
Why did an ordinary schoolbook become so treasured that enslaved people risked their lives to possess it?
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Imani Perry
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Roman Mars
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Imani Perry
Noah Webster is fascinating because he's this person who takes on as an educator the problem of literacy.
Roman Mars
That's Imani Perry, author and professor of African American Studies at Harvard University, and
Imani Perry
he complains about the classrooms being crowded and noisy and chaotic. And he is also sort of interested in trying to find a way to standardize American learning.
Roman Mars
Webster saw how inconsistent education was. No standard curriculum, no shared set of books or processes. He thought we needed a system. So long before his dictionary made him a household name, Webster spends his own money to print a little blue book with an unwieldy title. It's called the First Part of the Grammatical Institute of the English Language, a title so bad that nobody ever used it. They just started calling it the Blue Back Speller.
Imani Perry
So he really creates this book that is built for an autodidact. It's a way to self teach literacy. He writes the Blue back speller for people to teach themselves to read or to aid teachers who are teaching students to read. You know, he. He really is a kind of key figure in American letters.
Roman Mars
The idea that you would learn to read through reading is a leap, you know what I mean, to teach yourself how to read through reading. So I have a copy with me. Could you describe it for me, though? Like, what does it do? What does it look like? How is it not a dictionary describe its use?
Imani Perry
Yeah, it has some sort of basic phonetic lessons, entry points to pronunciation, short words, and then in the midst of it, this sort of moral lessons written. So it really is like a. A guide to learning to read and the way that later generations, you know, we had books like Hop on Pop, but in that period, it was the closest thing, and there's so many of them still around because there were so many printed once upon a time.
Roman Mars
Within a few years, the blue back speller becomes one of the most widely used school books in the country. Entire generations grew up with it. Even Abraham Lincoln learned to read from its pages. It taught literacy, yes, but it was also shaping a new American language and identity. Webster uses the book to introduce simpler, more distinctly American spellings. He drops the U from humor and labor, music and politics. Lose the extra k. He once suggested that we start spelling daughter as D a W, T, E, R, which would have been nice, though that one didn't stick. But his larger idea does succeed. At one point, the blue backspeller was second only to the Bible in copies sold. And it also. It's kind of like a Bible. Like, there's these tools and lessons built into it. Could you describe its size and the relevance of its size?
Imani Perry
Yeah, I mean, it's wonderful to hold one because you realize it's pocket size. I mean, it was small enough to carry. The blue back spell could be carried with you with. Wherever you wanted to go. It could literally fit into a jacket pocket or pants pocket or a small satchel. And so it was mobile. It was a tool that traveled with people.
Roman Mars
Yeah. And it could be hidden.
Imani Perry
It could easily be hidden, which was really important.
Roman Mars
Important because it means the book could be used secretly by people who weren't supposed to have it enslaved, people who are legally prohibited from learning to read people. Amani says that Webster never intended this book for at all.
Imani Perry
Noah Webster is really trying to create an American identity that's based upon this notion of American democracy. He has this conception of what it means to be American that does not include black people in any measure.
Roman Mars
Yeah.
Imani Perry
And that's evidenced throughout his work in. And despite that fact, his blueback speller becomes something that is fundamental to African American struggles for literacy.
Roman Mars
From 99% Invisible and BBC Studios, this is a history of the United States in 100 objects. I'm Roman Mars. Today, the Webster Blueback How Black Americans transformed a schoolbook and not meant for them into a tool for their liberation. And how that little book became the foundation for a historic debate around what education is for and what it means to be free. Before emancipation, in much of the slave holding south, learning to read as an enslaved person came with brutal consequences. But the blueback speller was everywhere. So common that some enslaved people managed to get their hands on it anyway. People like Frederick Douglass.
Imani Perry
Part of what is powerful about it is if we think about someone like Frederick Douglass who is enslaved and fundamentally teaches himself to read using the blueback
Roman Mars
speller, Douglass would go on to become one of the most influential writers and thinkers in American history. He'd become an advisor to Abraham Lincoln. But when he first encounters the blueback speller, he's still enslaved. And learning to read is dangerous in
Imani Perry
the context of enslavement. Having one of these spellers for someone who's enslaved could put you at enormous risk of maiming, of death, of being sold. And if we know that, here's Noah Webster who created this, he's someone who doesn't consider a person like Douglass as part of the American body. Right. Of not part of the relevant community of who Americans are.
Roman Mars
Noah Webster opposed the institution of slavery. But even still, the idea that this book was for Americans meant it inherently excluded enslaved people from its intended readership.
Imani Perry
And yet Douglass teaches himself, and through teaching himself, frees himself. And he and countless other black people take on that blue back speller, insist upon becoming part of the literate American public, irrespective of what Noah Webster thought of black people or intended. And that is this remarkable kind of motif through African American history of existing in the terms of the United States, understanding being marginal and excluded, and fighting to be recognized as part of that public, sometimes at great risk. So this drive for literacy was a kind of remarkable passion and conviction to be free in ways that you might not be free in body, but you could be free in mind.
