Anna Faris + Joe Rogan (Carolla Classics)

Summary

Summary of Adam Carolla Show Episode: Anna Faris + Joe Rogan (Carolla Classics)

Release Date: March 7, 2025
Host: Adam Carolla
Guests: Anna Faris
Episode Title: "Anna Faris + Joe Rogan (Carolla Classics)"
Podcast Network: PodcastOne / Carolla Digital

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Introduction

The episode begins with a brief advertisement segment highlighting US Cellular's "US mode," designed ironically to help listeners reduce phone usage and reconnect with each other. Shortly after, host Adam Carolla introduces the "Cruel Classics" segment, a fan-selected highlight reel from 16 years of the show, featuring memorable moments and popular guests.

Welcome and Introduction of Anna Faris

At [01:59], Adam welcomes his co-hosts Gina Grad and Brian Bishop, playfully referring to Brian as "bald" and "Brian Bishop." The conversation shifts to the focus of the episode: Anna Faris, whom Adam describes as "unqualified" yet "delightful." Anna joins the show, expressing her excitement and gratitude for being a part of the podcast despite its humorous title.

Notable Quote:

• Anna Faris: "I'm kidding. You're my fantasy. You're huge. You're incredible."

Navigating Celebrity Relationships

Anna Faris delves into the dynamics of her relationship with Joe Rogan, especially in the context of his burgeoning acting career. She explains the challenges of balancing family life with Joe's demanding shooting schedules, involving frequent travels and time away from home.

Notable Quote:

• Anna Faris: "I like to think, just like what you said, Adam, like, he really is... he's a dude's dude and he's a wonderful person."

The Importance of Hands-On Projects

Adam introduces his theory on the significance of tactile projects for mental well-being in an increasingly digital world. He emphasizes the need for activities like hunting and working on cars to maintain a sense of reality and personal grounding.

Notable Quote:

• Adam Carolla: "I have this theory, which is we can't expect Justin Bieber to be normal... What you need to go out and raise a barn every once in a while."

Anna concurs, sharing how hands-on projects help her and Joe stay connected and grounded amidst their hectic lives.

Notable Quote:

• Anna Faris: "There's something about sort of tactile puzzle solving too... fixing the engine or like."

Balancing Personal Life and Career

The conversation shifts to how Anna and Joe manage their relationship despite their conflicting schedules. Anna highlights their efforts to remain connected, such as scheduling regular visits and maintaining meaningful conversations even when exhausted.

Notable Quote:

• Anna Faris: "We try really hard to actually interact because it gets so easy to, when you're spent at the end of a day, to just drift apart."

Family Planning and Future Projects

Anna discusses their plans to expand their farm in Washington, including raising cows for homemade sausage. She explains how Joe's passion for hunting and animal husbandry aligns with their family values and future aspirations.

Notable Quote:

• Anna Faris: "Chris really wants to make homemade sausage out of what a man deer duck... We're gonna put a deep freeze here. We're gonna hang the beef here."

Humor and Relatable Banter

Throughout the episode, Adam and Anna engage in lighthearted and humorous exchanges, discussing topics ranging from therapy dogs to humorous anecdotes about family life and misunderstandings. Their candid and playful banter adds an engaging and relatable tone to the conversation.

Notable Quote:

• Adam Carolla: "I wanna start a podcast? No, I don't know."

Audience Interaction and Questions

The episode includes interactions with listeners who call in with questions about therapy dogs and other personal topics. Anna provides thoughtful responses, suggesting practical solutions and emphasizing the importance of genuine connections over superficial interactions.

Notable Quote:

• Caller at [24:07]: "Are you anti therapy dog for everything?"
• Adam Carolla: "No. Only for blind people. No. I love, I love the idea of the therapy dog."

Conclusion and Final Thoughts

As the episode wraps up, Adam and Anna reflect on the importance of maintaining balanced relationships and personal projects to navigate the complexities of modern life. They emphasize the value of hands-on activities and meaningful interactions in fostering strong family bonds.

Notable Quote:

• Anna Faris: "We keep thinking about the idea of... making homemade sausage in 10 years."

Key Takeaways

• Balancing Career and Family: Maintaining strong relationships amidst demanding careers requires intentional effort and meaningful interactions.
• Importance of Tactile Projects: Engaging in hands-on activities like hunting and working on cars helps individuals stay grounded in a digital age.
• Future Aspirations: Anna and Joe plan to expand their farm and continue integrating their personal passions with family life.
• Humor and Relatability: The lighthearted banter between Adam and Anna makes complex topics more relatable and enjoyable for listeners.

Notable Quotes with Timestamps

• Anna Faris: "We try really hard to actually interact because it gets so easy to, when you're spent at the end of a day, to just drift apart." [05:07]
• Adam Carolla: "Everybody should go get a project something and just go, leave it in the garage. Just go tinker with it." [12:33]
• Anna Faris: "He really is... he's a dude's dude and he's a wonderful person." [08:59]
• Adam Carolla: "I have this theory, which is we can't expect Justin Bieber to be normal..." [06:59]
• Anna Faris: "We keep thinking about the idea of... making homemade sausage in 10 years." [15:36]

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Note: Advertisements and non-content segments have been excluded from this summary to focus solely on the meaningful discussions between Adam Carolla and Anna Faris.

Transcript

[Adam Carolla]

Have you noticed the way we use our phones are ironic? I mean, phones are supposed to be for communication, but we look at them more and more than we look at each other. That's ironic. That's what I'm saying. So U.S. cellular created U.S. mode to help us reconnect. It helps us use phones a little less. Ironically, a phone company wanting people to use their phones less ironic. Let's find US again with US mode from US Cellular. Visit uscellular.com builtforus to get started with an advanced network, cybersecurity solutions and trusted partnership. Comcast Business powers more businesses than anyone. Comcast Business powering possibilities restrictions apply. Call or visit comcastbusiness.com to learn more.

[Giovanni]

Welcome to Cruel Classics. I'm your host, super fan Giovanni. This is the podcast we play the best moments, highlights and fans selected clips from all 16 years of the Adam Carolla show. We have a companion podcast titled Corolla classics available through podcast one premium and Adam Carollo [e-mail] where you can find ad free archives for this show, the Adam Corolla show, the Adam and Drew show, as well as Adam's brand new podcast Beat it Out. And if you'd like to request a clip, please email us classicsamcarollo.com now on the clips Coming up, first day we have Adam Carollo show episode 1777 from 2016. Adam, Adam, Gina grad Brian Bishop and their guest, Anna Faris. She proves to be a delightful guest, seems to enjoy some of Adam's various beverages that he was producing at the time. Classic. Great episode. Hope you guys enjoy.

[Adam Carolla]

Good day. Gina Grant, good day to you. And bald Brian. What a boss.

[Brian Bishop]

See the stamp in my hand? Went out clubbing for Matt Patton. That bachelor.

[Gina Grad]

You were part of that?

[Brian Bishop]

I was stamped for the first time in decades.

[Adam Carolla]

I called him. He was in bad shape.

[Brian Bishop]

He's always in bad shape.

[Adam Carolla]

He's mad. Ye, physically, yeah. But emotionally, between the cat spending the night and the neighbors.

[Giovanni]

That was a long fucking day.

[Adam Carolla]

We are, we're living in a world where you're heterosexual adult, soon to be married assistant turns into a sack of tears because his cat is gone. Oh no. Which is fine. I like that. Cause Matt wears his feelings on his sleeves. But oh look, the cat is safely back with Matt. We'll get into that. Anna Faris here. I was very excited to come do her podcast. Anna Faris is unqualified. And you're gonna have to change the title soon because she's got about 15 in the bank and lots of really good guests and gets a lot of A level guests to come to her home and sit down and do just a long form fun, order a pizza, have a glass of wine, deal at her home.

[Anna Faris]

Adam, thanks. Well, thank you for coming. It was a big thrill when you pulled up.

[Adam Carolla]

I have. I always say I don't have low self esteem, I have no self esteem, and that I don't exist. So when I get the call that, oh, Anna Faris wants you to come in and do her podcast, she's really excited. I'm like, why? Why does she know who I am? What universe am I living in?

[Anna Faris]

I'm kidding. You're my fantasy. You're huge. You're incredible. And I was hugely honored that you came over and I had a great time with.

[Adam Carolla]

Well, you know, it was fun. We took phone calls. Ana cares a little too much. That's probably my only criticism.

[Anna Faris]

You might be right.

[Adam Carolla]

Is she. Well, she's taking phone calls and she's saying to everybody, email me, let me know how it turned out.

[Anna Faris]

Leave in with me.

[Adam Carolla]

And I'm like going, all right, hang up on this loser. Moving on. Because you learn from doing syndicated radio, especially Loveline, like, just moving on, just moving on.

[Anna Faris]

I'm so bad at that.

[Adam Carolla]

And Ana's just like, oh, no, no, no, it's okay. You're gonna be fine. And probably from just a pure professional standpoint, the only thing I'd say to you is be like a fighter pilot around Vietnam and you're letting some napalm go.

[Anna Faris]

Yeah, yeah.

[Adam Carolla]

There's villagers down there. But don't picture it, don't picture it.

[Brian Bishop]

We're stopping communism.

[Anna Faris]

I know.

[Adam Carolla]

Yeah. Just release those bombs and peel off back in the formation.

[Anna Faris]

No, it's true. We have to edit, like, my caring heart out of the show because it goes on and on and on and on and on. But, you know, the goal with the podcast was I really did want to be sincere in the advice that, that we give and, and attempt to help people, even though, you know, we have no idea what the fuck we're talking. Can we. Can we swear it's fun anyway, mom.

[Adam Carolla]

Obviously, the TV show, new episodes, Thursdays, 9:00 on CBS. So with your man turning into an action hero sensation just in what feels like the blink of an eye, I thought Chris, your husband, he's one of these guys that I feel like I know I would like simply based on watching him get interviewed on tmz, walking through airports on his way home from Hunting trips.

[Brian Bishop]

He's good at the miss test.

[Adam Carolla]

I just somehow know I'm sympathic with that dude. But going from fifth and a half banana on a certain niche TV show to the world's biggest action star in 20 minutes.

[Anna Faris]

I know.

[Adam Carolla]

I don't know what that does to you, your relationship. Does it make you feel like, I gotta go harder and, you know, and keep up?

[Anna Faris]

Or I can start a podcast? No, I don't know. We constantly look at each other and we're like, wait, what's happening? It's been dizzying because, you know, I moved here in 1999 and was lucky enough to get Scary Movie pretty quickly, and, you know, that did well, whatever. And I've been working steadily, but not like, you know, obviously not a huge action star like he is. So it has been a dramatic shift in our lives. But he's an awesome guy. And I like to think, just like what you said, Adam, like, he really is. He's a dude's dude and he's a wonderful person. He's taking it in stride. And we're just like, you know, we have this sort of running joke that's a little bit weird about. It's a little bit of a Mice and Men reference where we'll be like, tell me about the rabbits, honey. Tell me about the rabbits.

[Adam Carolla]

Well, the thing I have this theory, which is we can't expect Justin Bieber to be normal, because when you're 13 and a half and you have 200 million YouTube download, that's abnormal. None of us would be normal either. And then when you're going to Japan for a tour at 16 and a half and women are gathering in front of your hotel balcony and screaming your name all night, how could you expect that person to be normal? Now, Chris probably had a lot of years of being a civilian under his belt before becoming megastar.

[Anna Faris]

He lived in a van in Maui. He lived in a van parked on, like, a sort of an obscure beach hidden from the cops. And he would rollerblade to work every.

[Adam Carolla]

Day at Bubba Gum Shrimp Factory, where he hopefully worked. Or was this there to harass some waitress he liked a lot?

[Anna Faris]

Probably both. A little both, but no. Yeah, so he's, you know, he's the. He's the dude.

[Adam Carolla]

So he got it locked in. In that he didn't have any real success. I mean, being on a TV show is good, but it's not what he's doing now. You know, Parks and Rec, I mean, he didn't have much before the age of 30 in terms of scrambling his brain. It's like a sidewalk that's still wet with the cement. Like you can. Justin Bieber's got a million guys with a million sticks putting a million names and initials, and Chris is probably dried by the time the guys with the stick showed up.

[Anna Faris]

He's Adam. He's so much like you. I feel like he would just love to. He just wants to work in the garage all day long, you know, that's what he really. He loves acting. We love being creative. We talk about it a lot. A weird amount, probably, but, yeah, he's a really grounded person.

[Adam Carolla]

Do you. Maybe it's a male, female thing. You tell me. When you go to Ana's house, first thing you do is just walk past Chris versus Project VW, which is comical because, honestly, it's probably at 100 grand dumped into that. But look, he could sell tomorrow for 12,500. So it's a good, solid investment. He knows what he's doing. Yeah, but actually, I had this conversation with my wife last night, which is. I was saying, I think it's really important for human beings, and I think we're getting away from this as human beings, and I don't think it's sitting well with us. I think you need to go out and raise a barn every once in a while. Like, if you took a bunch of people that were in an office and they're banging away on their typewriter or their computers and they're doing all their stuff, and no matter how much achievement they got, it was all digital achievement. And if you took those same people and just took them out to a field and half the barn was up, and then they broke for lunch, and you got to sit sort of in the shadow of what? Tactile. Like something. Hunting. Working on the vw. Like something. And I wonder.

[Anna Faris]

Well, they recently did that on Real Housewives of Beverly Hills, where they went and did a Habitat for Humanity project. And I tell you what, it really grounded them.

[Adam Carolla]

They used half as much product on their nails.

[Anna Faris]

I'm sure.

[Brian Bishop]

I'm sure the following week we discussed it at length.

[Adam Carolla]

But I wonder. I wonder if I get to go out and do the very sane activity of working on my projects all the time and then come home.

[Anna Faris]

You don't get, like, recognized. You don't get, like, I don't know. Or is that. What. Is this where you're going?

[Adam Carolla]

I go to my workshop and just start working on cars and get tactile.

[Anna Faris]

Yeah.

[Adam Carolla]

And I'm just wondering if that's. And maybe I'm sure Chris hunting is.

[Anna Faris]

That for him hunting, Working in the garage, like the garage is a big thing.

[Adam Carolla]

But I'm wondering if we should. You have a young son. I saw. Very cute, Jack. I'm wondering if we should be teaching our daughters and sons this valuable part, which is you don't need to do this stuff anymore because everything works and nothing but do it to stay sane.

[Anna Faris]

Yeah, and you're right about there's something about sort of tactile puzzle solving too. Like actually like solving a problem. Chris and I were talking about this earlier. He's really into. He's really good at being able to focus. Like, I think a lot of. I hate to sort of gender stereotype because I feel like it always ends up being the woman's disadvantage.

[Adam Carolla]

You live longer, so always fall back on that.

[Anna Faris]

I'm not going to, but, but, but the idea, you know, Chris can really focus on something like a Rubik's Cube or like fixing the engine or like.

[Adam Carolla]

He can use telepathy to control a velociraptor. I know that guy's got incredible focus.

[Anna Faris]

But to your point where it's like, yeah, he likes the idea of actually physically doing something, you know, whether it's alone or as a team and you know, I don't know, a bigger part.

[Adam Carolla]

Well, I just wonder if with guys not driving stick shifts anymore, just sort of. Everyone has. The gardener comes on Wednesday, the guy's going to come detail the car on Saturday. We create this life where it's like somehow we never have to leave this room. But I wonder if we're folding in on ourselves a little bit. Like, I think everybody should go get a project something and just go, leave it in the garage. Just go tinker with it.

[Brian Bishop]

Do you think that's why, like, things like Tough Mudder have gotten popular? Because like guys almost intentionally and girls putting themselves through hell, you know, to kind of like achieve something.

[Adam Carolla]

I think something false, man. I think the mma, I think extreme sports. The X Games. X Games was zero. I mean, me and Jimmy hosted like the third one in San Francisco.

[Brian Bishop]

Dating pretty low.

[Adam Carolla]

I mean, they were. They're hurting. No, we mean we hosted. We hosted one. And there are guys just doing like kick turns on a four foot ramp in, in San Francisco in 2001, like three. Yeah, it was nothing. Now the guy's doing flips on snowmobiles and stuff. Like, oh, yes, look, I think there's a translation to porn.

[Brian Bishop]

I'm listening.

[Adam Carolla]

I'm saying we have lost our pleasure. Centers are like Burnt out from watching too much plasma television and getting everything we want all the time. So everything gets ratcheted up. I'm saying go old school. Go out to the garage and just put a couple of pieces of wood together and just tune out.

[Gina Grad]

Is that code for masturbate?

[Adam Carolla]

Old school. Put a couple pieces of wood together. So, Anna, the podcast which you. I'm guessing Chris is just on the road constantly shooting something, right?

[Anna Faris]

Yeah, he has been on the road for a while.

[Adam Carolla]

And you can't be on the road cause you're here shooting mom in studio.

[Anna Faris]

Right.

[Adam Carolla]

So you guys have this sort of opposite schedule, which is not only does he have to go to New Zealand to shoot a movie, but you can't go with him because you gotta be on set on Monday.

[Anna Faris]

Yep, that's right. It's totally hard. We have specific ways that we sort of deal with it. And one of them, you know, I get every third week off, so I go where he is with my son. And we also try really hard to, even though we're exhausted at the end of the day, to not do the three minute phone call of like, oh, honey, was your day good? Yeah, it was good. Okay, well, I'm exhausted. All right, we'll talk to you tomorrow. Love you. Bye. You know, we try really hard to actually interact because it gets so easy to, when you're spent at the end of a day, to just drift apart. Yeah, yeah. And so we, you know, and we do a lot of like, I know it's, you know, Skyping and FaceTime or like, you know, sitting down to dinner over FaceTime. So you're like forced to converse, you know, because it requires energy. And so we do that. And he's, he's, you know, he's. He's. We're just, you know, looking towards the future. Like, we've recently got another place and we keep thinking about the idea of. Chris really wants to make homemade sausage out of what a man deer duck. That is pig and beef.

[Adam Carolla]

Is he want to sell it?

[Anna Faris]

He said, he said earlier this morning, he said, honey. Okay, so here's what we're gonna do. We're gonna buy 200 acres in Washington and we're gonna get these cows. There's. I've got this whole place picked out and it's like a rundown, ramshackle man cave of a place with like. Anyway, he showed me the place. It's like, I don't know. Okay, babe. Anyway. And he's like, okay, so we're gonna put a deep freeze here. We're gonna hang the beef here. We're gonna do all this, and then we'll give the sausage away as gifts.

[Adam Carolla]

Oh.

[Anna Faris]

And I'm like, oh, yeah, that's what our family is gonna watch.

[Adam Carolla]

Well, not your family. I'll tell you. Jimmy Kimmel and David Alan Greer. David Alan Greer was doing the same.

[Anna Faris]

Thing like our family. They want cars, honey. They don't want our sausage.

[Brian Bishop]

We had the same conversation last night on Foundler's Boucher party. It was drunken plans, getting a place in Washington and getting the beef. We had the same conversation. The exact same conversation.

[Adam Carolla]

Stuffing sausage.

[Anna Faris]

Oh, yeah. 24. Yeah. Come on up.

[Adam Carolla]

Now, do you feel and does he feel? So is. Is there this danger? I love it.

[Anna Faris]

That you want to talk about relationships, Adam.

[Adam Carolla]

Well, that's what we talked about on your show.

[Cassius Morris]

Get the Angel Reese Special at McDonald's. Now, let's break it down. My favorite barbecue sauce, American cheese, crispy bacon, pickles, onions, and a sesame seed bun, of course. And don't forget the fries and a drink.

[Adam Carolla]

Sound good? I participate in restaurants for a limited time.

[Gina Grad]

Cats have always acted like their don't stink. Now with Fresh Step, heavy duty's new 30 day odor control, it actually doesn't. Fresh Step's new Heavy Duty litter fights.

[Adam Carolla]

Odor three times longer than the leading brand.

[Gina Grad]

This is Fresh Step's strongest litter ever. Giving your litter box 30 days of odor control. Step it up to Fresh Step with the new Heavy Duty litter three times.

[Adam Carolla]

Claim based on fecal mallarder versus the.

[Gina Grad]

Leading regular clumping litter. Strongest litter ever is based on odor control.

[Adam Carolla]

Febreze is used under license from the Procter & Gamble Company or its affiliates.

[Anna Faris]

No, but I love that it's unexpected. That's all I want to talk about.

[Adam Carolla]

Well, I got a few phone calls up here. We'll take some of those, and those will move us all over the map. But here's the good part. And enjoy your Mangria, by the way. Thank you. The good part about having success at a later stage in life is you've got your feet under you. You know who you are, and you're not gonna turn into some insane little brat douchebag that's horrible to everyone around you. But maybe the negative side of that is you went without for so long that it's really hard to turn your back on Jurassic Park. Now we're shooting both sequels simultaneously, or the sequel to the sequel to the Sequel and Guardians of the Galaxy or whatever. And for you as well, like, there's this feeling of, like, I gotta get some. You had success early, but there's also this part of this business where it's like, you gotta make hay while the sun shines. Cause you can't take a year off, you're out.

[Anna Faris]

We always talk about, what's that show? What's the Millionaire show that used to be on all the time when they. Well, they used to hit the button and go, bank.

[Brian Bishop]

Who wants to be a millionaire?

[Adam Carolla]

Who wants to be a millionaire? Yeah.

[Anna Faris]

Who wants to know?

[Adam Carolla]

Oh, yeah, Brian. Old school. How much you went on that show?

[Brian Bishop]

100,000.

[Anna Faris]

Yeah, I know.

[Adam Carolla]

Nice.

[Anna Faris]

I'm a little old, but. Yeah, but we like bank bank because you're right. We have to take these opportunities. We're living our dream. Chris is his wildest dreams. My wildest dreams for him are coming true. So we do recognize that these are the sacrifices that we make for this time we're apart. But hopefully we'll be making sausage in 10 years.

[Gina Grad]

Oh, God.

[Anna Faris]

Will you guys come visit me? Because I'm gonna have a tough time, like slaughtering pigs.

[Adam Carolla]

It's not gonna go well for me. I can't even fish. And it's not because of the fish. I can't bait. I can't put the hook. They're like, you gotta put it through. What you do is you go through the eye, out the nostril, and up the ass with the hook on the chovy. And I'm like, no, we could go, no, but it'll swim for like an hour with no hook through its ass. Yeah, yeah, yeah. And I'm like, no, no, just hang on to it. Hang on to it and put it.

[Anna Faris]

And it's like, you could come fix, like, the corrugated tin roof.

[Adam Carolla]

I could fix.

[Anna Faris]

And the detractor. You know, we really could use you.

[Adam Carolla]

I will raise you up a barn, baby. But when it comes time to bleed.

[Anna Faris]

Out that pig, will you please raise up a movie star's barn?

[Adam Carolla]

I will go to a. I'll go to a. I'll go on a lumber run when you've got the pig. That. I can't do that. I don't know how to do that. I get weird doing that.

[Gina Grad]

But if you get a box crate around Christmas time full of sausage from the family over here, you're not gonna turn that away?

[Adam Carolla]

No, no. I'll take all the boxed sausage I can.

[Anna Faris]

So you're like me, though. You can. You eat meat. But the idea of killing. Cause Chris is. Which I really admire. His philosophy is like, if I'm gonna eat it, I need to Be able to kill it. And I admire that, but I am not. I don't have the stomach for.

[Adam Carolla]

Do you? But he's not out shooting cows or chickens.

[Anna Faris]

He would like to.

[Adam Carolla]

Oh, that'd be fun. He's coming home with venison and other wild game.

[Anna Faris]

Right.

[Adam Carolla]

So do you have a palate for that? Do you enjoy that?

[Anna Faris]

Sort of.

[Adam Carolla]

Is he got a. Can he make you up a venison steak that you're gonna enjoy?

[Anna Faris]

Yep. Really good. Really good. It's. It's. I was resistant, but I don't know why. It's illogical, but. Yeah. But he turns his spoils into delicious food.

[Adam Carolla]

Is he a good cook?

[Anna Faris]

He's a really great. Yeah, he's a great cook.

[Adam Carolla]

Wow.

[Anna Faris]

I know. It's sort of a dream.

[Gina Grad]

You want to marry him?

[Anna Faris]

I know. I felt like. I really do. I know I've said this before, but I feel like I sort of bet on like a thoroughbred that was kept in the stalls for a while. And I'm like, you, Will you marry.

[Adam Carolla]

Me when you marry me? Him, he was. He was carrying around extra 30 pounds and it wasn't money. Right.

[Anna Faris]

Well, when I met him.

[Brian Bishop]

Are you working on the back of.

[Adam Carolla]

His book, trying to be diplomatic?

[Anna Faris]

No, no. When I. When actually, when I met him, we met on the. This movie called Take Me Home Tonight. And he was really trim and super. You know, he's a big dude, but he was very. And then. I don't want to brag, I'm not a great cook, but I do love to cook. And I just was like, eat this, eat this. And so, you know, I did. I sort of like tied him up to my bed and just force fed him like a goose.

[Brian Bishop]

Sounds great.

[Adam Carolla]

Foie gras.

[Gina Grad]

And I was like, so that was your doing?

[Anna Faris]

I like to think so. And now I have no power.

[Adam Carolla]

So this is circa. It was 2008, 2000, 2007, when you guys. I'm trying to do my math here. Yes, Brian.

[Brian Bishop]

I was gonna say cooking is one of those things where effort really makes up for a lack of ability. Like, if you were really into cooking and you love it and you insist on cooking, like, as long as you're not bad. If you're just okay, then everyone's on board.

[Anna Faris]

Read a recipe or whatever. Yeah, yeah, yeah. It's a fun thing to do.

[Adam Carolla]

Brian has a baldiwood. Which movie again? Cloverfield 10.

[Brian Bishop]

Cloverfield Atlantis on Friday.

[Anna Faris]

Yeah. How was it?

[Brian Bishop]

Well, you'll have to listen.

[Adam Carolla]

We're gonna find out. Yay.

[Anna Faris]

Sorry I'M their worst guest. I keep interrupting. Sorry.

[Adam Carolla]

All right, let's see. Any question. We'll take a question or two and then we'll see what think about getting therapy dog. All right, Here we go. Chris, 37, Alabama. What's going on?

[Mike]

Adam, Gina, Bald Anna. I enjoy your podcast.

[Anna Faris]

Oh, hey, thank you.

