Sean Stone Talks RFK Jr. Documentary and Oliver Stone’s Tough Love

Summary

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Podcast Episode Summary

The Adam Carolla Show (PodcastOne / Carolla Digital)

Episode: Sean Stone Talks RFK Jr. Documentary and Oliver Stone’s Tough Love

Date: December 10, 2025

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Overview

This episode of The Adam Carolla Show features filmmaker Sean Stone (son of Oliver Stone) as the main guest. The conversation delves into Stone's new documentary on Robert F. Kennedy, Jr. (RFK Jr.), themes of legacy, media manipulation, COVID-19 responses, and the dynamic—often tough—relationship Sean has had with his father, Oliver Stone. The episode is also peppered with Adam's signature wit, pop culture commentary, discussions about outrage culture, and plenty of candid, irreverent humor between Adam, co-host Alicia Krause, and recurring voice Ted Koppel.

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Key Discussion Points & Insights

1. Outrage Culture & Generational Differences

• Adam and Alicia start by dissecting a viral video where a woman claims to be "dehumanized" after being "crop dusted" (farted on) in a grocery store. Adam uses this as a launchpad to critique how minor slights and everyday inconveniences have become content for social media outrage and self-victimization (07:15–23:00).

  • Memorable Quote

    "We can't raise everyone grown up in bubble wrap and Purell because they have no fucking calluses. They have no ability to do anything."
    — Adam Carolla [12:19]

  • They joke about modern “assaults,” contrast this with genuine hardship, and riff on white-collar versus “real” problems.

    “This is white people problems, right here. ...You guys are running serpentine to school, dodging gunfire. ...We got our own problems at the Albertsons.”
    — Adam Carolla [21:41]

2. Pantone Color of the Year = Race Controversy?

• The team skewers the backlash to Pantone's 2026 “white” shade as "color of the year," mocking social media users who claim it’s “problematic” in the current social climate (25:06–37:12).

  • Memorable Quotes

    "You're not gonna convince me that this was not an intentional move. ...Pantone just released their color of the year ...and it is severely lacking pigment. It's white. Not a good look. The optics of this? Not good. Not good."
    — TikTok Commentator [32:22]

    "My favorite Pantone year is the year you shut the fuck up, bitch."
    — Adam Carolla [35:14]

  • Discussion expands to "quiet luxury," gendered empowerment & what Adam calls “professional outrage.”

3. Podcast Awards & Hollywood's Political Cliques

• A rundown of the Golden Globes' first-ever podcast category and which big shows are (and aren’t) nominated—prompting Adam’s critique of Hollywood's ideological echo chamber and bias against dissenters (50:17–54:12).

  • Highlighted Exchange

    "I shouldn't be able to tell you in advance what podcasts are not gonna get nominated... I know Joe Rogan, who's arguably the most important podcast ever, is not gonna be in the six that are nominated. …That’s the way this town works."
    — Adam Carolla [53:14]

4. The War on Christmas (Still)

• Adam and Alicia discuss David Spade’s remarks about the trend to avoid public references to Christmas, viewing it as more evidence of unnecessary culture war skirmishes and performative tolerance (54:29–57:42).

  • Memorable Quote

    "I would never get involved with anyone's ritual and tell them to shut it down. I would just either participate or not participate."
    — Adam Carolla [57:32]

5. Sean Stone Interview: The RFK Jr. Documentary & Oliver Stone’s Parenting

• Sean Stone joins the show, offering insight into his documentary, his relationship with his iconic filmmaker father, and the broader themes of legacy, rebellion, and media manipulation (64:52–76:46).

