Dolph Lundgren on Beating Cancer, Sahil Bloom Talks 5 Types of Wealth & Gen-Z’s Minecraft Movie Madness

Summary

Adam Carolla Show Summary: "Dolph Lundgren on Beating Cancer, Sahil Bloom Talks 5 Types of Wealth & Gen-Z’s Minecraft Movie Madness"

Release Date: April 14, 2025

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Guests:

• Dolph Lundgren – Actor known for roles in Rocky IV, The Expendables, and Aquaman 2.
• Sahil Bloom – Author and motivational speaker, bestselling author of Five Types of Wealth.

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1. Sahil Bloom’s Inspiring Battle Against Cancer ([03:05] - [06:42])

Sahil Bloom opens the conversation by sharing his triumphant journey of overcoming cancer. Diagnosed a decade ago during a grueling gumball race in Sweden, Bloom recounts the harrowing path from initial diagnosis to remission.

Notable Quote:

Sahil Bloom ([03:19]): "It’s been a long, crazy journey and very tough at times."
[03:19]

Bloom details the misdiagnosis that led to ineffective treatments for two years, culminating in discovering a second mutation that responded to a targeted oral medication. This breakthrough resulted in a significant reduction of tumors and eventual surgical removal, leading to his current status of no cancer activity.

Notable Quote:

Sahil Bloom ([05:50]): "But I did. Had the wrong therapy for like two years. Everything just got worse."
[05:50]

He emphasizes the importance of perseverance and the role of accurate medical diagnosis in his recovery.

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2. Overcoming Childhood Trauma and Family Dynamics ([06:43] - [16:28])

Sahil delves into his challenging childhood, marked by abuse from his father and lack of protection from his mother. At the age of 13, his father sent him away to live with his grandparents near the Arctic Circle to prevent potential future violence.

Notable Quote:

Sahil Bloom ([12:24]): "So I try to get myself back together, get healthy, try to work on my confidence in martial arts and try to feel better about myself, feel stronger."
[12:24]

Living in isolation initially made him unhappy, but it ultimately led him to discover martial arts, which became a cornerstone of his personal growth and sense of security.

Notable Quote:

Sahil Bloom ([15:44]): "I think there was a very clear decision, and I think pride and ego gets in the way probably on both sides."
[15:44]

He reflects on the impact of his upbringing on his resilience and motivation to carve out his own path.

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3. Therapy and Personal Growth ([16:28] - [24:26])

Bloom discusses his journey through therapy, specifically Cancer Survivorship Therapy, which helped him confront deep-seated trauma from his past. He explains how therapy enabled him to reframe his experiences and rebuild his sense of agency.

Notable Quote:

Sahil Bloom ([06:43]): "Yes, I was like my. I have, I do therapy now called Cancer survivorship therapy."
[06:43]

He highlights the transformative power of addressing mental health issues and the importance of support systems in overcoming personal challenges.

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4. Hollywood and Acting Experiences ([24:26] - [56:00])

Bloom shares his unconventional path to Hollywood, transitioning from a chemical engineering student to an actor. His encounters with iconic figures like Grace Jones and Sylvester Stallone are recounted with humor and reflection.

Notable Quote:

Sahil Bloom ([29:36]): "She's African American, but with a French accent and French manners."
[29:36]

He recounts working on The Expendables 4 and Aquaman 2, discussing the physical and emotional demands of acting while battling cancer. Bloom also touches on his enduring friendship with Stallone, emphasizing mutual respect and the challenges of maintaining relationships in the high-pressure environment of show business.

Notable Quote:

Sahil Bloom ([49:49]): "He was very tough as a director and as a producer and could get very kind of hard on the actors, you know, including me."
[49:49]

Bloom illustrates the balance between professional dedication and personal well-being, underscoring the importance of resilience in the entertainment industry.

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5. Reflection on Aging and Success ([56:00] - [105:02])

The discussion shifts to broader themes of aging, success, and maintaining relevance over time. Bloom reflects on the longevity of figures like Sylvester Stallone and The Rolling Stones, pondering the secrets to sustained success.

Notable Quote:

Sahil Bloom ([57:22]): "It's interesting because I watched a movie once in a while when I see it just by. Not that I'm. I don't watch it myself, but if I see it on TV or something and I see the fight that I."
[57:22]

He draws parallels between physical endurance in acting and athletic stamina in sports, emphasizing the role of passion and consistent effort in achieving long-term goals.

Notable Quote:

Sahil Bloom ([60:31]): "I actually did for that fight. I was hired by. I think it was ABC or NBC to, to do like a pre fight little segment."
[60:31]

Bloom advocates for a balanced approach to success, where personal fulfillment and professional achievements coexist harmoniously.

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6. Sahil Bloom’s Five Types of Wealth ([105:02] - [132:18])

Sahil Bloom introduces his book, Five Types of Wealth: A Transformative Guide to Design Your Dream Life, and discusses its core principles. The book expands the traditional notion of wealth beyond financial status to include time, social, mental, and physical wealth.

Notable Quote:

Sahil Bloom ([97:49]): "Five types of wealth, Time, wealth. All about freedom to choose how you spend your time, who you spend it with, where you spend it, when you trade it for other things."
[97:49]

Bloom explains each type of wealth, emphasizing the importance of awareness and intentional action:

• Time Wealth: Valuing and managing time effectively.
• Social Wealth: Building and maintaining meaningful relationships.
• Mental Wealth: Pursuing purpose and personal growth.
• Physical Wealth: Ensuring health and vitality.
• Financial Wealth: Managing monetary resources.

Notable Quote:

Sahil Bloom ([123:44]): "You need to have agency. You need to believe that you are capable of taking an action and creating an outcome in any area of your life."
[123:44]

He underscores the significance of agency and proactive behavior in creating a fulfilling and balanced life, advocating for a holistic approach to wealth that nurtures all facets of one's existence.

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7. Concluding Insights and Takeaways

The episode concludes with reflections on personal responsibility, the impact of early decisions, and the enduring value of meaningful relationships. Sahil Bloom's narrative serves as a testament to overcoming adversity through determination, support, and strategic life choices.

Final Quote:

Sahil Bloom ([127:39]): "But I chose martial arts. And that teaches you not to be violent. It kind of gives you a way to express yourself physically."
[127:39]

Bloom leaves listeners with a motivational message about the importance of balancing different types of wealth to design a purposeful and enriching life.

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Notable Additional Moments:

• Dolph Lundgren’s Humor and Insights: Throughout the episode, Lundgren injects humor and shares anecdotes from his acting career, contributing to a dynamic and engaging dialogue.

Notable Quote:

Dolph Lundgren ([62:55]): "I actually have a documentary about my life that includes the cancer journey and everything."
[62:55]

• Interactive Segments: The show includes interactive elements such as answer segments and light-hearted banter, enhancing listener engagement.

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Conclusion

This episode of The Adam Carolla Show offers a profound exploration of personal battles, the multifaceted nature of wealth, and the relentless pursuit of one’s dreams. Sahil Bloom’s candid recounting of his struggle with cancer and his philosophical insights on wealth provide listeners with both inspiration and practical guidance. Coupled with Dolph Lundgren’s entertaining interjections, the episode delivers a compelling narrative that resonates on both emotional and intellectual levels.

For more insights and future episodes, visit adamcarolla.com.

Transcript

[Adam Carolla]

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[Dolph Lundgren]

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[Dolph Lundgren]

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[Adam Carolla]

Job with monster.com your future starts now. Visit monster.com today. Your next job opportunity is just a click away. Well, in this episode, Dolph Lundgren comes in and tells us everything about his life. Also author motivational guy, Sahil Bloom. Very interesting. Have a conversation with him, get into the news and we'll do all that right after this. Hey, this is Adam Carolla from the Adam Carolla show. BETOnline is the world's most trusted betting platform and your number one source for all sports betting action. Baseball season's in full swing. See what I did there? I said swing when I said baseball. And we're into the home stretch. NBA and NFL. I should say NHL playoffs. NFL's coming up sooner than you think as well. BetOnline has more ways to stay in on the action with the latest odds, news and scores, even live in game betting. While the games are going and being played with the largest selection of odds on everything from MLB, NHL and UFC professional golf, BetOnline remains the number one online source for all your sports wagering info. In between games, head on over to Betonline's casino with all the top Vegas style games including poker and live casino bet online. The game starts here. See what screaming free all month long.

[Chase Miller]

During Pluto TV's April ghouls get your heart pounding with Nightmare fueling classics like Insidious and Bram Stoker's Dracula. Or test your nerves with haunting hits like Urban Legend and Don't Be Afraid of the Dark. Pluto TV has hundreds of channels and thousands, thousands of terrifying movies live and on demand. Download Pluto TV on all your favorite devices and start streaming now. From Corolla One studios in Glendale, California, this is the Adam Corolla Show. Adam's guest today, Dolph Lundgren plus author Sahil Bloom. And we'll do the news and trending topics with Chase and Mayhem Miller. And now, no intro joke today it was deported. Adam Carolla.

[Adam Carolla]

Yeah. Get it on. Got to get on the treasure. Get on mandate. Get on Dolph Lundgren back in the studio. Good to see you my friend.

[Sahil Bloom]

Hey, thanks, Adam.

[Adam Carolla]

Cancer free.

[Sahil Bloom]

Yes, sir. Ned, that is great. No evidence of disease is called.

[Adam Carolla]

Is that what that is professionally?

[Sahil Bloom]

Ned yeah.

[Adam Carolla]

Can you walk Us through that journey a little bit.

[Sahil Bloom]

Yeah, it's been a long, crazy journey and very tough at times. I started 10 years ago. I was in Sweden doing a gumball race. You know, when you go rally. Yeah, rally 3,000 miles in a week in a Ferrari. And, you know, I was feeling a little ill. I'd done some sparring and martial arts, and I thought maybe some. I got hit or something because I had blood in the urine. And they did a CAT scan and they found the tumor on my kidney, left kidney. Had surgery back here. And then you got to do the tests every, you know, every three months, every six months, then every year. And finally after five years, they said it was gone, but it wasn't. It came back that same year. This is during COVID I was in Sweden. Sweden. They kept everything open during COVID you know, drinking, crazy mania, all the crazy freaking Vikings, you know. Anyway, I love them. I was back there and found some more tumors. And it turned out, you know, it was back and I had some more surgeries. Ended up doing systemic therapy. Turned out I was misdiagnosed. I didn't know that. But I did. Had the wrong therapy for like two years. Everything just got worse. And finally I was in London in 2021 doing Expendables 4 and Aquaman 2. I was doing two movies back to back and kind of losing weight. Couldn't really eat that well. And this doctor in the uk, you know, I had it like a man to man with him because it was serious. And the guy over here hadn't told me the truth. And basically he told me, I said, how long do you think I left? He said, about three years or so. But I heard in his voice more like maybe one year. And then I got back here, and a friend of mine was playing in a golf tournament, and he was playing with UCLA doctor. And that doctor recommended a Greek lady, Drukocki at UCLA, Dr. Drukocki. And she took a look at my tests and she said, there's something else going on there. I think you've been misdiagnosed at the other hospital. And she found there was another mutation. They checked the actual genes, cancer cells, and there was a different mutation. And they gave me another oral medication that didn't have any side effects. And within like two, about two months, it started shrinking. And over the whole year, everything shrunk by about 90%. And then they removed the tumors, the dead tumors, using they cry or they freeze them out with radiation. And that was in 2022. They took them out 2023. And so since beginning of 2023, it's been. I have no cancer activity and they took out all the tumors. I got really sick after it was all over, I got really weak and took me about a year to get back in shape again. So I can, like, you know, square up against you in my next movie. But apart from that, I took me about a year to get back to where I am now. But no, look, it was, it was hard. I, I drew up my will. I made all the decisions.

[Adam Carolla]

Really?

[Sahil Bloom]

Yeah, I was like my. I have, I do therapy now called Cancer survivorship therapy. And she, she, my therapist says is like, you know, everybody knows we're going to die, but you don't, you know, you don't think about it every day. But once you've been confronted with immortality, whether it's in a, in a, you know, in the service, you're in Afghanistan being shot at, or you're, you know, have cancer and you think you're going to die, then you go through this PTSD situation where she says you've been down, touched the bottom of the pool, and when you come back up, you're a different person. But most people only swim on the surface, you know, so you've.

[Adam Carolla]

It's been kind of a journey for you because the last we spoke, I think you were talking about some childhood trauma and some therapy. And I mean, if I'd seen, when I was sitting in the theaters watching Rocky 4 in 1985 or whatever it was, I would not thought about you in that therapeutic setting. And maybe it was stigmatized at some point. It's not anymore. How is it in Sweden in terms of the stigmatization of therapy here? We've evolved over the last 20, 30 years and guys volunteer. Yeah, I go to therapy or my therapist said. But maybe they wouldn't have said that 30 years ago. But I always look at Sweden as a little more progressive and a little more on the vanguard of things. But how are they there with that?

[Sahil Bloom]

Well, first of all, I think in America, you know, it's a big country. I mean, LA, CA has always been more progressive and actors did therapy. Brando did therapy in the 50s, you know, back, you know, during the. When they did method acting and Actors Studio and that. So I think it's been around for a long time. It just hasn't been really recognized, especially for men. But Sweden, I think in America, it's more normal to do therapy than Sweden. I think Sweden, they're a little more Viking. Ish. Just have another drink. You know, just go out and chop some wood or something.

[Adam Carolla]

Yeah. Which does help.

[Sahil Bloom]

Yeah. A lot, you know.

[Adam Carolla]

Yeah. And speaking of having another drink, hard cut vodka is one of Dolph's latest endeavors. He's brought a bottle, which I'm happy about, because I will try some later on tonight. American, made from Idaho, russet potatoes. And I don't. You can make vodka from lots of different things. Traditionally, it's potatoes, but.

[Sahil Bloom]

Yeah, traditionally, potatoes back in Russia, back in the old days, and then wheat. Most of them are wheat now, like, you know, Kettle One and Grey Goose, and their wheat titoes is corn. Potatoes is a little more complicated. It's also a little more expensive, but it's a fuller mouth feel. It's more. It's creamier, really. Yeah. You'll see when you drink.

