought. Go for a thoughtful gift. And the best gift, of course, is a subscription to WW2 pod. We have ways of making you talk with a subscription to, we have ways you know what your loved one, your loved one, or even someone you only like a bit could enjoy. Ad free listening, priority access to new series and ticketed events, regular live streams, a weekly newsletter with book and model discounts. Oh yes, you know, the kind you glue together. And bonus episodes. In fact, why not give yourself a membership this year? Go on, you deserve it. Santa says you should. Ho, ho ho. So head over to we havewayspod.co.uk and you too can present the very best gift that they'll ever get this year or any other year. Even as you remember on the way to dinner that you forgot to get them anything. Yeah, exactly. You can do this just like that. Go to the website. We have wayspod.co.uk put that in your Christmas string bag. Merry Christmas and Happy New Year. Meine Lieblingen, auf Wiedersen untrucitrus.
Jim
These tracer bursts illuminated the first swordfish, so that from above, instead of appearing a blue grey, it seemed to be a gleaming white. I watched it wing its way through the harbour entrance 5,000ft below and disappear under the flak and imagined that it had been shot down at once. Then I saw the lines of fire switching round from both sides, firing so low that they must have hit each other. The gun aimers must then have lifted their arc of fire to avoid shooting at each other. And I saw their shells exploding in the town of Taranto in the background. The Italians were faced with a terrible dilemma. Were they to go on firing at the elusive aircraft right down on the water, thereby hitting their own ships and their own guns and their own harbour and town? Or were they to lift their angle of fire still more? Eventually they did the latter, because all the other five attacking swordfish managed to weave their way under that umbrella to find their targets. Had the arc of fire been maintained at water level, all six would have been shot to pieces within seconds instead of two. But the guns would have done even more extensive damage to the ships and the harbour itself. And that was Charles Lamb writing in War in a string bag. And what a fine book that is.
Al Murray
Yeah. And he had a ringside seat as he watched the first wave go in on the night of 11 November, flying in his Swordfish. And welcome to. We have ways of making you talk for Taranto, the raid. In our last episode, James and I went through the history of the Fleet Air Arm and we didn't talk about the Second World War for a good 10 minutes. I think it's probably an all time record.
Jim
No, that was. It felt a bit odd. But, but, but I, I've reconciled myself to it and I felt quite comfortable by the end. We could vary a little bit like the rest in history. Rest is history going into the Second World War. Yeah. Well, maybe we could delve back a little bit occasionally, hit their turf.
Al Murray
I don't want to talk about Napoleon. Not interested. Anyway, the Romans, who cares? It's a long time ago. It doesn't matter. What we learned is that the tons of the stuff that comes about in this raid is. Is stuff that's been laid down in the previous three decades by the Royal Navy and the Fleet Air Arm, the Royal Naval Air Service and the pilots and men and the world leaders.
Jim
World leaders. Pioneers.
Al Murray
Pioneers showing the way and that. That come the 11th of November 1940. The string bag is not this obsolete novelty aircraft. It's the Fleet Air Arms strike aircraft of the highest suitability to the task. There isn't anything else that can do.
Jim
Now tell me, Al, tell me, have you ever seen a stringbag flying?
Al Murray
No, I haven't. I haven't had the good fortune. No. There is a flying one. Navy wings have got one, haven't they?
Jim
There is. And I'm thinking, I tell you what I'm thinking. I was thinking all through recording that first episode, we should try and get it to come to We Are Ways Fest.
Al Murray
Oh, yeah, baby, yeah.
Jim
Don't you think? Because, yeah, I mean, we had it.
Al Murray
At chalk once at the Chalk History Festival.
Jim
And I've got to say, it's quite a. Is much bigger than you think.
Al Murray
Yeah, it's a beast. Yeah.