[Adam Carolla]

Gonna need your home address.

[Anna Faris]

I know.

[Mike]

Hey, promo code ace on that boxed up sausage, right?

[Adam Carolla]

Oh, yeah.

[Anna Faris]

You got it.

[Adam Carolla]

Yeah.

[Mike]

All right, Adam, here. Here's my question. I'm gonna balance it out on the front end. My oldest daughter is taking unicycle in her after school program and has learned to ride. So bear that in mind when I ask you this.

[Adam Carolla]

Good. Yeah. I've got my daughter trying to learn to ride my unicycle. That's part of my quest, but go ahead.

[Mike]

All right. Are we. Are you. And I say we because I'm going to take your lead. Anti therapy dog for everything. My youngest daughter is five. She's type one diabetic. And there's been a kind of a lot of that picked up a lot of steam with these therapy dogs for kids at night where their blood sugar might go very low. And the therapy dog will, like, alert when the. When the child wouldn't normally wake up. But I also know all the things. Air travels obviously out of the question.

[Adam Carolla]

Yes.

[Mike]

Are you anti therapy dog for everything?

[Adam Carolla]

No. Only for blind people. No. I love, I love the idea of the therapy dog. I don't like us because our human nature is much worse than their canine nature, which is the second somebody found out they could fly with Fluffy for free, then the planes became littered with perfectly fine people. Flying dogs. It became a scam. It's a scam.

[Brian Bishop]

Six percent of these therapy dogs are not doing anything.

[Adam Carolla]

And the thing. Here's the deal. There is a scam involving medical marijuana as well, which is between you, your doctor, your God, and your landlord. Like, I don't care how much kush you bring home and how high you get, but we're at a Starbucks and you have your dog on the table, and now that table is infected with your dog's ass and. Or some sort of worms. I don't like that. I'm on an airplane literally having two dogs fight at my shins.

[Brian Bishop]

You're in a public space, right?

[Adam Carolla]

Oh, and I'm walking through LAX and your dog just took a dump right out front of the womb. Poppers. I don't. And they have one there. The one point is this.

[Brian Bishop]

Go with it.

[Adam Carolla]

You are affecting me now with whatever.

[Anna Faris]

You'Re such a fucking asshole.

[Adam Carolla]

I hate it. Oh, do you have a. I smell a ringtone. What's Chris have, like a therapy moose? Rides on. No. So Chris this. Chris having a dog that alerts your daughter that she needs to take her insulin or whatever is 1000 unacceptable. Goodbye. No, it's 1000% good. With me and a service dog. I mean, when you see these people navigating busy intersections and getting to work and back with the use of the dog, or even the dog that goes over and flips the light on, flips the light switch on and shuts the cupboard door. I love that.

[Anna Faris]

Are you the kind of person that when there's an ambulance, especially if it's like, privately operated ambulance, are you the kind of person that's, like, immediately what goes through your mind is they're faking it?

[Adam Carolla]

No, but I don't. I can't.

[Anna Faris]

Wanna get to lunch?

[Adam Carolla]

Well, when I see. When I see, for instance, a car that's been rear ended, but there's no damage to the car, but the person claims they can't work for a month and they have to get surgery and they have to go. That I don't like. That I don't like when I see there's barely a scratch on the bumper, but the person is suing the other person's insurance because they have to miss work. And the emotional whatever, that I don't like. It's just a sort of softening and weakening of this society, which is sort of built on, basically, Lewis and Clark.

[Anna Faris]

So, Gina, on a scale of 1 to 10, what is Adam's level of cynicism?

[Adam Carolla]

I never think about an ambulance.

[Anna Faris]

No, but listen, my personal feeling. I feel like this would make his daughter so happy. She's.

[Adam Carolla]

I like it for his daughter. She's diabetic.

[Anna Faris]

Pain and, you know, shots, it's gonna.

[Gina Grad]

Make her more independent.

[Adam Carolla]

That's.

[Anna Faris]

That's.

[Mike]

Well, I. I am a little concerned. Like, if she were to take, you know, you have to. It has to be with her at all times. She'd have to take the school. And we never want her to view that condition as a crutch. So I'm a little split as to whether, you know, that would.

[Adam Carolla]

Well, here's. Here's another. Here's another thing that we were talking about as I was reading one of my many on how bad all this goddamn homework is and all these projects they send you home with. There's unintended consequences, which is right now, she is in charge of when she takes her shots. What her diet is how long it's been and so on and so forth. At a certain point when you give it to a dog, you essentially farm it out. Like, you essentially go, well, I got this creature with me and this creature's going to be on top of this particular part of my life. At some point she's going to go somewh. Without this creature, it will necessitate this. There will be some travel or some event or some school, something. And now she's weakened in a sort of weakened state because she's used to this creature. It's off her radar. It's on the dog's radar. Dogs gotta be pissed, by the way, like dogs used to be. 10 years ago. We licked our balls, we hung out, we chased a squirrel, and if we wanted to delight a human, all we had to do is play dead or roll over or do something. Now we're sniffing for cancer.

[Brian Bishop]

You gotta work for us.

[Adam Carolla]

We're having to alert everybody. And we didn't see this whole Iraqi, Middle Eastern thing where it's like, hey, in that cinder block shithole over there might be filled with tnt. Go in there, let us know.

[Brian Bishop]

Actually, we'll go first.

[Adam Carolla]

You go first. Or there could just be a bunch of ISIS members ready to shoot. So go out. Go. Yeah.

[Mike]

Now how far away are we for therapy dogs? For the therapy dog.

[Adam Carolla]

Oh, yeah, that's interesting.

[Anna Faris]

I think we're there in Hollywood. I'm sure there's probably therapy.

[Gina Grad]

You've seen those Facebook videos of the blind dog that has a little friend that leads him around. Damn adorable.

[Adam Carolla]

Yeah. Also in terms of these poor military dogs, you know, at least a place back. Back in the day, like Vietnam. That's a good place for a dog to take a shit. Very lush.

[Brian Bishop]

Right.

[Adam Carolla]

Environment, a lot of greenery. This is one huge ashtray for them. That's. That's bad.

[Brian Bishop]

Yeah, I mean, it's sort of like kitty litter, I guess the good news. But the bad news is, like, there's no shrubbery, no brush.

[Adam Carolla]

Dogs like finding a nice patch of greenery.

[Anna Faris]

I feel like, Chris, you should just get a dog just for having a dog so your daughter can have, you know, that kind of love and fun distraction. I don't know.

[Brian Bishop]

Chris, hang on the line. Once we're done with you, I wanna get you in Alabama.

[Mike]

Philly Cheesesteak. Is he available? Is that a possibility?

[Gina Grad]

I don't think Philly would be helpful in this case.

[Adam Carolla]

Yeah, but if he chews up another one of my mats when I put him outside, he might Be available sooner than his form of protest. He chews, chewing everything. And when he gets put outside, he just will ch anything that's that's out there. When he's inside, he's kind of mellow. But yeah, when he outside, that's his form of protest. Yeah.

[Mike]

Adam, I know, I know you're going through calls. Can I take 10 seconds to give you a compliment? Is that okay?

[Adam Carolla]

Okay. Okay.

[Mike]

Real quick. For the job that I do, I work for a public school and we do education, prevention for substance abuse. And one of the things I've kind of learned from you in the long form, interviews, when we bring in speakers, we just kind of start our own thing where we'll drive there and interview them and do kind of cut it up into video and ask them open ended questions. And we really put together quite a neat little in house vignette and production thing that we've done. And I kind of was spurred on by thinking outside the box and listening to some of the stuff you said. I appreciate that.

[Adam Carolla]

Thanks, Chris. Yeah, appreciate it. All right, let me get a little work done here. See, we're talking about food. How about nuts.com? nutritious, delicious nuts. They got treats. They got everything. And it goes right to your door. New customers get four free samples from 50 plus options, $15 value. Go to nuts.com. click on the mic. Enter Adam, not just the 3,000 healthy snacks, it's not just the nuts. I got the dried fruit, they got gummy bears, stuff for cooking, baking, everything, whatever your diet is sugar free, paleo, organic, gluten free, whatever, nuts. But get the macadamia nuts. I just love those so much. Again, new customers get four free samples from 50 plus options, a $15 value. Go to nuts.com. enter at them. That's nuts.com. enter Adam. Get the free samples, man. All right. Shall we do Baldiwood? Yeah. I'm curious about this movie. Hooray for Bollywood. He will tell you if a movie's good. Brian will review the flicks that he's seen up on the big screen or in his Netflix queue. Before you spend bucks, remember his taste. He loved that train wreck piece of shit. Transform us to Hooray for Baldiwood.

[Brian Bishop]

I would be remiss if I did not mention the top of Baldywood. Anna, I'm a huge fan of yours.

[Anna Faris]

Thank you.

[Brian Bishop]

Leapt off the screen in Scary Movie and I've been a fan of yours ever since.

[Anna Faris]

Thank you.

[Brian Bishop]

I'm on record on this podcast as saying you're the funniest female Actor working today, and I'm a huge fan.

[Anna Faris]

So, hey, thank you.

[Brian Bishop]

Hey, thank you for doing all you did.

[Adam Carolla]

And he did not just bring that or conjure that today.

[Brian Bishop]

It's come up many times.

[Gina Grad]

We've all heard it.

[Adam Carolla]

Today's your birthday.

[Anna Faris]

Well, I so appreciate it.

[Adam Carolla]

Thank you. And by the way, I've stopped arguing with him. I just let it go now. I'm just.

[Brian Bishop]

He used a weekly throw. I was like, well, Melissa McCarthy's been better.

[Adam Carolla]

Fuck you. How dare you. No.

[Anna Faris]

That's how you're gonna play it, Adam.

[Adam Carolla]

No, no, no. It's just a joke. You, the master queen of comedy, surely can understand that. My form of birth. All right. Sorry. Did I call her anakin?

[Brian Bishop]

10 Cloverfield Lane is in theaters now. It is the directing debut of Dan Trachtenberg. Auspicious debut, co written by Damien Chazelle. Guy behind Whiplash, he was actually attached to write and direct this movie, and then Whiplash got funded and he dropped out to do Whiplash. And good thing he did. I love Whiplash, one of my all time favorite movies. John Goodman stars in this as well as Mary Elizabeth Winstead and John Gallagher Jr. 90% of rock tomatoes right now, which. It's a little bit mind blowing. Did anyone see this?

[Gina Grad]

No.

[Giovanni]

Okay.

[Brian Bishop]

A little bit mind blowing for me because I would have pegged it after I saw it around 70 or so. I think movies these days a lot of times get a lot of. A lot of mileage out of coming out this time of year when they're actually good movies. Because, you know, when I went to the movie theater to see this, the other movies that came out that were playing were London Has Fallen, the Brothers Grimsby, and Gods of Egypt. Average rotten tomato score, 20%. I mean, bad, bad movies typically this time of year, and this one's pretty good. So I think it gets a little.

[Adam Carolla]

Boost by being, you know, Gary's got a head shake. London has Fallen.

[Brian Bishop]

I think the score is 20%.

[Adam Carolla]

Come on.

[Giovanni]

It is.

[Adam Carolla]

It's low, but that's.

[Giovanni]

That's people.

[Adam Carolla]

My point is these types of movies.

[Brian Bishop]

Very, very, very difficult to talk about this movie without spoiling anything, because I don't know if you see the trailers, but they're, you know, they're. They're trapped in a basement, you know, with some apocalyptic thing, perhaps post apocalyptic. They're not allowed to go upstairs. Are they captured? Are they not? So I don't want to touch on too much of the plot, but this actually started as an ultra low budget movie called the Cellar. This is Going to be a script, a totally separate, ultra low budget script called the Cellar. And then Paramount bought it and said this is going to be a sort of de facto sequel to Cloverfield. We're gonna make this into a Cloverfield movie. And I think the plan is to make it sort of the Cloverfield series. Make it sort of Twilight Zone. Ish. Like, you know, these are supernatural type things. Maybe they're not all part of the.

[Gina Grad]

Same event like American Horror Story. It changes everything.

[Brian Bishop]

Anthology kind of thing.

[Adam Carolla]

Cloverfield was the giant monster and everyone was. Yeah, we saw in the theater. Yeah, they screened it for us, I think, screening for the morning show. And I enjoyed it a lot. I liked it too. But it was sort of all done through an iPhone.

[Brian Bishop]

Found footage. Yeah. TJ Miller was the guy. I remember was the guy who had the camera.

[Adam Carolla]

Right.

[Brian Bishop]

I don't know if you guys remember. That was T.J. miller. I liked Cloverfield and this one. I'll say this, it's a good movie. There's enough great scenes and there's a handful of great scenes, it's really well directed that make up for the weaker parts of the movie. And there are parts that are a little bit tedious. There are parts that are a little bit. Oh, come on. And there are like. John Goodman's character is a weirdo, but he's a weirdo just for the sake of being weird. Like he's kind of out of nowhere and he just does weird things. And okay, I can see how that's sort of the character, but he does weird things that only kind of serve the plot. I'm talking around the plot because I don't want to give too much away, but this is a good movie. But there are parts that don't quite measure up.

[Anna Faris]

Can I ask you this? Does it follow the rules that it's set up for itself? Because I hate it when especially a movie that has any kind of big reveal, like, betrays the rules that it's established.

[Brian Bishop]

That's a great question. Unreliable narrative does for 95% of the film. I won't talk about the ending. I'll simply say that it felt like a square peg for a round hole. The ending was a little bit obligatory. A little bit. Oh, come on. You're trying to make this what, something else that it doesn't have to be. You can sort of see where the script originally was because, you know, the seller is obviously, you know, the idea being the original script. And then you can sort of see where something might have been tacked on to make It a little more Cloverfieldish. You'll see. You'll know when you see it. But there were parts that felt a little bit out of place.

[Adam Carolla]

Well, at 90% on rotten tomatoes, what percentage would you have it? Mid? Low 70s?

[Brian Bishop]

Yeah. 70. 72. Somewhere around there. This is. There are some great scenes and I cannot begrudge the movie. There's some great tense moments. It's really well directed, some sort of cat and mouse claustrophobic stuff. But there are parts where I was kind of scratching my head, looking at my watch, being like, come on. This is. This doesn't belong here.

[Gina Grad]

Can you answer this? Are there only two people in the entire movie?

[Brian Bishop]

There are. Literally including one voice on phone. There are probably five credited parts in the entire movie. Four or five. Yeah.

[Gina Grad]

Would Phil Rosenthal go, this is a play.

[Brian Bishop]

No, no, this is cinematic and it's well done. And there are parts that. A little bit white knuckle, a little edgier seat.

[Adam Carolla]

So you had it built up a little and then you went in and didn't quite live up to what you had built up there.

[Brian Bishop]

Actually, if anything, I think I was expecting a little bit. I was expecting because Cloverfield didn't feel like it needed a sequel. And plus the found footage thing has kind of been done and we've all seen too many found footage.

[Adam Carolla]

So you went in a little lower and got more. But still. It's still at 90% and you're at 70.

[Brian Bishop]

Exactly. I was thinking I was probably expecting 40. Okay. Was hoping for 90 and got about 70. So see this in the theaters. This is a. This is a overall a good movie.

[Anna Faris]

A C plus.

[Brian Bishop]

There you go.

[Adam Carolla]

A Rapal Paul award.

[Brian Bishop]

That's not years ahead, you start talking about the plot a little bit more.

[Anna Faris]

Well, usually I'm a part of like D minus things.

[Brian Bishop]

So my favorite D minus movie of yours is Just Friends. I love Just Friends. And you were fantastic.

[Anna Faris]

Thank you.

[Adam Carolla]

I really. Is that Ryan Reynolds?

[Brian Bishop]

Ryan Reynolds. She plays a pop star, sort of like Britney Spears, but just an adorable person.

[Anna Faris]

It's so fun to be a part Samantha James.

[Gina Grad]

Yeah.

[Anna Faris]

Thank you for remembering that.

[Brian Bishop]

Your song Forgiveness is funniest.

[Adam Carolla]

One of the funniest things on the plus side. No, no, I like Ryan. I found Ryan Reynolds to be a very nice gu. By the way, a super friendly dude when I met him, doing two guys, a girl in a pizza place or something like a million years ago. But on a happy note, Lost in Translation, another part where you get to play sort of an awful person. An awful person. That is A very funny. That's a very funny role. I mean, that really uncomfortable meet in the lobby always reminds me of, like, when Spinal Tap ran into their. Their nemesis had sold out the Mega Dome down in the lobby. Like, with just Super. I could watch two hours of uncomfortable lobby encounters on the big screen. That always made me laugh.

[Anna Faris]

There is something unbelievably satisfying about playing somebody terrible.

[Adam Carolla]

And it's just, well, your character and have been, on occasion, naively terrible, which is sort of cool. I mean, it's better because you don't know how you're coming across.

[Anna Faris]

Yeah, yeah. Maybe it's like the oblivious, like.

[Adam Carolla]

But it's like Justin Bieber wouldn't know how he's coming across because he had too much too soon. That's how he felt about your character. It's like you had too much too soon.

[Anna Faris]

Yeah, yeah, yeah. Thank you.

[Adam Carolla]

All right, let's see. Phone calls. Someone's thinking about what I got reaction videos. I don't know what this is.

[Brian Bishop]

Let me ask you what a reaction video is.

[Gina Grad]

You're gonna find out.

[Brian Bishop]

You're gonna find out.

[Adam Carolla]

It involves scaring black people.

[Brian Bishop]

It can typically show somebody something horrible and catch their reaction rather than the video itself.

[Anna Faris]

Yeah, Seattle, you know, that's where I'm from.

[Adam Carolla]

Seattle. That's right. Hey, Anthony.

[Mike]

Hi, Adam.

[Giovanni]

Thanks for taking my call.

[Adam Carolla]

What's going on?

[Mike]

I had a new segment idea for your podcast.

[Adam Carolla]

All right.

[Mike]

My idea was that users could tweet you YouTube videos and we could do, like, reactions of them because you're, like, one of the few people that are really funny on their feet and riff off things.

[Adam Carolla]

Yeah, I don't. I don't like. I. I don't like scaring people or watching people be scared or injured or.

[Gina Grad]

Put out, hanked harshly.

[Mike]

Oh, no.

[Adam Carolla]

Yeah.

[Mike]

No, I meant, like, maybe watch a trailer or a news clip or something.

[Brian Bishop]

Okay, I'll sort of do your, you know, your reaction, your thoughts. You're off the cuffs.

[Adam Carolla]

I wish I had a camera rolling back in 1980, when I went to my buddy Ray, who's the scariest guy on the planet, and his mom, where it was at his apartment in North Hollywood. And it was one of these crappy apartments at that real long, skinny driveway, sort of like an alley that went. Everyone parked in the back under the apartment, which did it put, like, shag carpet around the pole. People backed into it too many times, but it was a long alleyway, and his mom told us both to empty a garbage. She gave me a big sack of garbage and she gave Ray a big sack of garbage and she said, go empty it. And the dumpster was at the very front of the driveway and tucked into this alcove, 90 degrees. And it was at night and Ray was 230 pounds of scarab. And he went first. And then for some reason, I didn't follow him. I ended up talking to his mom or standing in the kitchen or something. And I was about two minutes behind him. And as I walked down this long driveway and looked down and I saw the smallest woman in the apartment building carrying a sack of garbage and Ray, as she's about to come up to the corner, Ray flew out and just did a, you know, like hands flying out through the garbage in the air and just like, oh, shit. I heard yell as loud and he thought it was me. He was going to do that to me. But instead he did it to the middle aged woman who was 81 pounds and she just screamed as loud as she could and threw garbage everywhere. That I enjoyed, actually.

[Gina Grad]

Does Ray have a long, rich history of pranking the wrong person?

[Adam Carolla]

He's gotten well again, he's not a smart bomb. He's a carpet bomber when it comes to pranking. It just anyone. Anyone who. Anyone who's. I've seen him pee on the leg of strangers at a stall next to him. I've seen him fart on a girl who said, I don't even know you that well. Like I remember. It was funny. We all laughed because the implication was if we got to know each other a little bit, you could fart on.

[Gina Grad]

You can't put the genie back in the bottle on it. Don't do it.

[Anna Faris]

I don't know. He sounds like the kind of guy I'd like. Oh, I hate surprises.

[Adam Carolla]

Anthony. Yeah.

[Mike]

I had a question. I had a suggestion for the first video.

[Adam Carolla]

Yes.

[Brian Bishop]

You thought this out.

[Mike]

It's last month, Inside Edition did a report on trying to catch a contractor cheating old ladies out of money.

[Adam Carolla]

Yes.

[Mike]

Somebody had to put on.

[Adam Carolla]

Somebody sent me. Did you tweet me this?

[Mike]

Yes.

[Adam Carolla]

Oh, okay. Thank you. People. A lot of people tweeted me because I did a show called Catch a Contractor where we busted bad contractors. Inside Edition tried to do a low budget kind of version of this. And they had this attractive young reporter and she was gonna get hold of this contractor who was bilking the elderly out of their savings. So she dressed up as an old person, except for the problem is she was gonna go like Tom Cruise, Mission Impossible Reveal. So she had this big rubber mask on and she's like talking to this dude in the driveway. And she's going, hey there, sonny. I got a garbage disp disposal. It's on the fritz. And he's like, yeah, yeah, because it's weird because she's got a rubber face.

[Brian Bishop]

Her face move is still natural words.

[Anna Faris]

And then she's like, surprise.

[Adam Carolla]

I'm hot. Yeah, your eyeballs usually aren't set in an inch and a quarter. They're usually on the surface of your face. Surprise.

[Anna Faris]

I got you.

[Cassius Morris]

I'm hot.

[Adam Carolla]

And she did this move where she's going like, surprise. And she started pulling the mat. And the guy's like, oh, yeah. No, not. Not surprised, but totally weirded out. You can. Gary, you can find it. You don't have to show us the beginning part where he's sitting around and talking to the elderly. By the way, when a reporter, a concerned reporter, is sitting around a group of people on a riser and folding chairs, you never want them to be talking about you. That's your worst day ever. It can never be good. That can never. I've seen way too many episodes of 60 Minutes where it's like the survivors of the Mineshaft explode nothing ever. They're never heaping praise on who. Whoever they're talking about.

[Brian Bishop]

And what's your favorite thing about the contractors? Rarely a question.

[Adam Carolla]

Inside Edition. I think, like I said, Anthony could have been the. Anthony, did you tweet this to me? Multiple times.

[Gina Grad]

Is he on hold?

[Adam Carolla]

Oh, hey, Anthony. Tweet me again. Let me see. Anthony. Yeah, I don't think I saved it, Gary, or favorite tweeted it, but.

[Giovanni]

What's your handle? Anthony. Anthony.

[Gina Grad]

What's your Twitter name?

[Mike]

Tony writes. Good.

[Brian Bishop]

I like that.

[Adam Carolla]

We'll find that and then I'll show it to you and you guys will be as weirded out as the poor. It's the only time I felt sorry for the contractor because she went to his house with the old lady mask. And by the way, I've seen way too many movies where the old lady was doing all the killing. When you look at these things where the people are trapped in the house and stuff, it's the old. It's never the robust lumberjack. No, it's the old guy or the old lady or the kid.

[Anna Faris]

What's the demographic that we don't see killing? We don't like the toddler.

[Adam Carolla]

Here's what we don't.

[Anna Faris]

We guess we see that in Chucky.

[Adam Carolla]

It's funny because we don't. The ghost. It's like, I've always Said the ghost in your house. Like they go, it's always the little girl who lost her dolly and is looking and looking and look, you know.

[Gina Grad]

That little girl, she starts singing off key.

[Adam Carolla]

But to me, my biggest fear in the ghost department is like a super husky gay dude.

[Brian Bishop]

And it's like, I'm with you.

[Adam Carolla]

Why? Well, in terms of what could happen, I sleep on my stomach, number one. Number two, in terms of what could go wrong. Oh boy, a lot could go wrong with, you know, the super husky bear gay guy.

[Brian Bishop]

And they float about ass height.

[Adam Carolla]

Yeah, there could be trouble there. Whereas the little girl lost her dolly. Could scare me. Like it'd freak me out.

[Gina Grad]

But you could take her.

[Adam Carolla]

I think I could take her. But the, the, the guy who, you know, was the state wrestling champ.

[Anna Faris]

I love it. This guy is like, I need Adam Corolla even though I've died.

[Adam Carolla]

He's a power top, he's a bear, he's a state wrestling champion. He's obviously there's some unfinished business here.

[Anna Faris]

For him in the bed. When this is happening, you're going to.

[Adam Carolla]

Have to go for help. No, I need you to go. Nope, put the sausage down.

[Anna Faris]

I'm sorry.

[Adam Carolla]

Go for help.

[Anna Faris]

I'm going to be giggling a lot more there with your wife.

[Adam Carolla]

Drunken longshoremen.

[Brian Bishop]

Like guys like that died a freak anal nitrate accident.

[Adam Carolla]

Yeah, but not the little girly or the old lady either. We don't pick suitable like or just the guy who died in the MMA cage and now he's haunts your house. Like that's a scary dude.

[Brian Bishop]

Absolutely. He's games guy who died on the snowmobile.

[Adam Carolla]

Right. Most of them are chicks. Like young girls and old women. So what we do in scary movies is we pick antithesis of what we're scared of.

[Gina Grad]

Yeah.

[Adam Carolla]

In life expect go for this make it into something.

[Anna Faris]

But that's what I'm saying. So what would be the surprise on the surprise? What would be the demographic that you would never pick?

[Adam Carolla]

Oh, let's see. So wait, we got the video here, then we can answer.

[Anna Faris]

Okay, sorry. You guys don't have to answer that.

[Adam Carolla]

She's walking.

[Brian Bishop]

Look at the sweet old baby.

[Adam Carolla]

She's walking to the guy's house. The contractor. Contractor. By the way, there's a camera crew.

[Brian Bishop]

Caitlyn Jenner do terrible.

[Adam Carolla]

There's a camera crew standing there as well. So it's like obviously here you go ahead if you can, man. I've been waiting for you for three days.

[Cassius Morris]

You were supposed to come over and.

[Adam Carolla]

Do some plumbing for me.

[Giovanni]

Who who are you?

[Adam Carolla]

Well, I don't know. The big reveal.

[Gina Grad]

That was quick.

[Giovanni]

I don't know who you are.