[Adam Carolla]

I shall. I shall see. Is vodka the weapon of choice in Sweden? Like, I guess here it'd be whiskey, you know, Jim Beam or whatever. If you went back. What is Spain, maybe they drink more wine, Germany, more beer, I guess. Like, what is Sweden's libation?

[Sahil Bloom]

Well, look, it's called the Vodka belt, right? It's Russia, Sweden, Scandinavia, Northern England, you know, New York, Chicago. Up there, they drink more hard liquor. And. Yeah, Swedes drink vodka. They also drink Aquavich.

[Adam Carolla]

What's Aquavich?

[Sahil Bloom]

Aquavich is. It's also distilled spirit from. Some of it is made from potatoes, but it has. They. They add herbs to it, so it has, like, a kind of a distinctive taste. Vodka is, you know, as you'll taste with hard cut. It's sort of tasteless, but it has, like, a creamy kind of neutrality to it. So you could. You can easily mix it with other. With other mixers, make martinis or, you know, whatever you want to do where. Whereas aquavit, you kind of have to take it straight.

[Adam Carolla]

Mm. Because it's got other stuff.

[Sahil Bloom]

It's got other stuff. Herbs in it. Yeah.

[Adam Carolla]

Are you. Is your family in Sweden?

[Sahil Bloom]

Yeah, my two brothers and two sisters in Sweden. Yeah.

[Adam Carolla]

Are they okay with you and your success and your world? I mean, there's always some acrimony for some reason. I don't know what it is. I don't know if it's a jealousy or something, but. Not always.

[Sahil Bloom]

No, they're fine. I think they're. They're sort of still in shock after 35 years that I ended up in Hollywood because I was a chemical engineering student, you know, and. And a karate fighter. Karate fighter. Yeah. I. I think they. They're excited. It's fun for them to Read some gossip papers in Sweden, read about me and you know, sometimes I fill them in over the phone, whatever. But I think it's, it's delightful for them and they're not jealous or anything.

[Adam Carolla]

You know, they're good. What do they do?

[Sahil Bloom]

They're very normal. My one sister is a school teacher, the other one works in chemical, in biochemical engineering. I have a brother who's a chemical engineer and another brother who's an engineer. So a lot of cerebral activity there.

[Adam Carolla]

Yeah. And that was going to be your path as well.

[Sahil Bloom]

My dad was going to be my fate, you know, but I, when I was a kid, well, I had the, you know, I suffered some abuse. My dad was kind of violent and, you know, I had something to, to express or try to kind of try to run away from. Like a lot of people end up in Hollywood.

[Adam Carolla]

When did you get to the age where you could physically take your dad in terms of the violence? Because you're a big guy and you know, I imagine around 15, 16, with your martial arts training.

[Sahil Bloom]

Yeah.

[Adam Carolla]

You're probably a force to be reckoned with.

[Sahil Bloom]

Sure. Yeah. Well, he knew that. So when I was about 13, 14, he sent me away up to his parents, my grandparents, up north, far up north, around the Arctic Circle. And that's where I grew up. Because he kind of knew that it was going to end up being a real fight, you know, between, you know, a young man and an older man. He didn't want that, I don't think so. I didn't do martial arts when I was in, in Stockholm, but I started when I got up north. That's when I started.

[Adam Carolla]

Near the Arctic Circle.

[Sahil Bloom]

Yes. Up where the days. Days are very long in the summer and they're non existent in the winter. It's pitch black all day.

[Adam Carolla]

That's gotta have some sort of seasonal depression or something has to be baked into that, right?

[Sahil Bloom]

Yeah. No, you need a lot of vodka and other things.

[Adam Carolla]

Well, you know, it is a thing which is like. It doesn't feel right for a lot of folks to have a drink while the sun is out, but when the sun goes down it seems okay. But if the sun is down at noon, then it would seem okay to have some vodka at noon.

[Sahil Bloom]

Yeah, yeah, it would.

[Adam Carolla]

Why do they live by the Arctic Circle?

[Sahil Bloom]

Good question. I don't know why somebody, I guess somebody came along in the summer and said, this looks great, guys stop here at 20,000 years ago and you know, with their spears and their, their fur coats, whatever. And yeah, it's. Who knows why do people live in Alaska? I mean, it's.

[Adam Carolla]

Your dad sent you away?

[Sahil Bloom]

Yeah.

[Adam Carolla]

To live with them?

[Sahil Bloom]

Yes, he sent me away.

[Adam Carolla]

The game I sort of like to play because I find it. You get to the truth this way. I always say, if I said, your dad, why did you send Dolph, your son, away? What would he say? He wouldn't say because I thought he could kick my ass in a few years, would he?

[Sahil Bloom]

No.

[Adam Carolla]

What would his excuse. What would he say?

[Sahil Bloom]

I think he would have said that he kind of. He cared about me and he tried to get me away from a lot of bad influences because I was hanging out with kids that were doing drugs and drinking and stealing stuff, and I started becoming a thug myself and drinking, smoking, stealing motorcycles, you know, and he. I think part of him. He knew who was part of him knew that he was the cause of it, but he didn't know how to handle it. So he would just. It was a simple way for him to get rid of me, but I think he tried to save me on a deeper level.

[Adam Carolla]

You're about 13.

[Sahil Bloom]

Thirteen? Yeah, 13 and a half. Yeah.

[Adam Carolla]

And going and living with your grandparents at 13 is by the Arctic Circle. It seems quite a departure from what your past life was.

[Sahil Bloom]

Yes, it was. I wasn't happy in the beginning at all. I wanted to go back to Stockholm. But, you know, it was actually a good move because my grandparents were quite nice. They were older. They were like in their early 70s, and they weren't violent or anything. Most other kids were ice hockey players, or they did skiing, or they were more athletic. So I felt like I wanted to become an athlete, you know.

[Adam Carolla]

What would the equivalent American city be to Stockholm, do you think?

[Sahil Bloom]

Stockholm would probably be, like, Minneapolis or something like that, you know, and then.

[Adam Carolla]

You moved to the equivalent to. It would be Nebraska or something.

[Sahil Bloom]

Nebraska or maybe Alaska.

[Adam Carolla]

Oh, really? Yeah.

[Sahil Bloom]

Yeah. Anchorage.

[Adam Carolla]

Yeah, yeah. It's kind of interesting. My grandparents played a big part in my upbringing as well. Like, they can be useful sometimes, or you can not know them at all, or they can die, you know, before your fifth birthday. But they can be impactful if it's.

[Sahil Bloom]

Done right, I think so. You know, the old. The old societies, the grandparents had a role to bring up the kids because the parents were very busy, you know, in the field or hunting or something. So I think grandparents are great. You know, I think they're. They fill. They should fill an important function, for sure.

[Adam Carolla]

So they essentially raised you and you got away from that element and started into athletics.

[Sahil Bloom]

Yes. Started studying harder, realized I was pretty smart in school, and then I started doing ice hockey, judo, you know, which was, you know, martial arts. More of a competitive martial arts, but it's more of a sport like karate is a little more self defense, a little more. A little tougher. So finally ended up in karate after about two years up there. When I was about 16, I started.

[Adam Carolla]

So then how do you square this with your dad? Because there's feelings about it. But on the other hand, ultimately was the right thing to do, I guess.

[Sahil Bloom]

You know, I never talked with him about it. I couldn't really talk to him like that. We didn't really communicate like that about deeper things or emotional things at all. But I just took it for what it was. I try to get myself back together, get healthy, try to work on my confidence in martial arts and try to feel better about myself, feel stronger. I had feelings of not being able to protect my mom because she beat her too, not protect myself. So I felt kind of weak, you know, and powerless. And I think martial arts made me feel more powerful and more secure, you know?

[Adam Carolla]

Yeah, yeah, that's. That is trauma. I mean, beating you is trauma, but beating mom is. Yeah, that's rough because you got to hear that.

[Sahil Bloom]

You got to hear it. And then there's the other aspect, is that she didn't defend me because obviously she could have just taken me and split, you know, even back in the 60s, you could do that. For instance, he was married once before, and my half brother from that marriage, you know, I think he beat his mom too, but she just took the kid and split and they broke up after a few months. So she could have done that. She didn't. So, yeah, I think there was some deep level of, you know, disappointment with her, too. So you're kind of dealing with both.

[Adam Carolla]

Yeah, yeah, yeah, yeah. She didn't protect you.

[Sahil Bloom]

Yeah, yeah.

[Adam Carolla]

There's elements to that. My family as well. And I don't get the violence part. It doesn't compute for me. Like, I don't. I get violence. I just don't get the part where you smack your wife or your kid. Like, it doesn't make sense to me. Is it only when he drank?

[Sahil Bloom]

No, he didn't drink. You know, my dad.

[Adam Carolla]

Oh, he didn't drink.

[Sahil Bloom]

He didn't drink? No, he was. He had some mental issues. He probably. I will never know. But I believe my. When he grew up, my grandfather, when he was younger, he drank and I think he was violent. I think he got beaten when he was a kid. And, you know, you do as you, as you behave like your parents, you know how you catch yourself sounding like your dad sometimes? You're like, well, shit, you know.

[Adam Carolla]

No, it can be true. It was funny. I had a, I had a dinner last night with a friend of mine who used to, we produced the man show and Crank ank some other TV shows I did. And he was telling me about what his parents were sort of hippies. And I said, and he's very progressive and hippie esque in his politics. And I said, well, my parents were kind of hippies too, but I kind of went the other way because I realized whatever they did wasn't working. It wasn't working for them, it wasn't working for their family, it wasn't working for society. So I decided I'll do something different than what they did. It might be you can learn a lot from people, but you can also learn what not to do from people. Study them, see that they're not having success and sort of do the opposite of what those people would do. But I said to him at the end of the night, I said, it's funny, you went down your parents road and I went away from my parents road. So it's not baked in necessarily. You can reject it.

[Sahil Bloom]

Yes.

[Adam Carolla]

You know what I mean? You don't beat your kids, I'd imagine.

[Sahil Bloom]

No, no, you can, you can break the cycle of violence. You know, basically I think his, he was beaten and you know, he beat me. And I could have, you know, I guess I could have succumbed to it. I could have, you know, become violent as well. I mean, because, But I, but I chose, I, I chose martial arts. And that teaches you not to be violent. It kind of gives you a way to express yourself physically. And I think, you know, part of my life when I was, when I finally had my own family was part of what I wanted to do was give my kids a really safe and, and loving environment and upbringing, you know, stuff I didn't really felt that I had, you know.

[Adam Carolla]

Yeah. And then we get into the age old question which is when is it too safe? You know, when do they not learn a couple of good lessons?

[Sahil Bloom]

That's true. Yep.

[Adam Carolla]

And get a little soft because, you know, you had a fire in your belly and it's uncomfortable. But I had the same thing. I was uncomfortable and I got motivated to work hard and to study and to get into this business and stuff like that. Cause I was uncomfortable. I mean, I didn't have a pleasant life. It was a difficult life. And I wanted some air conditioning. I Wanted a nice car. I wanted some safety. I wanted some security. I wanted a savings account. I wanted stuff, you know. And now I realize we've made everything so hospitable and so safe for everyone that I don't know that they have that desire. I don't know how you're. I don't know how your kids turned out or how they're turning out.

[Sahil Bloom]

They're turning out really well in some ways. You know, they're. You know, they're much more emotionally stable than I was. They have more safety in their lives. But you're right. Yeah. I mean, they don't have the drive that I had, the motivation. I had nowhere. Nothing to go back to.

[Dolph Lundgren]

Right.

[Sahil Bloom]

I mean, when I first came over here, there was nothing. Nothing to back me up. I couldn't go back to Sweden a failure, you know, I just wouldn't allow it. So they don't have that. So you're right. Yeah, it's. It's tough when you. If you do fairly well yourself, then you're. How much of that do you pass along to your kids and how much do you make them fight for it?

[Adam Carolla]

So I think. Here's what I've figured out. You're never gonna really give them the eye of the tiger, as they say, but if they're passionate about something, that'll motivate them. So they need to find. Because when someone is passionate about something, could be music, it could be kids or whatever that thing is. If you're passionate about something, it kind of transcend. That's your motivation versus being a sort of generally driven, hungry, somewhat desperate. Right. I mean, you were desperate, right?

[Sahil Bloom]

Yeah, I was desperate to. I mean, I didn't know what. I was desperate, why I was desperate. I realized later, obviously I was. I was. It's called escape behavior. You have trauma and you try to escape from it by physical action, by. It could be drinking or drugs, or it could be sexual affairs, like you trying to escape something, but you can't until you have to deal with it. My kids don't have that. But, you know, on the other hand, when you have a dad who's a celebrity, you grow up with other issues too. You know, that may motivate them too, to maybe prove something to the world. And so they have their own driving force, like, different than mine.

[Adam Carolla]

Was your dad around long enough to see all your success or some of it?

[Sahil Bloom]

Yeah, he was. You saw some of it in the beginning, and he was really happy. And I thought he. I think he. I think, you know, he Appreciated that I, that I made it like I did what he couldn't do.

[Adam Carolla]

Is that what he wanted?

[Sahil Bloom]

I think he wanted to get away from Sweden. He was the one who told me, if you want to make it in your life, you got to go to America. You know, Sweden, it's too small, it's socialistic.

[Adam Carolla]

He.

[Sahil Bloom]

He hated the system there. And he. And I remember, I always remembered that. So I think that was what motivated me. And so he kind of. Yeah, I think he was happy to see that, even though he was quite ill at the end. But I think he made him happy to see my success. Yes.

[Adam Carolla]

I also sort of think that these people that we speak of, they don't really fully understand what they've done and how they're perceived. And maybe we're all guilty of that. But I mean, I think I can speak to my parents. I don't think they sort of understood what they did or their roles or how it was. They had a view of themselves. Their kids did not view them the way they viewed themselves. You know what I mean? Like your dad may have thought of themselves a decent guy who had to discipline his kid every once in a while, but was always looking out for him and wanted what was best for him or something. I mean, do you think he had a version of himself that's highly different than your version?