Jim
And second, it's, it's got a kind of, it's got a grace to it. It really has. It's quite, it's quite the thing to see when you see a photo of it. It could be a First World War I, but when you see it for real, it isn't a First World War. Yeah, it is, it is absolutely not a Tiger Moth or, you know, one of these others. It's, it's a, it's a completely different thing and it's quite, it's, it's, it's an amazing aircraft to see, to be honest. Single engine, of course, but you know.
Al Murray
And its versatility is the key after all. I mean, by the time they're, they've exited the torpedo role, you know, they're being used in submarine warfare, equipped with rockets, with the rockets that you see on a Typhoon for brassing up submarines. You know, they're a seriously versatile piece of kit and I do recommend that people read War in a string bag.
Jim
Because it's a classic. It's an absolute classic.
Al Murray
Yeah. And he's vivid about the operations that, that they did in the Med and the tempo of operations because it's relentless. That's the other thing.
On an aircraft carrier, it's not a roller, not like a Royal Air Force Fighter Command squadron where you're rotated out and you're going to the pub every night. There's none of that. You're not moved to another group. The squadron on the ships are the squadrons on the ships. And you know, you're flying sometimes, particularly when it comes to the anti submarine phase for the Swordfish later in the war, you're flying around the clock. It's relentless.
Jim
But anyway, there's no tachometer going. Isn't saying you need to take a break after eight hours.
Al Murray
No, there's none of that going on and you're flying from, from a ship, you know, it's all that much more difficult. And so we left the last episode as the men from Eagle and Illustrious Swordfish squadrons prepared to put in the strike on the Italian Regia Marina in Taranto. Operation MBA was out, wasn't Eagle out? Yes, Eagle's out, but it's the men for the squadrons. So the squadrons, the Eagle planes.
Jim
Men from Eagle.
Al Murray
Yeah, yeah, yeah, yeah, yeah, exactly, men. So five, five aircraft are transferred to illustrious. So operation MB8 is this vast, complex.
Sort of feint all the way across the Mediterranean. Although also mined in convoys, all also seeking battle. You know, it's not some sort of, it's not a fake thing, MB8, it's just this big complex series of operations in the Med to distract and confuse the Italians, which succeed. At the same time, the Fleet Air Arm fighter squadrons are creating local air superiority around the Illustrious strike group so that they're chasing off spotter planes. You've got Sunderlands out and about as well doing recce stuff to keep an eye on the, on the, on the Italian Navy. And Illustrious has to sail to position X from where the strike can be launched. And we talked about the full scale of the Italian fleet. It's scores of. This is basically like an attack on.
Jim
Six battleships is the beating heart, isn't it? But there's all these other vessels as well.
Al Murray
Yeah, but it's essentially like an attack on Scapa Flow in terms of impact ambition, isn't it?
Jim
Yeah, really good analogy. And it's also what you'd call a target rich environment.
Al Murray
Yeah, yeah, absolutely. And the idea is to change the balance in the Med, knock out Italian capital ships before they disperse. And it's, and it's the long term plan and ambition of the Mediterranean fleet that predates abc. But he's embraced it, he's grabbed it, he's putting all of his resources into making this come off. But I mean, this is going to be no pushover because it is, after all, the Italians most important fleet. Right, so it's. Yes.
Jim
And so, so is, is Taranto going to be well defended?
Al Murray
Yes, of course it is, absolutely.
Jim
It's going to be, absolutely. It's going to be bristling with armament, isn't it?
Al Murray
Exactly. 21 gun batteries armed with 4 inch guns, 68 machine gun mountings, with a total of 84 guns in positions ashore and afloat, 109 light machine guns ashore and afloat. Yeah. And barrage balloons. Yeah, I mean, golly gosh, yep. And these have been spotted by Lieutenant Pollock, of course, who stole the photographs, took them back to Illustrious and the torpedo nets, the torpedo, torpedo netting isn't up to it because the British have worked out the exact depth the torpedo and its direction of travel. They know exactly how, at what depth to drop the torpedo. And there it's, There's a gap of 2ft that the British have calculated is the right depth.
Jim
How do they know this? Does this through submarines or something? I mean, how do they know just.