Roman Mars
So the blueback speller offered a kind of mental survival during slavery. Then emancipation comes, and suddenly education isn't just about being free in the mind anymore. So how does this little blue book change what comes next? Like, what does it represent after emancipation?
Imani Perry
Yeah, I mean, so we know that one of the first things that the formerly enslaved that the freed people wanted to do was to go to school or to be educated. And one of the early ways we see this is black soldiers in the Civil War who become literate and immediately begin writing letters to Lincoln saying, not are they hopeful for land with their freedom, but there have to be schools. We see it in the contraband camps in the Civil War where there are even photographs of people holding blue back spellers of black people who have fled behind Union lines and are learning to read in the midst of battlefields. And then after emancipation, these schools that open up, there are students who range from, you know, tiny children to octogenarians, just passionate for literacy. And this is, of course, because literacy is tied to freedom, because the idea was that literacy made someone unfit to be a slave. And so then to be free necessarily meant to become literate. And so you can imagine that on a day to day basis, even with these new rights, the very idea of black people reading was threatening to many white southerners. And so at the same time as there's this passion for education, there was also this sense of danger. And perhaps the most dramatic example of this is how frequently schools that served African Americans were burned to the ground. So there were school fires constantly. And it's just a symbol of how, on the one hand, there's this passion for education, and on the other, there's this incredible sense of threat for many to the project of black schooling. And so the blue back speller is something that became a particularly prized possession because it meant that even if one wasn't in a classroom, you could still continue to pursue the lessons of literacy. So people carried them around with them almost like amulets from working all day and then reading it by candlelight at night or taking breaks from the field. And so it had this sort of almost mystical quality to it.
Roman Mars
This mystical book would play a transformative role in the lives of many black Americans. But the reason we wanted to focus on the speller was because of the profound impact this book would have on two of the most powerful black men in American history. Two men who become fierce rivals and whose disagreement essentially split the black intellectual world. In Booker t. Washington and W.E.B. du Bois, their rivalry wasn't personal. It was a battle over the most urgent question in America. What does freedom actually mean, and how do you fight for it? Do you demand everything right now, or do you work within the system inch by inch and wait for your moment? Through their encounters with the blueback speller and the very different lessons, each man Took from it, you can trace the fault lines of a debate that is still very much alive today. Let's start with Booker T. Washington. He was born into slavery and later freed when news of emancipation reached the plantation where he and his family were held. All Booker wants is to learn to read, but instead, he has to work in a salt mine to help support his family. To make matters worse, he could see and hear happy children passing to and from school mornings and afternoons from where he was working in the mines. So he asks his mother for help.
Imani Perry
His mother got her hands on a blueback speller for him, and he treated it as, you know, as a kind of magical document. He taught himself to read with it, and it really shaped his life.
Roman Mars
This is the very first book that Booker holds in his hand, and it changes the course of his life.
Imani Perry
There's this trajectory from his mother finding this book for him, and he thinking that this is sort of the greatest possible, you know, object that he could have, and then becoming ultimately the most powerful black man in the United States.
Roman Mars
After teaching himself to read using the blue back speller, he. He attends night school after working in the salt mines all day. Then in 1872, at age 16, he makes his way to Hampton Institute, which is one of the first schools established for African Americans in Virginia.
Imani Perry
He has to walk. I think it's something like 500 miles to get to Hampton Institute, you know, so this passion, this drive for education is extraordinary. And then he becomes the first principal, and then later on, what would be president of Tuskegee Institute, now Tuskegee University.
Roman Mars
On the 4th of July of 1881, Washington arrived at Tuskegee as its first principal. But the school existed in name only. The state of Alabama had allocated just $2,000 a year to pay the teachers. There was no land, no buildings, no equipment, just some cash and an idea on paper. So Washington shows up and just starts teaching. At first out of a one room shanty. It was in such disrepair that whenever it rained, one of the students would have to hold an umbrella over Washington's head for the rest of the lesson. Shortly after that, Washington borrows some money to buy an abandoned 100 acre former plantation. And he and his students build Tuskegee with their own hands, brick by brick, as in they literally make the bricks themselves. But it isn't easy. The first brick kiln fails, then the second, then the third. At one point, he pawns his watch for $15 just to keep the experiment going. For Washington, it's a lesson in the dignity of labor and it gets to his core idea about education. Instead of teaching the humanities, he thought education should be focused on giving black people practical skills, a philosophy known as industrial education.
Imani Perry
So Tuskegee becomes this institution through the leadership of Booker T. Washington. That is a model of industrial education. So engineering, animal husbandry, agricultural work and the like. Things like learning how to build porches, appropriate ventilation for housing, how do you grow crops to appropriately feed the community, how do you take care of the land?