[Sahil Bloom]

Yeah, for sure. But I think also that generation was more disconnected, you know, emotionally disconnected. Like there is not. They didn't have self awareness. That's what you're saying. They didn't know what they were doing. They. They were acting out. They were acting out shit from their childhood that they had no idea that they were violent or. You know, I don't think so. I don't think he, he even thought about that. I mean, I thought he. I think he was. He felt bad about it, but he had no way to control it. He wouldn't admit that he had any issues, you know.

[Adam Carolla]

So you come here. What age are you when you come to America?

[Sahil Bloom]

Well, first time I was 18. I came to study when I moved here. I was 26 when I finally moved here to study as well.

[Adam Carolla]

And did you take a job?

[Sahil Bloom]

No, when I first came, I was a student. First I was here for a year, then I came back and I had a master's degree in chemical engineering and I was going to study. I had a Fulbright scholarship to MIT and I was going to study engineering. But in Australia I'd met Grace Jones, who was a famous singer back in the day. And now I was Hanging out with her at Studio 54 in New York.

[Adam Carolla]

Yeah, it's different.

[Sahil Bloom]

Yeah, it was slightly different. I ran into, you know, Andy Warhol, Michael Jackson, a few people like that, and. And just started studying some acting, a little bit on the side, did some modeling. And I. And I worked as a doorman at the Limelight, which was like a church.

[Adam Carolla]

You were doing security for Grace Jones in the beginning?

[Sahil Bloom]

I was, yeah. Yeah.

[Adam Carolla]

She's. I'm trying to think of how to describe her sort of. I don't know. She was an influencer before there were influencers. She was a singer, but not really traditionally. She was like a model, but not really traditional, you know. I don't know. Was she 6 foot tall?

[Sahil Bloom]

Not quite, but she was tall. Yeah, you're right. She was like, you know, she grew up in Jamaica. Her dad was a preacher. And then she became a model, moved to Paris, spoke fluent French. She was African American, but with a French accent and French manners and.

[Adam Carolla]

Oh, there's the two of you.

[Sahil Bloom]

There she is.

[Adam Carolla]

Wow. Yeah. That's crazy. Yeah, she had dance songs.

[Sahil Bloom]

Yeah, that's actually on the set of a Bond movie, View to a Kill, where I played. I did a little small role in it. Just somebody was sick and I stepped in and did something. But she played the bad girl opposite Chris Walken, so I got to meet him, which was interesting, you know.

[Adam Carolla]

Cool. Yeah. And I haven't heard much from her lately. Is she in this country? Is she touring? Like, what. What do you keep up at all?

[Sahil Bloom]

You know, she lives in Jamaica. And what was funny was I was. When I was in London, I mentioned before for that movie Expendables and Aquaman, and I had to go to a doctor. It was for my cancer treatment, but to do an mri. And I was there and I was late, you know, for my appointment, and I was arguing with a nurse, you know, hey, come on. Working. I came from the film set, you know, I'm 20 minutes late. Sorry, but can you take me? She said, no, absolutely not, and blah, blah, blah. And then. And then there was another person there waiting. And I glanced over and there was a woman sitting there with some kind of, you know, leather biking helmets from the old 30s and then. And some kind of big wrap around her. And I was like, only one person could dress like that. And sure as hell, it was Grace. And she was in London for doing a show. And I. And, you know, and we hugged and I talked to her a little bit, and it turned out I found out she lives in London and Jamaica Was.

[Adam Carolla]

She undergoing some treatment?

[Sahil Bloom]

No, she was just doing. When she was in the office, she was in the. In the MRI office. I mean, the MRI suite where they had, like, you know, did the MRIs.

[Adam Carolla]

You know, but she was just hanging out or she had an issue.

[Sahil Bloom]

She was also late, of course, for her appointment. One hour late.

[Adam Carolla]

One hour. She's on Jamaican.

[Sahil Bloom]

That wasn't much in her book. You know, usually it was two or three hours, but anyway.

[Adam Carolla]

But she was getting an mri.

[Sahil Bloom]

She was gonna get one for her knee, I think.

[Adam Carolla]

Oh, okay. So she didn't have any cancer. That was a cancer thing.

[Sahil Bloom]

No.

[Adam Carolla]

Yeah. So you guys. I mean, the most unlikely couple, I would say. Hard to find a less likely couple. I mean, you are. Your physicality, her physicality, your color, her color. It just seemed crazy. You ever bring her back to Sweden? I would have raised an eyebrow or two, I imagine.

[Sahil Bloom]

Funny you should mention that, because when Rocky IV opened, you know, I'd been gone for about four or five years, because when I started acting and I quit mit, I. I felt really bad. I didn't want to tell my parents. So, you know, in those days, there were no mobile phones. I mean, you talked on the phone every couple of months. Whatever. So I finally came back, and Grace came with me for the premiere, you know, in Sweden. And it was a big deal because, know, Rocky movies, big worldwide. But I set up a meeting with my family, and my. My brothers and sisters were excited to meet her and then my mom. But my dad, of course, he was like. He was busy that day. He couldn't make it. So I think.

[Adam Carolla]

You think he was prejudiced?

[Sahil Bloom]

No, I think he just couldn't handle the commotion, you know, because I heard from my brother that he one day, thinking his son was going to mit, which was his favorite school, you know, it's a great engineering school. He was watching. He was sitting, reading the newspaper, evening paper one day, and there was a picture of. From Studio 54 of Grace Jones and her hunk, you know, boy. Her toy boy. You know, this guy in leather pants, no shirt and sunglasses. And it was me. So my dad was like, what year was that? It was 1984, I think.

[Adam Carolla]

Studio 54 was quite the scene in the day. I don't know that we could ever really replicate that ever again just because of laws and different societal things and whatever. But you must have been. Here's my assessment. I think those people. Oh, is that the picture?

[Sahil Bloom]

Yeah, one of them, I think.

[Adam Carolla]

Oh, my God, you got to see his picture. And, yeah, she's wearing a yellow cab hat, you guys. That crew is very aesthetically oriented. I have figured out, like, they like the aesthetics, and they like the aesthetics of everything, but they like the aesthetics of humans as well. So you were more aesthetically pleasing than most of the people that were in that place. So sort of had to make you a kind of de facto celebrity in that group, even though there were tons of celebrities around.

[Sahil Bloom]

Yes, it did, actually. I was. One of the first weeks I was in New York, I was going to start MIT in the fall, and I was with Grace at another club, I think it was Club A, it was called. And I was. You know, she went off somewhere in the bathroom, and I was just standing there, and this little guy comes up to me and he took a picture with the Instamatic. And he says, hey, what are you famous for? And I was like, nothing, as far as I know. And it was Andy Warhol, right? She said, I'll put you in my magazine. And of course, it was Interview magazine. And you're right. Yeah, they had this. They had this game. I realized later, because I've seen the pictures, his photographer. They had this sort of bet that the photographer could get the. If it was a guy, to take all his clothes off to Andy so he could report to Andy, you know, what the. You know, the. The. What should I say? The physicality of this guy. Right?

[Adam Carolla]

Penis size.

[Sahil Bloom]

Yeah, probably, yes. Penis size, yes. So I was there and I. And it was funny because I, you know. You know, it was a big deal for me to be an Interview magazine and all that sort of photographer said, can you take your shirt off? I'll just flex some muscles. Fine. And then it was down to shorts. And then he was about to ask me to go further. And then, of course, Grace shows up. She's like, stop that shit, you know.

[Adam Carolla]

Oh, really?

[Sahil Bloom]

So you never found out.

[Adam Carolla]

I don't know if Andy Warhol was gay or bi or what, exactly.

[Sahil Bloom]

I don't know either. I mean, he was a bit asexual, I think, to some degree. I mean, I saw the End. The Warhol Diaries. Have you seen that? It was pretty interesting. Yeah, I remember those days. I think he had lovers, you know. I mean, a lot of gracious friends were gay and all the people that worked for her. And it was an interesting world for me. I mean, I. You know, from that small town north of the Arctic Circle, you know, you didn't really have. There weren't too many gay clubs up.

[Adam Carolla]

There, so you must have been sort of the Moby Dick. White whale of gays.

[Sahil Bloom]

Like, no pun intended.

[Adam Carolla]

Yeah. I mean, they must have wanted to land you, man. You had to be the ultimate prize in the gay community.

[Sahil Bloom]

I guess so, yeah. I do remember that I had. I bought this black Yamaha 1200 motorcycle and I was driving around. She lived in the West Village, Grace, and I was Grace, and I stayed with her for six months. And I was driving around on this motorcycle with, you know, leather pants with no shirt, and I made all these friends, you know, Everybody was so friendly with me, you know, like, inviting me to. I thought, wow, America's so nice. People are so friendly, you know, But.

[Adam Carolla]

Well, you were leaning into it, as they. As they say.

[Sahil Bloom]

Yeah, but what is.

[Adam Carolla]

Where did that come from? I mean, considering your past and sort of martial arts and chemical engineering, those are very, I don't know, sort of humble endeavors in a certain sense. It's not really leather pants and no shirt, you know. So where did that come from? Or was it always there?

[Sahil Bloom]

Well, Grace brought it out. Some of it. I think she brought some of it out. I had done some modeling before I met her to make some money in Australia because I. I could make cash, you know, and I didn't have a work permit or anything. So I think that. And I used to do some school plays when I was younger. I think that it was always there. I think I had some kind of. I wanted to express myself. I wanted to be loved, I think, by other people or noticed. I think that to sort of. To. To sort of come to terms without feeling. I had inside of feeling like I was worthless because my dad used to say I was worthless. So he would say that. Yeah, he would say that. So I think part of it of. Of getting that affection or the. You know, was that.

[Adam Carolla]

Would that have been permissible in Sweden.

[Sahil Bloom]

To say that I was worthless to.

[Adam Carolla]

To ride around on a motorcycle with no shirt? Like, would they accepted that there?

[Sahil Bloom]

No, I don't think so. No.

[Adam Carolla]

It had to be sort of New.

[Sahil Bloom]

York, had to be Greenwich village in the 80s. You know, this is like somebody said it was. Was it from the. The. From the invention of the. Of. Of the pill to AIDS? Right. There is about 20 years or so from, say, some from the late 50s, 60s to like 1983.

[Adam Carolla]

Yeah. So birth control to AIDS.

[Sahil Bloom]

Birth control to AIDS.

[Adam Carolla]

Yeah.

[Sahil Bloom]

Where there was this period of people.

[Adam Carolla]

Kind of, do you do whatever you want?

[Sahil Bloom]

Yeah, do whatever you want.

[Adam Carolla]

You know what I always say that era was. I missed it, but it was the best. I always say pre aids.

[Sahil Bloom]

Yeah.

[Adam Carolla]

Mid Coke, which Is coke is good for you. They didn't have a problem with cocaine. It was like cocaine was good for you. And there's no such thing as aids. So let's start this party.

[Sahil Bloom]

Exactly right. Yeah. I remember sitting at dinners with Grace and her, you know, her record company rep and a bunch of people, and they were passing the coke vial around the table. I mean, at an 8:00 dinner, like, you know, in a big restaurant, there was no big. Nobody said a word.

[Adam Carolla]

Well, I mean, you know, to be fair, there's a lot of stuff they want us to. To judge. Yeah, but it's like ball players used to smoke cigarettes in the locker room because they didn't think it was bad. Like, now we go, oh, who would do that? Well, that's what they did. Like they didn't really know any better. It was acceptable.

[Sahil Bloom]

Some of them lived to be 90 anyway.

[Adam Carolla]

Yeah. And so did you ever get into drugs yourself?

[Sahil Bloom]

Oh, yeah, I got. Tried it, you know, tried most things, not everything. Not heroin, but. No, I tried drugs. I mean, that was part of the scene. I mean, lucky for me, I always had to be in shape. I always had to get up early and work out and things. So I never really didn't take over my life, really. At some point later in life, when I was in my late 40s, it sort of. The trauma came up. Before I started therapy, it all came up and kind of bit me in the ass and I ended up drinking a lot and getting in trouble like that. I couldn't. I could have gone. I could have destroyed myself. Then that's when I got divorced and went through kind of a low period. Yeah. Before I came, moved back to la.

[Adam Carolla]

Where were you living then?

[Sahil Bloom]

I married a Swedish woman and she loved Spain and I, I married her. I lived in Marbella for 10 years, 15 years, and I had two kids.

[Adam Carolla]

And grew up there in Spain.

[Sahil Bloom]

Spain. She was Swedish, but she was kind of half Spanish. She grew up in Spain.

[Adam Carolla]

So how was Spain?

[Sahil Bloom]

It was great. No, it was wonderful. Great wine, good people, very relaxing. I sort of, on a personal level, I think I. My trauma kind of came up and become kind of started ruling my life more and I kind of slowly, the discipline, all that from the martial arts days were kind of getting to some degree wiped out from show business and, you know, living in Spain, doing movies that weren't that great and feeling. Not feeling good about myself and then started drinking too much and, you know, knowing that I should have been back in la, I shouldn't have moved because I I still had things I wanted to do as an actor, but I couldn't when I lived there, so. And I had to support the family. So it was going back and forth 10 times a year and it kind of wore me out. And I was very, very bad shape for a while.

[Adam Carolla]

It's nice you came out the other end.

[Sahil Bloom]

Yeah, I know.

[Adam Carolla]

Got some therapy and did all that. It's also kind of weird when stuff hits you later in life, which I've had some experience with that, which is when I was young, I just thought once, you know, once you made it out of your 30s, you were just sort of an adult and old and, you know, whatever. I didn't, you know, it's interesting talking to people who are having these kinds of thoughts in their 50s or their 60s or experiencing these things or setbacks or traumas or something. And it's like when I was young, I just thought, well, you know, you're 60, start thinking about retiring and you play crossword puzzles or something and watch daytime tv. Like you wear a cardigan sweater, you have a cat. Where does this all come from? These sort of almost modern problems or something? And maybe it was always this way and I just too naive. Or maybe it's different now and maybe it's connected to longevity. Like if you go, okay, you don't want to be an old man at 60 anymore, fine, you want to be a young man at 60, but you're going to have young man thoughts and problems then too. Not old man, non problems and thoughts or. I don't know, you know, I don't know if there's a connection.