Al Murray
Just through having their ears to the ground and could intel. There's a standard torpedo net the Italians are using. They know about, you know. So right now what we have is two waves of aircraft are going to strike and they're all allotted with a magnetic.
Jim
Presumably. Sorry, this is where your magnetic mines come in, isn't it?
Al Murray
Because the duplex pistol. Yes, the torpedo is triggered either by the magnetic signal of the ship or striking the ship. So you can run under a ship. So if you get the. If you're running too deep, it doesn't matter, you can go in under a ship and cause an explosion and cause damage. So we've two waves of aircraft.
Jim
So does the magnetism of the mine, does that sort of suck it up and hit the. Then hit it?
Al Murray
No, it's the magnetic field of the ship as it passes under triggers the pistol that fires the torpedo. Got it, got it, yeah. And the torpedoes, the blast onto the.
Jim
Water is amplified, of course.
Al Murray
Yeah, exactly. And the torpedoes and any damage, you know, you knock a ship's keel out of shape, got to fix it, haven't you? Any damages, any damage needs inspecting, needs checking, needs fixing. They learn that the best way to drop it is, is. Is so it flops into the water rather than dive straight in. There's a whole thing with cables and stuff that then as the torpedo drops, it starts the motor, you know, blah, blah, blah, blah. And that's technical stuff that is beyond me. And that I'm sure if you, if I got that wrong, write in and I will ignore your email. Simple as that.
But there's two waves of aircraft and some are dropping torpedoes and some are going to be dive bombing as well. So it's quite interesting. Not everyone is. Not everyone is delivering torpedoes to Toronto and some will be dropping flares because you need as much light as you can. The thing they've learned is regardless of the moonlight, what you need is artificial light to light up the harbor so that you can deliver torpedoes accurately and bomb accurately. And so part of the force, two aircraft per Wave, there's a, there's a prime flare dropping aircraft and then, and then a spare. And their job is to drop, drop flares and, and, and dive bomb. But basically there's, there's this. They've, you know, they figured, they figured it all out. But what that also means though is the torpedo, the torpedo strike force is diluted a little. Right. Which, which comes into in the end some arguments about whether Eagle should have got a finger out and, and come anyway and how many more swordfish you could have brought to the party.
Jim
Right.
Al Murray
Actually, if you, you know, mass having its own effect. But there are two waves of aircraft, those from Illustrious, but bear the letter L. Those, those lent over from Eagle carry the letter E. So as we.
Jim
Go through the raid, L for Lusty, E for Eagle.
Al Murray
L for Lusty. E for eagle. So the 11th of November, 1800 hours, illustrious and her escorts are ordered by Admiral Cunningham to proceed to their next mission away from MB8, onto Operation Judgment. Yep, they reach position X. There's a light and variable wind at the surface and at higher altitude it's a westerly of about 10 knots. It's a thin layer of cloud.
Jim
That's manageable, isn't it? 10 knots, that's not too bad.
Al Murray
Yeah, it's not so bad, but you need enough coming over the deck to take off is the thing. Total cloud at 8,000ft. A three quarter moon bearing south. Because the moon does move. Folks remember, they do their last minute briefings, the checks are done on aircraft and then a green light shines from the fly commander. The flyco saying go. It's literally chocks away. Thumbs up. Good luck, chaps. Off we go.
Jim
Amazing. Taking off into the night.
Al Murray
Exactly, exactly. Flying off into the night. At 20:35 hours, the first aircraft left, all 12 in the first wave are airborne five minutes later. And at 20:57, in a loose formation, they set off for Taranto, which is 170 nautical miles away.
Jim
Okay, so an hour and a bit, hour and a half.
Al Murray
Well, yeah, a little more position X. You see, because they've got part of MB8 has been able to get the carrier to the point where Taranto is in range of the carrier task force, but without making it obvious to the Italians that what they're going to do is strike Taranto.
Jim
Yeah.