Roman Mars
Not everyone agreed that these were the most important things to be learning. For many black families, it felt like settling after generations of being denied literacy. Why not go all in on classical education? Why not Latin philosophy, literature, everything that had been kept out of reach for so long? But Washington was also thinking strategically. In a country still shaped by Jim Crow, where reconstruction efforts had failed and been abandoned, he believed pushing for industrial education was more likely to be tolerated, less likely to provoke backlash.
Imani Perry
Industrial education was conceived of as less threatening in many ways than classical education for black Americans because classical education was what the most elite white Americans, that kind of education they received. Booker T. Washington was advocating for this education that keeps people working in relationship to the land. Right. That's part of why it's seen as less threatening.
Roman Mars
Underneath that educational philosophy, there was a more controversial political idea. Washington believed that economic self sufficiency had to come before the push for full civil rights.
Imani Perry
He did not believe in immediately pressing for access to suffrage and other kinds of civil rights for African Americans, and instead focused on economic development, land acquisition and the like.
Roman Mars
And this philosophy, this philosophy was about to make him one of the most famous men in America. And the thing that would do it was a single speech delivered on a single afternoon in Atlanta in 1895. The city was hosting a world's fair and had invited Booker T. Washington to speak. By then, Washington had become a rare figure, a black leader that Southerners felt comfortable with, comfortable enough to put him on stage. Picture it. The late afternoon sun is pouring into his eyes as he steps to the podium. Gilmore's band plays the Star Spangled Banner and then Dixie. Thousands are staring at this black man about to address a white Southern audience on a national stage, something that had likely never happened before in that part of the country.
Imani Perry
This famous or infamous speech that he delivers in 1895, in which he says that black and white Americans can be as separate as fingers on a hand and implicitly foregoes advocacy for civil and political rights and instead, you know, encourages black Americans to cast down their buckets where they were and don't worry about how their rights are being systematically denied them in the South.
Roman Mars
A reporter who was there wrote it up for the New York World, and he replays this moment where Washington lifts up his hand, his hand representing society. He spreads his fingers apart and says to the audience, in all things purely social, we can be as separate as fingers on a hand. As in white people and black people don't need to mix. We can stay segregated and still work towards the same goal. It was a simple and effective metaphor for the fiction of separate but equal. And white America loved it. It gave them exactly what they wanted. The comfort of segregation without the guilt, social separation without moral responsibility. And the crowd goes into what the reporter calls a delirium of applause, hats in the air, handkerchiefs waving, everyone on their feet.
Imani Perry
The speech is a rousing success in mainstream America because in many ways, you know, it's 1895, so it's some years past the end of Reconstruction, which completely ended by 1877. But in the intervening years, Jim Crow is becoming more deeply entrenched in the US south and really in many ways across the country. And by that I mean not just segregated facilities, but also segregated forms of employment, really control of the labor of African Americans. The beginning of. We see sort of fundamentally unequal experiences with relationship to law enforcement and the like. And so it is a speech that has this sort of mythology to it that if black Americans just work really hard and put their heads down and stop pushing against the way the society is becoming increasingly more oppressive and restrictive, then things will get better. And it not only lets the south off the hook, but it lets the federal government off the hook, which in some ways has already abandoned African Americans in the advocacy for the rights that they were granted after the Civil War.
Roman Mars
You might have learned about this speech in school. It becomes known as the Atlanta Compromise, because compromise is what many people hear in it. Whether or not that's all Washington intended,
Imani Perry
I mean, it absolutely didn't represent the totality of Washington's thought. And he certainly in many covert ways, advocated for organizations that supported civil and political rights for African Americans. There's no question that he was maneuvering politically in public and behaving differently in private.