[Adam Carolla]

I'll tell you who I am. By the way, not showing up to do something without getting paid is not really. I'm actually not a little old lady. My name's Lisa Guerrero with Inside Edition, and I'd like to know if you're bilking elderly people in this community for thousands of dollars.

[Anna Faris]

Ma'am. I'm not.

[Adam Carolla]

Sir, I've talked to numerous people who.

[Anna Faris]

Claim that you have been ripping them off.

[Adam Carolla]

I haven't been. No, I have not. Glenn Harris denies all the allegations. Insists he operates above board. Sir, do you have anything at all to say to the victims that feel.

[Anna Faris]

That you owe them a lot of money?

[Mike]

That I owe money to?

[Brian Bishop]

I don't.

[Adam Carolla]

Just try telling that she blew the lid off of this case. You said, you're coming over to my house three times. You never showed up.

[Anna Faris]

Garbage disposal.

[Adam Carolla]

It's not bilking. He didn't get bilked. He just didn't show up. Yeah, it's called being a contractor. By the way, I do like this notion. Every guy we've ever dealt with and all they always get. They get in their truck because they got a spot split. I'm. Now, I got a new plan. I'll put a truck in my living.

[Brian Bishop]

Room, and they're gonna get in the truck and think they're leaving.

[Adam Carolla]

When my daughter's driving me nuts and getting into it, or I'm arguing with my wife, I'll just go, hey, I gotta roll the window down. Moving on here. We'll just get in the truck and I'll just sit in the truck.

[Brian Bishop]

Okay.

[Adam Carolla]

Because they're always just walking out. The crew's always following them, and they're always walking in the truck, and they're like, I gotta. I don't know where he's gonna be. He missed the last three appointments at her crazy, crazy old lady's house.

[Gina Grad]

That was definitely not her idea. The producers had to talk her into that because they didn't go anywhere. Yeah, and that reveal was in 15 seconds.

[Anna Faris]

Boy, I'll tell you who I am.

[Gina Grad]

Hot Inside Edition.

[Adam Carolla]

Besides, they needed someone with your kind of acting chops on.

[Anna Faris]

Oh, that's right.

[Adam Carolla]

They need someone with your ability to pull that off. You can't. That's no cub reporter. Move.

[Anna Faris]

Scary movie 4.

[Adam Carolla]

You need your bonus. Bonafides. Yeah.

[Brian Bishop]

How far do you think she took? The whole old lady thing? So, like, wore bloomers and everything or, like, did the whole thing, or she's like gunning. She wore a frigging latex mask.

[Adam Carolla]

But of course, the guy was completely freaked out over the camera crew and the woman talking.

[Brian Bishop]

It wasn't a hidden camera.

[Anna Faris]

No, it was so weird. She has a microphone and it's Kane and the camera crew. And she's like, I'll tell you who I am.

[Adam Carolla]

Yeah, let me set down my boom. Let me get the boom mic out of there and I'll set down my hand powder.

[Anna Faris]

Come on, quick.

[Adam Carolla]

Yeah, that was excellent. All right, where were we? Where were we? Ah, here's something good. I love this. Birk Son B I R K Sun. I got their new solar powered backpack. You can charge your smartphones, your GoPros, all that stuff. So you go to all these events, you do all your stuff. Oh, let's see. Chris is out there hunting phone, wants to recharge the phone. Can't recharge the phone out in the middle of nothing. You're in a duck blind or you're in one of those deer tree houses up there.

[Anna Faris]

I need to get a hold of him.

[Adam Carolla]

We need to get a hold of him. He needs berkshin. The backpack, it's got a little solar panel on it and you can charge your phone. So you go to the beach.

[Anna Faris]

No excuse.

[Adam Carolla]

Chris, you're listening to your music, you're doing what you want to do. You're at some event. Yeah, like a GoPro or something like that. Because the whole thing is when you're out in places you want to use that GoPro, there ain't no place to plug in. So it's great at the beach, hiking, traveling, music festivals, whatever you want.

[Anna Faris]

Barn raising.

[Adam Carolla]

Barn raising is no place to plug in in Amish country. Free shipping if you go to burksun.com podcast burksun.com podcast have one of these things. It's just. I've got one. It doesn't take up. It's not heavy, it's not mechanical, it's not anything. It's just a backpack, but as a panel. And you can get a nice charge. All right, real quick. And then we'll hop into some news over here. Let's see. Michael, 32. Hey, Adam. What's going on, Michigan? Say hi to Anna. Hey, Anna, too.

[Anna Faris]

Hi, Michael.

[Mike]

Your performance in what's My Number?

[Anna Faris]

Oh, thanks. Thanks. Thank you. Not too many people saw that. I appreciate that. Thank you.

[Adam Carolla]

Kind of along the some of the lines we're talking about with Chris Pratt, like doing mainly western things. Adam, I was wondering if you when you were watching the hateful eight if you noticed like the actors when they go to pound the nails into the.

[Mike]

Door to keep it shut.

[Adam Carolla]

Yep. Do you notice how daintily they did that? Well, everybody a lot of hits. It's funny. Everybody holds. Well, they didn't have vinyl coated sinkers back then. Those were probably a 8 or 16 penny common head.

[Brian Bishop]

Sure.

[Adam Carolla]

But they didn't go in so nice back then. Could have even been a ring shank. I don't know.

[Brian Bishop]

I did read that in most of the reviews.

[Adam Carolla]

Yeah and I saw the review too where I can't remember like San Francisco Chronicle or something. They were saying they should have used a waffle headed framing like maybe a Vaughn with a hatchet handle or something. Maybe 22 ounce, 23 ounce. So they were using essentially a smooth end finish hammer to drive.

[Brian Bishop]

It's someone complaints to the point that it's like a cliche now but come on sad. It's a movie people.

[Adam Carolla]

No, most people when you hand them a hammer, choke way up on it and hold it near the head and hammer that way which loses all the torque. All leverage, all the leverage of the hammer. You're really supposed to slide to the back of it. Get a little.

[Brian Bishop]

Get that hammerhead going.

[Adam Carolla]

Right, Right.

[Anna Faris]

You know what bothers me is when.

[Adam Carolla]

Actors teeth are too white for the era especially. Yes, I. I agree.

[Anna Faris]

I probably should whiten my teeth and.

[Adam Carolla]

Or too good like just way too damn straight.

[Anna Faris]

It's a little distracting.

[Gina Grad]

It pulls you out of the element.

[Adam Carolla]

And also in a minus before braces obviously. And the guy plays a blacksmith whose daddy was taken in the last storm. And it's like perfect white teeth just going straight across. I'm with you. So Michael, I enjoyed the movie. It didn't pull me out of it and I try to let my own forms of bias and expertise not influence.

[Anna Faris]

But if I had a period piece I will attempt to do my lazy ass research. Yeah, well they the laziest research one can do.

[Adam Carolla]

I do like it when people have time appropriate teeth. And I think Jennifer Jason Leigh definitely hit that one out of the ballpark. And the crazy time sensitive or appropriate teeth.

[Gina Grad]

Sure, she sure did.

[Adam Carolla]

Yeah. The kind of teeth your person, your character would have. All right, let's see again the podcast. Anna Faris is unqualified. It is really fun. It's intimate. I don't know that you could get the same result if it wasn't in Ana's house in her living room with a bunch of deer heads. It's weird Hovering above your shoulder and having a little vino and enjoying that environment.

[Anna Faris]

Well, thanks. I have to.

[Adam Carolla]

Okay, perfect.

[Anna Faris]

But I also. I wanna ask you, when I get back from that process, how you think I can attract more male listeners.

[Adam Carolla]

All right?

[Anna Faris]

Cause we have a nice amount of listeners. A lot of them are women, though. How do we get more of the men?

[Adam Carolla]

Okay, I think I can tie this into your urination.

[Anna Faris]

Okay. Oh, good.

[Adam Carolla]

All right, you head toward the ladies room. Gary, fire up the nanny cam in the ladies room. Cause we're gonna go viral here.

[Gina Grad]

Oh, yeah. It's gonna take an extra two minutes.

[Anna Faris]

And she's gonna be a strong.

[Adam Carolla]

Make sure you use the ladies room. And there's two light switches. Make sure they're both on. And don't mind the one that's on the floor. I just want you to plug that one in. If you put some mechanics on.

[Anna Faris]

Okay. Listen, don't talk shit about me while I'm gone. No, no, no. I mean, it's.

[Adam Carolla]

We won't talk number two when you're going number one. Garrett, fire up the key.

[Gina Grad]

They'll never do it.

[Adam Carolla]

Thank you.

[Brian Bishop]

Oh, thank God. She's gone.

[Gina Grad]

Oh, she's taking her drink.

[Adam Carolla]

Oh, yeah, he's got. Wait, you gotta get a refill there. All right. Isn't she delight?

[Gina Grad]

She's amazing.

[Adam Carolla]

Isn't it nice when people are as they seem or as they come across?

[Gina Grad]

Can you be best friends with them?

[Adam Carolla]

I'm gonna do that.

[Gina Grad]

I think you should.

[Adam Carolla]

I'm gonna work on that.

[Brian Bishop]

At least for all of us.

[Adam Carolla]

I really had a good. I really had a great time over at their house. And now I'm having a better time even here. So we'll do the news. I'll tell you what, why don't you got the news fired up there, right? Right. Okay. On it, baby. Inspiring peak performance with unique products. And the jump rope, which I use. Also the Warrior Bar, it's all. Ooh, Chris would like this. Buffalo meat. 14 grams of protein. No MSG, soy, lactose, antibiotics, nitrates. None of that MCT oil. Dumped it in my coffee this morning. Vinny, Tortorich, Dr. Drew, they all swear by this. It's a nice little trick. It kind of curbs your appetite a little bit. And it's good for what ails you. Alpha brain. Enhances focus. They have it all. O N N I T.com Adam Save 10%. They have equipment, they have supplements. It's all first class stuff. Go to onnit.com adam save 10%. All right. Shall we do A little news. And by the way, I want to thank my wife and the crew, everybody who went out and Teresa Strasser came out, everyone who came out and supported, and my wife said everyone is great and excellent time, and it's all good. I didn't get that.

[Brian Bishop]

I didn't hear that.

[Adam Carolla]

No, actually, no. I don't know if Lynette was there.

[Giovanni]

A picture of her and T with Chris, so I don't know if she was there for the performance. Lynette does tend to show up a.

[Adam Carolla]

Few minutes late to these, but, Chris, you better watch.

[Brian Bishop]

You're lucky enough.

[Adam Carolla]

What was the question about Lynette? I was. Did she take in the Chris Max a Pata performance?

[Cassius Morris]

Yep.

[Adam Carolla]

She.

[Anna Faris]

She made it on. She was there on time, and she made it till, I think, the third bar out of four, and.

[Adam Carolla]

And so she almost completed her event.

[Brian Bishop]

She's, like, a Dodgers fan.

[Anna Faris]

To be fair, about 85% of the.

[Adam Carolla]

People only made it to the third bar, the Mangriath. It'll knock you off your feet. Literally. She, like, rolled her ankle.

[Anna Faris]

It's a mangriathon, not a sprint.

[Adam Carolla]

Yeah, it's a mangriathon. Yeah. Anna's enjoying her Mangria as well.

[Anna Faris]

I want to be a part of a Mangriathon.

[Adam Carolla]

All right, well, next local. Next local one. We'll definitely have you out. All right, where were we? Let's do. So thank Lynette and thank you guys for doing a great job, and we'll keep you abreast of the next one. And I don't know when the next one's coming up, but we'll let you know.

[Brian Bishop]

Follow Bruce's concert schedule, and you'll get a good idea where the next one will be.

[Giovanni]

Rumor has it, maybe in April, Maybe along with one of the live dates up there on your screen.

[Adam Carolla]

Ooh. Okay. All right. Should we do a little news with Gina Graham?

[Gina Grad]

Let's do it.

[Adam Carolla]

Let's do it. Are you looking for your next case? Pluto TV has all your favorite crime dramas streaming for free. You're gonna need some backup, which means suspense is free. Very cool. Watch CSI New York, Criminal Minds, Blue Bloods Tracker, FBI and swat. All for free. You can't outrun this. Someone is gonna pay for all this crime, but it's not gonna be you. Take care of business, fellas. Watch all the cases, all for free from all your favorite devices. We got you. Feel the free Pluto TV stream. Now pay. Never give the free News with Grant, News with Gina Grad Showbiz Congress, Tech.

[Giovanni]

News, sports news, World news. Give me News with Gina Grad. Weird shit out of Florida Sex surveys.

[Adam Carolla]

Obama need. News with Gina Gina the News with Gina Grad. Ana. In terms of attracting more male listeners, I mean, I'm looking at your guest list here. Alison Janney, Lance Bass, Ellen Page. I mean, the guys aren't flocking, so.

[Anna Faris]

Whoa. We've got Chris Pratt and Chris Evans coming up.

[Adam Carolla]

Okay, that's good.

[Anna Faris]

We have you.

[Adam Carolla]

That's me. That's me.

[Anna Faris]

I mean, can you even be more manly?

[Adam Carolla]

I could, but it'd be redundant. You know what I mean? I just grow another penis on top of the one I have.

[Anna Faris]

But I like to think that we're a little raunchier than maybe the ladies.

[Gina Grad]

Usually.

[Adam Carolla]

The show is good and you're good, and I got a lot of great feedback after doing it, and.

[Anna Faris]

Oh, good. Thanks.

[Adam Carolla]

I think when you're putting a good and consistent product out there, yeah, it's gonna permeate the zeitgeist.

[Anna Faris]

We got Chris in Alabama, who's gonna may or may not get a therapy dog.

[Adam Carolla]

It's just about being consistent. And you have this advantage of having people that are well beyond me in the celebrity world wanting to come by and, you know, chillax over at the Ferris household or whatever we're calling it.

[Anna Faris]

I just bribe them with sausage.

[Adam Carolla]

Well, the fact that you had a couple of pizzas show up the second we showed up was nice, especially for Mike August. All right, should we do a little news?

[Gina Grad]

Yeah, well, there is a bit of Trump news, so we will just get through that right quick. Donald Trump's campaign postponed a rally in Chicago on Friday amid fights between supporters and demonstrators. Hundreds of demonstrators packed into an arena, breaking out into protest. Even before Trump showed up, and with at least five sections in the arena, they were filled with protesters. There have been many arguments about how the protesters silenced Trump's right to free speech, while others say the protesters were expressing their right to free speech. Here's a clip of Trump at the next rally in Ohio talking about canceling Chicago decision.

[Adam Carolla]

We said, and I hated to do this because, frankly, it would have been easier to go, but I didn't want to see anybody get hurt. You would have had a problem like they haven't seen in a long time. Because we have people that are so amazing, and it's not necessarily loyal to me. It's loyal to the country. We want to see things happen. We want to see things happen. And they're loyal to the country. Country. It's okay USA is right. They're loyal. Got that right. They're loyal to the country. They want great security, they want great military, they want to take care of their vets. They want a border, they want a wall. They want. You know what I think we're gonna have to do now? Because there's no speaking on campus that doesn't get demonstrated, shouted down. Whatever's going on, you can't go to a campus or even to a town sometimes and speak. Depending on what your topic is or what baggage you have. I think we're going to have to go to some. And then there's a whole bunch of people that if you go to the campus and speak, then they have to go to a safe place because your words are now post traumatic stress disorder because you came in and started talking about lowering taxes. And you know what that'll do to a young psyche. We're going to need a thing that they have when they. When you take a tour of a museum and you put that earpiece in, everybody who wants to hear what the person has to say is going to have to clip this thing on their belt and put an earpiece in the person so they don't get shouted down is going to have to stand in this sort of popemobile esque cone of silence in the middle of the thing. And that then you freaking out and screaming, black lives matter. Doesn't matter because the person will get to speak and the other person will get to hear you because we'll never be able to pull this off again.

[Anna Faris]

I've got a better idea. What if we put in the earbud thing, whatever, to every rally goer and they only get to hear what they want to hear.

[Adam Carolla]

Ooh. Oh, better.

[Anna Faris]

You can pre program the issue.

[Adam Carolla]

I'll get an auto tune thing going for my mic. And if you're white, you're hearing me talking about building a wall. And if you're Hispanic, you hear about reaching out to our brothers and the Dream Act. You know, just filter, it'll fill. Oh, smart.

[Anna Faris]

Thank you.

[Adam Carolla]

That is smart. I'll be present in like two days.

[Brian Bishop]

Exactly. Everyone loves it. His first 100% approval rating.

[Adam Carolla]

That's right. And everyone will feel like I'm speaking to them. That'll be great.

[Anna Faris]

You can hear what you want to hear. You believe. Believe what you want to believe. I don't know. What do you guys think?

[Gina Grad]

That was great.

[Adam Carolla]

So you'll be standing there and I. I'll be like a podcast in every living room and a homemade stuffed sausage in every pot.

[Anna Faris]

Here every citizen will have believe up.

[Adam Carolla]

North they'll be building bars, they'll be stuffing sausages. When your husband, when he's done doing an action thriller and he goes on his hunting trip, he'll return to. To a well rested woman who's accepting of him in a world. And when your son, two and a half year old, Jack comes. I got a son, his name is Jack. He's two and a half. We were, we were making venison sausage the other day. He looked at me and he said, papa, you know my favorite movie was. And I said, what? He said, the House Bunny.

[Brian Bishop]

It's an odd choice for a two year old.

[Adam Carolla]

And I said, I have it on Blu Ray. We sat and we watched it not once, not twice, but three times. And when our hands were tired from stuffing the sausage and ordering the pizza with the toppings you like the best.

[Brian Bishop]

The crowd chanting, usa.

[Anna Faris]

What you want to hear, you believe, what you want to believe.

[Adam Carolla]

Oh, this would be.

[Brian Bishop]

You're talking right to it. It feels like talking right to me.

[Adam Carolla]

They're gonna invent an auto tune microphone that does that. It's gonna be awesome.

[Anna Faris]

I liked yours.

[Adam Carolla]

That was. I hail from the Seattle area. There's a very proud tradition of honesty and neighborhoods where people. My parents were. My mom was a father was a sociologist.

[Anna Faris]

Yes.

[Adam Carolla]

And my brother's a sociologist.

[Anna Faris]

Dream of becoming an actor.

[Adam Carolla]

I wanted to become an actor. After seeing Scary Movie one through seven, I was inspired to take an acting class.

[Anna Faris]

Five wasn't in it.

[Adam Carolla]

Oh, one.

[Anna Faris]

There hasn't been a six and a seven. So now you're not my kid.

[Adam Carolla]

I'm sorry, I don't have any dipping. Let me see if I can tune this mic in.

[Anna Faris]

I was in one through four, so I don't know. Is he gonna get my vote? I don't know.

[Adam Carolla]

Yeah, there you go.

[Gina Grad]

Well, meanwhile, did you see the 78 year old dude punch the protester as he was walking up the stair? The supporter's name is John McGraw. He attended the Donald Trump's rally in North Carolina. He was arrested and charged Thursday after multiple videos posted online appeared to show him punching a protester in the face. And later saying, quote, the next time we see him, we might have to kill him. Trump said on Sunday. 78.

[Adam Carolla]

I think when you're after 75, you can punch people, you can grab a booby. Oh, wow. And you can go to the supermarket and whatever you slice slept in. And I give you a pass.

[Anna Faris]

All right. My auto tuning is tuning that part out.

[Brian Bishop]

I was gonna Say, this is not going to.

[Adam Carolla]

Honest, I'm talking to my. My older constituency now. I'm sorry.

[Gina Grad]

Not for you.

[Cassius Morris]

Wonderful.

[Gina Grad]

So here's the clip. If you haven't seen it, just so you can get a visual.

[Adam Carolla]

All right. It's a stand. The kind of leather vest. And the hat.

[Brian Bishop]

Yeah, the hat. Takes us. Takes a swing. He got him before him. Shiver.

[Adam Carolla]

Wow. No. Oh, geez. He had to hit the one guy in there with dreads. There he goes. They're setting that. They're setting us back so far.

[Brian Bishop]

We'd be so far ahead if it wasn't for this one guy.

[Adam Carolla]

I know. Bring that up at the next cl. I mean, Pancake meeting.

[Brian Bishop]

Pancake breakfast.

[Adam Carolla]

Breakfast meeting.

[Gina Grad]

I did a little digging on this John McGraw and he has a colorful story. You're gonna like this, ana. So a 2009 profile in the Times News in Hendersonville, North Carolina, describes him as a, quote, modern day cowboy. He's an Air Force vet who has, quote, roamed the country making a living as a horse trainer, a ranch manager, a gunsling entertainer, a hog hunter, artist, blacksmith, soldier, and boxer. He goes by Quick Draw McGraw.

[Brian Bishop]

Ana, you want to know how to get more male listeners? Have you considered a co Host? Host John McGraw is available.

[Anna Faris]

Oh, I thought you were going to tell that I should punch.

[Brian Bishop]

Well, you can do that too. You can try that too, but yeah, okay.

[Anna Faris]

All right. Yeah.

[Adam Carolla]

You know what?

[Anna Faris]

Seem to reach out.

[Brian Bishop]

Anna and John are unqualified.

[Adam Carolla]

Oh, boy, oh, boy.

[Gina Grad]

But John's qualified to go hog hunting.

[Brian Bishop]

Goddamn right.

[Gina Grad]

Finally, in the last of the Trump news, comedian Sarah Silverman appeared on Conan as Adolph hit Hitler. Following the Republican. I don't know if you saw this, but it's amazing. Following the Republican debate on CNN Thursday night to talk about comparisons between the late Nazi dictator and the GOP frontrunner Donald Trump. Now, here's just a 20 second clip, but the audience does not know what to do.

[Anna Faris]

Person talks about his penis size on national television. Oh, yeah. I'm so sure Donald Trump has a big penis. I famously have a micro. That's what makes a tyrant, right?

[Adam Carolla]

Yeah. No, I'm Hitler. I am very sorry to hear about your micropenis.

[Anna Faris]

Ugh, if I had a gold filling every time I heard that.

[Adam Carolla]

Yeah. Oh, I can't believe Hitler went there. Yeah.

[Gina Grad]

So that was pretty much the biggest laugh that got me.

[Adam Carolla]

It's one of these things where she's Jewish so she can get away.

[Gina Grad]

She gets passed.

[Adam Carolla]

She's female and she's Jewish, so she can do what she Wants to do.

[Brian Bishop]

Really? The audience of out of town tourists didn't know what to do. Just looking for a good time on vacation.

[Gina Grad]

Yeah. And then they get to that. So I don't know if you guys have heard this crazy Richard Simmons news going around, but it is really creepy. So Fox reports and a lot of.

[Anna Faris]

Wait, wait, wait. Back it up, Gina. There's nothing about Richard Simmons that could be associated with creepy. This is not in your book.

[Gina Grad]

Okay, I know. It's gonna. It's about to get worse. So it's been about two years since Richard fell out of the public eye. Now friends of the fitness expert are concerned he's being his will and controlled by his longtime housekeeper. The New York Daily News. Yes.

[Adam Carolla]

Spoke with five with those quads. No woman alive could keep back those quads. Yeah.

[Gina Grad]

Spoke with five of his friends for a story they published on Saturday. The report focused on an interview with his former assistant who said he went to Simmons house in the Hollywood Hills in April of 2014, was immediately kicked out by the housekeeper, who Simmons revealed was controlling his life. While other friends have echoed fears that he's being controlled by his housekeeper, also the brother and the manager, a rep for Simmons said that the gossip is false and the star is doing just fine. And I can tell you on a personal level, I used to go to his Slimmins exercise class because it's so fun. It's amazing. And he hasn't been there in, like, two years. And if you call the voicemail, they'll say, and don't ask when Richard's going to be there, because we don't know.

[Anna Faris]

And I can tell you on a personal level that I will totally, in my future, a housekeeper will hopefully have control of my life.

[Adam Carolla]

Yeah.

[Gina Grad]

Not let you out of the house.

[Anna Faris]

Yeah. That's gonna be, like, the best case scenario.

[Gina Grad]

That's gonna be the end of your story.

[Adam Carolla]

I have mine. Hit my kids for me.

[Brian Bishop]

Yeah.

[Adam Carolla]

It's awesome.

[Anna Faris]

Oh, I hope he's all right.

[Gina Grad]

It's crazy. Cause this assistant said, like, what's going on? Are you okay? And then the housekeeper screaming in the background, get out. Get out. And he said, are you okay? And Richard said, no, she's controlling my life.

[Adam Carolla]

David Spade had the assistant house, whatever. That was like trying to kill him and abduct him. That's right.

[Brian Bishop]

You gotta tase him.

[Adam Carolla]

Yeah. This is gonna happen more often than not.

[Anna Faris]

Oh, my God.

[Adam Carolla]

Actually, I was thinking about Richard Simmons as you're bringing up. And I was thinking, like, you love Richard Simmons because. So I was thinking like, he is the gay Donald Trump. Their hair's the same color at this point. But what I'm saying is people love Richard Simmons because he just tells you everything you wanna hear and makes you feel great. Like it's so great, like the energy. So you know what I mean? And this is great. We're gonna do this together and I'm gonna call you and encourage you and whatever. And Trump is like the negative version of that, which is we're gonna fix this deficit with China, we're not gonna get our asses handed to us anymore. We're gonna put up this wall in Mexico, we're gonna get them to build that saying, I'm gonna. If your son's gay, he'll be straight when I'm done. And he'll apologize for ever sucking dick. Like he's this negative version. But he's out there telling, rallying. Everybody sits around and goes, I want to hear what I want to hear. Like we previously discussed.

[Brian Bishop]

That's the earbud. Yeah.

[Adam Carolla]

Well, Obama's first term is just hope and change, hope and change, hope. And everyone bought into it. Like, okay, change, hope, hope, change. It was just, you know, standard. It turned into whatever it always is, which is, he's there and you're here and you gotta get your shit together. But everyone buys into that. And I think Trump, I think, you know, Richard Simmons made his. He made it based on being really telling people what they wanted to hear, making them feel, feel like in. Other workout gurus would tell you stuff you don't want to hear. You know, like, what do you take it? What do you eat? What do you eat? Fat.

[Anna Faris]

Let's work, let's work.

[Adam Carolla]

I don't want to hear that. I love pasta. I like to take pasta. This one called pasta and beer, where I just use. Instead of ramen, I use pasta. And instead of boil it up instead of the water, I use beer. And they're like, no, you can't do that. Don't do that. Yeah, just don't do that. And I feel like he let people be who they were. 500 pound women were beautiful. You're beautiful. Of course you're gay. The bigger the better with the women. We don't care. You don't have a dog, you don't have a hog in this fight. Pardon the.