Al Murray
So all of this maneuvering, this complex Mike Bravo 8 as it is, that's been going all over the Mediterranean has been in order to deliver the carrier to point X, which is just within range. And of course they've extended the range of the Swordfish by putting the fuel tank in to make this possible. So the whole thing is designed to not look like what it is. Right.
Jim
So it's a massive deception exercise, basically.
Al Murray
Is a huge, colossal deception exercise as well. Built into it. 2115, they fly into cloud four and a half thousand feet, they get separated. This means they don't all arrive over the target together.
Jim
So how do they. How do they get back. Back together? So they never get back together again?
Al Murray
Not quite, no. Some people stick around, others don't. Right. They've been ordered to use their own initiative anyway. They know where they're all going. The observer's job is to navigate. And things have been changing ever since the operation has been mooted. Right. Because the Eagles stepped out.
Jim
Right.
Al Murray
They've been losing planes to that fung problem with the fuel.
Jim
Yes.
Al Murray
That we talked about in the last episode.
Jim
I mean, whoever knew you had fungus problems in fuel? I just. It's absolutely new to me.
Al Murray
Yeah, well, it's something to do with the tropics, I think, with the temperature. Anyway, those who get separated attack when they get to Toronto as planned. They just. They're just. You, you know, you're on your own. Anyway, they've got Kefalonia on their right in the dark as they fly on.
Jim
Captain Corelli's mandolin and all that.
Al Murray
Exactly, yeah.
Jim
So this is in the. So they're coming from the Ionian Sea. Yeah, they're coming from the east, from the Alexandra side.
Al Murray
Exactly, exactly. And fellow Williamson is in the first aircraft. We'll hear more about him as we go. And he's drawn up a group of nine aircraft around him, but each observer, who's the navigator on the Swordfish plots the plane's own course anyway, so they're not reliant on each. On the group for setting course. Navigation's really, obviously, really, really important in the Fleet Air Arm. It's like.
Jim
Yes.
Al Murray
And in this group of five torpedo.
Jim
Planes, you need to know your Constellations, that's for sure.
Al Murray
Exactly. Five torpedo planes, one with bombs and two of the flare dropping aircraft in this group of nine, they're on their way, plugging away at 80 knots or whatever it is, you know, just droning on.
Jim
I can picture them sort of slightly going up and down, waving, not quite level, you know, you can just. So you can picture it, can't you?
Al Murray
Charles Lamb says, almost as soon as we were airborne, we had to climb through heavy cumulus cloud. And when we emerge into the moonlight at seven and a half thousand feet, only nine of the 12 aircraft's lights are in sight. So he describes this situation and the others fly direct to Taranto. So he says one of them, Ian Swain, flew at sea level and reached the target area 15 minutes before anyone else, because he obviously thought, well, bugger this, I can't find the others. I'll just stay there. My. My nav's got the bearing. We'll figure it out.
Jim
And by the way, flying low over the sea is incredibly difficult and especially difficult at night. It's so easy to lose your horizon and just. Just go into the water.
Al Murray
Exactly.
Jim
And meanwhile, talk to Glenn Miller about it.
Al Murray
Yep. Yeah. Well, there's that amazing passenger, Jeff Willems, isn't there, where he gets lost at sea, basically, and he can't work out where he is. And really terrifying. Meanwhile, at Taranto, the Italian Akka stood too, because they have an acoustic listening system, the Italians, they don't have radar, they don't have rdf, but they haven't, you know, an acoustic listening system, like. Like the British do too. But this is what they rely on. And they pick up a sunderland earlier at 1955, and the Sunderland is out looking to make sure there aren't any surface vessels that may steam towards the carrier task force.
Jim
Right, Right.
Al Murray
Because they don't want the carrier task force disrupted because, after all, it has to get to its next station for the returning Swordfish. Right. So there's a Sunderland out and about, and they hear that the Italians, so their guns stand too, so they're on alert long before the first wave get close. And, of course, Swain turns up early.
Jim
Yes.