Roman Mars
The speech makes Washington a national figure. Practically overnight, he becomes the most powerful black man in the United States. But it also opens a kind of schism. And Washington is about to meet an opponent who would challenge him over what freedom should look like. Someone unwilling to compromise, someone ready to fight. Consider the impact of thoughtful design on your life. How beauty can capture your imagination how it can guide you, empower you, and enrich everything you do. When you get behind the wheel of a Buick, the power of purposeful design is felt in every detail. From the sculptural presence and elegant finishes of the Buick and Vista to the intuitive technology and spacious sophistication of the Buick enclave, every Buick vehicle leads to more dynamic drives, more captivating discoveries, and more rewarding moments every day. Visit Buick.com to discover luxury that can be yours. Right now, that's Buick.com Buick exceptional by design. This podcast is brought to you by Squarespace. Squarespace is an all in one website platform that helps you stand out online, whether you're just getting started or growing your business. It's got everything you need, from securing your domain to building a professional site and showcasing your work all in one place. Bring your vision to life with AI powered design or curated templates, plus flexible editing tools that help you create something that truly reflects your style. No experience needed. Squarespace makes it easy to share your work, book clients and get paid with built in tools for scheduling, invoicing and email all in one place. I've had a Squarespace site Romanmars.com for 12 years or so and the key for me isn't that it was easy to build, although it was, is that it's easy to maintain. It never gives me any trouble at all. It's great. Head to squarespace.com invisible for a free trial and when you're ready to launch, use offer code Invisible to save 10% off your first purchase of a website or domain. Summer always changes how you get dressed. You want pieces that feel lighter and more breathable, things that are easy but still put together. That's where Quince comes in. They focus on high quality essentials that feel and look amazing. Think breathable linen and soft organic cotton and quince goes way beyond clothing. They have custom upholstered sofas, ceramic cookware, premium bedding and more for your home. It's the kind of brand you end up recommending to everyone for everything. I recently went to London to launch the Hundred Objects series and the temperature variation was wild there. Like it was like high in the 50s and then high in the 90s. The fact that I brought my ribs cashmere zip up like changed everything. I wore it underneath my clothes in the beginning of the week and it still looked put together, still looked really good. And then when that temperatures got warm I could zip that thing, take it off and look good for the rest of the hot afternoon. Elevate your summer wardrobe go to quince.com invisible for free shipping on your order and 365 day returns. Now available in Canada too. That's q u I n c-e.com invisible for free shipping and three 365 day returns. Quints.com invisible the key to running a small business is to be available and reliable. AT&T business helps small businesses stay connected with reliable Internet built to support daily operations. Connectivity keeps everything moving from communication to transactions to daily workflows. AT&T business is designed to be a reliable provider helping small businesses stay up and running while without added stress or disruption. Powered by AT&T Business built to work. Get AT and t business@business.att.com Booker T. Washington's ideas about black education are about to meet their challenger, another intellectual heavyweight named W.E.B. du Bois. Du Bois also has a philosophy whose origins can be traced back to the Blue Back Speller. Only his experience with the book comes much later in life because Du Bois is born into a much different world than Booker T. Washington. Well, I want to bring in another historic figure, young W.E.B. du Bois. He reads this speech after it gets published. Where is Du Bois in his life at this point? A little bit of his upbringing and how he sort of becomes an educator.
Imani Perry
Yeah. So part of what's really interesting about Du Bois is he and Washington are often positioned at odds, as they were. But it's important to remember that, you know, Washington is sort of almost two decades older than Du Bois.
Roman Mars
It's actually only 12 years that separate Washington and Du Bois. But those dozen years between slavery and not slavery are a seismic shift.
Imani Perry
Washington, you know, is born in slavery. Du Bois is born in Great Barrington, Massachusetts, and has a very different kind of coming of age, you know, doesn't have to walk 500 miles to get to school. And he is well educated, a member of a very small black community in the Berkshires, where he's aware of being different and made aware in elementary school when he tries to give a valentine to a little girl who rejects it. And this becomes his moment of racial awareness, a racial reckoning, but understood as extremely bright and talented. And when he graduates from high school, his mother dies when he's 17. And so members of the local community put money together and sent him to Fisk University, which is the school of classical education for African Americans. At the time in Nashville, he wanted to go to Harvard. Undergraduate. He winds up at Fisk, and Fisk is an extraordinary experience for him. It's an outstanding institution. And also for him, the first time he's around large numbers of African Americans. These are really people who are amongst, you know, the best and brightest. At that moment, he's at Fisk, and in the summer after his sophomore year, as many students at historically black colleges at the time do, he finds a school to teach at during the summer. This was a sort of routine process. And so if we say at. But in Nashville in general, he learns about what Jim Crow looks like, a comprehensive system of segregation, very different from the kind of racism that he experienced in Great Barrington. So one's Fisk is this remarkable place that he falls in love with, and also the place where he really understands what life is like for the majority of African Americans. So that's one level. But Nashville is a city. You know, in the summer, he goes out to rural Tennessee, Very different kind of landscape. People are really living at a subsistence level.
Roman Mars
And it is here, in this rural village that Du Bois will have a transformative experience with the blueback speller. As a young teacher with a room full of black children in front of
Imani Perry
him, and he teaches at this school, and he talks about beautiful children with these bright and curious minds, and he describes them sitting in front of the blueback speller and teaching them.
Roman Mars
Years later, Du Bois writes about those students, their bright but mischievous faces, bare feet swinging from rough benches, hands wrapped around the speller.
Imani Perry
And he writes about encountering these students and how extraordinary they are and how they're learning in a context where the nation is supposed to be engaged in this progress, but black people are being held back. And then, many years later, he returns to the school and finds that his prized pupil, Josie has died. And so much of the promise has been snuffed out.
Roman Mars
Du Bois doesn't actually say how Josie dies, but in the intervening years, her family has fallen apart. A brother in jail, a sister returning home with a child, and Josie carrying the weight of all of it, working, working, working herself to death. And that loss clarifies something.