[Sahil Bloom]

I think there is. Yeah. I think you people are, you know, you're active much later in life as you're, as you're in your, you know, when you were 65 years old, when I was a kid, you know, you're retired, like you said, you're sitting on the. Sitting at home watching TV and reading the paper. And there wasn't as the healthcare wasn't as good. And some people were active when they were older, but not that many, especially in my profession. A lot of actors died young. You know, they drank a lot, smoked a lot and didn't make it that far, you know, but I think they're, they're really certainly related somehow. Look, the Rolling Stones are still playing. I mean, who would have believed that in the 60s that they're gonna play when they're in their 80s? It's like unbelievable. How did that, how does that happen?

[Adam Carolla]

It is, I mean, you see the Rolling Stones or the who or some of these bands, or how about some of these politicians? They never gone anywhere. My whole life I wish Maxine Waters would go somewhere at some point, but she's just there. I mean, I remember I did Politically Incorrect Bill Maher show, and probably. Probably would have been about 1990. I did it a million times, but it was probably like 1999 or something. And I did it with Maxine Waters, and I. I talked to her a little bit backstage, and I was trying to talk to her about the Morning After Pill. And I said, it's something you should know about, because we would talk about it on Loveline, and it's important. And she just sort of looked at me and she said, the science isn't in on it yet. And I said, yeah, it is in on it, and it could be effective, and maybe some people in your constituency might benefit from it, you know. And she was like, ah, I'm not interested in that or something. And then I went back to the radio that night to do Loveline, And I told Dr. Drew that Maxine Waters was a crazy person. I said, she's this old crazy lady who's running whatever. And that was, you know, 26 years ago, and she's still just there, crazy, doing her thing. And I was like, it is. I mean, maybe it's good. Good. Dolph Lundgren, 67 and, you know, working on 10 different projects. I don't want to live in a world with no Dolph Lundgren or no Sylvester Stallone in it, you know?

[Sahil Bloom]

Yeah, no, you're right. It's true. I think about that a lot, you know, especially with the cancer treatment. You think about your mortality and how people, you know, back in the day, life was a short, brutal affair, you know, but they still managed to make a name for themselves, you know, Napoleon, when he died, when he was, what, 40? Some 48 or something. And you mentioned that anywhere in the world, and you'll know who he was, who you're talking about, and Julius Caesar. And they weren't that old, you know, when they. But they, you know, lasted for a couple thousand years.

[Adam Carolla]

Is. How's Stallone? I mean, I know him a little bit. Always a big, passionate guy. Always punching his hand. He's like. He gets all fired up and he says, punch in his hand. I mean, the guy's got a motor.

[Sahil Bloom]

Yeah, he's one of those guys you'll never stop. And he lives in Florida, and I was just there for a benefit last week, and I missed him. He was Filming in Atlanta now. We're very good friends, you know, and it's lasted over 40 years now and we've done what, six films together, I think, which is kind of unusual over a 40 year period. So something special. You know, we beat each other up for, for about a year in the ring between the training and the movie and, and yeah, it sort of stick, sticks with you, you know, you, you, you did boxing, right? Or. Yeah, yes, you know what I'm talking about. It's a different type of. Men relate in other ways, you know.

[Adam Carolla]

Well, I mean, there's always a kind of a bond. I mean, it's, I, you know, look, I don't know. Joe Frazier, Muhammad Ali were good friends, you know, after they retired. But was there ever any friction? Because I mean Stallone's, you know, you're both alphas and you know, when alphas come together in the ring, you know, sometimes there can be a little friction.

[Sahil Bloom]

Well, there was little friction, but he was the boss. You know, I was just a young kid. He was a big, you know, world famous movie star and I just followed orders basically. I mean, we had a couple of run ins later where, you know, he was very tough as a director and as a producer and could get very kind of hard on the, on the actors, you know, including me.

[Adam Carolla]

So I, you know, like expendable stuff.

[Sahil Bloom]

Yeah, expendables. Yeah, we had a couple of run ins. He apologized afterwards, but I mean, I, I thought about knocking him out a few times on the set. I thought about it, but I didn't do it. I called my wife and she said, don't do it. Ye.

[Adam Carolla]

Yeah, look, I don't know. People used to communicate a little differently. Maybe he's from a older school. Like, look, anyone who's had football coaches, boxing coaches and construction foremen, like, I've had it. Just you get used to being talked to a certain way. Like it doesn't, that's how you, that's what happens. They just do it.

[Sahil Bloom]

Yeah, I mean my, my karate sensei, I, you know, I've had hard feelings about him too many times. He was very harsh on me. You know, he felt like he wanted like punch the guy out, but you just don't, you know, you just take it, you know.

[Adam Carolla]

What did he want, do you think?

[Sahil Bloom]

I think he was just a stickler for detail. And sometimes, you know, when I became a better fighter, I maybe knew myself better than he did. Like I knew what worked and what didn't and, and he sometimes wouldn't listen to me and I would have to do it my way and he would get really upset. But, you know, I won the championships. It was okay. When he was Stallone, it was the same thing. He, he was very, he's a very driven guy and he wants it his way. And sometimes, you know, you, you know, if you push it, you can overstep your boundaries and be come across as, you know, as offensive to people, you know, did.

[Adam Carolla]

But I'm guessing you have a pretty thick skin.

[Sahil Bloom]

Yeah, I do, I do. I told you I didn't do anything.

[Adam Carolla]

So was it with the, with Rocky iv? God, what a crazy, life changing moment for any actor, especially an unknown actor that you go from who is this guy? To everyone knows who you are but probably thinks you're Russian.

[Sahil Bloom]

Yeah, no, they did. Most people thought I was Russian. They were really upset with me. Especially up north of 120th Street, New York when I got up there and people. Because I killed Apollo, you know, so.

[Adam Carolla]

It was like, oh yeah, the black community, not a fan. Because you killed Apollo Creek.

[Sahil Bloom]

I was lucky I went out with Grace, otherwise I would have been. That would have killed me, you know.

[Adam Carolla]

Well, he really, he really looked like a boxer in, in the ring.

[Sahil Bloom]

Apollo.

[Adam Carolla]

Yeah, I mean, Carl, Carl Weathers.

[Sahil Bloom]

Yeah, he was. Yeah, he was, he was very natural and very good physique. Natural physique, yeah. Mood very well.

[Adam Carolla]

He was athletic.

[Sahil Bloom]

Yeah.

[Adam Carolla]

And you can always tell the athletic guys by the way they back up. Yeah, he backed, he kind of floated back. You know, other guys that are a little sort of heavy footed, when they back up, watch their feet, they back up. They look heavy and a little off balance or something and stilted. He kind of floated back, you know. And it was, it's the same, you know, with Sugar Ray Leonard, Muhammad Ali, you know, when these guys, you watch him back up and you can see their footwork and then you can see sort of the fast twitch muscle stuff. And then you go, oh, that guy's athletic because he's rhythmic. You know what I mean?

[Sahil Bloom]

Very athletic. You're right. It's interesting because I watched a movie once in a while when I see it just by. Not that I'm. I don't watch it myself, but if I see it on TV or something and I see the fight that I, I noticed that two things that he is very. He moves very well on his feet. And then I was watching my stance and I had this kind of long stance because I was used to karate, which is a. You know, because you're kicking, you have a long, you have to stay further away from the opponent. So. And the Russian, the Soviet fighters had that stance in those days. It was like the kind of classic with a pretty long stance and with a. With a jab. And I had that down. It was almost like a natural for me. And I think that's another reason I got the part, because I had that. You know, it's hard to teach somebody that stuff. Right. Like you said with Carl, you can't teach somebody to move like that. You have to. Either you do it or you don't.

[Adam Carolla]

Yes. Yeah, he did it. There's boxing movies where they kind of teach the guys how to punch. And I'll tell you where you can always tell the guy can't actually box. It's not in the boxing scenes. It's when they get into the ring and they're doing a little shadow boxing and they just go. And you go, that guy doesn't box. It's not the punches. They can kind of work that and choreograph that. It's the shadow boxing that looks sort of stilted.

[Sahil Bloom]

Stiff.

[Adam Carolla]

Stiff. It looks stiff. And they always do it. They get in the ring and they go. And I go, oh, he can't. That guy can't box.

[Sahil Bloom]

Yeah, they don't have. Usually they don't have the head movement either.

[Adam Carolla]

Yeah, they're.

[Sahil Bloom]

They're kind of casino. In boxing, you need to move your head too.

[Adam Carolla]

There's a. It's really about a relaxation.

[Sahil Bloom]

Yeah.

[Adam Carolla]

That they don't have because they think that boxing is about aggression. So they kind of go. They gnash their teeth together and they make their fists real tight. And I was like, no, the guys who really are good at it are loose. They're much. They're relaxed. But same with hitting a baseball and stuff, they just kind of look relaxed. Golf, every sport, when the people really do it, there's a kind of a relaxation they have.

[Sahil Bloom]

You're right, that's got lost a little bit because Hollywood put the muscle suits on everybody.

[Adam Carolla]

Right.

[Sahil Bloom]

So you kind of equate big muscles with good athletic ability. But it's not necessarily true, especially not in fighting arts.

[Adam Carolla]

No, it's. It is kind of funny that the smoother guys, you know, like a lot of, you know, Roberto Duran was kind of smooth, you know, Muhammad Ali wasn't a big muscle bound guy, you know, Foreman was and Ken Norton and guys like that were real muscular, but he was kind of smooth. And the smoother guys, they tend to be quicker or more fluid or something. I think that's part of it.

[Sahil Bloom]

Yeah, timing. It's the timing and also it's when you hit the guy. Because if you're a 200 pound plus man, you know, you hit somebody on the button, you don't need to have big, you know, just enough to knock somebody. It doesn't take that much to knock somebody out if you hit them at the right time. So you're right, Ali had that and Sugar Ray as well. He wasn't very muscular.

[Adam Carolla]

No, I mean, he was in, he was in great shape. Yeah, but he wasn't overly, overly built. But Sugar Ray and I told this to him, which he enjoyed, which is he gets a lot of credit for being fast and flashy and everything, but he really has a heart of a lion.

[Sahil Bloom]

Oh, yeah.

[Adam Carolla]

I mean, his crazy heart.

[Sahil Bloom]

Yeah.

[Adam Carolla]

And it sometimes gets a little lost because he was flashy and he was quick and he was charismatic and he was nice looking and everything else, but his heart was nuts when it came to fighting.

[Sahil Bloom]

And he also, he had a lot of aggression too, which people forget sometimes. Yes, like when he fought, you know, Thomas Hearns or like Hagler against Hagler. Yeah, like he could match Hagler. Hagler's aggression. He matched it.

[Adam Carolla]

Yeah. Hearns probably lost that first fight, but it was the halcyon days of those. And I don't know, it's been a lot of guys making business decisions now. It's not quite as exciting as it was back in those days. And their business decision was, I want to be the baddest guy in this weight division. And they just went out to try to prove it. They weren't there trying to not get hit and get a paycheck.

[Sahil Bloom]

No, I mean, when you had Foreman, Frazier, Ali, Ernie Shavers, you know, you had a bunch of Ken Norton, you had five or six really tough guys out there. I don't think most the heavyweights now would have a hard time against those guys, for sure.

[Adam Carolla]

Oh, sorry. First fight, Leonard wins by TKO. 14th. 14th round. Yeah. And the second fight was the split decision where I think, I think Hearns probably won.

[Sahil Bloom]

Oh, yeah, Hearns, Hagler, Hearns, Leonard.

[Adam Carolla]

Yeah.

[Sahil Bloom]

I was thinking Hagler, Leonard.

[Adam Carolla]

Yeah, Hagler. Leonard was great. Hagler. I felt, I understand Hagler's argument, which is, look, I got the belt, you gotta take the belt. He didn't take the belt, he just did. Well, and he also did that thing where like with 30 seconds left, he'd get real busy and do some shoe shining. It was 30 seconds and it would look like he won the round, but he just sort of won the last quarter of the round, you know, but it's smart. Why not go out.

[Sahil Bloom]

Yeah, he was smart.

[Adam Carolla]

Go out that way. And then, you know, Hagler moves to Italy, starts acting, never comes back, never gets in the ring again. Turns down what would have been. I mean, by today's pay stance. You know, he probably turned down 30 million bucks for a rematch in 19. Whatever. I mean, would be. It'd be like saying, I don't. I will turn down $150 million. I'm. I'm going to Italy.

[Sahil Bloom]

No, I felt sorry for him. I actually did for that fight. I was hired by. I think it was ABC or NBC to, to do like a pre fight little segment. And I interviewed both of them. So I, I spoke to Hagler, I spoke to Hearns and, I mean, Leonard and met his wife and. Yeah, and Hagler and his wife. But I think I felt bad for him because he, he kind of dropped everything and it, his life just spiraled out of control from that. Hagler's life.

[Adam Carolla]

Yeah. I don't, I didn't. I knew he moved to Italy to start acting.

[Sahil Bloom]

Yeah.

[Adam Carolla]

But I don't know why. You know, he wasn't a guy that was uncomfortable in the ring and he wasn't a guy that didn't know how to train. And there was an appetite for a rematch. And I have. I don't know, I mean, I respect it. He just said he felt like he got robbed. You know, he, he had an argument and just went, fuck this, I'm going to Italy.

[Sahil Bloom]

Didn't he get like into. Didn't he get heavily into drugs or alcohol or something like that?

[Adam Carolla]

I. It would make sense that he did because I. So, yeah, I don't know. I mean, it was really. It was in. I loved all the stuff. I love that Roberto Duran, when he beat Sugar Ray Leonard, just went on a tour of eating and drinking and partying. Right. He went back to Panama and just put on like £50 immediately. Right. And that's why Sugar Ray Leonard said, I want to rematch as fast as I can. Cause he watched Roberto Duran put on 50 pounds and start smoking cigars and drinking tequila every night. And he went, I want one now. And Duran agreed to it. But now Duran had to kill himself losing 50 pounds to get in the ring. And that then was the no mas fight. Cause he just, it was too much on him. But the stories are great. Dolph.