Al Murray
Because he's flown the direct course to Taranto. He's there 15 minutes earlier. So they're ready to go. And at 22:50. So they've been in the air basically an hour and a half, roughly.
Jim
Yep.
Al Murray
They detect the opening wave, which is still miles off, and they start firing into their planned box Barrage. So. So Operation Judgment guys do not achieve surprise by any stretch of the imagination. Right. The Italians have stood to. They're ready and their guns are going.
Jim
Yeah. This isn't like the Japanese at Pearl Harbour.
Al Murray
It's very different. So Williamson, who's leading the first wave, he basically like a soldier marching towards the sound of the guns. He uses the illuminations to navigate on. You know, the whole harbour's lit up.
Jim
Well, just think about it this way, chaps. It makes our life easier.
Al Murray
Exactly.
Jim
Now we can see where we're going.
Al Murray
You're jolly helpful of the enemy. Lamb says the darkness was being Torn apart by a firework display which spat flame into the night at a height of nearly 5,000ft. I think our hosts are expecting us, I said, to Grieve down the tube, because they speak to each other down a tube. Right. They don't seem very pleased to see it, said Greave. And it was the last thing he could say for some time to come and for what must have been a very uncomfortable interval as a passenger in an open cockpit above a volcano. And. And that as he spoke, blood. Scarlet, who's Williamson's observer, and Scarlet's the guy who in the, as we said in the previous episode, said, why bother talking about the return journey? Let's not waste time with that. He has a dim daughter's light, and he does the breakaway signal to the rest of the flight. You know, here we go. In we go. Tally ho.
Jim
Yep.
Al Murray
Right. So Taranto's within view, Swain, L4M, which is piloted by Lieutenant Swain, who, as we said, got lost. And his observer, sub Lieutenant Buskill, rnvr, they rejoin the attack. That the main wave.
Jim
Okay. So they sort of circle around and join with the others.
Al Murray
Circle around and join in? Yeah, they basically loiter and wait for the others to turn up and then in they go. And one of the interesting things is that Greave, who's the observer with Lamb, they've never worked together. They've never flown together before. They're just stuck together.
Jim
Amazing, isn't it?
Al Murray
Never really properly met, but they know the quality of training is. He knows he can rely on him as a navigator. He's not got any problems with the it. So at 22:56, the flare droppers L4P and L4B are sent off on their run. So they go up to 5,000ft towards Cape San Vito, and. And they're drawing some fire as well. And six minutes later, at 2302, they start dropping parachute flares at seven and a half thousand feet. And the flares are set to light up. So they drop them. They fall for 3,000ft. The flares light at four and a half thousand feet. And this means the Italian gunners will aim at the flares and miss the swordfish.
Jim
Well, that's the theory.
Al Murray
That's the theory. They then have to loiter and see if the flares have worked properly over the target. And kiggle, who's in L4P, does a bombing run on the oil tanks once he's sure his flares have lit up the harbour.
Jim
Amazing, isn't it?
Al Murray
And Charles Lamb is the reserve Flare dropper. And he says, you read this, Jim, because this is just amazing.
Jim
From my position astern of Kiggle and Janvrin, I was in no danger whatever and could watch proceedings at leisure. I have never been in less danger in any attack than I was that night when the rest of the squadron were flying into the jaws of hell. I was convinced that none of the six torpedoing aircraft could possibly have survived. I have always been very grateful to the Italians for favoring the tracer type shell which streaks upwards in flaming balls of fire known as flaming onions. It is possible to see them coming from the moment they leave the gun's mouth until they saw past. Admittedly, they streak upwards at an alarming rate, but there was always time to dip a wing and swerve out of their path in the dark. There was plenty of time to dodge and in any case they were firing at the flares, not the aircraft. With my bird's eye view, it seemed that the harbour was more brilliantly lit than the attacking swordfish could want. If any of them were still in the air, which seemed unlikely. Goodness me.
Al Murray
I mean the song. Fine that, you know, president of the Stoic Club.
Jim
Yeah, absolutely. Straight in, isn't he? He requires no further interview. Yeah, he's just honorary member.