Imani Perry
For Du Bois, this story in some ways encapsulates why he becomes so resistant to his elder scholar, Booker T. Washington. Because what he shows is that even with all of the hard work, all of the possibility, all of the intellect and imagination, the brutality of the Jim Crow order is such that it destroys people's lives. And without access to suffrage, without access to full civil and political rights, no matter how hard you work, you're going to wind up with these devastating consequences.
Roman Mars
To Du Bois, this idea that Washington has that economic progress and hard work will lead to racial equality just isn't real. And Josie is proof of that.
Imani Perry
He understands to a certain extent what Washington is trying to do. But he finds his acceptance of the constraints of Jim Crow unacceptable, given the consequences of those constraints.
Roman Mars
He channels all this into a scathing critique of Booker T. Washington in a chapter of the Souls of Black folk published in 1903. So this is a really bold thing he does to write this book and to have this public criticism of this divide.
Imani Perry
Yeah, I mean, Du Bois, he has a chapter in the Souls of Black folk called of Mr. Booker T. Washington and others, and he has a very direct and unflinching critique of Washington. In some ways, his personal reflections are a bit gentler than what he publishes. But I think what he's trying to do is give voice to what a lot of black intellectuals and activists and organizers are saying, which is what Washington is saying cannot be seen as speaking for black people writ large, and certainly not the black leadership class, as it were.
Roman Mars
I think you can sum up Du Bois critique like this. He believes that Booker T. Washington, by encouraging black Americans to just focus on their own skills and financial independence and to wait for civil rights to go slow, that Washington is asking them to surrender something fundamental, their self respect. For Du Bois, the fight for civil rights and the vote cannot be pushed off into the future. How can someone defend his rights as a landowner or a business owner if he has no political power to do so? And he thinks Washington's focus on industrial education is part of the problem. Instead of practical skills, Du Bois thinks that education for black Americans should be broader. A classical education, Greek, Latin literature, philosophy, the kinds of subjects that could train a class of black scholars, writers and leaders. He called this idea the talented 10th.
Imani Perry
Du Bois gets a lot of criticism for his concept of the talented 10th. That is also in that book in which he says, essentially, you know, there's 10% of any community that are going to function as the leadership class, and those people in the black community should have access to the highest level of education and classical education in particular. And on the one hand, while I think some of the critique is understandable, I think given the context, it's important to keep in mind that if in general, in the society, people were saying black people should only have access to industrial education, which really was the norm, he's saying in this, at least 10% of the black population should have access to higher order education education. Because if not, then who is going to be in the rooms with white elites to advocate for black people? Right. And so, yeah, so it sounds elitist and in Some ways it was, you know, and Du Bois, I think we can say in some ways was an elitist. But he's really trying to say we should not exclude black people writ large from any sector of the society. And that was a bold statement.
Roman Mars
Du Bois also thinks there are consequences to Washington's accommodationist beliefs. He sees a direct line between the Atlanta compromise speech and what came after. Just a year after Washington announced that the races could be as separate as fingers on a hand, the Supreme Court ruled in Plessy vs Ferguson, making separate but equal the law of the land.
Imani Perry
Du Bois thinks that Washington and the Atlantic compromise speech gives up something that he had no right to give up. Right. And sort of presented it as though black Americans were willing to accommodate exclusion and therefore that that sort of allowed for Plessy versus Ferguson to be decided without any anxiety on the part of the court. Now, I think the reality is that regardless of what Washington had said, Plessy would likely have been decided the way that it was. I think a better argument would be that Washington saw the way the wind was blowing and sort of said what he needed to say in order to continue to get financial support, given the way the society was turning.
Roman Mars
When Du Bois publishes the Souls of Black folk in 1903, it lands hard. The book is reprinted twice in its first two months. In some ways, it helps cement a certain kind of legacy for Booker T. Washington, who is mostly remembered for his accommodationism. But Amani says he's actually much more complicated than that because of what he's doing behind the scenes with money he got from white donors, particularly when it comes to public education for black children in the Jim Crow South.
Imani Perry
So black students have fewer schools to attend, they often have shorter school terms, and they get much less money than schools for white students. Many places, particularly rural places, don't have access to public schools at all. And Southern states do not require schools that have been slated for white students to admit black students, even if they don't have an access to. To a local school. And it's sort of a long winded way of getting to the point, which is that Booker T. Washington initiates a school building program with the support of Julius Rosenwald.
Roman Mars
Julius Rosenwald had built his fortune as president of Sears, Roebuck and Company. By the early 1900s, he was one of the wealthiest men in America.
Imani Perry
And what that means is that they are actually physically building schools across the south for black people to attend. And this is transformative, right? And once the schools are built, within a generation, the literacy gap is closed between black and white children. So Washington is complicated because on the one hand, he's known for his accommodation as posture, his willingness to forego advocacy of civil and political rights for African Americans. But on the other hand, he is centrally responsible for the access to education for African Americans across the South.
Roman Mars
I mean, it strikes me like I don't want to reduce the works of two great men to just, like, basic psychology, but it seems like both of them are saying that the path of black liberation is my path. You know, like, both of them are saying that in their own ways.