[Anna Faris]

But he was, you're right, he was so buoyant, so overtly like, buoyant that you couldn't help but. And committed to the buoyancy that you. After a while, it's like, maybe this isn't a shtick. This is like, he kind of has that.

[Gina Grad]

This is for sure part of his personality.

[Anna Faris]

And so then that became, like, that kind of what seemed ingenuine became genuine. And then. And so you started to be like, this is kind of. He's quirky, but he's awesome.

[Gina Grad]

And during the last presidential election. Cause you'd sit on the floor and he'd give a little speech afterwards, and it was about being the president of your hopes and dreams.

[Adam Carolla]

Oh, really? He folded this presidential thing in the last time you were.

[Gina Grad]

Oh, yeah, I was there.

[Adam Carolla]

And he yells at you and said, oh.

[Gina Grad]

And he wears a mask, and he has Swarovski crystal costumes.

[Adam Carolla]

You sit on the floor at the end, so you're just staring at his nutsack. Because if he has the shorts pulled up to his underarms, and I don't know if he's wearing underpants or not, but I feel like if you're sitting on the floor and he's standing above you, it's all leg warmer. Nutsack. Right.

[Gina Grad]

He would wear a leotard sometimes.

[Adam Carolla]

Oh, okay.

[Gina Grad]

Keep everything in. If you stare at the floor while you're working out, he'll scream at you. Don't look down. There's no cookies down there. Oh, yeah. You get real sassy.

[Adam Carolla]

So he gave you a sort of presidential speech.

[Gina Grad]

Oh, yeah. He would give these speeches, and he'd always cry in them. He was very, very emotional during the night.

[Adam Carolla]

So while where he's doing this side and Trump's doing the angry. But it's essentially just feeding people what they want or think.

[Anna Faris]

Adam, are you a betting man?

[Adam Carolla]

I can. Yeah. Oh, yeah. I just lost $5,000 on the super bowl, so. Yeah.

[Anna Faris]

Oh, okay. So wondering what I could bet with you to get you into a leotard if you lost.

[Adam Carolla]

I like those kind of bets.

[Anna Faris]

You do. Would you wear a leotard? And would you, like, podcast live with camera?

[Adam Carolla]

Yes, I would.

[Anna Faris]

If you love.

[Adam Carolla]

And I'll tell you why. I'll tell you why.

[Anna Faris]

Because you want your nuts close to your body.

[Adam Carolla]

No, I think it's good to have. I always said you want to get. Speaking of, Richard, if you want to get people in shape, like, if you really want to get people in shape, instead of casual Friday at the workplace should be go to work in your underpants Friday. Because when you're sitting around on Wednesday and you're reaching for a donut, you'd go, I got to be my underpants in two days. All day. Like, it keeps you in line, I'm sure. You seem to have a pretty good natural metabolism going for you, Ana, But I'm sure your husband, when he knows they're gonna start shooting raiders, the Lost Ark, and he's starring in it and it's coming up in six weeks, he's got a thing where I should put the donut down and probably go out and do some push ups. Right. So these kinds of little things keep you in line essentially.

[Anna Faris]

So can we think of a bet? We don't have to do it right now, but can we think of a bet? I don't know what you would bet me, but I know that if you lost, I want you in not just like a leotard, but sort of a unitard.

[Gina Grad]

Oh, wow.

[Anna Faris]

Okay.

[Brian Bishop]

You can bet on who's gonna be president, you can bet on.

[Anna Faris]

And I kind of want you in front of the boost since he's in a minor.

[Adam Carolla]

Well, I'm gonna be at your house, am I not?

[Anna Faris]

All right. All right, then I will set up a special March Madness coming up.

[Brian Bishop]

Oh, yeah, who's gonna be the Republican nominee?

[Gina Grad]

Throw in the unicycle. Oh, he'll buy the unicycle in his unitard.

[Adam Carolla]

Yeah. Ooh, that sounds a lot of unis. All right, I'll tell you what.

[Anna Faris]

Four kids in the Corolla family.

[Adam Carolla]

We'll figure something out. Okay, I. I'm game. All right, I'm game. But you know, it's a two way street.

[Anna Faris]

Yeah. Listen, you tap into any kind of vulnerability you see in me because, you know, it's tough too.

[Adam Carolla]

Well, it's gonna be. It's gonna be hard. We'll figure out something.

[Brian Bishop]

We'll figure something out.

[Adam Carolla]

All right, where were we?

[Gina Grad]

Well, Jimmy Johnson explained Saturday how the steering wheel coming loose from the column during his qualifying run at Phoenix International Raceway caused him to crash in turn one. According to Yahoo News, Johnson's car entered the corner perfectly fine and then shot straight to the wall. The impact demolish side of the car, but he was uninjured. Here's a clip.

[Adam Carolla]

Trouble for the 48 right front. I think, I think you're right. Big hit, red flag. Man just shot right. He thought he blew his right front tire. That's what people thought.

[Gina Grad]

Well, yeah, he said the issue is on him. And he said he would take further precautions beginning immediately to make sure the steering column is locked in place when he leaves the pin pit road to make sure something like this doesn't happen again. Is that an issue?

[Adam Carolla]

Yeah, it's not the column. It's that all race cars, I can find you a picture or something. But every race car, not everyone, but every modern one and most everyone that I have, you do a release where you push down on the back of the wheel, the hub, and it pops off, and then you push it back on and pop it on. I've done this while driving the race car, not during the race, but on the way going out to the track when I realized the wheel got popped on in the wrong position. And I'll pop it off, turn it, and pop it back on.

[Gina Grad]

But what's the point of being able to take it off?

[Adam Carolla]

The wheel in a race car must be removable because you can't get in and out of the race car with the wheel in place. The confines are the. That tight and the seats are such a way that if there was a fire in the race car or some reason that you needed to escape in a very quick way, you'd need to get rid of that steering wheel. Most people, you'll see, if you see any, you go to a vintage race or whatever. The steering wheels, guys sit them on the dashboard and then when they get into the car, they pull, pull this. It's sort of a spring activated sort of sleeve back. And then pop it on to this bung that's on the. That's on the thing. Do you have me popping my steering wheel off? All right, you can go to AdamKroll.com and see my steering wheel's all out of keister. Oh, yeah. It's all out of whatever they're like.

[Gina Grad]

At 11 and 3, right?

[Adam Carolla]

All right. So you will watch me reach in, release this thing, and I'll reach in. No, no. This warm up lap, okay. I snapped it back into place and now it's across. It's not recommended, but I didn't want to drive the whole race with the steering wheel looking like the peace sign, right. Adam and I, you saw me, right, when Gary took off it, you saw me grab the wheel with two hands. I was probably shaking it a little bit. So what you should always do is snap it on and then shake it, like, try to pull it off to make sure it's got a positive catch. Here's what I would say. It's like if you put a belt on, if you just do it kind of fast and you don't look down, and sometimes both the little prongs don't go through the whatever. It's kind of a look down, make sure it's all positive, and then make sure you got it where you want it?

[Gina Grad]

So this was his fault.

[Adam Carolla]

He didn't. What he's saying, I think, is I snapped the wheel on, but I didn't check it. I didn't pop it up and down three times, literally. Try to pull it off, like, snap it, make sure it makes the positive snap, and then attempt.

[Brian Bishop]

Give it a little test, pull it off.

[Anna Faris]

Adam, will you tell me briefly, like, at night, being completely naive, what are the physical demands of being a race car driver? Because I don't. I really don't know. I like. I watch nascar. You know what I mean? Like, and I see. I truly have no idea what it takes to be a race car driver.

[Adam Carolla]

I think it's a mental demand thing. It's like a. It's a thing. It's funny, I was just looking at some. Some lap times, because I'm going to do that Toyota Celebrity Pro grand prix, whatever, their 40th anniversary, whatever, in my unit, my fireproof unitard. Here's the thing, here's what it takes, just as an example of a layman's example, but the Toyota Grand Prix, you can figure this out. Gary probably has 11 or 12 turns and the track is 1.97. It's like two miles long. And you get a. It's a really twisty tourney through the streets of Long beach with these cement barriers on each side. And if you do. If I do a good lap, it's 1 minute, 44 seconds and 6 tenths of a second, then it keeps going after that. If the next lap is a second slower, I'm way off. I'm doing something way wrong. Even though the whole thing is two miles and it's about getting close to two minutes, just one second off is like, bleh. You screwed up badly on your next lap and you shall pay dearly for it. Because whoever you thought you were hanging with, if you fell off one second on one lap, if you fall off a half second on all 10 laps, what is it? It's consistency. It's like this crazy muscle memory, concentration. 11 turns, 1.9, and you can't drop a second every turn.

[Anna Faris]

Are your biceps like.

[Giovanni]

No.

[Adam Carolla]

You need no strength. You need no strength at all.

[Gina Grad]

Hyper focus.

[Adam Carolla]

You just have to break in the exact same spot at the end of Shoreline Drive and drop it in the exact right gear and then make the turn exactly the same way every single lap, totally consistently, otherwise you won't even catch.

[Anna Faris]

Has to be completely on. Like, you just have to be in total sync with your car.

[Adam Carolla]

I guess every. Yeah, every lap Needs to be exactly the same. The line that you take, you don't go down the middle of the racetrack. You go in and apex the corners, run over the rumble strips, and then go all the way out to the. All the way out to the cement barrier on one side, and then you drift all the way back and do the thing. And it's like every single one has. All the great guys are doing super consistent times and then fast times, but everything's the same. So being able to do that, these guys aren't stronger than regular guys, but for two hours or three hours or five hours, they can literally just sit there without ever really blinking and turn lap times that are within a tenth of a second from the first one to the 55th lap, if you like.

[Anna Faris]

Could you do that for five hours?

[Adam Carolla]

No, I couldn't.

[Anna Faris]

What if you were listening to your own podcast?

[Adam Carolla]

Oh, that's drowned out over those big hot rod engines. But I think the ability to concentrate for super prolonged periods of time and the ability to. Those guys sit with one car eight inches in front of them, one car eight inches behind, behind him, and a car to the right and a car to their left at 186 miles an hour, and they're. They're completely unfazed by what's going on. They're seeing the car to the right, to their left, and they're also seeing in the mirror who's behind them. Without letting that. I mean, I could never.

[Anna Faris]

I could never. I can't even imagine. And it's my job to imagine, and I can't imagine.

[Adam Carolla]

I was.

[Brian Bishop]

You're a professional imagineer.

[Adam Carolla]

When I won the first time, I was blocking the guy behind me for like the last three laps. I was just watching him in my mirror and not letting him. I was looking down the road with one eye and watching this guy in my rearview mirror who hit me at some point. He didn't. I don't think he really meant it, but either way, I think the. I think not the physical skill, but the mental skill of not being flapped. That's. That's the thing where's. I think. Yeah, it's being able to just tune everything out and just consistently do what you do. I think it's a mental thing. Do you have.

[Gina Grad]

Do you always have someone in your ear?

[Adam Carolla]

No.

[Gina Grad]

Do you ever have someone in your ear?

[Adam Carolla]

I don't. Sometimes people do. They're not at the Grand Prix. They don't. They don't do that there. But some of the vintage guys have somebody, but you do you think you'd.

[Gina Grad]

Find that to be a distraction?

[Adam Carolla]

No, they're telling you pertinent stuff. It wouldn't hurt.

[Gina Grad]

You're looking good. Weather's nice.

[Brian Bishop]

Yeah.

[Adam Carolla]

Yeah.

[Anna Faris]

Beautiful day for us. I put my lines in my ear. That'd be awesome.

[Adam Carolla]

That would be cool. Yes, I agree with that. Also, speaking of cars. TrueCar, baby. Mmm. Love these guys. TrueCar mobile app. You gotta love the TrueCar mobile app. Five minutes. It lets you build the car you want, then it tells you what others in your neighborhood have paid for that car. Guarantees savings, usually over 3,000 bucks off of MSRP. Get the app, get your weekends back, build your car. Don't get taken to the cleaners. Show up and get the car you want. Lock in your savings, and no more haggling, no more hassle. And, you know, look, I don't think anyone wants a free car. We just want to pay the going rate.

[Brian Bishop]

What's the best? We want to find out We've been overcharged in the end, right?

[Adam Carolla]

Save time, save money, never overpay. Download the TrueCar app today. All right. Let's do one more, shall we?

[Gina Grad]

All right. Well, this wouldn't be the one I would normally end on, but many people were hoping we would bring this up. So the rock world has lost another legend. Keyboard great Keith Emerson of Emerson, Lake, and Palmer died Thursday night at his home in Santa Monica. He was 71. Drummer Carl Palmer, his former bandmate, says, quote, keith was a gentle soul who. Whose love for music and passion for his performance as a keyboard player will remain unmatched for many years to come. He was a pioneer and an innovator whose musical genius touched all of us in the world. World of rock, classical, and jazz. Now, citing law enforcement sources, TMZ reports that Emerson died of a single gunshot with a strong suspicion of suicide. The site adds that Emerson was suffering from a nerve disease in one hand and was depressed about his decreasing ability to play music.

[Adam Carolla]

ELP is a great band. I hope they're in the Rock and Roll hall of Fame. We have to check it out, I would bet. But also, if you want to see, like, you know, know, Emerson, Lake, and Palmer, come and see the show. Somebody can find that. Dawson, you probably. That's called Carneval 9. Carnevil number 9 or 9? Yeah. Yeah. Oh, that's. Yeah, Come and see the show. Yeah, That's CarnEvil number nine. And then there's, like, brain salad surgery and. Oh, lucky man, right? If people want to know, you'll know the song when you. When you hear the song.

[Gina Grad]

They were great live. They used to come to Kansas a lot and do lucky live festivals.

[Adam Carolla]

They are what I. What I like. No hall of Fame. I think the best one was in the beginning. In the beginning. I'm still going with Carneval number nine for. For my rock and roll hall of fame. Exhibit A. The thing is, is these. The reason these English guys are so good is because they all were classically trained. And then they took their classical training to rock and roll and it was awesome. What we over here got, you know, Third eye blind. She got good looking dudes who want to get laid. This is lucky man. So you probably.

[Brian Bishop]

I think this might be the.

[Adam Carolla]

Yeah, when they. When they get in the. When they get into the chorus, you'll know what it was.

[Giovanni]

Talk about a lucky man.

[Adam Carolla]

The white horses and ladies by the score.

[Giovanni]

That's in groups of 20, man.

[Adam Carolla]

Here it is. What a lucky man. He was. All right. Find me some Carneval number, which is a funny song's funny actually. We're so glad you could attend. Come inside, come inside there behind the glass there's a real blade of grass. Be careful as you pass.

[Anna Faris]

Move along, move along.

[Adam Carolla]

Know this song?

[Brian Bishop]

Yeah, the opening is pretty recognized.

[Adam Carolla]

Yeah. The full title is actually Carnival 9 First Impression Part 2.

[Brian Bishop]

Is this part of like a concept album or something? It's like part of a larger narrative.

[Adam Carolla]

This is Brain Salad Surgery, the name of the album. There's a great line about a. A gal and the donkey in this. Oh, oh, listen to the song.

[Gina Grad]

I feel like this is the most popular song, the most recognizable.

[Adam Carolla]

No, I like it and I'm with you. But I think the other one's more recognizable.

[Anna Faris]

Adam, if you could play an instrument, what would it be?

[Adam Carolla]

I'd have to say I'd go with the guitar. Just be out there.

[Gina Grad]

Acoustic or electric.

[Adam Carolla]

That's the. I would go back and forth.

[Anna Faris]

Would you go bass?

[Adam Carolla]

I would do. No, I'd go. I'd go leave guitar. And I would swap it up all the time. Even. Even the middle of songs. I'd have my text come out. Just give me new. You know, that's the mark of a guy's a great guitar player. He has to keep swapping guitars back and forth. And then I would do the move with the bass player where we backed into each other. Just sort of back to back, this mid riff, you know, just cranking on it. And then I'd lean over and say something to him. And then he would walk away just shaking his head, laughing while he was jamming. And it would be our rock and roll secret. And we do that twice a show. And I would tell him, I'm not going to say anything.

[Anna Faris]

I'm just going to.

[Brian Bishop]

Chance of mine. Yeah.

[Adam Carolla]

I'm just gonna. I'm gonna lean in the middle of the song. I'm. We're gonna back up into each other, say something, and you just walk away shaking your head. Jamming the whole time. People are gonna go, wow, that's the coolest job ever.

[Anna Faris]

Do you have a good band name in the. Ready?

[Adam Carolla]

Yeah. Narthex. Ooh. Wow.

[Brian Bishop]

It translates across multiple languages and cultures, too.

[Adam Carolla]

Yeah.

[Brian Bishop]

Everyone knows it has whatever.

[Gina Grad]

Whatever meaning you assign it.

[Adam Carolla]

All right, do we have only or a little. I want to hear the part with the virgins in the boy. Oh, my God. Loading it up right now.

[Anna Faris]

I see a grin on your faces. The biggest smile you've had had all episode.

[Adam Carolla]

Adam. It's good.

[Anna Faris]

You're just thinking about a girl and a donkey, and it is sick.

[Adam Carolla]

There it is. The show's about to stop. Guarantee to blow your head up. How can they not be in the hall of fame? They're screaming rock and roll.

[Brian Bishop]

That's surprising to me, actually.

[Adam Carolla]

These guys are progressing.

[Anna Faris]

Wait, where's the D card? Did I miss it?

[Adam Carolla]

Oh, it's coming first, this jam. These are guys who can play. Yeah. Lou Reeds in there. And these guys are little Read. I don't think you could play a hand of 21. Forget about any instrument. I really. I don't think you play. Marjon certainly can't sing. I don't know what he even does. Listen to this. That's Keith Emerson. These guys are great players. Look at a good drummer, too.

[Anna Faris]

It's cool that they give each themselves.

[Adam Carolla]

A platform because they can do it. We're getting to the donkey. See, kids can't pull this off anymore because they don't have to.

[Brian Bishop]

You want to know how to track my male listeners? Extended keyboard jams.

[Adam Carolla]

Here comes the donkey or the mule.

[Anna Faris]

Can I steal you.

[Adam Carolla]

Adam?

[Anna Faris]

Do you mind if I steal everybody from your podcast? You're going to have to track. The money will come.

[Adam Carolla]

Stone jam. All right. Now the mule.

[Brian Bishop]

Win all. The death is.

[Adam Carolla]

Forming on Squirrel San. Virgins no more. Wait, What?

[Anna Faris]

Wait, what was the lyric?

[Gina Grad]

Seven virgins and a mule forming on a stool.

[Adam Carolla]

A sight that'll make you drool. Seven virgins and a mule. Keep it cool.

[Anna Faris]

I don't know. Between dogs.

[Adam Carolla]

Gone. I want him to babysit my twins this weekend, but gone too soon. All right. So he couldn't play anymore. And maybe he got depressed. But I'd get depressed if I couldn't play like that anymore.

[Gina Grad]

That's when you truly know what you're on this earth to do.

[Adam Carolla]

Yeah. Elp put him in the Rock and.

[Brian Bishop]

Roll hall of fame based on the fact they were.

[Anna Faris]

I want to be think of when.

[Brian Bishop]

We think of rock and stuff.

[Anna Faris]

Why don't I have more awards?

[Adam Carolla]

You should have more awards.

[Anna Faris]

Why do we all have more awards?

[Adam Carolla]

Where are your husband's got all those trophies hanging in the deck.

[Anna Faris]

Where's that? Let's start the.

[Gina Grad]

Well, you might be up for an ACE award this year.

[Anna Faris]

We'll see.

[Adam Carolla]

Oh, I don't even know what that is. That is the best. We have a lot of categories at the end of the year. Best guess you could be up there.

[Anna Faris]

Oh really?

[Gina Grad]

You could be in the house depending.

[Adam Carolla]

On how that video in the bathroom came out. Pick a sprite.

[Anna Faris]

It was a strong stream. I told you. Strong stream. Strong, strong stream.

[Adam Carolla]

We do a smaller version of that.

[Giovanni]

On podcast One's premium offering. Adam's best, the weekly ACE Awards. You'll definitely be making.

[Adam Carolla]

Oh, you'll be making that all right.

[Anna Faris]

The weekly.

[Brian Bishop]

Well, the week's early, folks.

[Anna Faris]

You guys, let's.

[Adam Carolla]

Let's bring it home. Gina Grad.

[Gina Grad]

You got it. I'm Gina Grad. And that's the news.

[Anna Faris]

Whatever you're doing such a. Gina.

[Adam Carolla]

Gina.

[Giovanni]

That was the news with Gina Grad, Texas.

[Adam Carolla]

Texture. All the magazines you want, super convenient and it's in one place on your phones, on your tablet. Texture. It's an app. Gives you the world's most popular magazines anytime, anywhere. Do it on your smartphone, do it on your tablet. Breeze through hundreds of magazines, back issues as well. Road and track. And for me, I like motor trend car, stuff like that. But everything hunters outdoors. Whatever. Whatever you like, it's on texture. And you don't have to drag the super heavy mat magazines, inexpensive magazines around. You buy a magazine at the airport, it's like $11. Yeah, don't do it right now. Texture is offering my listeners a free trial. Go to Texture T E X. You get it. Texture.com and Adam, you get immediate access to all the top magazines, including back issues and bonus video content. All that. Try Texture free right now. Texture.com Adam. Adam, try it for free.

[Gina Grad]

Yes, we have some breaking news, Adam. Anna is. Oh, well, she was two mangrias deep into the show and she's been easy.

[Adam Carolla]

On that last pour. She's got a. I don't.

[Anna Faris]

I Brought my sleeping bag.

[Adam Carolla]

Oh, you're sleeping over.

[Anna Faris]

Yep. I'm just here. I'm here with you guys. To an permanent object just like that stone head out there. We were trying to figure out what the hell that was.

[Adam Carolla]

That was. That was Clint Eastwood. A husky Clint Eastwood cement head.

[Anna Faris]

That, of course, for your listeners. Do they know about the head out?

[Adam Carolla]

I've never talked about it. I bought a house up in Beechwood Canyon a million years ago.

[Giovanni]

We talked about this on Ace on the house.

[Adam Carolla]

And it showed up and I left it behind when I sold the house. And Ray went and got it for me, but he never really explained how he did it or why he did it or anything. I kept explaining how did he get it or why did he get it.

[Giovanni]

But I got it for you.

[Adam Carolla]

I kept saying, I got. You know when you're like kind of getting at something with somebody and you go, whatever. It's like, where'd you get those shoes? Or what's the story behind that? Or what's. How do we do. They go, hey, I'm wearing them, aren't I? Like, they're not. Anthony answering. They're not addressing what your.

[Anna Faris]

Wait, Adam.

[Adam Carolla]

Question is.

[Anna Faris]

Let's back it up. When have you ever asked a question?

[Adam Carolla]

What? Wow.

[Brian Bishop]

Ace of War.

[Adam Carolla]

That's a mangria.

[Anna Faris]

I'm a mangrove.

[Adam Carolla]

When I went to your house, I asked if Chris was a medium or massive fan of mine. That's a question.

[Brian Bishop]

That's a question.

[Adam Carolla]

Let's go out on a happy, insulting.

[Anna Faris]

I know I'm drinking. I'm sorry.

[Adam Carolla]

That's all right.

[Anna Faris]

I'm sorry, you guys.

[Adam Carolla]

Our night is young. Anna Faris is unqualified. And that is Tuesdays on itunes. All the good guests and a really fun show to listen to and be a part of as well.

[Anna Faris]

Thank you.

[Adam Carolla]

Also, of course, mom. On Thursdays, 9:00, CBS doing very nicely. And Allison Janney's really fun in that as well. And she's just funny in general. We will keep you. Let's see. Website. Anna Farris. Unqualified.com is where you go for all of that. All the news, all the stuff. Come on, male listeners. Check that show out. I'm telling you, everybody, everybody listened to it, tweeted me how much they loved it.

[Anna Faris]

Raunchier than you think. And hey, Adam, thank you so much.

[Adam Carolla]

Loving you. Thank you.

[Anna Faris]

We, I, I will. Would love to annoy you more.

[Adam Carolla]

You can. You shall.

[Anna Faris]

I hope. I hope I can.

[Adam Carolla]

It's done and done us.

[Gina Grad]

Play it cool. Play it cool. So you can be best friends.

[Adam Carolla]

Live shows everywhere. If you, if you like, go to Adam Corolla.com and the shirt's going to end tomorrow. The limited edition shirt's going to end tomorrow at midnight, so get going at that.

[Anna Faris]

I want one.

[Adam Carolla]

And the coffee mug. Don't. Do your best, do my best. Sound like hotcakes. Adamcroll.com until next time. Time. Adam Carolla for Anna Faris. Gina Grand Ball Bryant. Say it.

[Anna Faris]

Thank you guys.

[Adam Carolla]

Mahalo.

[Anna Faris]

You're my fantasy. You're huge.

[Giovanni]

All right, that's Adam K Show 1777. Come up next, we have Adam Carla Show 1457. Joe Rogan, Cassius Morris, Allison Rosen and Brian Bishop from 2014. Check it out.

[Adam Carolla]

Hey, it's Adam Caroll from the Adam Carolla show. Bet online is the world's most trusted betting platform and your number one source for online betting from the earliest odds to in game live betting. BetOnline provides you with all the action and the ability to watch and bet on games as they happen with the largest selection of odds on everything from football, NBA, college basketball as well. BetOnline has NHL, MMA and championship boxing. All your betting needs in one place. Head to betonline today to get in on the action with America's most trusted site for online wagering. So have some fun. Make these games and these events and these combat sports a little more interesting with Betonline. Betonline. The game starts here. Good day. Allison Rose.

[Cassius Morris]

Hello, Adam.

[Adam Carolla]

Carolla Baldbrine.

[Cassius Morris]

Chubby girls are always down to fuck.

[Brian Bishop]

IKid9 Mark wanted that with the hashtag top drop and even said thank you. So thank you, Mark.

[Adam Carolla]

Oh boy. So where do we had a funny exchange with Matt the porcelain punisher Fonda Lear a few moments ago, who's very much usually on top of his game.

[Brian Bishop]

But his game being the toilet.