Al Murray
Absolutely. So at 23:15 the flares light up the harbour for the first wave and in go the torpedo planes. And at that point we will take a break and find out what happens to the first wave.
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Al Murray
Welcome back to Way of Ways Of Making youg Talk, where the first wave at Taranto, Operation Judgment, has just gone in flares lighting up the harbor. And I don't know about you, Jim, but that description from Charles Lamb of watching this and also just his sheer sang froid, I was. I've never been in less danger in any attack than I was. I mean.
Jim
But it's still an attack. They're still shooting at you.
Al Murray
It's still danger.
Jim
It's still nighttime. You're over enemy territory.
Al Murray
Well, then you've got to fly back across the sea, like a couple hundred miles, I mean, you know, and find.
Jim
The Illustrious, which presumably has not been standing still.
Al Murray
No, of course not. She's been steaming around on a, you know, on a course in order to. In order to throw the enemy off. Anyway, in go the torpedo planes and they swoop down over San Pietro island and over the sea at 30ft, that's 10 metres.
Jim
Yeah, it's nothing.
Al Murray
And they've got the southerly group of battleships in mind, which are more to the south in the Maragrande, and they fly through the box barrage.
Jim
Yep.
Al Murray
And a box barrage, of course, is basically guns firing on prefixed coordinates to create a wall of flak that nothing can get through. Yes, but when you're flying this low, and as Lamb points out, the Italian gunners are going to end up shooting each other, it's very difficult to press the guns this slow. But basically, on barges, on ships, you name it, the sky is completely full of tracer. The glare of gun barrels, the works, the flashes of the guns, the noise, the crump, the rat tat tat of.
Jim
The Italian turbulence, the scatter of shrapnel.
Al Murray
Williamson comes in on a southerly approach and then he turns northeast to fly right at the Cavour. He takes his time, lines are up and the torpedo goes 700. He drops the torpedo 700 yards from the Cavour. He's flown between two destroyers at 30ft, the Lampo and the Fulminae. And as he lets the torpedo go, he banks right across the Fulminae and is shot down. So the first aircraft to go in is shot down and he ditches next to a floating dock. And of course, one of the advantages of the Swordfish is because you're not going very fast when you. When you put it down in the water, you're not going very fast. It's kind of survivable in this situation.
Jim
Yes.
Al Murray
They're not going very fast, they're not falling very far. So with his observer, Blood Scarlet, who's the fellow who said, let's not waste any time with the return journey, at the planning meeting, they're fished out. The Italian Navy look after them and they say after the war, afterwards, after they return, that basically they're kind of treated as heroes. The Italian Navy, like, well, hats off.
Jim
We've got to take credit where credit due. Yeah.
Al Murray
Fellas are great pluck and verve.
Jim
It's a bit like you just have to sit back and Admire Travis Head's 100 and just kind of not take it personally.
Al Murray
Precisely. It's like that. And also, one of the features of the Taranto raid is they don't kill too many Italian ratings. You don't have any situations where anyone's magazine goes up and a ship is just completely destroyed, killing everyone on board. So there's an element afterwards that it's kind of relatively bloodless.
Jim
Right, right, right, right.
Al Murray
That actually makes it a little less sour for the Italians. Next come in. L4C and L4R. L means they're from Illustrious, of course. They come in their own way, together on a more northerly line to conceal their intention that it is to go. They're also going to go for the Cavour as well. They then turn hard to engage her. They both miss. I know, Damn it. So the first plane's been shot down, the second two have missed. The Andrea Doria, she reports an explosion but no damage. Then L4M, which is swain, who's been delayed.
Jim
Yes.
Al Murray
Who got lost. Basically got lost in the cloud.
Jim
But he got there early, didn't he?
Al Murray
Got there early, hung around and now he's. He's going in. He splits off from L4K and he flies. Swain flies right across the center of the Mar Grande, right through the middle.
Jim
Amazing.