[Sahil Bloom]

Yes.

[Adam Carolla]

You've been very generous with your time.

[Sahil Bloom]

Thanks.

[Adam Carolla]

I shall give your vodka plug hard cut vodka.

[Sahil Bloom]

Where can we find it Bevmo in California and also. So it's exclusive of Bevmo and also.

[Adam Carolla]

DTC, GoPuff and Flaviar and projects coming out soon. Anything to look out for.

[Sahil Bloom]

And I got to give you a T shirt with a logo here.

[Adam Carolla]

Oh, thank you.

[Sahil Bloom]

There you go.

[Adam Carolla]

Appreciate it.

[Sahil Bloom]

Good. It's good. Good. Gold's Gym quality. Oh, yeah, that's good. Yeah. Well, I actually have a documentary about my life that includes the cancer journey and everything that's going to come out this year sometime, hopefully take it to film festival in Venice or Toronto.

[Adam Carolla]

And we don't have a platform for it yet.

[Sahil Bloom]

Not yet, no.

[Adam Carolla]

And it chronicles the cancer journey.

[Sahil Bloom]

That's kind of the jump off point for going back and looking at my life and going through what I went through with my dad and all the other going to Hollywood and everything.

[Adam Carolla]

I cannot wait. I love a doc. I'm a sucker for all docs. And this one, I can't wait. So when do you think it might be out?

[Sahil Bloom]

This fall, I hope. Yeah.

[Adam Carolla]

Oh, good. All right, Dolph, good seeing you. We'll do some news with mayhem right after this. Morgan and Morgan. Here's a dirty little secret that the insurance industry may want to keep under wraps. Insurance companies profit by holding onto your money for as long as possible. So after an accident, they might do whatever they can to delay or deny your claim. This way, they can keep those profits growing. Morgan and Morgan fights hard against these corporations to fight to make sure you get every dollar you deserve. Love these Morgan Morgan guys met with them quite a few times. And I gotta tell you, being represented is a big deal. Competent, competent representation is a big deal. In this day and time, when Morgan and Morgan takes your case, they're almost always going after the big insurance companies and not individuals at fault. There's a reason why Morgan and Morgan is America's largest injury firm. It's Morgan and Morgan. Right, Dawson?

[Chase Miller]

Hiring the wrong firm can be disastrous. Hiring the right firm could substantially increase your settlement. With Morgan and Morgan, it's easy to get started and their fee is free unless they win. Just Visit for the people.com Adam or dial pound law. Pound 529. That's for the people.com Adam or Dial pound law. Pound 529. This is a paid advertisement.

[Adam Carolla]

Homes.com Some might say homes.com is the best shopping site around. It may be home. Sorry, it may be homes.com's super comprehensive and transparent agent directory. Or Maybe it's that homes.com is the only site that always directly connects you with the listing agent who knows the home the best. Perhaps it's because homes.com has the most in depth neighborhood content of any home shopping site that's extensively researched. To highlight the personality of of each neighborhood. Homes.com goes above and beyond to bring home shoppers the in depth info they need to find the right home. Homes.com. we've done your homework.

[Chase Miller]

It's time for Nicaraguan. Name that movie with Adam's buddy Oswaldo. See if you can guess which movie this famous line is from.

[Sahil Bloom]

I must break you.

[Chase Miller]

If you said Rocky 4, I must break you. You're correct. Now back to the show.

[Adam Carolla]

Oh, so good. So good. All right. What do you got in the news there, man?

[Mayhem Miller]

Well, first up, the DOJ investigating SoCal homelessness spending for fraud and hints at arrest. California's new attorney general, or attorney, announced Tuesday. He's investigating billions of dollars of homeless spending for fraud and corruption and promised to arrest individuals found to have violated federal law. Yeah, it's a new guy.

[Adam Carolla]

Okay, listen, how can it go any other way? There's so much money being allocated to something. I mean, whether it's a bullet train or homeless or whatever, you're just going to start writing checks for billions of dollars.

[Mayhem Miller]

I'll take the money, then some of.

[Adam Carolla]

That money's going to go somewhere. I mean, it's just like the PPE stuff or whatever. The COVID fraud, You know, people getting money from prison. Yeah, you know all about it.

[Mayhem Miller]

I know the guy who did it, allegedly.

[Adam Carolla]

The guy who's in prison now. The guy who wrote the rap, he.

[Mayhem Miller]

Was in the prison doing that PPE stuff. I knew a guy who knew a guy who knew a guy that. That was the guy.

[Adam Carolla]

Allegedly. Look, how is it possible for the government just to print money and just start pushing it out into the trillions without a bunch of grift and graft? I mean, of course, it's gonn. Now, here's kind of the problem with Los Angeles, and here's what I would say if I was pocketing a lot of homeless money or anything, if somebody said to me, look, Adam, we're gonna put you in charge of graffiti removal. We're gonna give you trillions of dollars, billions. I would say to my people, okay, let's all buy Lamborghinis. Let's all start doing a lot of coke. Let's all eat caviar for breakfast, but we gotta get rid of some of the graffiti because eventually they're gonna be walking around going, what the fuck is Going on. We're giving you all these millions of dollars and billions of dollars, and I still see more graffiti than there was before we start giving you the money. So the problem with all the homeless shit in LA is it's the money spent with zero results. I don't think most people. Let's just say somebody said, look for every. Let's see, what's billion is 1,000. Wait, is that 100 million? No, that's a thousand million. 1,000 million. If somebody said, look, for every thousand million we put into this, there's gonna be like a couple hundred million that are just going down the fucking toilet. Like, you know, I'd go, all right, well, at least there'll be 800 million worth of results. But we don't get any results. We get more of what we don't want. So we get more graffiti and then 24 billion spent on graffiti removal.

[Mayhem Miller]

So 75,000 homeless individuals here in Los Angeles. And I'm sorry, that's in California, 45,000 in Los Angeles.

[Adam Carolla]

Right. And so here's what they can't. This is an ongoing problem, and it's not the homeless problem. Did you get a boner when you met Dolph, man? Dolph Lundgren is an icon. Fucking.

[Mayhem Miller]

Oh, my goodness.

[Adam Carolla]

Yeah. Mayhem had literally walked in here, man.

[Mayhem Miller]

I just came from sparring and then Drago's here. What the hell? I love this show.

[Adam Carolla]

Find that. There's an article or tweet that I told Andrew to find about homelessness in a new bill. I think there's some new bill in Los Angeles or California bill. But here's what I've said. Listen to me, everyone. I'm gonna have a mental breakdown.

[Mayhem Miller]

Don't do it.

[Adam Carolla]

I had, as you guys know, Gavin Newsom was in here years ago. And I said, here's who the homeless are and here's what the problem is. And he told me I didn't know what I was talking about. And then Dr. Drew, who's a board certified physician and an addiction medicine specialist, tried to volunteer his time for the LA City Council to talk about the homeless problem. And they kicked his ass out. They didn't want him volunteering. Yeah, I would not take a board certified physician. Okay, so you have 10 yentas in the city council who know nothing about addiction.

[Mayhem Miller]

Yeah.

[Adam Carolla]

Dealing with a problem that is solely about addiction. Kicking off a doctor who specializes in addiction. So do they want to solve this problem? I sure as fuck.

[Mayhem Miller]

They sure want to dance around looking like they're trying to solve.

[Adam Carolla]

If I Said, look, we got a problem here with this warehouse because it's always leaking. The roof is always leaking, there's water everywhere, and the furniture gets ruined. And a lot of my important stuff, documents, they get ruined by the water. We had a leaky problem and there's all of us sitting around going, man, this is a problem. This is a problem. And then some point, some guy goes, I'm a certified roofing contractor and I would like to volunteer to come to your warehouse to discuss this problem of a leaky roof. And I'd go, get the fuck off my property. Get out of here. And we'd all circle the wagons. And then the fucking LA Times would write stories about the roofer saying he was no good. Oh, okay, problem solvers. How would one solve any problem if one cannot recognize the root of the problem? And so if somebody said, those Twin Towers are gone, what happened? They were possessed by the devil, so they fell down. Okay. No, no, I think airplanes hit them. And I think now we have reinforced cockpit doors now, so airplanes don't hit other shit. But if you just said they were possessed by the devil, then we would not have reinforced cockpit doors and maybe more airplanes would be hitting more stuff. Yeah, I can't read this from here, Dawson. Maybe you can read it, but it's a. It's an assembly bill. What is the assembly bill, Dawson?

[Chase Miller]

Homelessness is a policy failure primarily caused by the affordability of housing in California.

[Adam Carolla]

Okay, not true. Yeah, not true. I don't know anyone has ever been homeless because of their paycheck. But, but keep going.

[Chase Miller]

With over 1 million extremely low income households spending more than one half their income on rent and not the result of personal failings of people experiencing homelessness.

[Adam Carolla]

They're. They're homeless because they're junkies. They're fucking junkies. Or they're crazy or they're both. That's why they're homeless. I used to have three roommates in a one bedroom apartment. I slept. I shared a futon with a dude. And then later on, me and another dude had his brother's bunk beds in the same fucking room like we were nine, except we're 23. Fucking imagine trying to bring a chick back to a bunk bed.

[Mayhem Miller]

Oh, yeah, all right.

[Adam Carolla]

But. Okay, sorry, keep going.

[Chase Miller]

You got to hear the rest of this. The housing crisis is the result of decades of failed housing policy coupled with structural and institutional racism and a lack of sufficient investment in affordable housing and other programs to address homelessness.

[Mayhem Miller]

I mean, take the race thing out and it's kind of true that. Yeah, the rent is really high everywhere. But that's no excuse to spin out into a drunken stupor and just be homeless all the time. Met out of your mind.

[Adam Carolla]

I don't know. Look who wrote this fucking retarded bill.

[Chase Miller]

Looks like Laura Powell.

[Adam Carolla]

Oh, dumb chick number seven who's fucking running California into the ground. All right, she's a homeless expert, not anything expert.

[Chase Miller]

All right, well, she's got an esquire at the end of her name, so she may be a lawyer.

[Adam Carolla]

All right? So good luck solving this problem that you do not know what the root cause is. So we're gonna do a full audit.

[Mayhem Miller]

Bill Asale is calling for some heads. It sounds like.

[Adam Carolla]

Well, okay, first off, you fucks can't build housing. Other people build housing, but you will not let them build housing because you regulate them to death so it's not affordable, so they can't do it. So all of your regulation is what caused not enough housing. But even if there was enough housing, drug addicts don't they like doing drugs. And there's plenty of shelters, and they do not avail themselves of the shelter beds because the rule is you got to be clean to use the shelter.

[Mayhem Miller]

I've had my experience that there isn't a lot of shelters. From my experience that guys get stuck in no man's land of just a drug haze.

[Adam Carolla]

Well, I shouldn't quit. I should not say. I should not say a lot of shelter beds. There are resources that one could avail themselves of. If you are a sober mother who's freshly divorced. Like fucking Gavin Newsom's comments. Go fucking pull him up. Pull up his take on homelessness. He's insane. He's clinically insane. He thinks it's a mom. If there is a mom. If that mom has a couple of kids and that mom is sober and that mom is divorced, and that mom has a work ethic. There are places and things. There's an apparatus for her to go. I went through it and first. Yeah, it's her first thing. It's her family. Yeah, we've all had people crash on the sofa. I've had plenty of dudes crash on my sofa, and I've crashed on other people's sofas. And we had homelessness overnight, as I've said. Palisades, Malibu, Altadena. Overnight. There were thousands and thousands of Los Angelenos without a home. So this is your definition. No home. Did any of them sleep on the sidewalk or did they use their apparatus? They got on the phone, they said, hey, man, I need to crash out. And they got up and they did.

[Mayhem Miller]

It at Dr. Drew's house.

[Adam Carolla]

At Dr. Drew's house. That's what I did. The point is, it's not about housing. If it was about housing, then those people who were de housed would sleep. A percentage of them would sleep, I would reckon. Zero. People were put out by the fire, spent the night outside the next night. That's zero percent. So it's not about that. Wait, do you have that clip they.

[Mayhem Miller]

Camp down her G wagon.

[Adam Carolla]

It's so good. It's so good.

[Mayhem Miller]

All right, maybe we don't have a little technical difficulty.

[Chase Miller]

We have it. It just decided not to play standby.

[Adam Carolla]

Okay, Just give a thumbs up when it's. This is. Look, I don't wanna sound like a broken record, but what I'm saying is how would one solve a problem that one does not identify whatever that problem is. I mean, you know, it.

[Mayhem Miller]

They didn't mention it in there, that it was a drug related problem. They mentioned more of the housing angle of it.

[Adam Carolla]

Housing angle, but also racism in Los Angeles in 2025. How's that factor in?

[Mayhem Miller]

You know, it's the pepper grinder of racism that they use every once in a while. Just a sparkle in there, you know, to get the agenda across.

[Adam Carolla]

Yeah, all right, well, maybe it's not working correctly, Dawson. This notion of like the guy's a hardworking, God fearing family member who lost his job and now had to take to the streets is total nutter. But what about the picture of real.

[Sahil Bloom]

Homelessness, which is a poor mom with.

[Adam Carolla]

Two kids with a husband who took off and left her, who's sitting there struggling on that minimum wage job and all of a sudden now is out in the streets and sidewalks desperately trying to find some help, get a life, back kick, get those kids into childhood. You think that's what happened at Jewel? That's the tough thing? Yeah, that's a picture of family homelessness. No, that's. That's a postage stamp. No, the real picture is bigger than the AIDS quilt and those are crazy junkies. Yeah, but no.

[Sahil Bloom]

So what does it.

[Adam Carolla]

But no, but no. But no. But no. But no. Well, how are you going to solve a fucking problem if you just go but no, no. All right, so now he's in charge and he's worried about moms that have been divorced and have a full time job and they're out on the street. Except for that doesn't exist.