[Adam Carolla]

Shitting. Yeah. Toilet seat.

[Brian Bishop]

Physically on top of him.

[Adam Carolla]

Yes. Game. That's right. He's on top of his game. So I watched that Whitney Houston biography and the sort of coroner autopsy. The autopsy and the coroner's report. There's a couple things you forget from the story. The Clive Davis big pre Grammy party that they have took place at the same hotel, hotel Whitney Houston passed away in. And you go, well, Whitney Houston passed away in the bathroom at 3:34 in the afternoon. The party she was going to be the toast of. Now all the dignitaries and socialites and celebrities and singers and everyone, everyone is showing up to the same hotel which is now getting extra weird. And now for the gallop of weird topping on top of the weirdo sundae, her body still above the party.

[Cassius Morris]

Yeah, I would never want to eat that. Sunday.

[Adam Carolla]

Not being able to move it because the coroner had to get in and do a bunch of preliminary shit. I think we figured out from fucking up the OJ Case that leave the girl alone.

[Brian Bishop]

Right.

[Adam Carolla]

Let's get everything handled and then we'll move her.

[Brian Bishop]

Because the cops are there to frame black people. Yeah, same way you learned from the OJ Trial.

[Adam Carolla]

They tried to pin it on Whitney Houston.

[Brian Bishop]

Oh, shit.

[Adam Carolla]

Originally ironic. Yeah. I'd say more about it, but the case is still pending, clearly wrapped up. So here it is, you know, 8:00 at night, you're showing up to the big party, and Whitney Houston is 40ft above you, dead, and you're gonna dance the night away. They didn't pull her out of there until like 4am so everybody who went to the party just sort of slid in under her corpse and then, huh? Then slid back out, you know. Bizarre. Okay, now it keeps going. I got so much to say about this because there's a whole new wrinkle in this story, Gary, your parents went to that party.

[Giovanni]

That's correct.

[Adam Carolla]

How did that work?

[Giovanni]

They basically, the news broke long before they left for the party and a decision kind of came down and everyone was sort of alert that this was happening and that they weren't gonna extricate her until after the party. They were just gonna leave her up there.

[Cassius Morris]

Is that what you meant? Or did you mean why were your parents at the party? And I'm sorry for this phlegm monster in my throat. Excuse me.

[Adam Carolla]

Why? Yeah, no, why?

[Giovanni]

Sorry, my parents. It's a Grammy party and my dad does some work with the Grammys.

[Adam Carolla]

Golf pro to the Grammys. He teaches them how to follow through. Yeah, and it works on their short game. So your dad was at the party where Whitney was dead above her, and you're saying that people knew Whitney wasn't going anywhere?

[Giovanni]

Yeah, the words apparently was disseminated to them through. I don't know if it went to everyone at the party, but they were told in advance before they got there that that was how it was gonna go.

[Adam Carolla]

I wonder how many people got really drunk at that party and just went, look, somebody go get Whitney and bring her down.

[Brian Bishop]

Hopefully no one.

[Adam Carolla]

She needs to be at this party. Party. This party was thrown in her honor and we need her here.

[Brian Bishop]

She's a legend.

[Adam Carolla]

Yeah. Now, look, I'm not saying a whole set, maybe a couple of songs.

[Brian Bishop]

Show some goddamn respect.

[Adam Carolla]

This woman's got such pipes. She's o pipes. Okay. All right. Such a. An amazing voice. Yeah, yeah, yeah, yeah.

[Brian Bishop]

Deep. I know I can't say deep.

[Adam Carolla]

Yeah. The.

[Cassius Morris]

The point is also can't say shallow.

[Adam Carolla]

Yeah. So I am, by the way, let it be known that if I ever drown, I would like to do it in 200,000 leagues of water and not 8 inches. I don't want people shaking their head going, jesus, four inches at the bottom of the bathtub. That's what took him out. You know what I mean?

[Brian Bishop]

He turned his head, send me to.

[Adam Carolla]

The fucking deep end of Davy Jones locker. Nobody wants the. You know, she drowned in what is basically a half a shoe length of water in the tub.

[Brian Bishop]

It's a more dignified.

[Cassius Morris]

It's a backed up drain in the shower.

[Adam Carolla]

Yeah. What I want is went to the Marianas Trench tied, threw a bowling ball in his underpants and he fell off the back of the carrier.

[Brian Bishop]

That's what you want?

[Adam Carolla]

That's what I want.

[Brian Bishop]

What he was doing with the bowling ball in his pants, no one will know.

[Adam Carolla]

All right, so we're talking about the Whitney Houston thing. And I was saying the guy, the drug dealer they interviewed for the autopsy show was talking about how he sold her the stuff and how he got her the stuff and how cavalier he was about it.

[Cassius Morris]

He was such a. Are we gonna talk to him?

[Adam Carolla]

Go ahead.

[Cassius Morris]

He was such a snot nosed shithead.

[Adam Carolla]

Yes.

[Cassius Morris]

He was so insensitive.

[Brian Bishop]

He was unlikable for a drug dealer.

[Adam Carolla]

He give drug dealers a bad name. We have the audio about him discussing how he gave her the drugs. And by the way, in the autopsy show goes on to basically say to that Whitney wasn't really drunk when she fell in the bathtub and she didn't hit her head and wasn't concussed, but there was cocaine found in the bathroom that she was in. So it sort of seems like she did the blow right before she fell over. And then the drug dealer said, had this to say about her.

[Mike]

She looked a lot older than I would think. You know, she looked like she'd been.

[Adam Carolla]

Rode hard, put away wet type of thing. You know, been through a lot, but no more than any other semi washed.

[Giovanni]

Up Hollywood chick ever.

[Cassius Morris]

He's like Internet troll crossed with drug dealer.

[Adam Carolla]

Right. And finishes his sentence with whatever. Now, he then reached out to us.

[Brian Bishop]

Oh, Rush with fame.

[Adam Carolla]

And he said that, you know what? I'm not really a drug dealer dealer. I was just playing one on TV as an actor. They gave me a few hundred bucks Some tabloid out of England said they wanted to film this. And I just sort of said whatever I wanted to say as a reenactment. He sort of finished that with whatever. And I said, I think we got the right guy here. But I said, I don't know if this is the right guy. Maybe he's just a guy who's riding in and fucking around. You know, he's going to yell bubba booie. So I said to Matt, the Porcelain Punisher Fondelier, have him send a picture of himself over, because I know what this guy looks like because I saw the documentary. And then here's where Matt did what I'd like to train everyone in my world to do. Not on the positive end or the negative, but you'll see where it goes. I did that a day and a half ago, maybe two days ago. And I just said to him in the back, I said, we ever hear anything from that guy? Because I figured, yeah, we scared him away when we said, send a picture of yourself. We ever hear anything from that guy? When he asked to send the picture in, the drug dealer for Whitney Houston. And then Matt went, oh, yeah, he sent a picture in. And I said, he did.

[Cassius Morris]

Did you specify that you wanted to see it when you initially asked?

[Adam Carolla]

I think it was implied. I said, he sent a picture in and you didn't say anything. And he was like, well, he sent it in this morning. And I said, well, we sat together this morning in the back. You didn't say anything. He sent you the picture. And then he did what?

[Brian Bishop]

I love today's newspaper.

[Adam Carolla]

Matt the Porcelain Punisher. Yeah. He said, well, but you gotta understand that. And then he just stopped and hung his head. And I said, good, we don't have to go. We don't have to go around. There's no reason to go around again. Again.

[Cassius Morris]

Adam loves defeat.

[Adam Carolla]

Well, there's not really a good reason. When I said, get this guy to send in a picture, and he sent in a picture. And then later on, I brought it up a few days later going, where's this guy? Did the guy ever get back to you? Oh, yeah, he did, but I just didn't say anything when all we do is go through emails all day. And Matt understood there wasn't a good response to that. And he just stopped. And I said, fine, move. Moving on. Yeah, that's how it is. I didn't keep piling on. He stopped, hung his head and said, I'm gonna go in the bathroom and think about this one.

[Brian Bishop]

Matt had an out, too. His out was I want him to send a picture with today's newspaper or something of that nature. So I know that he's not just sending a picture of that actor, but I guess that's a little elaborate.

[Adam Carolla]

He's online too, Brian.

[Mike]

Yes.

[Adam Carolla]

So Brian not only sent a picture in, but he sent a picture of himself holding a bottle of Mangria that I autographed.

[Brian Bishop]

Ok, go.

[Adam Carolla]

There you go.

[Brian Bishop]

And that's him from the. From the thing you saw.

[Adam Carolla]

Well, that's the guy when he. When he also sent a picture that was in the pose and wearing the clothing that he was wearing when he was doing the interview, which suggested to me that he understood what we were looking for.

[Brian Bishop]

And at a certain point, if it is fake, points for the elaborate ruse, like, you went to such lengths that.

[Giovanni]

You know what?

[Brian Bishop]

I'm okay with that.

[Adam Carolla]

So, Brian, how did this whole thing come about out for you?

[Mike]

It's kind of weird. Like, so I knew a lady who's like a producer for Playboy TV when I lived down here in San Diego, and then I moved up to la, and she was like. She's like, oh, hey, would you want to do this. This video interview thing? It's where you play a drug dealer. And I was like, go on. And basically, basically, it's all whenever. Like, so the first one I did was for Charlie Sheen.

[Adam Carolla]

Oh, you've done more than.

[Brian Bishop]

This is part of a suite.

[Mike]

Oh, this is. This is like a whole. It's. It's really ridiculous. Like, so whenever any celebrity has, like, a drug thing. So I've been Charlie Sheen's drug dealer, Lindsay Lohan's drug dealer, Whitney Houston's drug dealer, Whitney Houston's limo driver. And, like, because I didn't. I didn't think about any of these interviews before.

[Adam Carolla]

Wait a minute. This goddamn documentary had a limo driver in it, too. Now, what am I to believe? Said he drove her to South Central to score crack.

[Mike]

Yeah, to score crack. That was me. I. I did a phone interview with Range, whoever, and.

[Adam Carolla]

Oh, my God, by the way, do you see how you should just never believe anything anymore?

[Brian Bishop]

Look, the. The recreations, the reenactments, tv.

[Cassius Morris]

Well, wait, did it say it was a reenactment?

[Adam Carolla]

No, it didn't say it was a reenactment. They were interviewing there. They. Exclusive interview they obtained with the. With their. With their drug dealer.

[Cassius Morris]

We talked about it. I said, wow, how did they get the drug dealer?

[Adam Carolla]

Right? 600 bucks is how they got him.

[Mike]

Like, yeah, the. Well, the Charlie sheen one was 600 bucks cash. The Whitney Houston in one. This was kind of the reason I. I emailed Matt, too. When I heard it is. I was like, wait, I never got paid for that.

[Adam Carolla]

Like, this is. This is an outrage.

[Brian Bishop]

You're giving a bad name to TV producers.

[Mike]

So I was like, well, that's kind of. I was like, they shouldn't be. I was like, they obviously sold it because I. Like, they said, oh, we didn't sell it. We didn't sell it. I was like, whatever, I don't care.

[Adam Carolla]

Right.

[Mike]

About the money part. And I was like. And then I find out they sold it. I was like, well, you guys made me con a bunch of people to say I'm a drug dealer and you didn't pay for it.

[Adam Carolla]

Well, right.

[Mike]

Let's fix that.

[Adam Carolla]

All right, hold on.

[Mike]

Yeah.

[Adam Carolla]

All right, first. First things first. Any pushback from your parents or community at large when they see you on one of these shows?

[Mike]

No. Because no one's ever seen them.

[Adam Carolla]

Mm. Like, they never tell. This podcast came around.

[Mike]

Yeah.

[Adam Carolla]

Okay. All right, so wait.

[Mike]

Well, I would say I told my dad about the first time I did it. He's like, that's probably a dumb move. You shouldn't do that again.

[Adam Carolla]

Yeah, but to be fair to you, it's not like you're going to be running for office in a few short years or it's going to come back to haunt you or something, right?

[Mike]

No, I've been. I've been naked on the Internet for a few years, so it's not like. Right, right.

[Cassius Morris]

Wait, doing what?

[Brian Bishop]

Don't bury the lead.

[Mike]

I'm a semi. Semi professional porn star.

[Cassius Morris]

I do.

[Mike]

I do. I do a lot of different stuff. I'm. I don't know. That's like. I've acted in porn.

[Giovanni]

Yeah, no, it's all you performed, Brian.

[Adam Carolla]

You're a jack off on all tits or something. However it works. Hey, I don't know if they do product placement in these porn movies, but could we work in a bottle of Mangria? I'm not saying fuck the chip with it.

[Brian Bishop]

Work in the bottle of Mangria.

[Adam Carolla]

Yeah. While it's open. But no, I'm saying could just have it on the nightstand or something. Or take a hit off it and go, man, this stuff makes me super hard.

[Brian Bishop]

Not in the mood yet.

[Adam Carolla]

Okay.

[Mike]

Oh, you got a lot of tattoos that happen.

[Adam Carolla]

All right, listen, Gary, do not show me any naked pictures of Brian. It's gonna freak me out. There's a idealistic image. I have him in my head right now. Is it drug dealer you don't want to sell anything. I don't want to spoil it. You know what I mean?

[Cassius Morris]

Who was the production company that did the Whitney Houston thing?

[Mike]

I couldn't even. I don't remember. It was like. I know it was in kind of west or. No, like West Hollywood.

[Adam Carolla]

They had.

[Cassius Morris]

If you don't remember, it's gonna be hard for you to get paid from that.

[Adam Carolla]

The coroner. The coroner said British accent. So it's like when. Who knows if they were the real accent. Right? But you tend to believe the guys with the British. You know when the guy, like the Dyson guy starts explaining to you about almost fucking anything, even just so you.

[Cassius Morris]

Think you can dance.

[Adam Carolla]

Yeah. If that Dyson guy came to me and said, right now, Adam, you have a bowling pin up your us, I'd be like, I do. How do we remove it? That's going to take some time. Wow. I couldn't even feel it. Like, I just. Whatever he said, I'm down with. And when the British guy, who's the coroner explains what happened to Whitney Houston, you're down. But when Brian, he had the sunglasses and the hoodie pulled over. That hoodie pulled over the ball cap.

[Brian Bishop]

You'd have Bomber esque.

[Adam Carolla]

You've done that. This. And have you seen the final outcome on like the Charlie Sheen one or the Lindsay Lohan one? And do they do the. This is a simulation, an actor portrayal or do they just do you as you like they did on Whitney Houston?

[Mike]

They just did. Straight up, like. Well, I don't think they're like, oh, they kind of know, but they don't know that I'm fake.

[Adam Carolla]

Well, where did you. How did you. Now you told a very elaborate story. The story was. Hold on a second. The way Whitney would get her cocaine is that Brian would take a pen, hollow it out, fill it up with cocaine, and then had a thing where he'd come up to her, say, oh, can I get an autograph? She. She would like pull out a pad with money tucked into it, sign it, hand it to him, and she'd keep the pen and he'd leave with the cash and the pad. That was how she was able to obtain drugs sort of in public at nightclubs and things like that. Who cooked up that story, Brian?

[Mike]

I did. Me and this other guy, Al. We thought of it. We thought it up. Like, I was like, how would I get cocaine to a really famous person?

[Adam Carolla]

Good Lord.

[Mike]

I'd probably do it like this.

[Adam Carolla]

Wow. Now everything's in question. It's insane when you guys See this thing? He's all over this documentary explaining how he did the coke, explaining the pen thing. They showed him dumping. They showed Whitney's doppelganger black simile, dumping the coke out of the pen and chopping it up. And the whole. And I remember thinking to myself, wonder how much coke a pen would hold? And that's. That's actually pretty smart. And it's like, I think. I think a Sharpie would work, but you couldn't go with a small. And, like, a mechanical pencil wouldn't be good. Like, I had to go through a whole process of, like, hollowing it out. And then what happens when you pull the cap off?

[Brian Bishop]

You gotta solder the ink things. When you got all over your coat.

[Adam Carolla]

I had a lot of thought about that pen and how much. And then when she.

[Cassius Morris]

And what if someone's like, hey, can I borrow your pen real fast? No, wait, take this pencil instead.

[Adam Carolla]

When Whitney's black simile was dumping the pen out onto the mirror, I was like, oh, it holds a fair amount of cocaine. Look at that.

[Cassius Morris]

Well, that's probably real.

[Adam Carolla]

Yeah. Although I'm sure it's baking soda. But it seemed pretty effective.

[Cassius Morris]

You know, it does seem smart. But remember, I. Sorry. Sorry to keep pointing out what I pointed out, but I also was like, that's so weird that she procured the drugs herself. Wasn't there something about how she. When they first got to town, would. Yes, you were just talking about it. Would drive to the worst part of town to score cracks, tell the limo driver. Was that all made up, too? Was that you and Al?

[Adam Carolla]

Well, Brian didn't play the limo. No, Brian, you didn't play the limo driver in this one.

[Mike]

I. Well, I did a phone interview and, like, what you're describing is exactly what I told them.

[Giovanni]

I.

[Mike]

Like I deserve a writing credit on this documentary.

[Adam Carolla]

Well, the Guild is going to be very upset. Please.

[Brian Bishop]

I'm calling it a documentary.

[Adam Carolla]

Well, I thought it was a documentary.

[Cassius Morris]

It was presented as one. Right. Not. Here's a fictional account of what might have happened in Whitney's last hours.

[Adam Carolla]

The guy had a British accent.

[Brian Bishop]

Say no more.

[Adam Carolla]

I know. Gary, you can find out the name of this thing and what network it was on and whatever. It was one of these things where everybody was on reels, by the way.

[Brian Bishop]

Reels Channel.

[Adam Carolla]

Not with a fucking A, that's for goddamn sure.

[Brian Bishop]

Not for reals.

[Adam Carolla]

Not for reals. Called Autopsy the Last Hours of Whitney Houston. And by the. If they did the last hours of a June Bug, like, I would be in you know what I mean? The last hours. I'm always into those last hours things, okay? Number one. Number two, everyone should be forced to drink from the goblet of their partner's TiVo every once in a while.

[Brian Bishop]

Meaning what?

[Adam Carolla]

Meaning I'll plop down on my bed, turn on the TV, and it'll be literally Lynette's TiVo that's on the TV. My shit's filled with a bunch of car shows and a bunch of sports shows, and it's the same show over and over. Old guy goes and buys car, tries to sell it and make five bucks, but when you watch someone else's shit, all of a sudden I'm watching the Whitney Houston Oscar.

[Brian Bishop]

It's a whole new world.

[Cassius Morris]

Are you trying to blame this on Lynette?

[Adam Carolla]

I'm saying if she wasn't born. No, what I'm saying is you should. Should go check out other people's shit. Now, this one bit me in the ass. But what I'm saying is all my shit is a bunch of sports shows and Kimmel and car shows and catch a contractor. If I go to Lynette's side, I'll see some shit that I normally wouldn't watch, but get sucked into it. I wouldn't be watching this autopsy on Whitney Houston on reels if Lynette didn't have it set up or was watching a show before it on reels, which should be called faked now or phony or synthesized. All right, now where the hell. Where are we? Sorry, Brian.

[Mike]

Yes, sir.

[Adam Carolla]

All right, so in this show, the autopsy show, they interviewed a limo driver who was not used, who was telling the story of going into this inner city and buying crack. So I'm not sure if they just picked your brain as a, you know, creative consultant or what.

[Mike]

Well, I did that because I did. Because I couldn't do it in person, because I had to work in San Diego. And it was in la. They're like, oh, can you do it on the phone? I was like, sure, yeah. And I just kind of change my voice.

[Adam Carolla]

He's like, they're doing a doc on jfk and I got to be the second gunman. So I got to go do an interview. I put a gray beard on and do another hard hitting interview.

[Brian Bishop]

Professional reenactor.

[Adam Carolla]

All right, Brian.

[Mike]

Yes, sir.

[Adam Carolla]

Where'd you get your bottle of Mangria? That was autographed.

[Mike]

That one I think I got Valley, but I got. The last one I got was from when you were down here in San Diego. It was at the liquor store down on El Cajon Boulevard.

[Adam Carolla]

Okay.

[Mike]

I bought the Hammer and a couple bottles of Mangria from my local wine bar.

[Adam Carolla]

I told you I liked something about this kid, didn't I? A few days back.

[Cassius Morris]

He knows his stuff, his integrity.

[Adam Carolla]

I think he's got something called it. Yeah.

[Brian Bishop]

Give the devil's due.

[Adam Carolla]

Je ne sais quoi. Well, your hero, Brian, for buying Mangria, supporting the program, I may win some sort of Peabody or something. I don't know what. They're blowing the fucking lid off this shit.

[Cassius Morris]

Brian, can I ask you a question? Did they give you any parameters about what you could or couldn't or should or shouldn't say or, like, how creative to get with this?

[Mike]

No, no, it was. They. They. They interviewed it straight. Like, they had. No, they believed every single thing I told them. And I was like, are you kidding me?

[Anna Faris]

Me?

[Mike]

Like, I couldn't believe that they believed me.

[Cassius Morris]

Wait, so they put. So the production company knew and hired you, but the interviewers themselves didn't know?

[Mike]

Correct?

[Adam Carolla]

That's correct. So you're saying.

[Mike]

As far as far as I know, like, that's. I. Basically, they're like, this way, like, you're Whitney Houston's drug dealer. Make up a good story for it. And I was like, okay, that's the production.

[Brian Bishop]

Wow.

[Adam Carolla]

That's the production company. But the person that interviewed you wasn't aware of that.

[Mike]

Yeah, that's right.

[Adam Carolla]

Yeah.

[Mike]

The guy interviewed thought I was an actual drug dealer. I kind of look like one, but, you know.

[Adam Carolla]

Yeah.

[Cassius Morris]

And the interviewers were all off camera, right? Edited out.

[Giovanni]

Yes.

[Adam Carolla]

Yes.

[Mike]

Yeah. There was like. I was a. Just like a. You know how they just do the.

[Adam Carolla]

Light single camera kind of set up. And I remember thinking to myself the whole, whole time, why. Why some drug addict. The guy killed Whitney Houston. Why is he putting himself out there? And I was thinking, he's got the sunglasses and the hoodie on, but I can still kind of tell the jawline and stuff. Like, aren't the cops gonna come after this guy? And blah, blah, blah. God damn. What do we believe anymore?

[Brian Bishop]

I don't know why I expect more from TV producers, but I can't believe they left a huge part of this story up to. No offense, Brian, but this guy. Brian, like, would you please write a huge portion of the story. Story for us?

[Adam Carolla]

Wow.

[Brian Bishop]

You wrote a huge portion of the story.

[Adam Carolla]

I know.

[Cassius Morris]

Did they make you sign anything saying you wouldn't reveal it or anything like that?

[Brian Bishop]

Oops.

[Mike]

They did.

[Giovanni]

I did.

[Mike]

Like a. What's it Like a release. Just like a regular, like model release or whatever. But I didn't, I didn't use my actual name.

[Adam Carolla]

I was DJ Brian. Yeah. So did they tell you to be snarky and cavalier about killing one of the greatest American singers of all time? Or was that just a choice that you made? An acting choice?

[Mike]

Well, they said act like guys. Like, act like you don't even give a fuck. Like this is, this is below you. You don't care at all. Like, be heartless. Because in my head I was like, damn, that's rough.

[Adam Carolla]

But damn. But, but it's so ironic that I tapped into this weird direction they gave you. Like, my spidey sense was tingling. Like, God, why is this guy such a douche? And how can he be so cavalier? And why is he on camera? What would he do this for? He's gonna look like. I mean, these are the worst. He looks like the worst person in the world. I was like, my, my head was going off like a fucking Roman candle.

[Cassius Morris]

I want to find his parents and kill them.

[Adam Carolla]

I want to find your parents and kill you. As it is now.

[Cassius Morris]

Congratulations.

[Adam Carolla]

Yeah, now I just want to cane them. But before I wanted to behead them. Wow, Brian. All right, buddy. How about just getting a job?

[Brian Bishop]

Sounds like you're doing all right.

[Adam Carolla]

I have a job.

[Mike]

I mean, I'm a normal guy 9 to 5. I go to school. I'm a veteran.

[Adam Carolla]

I don't know, the drug dealing, storytelling.

[Brian Bishop]

Yes, several jobs.

[Adam Carolla]

What, what branch of the services were in?

[Mike]

I was in the US Navy for nine years.

[Adam Carolla]

Probably just say Navy. I won't ask what country.

[Mike]

Yeah, I was a nuclear mechanic in the Navy for nine years. And then I, then I worked for a wind turbine company.

[Adam Carolla]

Now I, now I'm.

[Mike]

Now I'm going to culinary school.

[Adam Carolla]

You know what? I take it first off, what are we doing with our shitty boring lives? Is the real question that I'm getting from this. This man's lived a thousand or so. He says, oh, maybe producer coached him up.

[Cassius Morris]

Right.

[Adam Carolla]

First you were enlisted in this man's Navy and then you went to a turbine, say turbine company. No one knows shit about that.

[Brian Bishop]

Zero follow up questions.

[Adam Carolla]

No one will go, did you work on the impeller or the propeller side? Like what side were you on? We're talking about ceramic bearings or roller bearings. Yeah, nobody has any questions about that. That's smart. Pick something that is 10 minutes, it's old and no one knows shit about.

[Cassius Morris]

Even the semi professional versus professional porn. I don't need to find out more.

[Adam Carolla]

If you told Al Gore you worked for a turbine company, he'd be like, well, there you go.

[Brian Bishop]

Doing a lot of work.

[Adam Carolla]

God bless. Yeah, there's. Nobody knows anything about that fucking subject because it's 10 minutes old and nobody knows shit. But it was for producing, like, wind generated electricity or something like that.

[Mike]

Yeah. Yeah. I was. I was a manager there, and I didn't really like the whole not being creative thing, so.

[Adam Carolla]

Right.

[Mike]

Changed my. Changed my life.

[Cassius Morris]

You actually got back into Turn.

[Adam Carolla]

I was. I motivated you.

[Mike]

Yeah.

[Adam Carolla]

I turned by saying I wanted to kill your parents. Okay. Oh, I see.

[Mike]

Kill my parents.

[Adam Carolla]

Oh, yeah. Turn 30. Right. All right.

[Mike]

Yeah.

[Adam Carolla]

Well, thanks, Brian.

[Brian Bishop]

Yeah.