Al Murray
He then turns north at the tip of the Diga di Tarantola, east of the torpedo nets and aims at the Littorio. And at a range of 400 yards, they cannot miss and nor do they. She's then struck again on the bow by a torpedo from L4K, which is being flown by a Kemp. And a Kemp at the controls of L4K, skirts round the north of the harbour. And there's no doubt that the leeway the pilots have been given the initiative they've been offered for choosing their own routes onto target is paying off. Right. Yeah. Yeah. Because if you're at sea level, it must Just feel like there's sore fish everywhere. They're just coming from everywhere. They're coming from all angles.
Jim
Yes. It's sort of a. Effectively like a sort of force multiplier, isn't it?
Al Murray
Exactly.
Jim
Total confusion.
Al Murray
There's no way to. To figure out what's going on. And then the sixth and final torpedo plane for the first wave is E4F, following by a fellow called Maund. He comes in from the north and flies. Flies along the northern shore of the harbour and lets go a torpedo at the Vittorio Veneto at 3, 1300 yards and it detonates short of the target.
Jim
Can I just point out that Maunde will. We will revisit him in the hood and Bismarck story.
Al Murray
Well, there we are. Right. Because the Fleet Air Arm isn't very big and people do. People do resurface. And Morne's account, Jim, we must be at 100ft now and soon we must make our dash across that bloody water. As we come abreast the chimney, I open the throttle wide. Abreast of chimney. Right. That's how low he is. As we come abreast the chimney, I open the throttle wide and head for the mouth of the Mar Piccolo, whose position, though not visible, can be judged by the lie of the land. Then it is as all hell comes tumbling in on top of us. It must have been the fire of the cruisers and Mar Piccolo canal batteries, leaving only two things in my mind. The line of approach to the dropping position and a wild desire to escape the effects of this deathly hailstorm. And so we jink and swerve, an instinct of living guiding my legs and right arm. Two large clear shapes on our starboard side are monstrous in the background of flares. We turn until the right hand battleship is between the bars of the torpedo sight, dropping down as we so as we do so the water is close beneath our wheels. So close I'm wondering which is to happen first, the torpedo going or are hitting the sea. Then we level out and almost without thought the button is pressed and a jerk tells me that the fish is gone.
Jim
It absolutely is amazing. I mean that's really hairy stuff, isn't it?
Al Murray
Completely hairy. And they. Their expectations are going to be killed. And we. We talk. I mean, it's interesting. We talked before about the Japanese kamikaze effort where you. Where the deal is you're going to die. There's not much difference here, is there?
Jim
No, no, no. I'm hearing you loud and clear.
Al Murray
The expectation is you'll be killed. You haven't gone to fly your plane into anything, but the expectation is you're going to be killed in this effort. Right? Yeah. The spirit of these guys and mourned is killed later on in Ops off Malta on the 11th of January 1943. So as well. As well as featuring in the strike on the Bismarck. You know, it's a dangerous business, this. Then comes in L4H Ford. He's on his bombing run. He does his run twice because he doesn't see his bombs have hit anything. So he. If they've actually dropped, can't tell. So he does it twice.
Jim
That's amazing, isn't it?
Al Murray
Yeah, absolutely amazing. And then after him comes a fellow called Murray in E5Q from the Eagle. One of the squad. One of that's from the Eagle. He drops three bombs, one of which hit the Libeccio, but doesn't go off. So it does raise questions, as it would have been better off if these lads had been flying with torpedoes, actually, because there's so many ships in the harbor. But sure. By 23:35, the first wave have completed its attack. Two ships have been struck, the Littorio and the Vittorio Veneto.
Jim
Okay, so that's two down.
Al Murray
That's two down. Bombing attacks have been less successful, though the oil storage tanks in the harbour are on fire. Now the Italians hearing the second wave coming, carry on with their box barrage because they've got, you know, as we said, they've got their acoustic system that's listing out. But only one Swordfish has been lost.
Jim
So that's Williamson, and he's still. And they're still alive.