Imani Perry
You know, I mean, I think that's sort of, you know, these people who become extraordinary leaders have to have unbelievable conviction. And if you think one way to think about this is Washington, you know, right before he dies, he dies at age 59. He has a nervous breakdown. He's been carrying such extraordinary burdens, trying to sustain Tuskegee and trying to advocate, in his own way, for black freedom. And one of the challenges was, is that, you know, after the Atlanta compromise speech, many people misinterpreted him as saying that black people should never have access to civil rights. I mean, even in that moment, he was just saying, we'll go a kind of go slow agenda. And so there are people who were angry at him. Once he said, okay, well, now is the time to start to move towards access to civil and political rights. So he was a man who carried a great deal of stress. And Du Bois likewise experienced. He had his passport taken away. He was penniless at various times of his life because of retaliation for his politics. So these people endured so much stress, and in order to endure that kind of stress, I think they had to have an incredible courage of conviction. Part of what I think, though, is interesting about them is that besides their shared conviction, right. Even though they had very different agendas, they also shared a real serious interest in black education, which was really something that, you know, in the early 20th century, black intellectuals across the board were centrally interested in educational issues, and not just, you know, higher education, but K12 education. Education of kids was seen as a central concern. And so even in the midst of their debate, they're trying to think about, how do we prepare children for a world, for a future that does not yet exist, but a future that they deserve? And that shared conviction is something that I think of as pretty remarkable for. For men of that stature.
Roman Mars
I mean, it's almost just like Du Bois, born a generation later in a different environment. If he's not doing. If kids aren't freaking me out, then kids aren't doing their job. You know what I mean? If kids aren't advocating for something different, that's what progress is. That's the point of progress. That's as natural as anything.
Imani Perry
I agree with that. But even today, young people start to push for things outside of the conventions of mainstream politics. Politics. And older people, like, you know, get really rough on young people who are bringing in new ideas and unwilling to just go along. There's a lot to learn from that story if we're willing to really pay attention to things like what you just said, that young people are bringing in new ideas.
Roman Mars
Yeah, that's their job, as far as I'm concerned.
Imani Perry
Like that.
Roman Mars
They have one job, and it's to continue progress.
Imani Perry
It's worth noting that Du Bois continued to sort of push very hard at the limits of black politics all the way until his death in 1963, you know, and is frequently on the outs with those who are most powerful in.
Roman Mars
Yeah, so much so that he ends up in Africa and everything. You know, like, he ends up in
Imani Perry
exile in Ghana at the end of his life. Yeah, he's a Pan Africanist. He's a socialist. He, you know, one of the founders, first of the Niagara Movement, which is the precursor to the naacp. One of the founders of the naacp, the first editor of the naacp. The Crisis. And the NAACP is a multiracial civil rights organization initially. And he pushes that organization so hard at various moments that he is repeatedly fired and then brought back in. And at times, it's because of his position where he becomes sort of a very assertive Pan Africanist, at times because of his positions on capitalism. At times it's because he's just so outspoken about American racism. And so that he takes on Washington as a young man in some ways is an indication of who he will be over the course of the rest of his life.
Roman Mars
So I want to get back to this. The blueback speller, in many ways, was the initial seed for black formal education. What does it mean that the same object was the root for both Booker T. Washington and for W.E.B. du Bois, sort of intellectual formations?
Imani Perry
Yeah. I mean, I, you know, I'm so taken by the fact that the same object. It's Booker T. Washington and W.E.B. du Bois for whom the blue back speller matters. It's also Frederick Douglass, you know, like, most famous abolitionist, also George Washington Carver, this brilliant scientist and artist who does all this transformative work at Tuskegee and also like, really saves the land in Alabama after it has been so destroyed. By the cotton economy with crop rotation techniques. They all start with this book. It's a really interesting story about what access can do, right? So that just access to literacy, having a tool to access literacy, opens up these worlds for these extraordinary thinkers, right, who might otherwise not have had that kind of access. It also says something about the power of the intellect and the depth of their convictions to be learned people who do meaningful work, right? So that holding this book close tells you something about their character and tells you something about resiliency. And I get very emotional and inspired, you know, reflecting on what it meant to, you know, carry this book in one's pocket. And that being understood as the key to personal transformation, but also community wide social transformation. And so I think that word key is really significant because it's not just a key for people to learn to read, but it is a key, I think, for us to understand something about the building of the African American intellectual
Roman Mars
and political tradition that gets to something bigger. Because this isn't about a book anymore. It's about what people can do with a tool once they claim it for themselves.
Imani Perry
There's something quintessentially American about the blueback speller, you know, what more kind of democratic instrument than an object that you can use to make yourself literate. And it opens up this a world of possibility. But it's also quintessentially American in the sense that its creator, Noah Webster, did not consider black Americans as part of the American project. That's also quintessentially American. And then the other layer of something that's quintessentially American is black Americans. That taking that which is not intended for us and reinterpreting it in a way that not only includes black Americans, but actually then becomes something different in the hands of black Americans, right? It becomes not only a way to learn to read, but actually a tool for entry into all kinds of arenas where they had not been contemplated.