[Mayhem Miller]

It's like the Hallmark version of homelessness. I see real homelessness.

[Adam Carolla]

I Don't know, something else. You know what I can't figure out about that fucking life size fucking full size tard over there named Gavin Newsom. Who's he worried about offending? I don't know. What is his constituency? Oh, yeah, Meth heads and junkies and, you know, people with deep mental. I guess his constituency are people with deep mental issues. What's wrong? Who are you offending? You just go, look, it's a lot of drugs, it's a lot of mental problems.

[Mayhem Miller]

Independent.

[Adam Carolla]

And we need to clean it up. Why are you painting a picture of homelessness that literally doesn't exist?

[Mayhem Miller]

Rosie.

[Adam Carolla]

And then why would. Okay, so when he said that we had a homeless problem and now we have a tenfold homeless problem, because he said homeless was his thing. Listen, everybody, his two biggest things are homelessness problems and the bullet train. Let's give a grade score on how he's doing over the last decade on homeless problem and the bullet train. Is there such a thing as an F minus or participation?

[Mayhem Miller]

He showed up.

[Adam Carolla]

You, you like what? Look, if you were super generous, if you're the biggest fan of Gavin Newsom, whichever, and you were like, I'm going to give him a score. I'm gonna take the homeless problem and I'm gonna take the bullet train. And by the way, those are his passion projects. That's what he's passionate about. It's come out of his own mouth a thousand times. I would be super generous and go, I'll give him an F on the homeless and a D minus on the bullet train. Just because I'm in a good mood or something. I mean, it's a fucking failure. He's a failure.

[Mayhem Miller]

Keep getting elected though.

[Adam Carolla]

We have a great montage. Starting in 0808, we have a great montage of Gavin Newsom and his train.

[Sahil Bloom]

You can get down to LA in.

[Adam Carolla]

Two and a half hours.

[Sahil Bloom]

$55.

[Adam Carolla]

In California, we're still debating high speed rail. What a joke. Finally, California is going to get it right with this new high speed rail. I personally have been supportive of the high speed rail project since my time as mayor of the city and county of San Francisco. The project is no longer a $33 billion projects, years and years behind. The project's wildly over budget. That doesn't mean it's a bad idea. You can get phase one done, which in essence is from Baker, Bakersfield to Silicon Valley. We do have the capacity to complete a high speed rail link between Merced and Bakersfield. Now, I know, I know some critics are Going to say, well, that's a train to nowhere. A real federal partner. 21, their high speed rail system. An incredible opportunity to finish the work. High speed rail was mentioned. $4.2 million has been requested of the legislature to finish the job. To someone who's all in on high speed. The high speed rail, not as a rail project, but an economic rail project. $3.6 million. It's about damn time. We have a high speed rail system.

[Mayhem Miller]

I can't even get to Merced.

[Adam Carolla]

It's kind of fun. It'll be fun when someone is able to put this montage together 30 years from now. And there's just a guy looks like Gandalf on there with like a long gray beard and a cane, like a staff, you know, wearing a robe, not board. Talking about high speed rail because we'll have the technology to go from young, vibrant Gavin Newsom to old, decrepit Gavin Newsom talking about high speed rail.

[Mayhem Miller]

It's gonna be a Newsom clone.

[Adam Carolla]

My kids are gonna. I'm gonna tell them both, look, when you guys are about 45 or 50 keeping, you're gonna have the greatest montage ever. It's gonna be a man's life span ahead.

[Mayhem Miller]

Talking about high speed rail.

[Adam Carolla]

Jesus fuck.

[Mayhem Miller]

I'm in a head in Christ. 17 years, almost 18 years it's been going on, man. I'm just trying to get up to.

[Adam Carolla]

The party in San Francisco things. It's not functional or capable. I don't know what people want.

[Chase Miller]

The thing that gets me is all the people in California who absolutely adore this man. He can do no wrong.

[Adam Carolla]

He got a lot of risks. I gotta tell you, my mom told me before she died, I'm voting for Gavin Newsom. Like, okay, I guess you don't pay.

[Chase Miller]

Taxes or do anything during the lockdowns. One of my friends called me up and said, will, I'm so. I'm really glad we got Gavin Newsom as our governor because he's going to save us. Fucking idiot.

[Adam Carolla]

You know the fucking problem? The thing that's funny about all this, I love any clip from like 2020, 2021, 2022. Especially any Democratic clip where the person is on the mic bloviating and everyone behind him is wearing a mask. But the one person with their mouth open that's yelling about stuff does not have a mask on. And everyone just went, yeah, that's how we're gonna do this. And so it's like I will sit silently with my mask on in the back. And then when it's my turn to bloviate. I'll pull the mask off and start spreading disease. Okay.

[Chase Miller]

You know, the latest thing I saw in some kind of Twitter thread was that people are not wearing masks because they're afraid to stand out from the public and make a stand for safety. Whereas before, when we did stand up and make a stand for fu totalitarianism, we were ridiculed for not doing the same thing as everyone else.

[Adam Carolla]

All right, let's do one more story in here.

[Mayhem Miller]

All right, man. It's a revolution. Right now, the Minecraft obsessed teen boys are destroying movie theaters.

[Adam Carolla]

What is going on with this movie, man?

[Mayhem Miller]

The game is supposed to be building things up, but the teens just wrecking stuff. It's a viral meme that everybody's in on. When the chicken jockey comes out, which.

[Adam Carolla]

Is like a rare Easter egg character.

[Mayhem Miller]

In the video game, the kids go ballistic, throw popcorn everywhere. So to check it out.

[Adam Carolla]

All right.

[Mayhem Miller]

What a fun time, man.

[Adam Carolla]

God, I Wish I was 12. I would go ass wild. I gotta, I gotta tell you, when I was, when I was young, okay, a couple things.

[Mayhem Miller]

They're comparing it to a Rocky Horror Picture show, like kind of a vibe for Jen where they're just going wild for this thing. I'm into it. It's infectious.

[Adam Carolla]

Yeah, it's fun. I haven't seen the movie.

[Mayhem Miller]

I would hate if I worked at amc, okay?

[Adam Carolla]

The, the throwing of the popcorn. I would never engage in such fallout because that thing is like 11 bucks. Yeah. You're like, I'm fucking. I'm eating that whole thing. And by the way, I'm eating shit off the ground.

[Mayhem Miller]

These are suburban kids. They got disposable income.

[Adam Carolla]

One of my roommates used to, like, when, when a girl would break up with him, he'd do. He'd give him a pie in the face, you know, and wasteful.

[Mayhem Miller]

Yeah.

[Adam Carolla]

I would come and he would give. And it wasn't shaving cream, it was the dupars or 4 and 20 pies. And then I would come home and I'd open the fridge, I see a fucking pie from 4 and 20 pie in a box. And I'd go, donnie, where we get this pie? Let's eat this pie. No, I hit Melanie Redmond in the face with it. I go, but why don't we eat it? I go, no, no, she broke up with me. I got to hit her with the pie. I go, when are you going to hit her with the pie? He go, well, she's coming over at like 8. I go, where are you going? To do this. I mean, he hit. He said, well, I have to hide the pie on the bumper of your truck. I have to keep it out there because word has gotten out that I hit people at the pie so they don't want to come up to the door. I said, well, take a walk. That'll get it off the bumper. I went out when he did it to Danielle Chaykin in her driveway.

[Mayhem Miller]

You licked her face.

[Adam Carolla]

I went out and ate the fucking pie off the driveway. I picked up the pie from her driveway.

[Mayhem Miller]

Yeah.

[Adam Carolla]

And brought it back into her house and ate it. I mean, it had gravel in it. Because that's how into pie I always.

[Mayhem Miller]

Imagine you, barefoot, with like overalls on, all disheveled, with your hair every which away.

[Adam Carolla]

Just like country bumpkin dumpster.

[Mayhem Miller]

Exactly.

[Adam Carolla]

I took the pie home from my pie eating contest at North Olivet High. I took the pie off of Daniel Chaikin's driveway. I took another pie off of Otsego Street.

[Mayhem Miller]

Pie's a real through line in your life, Carolla.

[Adam Carolla]

Pies were expensive for me and they were delectable.

[Mayhem Miller]

I'm gonna cheat on my diet. I think I'm having a pie today.

[Adam Carolla]

Fuckin'I was like, cake, give me a break. But pie, I fucking love me some pie. So I would never take a tub of popcorn and just launch it into the air.

[Mayhem Miller]

But you can understand, right, the vibe. I think a lot of people are saying, oh, they're real stuffy, pearl clutching. But I'm admiring it. I wish I was in on it.

[Adam Carolla]

I like it. It's the straight man's Rocky Horror Picture Show. It's basically what this has turned into. And they even bring chickens into the theater.

[Mayhem Miller]

Yeah, they're getting weird with it. The meme expands, you know, anytime you meme, you can't just stay on the same level of meme. It's got to go up and up and up until you got a chicken involved.

[Adam Carolla]

Is this movie, what's it on? Rotten tomatoes? Is it 45%? Oh, that's it.

[Mayhem Miller]

Yeah, that's it. Like, it's being panned by the critics. They're saying it's garbage. But I mean, it's an IP that has been popular for 10 years. Kids have grown up with it. Like, it was like their first iPad game. And now they're like 11, 12, 15 years old.

[Adam Carolla]

I'm the worst dad ever. Because whenever my son would start getting into this shit.

[Mayhem Miller]

Yeah. Oh, 47. It changed.

[Adam Carolla]

88 with the people. Whenever my son would start getting into this shit, I'M such a bad dad. He got into Pokemon. He just slapped the cards out of his head. You're gonna regret this decision one day, this Pokeman stuff. And he goes, I like Pokemon. I go, yeah, you like it now, but you're gonna look back and be embarrassed.

[Mayhem Miller]

Why? Really?

[Adam Carolla]

Cause it's nonsense. You wanna build a soapbox racer or something like that? Like, I'm all in this stupid Pokeman crap. Get the fuck outta here. So I told him, you're just not gonna. And then when he was, like, 15, he wanted to do something else or something, and I was like, remember our Pokemon conversation? Yeah. Remember? Now you're embarrassed. Yeah. I said, all right, keep that in mind, because I'll tell you in advance.

[Mayhem Miller]

You act like you came out the womb swinging the hammer. You picked up interest as time went on and got rid of some. I'm sure I hadn't seen you boxing in a while.

[Adam Carolla]

I can only shadow box.

[Mayhem Miller]

I hear you.

[Adam Carolla]

I was into Hot Wheels. Oh, got into Hot Wheels. I got into Hot Wheels. Never got into the Matchbox for some reason. I was into Hot Wheels.

[Mayhem Miller]

That's Pokemon, though. That's in the same. You collect them all?

[Adam Carolla]

I traded them some Hot Wheels to a kid for. What were those cards, Dawson? Garbage Pail.

[Mayhem Miller]

Oh, those are badass.

[Adam Carolla]

Wait, what were the ones that had fake brands like Comet, but it was called Vomit, and it was like, whatever that was. Was that Garbage?

[Mayhem Miller]

Yeah, it was Garbage Pair was. Yeah. They had, like, a different. All different styles of art. There was, like, a different.

[Adam Carolla]

They were like the weird owl of trading cards. They were like someone else came up with the product, and you went from my Sharona to my bologna or something. But the cards were like products. And I traded. I made a bad deal. I was thinking about this the other day. I realized I had Hot Wheels. And I traded this kid, like a Hot Wheel for a car. The fucking car was worth a penny, and the Hot Wheels were like, two bucks. And I just like, here's two Hot Wheels. All right? Here's two cars. Stupid. Like, you train your car for moped. You're right.

[Mayhem Miller]

Yeah.

[Adam Carolla]

All right, we gotta take a quick break. Sahil Bloom is going to come in here and motivate all you people. He's got a very interesting book, and we'll talk to him right after this. Morgan. And Morgan, here's a dirty little secret that the insurance industry may want to keep under wraps. Insurance companies profit by holding onto your money for as long as possible. So after an accident, they might do whatever they can to delay or deny your claim. This way they can keep those profits growing. Morgan and Morgan fights hard against these corporations to fight to make sure you get every dollar you deserve. I love these Morgan and Morgan guys. Met with them quite a few times and I got to tell you, being represented is a big deal. Competent, competent representation is a big deal in this day and time. When Morgan and Morgan takes your case, they're almost always going after the big insurance companies and not individuals at fault. There's a reason why Morgan and Morgan is America's largest injury firm. It's Morgan and Morgan, right, Dawson?

[Chase Miller]

Hiring the wrong firm can be disastrous. Hiring the right firm could substantially increase your settlement with Morgan and Morgan. It's easy to get started and their fee is free unless they win. Just Visit for the people.com Adam or dial pound law pound529 that's for the people.com Adam or Dial pound law pound529 this is a paid advertisement.

[Adam Carolla]

O o o o'reilly auto parts. Yeah, you've got a car, you want to keep it going? Well, that's where O'Reilly comes in. O'Reilly Auto Parts offers friendly, helpful service and the parts knowledge you need to maintain and do repairs on your vehicle. Always been a car guy, always been an O'Reilly guy. Wherever I moved, I would just find the O'Reilly that was closest to where I lived and I'd do all my own work on my own car. It's good. It's good to know. So whether you're a car aficionado or an auto novice, you're going to find the employees at O'Reilly Auto Parts are knowledgeable, helpful and best of all, they are friendly. So stop by O'Reilly Auto Parts, do it today or you can Visit us@o'reillyauto.com Adam. That's o'reillyauto.com Adam. Well, what does a mechanic and auto shop owner in Georgia, a taco restaurant operator in Arizona and a life saving medical innovator in Tennessee have in common? Well, they're all small businesses and they're all thriving on TikTok. She Mechanic, Arizona Taco King and CPR Rap are all just three of the 7.5 million businesses across the US using TikTok to compete and grow. From family run establishments to entrepreneurs. 74% of businesses on TikTok say the platform has allowed them to scale their operations, increase sales and expand to new locations. And that growth means jobs. Today, millions of businesses on TikTok employ more than 28 million people and counting all paying Taxes and adding. Small businesses thrive on TikTok. Right, Dawson?