Al Murray
And they're still alive.
Jim
William and Blood Scarlet, William Blood Scarlet are still alive. That's just amazing.
Al Murray
Yeah, it's incredible. It is incredible, isn't it? Given their expectation that they're flying into certain death. The jaws of hell. Yes, you know, it's incredible. So at 2300 hours, illustrious has reached recovery position Y and we'll now wait for their return. And in our next episode, we'll find.
Jim
Out how this plays out.
Al Murray
Yeah. Every single one of these aircraft is a cliffhanger. Remember when we talked about when Eagle's planes left 15 minutes later for that attack? They were shot down on arrival because the Italians knew what was coming. So this second wave leaves 43 minutes after the first wave. What will become of them? And we will. We will let you know in our.
Jim
Next episode what will become of them.
Al Murray
Of the strike on Taranto. String bags in the Med.
Jim
Yes, another cliffhanger. It's just they're coming thick and fast in this series.
Al Murray
They certainly are. Thanks for listening, everyone. We will see you back over Taranto, although we've got to get there first. And there's a little bit. There's the odd slip between cup and lip as we go. We'll see you soon. Thanks for listening. Cheerio.
Jim
Cheerio.
Al Murray
Sa.
WW2 Pod: We Have Ways of Making You Talk
Episode: The Battle Of Taranto Begins: Stringbags (Part 2)
Date: December 11, 2025
Hosts: Al Murray & James Holland
This episode dives deep into the dramatic night of November 11, 1940, when British Swordfish biplanes ("Stringbags") launched their daring and influential raid on the Italian fleet anchored at Taranto. Building on the background and setup described in Part 1, comedian Al Murray and historian James Holland explore the tactics, technology, bravery, and near-chaotic chaos of Operation Judgment. Unique insights, vivid primary accounts, and both hosts’ trademark humour draw listeners into the suspense and significance of this pivotal moment in naval aviation history.
Setting the Stage (08:20 – 15:23)
Italian Defenses (10:05)
Use of Torpedoes and Bombs (11:03, 12:15)
Flare-dropping for Night Attack (12:15, 21:32)
The first wave departs from Illustrious at 20:35; by 20:57, 170 nautical miles to target.
Heavy cloud causes separation; some pilots fly in isolation to Taranto.
"They've been ordered to use their own initiative anyway. They know where they're all going. The observer's job is to navigate." – Al Murray [15:41]
Casualties and Courage (26:58 – 27:17)
Results of the First Wave (32:11)
On Night Attacks:
"Flying low over the sea is incredibly difficult and especially difficult at night. It's so easy to lose your horizon and just go into the water." – Jim [17:43]
Heroic Calm in Action:
"I've never been in less danger in any attack than I was that night when the rest of the squadron were flying into the jaws of hell." – Charles Lamb (quoted by Jim) [21:45]
On Italian Gunfire:
"The darkness was being torn apart by a firework display which spat flame into the night at a height of nearly 5,000ft… I think our hosts are expecting us." – Charles Lamb (quoted by Al) [19:34]
On Deception and Surprise:
"So it's a massive deception exercise, basically… It's a huge, colossal deception exercise as well. Built into it." – James and Al [15:23–15:26]
The episode is rich with historical detail and first-hand perspectives, enlivened by the hosts’ friendly banter, wry humour, and sense of wonder at the courage and innovation of these aviators.
Hosts frequently riff off each other's knowledge, sharing rare facts, and using military jargon and analogies familiar to long-time listeners but context-rich for newcomers. The immersive storytelling, especially with direct quotations from memoirs like Charles Lamb’s, captures the tension and awe of the night raid.
The episode ends just as the first wave's impact is assessed and the second wave prepares to strike, leaving listeners eager for Part 3.
With a blend of detailed technical explanation, lively chemistry, and gripping first-person sources, this episode illuminates the daring and skill behind the Battle of Taranto—setting the stage for decisive change in naval warfare and a preview of "stringbags in the Med" to come in future episodes.