Roman Mars
No one understood this better than Frederick Douglass, a man who had already done exactly this kind of reinvention with that little blue book. But what Douglass learned to do with this feller, to take something that wasn't meant for him and transform it into something liberating, he would ultimately do that on a much larger scale.
Imani Perry
Douglass actually does something with what it means to be American that's really profound. You know, when he becomes an abolitionist, Most abolitionists at that time really rejected the US Constitution. They said, this is a slave holding document, so we shouldn't consider it something meaningful. And Douglass says, no, no, let's reinterpret the Constitution, let's hold on to its principles and yet interpret it to actually be a document that supports the concept of all men being created equal. And then he says, and actually all human beings created equal. Because Douglass is also this sort of foundational feminist. And, and I think there's an analogy there with the blue back speller. So, you know, here's a society that does not consider black people part of the body politic. Here's a foundational document that does not not only does not consider black people, but has the racist three fifths compromise in it. But Douglass reinterprets that document to expand the conception of who should be considered American. There's something that you get about the American story through the blueback speller that we find repetitions of in all these different kinds of ways that I do think of as a really distinctive part of the black American story.
Roman Mars
Thank you so much for talking with me. I just enjoyed it so immensely.
Imani Perry
Thanks. It was a great conversation. I appreciate you.
Roman Mars
Imani Perry is the author of nine books, including the National Book Award winning New York Times bestseller South to America and the inspiration for this episode, Black and Blues How Color tells the story of My People in the Dry desert of History Books. Imani Perry's writing is like a cool sip of water. I cannot recommend her enough. A History of the United States and 100 Objects is a production of 99% Invisible and BBC Studios. It's hosted and curated by me, Roman Mars. This episode was produced by Priscilla Alevee. Our other producers are Ellie Lightfoot and Brenna Dahldorf. Our associate producer is Isaac Fisher. This series was edited by Annie Brown and Courtney Harrell. Mixing by Charlie Brandon King. Fact checking by Amy Bracken. Our theme song is by Swan Real from 99% Invisible. Our executive producer is Kathy Tu from BBC Studios. Our executive producers are Annie Brown and Courtney Harrell. Our production coordinator is Shan Pillay and the production manager is Mabel Finnegan Wright. Artwork by Stephan Lawrence. 99% Invisible is part of the SiriusXM podcast family headquartered in beautiful uptown Oakland, California. And BBC Studios is headquartered in beautiful white city West London. If you want to get in touch or have an object for us to consider, email us at 100objects@99pi.org. Say you've always wanted to have a backyard oasis. Here's the thing. If you get smart with your money, you can do things like that. With empower, you can start making the most out of your money so you can go out and live a little. Isn't that why we work so hard to have some fun with our money? So use Empower and get good at money so you can be a little bad. Join their 20 million customers today@empower.com not an Empower client, paid or sponsored.
Imani Perry
What's up sports fans? I'm Rachel Dimita, here to tell you about my show, Courtside Club. If you love hoops and hot takes, then you're in the right place. Want to hear about Caitlin Clark's unstoppable rise in the wnba? How stars like Wemby and Luka Doncic are dominating the NBA? Or maybe you just want the tea on this week's most viral sports moments. Don't worry, we'll keep you updated on all of it. So grab your popcorn and come hang with us Courtside. You can listen to Courtside Club wherever you get your podcasts. Ooey and Ah,
Roman Mars
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99% Invisible – 100 Objects #5: Blue Back Speller
Host: Roman Mars, Guest: Imani Perry
Release Date: June 19, 2026
This episode of 99% Invisible explores the profound impact of the "Blue Back Speller"—an early American educational text by Noah Webster—on the development of American identity, literacy, and, most significantly, Black liberation. Through the stories of Frederick Douglass, Booker T. Washington, and W.E.B. Du Bois, host Roman Mars (with guest Imani Perry) investigates how this small book became both a tool for self-education and a battleground for defining the purpose and limits of education in America, especially for Black Americans.
Setting the Context (00:30)
Roman Mars sets the scene in post-Revolutionary America—schools are chaotic, under-resourced, and use British textbooks. Noah Webster, dismayed by this, sets out to standardize American education and, crucially, Americanize both its content and its students.
Webster's Vision (01:58, 02:26)
Imani Perry: "Noah Webster is fascinating...he is also sort of interested in trying to find a way to standardize American learning."
Roman Mars notes that Webster’s Blue Back Speller is created for autodidacts—designed for both teachers and students to self-teach literacy, with the added ambition of forging a new national character.
Design & Accessibility (04:58)
The book’s pocket size made it easily portable—and concealable. This becomes crucial for enslaved people, who were legally forbidden from learning to read.