[Chase Miller]

Learn more about TikTok's contribution to the u. S. Economy@TikTok economic impact.com. it's time to check adam's voicemail.

[Dolph Lundgren]

Hey, Adam, it's Joe in jacksonville, Florida. Love the show. Something crazy I thought of.

[Adam Carolla]

Did you know pam bondi, the attorney general, is 59 years old? Total smoke show.

[Dolph Lundgren]

But her counterpart in the clinton administration.

[Adam Carolla]

Janet Reno, was 55 when she was attorney general. I mean, if you compare those two photos of janet reno and pam bondi next to each other and pam bondi.

[Dolph Lundgren]

Is five years older, it's. It's mind blowing, but just thought I'd bring that up.

[Adam Carolla]

Thanks.

[Chase Miller]

You can leave us a message at 888-634-1744.

[Adam Carolla]

Yeah, you sound like my young girlfriend. You seen pam bondi and janet reno? I'm like, all right, all right, enough already. Yeah. Well, sahil bloom is in studio. He's got a book out, five types of wealth. A transformative guide to design your dream life. New york times bestseller. Ooh, congratulations on that. Let's talk about it. What are the five types of wealth?

[Dolph Lundgren]

Five types of wealth, Time, wealth. All about freedom to choose how you spend your time, who you spend it with, where you spend it, when you trade it for other things. Social wealth is about relationships, the few close, deep bonds, and then your broader connections to things. Circles that extend beyond the self. Mental wealth is all about purpose and growth. Physical wealth is about health and vitality. And then financial wealth is the one that we all know.

[Adam Carolla]

Money are people putting too much stock in different aspects of those five things. Maybe spending too much time on the. On the wealth part, the financial wealth, and not enough time on the social part. Or have you seen. Is there an imbalance in the universe?

[Dolph Lundgren]

Yeah, I think that the way that we measure our entire life's worth has historically been just around money. There's this management theorist named Peter drucker who said, what gets measured gets managed. That's the idea that the thing that you measure ends up being the thing that you narrowly hone in on and focus around. You optimize everything around that one thing thing. And for a lot of people, we are so narrowly focused on the one thing of making money, accumulating status and things that we lose sight of the much bigger picture war of building a good life around all of these other areas of wealth.

[Adam Carolla]

Yeah. So what are some simple sort of basic things that people could start on that might be outlined in the book?

[Dolph Lundgren]

I think that the most important thing when it comes to any of these types of wealth, first is awareness. You need to develop an awareness that there are other types of wealth that extend beyond money, and then there's action on top of that awareness. So time, wealth is really where a lot of this starts. It's the first major section in the book for a reason. Because if you don't have an awareness that time is fundamentally your most precious asset, the one thing that you can't get back, you can never take action against. That idea that, frankly, for me was the spark that changed everything in my own life. It was this recognition that I was marching down a path towards what I would call the Pyrrhic victory, this idea of winning the battle but losing the war. And I think that's the path that a lot of people are walking down. And frankly, you don't have to look that far in society to find examples of that. We all know examples of people who have made hundreds of millions, maybe billions of dollars, who we celebrate, we pat them on the back, we tell those people that they won the game and we ignore the fact that they have three ex wives and four kids that don't talk to them. And you have to ask yourself in your own life, is that actually a game that I care to win?

[Adam Carolla]

Time is interesting, which is I'm guilty of wasting time, but I'm also aware of it in that I cannot stand sort of inefficiencies in it. Even when I'm driving, no one in LA knows you can turn right on a red. So I just sit there and the person's not turning and I'm like, what are we doing here? And then they go. And then I honk, or oftentimes reach over if I'm the passenger and honk the person who's driving the car's horn, which they don't like at all. And then the person gets mad at me and they go, what are you doing? I go, they're not going, we should be going. And they go, well, what are you in such a rush for it? I go, I'm not really in a rush. It's just, why aren't we moving? We're not. People end up saying the same thing like 15 times in a weird loop. They go, look, you got to show up at 8 tomorrow. And I go, okay. And they go, because Dan's going to be. And I go, we're good. You just said, Joe up at 8. And I just said, okay, we don't have to keep going down this road, but I Don't like all the waste in the government waste drives me nuts. Sort of the physical waste drives me nuts. So I hate the time waste part of life. And society is stacked against you in that department. You want to pull a permit to do something, it's going to be a while. It's like, why? I want to get going, I want to get started. Yeah.

[Dolph Lundgren]

Especially when it comes to the things that really matter to you. It's like getting stuck in traffic. These things happen. Right. There's natural sort of like frictions of life that at some point we need to realize, too. The counterpoint to that is we have, as a society, been obsessed with reducing friction from our lives. Technology effectively has been about slowly reducing the amount of friction that you have to experience in your daily life. You used to have to go to the grocery store to get food. Now you can just order it on Instacart. You used to have to, you know, walk up the stairs. Now you can just take an elevator over and over and over again. We've developed technology that has reduced friction, but at some point along the way, you realize that a lot of the meaning of life was found in the friction. And when you obsessively reduce friction from everything that you can do. Take dating as an example. You're like young people now dating. You no longer have to risk going up to a girl at a bar and getting rejected. You can just go on your app and you can opt in or opt out. And at some point you wonder, what is the cost of all of those things? Because there's no such thing as a free lunch right, in life. And so we also have to recognize that sometimes the time wasted maybe was not really waste. There was some sort of meaning in it.

[Adam Carolla]

Yes.

[Dolph Lundgren]

Going back to your point, though, I would just say that the ancient Greeks had the best version of this that I can imagine, which is they had two different words for time. They had Kronos, which was the idea of chronological, linear, quantitative time, all time is created equal. Then they had Kairos, which was the idea that not all time is created equal, that there are certain moments or certain windows that actually have higher importance. They have more texture. So energy invested into those specific moments is worth more. It creates the right outcomes that you're trying to achieve. That is, I think, how we unlock real time wealth in our lives. It is to say you need to identify those specific moments, those energy creating moments that you have with certain people or on certain opportunities, and deploy your units of energy into those.

[Adam Carolla]

Yeah, no, I've always said Kind of a version of that, which is your life comes down to sort of little moments and you'll either pass or fail. And I was aware of it. And I used to tell people when I started in comedy and I got onto the radio out here in Los Angeles on KROC radio, and it was years ago, but I said to everyone, these bits that I'm doing on this morning show for free have to be really good. The first 10 have to be really good. The 11th one could be a C minus and I'll be fine. But if the first, second, or third one kind of suck, I'm out. And so I paid a lot of attention and put a lot of time into those bits later on. It was like, yeah, I wanted the bits to be good, but I wasn't gonna get fired or not asked back if that, you know, your first date better be good. Second date better be good. 28th date can be a stinker. You can have a bad night, you're fine, there'll be another date. That person's not going to break up with you is what I'm saying. But if the first one is bad, put some time into the first one.

[Dolph Lundgren]

Same thing applies to hedge fund managers, by the way. When you look at the world of finance, there's this old story of the best way to become a billionaire in the world of investing is to get really lucky five times in a row to start. It doesn't matter if you get lucky, you know, at times 15 through 20, because no one has given you a bunch of money to manage. If you get lucky five times in a row, you can go take $1 billion and have 2% fees on that, and you'll be rich no matter what. You'll be totally fine. And then you can be really bad at it and you can explain it and create a narrative around it, whatever. But getting lucky times 0 through 5 is much better than getting lucky times, you know, 10 through 15.

[Adam Carolla]

Yeah. I think people first date or an audition or a first week on the job or whatever it is, make sure you put a lot of energy into that and you put forth something that's attractive. And it doesn't have to be a sexual attraction on a date. I mean, an attractive as employee, attractive as a whatever. If you own a coffee shop, that first cup of coffee the person gets is gonna decide whether that person comes back or not. The 30th cup of coffee might have an off day and they'll still be back.

[Dolph Lundgren]

Usually. Another way of saying it is it's much harder to change someone's impression of you than it is to create the impression in the first place. It takes much more energy to change someone's impression.

[Adam Carolla]

Well, it's the only time we're gonna have a blank canvas. After that, there's gonna be all kinds of paint on it. And it may be a good painting or a negative painting, but you only get one shot at a first impression, as I think some commercial used to say. But it's true. And I feel like people don't think enough about that.

[Dolph Lundgren]

That's life, too, right?

[Adam Carolla]

Well, it's all fast.

[Dolph Lundgren]

It's a metaphor for life. I mean, the thing that you've done over long, long periods of time becomes very, very difficult to change. It's the reason why there's that old Chinese proverb. The best time to plant a tree was 20 years ago. The second best time is today.

[Adam Carolla]

Oh, that's a good one.

[Dolph Lundgren]

Yes. The best time to have made any of these changes in your life, do any of these things, was 20 years ago. But the reality is, no matter how far gone you are, no matter how many bad decisions you've made up to this point, the only thing that you can actually control if you have a stoic mindset around it, is the action in the present, today.

[Adam Carolla]

Well, you were talking moments ago about friction. And I've always said. I've always just called it gravity. And I sound like you, or maybe you sound like me because I'm older. But I've said, be careful, people. Removing everything, all the gravity, the friction. Stop having everyone show up and do everything for you. And then I would constantly argue with people because I had money, and so people would go, you don't have to do your. These conversations, like, constantly. And I would go, I know, but it's good to do these things. It's good to be a part of that. And society fought it like, they were, like, loud. And women would do it a lot. They'd go, why can't you have a nanny when the kids are 15? You don't need a nanny. Have to have a nanny. You can do your own stuff. And they'd go like, yeah, but you have enough money. Everything was like, yeah, but you have enough money kind of thing. And I always knew it, and I fought about it a lot. I was not successful in my battles. But I do tell people all the time, they'll go, like, we should have the detailer guy come wash the car. I go, just go wash the car. You have a hose. You have a driveway. Just go wash it. Why should she wash the car. Why are you wasting your time washing your car? I'm like, it's. I can't explain to you why it's not a waste of time, because you're right. Technically, if I average $2,000 an hour paying a guy 69 bucks to come over and clean my car would be a better use of funds than me spending two hours out in the driveway. But I'm telling you, it's important.

[Dolph Lundgren]

Yeah. Life isn't on an Excel spreadsheet. Yes, your whole life can't come down to an Excel spreadsheet. And if it does, frankly, I would argue the people whose entire life is on an Excel spreadsheet end up pretty miserable. You know, you, like, you optimize the life out of your life. It has become this trendy thing, right, for people to say, like, oh, what's my hourly rate? And then this? I should do this and that. Like, sometimes you just need to not lose sight of the thing that got you there in the first place, to the actions that you took to get you to the position that you're currently in. Sometimes there's a reason that those got you to that place, and you can't lose sight. It's like, never get too big to do the small in certain areas, in certain ways.

[Adam Carolla]

Yeah. There's a real almost majesty, like a majestic quality to just doing simple, basic tasks and making your kid breakfast. It's just a good, simple thing that everyone should engage in, regardless of what your 401k.

[Dolph Lundgren]

I mean, that's the different types of wealth, right? Like the relationship texture that a simple breakfast creates. That's never going to be something where when you're 80, you look back and you're like, oh, that one breakfast. But the compounded effect of all of those breakfasts that you were still willing to make, instead of hiring the personal chef that you could have paid for and having the nanny do it or having the night nurse take care of them all night, even though you could have done all of those things, the compounded effect of that may be significant in terms of the actual relationship that gets built in my own version of what a wealthy life looks like. Having adult children that still want to spend time with me is at the top of that list.

[Adam Carolla]

I think it is a pretty good yardstick to measure an individual male or female adult. I said very clearly when I got back from doing Celebrity Apprentice in New York, when people are like, what's Trump like? I said, well, you know, I had some issues with certain aspects of Trump, and I wasn't a big fan, and he's very different than I am. But his adult children like him and respect him, and that means he's doing something right. I know many adult children. People such as my mom, hated her mom, like, her whole life, and it was always a problem, and they took it to the grave. And it's like somebody did something wrong. If your adult children do not speak to you or like you or you did something right when you have respect and love. They wanted to work with him. They wanted to be around him. They were good themselves. And I was like, look, I may have a beef with aspects of this guy, but he did get that right. And that is something to measure somebody by.

[Dolph Lundgren]

I think it's a good razor. It cuts through the noise on a lot of things in life. You have to have done a lot of things over a long period of time to have kids that still want to hang out with you. I think about it with my own father, by the way, because he got disowned when he wanted to marry my mom. My dad comes from a white Jewish family in The Bronx, N.Y. wanted to marry my mom, who was Indian. His dad said no, said, you have to choose. And my dad walked out the door. Never saw his family again. To this day, never met my dad's parents. He has three siblings I never met. You know, he made a clear decision, and on the back of that decision, decided to reject, I think, all of the ways that he felt that he was treated or raised by his father and amplify the other side of it of being the supportive part, present, energetic father that I felt I had growing up.

[Adam Carolla]

So never met the grandparents.

[Dolph Lundgren]

Never met the grandparents and.

[Adam Carolla]

Or. And uncles, aunts.

[Dolph Lundgren]

No. His father passed away many years ago, but as far as I know, his mother's still alive. I mean, it's a crazy thing to think about in this day and age that we live in now. But you know, this. I mean, with family in particular, at some point in time, there's too much water under the bridge, and it just becomes challenging to remedy.

[Adam Carolla]

Something my friend used to say, too much sewage under the bridge.

[Dolph Lundgren]

Which is more.

[Adam Carolla]

Might as well be that happier connotation than it's sewage. You need water. Yeah, it's like the river from Tijuana to San Diego under the bridge. And I marvel at. And I was saying it this morning, not even knowing we were getting into this, but I was looking at Blake Lively and Justin Baldoni and there's problems and their attorneys, and I'm like, what percentage of Your life is just attorneys and this and squabbles and like, how necessary is any of this stuff? It is insane how sort of fast and loose people play with their time and your dad's situation with his family. It's insane. I don't know. I am shocked and appalled when I want to write a book called I Never Knew Adults Would Be this Stupid. I am appalled that so many adults are so goddamn bad. And they're not even bad people. Weirdly you go, well, that guy's not a bad. Your dad's dad's not evil. He's probably never killed anyone or ran over somebody in his car or anything. But yet this is his behavior. And also, why is it okay with him if my son was like, I'll just never talk to you ever again? I'd be like really miserable about that.