[Adam Carolla]

We should send you out a T shirt or another hoodie or something next time. You can wear the Mangria label when you do these interviews.

[Mike]

Of course. Yeah. Next. Next porno. I'll have it just in the background.

[Adam Carolla]

Okay. Thank you, Brian. Jesus Christ.

[Brian Bishop]

Feels satisfying, doesn't it? No, no.

[Cassius Morris]

Well, no, it actually. It feels satisfying, but disheartening.

[Brian Bishop]

Oh, yes, yes, yes, for sure. But satisfying to know what was up.

[Cassius Morris]

Yes.

[Adam Carolla]

That part is wind turbine. And wind turbine, is it turbine.

[Brian Bishop]

I don't know what turbine. What's a turbine?

[Adam Carolla]

I think they say wind turbine. Doesn't say turbine.

[Brian Bishop]

I never heard turbine.

[Adam Carolla]

Like a hat.

[Brian Bishop]

Yeah, I know. Yeah, I know what that is. But a wind turbine. I've always heard wind turbine.

[Adam Carolla]

I never hear the I part. I just hear the wind turbine, Allison. But I know what a turbine is in a turbo.

[Cassius Morris]

I. I hear wind. Wind turbine. I don't hear them. If I did, I feel like I would hear wind turbine. But I know how it's spelled.

[Adam Carolla]

All right. Wind turbine. All right, well, same thing. All right. Well, there you go.

[Cassius Morris]

That's crazy. I really do think this is newsworthy.

[Adam Carolla]

I don't think the news wants to know about itself. Not fucking up the news. You know what I mean?

[Cassius Morris]

Okay. I bet this gets picked up. All right, I'm gonna go home and twist.

[Adam Carolla]

Tweet about it. I'd like everyone tweet about it, but no speaking to a slightly bigger picture that we've got into many times. And I've said many, many times, you have no idea how inaccurate almost everything is until they start writing about you. Because when they're talking about the Middle east or they're talking. Talking about statistics about immigration or what's LA school system, whatever is, you can't go. That's bullshit. I have.

[Brian Bishop]

I know the real story.

[Adam Carolla]

I'm privy to that. It isn't. But when they start writing stories about you, you realize not only do they spell your name two different ways in the same fucking story, but it's like, oh, well, Adam was working at Kroc, and Jimmy was a boxing instructor. And it's like, no, no, no, no, no, I didn't meet. No, it's not how we met. No, that's not how I met Drew. No, it's not what I said. No, you've got your information all fucked up. You'll immediately realize just how fucking wrong it is. And it does really make you real. I mean, and you know, these guys will cook anything when they need to make something. But now it really brings everything sort of into question, right?

[Brian Bishop]

Totally extrapolate that over our history. I mean, all that George Washington and the cherry tree, I cannot tell. It's all. None of that ever happened, but everything gets simplified to a broad stroke.

[Cassius Morris]

But I still want to believe the majority. Like, I've done those true Hollywood stories and, you know, real documentaries, things like that. I still want to think that the majority of them don't just cook this up wholesale like this. But maybe I'm wrong.

[Adam Carolla]

Well, the world will never know. But I'll tell you what they do know about Blinds Galore, baby. Oh, man, they got a big cyber sale starting soon. It's their best sale of the year. Everything up to 50% off. I have these guys. I use them here. I use them at my other office. They black out the room when we're in there editing, so. And at home, just got a new shipment. Got them putting them up in the bathroom finally, because nobody wants to see the ace man on the craft. Blinds galore. Everything is 100% custom made. When you place your order, if you screw up your order like Matt did over here, like, he screwed up this email we got, send it back, get it fixed. That's what they did with Matt, and it fits perfectly. Now, don't stress out. Don't go to the store. Don't let the guys at the Home Depot handle this. Let the pros handle it. Free samples, free shipping, free window expertise, and truly amazing prices. Go to blinds galore.com. that's blinds galore.com let them know I sent you, because these are good guys, good sponsors. Blinds galore.com. let them know I sent you. All right, Joe Rogan is here. Mm. We got a bunch of phone calls. Who do we got? We got. Let me look at my rundown here. So we'll bring in Rogan, who's always good, and he'll get interviewed by Cashes. Let young cash. Young Canadian cashes.

[Brian Bishop]

You're farming it. Just. Just like the TV producers farm down half their story farm and half the show to Cashes.

[Adam Carolla]

I think we'll break early and we'll bring Joe in. Right now it's time to check Adam's voicemail.

[Mike]

Hey, man, I was gonna call, tell you that I loved reading the books. Great Mangria taste. Now I listen to your show every single day, but I changed my mind, motherfucker.

[Adam Carolla]

You can leave us a message at 888-634-1744. He's referring to an episode of Catch a Contractor a few weeks ago where the homeowner left the house and we stood in the kitchen. And then I heard from behind me, I changed my mind, motherfucker. And he came flying in like he was in the UFC and tried to take the guy's head off. Joe Rogan in studio. Couple things with Joe. Coming up. Stand up special, Rocky Mountain high that premieres November 21st at midnight on Comedy Central. So that's coming up, obviously. The Population podcast, the Joe Rogan Experience, available on itunes as we speak. Improv in Ontario and Celebrity Theatre in Phoenix, all coming up December 12th in Phoenix and November 21st through the 23rd in Ontario. And you can go to his website, go to joerogan.net that's joerogan.net and you can get more insight and information about where Joe's going to be playing. Good to see you again, Joe.

[Giovanni]

Good to see you too, man. Thanks for having me on.

[Adam Carolla]

Always like hanging with Joe. Great vibe. Always feel like I get a little contact high when I'm around him and a topic. And Cassius from Canada is going to call in and interview Joe, but quickly, before we get into that, I now remember I was telling these guys about real sports. I think it was, yeah, eat what you kill. Eat what you kill. And you were part of that movement or featured at least as part of the segment, within that segment. And it makes sense. But tell me about that movement and how it works.

[Giovanni]

It's a weird thing. They keep calling it a movement.

[Adam Carolla]

It's just. Oh, I don't mean it's not called a movement.

[Giovanni]

I'm calling it a movement.

[Adam Carolla]

They are.

[Giovanni]

A lot of them are. It seems to be that there's like a narrative that they're trying to push, that this is a thing that people are doing, like CrossFit or something. A movement. You know what I mean? Yeah, that's what it seems like.

[Adam Carolla]

Well, you know, it's Such a weird cultural thing, because if you come from here, it's like, what the fuck? And if you go down the street and you hang out with the guy who grew up in Montana who's working on my Newman documentary, he's like, fuck, yeah. We go out and get deer meat and do it every year. And we'd eat the deer meat and we'd share the deer meat and we'd make jerky out of the deer meat. Like, me and my dad and my brother, like, that's all. All we did is go out and live off of deer meat, like our fish or whatever. And I'm like, I'm from North Hollywood. We didn't do. You know, we shot each other, but we didn't shoot poor defenseless deer. But. So it's weird that something that has been going on for, you know, 100 million years is now new.

[Giovanni]

Yeah. That's why I don't like the idea of it being a movement. It's just hunting. And I was fascinated by it for years because I always knew, you know, as a comic, you're always kind of looking at things that are bizarre or contradictory or things that don't make sense. And one of the big ones that didn't make sense is people that didn't eat or that ate meat but didn't like hunting. And I was like, this is kind of weird because people get upset when they see, like, hunting photos on Facebook or something like that. Oh, poor dear. But you ask them, are you wearing leather shoes? Did you eat meat today? Do you get freaked out when you drive by Burger King? Are you freaked out every time you walk into a restaurant? Because every restaurant is filled with murder animals. I mean, everywhere you go, you're driving by cars that have this skinned animals as the upholstery of the car.

[Adam Carolla]

Black guys, cars, everybody's cars. Oh, leather zebra or something more exotic or something.

[Giovanni]

Yeah, those are usually the most environmentally friendly, the faux zebras.

[Adam Carolla]

So you know what I mean?

[Giovanni]

It's like.

[Adam Carolla]

No, I know.

[Giovanni]

Disconnect. We have a disconnect. And there's a weird disconnect when it comes to eating food.

[Adam Carolla]

I. I think what it. It is, if I can speak for those people, I think they don't like guns. And I think there's some thing where you're trying to rationalize.

[Giovanni]

People got mad at me for using a bow and arrow. I shot a bear with a bow and arrow. And people got upset at that because they didn't want me to eat bear. And people were upset that I killed a Bear, like, if I'm killing it for a trophy just to kill it, I totally understand, but it's just. It's complete ignorance. They don't understand, first of all that you eat bear meat, that it's delicious. And then two, they have to keep control of the population. Three, all bears are cannibals. They come out of the den and they immediately go looking for cubs. It's one of the first things males do to bring the female back to estrus. And because they're hungry, because they want to eat bear cubs, because it's an easy thing to catch, they can't run away, right? So they're fucking crazy animals. The whole idea behind it is crazy. And people that are eating cheeseburgers mad that you shot a bear because they think it's fucking Yogi Bear or Boo Boo or, you know, they think it's looking for picnic baskets and you shoved an arrow through its lungs. We have a distorted perception of our interaction with wildlife.

[Adam Carolla]

Well, don't you think we just sort of have that in general, like, where you kind of say, well, look, if you're, you know, I've said it many times about, you know, the morning after pill, like, if you're so against abortion, wouldn't you be for this?

[Giovanni]

Right?

[Adam Carolla]

And if you're so against that, then wouldn't you be for this? But we don't think logically all the time. We think sort of emotionally.

[Giovanni]

We think conveniently and conveniently. I had a thing online once with a guy that I think is really funny, but we were going back and forth about abortion, and I think he thought that I was anti abortion as.

[Adam Carolla]

Long as you eat the fetus. Wait.

[Giovanni]

But someone had.

[Cassius Morris]

Sorry, you go ahead and then I'll.

[Giovanni]

Bring up my phone. Someone had made a comment that a fetus has no more in common with a human being than a pig fetus, that a human fetus is like, biochemically, has no more in common than a bird. And I'm like, that's a disingenuous comparison. Because a pig fetus can't become a person. You know, that that fucking fetus is going to be a person. And I'm not saying you shouldn't be able to have abortions. I don't think anybody should be able to tell you what you can and can't do with your body. And I think it becomes like a moral and ethical debate in your own mind, depending upon how old the fetus is, depending on it, conveniently, whether it's a couple cells or whether it's Something that you could recognize as. As a human. But to say that that's no different than a pig fetus is ridiculous. So this guy got confused because people get knee jerk and reactionary with this stuff. And he thought that I was anti abortion, or he accused me of being right wing, and I'm like, I'm not.

[Adam Carolla]

Well, you can't.

[Giovanni]

It's gonna be a person.

[Adam Carolla]

You can't go near that. And yeah, they will.

[Giovanni]

But you can.

[Adam Carolla]

If someone is pregnant and they kill that person, it's a double homicide.

[Giovanni]

Yeah.

[Adam Carolla]

It's not Pigocide.

[Giovanni]

Right, exactly.

[Adam Carolla]

Or Porcocide.

[Giovanni]

Well, it's just. It's not. It's a.

[Adam Carolla]

No. What you're saying is. And then. Although I know you have a question, and Cassius is on the line, too, what we're, I think, trying to say is, can we not just have a logical dialogue about almost everything that doesn't shove you into some corner where you're going, I'm not saying I'm anti abortion. I know I don't side with those people. You know, you get this thing and then everyone gets online and, you know, right and left and everything gets politicized and pushed into something. Why does everything have to have that much energy?

[Giovanni]

Hey, because there's certain forbidden topics. There's certain topics. When you. When they come up, you have to take a very clear ideological standpoint based on whether you're on the left or you're on the right. I mean, that's a lot of what goes on with people when it comes to abortion. You don't say anything that would ever possibly challenge whether or not abortion should be legal. Even if you don't, you're not saying that. You're just looking at the factual reality of what a fetus is.

[Adam Carolla]

The thing that I always find so interesting is you wouldn't think of Joe Rogan as embodying the right wing with the copious amounts of marijuana that's ingested on an hourly basis. And being an atheist, I believe, or at least agnostic and things like that.

[Giovanni]

More agnostic.

[Adam Carolla]

But then you say the human fetus is not the same as a pig fetus. And all of a sudden you're hanging out, you're playing golf with Rush Limbaugh, and that's the part that drives me nuts. Like, this is a separate opinion of. About a separate thing. And why do we have to toe the party line for everything? You may not agree with or be in lockstep with everything, but. Allison, you had a question for Joe?

[Cassius Morris]

Yeah, I'm just wondering if you think that a certain amount of convenient thinking is necessary just for getting through life. Like, we're all going to die, Life pretty much has no meaning, et cetera. All these truths, regardless of whether you think the second one is true. But these things that are true, but that. But I don't think people, like, feel in their guts every single day, because if you do, it's hard to just go through your day. And I feel like for people who eat meat, but who are. But who also love animals, and I realize that sounds like a contradiction, but who aren't comfortable with killing, it's like almost a chosen cognitive dissonance. And I feel like the argument that if you're going to eat meat, you have to also be okay watching an animal die is an argument made by people who want to hunt.

[Giovanni]

No, you don't have to make that argument. I mean, I'm saying that if you eat meat, you have to do anything. I wanted to know what was going on. Like, what is the actual event when this animal's life is taken and then you start cutting it up into steaks and chops and then carrying it out of the woods? I wanted to know what that experience was. And I was worried, like, one of the two things is going to happen. Either it's going to turn me into a vegan, or I'm going to understand it and get a better connection to it. And there's a crazy connection you have to an animal when you eat it, when you kill it and you hunt it for days in the cold environments. You're sleeping in a campsite. You know, you're in a tent, it's 10 degrees outside, you're freezing your ass off. And then you finally, after days and days of hunting these things, tracking them, stalking them, you finally get one and then you're eating it. It's some primal shit, man. It's some fucking deep DNA shit. And there's a respect and a love for the animal that you just don't get. When you go to fucking Carl Jr. And you get his cheeseburger, it's a completely different experience.

[Cassius Morris]

What is the respect and love?

[Giovanni]

Well, you, first of all, you appreciate the fact that this animal gave its life and that you're going to eat it. You appreciate also that its life is incredibly hard. And if you don't come along and take its life, it's going to get eaten by coyotes or wolves or mountain lions or it's going to freeze to death or it's going to starve to death. That's the reality of being a deer. If they're lucky, they live five years. It's very rare you find a six, seven, eight year old deer. Most of them are killed by predators or they starve or freeze to death. It's a fucking hardscrabble life. So it's not like you're killing something that is going to live forever and become a magic genie that cures cancer. You're dipping yourself in the food chain. And instead of being a part of factory farming and all that other horseshit that goes along with buying some steak of unknown origin from some supermarket hitman, you're getting something that you absolutely know what happened to it. And you don't have to do that. Just like I don't have to process my own own sewage. Just like I don't have to put my own garbage into a fucking garbage fill site. The things that we have in this culture that make it easier for us to get through our day are awesome. No one's saying, I'm not saying this, we should all go live in the woods and fucking hunt for our food and pull our water out of the ground. No, that's stupid. Like, you should get your water from a bottle like a fucking civilian. You know, I don't think there's anything wrong with going to a supermarket, but I think I wanted to know, what is that disconnect? And if I bridge it, what does that feel like?

[Cassius Morris]

That's a perfect answer.

[Adam Carolla]

What we love about Joe Rogan and you know, I like the idea and I don't know if it has to do with being an atheist or just being on a sort of journey where you feel like you have to put your personal feelings aside and preconceived notions aside and just examine everything with an open heart and an open mind and go, like you said, maybe I'm gonna go vegan, maybe I'm gonna feel incredibly satisfied and understand what this is about. But either way, I'm just gonna go into it and I will render an opinion and a judgment on it. And it's sad then when people have to then question that as part of a policy or some sort of political.

[Giovanni]

Campaign, I think it's normal. I think it's a part of human nature to accept, expect patterns. And when you hear something that goes in one area, like if you tell someone you're in the nra, like, you must be some crazy fucking right wing gun nut. No, I'm just someone who thinks that maybe it's not a good idea to take all guns away from Civilians while criminals have guns. And that what we're essentially doing is almost an impossible task. You're trying to get all the dangerous weapons away from all the people. And you have a lot of people that have looked at this and they look at it the same way. They look at. At hunting the same way. They look at a lot of things. They look at it only from one perspective. Whenever there's some sort of a mass shooting, one of the big things that comes up is gun control. Right? That's the big thing that comes up.

[Adam Carolla]

Sure.

[Giovanni]

Guess what? That's too late.

[Adam Carolla]

Okay?

[Giovanni]

The guns are fucking out there. What we need is mental health control. We need to figure out what the fuck is making people go crazy and shoot a bunch of strangers or shoot a bunch of kids or shoot a bunch of. Fill in the blank.

[Adam Carolla]

That's what I yell about every time one of these guys in these stories come up, is the story's always, where did he get the gun? And I'm always like, why didn't we see this coming? And who is this person? And why didn't he get help, Avail themselves of some help from a mental standpoint? Because that's the true danger. The access to the firearm that bell was rung and that horse left the barn a long time ago. And my kids are going to have access to tools to kill people.

[Giovanni]

Yes.

[Adam Carolla]

I'm not going to give him an AK47 on their 15th birthday, but I am sure that my son, when he's 19, will be able to find something that he can use to kill people. By the way, that can mean gasoline in a lit match and burning down a whole church or a shopping mall or grocery store or whatever it is. My focus on it is not having him be that person because I don't think I'm going to be able to get that thing away from him. Cassius from. Let's see, Cassius, where are you from again?

[Mike]

Edmonton, Alberta, sir.

[Adam Carolla]

Yeah, man.

[Mike]

What's going on, guys?

[Giovanni]

I've been up there.

[Adam Carolla]

You like podcasting, right?

[Mike]

I love podcasting with a passion.

[Adam Carolla]

I was a guest on your program.

[Mike]

Absolutely Great episode.

[Adam Carolla]

Thank you.

[Brian Bishop]

One of the best.

[Adam Carolla]

They're still buzzing about it out here. I did the I gave Cassius the As long as I'm in my car interview. That's the as long as I'm driving from there to here, Valuable time. I can definitely talk to you about it. It's called the Cassius Morris show. And you're 16, right, Cassius?

[Mike]

That's right.

[Adam Carolla]

And been podcasting for coming on Seven years. How the hell does that work?

[Mike]

Well, I mean, ever since I discovered you and Joe Rogan. I mean, and you guys just inspired me and decided to run with it early.

[Adam Carolla]

Sure. And if Grace Simmons was sitting here, he'd say, ever since I discovered you and Fitzsimmons. So you're in early. Sorry, Joe. And he's going to interview you.

[Giovanni]

Oh, please do so.

[Adam Carolla]

Are you. Are you. Are you boned up on Joe? Absolutely.

[Mike]

I've been listening for years, so I know plenty of stuff to talk about.

[Giovanni]

Did you say you've been doing it for six years?

[Adam Carolla]

That's right.

[Mike]

I've been doing it since I was 10.

[Giovanni]

So you've been doing it it longer than me?

[Adam Carolla]

Yeah, I started five years ago.

[Giovanni]

So you're an og.

[Mike]

Adam finally decided to have a real professional on the show, you know?

[Adam Carolla]

Yeah, maybe.

[Brian Bishop]

Joe, questions for Cassius.

[Adam Carolla]

All right, go ahead, Cassius. Do your interview.

[Mike]

Well, Joe, the first thing I wanted to know was I was talking with Joey Diaz about this on my podcast recently. You guys, you and Joey decided to go back to the Comedy Store. I think it's been about seven years for you. Why now and what's changed?

[Giovanni]

Well, the. There was a manager that worked there that was problematic, and he doesn't work there anymore. That's one. One reason. And it's a new shift there. It's a completely new management that's running the place. The comics, the up and coming comics are like, it's very positive. I was there for the roast battle. They have a roast battle that they do upstairs in the belly room, and it was so much fun. I was like, I can't not come here anymore. And I went there the day before because Ari Shafir, who's one of my best friends, had a special that he was filming for Comedy Central on the night after that. So I went there on Tuesday, and Ari had a special on Wednesday night, and I watched a special being filmed. And then I said, you know what? I gotta. I gotta start coming back here. What was the problem in the past, the Mencia incident?

[Adam Carolla]

They didn't like.

[Giovanni]

Well, I was just. They sided. They sided with him, and I got banned from the store temporarily, and I told them to go fuck themselves, that it would be permanent. I'm never coming back. And then. And the guy who did it is gone now.

[Adam Carolla]

All right, well, good question. One I would have never asked. Keep going, Cassius.

[Giovanni]

They said, you're barely. Sorry.

[Mike]

Since we're talking about the Comedy Store and Joey Diaz, you actually met Joey Diaz when you first started there and, you know, when you first met Joey, he was into cocaine and mugging people and all that. And you were obviously and still are not a fan of that kind of stuff, you know. What drew you to hang out with Joey when he was doing things like that?

[Brian Bishop]

Well, he wasn't Joey Diaz.

[Giovanni]

He wasn't mugging anybody when I met him. He was. He was 100%, like, legal. He was definitely doing drugs, but he's just an awesome person. He reminded me a lot of my friend Johnny, who is a pool hustler that I knew in New York who died of a drug overdose, who was one of my best friends. And he was just an amazing guy. Just was this weird freak of nature that you would run into once if you lived a million lives. You know, just one of those guys just had a fantastic personality, was brilliant. And Joey reminded me of him a lot because they were both these wild, reckless, runaway trains. Like, they couldn't see that there was no tracks. They were just going 500 miles an hour. And I could see, like, there's no tracks. You know, there's no, like, up ahead, like, this is gonna be terrible. And like, fuck it, cocksucker. Who gives a shit? And that was Joey Diaz. He was just this wild dude that made me. I just enjoyed being around him. I just. He's got a great personality. I just love him as a person. He's just. He's got a very unusual wisdom to him.

[Mike]

I think he's one of the funniest people in the world.

[Giovanni]

I think he's the funniest guy I've ever met.

[Mike]

Fantastic. So talking about comedy, I'm a person who's looking to start in comedy eventually and live podcasting and stuff. What city do you think is best for an up and coming comic to start?

[Giovanni]

Well, I don't think there's a great place, a number one place, but there's a lot of great places now. Like Austin, Texas is great. Denver, Colorado is great. San Francisco is great. LA is even great. People don't think LA is great because it's scary, because it's the improv and the Comedy Store and the Laugh Factory. But God, there's a lot of fucking open MICRs in LA. There's a lot of rooms you can work at if you get into the circuit. There's a lot of stage time. Some of my best friends and funniest people I know started in la. Duncan Trussell, Ari Shaffir, both those guys started in la. They became comics out of la.

[Adam Carolla]

Where for you? Where Is your best city. Joe Rogan. Sorry for jumping in on your interview, Patrick.

[Giovanni]

Practice.

[Adam Carolla]

Oh, that's okay.

[Giovanni]

This one, practice. It's la. It's the best place to fuck around.

[Adam Carolla]

But we all know, I think, I mean, you tell me when I say, oh, we're going to do this live podcast or we're going to do. I'm going to do stand up and I go, we're going to go to Houston. Okay, that's good for 325 tickets. But you go to Seattle, that's good for 1900 tickets. You know, big swings and big differences from city to city. Sometimes based on something, sometimes based on. I don't, I don't know what. But for you, what are your cities like, where, you know, where do you know you're gonna sell a shitload of tickets versus not so much.

[Giovanni]

I don't know. I, I just, I go to a lot of places, you know, so. Like my big ones, Chicago. The Chicago theater.

[Adam Carolla]

Yeah. You know, like, oh, your manager, whoever agent, whoever booking guy will call you and go, you know, this thing went clean, sold out in two weeks versus getting the phone call going. Huh. We're a little light.

[Giovanni]

Yeah.

[Adam Carolla]

You know what I mean? Could you pick it up a little bit?

[Giovanni]

It depends entirely on how often you go to a place. You go to a place a few times, like once a year for five, six years. You develop like a real following so they know they're following.

[Adam Carolla]

So you don't, you don't have a city or cities that are just Joe Rogan's per se?

[Giovanni]

No, not really. Denver, where I did my comedy special, that, that's one of my best cities for sure. Without a doubt. That's one of the reasons why I did it there. Right. And also because the woman who runs the club, Wendy, the woman who owns it, has been a friend for a long time. She's just, she's responsible for the. Wendy Curtis, she's responsible for the entire Denver comedy scene. She has two of the biggest clubs, the comedy works. She has a whole open mic program where she, she raises people from open micr to middle and then she develops local headliners and she books shows based on that. And she's got a great eye for talent and she really love stand up comedy and I wanted to pay her back.

[Adam Carolla]

Hey, Cassius.

[Mike]

Yes.

[Adam Carolla]

Nice interview.

[Giovanni]

Thank you.

[Adam Carolla]

The. Now there's the. I'm trying to think. Denver has the place that's in the cellar. Like the basement comedy works. That's comedy place.

[Giovanni]

I did my special. Oh, yeah.

[Adam Carolla]

And then there's the other place that's sort of out.

[Giovanni]

There's another comedy. Comedy works in LAR. It's mega black.

[Adam Carolla]

Something where you state the executive suites or something.

[Giovanni]

Exactly.

[Adam Carolla]

Condominiums you stay at. That's the one where Mike August stole all the toilet paper.

[Brian Bishop]

Or did he?

[Adam Carolla]

From the room.

[Giovanni]

How dare you?

[Adam Carolla]

He was staying.

[Giovanni]

I gave Mike August, I think it was 500 bucks once to eat a giant piece of chocolate cake. I forget what the money was. He would know. It was like 100 or 500 bucks. Once we were all eating lunch and he was stuffed and like we ordered dessert and the chocolate cake came and it was monster. It was a Gladstone's. And so I go, if you can eat that chocolate cake, I will give you 500 bucks.

[Adam Carolla]

I forget what the number Gladstones would have the novelty. German size.

[Giovanni]

Exactly.

[Adam Carolla]

Size of a.

[Cassius Morris]

He could have told you. That was a bad bet.

[Giovanni]

He did it.

[Brian Bishop]

What was going on in his mind when someone offered him money to eat.

[Giovanni]

Cake Was a long time.

[Brian Bishop]

Gets offered money to do cocaine.

[Giovanni]

This was a long time ago. Long time ago. This is like in the 90s. I think probably he.