Unintended Consequences (05:28, 05:44)
Roman and Perry highlight a core irony: Webster’s vision of American identity “does not include Black people in any measure,” yet the Blue Back Speller becomes a vital instrument for Black Americans striving for literacy and liberation.
Frederick Douglass’ Story (07:08–08:16)
Perry describes how Frederick Douglass—enslaved and risking severe punishment—teaches himself to read with the Blue Back Speller, using it to assert mental freedom before physical emancipation.
Quote (08:16): “And yet Douglass teaches himself, and through teaching himself, frees himself.”
Post-Emancipation Education (09:37–11:57)
Upon emancipation, literacy becomes inseparable from notions of freedom. Black Americans prize the Blue Back Speller for its portability, using it in fields or by candlelight—even as schools for Black children are targeted and burned.
The speller becomes the formative text for both Booker T. Washington and W.E.B. Du Bois, who would become intellectual titans—and rivals—with differing visions of Black advancement.
Early Years and the Speller (13:15, 13:39)
Washington, born into slavery, teaches himself to read with the Blue Back Speller, describing it as “a magical document.”
Quote (13:15, Perry): “His mother got her hands on a blueback speller for him, and he treated it as...a kind of magical document.”
Industrial Education and Tuskegee (15:51–17:29)
Washington founds Tuskegee Institute, focusing on industrial education—teaching practical, agricultural, and technical skills.
Quote (15:51, Perry): “Tuskegee becomes this institution...a model of industrial education—engineering, animal husbandry, agricultural work and the like.”
The Atlanta Compromise (18:34–21:39)
In a pivotal 1895 speech, Washington argues for social segregation (“separate as fingers on a hand”) and prioritizing economic progress over civil rights, a message that “white America loved.”
Quote (19:09, Mars): “It was a simple and effective metaphor for the fiction of separate but equal. And white America loved it.”
Private Advocacy (21:39)
Despite public accommodation, Washington often covertly supports civil rights organizations and Black advancement behind the scenes.
Upbringing and Teaching Experience (26:54–29:29)
Du Bois, raised in Massachusetts, first encounters the Jim Crow South while teaching Black children with the Blue Back Speller.
Quote (29:29–29:54, Perry): “He teaches at this school...describes them sitting in front of the blueback speller and teaching them.”
Josie’s Story and Structural Barriers (30:23–31:29)
Du Bois mourns the loss of his student Josie, who embodies the crushing weight of systemic racism—hard work alone does not guarantee freedom.
The Souls of Black Folk (32:06)
In 1903, Du Bois publishes a direct, public critique of Washington’s philosophy, arguing self-respect and civil rights cannot wait.
Quote (32:42, Mars): “I think you can sum up Du Bois’ critique like this...that Washington is asking them to surrender something fundamental, their self respect.”
Classical Education and the Talented Tenth (33:34, Perry)
Du Bois advocates for classical education and leadership cultivation, not just vocational training—“because if not, then who is going to be in the rooms with white elites to advocate for black people?”
Rosenwald Schools and Real Impact (37:16–38:08)
Washington, through a partnership with Julius Rosenwald, funds the creation of thousands of Black schools in the South, closing the literacy gap within a generation.
Shared Conviction and Generational Tension (38:21–41:37)
Both Washington and Du Bois exhibit extraordinary conviction and sacrifice. Perry and Mars discuss how generational conflict and new ideas consistently drive progress.
Quote (41:32, Perry): “Young people are bringing in new ideas...that’s their job.”
Du Bois' Enduring Radicalism (42:00–43:13)
Du Bois remains a lifelong agitator: founder of the NAACP, Pan-Africanist, and ultimately exiled in Ghana.
Shared Tool, Divergent Paths (43:29, Perry)
The speller was foundational for Washington, Du Bois, Douglass, and Carver—symbolizing literacy as both a personal and collective key.
Quote (43:29): “Just access to literacy, having a tool to access literacy, opens up these worlds for these extraordinary thinkers...”
Claiming and Reinterpreting the Tool (45:39, Perry)
The Blue Back Speller epitomizes a uniquely American contradiction: created to define American identity and exclude Black people, yet seized, reinterpreted, and transformed by Black Americans into a tool for their own liberation and entry into civic life.
Douglass and Constitutional Reinterpretation (46:57, Perry)
Douglass expands the analogy—just as he claimed the Speller, he reinterprets the Constitution to insist on equality for all, “[reinterpreting] that document to expand the conception of who should be considered American.”
Respectful, inquisitive, and reflective, the episode uncovers how a tool of standardization and belonging was subverted into a symbol—and engine—of Black self-determination and liberation. The Blue Back Speller is recast not merely as a relic, but as a key that unlocked minds and movements, showing the enduring power of access, adaptation, and education.
Recommended for:
Anyone interested in American history, education, Black intellectual tradition, and how design and intention can be reimagined and transformed by those for whom it was never intended.