[Dolph Lundgren]

Yeah, I feel like no one wakes up in the morning and wants to fuck up their life. Excuse my language. No one sets out to like ruin their relationship on a given day or, you know, get into trouble or like go down a bad path, whatever those things are. It's this tiny slow set of actions that kind of like boils over, over time. It's like the metaphor of the boiling frog. A frog jumps into boiling water, it'll immediately jump out. But if you put a frog into lukewarm water and bring it to a boil, it'll stay in there until it dies. Like those tiny things over long periods of time, we don't notice as humans. And no one thinks they're the bad guy. Right. Like, humans are great at telling ourselves stories, that we are the good guy in a situation. And so I'm sure his father had a very different version of events that he told his family and that he understood.

[Adam Carolla]

No, I get it. In the game I just played with Dolph Lundgren was, what would your dad say? How would he describe you? Describe your dad as a guy who was violent, beat on you and beat on your mom, and then sent you away to your grandparents house near the Arctic Circle. Fine. What would he say? Because I am, and I have found it to be effective where people go, you will scratch. You'll get to the truth a little bit. They'll go, well, you know, I did a lot of drugs and I did punch him once. And so he would probably say something like. And you kind of go, it kind of gets you back to there. Yeah. No one ever goes, because I'm evil and I'm unfair. So that's what I do. You know, it's also A big problem that people sort of. Everyone thinks they're good, especially also a lot of people that cause a lot of harm think they're good. Just scares me a little bit, especially when they're in charge. But. Yeah. What would your dad's dad say?

[Dolph Lundgren]

Without having enough details of the exact situation, it's hard for me to opine on, but I would guess he would say, like, you know, he's my, like, my golden child, oldest son, and he's sort of rejecting his family to, you know, go with this girl that he doesn't even know that well and disloyalty and, you know, like.

[Adam Carolla]

And he wanted to marry someone of the Jewish faith?

[Dolph Lundgren]

No, my dad came from a Jewish. They weren't even religious, so it wasn't a religious thing.

[Adam Carolla]

That's a weird.

[Dolph Lundgren]

Oh, I figured he wanted to marry my Indian mother. I, you know, like, if I were to actually think about it, my guess is it was much more about a power thing that, like, your oldest son, who was kind of like your golden child, is for the first time questioning your judgment and your wishes for his life. My dad had very much, like, followed a path that was handed to him, and this was the first time that he was sort of questioning the path that was handed to him to do something different. And his dad said no. And rather than just saying, okay, father, and, you know, consenting to the new wishes, he continued to say no. And I think that, you know, that leads to, like, this chip away. I think pride and ego gets in the way probably on both sides. And I think my dad would admit that all humans and men especially, become ego driven in these situations.

[Adam Carolla]

Did your dad continue on the other paths that were carved out for him or directions he was pointing? He wanted him to be a lawyer or a doctor or something.

[Dolph Lundgren]

He was on a track to be an academic, to be a professor. And he has been a professor his entire life. Very successful one in that vein. But this was sort of his one path that he carved off of it.

[Adam Carolla]

So your dad's family chose paths. A lot of families do that. My family didn't do any of that. So I just sort of did what I wanted. It was fine. I would tell all the time. I could have returned home with a morbidly obese black lesbian and said, this is who I'm marrying. And my whole family would have went, yeah, okay, well, we don't care one way or the other. So I never felt any of that gravity. But your dad adhered to most of the plan, except for your Indian mom.

[Dolph Lundgren]

Yeah.

[Adam Carolla]

And so it would seem like, you know, you did 90%, five out of seven with your dad or whatever it is, you know, check the winner. I would take the win. The kid could have been interpretive dance guy turned by and lived in the village or something. And he went down that road, his.

[Dolph Lundgren]

Hair purple, gone down the totally different path. No, he's a clean cut professor. Yeah. No, from the outside looking in it seems like he actually you're right, it's like 80, 90%. You got to take good when you can get it.

[Adam Carolla]

The surprising part of it to me is the moment the mom normally would have a talking to with the dad and say, look, I'm not gonna.

[Dolph Lundgren]

I think his father was a pretty domineering presence in their household. There's a bit of a generational difference too versus today. And I think his father was not a particularly kind man at least.

[Adam Carolla]

So she was scared of him.

[Dolph Lundgren]

I think there was an element of that. And I would guess that today she's still alive. That if we were to approach her wanting to remedy things, that we would be able to in some way. But I think that that decision has to come from my dad and mom, not from us. And so it hasn't happened.

[Adam Carolla]

Sorry for the silence. But I just think about the waste. It kind of falls under the waste department for me that so many people. I mean on a very visceral level there's like, ah, there's that 17 year old kid and he got stabbed in the heart, you know, cause he told some other kid to move off his bleachers or something. And it's like, wow, what a waste of that person's life and of the other person's life too, who's gonna be in prison for the rest of their life. So there's like that version of it and then there's the more cerebral version of it which is like your family. But it all falls under the same heading for me. I just go, what the fuck are we doing here, people? Why are we doing this? I'm kind of appalled that there's that level of it. And even when people are educated and financially good and well dressed and sane and everything else, there's still a lot of it.

[Dolph Lundgren]

Yeah, it goes back to your book title. I like your book idea. I think that's smart.

[Adam Carolla]

Well, you wanna ghost ride it? I'm pretty busy. I do. Once a week I just go. I had no idea adults would be this stupid. In every realm that I contact, have a contact with them and people I talk to. And like I said Educated, bright, they're not third world people. They're like people with college degrees and stuff. And I'm saddened by it. But on the other hand, I suppose they think there's something wrong with me. Except for I'm always right. That's the problem. The problem is I'm always right. So I don't know what they. I keep score, I have a track record. So I don't. But I'm sure they would say the exact same thing about me.

[Dolph Lundgren]

Yeah, the empowering part in this is that you can generate incredible upside in life by just being consistently not stupid. That was like the Warren Buffet, Charlie Munger old adage of how they had been so successful in building their investing track record. And he was like, we don't try to be brilliant, we just try to avoid being stupid. And it turns out that most people are really bad at avoiding being stupid.

[Adam Carolla]

And there's also, you really just have to kind of be consistent and you have to have a little bit of a work ethic and you'll be pretty good. In this society you don't have to be Michael Jordan, you can just be sort of hard working guy who Tony.

[Dolph Lundgren]

Ku Coach over and over again.

[Adam Carolla]

Tony Kukoc. Yeah. You just show up, you meet Kurt Rambis. People have to kind of like you be around, you know, and you know, just show up and hustle a little bit and you'll land on your feet. Like it's a weird, I hear politicians going, these people, they struggle and they struggle and they struggle and they can't get ahead. And it's like, yeah, you can, but you have to not be stupid and you have to kind of learn as you go and not make the same mistakes and do all that stuff and it'll work for you.

[Dolph Lundgren]

You need to have agency. You need to believe that you are capable of taking an action and creating an outcome in any area of your life. And when you believe that there's a lot of good that can come.

[Adam Carolla]

I completely agree. And when I hear politicians peddling the, you can't get ahead because of the color of your skin or because your background or because of whatever it is, I go, you're taking the agency away and that's going to be a big problem. And I don't know if they know what they're doing when they do that and all the destruction they're causing or they're just trying to get votes or they don't care or they think they're just helping in some way. But it always, the agency part's a big issue. And it didn't used to be politicians explaining to everyone why they couldn't get anywhere. They were going, I'm going to just level a playing field and you can all, you know, the rising tide is going to lift all these boats. They don't really do that so much anymore. And it's destructive and it bothers me. And we need to get back to agency. Like people, People don't need to be told. See, their version of agency is tell every kid they're the best. I'm like, no, that's not the message. The message is, you could be the best or not. You'll figure that one out.

[Dolph Lundgren]

You get one moment with your kid, I'm convinced you get one moment with your kid to teach them that lesson. I so clearly remember that one moment in my own life. I played baseball my whole life. I ended up getting a scholarship, playing at Stanford, had a great baseball career. But as a 12 year old, I had been the best baseball player on every team I had played on. And then I tried out for this like all star team and there were 16 players taken. I was the 17th. I got cut and I was devastated. First time I had really failed at the sport. Crying, very upset. My dad came into my room, sat down on my bed and he said, I understand you're upset. Here are the things that they said you could work on. Let's go out this summer and we're going to work on those things. And I look back on that as being such a formative moment because the two options that he had, one was to come in and say, they're idiots, you were the best player there. They're so dumb, they made a big mistake, you were the best son. Or he could do what he did, which was to hand me my agency on a plate and say, you are capable of going and taking action. I will support you to take those actions. Let's go work on this stuff together. To go and create the desired outcome, to improve at these skills and the path that that sets you on. You can spot from a mile away the kids that were told, no, you're just the best, sweetheart, you're the best. That was a mistake. You're an idiot. That's the person who, you give them feedback at their first job to say, hey, this wasn't good enough and they break down. Or they say that you were too critical of them and they can't, they're not coachable. Right. Versus the person who says, like, okay, I'm going to take that feedback and that's going to be a rallying cry for me to go and be the best version.

[Adam Carolla]

Yeah, the feedback thing, it's really weird. There's a lot of younger people. When I say younger, they're like, they're probably in their early 40s now. They're not that young, but I've seen it and I've dealt with it, which is they obfuscate. They externalize everything. Every single thing you tell them, they go, that's because. That's because nothing, no internalization at all. And the other thing, everything is earth shattering to them in the critique department. And they thus never improve because everything is outside of them. And it's almost like you played baseball. There used to be a thing called the, I don't know, Pete Rose or something, like the pitchback or something. It's just like a net with a spring loaded thing and you'd set it up there 20ft from you and you play catch with yourself and you'd throw it at these people. And there's a lot of them and they're not even bad people, just younger dudes. And you just go, hey, man, you're late or whatever. And the ball comes flying right back at you. And you go, hey, man, I told you to work on the parking lot and clean. And the ball just come sailing, right? Like you can't even. They'll even go, I never said that. I didn't say that. You said that. You didn't say that. And it's like, okay, well, you're not improving because the ball sails back at me a millisecond after I throw it at the pitch back. Literally. That's what they do. Did Johnny bench See if we can figure that? All right, it's getting too late. The point is, take it and go, all right, you can go, I was late because of whatever. And then you go, it's not going to happen again.

[Dolph Lundgren]

Agency.

[Adam Carolla]

Agency. Get it, people. By the way, I'm old and I'm rich, so I'm fine. I'm doing this for. This is more for you than it is. It's not for me. I'm okay. I have the misfortune of hiring you, but this is not for me. It's really more for you. What was this thing called? The Pitch Back?

[Dolph Lundgren]

Yeah, I had one of these.

[Adam Carolla]

You had one? It was called the Pitchback.

[Mayhem Miller]

Yeah.

[Dolph Lundgren]

This is good. That's a real retro one that you got up on the screen.

[Adam Carolla]

Yeah, the old ones were like old school orange. Probably one of the only gifts I.

[Dolph Lundgren]

Ever got, I broke so Many damn windows with that thing just missing it.

[Adam Carolla]

Oh, really?

[Dolph Lundgren]

Like putting it in front of a window and just smoke, man.

[Adam Carolla]

Yeah. Who.

[Dolph Lundgren]

My son broke his first window the other day, and that was a big moment that felt like a rite of passage.

[Adam Carolla]

Well, was it a Tesla dealership? He was pretty out of control, but.

[Dolph Lundgren]

He'S one of the cybertrucks, you know, like, they threw the metal ball at it, and it still cracked the window, even though Elon said it wouldn't happen.

[Adam Carolla]

Was that Hank Aaron's pitchback? Is that who that is? I mean, it's. Somebody autographed that thing that looks like Hank Aaron. I'm going Hank Aaron now. It's black paint 20ft away. So I'm. I'm gonna say, hey, by the way.

[Dolph Lundgren]

Those things were, like, an absolute health hazard. The little bands with the hooks on them, one of those snapped off and take an eye out.

[Adam Carolla]

Yeah. One of the only gifts I ever got as a kid. And I think my dad was like, we gotta give him a pitch back. And then my mom would have been like, well, that cost $11, so we're not gonna do that. And then my dad was like, he can stand in the yard alone all day and leave us alone. And my mom was like, okay, okay, good plan.

[Dolph Lundgren]

That was basically the nanny.

[Adam Carolla]

Yeah. The pitch back. Yeah, but that's what you get with young dudes when you go, hey, man, I want to talk about your performance. Pow ball just come sailing right at your head. Whatever you pitch to them right back. Let me give the book a plug. I know you're traveling today. I'm assuming I saw your suitcase out there. Five the Five Types of wealth. A transformative guide to design your dream life. Get with it, people. Good to see you, man.

[Dolph Lundgren]

Thank you for having me.

[Adam Carolla]

I appreciate you. And I'm going to read this book now. I go to ampcroll.com for all the live shows. I'm going to be all over the place and Dolph Lundgren. Grab some of his vodka, Hard cut vodka, and get Sawhill's book as well. Until next time, Sam Crowfish, Sahil Bloom, and Dolph Lundgren saying Mahala.

[Chase Miller]

Pick up your phone and leave us a voicemail at 888-634-1744. And then grab some tickets to see adam [e-mail].

[Adam Carolla]

See what's screaming free all month long.

[Chase Miller]

During Pluto TV's April, ghouls get your heart pounding with nightmare fueling classics like Insidious and Bram Stoker's Dracula. Or test your nerves with haunting hits like Urban Legend and Don't Be Afraid of the Dark. Pluto TV has hundreds of channels and thousands of terrifying movies, live and on demand. Download Pluto TV on all your favorite.

[Adam Carolla]

Devices and start streaming now.