[Adam Carolla]

I'll tell you, one of the greatest moments with Mike August is you know when you play a casino, you get the casino bucks, you know, to eat with. They'll give you 500 casino bucks. You can't gamble with it. You can't give them away to other people that work at the casino. You can't go to the steak joint with it, but you can go to the diner with it. But that's your money to buy your meal with. Like casinos will always give you that. That courtesy out of a coffee shop. And it was me and Mike August and we had. I had 500 bucks worth of casino bucks and he got 100 bucks worth of casino bucks. And we went into a P. F Chang's and we had in both our minds, we had to spend every fucking penny of these casino boxes. We were leaving Atlantic city literally at 4:30 the following morning. And Mike, first off, Mike ordered a bunch of rice based dishes which spawned a stupid argument like don't order the starch, you idiot. It's the cheapest thing on the fucking menu. And you're gonna fill up, order the lobster, whatever. So there was that. There was also a very funny moment when fans sent over a round of drinks. And I was like, take them back, take them back. And they're like, ray, big fans. Take the drinks, take them back. I don't want them. I'm buying you drinks.

[Brian Bishop]

You were like the casino and Goodfellas.

[Adam Carolla]

Take it back, take it back. And they were like, why don't you have a drink on us? I'm like, I am having a drink. I'm buying my own and I'm buying you around and you're taking these back. But yes, that was me and Mike August and he got through. He got through that $500 worth or $600 worth of casino bucks at P F Chang's. And all the, the pyramids of rice based dishes he was ordering, he did devour all those as well. So it's a certain breed of cat.

[Cassius Morris]

Does he do a lot of exercise or does he just have a really good metabolism? What goes on inside him?

[Giovanni]

Maybe he just knows when to not eat.

[Adam Carolla]

I don't.

[Cassius Morris]

We've never seen it.

[Adam Carolla]

I've never seen him. Never seen him not eat. Not eat. Speaking of metabolism, Dawson was back there pounding some burger, Burger King. I saw him pull a Whopper out of the bag just now, this cup an hour ago, pulled it out and I watched him finish that thing off. And then a moment later, he's holding like a foot long chicken sandwich.

[Anna Faris]

It was a Burger King.

[Adam Carolla]

Yeah, chicken sandwich. And then he just fucking slid that thing in too. And I haven't seen that many adults eat like that. That was the first meal of the day, though. Oh, okay. You don't, you don't seem to put on any pounds either, do you? I've been 185 for a decade, man. Yeah. Yeah. Why don't you have a third Burger King burger then? As long as we're at it. I mean, he did, he ate, you know, 3,000 calories back there. Pretty, pretty, pretty handily.

[Brian Bishop]

First segment of the show.

[Adam Carolla]

Mm. All right, so Joe Rogan in studio. Joe's Joe, how's your facility doing over there? Your podcast went from your home to a cool facility in the West Valley.

[Giovanni]

It's great.

[Adam Carolla]

Any plans? Is that, is that something you built out yourself or are you renting it or how's it work?

[Giovanni]

Yeah, I like it now, but I think eventually I'll buy a building. I'm just trying to figure out what to buy. I think I'm going to buy like some sort of a warehouse space like you have. You've inspired me in a lot of ways, man. And a lot of me doing the podcast and pursuing it came on you, your success. I was like, I love what you're doing. You know, I always loved doing your radio show back when you had the radio show, but it's just this is so much freer and easier. And then when you built the studio, I remember coming here going, man, I gotta step up my fucking studio game. And it's one of the reasons why, I mean, when I came here originally, it was just on the couch in the front and you know, you had your garage back here and then you built all this stuff up and I was like, God, I gotta really pick it up. I gotta do something cool. So now it's like I. I have like a man cave.

[Adam Carolla]

Yeah, it's really a cool facility. Not that I need to ask any of you to go to it because you can't. But it's a really intimate, interesting and nice environment. And it's sort of like what I think of when you watch these shows and they're gonna produce an album and they want to have a really cool environment for the band to feel the vibe. You feel the vibe when you go into Joe's studio.

[Giovanni]

The walls are soaked with weed. It's. That's what it is. You walk in, you can't help but just smile a little bit.

[Adam Carolla]

Sam, 42, from Seattle.

[Giovanni]

You take calls.

[Adam Carolla]

Oh yeah, what's going on, Sam?

[Mike]

Yeah, I had listened to Bob Bryant's book and it's great. If you're for every Adam Corolla fan, they need to listen to that, especially the Selling Adam chapter.

[Brian Bishop]

Thanks, Sam.

[Adam Carolla]

Yeah, I enjoyed it as well.

[Mike]

I had a question about one of the stories in it. When Bob Ryan, his time when he was taking over Mike lynch and you were saying to the producer, I don't know what we're going to tell Mike. And I know we're going to tell Mike and Brian thought, oh, you're going to fire Mike and replace it with me?

[Adam Carolla]

Well, the story is when we started doing the radio show, Mike lynch already we had like a two week vacation actually.

[Brian Bishop]

Wedding, Irish wedding. When I say Irish in Ireland.

[Adam Carolla]

Yeah, yeah, honeymoon, whatever. It was already on the calendar. It was two weeks out of the country and I took the gig.

[Brian Bishop]

This was May, started in January, by the way.

[Adam Carolla]

FYI to everyone that gets a job, put something on the calendar five to eight months away from when you get the job, that'll just give you two weeks off because no one ever argues with you at that point. Because when you take the job job and the job is in January and somebody goes, hey listen, at the end of May and you go, end of May. I'm still belching up Thanksgiving turkey like end of May. And you go, yeah. But I just want you to know before I start the Job, end of May, I'm gonna be out of the country for two weeks. It's already on the calendar. No boss will ever go, well, fuck that, you can't work here. They'll just go, oh, yeah, yeah, okay, yeah, sure. And then you go back to them like in the middle of May, and you go, remember I said I was gonna. And they go, oh, yeah. Oh fuck. And then they're mad at themselves a little bit, but they never take it out on you.

[Brian Bishop]

It's already out there.

[Adam Carolla]

I'm just gonna tell my kids, when you get a job, pick a date seven months down the road, just go, I'm gonna be gone for two weeks and don't even say what it is. And that'll be that. No one ever questions it or tells you to move it.

[Brian Bishop]

Savvy.

[Adam Carolla]

So Mike moved and Brian slid out of phone screening into doing sound effects.

[Brian Bishop]

That's right, for two weeks.

[Adam Carolla]

And was so amazing at it that we didn't know what to do with Mike when he got back. Which basically explained to him, you can't have this job back.

[Cassius Morris]

That might be the argument against doing that two week thing. Oh, but it worked out for Mike.

[Brian Bishop]

Yeah, yeah, but Mike, he wasn't doing two jobs.

[Adam Carolla]

My kid's gonna be working at a Costco or something. Someone can handle that pallet jack a lot better than you, Sonny. We don't have to worry about that. So the great thing about Mike is Mike is one of those guys who just goes, all right, do this instead. But Brian was worried.

[Brian Bishop]

I was extremely worried because I was. You and me. In the end of the show ended, everyone left the studio, Go to the bathroom, whatever, you and me are sitting there, A producer comes in, basically where Joe's sitting. You just type it away, his laptop, and we're just, you know, making small talk, whatever. And it's my last day doing the fill in for Mike Lynch. And I look basically where Dawson's sitting through the glass, this call screener booth. And I'm like, huh, sure gonna be funny to go back in there next week. Because that's where I was headed in my mind, back to the call screener booth. And Adam and the producer who had been must have been having a conversation about this before, unbeknownst to me were like, yeah, we gotta figure something out. Tell Lynch. And I was like, oh shit, I'm gonna fucking fire this guy. And I felt like a supreme asshole. I mean, just because it was a shitty situation.

[Adam Carolla]

Right? Is that Sam? Does that cover it for you?

[Mike]

Right? Well, I was Just wondering if you weren't gonna fire him, what were you trying to figure out?

[Adam Carolla]

Well, I didn't want to fire Mike lynch for getting married. Although I was against it. I wanted to think of something that Mike could do that wasn't what he was doing. And because Mike is a great human being, I said, well, you can write jokes for the show or produce whatever, but just not be in the whatever. And because he doesn't have an ounce of ham in him whatsoever, he's just like, fine. I don't mind sitting in the office writing jokes. I don't have to stand in the studio and punch up the sound effects or chime in or what have you. And I think it's Mike's sort of ease and pliability that is nice. And on our adaptability because that position.

[Brian Bishop]

Became indispensable once he started doing it.

[Adam Carolla]

For a while and our reluctantness to shit can a good guy. Sure. That's for sure.

[Brian Bishop]

It's a year long contract.

[Adam Carolla]

You're good, Sam. Yeah.

[Mike]

And like I said, the audio book. Listen to that, everybody.

[Adam Carolla]

Thanks.

[Brian Bishop]

Yeah, I'm glad you liked it.

[Adam Carolla]

Shrinkage. And you can get my book, president of me, by the way, if you, if you're out there shopping audiobooks and if you want to get the book and have me sign it or have Brian sign it, the jacket sign. Don't send the whole book in, but you send the jacket in. And I got a whole. I just got rid of 500, by the way. Not Taco Bell materials I saw on land before. Yeah, but I still got about 2,000 of them sitting around here chipping away. Chipping away, man. Chipping away. All right. Stamps.com, man.

[Brian Bishop]

You're going to send it in. What do you use?

[Adam Carolla]

Stamps.com. that's right. I tell people not to mail it in normally, but this is different. If you're going to mail it in, mail it in and mail those jackets in and use stamps.com. you're just a fool to go to the post office and wait in line. Now with all the Hollies stuff and the parcels and how much the stuff weighs and how many stamps you put on, it's a hassle. Let's Forget about that. Stamps.com. use our promo code, Adam. They got a no risk trial, $110 bonus offer. It's something that you are going to use. It will be, I don't know, like the air conditioning in your car or the TiVo or DVR or whatever it is. Eventually you are going to use it and you're going to go, where have you been my whole life? And that is stamps.com. they give you digital scale. They give you 55 bucks free postage. Go to stamps.com before you do anything else. Click on the microphone, top of the home page. Type in Adam. That's stamps.com. enter Adam. All right, a couple more phone calls. We've got some news. We've got some Joe Rogan here. Let's go into something that Joe could jump into. Marines, line five is kind of interesting. All right, line five.

[Brian Bishop]

That's what you and Joe both have say about that.

[Adam Carolla]

Something real quick that I just want to get to because we brought it up. I changed my mind. Motherfucker. Were the two Marines that were fighting on the Spike TV show? Maria from New York, you want to know if they've been cooked? They cooked that whole thing up so he could get a show fixed, his car, his house fixed for free. The idea. Yeah.

[Mike]

And I'm a former USMC as well. It struck me in the beginning, and.

[Adam Carolla]

My husband said it.

[Mike]

And then when the homeowner said, wow.

[Brian Bishop]

Look at this new couch.

[Adam Carolla]

I was thinking, well, you know, the couch is not really important. You know, I just seemed a little fishy. You know, honestly, my take on this. I don't know where you're at with this kind of stuff, Joe, in your life, but when I used to do Loveline on mtv, every once in a while, the producers would, like, come up to me and Dr. Drew and they'd go, the person that's going to ask, like, the next question in the next segment is one of the associate producers, like, one of the young girls. And she's going to. And I go, don't tell us. Don't tell us.

[Giovanni]

So they're telling you they're faking it.

[Adam Carolla]

Yeah, they're going, we're going to cook this one. Like, we. We got enough of these calls and enough of these questions. But we don't have any of these questions. So we want. We're just gonna send this person. And I'm like. And Drew would be the same way. Don't tell us. We want to respond without thinking that. Oh, is that some.

[Giovanni]

How about tell them never do that ever.

[Adam Carolla]

Well, we told them, never do that ever.

[Giovanni]

But they didn't listen.

[Adam Carolla]

I told them, look, don't ever tell us if you're gonna do it. Like, don't do it.

[Giovanni]

Cause that makes it implicit.

[Adam Carolla]

Yeah, that's true. I'm not calling myself a hero. I don't. With a bow. I go, the fucking Gelsons. I go to Gelson's with Rich Whitey. But what I'm saying is I realized that it was one of the. Well, here's what I realized. One of the complexities of doing this is they would not get phone calls or not have a question. We're taping four shows a day, blah blah, blah, blah, blah. That this is something that came with the. It just came with the industry. They had to do it. But my rationale, rationale for all fake phone calls is she may not have herpes, but somebody listening has herpes and we'll give the herpes information out, right? So that's the way I always thought of it. But I always said never tell us if it is, cuz I don't want to know.

[Giovanni]

That makes sense.

[Adam Carolla]

So as it pertains to catch a contractor, if there's anything that's cooked or anything that's pre whatevered or anything, or any wool is pulled over any, anyone's eyes, just don't tell me and I'll go about and do it.

[Giovanni]

Well, I had a problem with that sci fi show that I did. Joe Rogan questions everything because they faked a segment and I found out about it. I found out they faked a segment because one of the people that was on the show, they used his video and they faked something with his video.

[Adam Carolla]

Really?

[Giovanni]

I made them pull it. And this is the only time they had ever done it, the network had ever pulled anything, made them edit it. There was a thing on Skyco, quakes, skyquakes, or it's mostly horseshit. That was the problem with that show that I did. I earnestly went into this show wanting to talk to people that had UFO abduction experiences, wanted to talk to people that, you know, were legitimate psychics or, you know, or remote viewers. But almost everything was bullshit. And almost everything was really easily discernible bullshit. Like pretty quickly, chemtrails, Bigfoot, all the above. It's like I kept meeting bullshit after bullshit. And this skyquake thing, they were playing these sound sounds and they were playing them to this guy who is this sound expert who's saying it's impossible for people to make this sound with X kind of machinery and this and that. And so they took a video that this guy had sent in where he was talking about chemtrails and pointing to his sky. Guy's kind of crazy. And then they put over that video all these sounds of these skyquakes and pretended that that's what he was pointing to. So he made his own Video, like, saying, that's my fucking video. That's my hand. That's my yard. This shows full of shit. And I didn't find out about it until he made that video. And then I. I was fucking furious. I was like, you guys are making me a liar. Like, the whole purpose of this show is that we're questioning things, right? You're telling me that you. You. You want. You want ratings, you want it so much you're willing to lie because that's what you fucking do. That's what you do in all your shows. All these goddamn reality shows are staged bullshit. Every fucking storage war show, every. Oh, I want 500 for that. I can't give you 500. And they have these fucking stupid fake conversations. And that's reality tv. It's just loosely scripted nonsense. I told them, I'm like, if we're gonna do this show, you can't do that anymore. And you gotta pull that from the air.

[Adam Carolla]

But then when does it become, you know, you're watching Storage wars and you're entertained by it, so it's cooked, as we say in the business. But then it's just, you know, so is Modern Family.

[Cassius Morris]

I mean, so is the Whitney Houston autopsy special, apparently.

[Adam Carolla]

Talking about earlier, like, you're just watching and it just falls under entertainment.

[Giovanni]

Yeah, but it's a lie. Like entertainment. If you're watching Walking Dead, you know, there's not really zombies, okay? No one's lying to you. If you watch these fucking swamp people shows and they, well, I can't believe the gator got into the boat. They drop the gator in the boat with a fucking crane. You see the wire hanging off the gator. Like, what are you doing to me? You're fucking with me.

[Adam Carolla]

I always. It's always funny, the batting average. These guys have. Have like, on those shows where they go, like, the guy will buy. He'll be driving down the street in Vegas and he'll pull a guy over, hey, man, you want to sell that 55 Chevy? How much money we talking about? Like, I got cash on me right now. And I'm thinking He has a 1000% batting average with pulling over strangers and.

[Giovanni]

Having my strangers ignore the cameras and not go, what the fuck are all these cameras here, man? What's going on? Why am I wearing a wire? Whatever wire on me.

[Adam Carolla]

What would be your average if you just pulled over people who are driving their baby up and down the street? When. I'll give you cash on the barrel head right now.

[Giovanni]

Yeah, okay.

[Brian Bishop]

How much are you talking Every single.

[Adam Carolla]

There's at least the part where you got to call your wife. Right. It's half her car money manager.

[Giovanni]

The shows are all hybrids.

[Adam Carolla]

They're.

[Giovanni]

It's like part fiction and part reality, and they're calling it reality.

[Adam Carolla]

Hey, Mike, 38, from New Orleans. Yeah.

[Mike]

How you doing?

[Adam Carolla]

Good, man. You have a question?

[Mike]

Yeah, Joe, Big fan. And I like what you said about hunting and everything down here in the south, when every. When it comes down for hunting season, all the charities have a clean out your freezer thing, and everyone's takes all their stuff from last year and brings it to charity.

[Giovanni]

Oh, and donates. Yeah, they have those programs like hunters for the hungry, which are really nice. Yeah. Yeah. Especially if people don't have a freezer large enough for, you know, if you shoot a deer, you have, you know, like a hundred pounds of meat. A lot of people don't have a freezer that fits 100 pounds. So that's nice. A lot of times people, they give food to their friends. They'll like. Whenever I shoot something, like, I just shot this moose. I'll show you this picture. You want to see a dead moose?

[Adam Carolla]

Yeah, I'd like to see a dead moose. I already seen them so animated. Wow.

[Giovanni]

Yeah.

[Adam Carolla]

So I say that's a big moose, but I don't know why I shouldn't be surprised.

[Giovanni]

They're giant. I just. That was last weekend. I was just in Canada. So that'll be like 400 pounds of meat. So I'll give a bunch of meat to my friends. My goal was by the end of 2014 to not buy any meat from a store. If I went to a restaurant, I had to order meat. That's fine. But if I was eating meat, I want it to all be animals that I know were killed ethically. I did it. You know, I grow my own vegetables. I have chickens. I have 24 chickens. I get all my eggs from chickens.

[Adam Carolla]

I like to do a sort of twist on this, which is I get a bunch of hunters together, we raise a bunch of money for charity, and we just hunt one homeless guy.

[Brian Bishop]

Oh.

[Adam Carolla]

You know, the ultimate prey. The most dangerous guy game. The ultimate.

[Cassius Morris]

Really have respect and love for homeless guys.

[Adam Carolla]

We give them like a 10 Mississippi head start. He or she. And then, you know, whoever paid the most for the charity auction with a bow. Sure. Well, yeah, bow.

[Giovanni]

It's not that they're not that dangerous. So that's a lie. So it's an excuse for hunting people.

[Adam Carolla]

The most dangerous pray. I've seen a lot of 80s movies.

[Giovanni]

Go after a hippo. That's the most dangerous.

[Adam Carolla]

But I have seen 80s movies where they shame man. The most dangerous spray. Yeah, Hippo is probably.

[Giovanni]

It's more than 80s. It was a 1930s movie, the original movie, Most Dangerous Game. I think I want to say black and white. Yeah. It was a short story that was turned into a movie in the 9th. It's a black and white movie. And then there was another one with ice. Iced tea.

[Adam Carolla]

Yeah. But there's always. There's like 30 in between where some super rich white guy was just sitting around going, I want the ultimate prey.

[Giovanni]

The ultimate spirit actually does happen.

[Adam Carolla]

But I'm always like, yeah, you're right. Hippos are a lot more dangerous than man.

[Giovanni]

Unless you give the guy a gun. I mean.

[Adam Carolla]

Yeah, they don't do that part.

[Giovanni]

Crazy. And you want to give the guy, like, a bow and arrow and you have a gun.

[Adam Carolla]

Yeah.

[Cassius Morris]

Somehow they. They never do that.

[Adam Carolla]

They give you a head start and that's it.

[Giovanni]

But I feel like my head starting. A sniper rifle. Then you got a realistic.

[Adam Carolla]

Then we got a situation. Hey, Mike.

[Mike]

Yeah.

[Adam Carolla]

So your question was.

[Mike]

Yes. Talking about family and education. You talked about education. And I think it's going the right way as far as competition and stuff like that. Sorry, I got a slur.

[Adam Carolla]

Sorry.

[Mike]

And so I think that's going the right way. What family? What can we do? Not shaming or anything like that. What can we, as a society, stuff like that. To get people who shouldn't have kids.

[Giovanni]

Having eight kids or listen Hitler, settle the fuck down.

[Adam Carolla]

I was watching one of these. It's so. I mean, it's so insane. I was watching a boxing documentary last night. I don't know. It's kind of like I fought Ali. It's like all the guys who fought Ali, you know, and they're sitting down and telling their story, you know, and Ron Lyle. And Gary will find a picture of Ron Lyle. He was a pretty. Pretty good contender. I don't know, 70s or maybe early 80s. Spent a lot of time in prison. Got out, fought Ali. Had a really good fight with Ali.

[Giovanni]

How about with Foreman? Remember that?

[Adam Carolla]

Foreman? Yeah. Oh, shit. Was that Lyle or was that.

[Giovanni]

Wasn't it Ernie? No, it wasn't Ron Lyle. George Foreman and Ron Lyle.

[Adam Carolla]

Oh, I'll think it may have been the other. Could have been Ellis. Jimmy. Could have been Jimmy Ellis.

[Giovanni]

I don't believe it was.

[Adam Carolla]

All right, well, we'll figure out. We'll figure out. Figure out whether the crazy slugfest with Foreman was Jimmy Ellis. Or Ron Lyle. Either way, he's now 67 year old dude. And yep, he fought Lyle, but he also. No one's going to hear to argue Joe Rogan.

[Giovanni]

That was the fight after they all.

[Adam Carolla]

Fought, they all fought each other. So just to say he fought him doesn't mean. Unless he never fought Jimmy Ellis. So we'll have to figure that one out. You can figure it out. Joe's probably right. Anyway, Ron Lyle is sitting there being interviewed. He's like 67 years old and he's like, well, you know, I grew, grew up in the projects and there were 19 of us, 14 brothers and five sisters. And it's like you just think like, could you imagine? And I think there's a part of us and in a way it's sort of racist just to go, yeah, well there you go. But thinking 19, first off, how do you have 19 kids?

[Giovanni]

I don't know, how's the apysically, That's a reality show. The duggars, they have 19 kids in.

[Adam Carolla]

A project like something with no windows on two of the walls. It's absurd to me. It was Lyle and he was recorded after that. Joe Rogan is right. It was one of crazy when he was 36. Crazy, crazy story. But you just hear him casually say 19. 19 people, not people, 19 kids in the projects. And you have a. I mean we're all just sitting around imagining, you know, moving into a smallish apartment with. How many kids do you have, Joe?

[Giovanni]

Three.

[Adam Carolla]

Three kids. Like imagine moving into a smallish apartment with three kids.

[Giovanni]

But even that's bearable, it's workable, everybody's good.

[Adam Carolla]

But how about 19?

[Giovanni]

No, I can't even fucking imagine that. That didn't make sense.

[Adam Carolla]

When does it become child abuse?

[Giovanni]

Well, it's ignorance and you know, there's a lot going on there. It's the way they were raised. Just the momentum of an ignorant youth.

[Adam Carolla]

Understood. But as a society that is so interested in the safety of children, you cannot throw the kid in the back of the Porsche and drive around. Your kid needs to be in a proper seat, facing a proper direction that's raining. And I say, oh, now our kids are eight years old and they're £55. Well now they need the little booster seat. And I'm always like, are you serious? And think about how outraged everyone gets. Every twice a year there's a story about the mama who left their kid in the minivan and went into the Walmart and forgot all. Okay, that's one kid. This is 19 kids in the Projects. And it's abuse. And it's the kind of abuse that I think transcends the one kid in the minivan. At least that kid's got a shot. If somebody walks by and bust out the window. These kids don't have a shot, not in that environment. So if we're that interested in kids, and I'm talking about of any nationality or any background, why not a dialogue about what is an appropriate amount of kids?

[Giovanni]

Well, how do you do? How do you change that? How do you. I mean, if someone wants to have more kids, who is to judge? Who's to say that one person can handle 19 kids? One person even handle one? So Ron Lyle's mom could handle 19 kids. She might be able to do a better job than a lot of people who have won. That's reality.

[Adam Carolla]

Well, I think first off, George Foreman wished that Ron Lyle was never born when he was knocking him down four times in one ride.

[Giovanni]

Foreman won the fight. Yeah, I know, but it was a fucking slobber knocker.

[Adam Carolla]

It was crazy. But I'll bet the guy that Ron Lyle killed to go to prison wishes that mama didn't knock out 19. Either way. Look, I don't know who's to say, but what I'm saying is, as it pertains to children and as it pertains to the safety of children, the government says a lot. You can't sell a house with a swimming pool unless there's a fence around it. They have a ton of regulations involving children and safety. This, to me, is a safety issue for these children and the children who live around who may get stabbed by Ron Lyle one day. It should be a discussion. That's all I'm saying. It's not on the table.

[Giovanni]

The problem is, not only is it not on the table, there's no clear answer and everyone knows it. It's not one thing that you can go in. I mean, what kind of social engineering are you proposing? Are you proposing abortions? You're proposing pills? You're proposing, you know, foster care? Yeah, I mean, it's one of those weird things. It's like, who could tell anybody what to do when it comes to natural things like having children, it gets real squirrely. You know? Who gets to decide how you enforce that?

[Adam Carolla]

What I would say is there are things our government would like more of and things they would like less of.

[Giovanni]

Right.

[Adam Carolla]

And what they would like is more taxpayers and less prisoners.

[Giovanni]

Theoretically, sure, but how do you do that?

[Adam Carolla]

Well, they do a pretty good job of it when they're Talking about conserving water in the middle of a drought. You know, they go, well, first thing you do is we get the word out. Second thing we do, we.

[Giovanni]

But there's no civil rights involved.

[Adam Carolla]

Yeah, well, that's what I'm saying. I mean, I'm saying act interested, number one, and then go about seeing how to enact some change.

[Giovanni]

It would have to be some sort of a. A deep, systematic rewiring of education systems.

[Adam Carolla]

Okay.

[Giovanni]

You'd have to develop community programs. You'd have to somehow or another give people some form of guidance that's not currently available that makes them understand the consequences of their actions.

[Adam Carolla]

But you're sort of. Well, I think you're saying now a little bit what I'm saying.

[Giovanni]

Yeah, I just don't. I don't know. Like, if you wanted to step in and start doing that, it would get real weird because it would be up for debate how many kids you should have and who can have how many. And economically, whether or not you could support them. Is it an economic issue or is it a social issue? If you're. Which is, fuck, you're, you know, Donald Trump or whatever, and you want to have 30 kids, why can't you just have 30 kids? I mean, who the fuck can tell him he can't. He's hired the best nannies he's got. So then it becomes an economic issue. It's like, can you physically pay for these people? Well, if you have welfare, you get money for each child and. Okay, well, now, who's to say?

[Adam Carolla]

The way I would start this would be the same way. Way I would like to know, like, for instance, if somebody was a victim of molestation, they're more likely to molest victimize others when they're adults. I mean, that's statistical fact. Most everybody, it seems that molest, somebody was molested, you know, very common. So it's the kind of thing that if I found out as the man that somebody was molesting, molested at a young age, I would want to use therapy and try to help that so that person does not go out, become a priest, whatever school principal, and molest a bunch of people. Shop teacher and shop teacher. Not wood shop, metal shop, sweaty metal shop guy. Now, I would say that if I saw somebody that came who's from a family where their mother was pregnant as a teen, I would want to talk to that child or counsel that child or. Or work with programs for that child so that history did not repeat itself. That's where I would start. I'm not talking about forced sterilization or any of that. I'm talking about focusing on a problem and getting to the root of it so that we can stop perpetuating this.

[Giovanni]

It's a very idealistic way of looking at it. I mean, it'd be nice, but the reality is you're talking about a massive amount of people. And how many government agents would you have to. Have to try to conquer that on an individual basis? And how much time you have to spend with each individual person to somehow or another get it into their head that this is a bad idea to have 19 kids in a one bedroom apartment.

[Adam Carolla]

Well, they're at school all day, every day with counselors. Theoretically, one could start there.

[Giovanni]

There's no money even for that. The amount of money that's spent on education now is staggeringly low. The amount that these poor teachers get that have to run these inner city school programs, they get fucking dog food.

[Adam Carolla]

I'm talking about Trump's kids at the private school. I'm not talking about.

[Cassius Morris]

I mean, is this a different conversation than the birth control conversation? Could it be piggybacked onto that?

[Adam Carolla]

Yeah, it would cover. I mean, it'd be, look, here's the problem. Boom. Too many people, too many kids, can't take care of it. Broken family, everything else. Okay, so let's approach it from 15 different angles. One of them will be birth control.

[Giovanni]

This is something. You chime on a lot, right, of heat about this sometimes, don't you?

[Adam Carolla]

I'm very interested in it because I've always just said it's the problem that feeds all the other problems we have.

[Giovanni]

It's one of the big ones.

[Adam Carolla]

It's one of the. Obviously I've always said, look, we never have to worry about Dr. Drew's triplets because he's going to be married for 35 years. Get, you know, pussy whipped, but still married. He's going to stash away money for college. He's going to see these kids all the way through. So. So they. Whatever. And you can leave your front door unlocked at night for Dr. Drew's kids.

[Giovanni]

That's a good point.

[Adam Carolla]

We don't have to worry about that. And they're going to pay a shitload in taxes before they hit the dirt, too.

[Giovanni]

Here's the question, though. Will Dr. Drew ever have a Ron Lyle? Will he ever have a James Brown? And isn't it maybe important to somehow or another be embroiled in chaos in order for the true artistic self to.

[Adam Carolla]

Come out of you?

[Giovanni]

Does pressure make, make a diamond?

[Adam Carolla]

Ah, What I do now. Interesting.

[Giovanni]

Soft bitches coming out of Dr. Drew's house, perhaps?

[Adam Carolla]

Yeah, you're right. We don't need another lily white guy sitting next to US on a JetBlue flight, staring at his fucking tablet run.

[Giovanni]

School with his golf shirt on. Yeah, scared of conflict.

[Adam Carolla]

Joe's right. We need another run. Lyle.

[Giovanni]

I just think we need everything. I think we have this idealistic utopia view of the world, but I think there's something that comes out of the chaos. There's something that comes out of the struggle of life and the imperfection of being a person. I think it creates most art.

[Adam Carolla]

Okay. And again, look at you. Look at you.

[Giovanni]

You came from kind of a fucked up childhood.

[Adam Carolla]

Came from people that definitely shouldn't have had any fucking kids.

[Giovanni]

Look at me. Same thing. That's how it goes.

[Adam Carolla]

Your parents shouldn't have had any kids.

[Giovanni]

That's a terrible idea. Yeah. I haven't spoken to my dad since I. I was seven.

[Adam Carolla]

Oh, really? Yeah.

[Giovanni]

His name is Joe Rogan. I don't even know him. He lives in. Somewhere in New Jersey. Yeah, My parents broke up when I was 5 years old and I haven't seen him since I was six.

[Adam Carolla]

Joe does. Joe Rogan, who must get stopped a lot and go, Joe Rogan. Hey, you're not related to Joe Rogan Joe Rogan, are you?

[Giovanni]

He has daughters that contacted me a long time ago and they wanted to go on the radio with me once. And I was like, dad, Nope, no, thank you. I don't want to get involved.

[Adam Carolla]

Is dad still alive? I don't know his dad. And let me do. I'll tell you what, let me do a spot, but I want to know more about this. I want to know how this affected you. Because I have this same version of this with my family to some degree. And I think in a way it's given me a certain overall pragmatism, like a sense of like when your dad is not around or your mom is not around or whatever it is. There's this. And it's more than not around. But there's a certain just pure nut and bolt pragmatism like you talked about with bow hunting. Like, it's just fucking. All the fairy tales are gone. It's just me and my mind and my cunning and my biceps and my fists and survival and pragmatism.

[Giovanni]

I was forced into that at a very early age. And I sort of, step by step along the way, made adjustments based on what I knew was wrong about all the adults around me being.

[Adam Carolla]

Being hold on. Let me give a little love to Lifelock. And then I want to explore this. I'll tell you what's pragmatic, man. You have to protect your identity. There's thieves out there. Identity thieves are on every corner. Ron Lyle could have some grandchildren. They're stealing your identity is what, for example?

[Giovanni]

Dare you. Dare you.

[Adam Carolla]

Yeah. No, it's not. That'd be more Dwayne. Bob's kids. Yeah. Digging deep with the 70s boxers here. It was a white, red headed heavyweight. All right. What do we got, Allison?

[Cassius Morris]

Well, two phone companies posted the Social Security numbers, driver's licenses and other sensitive data of up to 300,000 clients to the Internet just because of careless management.

[Adam Carolla]

That could be you. Not me. I got Lifelong Ultimate Plus. It's the best. My kids have it, you need it, we use it. It's not a matter of if. It's a matter of when. Somebody's gonna steal your identity. Be prepared with LifeLock. LifeLock Ultimate Plus. Dawson. Visit LifeLock.com and enter promo code Adam to save 10% on your LifeLock Ultimate plus membership. That's promo code adamifelock.com to get a special 10 discount. LifeLock.com network does knock over alternative transactions. There's a picture of Dwayne Bobick. See? Told you. It could have been his kids. So, Joe, there's a. You and I are very much same. I grew up very early going, shit, I'm on my own. I better take care of things. No one's gonna take care of me. So your dad was physically gone. My dad was mentally gone.

[Giovanni]

But it's probably similar in a lot of ways. Just it's the same thing. Recognizing early on that you have to sort this out for yourself. Whereas I think if everything is laid out for you, people have a tendency to be lazy. You know, the people have a tendency to not think outside the box when the box is. The box is how your family has lived for generations. See this? This is your grandfather. He's living in the box. Your grandfather's grandfather was a part of the box. We all joined the same country club. We have a tradition. You're not gonna fuck up the Carolla name. Do you understand me, boys?

[Adam Carolla]

Right?

[Giovanni]

And that shit wasn't available for you or for me. So we were forced to become our own person instead of being what we imitated from our father.

[Adam Carolla]

I have a condition that Dr. Drew diagnosed as hypervigilance. Which is just literally noticing everything and having weird peripheral vision where I can see stuff that's way off to the Side coming. And I profile everything. And it's like a constant, basically. It's like a gazelle drinking out of a river, looking for crocodiles constantly. Did you grow up with a sense of, I'm in danger? You know, when you're nine years old, there's no man living inside your house. It's just your mom.

[Giovanni]

I lived with my stepdad.

[Adam Carolla]

You did. And did you feel like he could protect you?

[Giovanni]

Yeah. That helped a lot. But there's just also a weirdness of no longer knowing my dad. He was just gone. Like, where did he go? He's gone.

[Adam Carolla]

How old was he? Were you sorry?

[Giovanni]

I was seven last time I talked to him.

[Adam Carolla]

Seven.

[Giovanni]

So, you know, and then all of a sudden, he was just gone.

[Adam Carolla]

How much. How much of it do you. Do you believe becomes shame on his part? Like, as the years wear on? It's like a library book that you'd never turned in. And it just gets worse and worse and worse. And there's a shame factor there. It's like, oh, my God, I'm sure.

[Giovanni]

But once I had kids, I mean, even. Even before I had kids, it didn't make any sense to me. But once I had kids, it really didn't make any sense to me because I'm like, that is impossible. I could never do that.

[Adam Carolla]

What do you think your posture would be if tomorrow. The phone rang and it was Joe Rogan Sr. Saying, how'd you get my number, bitch? And what if he said, hey, all I can tell you is I'm sorry and I want to be a part of your life.

[Giovanni]

No. No, you don't. No, no, it doesn't work that way.

[Adam Carolla]

What could he. He do to recognize I'm not interested?

[Giovanni]

I have a lot of people I already know in my life. At a certain point in time, I'm not. The worst that could come out of it is not worth risking. The worst that could come out of it is I have this nutty fucking person in my life who used to beat my mom up, and he wants to say sorry because he's facing the grave. He's staring at the yawning abyss, and he wants to, like, clean up the problems. Like, you don't get to clean up every problem.

[Adam Carolla]

Well, I had. And I try to tell this to people because they'll do. People will go like, but he's your dad. And it's like, no, he's not.

[Giovanni]

Your friends are, in my opinion, the most important aspect of your life and your family, because you can't pick your parents. You can't pick your crazy uncle wanting to fucking come over your house and drink. Hey, Uncle Bob, you're a douchebag, okay? No, you're not welcome in my house. Get out of here. You're a crazy person that I have DNA that's connected to. So you choose who do you let in, and don't let in your life outside of your family. But I say when someone is like that in your family, you should choose to keep them out of your life too. The genetic family is not as important as the chosen family. And the chosen family for me is my friends, my wife, my kids. You know, that's the chosen family. That's what I've all put together myself.

[Adam Carolla]

See, again, all insanely.

[Giovanni]

But my mom, I love my mom.

[Adam Carolla]

Incredibly pragmatic, but against the conventions of life about the blood.

[Giovanni]

And the conventions are nonsense. They're created by fools perpetrated by silly people. It just keeps going on and on and on until nobody says enough. And if you let these people into your life and they're just constantly wrecking things and fucking things up. Look, at a certain point in time, you have to recognize that it's your own problem. If you let obvious problems into your life, like you've decided to allow this, what's the best that could come out of it? I make an old guy feel good before he dies. Terrific. If you're out there, good luck, buddy. Have a nice life. I don't know you, but thanks for knocking my mom up. I'm enjoying life.

[Adam Carolla]

And I'm with you. I'm with you in that he doesn't deserve to be forgiven.

[Giovanni]

It's not even a deserved thing. I'm not interested. It's not. I don't make a judgment as far as, like, I want to punish him or it's like I'm not interested in complicating my life any further. I'm busy enough. If I take five minutes with this guy and it's five minutes away from me talking to my kids, Fuck him. That's what I say. Because my kids are way more important to me than some guy that I don't know. So if it's five minutes that I could be at home playing fucking monopoly with my 6 year old, there's no way I'm giving it to him. You, you don't get it. And I don't hate you and I don't hate anybody. There's only a certain amount of time in this life.

[Adam Carolla]

I know. I had a very uncomfortable conversation with my mom the other day where I had to explain to her there's nothing for us to get back to, which was tough on her.

[Giovanni]

Those are hard.

[Adam Carolla]

But I had to say, like, we never had a relationship. So what are we mourning here? Like, what are we getting back to? There's nothing to get back to. It's not like you were a nurse in World War II and split when I was 13 and I resented you. You locked yourself in your room and yelled freak out and smoked weed. So there was nothing for us to really get back to. And I think a lot of people that have strong relationships, they can't imagine. And Brian has a pretty strong relationship with his family. What you want to keep what you hear from that is. But it's your dad. And it's like, but it's not.

[Giovanni]

If it was your dad, it'd be different. You know, my mom, I'm very close to my mom and I'm close to my stepdad. It's not like I reject all parental influence. It's not that at all. I mean, you know, I love my mom. She's awesome. She's a great person. She was a 21 year old girl who got knocked up by some guy and she didn't know any better. She was a child. Not only that, she was a child of immigrants. They were savages that got on boats and came over from Italy and Ireland. They were fucking primates. They were wild animals. They barely had rules. And they came over here and my.

[Adam Carolla]

Sterilization program kicks in, put an end to this.

[Giovanni]

Then you get no Adam Carolla, you get no Juggy Rojo, you get no Ron Lyle, you get no podcasting, you get no. There's a lot of shit you don't get. You don't get James Brown unless you get a kid who grew up in a brothel. You know, I mean, that's the reality of life.

[Cassius Morris]

Douglas Pinsky.

[Giovanni]

It's gonna be. Yeah, you get a lot of white people, a lot of milk, a lot of cheese sandwiches.

[Adam Carolla]

It's gonna be a crazy speech. All right. You don't want Billy Joel or Ron Lyle. Have at it. Everyone's gonna be a little confused what the Rogan talking about.

[Giovanni]

I think there's a certain amount of, you know, there's a certain amount of struggle that ultimately makes a fascinating person. All of my best friends, friends all had up childhoods. All my favorite people all had up childhoods.

[Adam Carolla]

We need a picture of Ron Lyle, by the way.

[Giovanni]

How does that relate to how you're gonna ask that? That's a. It's a dilemma.

[Adam Carolla]

Oh, sorry.

[Giovanni]

Because my kids are in, like, really colored me.

[Adam Carolla]

Good. I know. I saw it earlier. It's my, my, My bad. Sorry, go ahead. Yeah, sorry, Sorry.

[Cassius Morris]

Yeah, no, I want to hear.

[Giovanni]

My kids are in a comfortable house at a happy family. And, yeah, it's different, you know, And I just hope that you can impart the wisdom that you've learned from all your trials and tribulations and at least give them some sort of a bridge to understanding that there's a bunch of different people and a bunch of different ways to live this life and that you should try to choose a path that makes you ultimately happy. The good thing is I don't put pressure on them in any way, shape or form to achieve any sort of academic goals or achieve. I give them as much encouragement as I can and happiness when they do things, and we do a lot of stuff together. But I think, think kids, you have to leave them the fuck alone and let them figure out what they want to do and then just be with them all the time and just give them encouragement, communicate with them. And that's something I learned from not getting it. And so I wonder if, like, who I am. I probably would have been completely different if I grew up in some sort of a really supportive, different environment, but I probably ultimately wouldn't have been nearly as driven. I definitely wouldn't have been nearly as crazy or violent. You know, all that stuff came out of this fear of having to constantly protect myself do.

[Adam Carolla]

And I, I'm. I'm with you. I need you to talk to my wife a little bit about the education part, because I do have this feeling like it's always college, college, college, college, college. I'm like, what are they really going to learn in college? What are they in 10 years from now? Especially, look at Ron Lyle, man. He was a piece of.

[Giovanni]

Oh, he was an animal.

[Adam Carolla]

He was an animal. He's a piece of work.

[Giovanni]

Well, he was a smasher, him and George Foreman. If you watch that fight, folks, go watch that fight. It was right after Foreman lost to Ali, and he was, like in this weird state where he was just real psychologically damaged by Ali. Ali broke him. And then he went to war with Ron Lyle and they beat the shit out of each other. And George Foreman was like, you know what? Fuck boxing. And he came back at 30. I think he was 36. He was fat as fuck. He was just unbelievably fat. And everybody was mocking him like, George Foreman coming back at 36 years of age, 46 years of age, 10 years later, he knocks out Michael Moore with one punch, become the oldest heavyweight champion ever.

[Adam Carolla]

The whole story about him not only winning the belt, you know, and having, you know, 25 years or 20 years or whatever it is separating him from the belt, the strap, to the strap, is absolutely insane. But also the fact of him completely reinventing himself, his Persona from the scariest guy, forget about boxing, Scariest guy in sports, to the most jovial, lovable, chubby cheeked guy who's going to sell burgers and grills.

[Giovanni]

Loves Jesus.

[Adam Carolla]

People don't realize he loves Jesus. His first. The first George Foreman was the brooding, huge, scary hulk of a man who was angry at the world and people worried he was going to kill Muhammad Ali in the ring and then later came back eating a cheeseburger and laughing.

[Brian Bishop]

That kind of package.

[Giovanni]

But you know what's interesting is, like, two guys Ali did that to, he did that to Sonny Liston and he did that to George Foreman. He disarmed both of them. And he was the smart, clever, cunning, fleet of foot, trash talking, rhyming, poetry reading, intelligent young man who was articulate beyond belief for a heavyweight champion. Nobody had existed like that in all of sports. Forget about in fucking boxing. You know, you got a guy who is so sharp, he's being interviewed by Howard Crocel. And Howard Cosell goes, you sound very truculent, champ. He goes, whatever truckulate mean, if it's good, I'm that. And it's like that. This isn't something that they prepared. I mean, he was just. He fucked their heads up long before they got in there. When the crowd's yelling, Ali boom, bahia. And George Foreman's going, what the fuck is going on? I'm the champ. And they're all just, everybody. Ali goes to the ring, the Africans go crazy. Everybody's going nuts. And Foreman was freaked the fuck out. And then when Ali knocked him out, he stole his soul. He stole his soul the way he stole Sonny Liston's soul. And he made Sonny Liston quit on the stool. He was a guy that finally wasn't scared. He was like the first guy ever that wasn't scared of Sonny Liston. The first guy that ever wasn't scared of George Foreman. And you saw their Persona get stripped away and their character revealed.

[Adam Carolla]

Yeah. And the thing that was so insane is now you understand it in sports about how teams match up and that kind of thing. And it's sometimes. Well, just because the Pats beat Denver doesn't mean they're going to beat Indy or whatever it is. But when you see Muhammad Ali, when you see Joe Frazier get dismantled by George Foreman, just dismantled by George Foreman.

[Giovanni]

He lifted him in the air when he was seeing that punch.

[Adam Carolla]

Yeah. And then lifted him.

[Giovanni]

Him in the air.

[Adam Carolla]

Then you think, and Joe Frazier beat Muhammad Ali. So how's Muhammad Ali going to fare against the guy who dismantled the guy who beat him? It's like you're just doing a simple math. And again, it's not a team thing. And these receivers match up well with their secondary. Just dude on dude in shorts. How is this going to work? That was the magic of Ali.

[Brian Bishop]

And every athlete today who is telling you how great he is or who's referring to himself in the third person, they're just doing Muhammad Ali.

[Giovanni]

He definitely started it off. But that's like saying that every stand up comedy comedian who gets on stage is doing Lenny Bruce. Because that's true too. You know, it's evolved a little bit.

[Brian Bishop]

But he's the first one to do those.

[Adam Carolla]

Yeah, he definitely was big George Foreman. And yeah, George went back to the dressing room and that was him at.

[Giovanni]

46 on the left.

[Adam Carolla]

Found Jesus. Found Jesus Christ.

[Giovanni]

You ever seen his fight with George Cooney Clooney or no Jerry Cooney? Jerry.

[Adam Carolla]

Yeah, sorry. Jerry Clooney.

[Giovanni]

Did you ever see that fight? Jerry Cooney a Cooney.

[Adam Carolla]

Sorry, I'm screwing that whole thing up.

[Giovanni]

Did you ever see that fight?

[Adam Carolla]

Yes.

[Giovanni]

That was when people were wondering whether or not George was for real. They were wondering like, okay, he's beaten some good guys, but Jerry Cooney's a knockout artist. He just fucking pole axed Jerry Cooney. He stepped to the side and blasted him with his right hand to the chin. You see Jerry Cooney's legs give out and he crumples and you go, holy. He might be able to do that to anybody. He did what Larry Holmes could. I mean, Larry Holmes beat Jerry Cooney, but he beat him down over a series of rounds and eventually stopped him.

[Adam Carolla]

That was sort of great white hope kind of stuff. Not the Foreman fight, but with the Holmes fight, Homes was sort of pretty unbeatable. And they found a tall guy, Irish guy, you know, it sort of worked out well.

[Giovanni]

He would knock dead.

[Adam Carolla]

Oh, yeah, no, he.

[Giovanni]

He knocked Ken Norton dead. You ever see that fight? Jerry Cooney.

[Adam Carolla]

Jerry Cooney, yeah.

[Giovanni]

Ken Norton. He dropped him in the first round and just smashed him. And everybody was like, holy shit. He could do that to anybody.

[Adam Carolla]

Ken Norton's, as you know, is a Bay Area guy.

[Brian Bishop]

His Ken Norton junior. The linebacker.

[Adam Carolla]

Junior linebacker who I Don't think talked to his dad for a while or had some issues with long time problems. Some issues with his dad. Not as bad as Joe Rogan. No, but that was another junior that didn't get along like that dad so much. Imagine that fucking gene pool. Just fucking Ken Norton just gave you all his genes and said, go out there and play with our sport. You want some?

[Giovanni]

No steroids, no weightlifting. 225 pounds of super athlete throwing bombs.

[Adam Carolla]

Oh, the guys and those fights back in the day were just so much better. One picture of Mike Weaver, who, who I used to train, used to work with back in the day. You want to talk about. I think he was called Adonis.

[Giovanni]

How about Frank Bruno? Frank Bruno is the best body in all of sports.

[Adam Carolla]

I'd fuck Frank Bruno or he'd fuck me. And I couldn't say no.

[Giovanni]

It'd be a story. It's a fucking trip on a journey.

[Adam Carolla]

Frank Bruno is insane. But now you got to find a good one. Where Mike Weaver looks at Mike Weaver esque at his peak. And we'll show you, Joe, because I think.

[Giovanni]

Oh yeah, look, look at that. Jesus Christ, What a stud.

[Brian Bishop]

30 gets waist.

[Giovanni]

Good Lord, 55 inches.

[Adam Carolla]

I hate his working with that, work with that guy.

[Giovanni]

Oh my God, he's like a perfect human goddamn specimen.

[Adam Carolla]

I know, I know. And friendly too.

[Giovanni]

Who beat him?

[Adam Carolla]

Oh, everybody, eventually.

[Brian Bishop]

But it says in the caption he lost Larry Holmes there.

[Giovanni]

Oh, Larry Holmes, yeah.

[Adam Carolla]

All right.

[Giovanni]

Most underrated heavyweight champion ever.

[Adam Carolla]

I agree. And Larry will tell you too. And also great footage of him in dress shoes running over the hood of a car to jump onto.

[Giovanni]

Who was it? He drop kicked him, right?

[Adam Carolla]

I don't know.

[Giovanni]

Who did he find?

[Adam Carolla]

That was it.

[Giovanni]

Oh, I know who it was. It was the same guy that Tyson beat for the title. It was Trevor Berbick.

[Adam Carolla]

We'll find the footage of, I'm pretty sure, like Larry making a comeback and literally running over a car like a giant man and jumping into a car. That's what he did. You should change your mind about National Academy of Sports Medicine. We're talking about all these guys and all these specimens. Oh, man, what a career. You can become a certified personal trainer with the National Academy of Sports Medicine. You can work with pro athletes, you can work with teams, you can work with a list celebs, maybe even Ron Lyle. If he's making a comeback, do something you love. Make money doing it. I'll tell you, that is the one thing I miss about my friends former life, working out, training people. Guaranteed that you'll get a job within 60 days of earning your certificate or your money back. And you can try it out for free. Sneak preview 14 day sneak peek online at. Just go online and check out myusatrainer.com that's myusatrainer.com. all right. Watch Larry Holmes run over the hood of the car and then we'll call.

[Giovanni]

Who was it? Was it Trevor? Yeah, it was Trevor Berwick. I was right. Jumps off and drop kicks him.

[Adam Carolla]

There's a big man to be running over a town car. Yeah.

[Giovanni]

Glorious.

[Adam Carolla]

It's good stuff. Joe Rogan, everybody. Joe Rogan, Rocky Mountain High. Allison, just put all this news on ice. We'll do it. We'll do it tomorrow when Joe Rogan comes in and just starts talking boxing and parental abandonment. How can you deny the man?

[Cassius Morris]

There's no way.

[Adam Carolla]

Podcast the Joe Rogan Experience is available on itunes as well. It's got some live shows coming up. Go to joe rogan.net joerogan.net find out where he's playing near you. Also, tweet him at Joe Rogan, us everywhere. Doing live shows, doing Grabbing knee, doing the Canyon Club, the whole thing. Yeah.

[Giovanni]

Is that you doing stand up or are you doing the podcast?

[Adam Carolla]

Oh, I'm sorry. Take any. I said gravity. Yeah, we're doing a podcast there. Yeah. What is it? Go ahead.

[Cassius Morris]

December 12th.

[Adam Carolla]

December 12th. But anyway, stuff all over the place. And thank you for clicking through our Amazon banner and keeping the pirate ship alive. You know how it is, Joe Rogan.

[Giovanni]

I do know how it is.

[Adam Carolla]

I love the support. So until next time, Adam Carolla for Joe Rogan. Cassius Morris. Morris. Well, Matt calls him Cassius and he's got me screwed up. Now it's just Cassius. Like Cassius Clay and the guy Brian, who faked his way onto network television. And Allison Rosen and Joe Rogan, if I didn't say already involved. Ryan Sand. Mahala. Right now, Adam, you have a bowling pin up your ass. That's Adam.

[Giovanni]

CR Show 1457. That does it for today's CR Classics. Make sure to tune tomorrow for even more. Until then, hollow and get it on.

[Adam Carolla]

Are you looking for your next case? Pluto TV has all your favorite crime dramas streaming for free. You're gonna need some backup, which means suspense is free. Very cool. Watch CSI New York, Criminal Minds, Blue Bloods, Tracker, FBI and swat. All for free. You can't outrun this. Someone is going to pay for all this crime. But it's not going to be you. Take care of business, fellas. Watch all the cases all for free from all your favorite devices we got you feel the free Pluto TV stream now pay never.