  • On RFK Jr. and American Political Fandom

    "People that we hold up and adore and build up and then turn on and just go after... The two biggest heroes to the left were probably RFK Jr. and Elon Musk... and then they went from these are the greatest heroes... to literally physically attack..."
    — Adam Carolla [65:14]

    "That's fascism is what I call it. There's an emotional impulsiveness to it... It feels feminine to me—that males can participate in as well."
    — Adam Carolla [66:13]

  • On Growing Up with Oliver Stone

    "He didn't like kids, and he was pretty clear about that. ...'You're not very interesting to me until I could have a conversation with you about history.'"
    — Sean Stone [68:56]

    "We would clash a lot on things, you know, intellectually, until I think we got to a place where, you know, he accepts I am my own man, I'm going in my own direction."
    — Sean Stone [69:41]

  • On the Power of Film and Cultural Impact

    "We're not in a film culture anymore. ...Now, it goes in one ear, out the other."
    — Sean Stone [77:18]

6. Assassinations, Deep State, and Media Compliance

• The RFK documentary investigates the gaps and forensic inconsistencies in the official assassination narrative—Stone and Carolla both express skepticism about official government and media accounts in general; COVID responses are used as a modern parallel to mass compliance and propaganda (78:37–102:56).

  • Laws of power, creation of fear, media as a foot soldier of power, and the ease of public compliance are all dug into.

  • Memorable Quote

    "The media jumps in and for some reason either becomes useful idiots or they're on the payroll. ...And then they talk to the media, and then the media gets hold of the moms. ...And then they've been weaponized, and now they're gonna do all the enforcing."
    — Adam Carolla [82:13]

  • COVID Segment Highlights:

    • Personal stories of lockdown enforcement and mask policing (especially on planes, stores like Erewhon, and hotels in Boulder).
    • Adam and Sean lampoon inconsistent rules, enforcement, and the mind-control underpinnings.

      “We got kicked out of a hotel in Boulder... walked through the lobby, everyone in the lobby is just sitting there, no masks... but us walking gets security on us.”
      — Sean Stone [92:39]

  • Discussion about the “authoritarian temptation” and how easily fear and media narratives can manipulate majorities into compliance and aggression.

7. RFK Jr. Doc & Sean Stone’s Next Steps

• Stone describes how the documentary aims to extend beyond RFK Jr.’s campaign, instead spotlighting the continuing fight against entrenched interests and media narratives. He hopes to keep making work that tackles these themes, joking that “whatever God gives me to do” is his next project (103:26).

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Timestamped Highlights

| Time | Segment/Quote | |----------|-------------------------------------------------------------------------------| | 07:15 | Adam: “Why are we chronicling this?” (Social media victim storytelling) | | 12:19 | “We can't raise everyone grown up in bubble wrap and Purell…” — Adam | | 21:41 | “This is white people problems, right here…” — Adam | | 32:22 | "Pantone just released their color of the year ...and it is severely lacking pigment..." — TikTok Commentator | | 35:14 | “My favorite Pantone year is the year you shut the fuck up, bitch.” — Adam | | 53:14 | “I shouldn't be able to tell you in advance what podcasts are not gonna get nominated...” — Adam| | 66:13 | “That's fascism is what I call it. ...There's an emotional impulsiveness to it...” — Adam | | 68:56 | “He didn't like kids, and he was pretty clear about that…” — Sean Stone | | 77:18 | “We're not in a film culture anymore...it goes in one ear, out the other.” — Sean | | 82:13 | “The media jumps in and for some reason either becomes useful idiots or they're on the payroll…” — Adam | | 92:39 | “We got kicked out of a hotel in Boulder…” — Sean Stone | |102:26 | "A little audit of your actions would be nice about now." — Adam |

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Notable Quotes

• Adam Carolla:

  • "We can't raise everyone grown up in bubble wrap and Purell." [12:19]
  • “My favorite Pantone year is the year you shut the fuck up, bitch.” [35:14]
  • “You're not getting cast in a movie ever if you show up with a MAGA hat.” [98:20]
  • "The media gets hold of the moms, and they've been weaponized... they'll be in charge." [82:13]

• Sean Stone:

  • "He didn't like kids, and he was pretty clear about that...You're not very interesting to me until I could have a conversation with you about history.” [68:56]
  • "We're not in a film culture anymore. ...Now, it goes in one ear, out the other." [77:18]

• Alicia Krause:

  • "You're making our side look really bad, ladies. You're making our gender look bad." [33:35]

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Episode Flow & Tone

The episode is irreverent, sardonic, and unfiltered. Adam’s comedic sensibility dominates, balancing rants with cultural critique. Sean Stone’s portion is thoughtful and occasionally introspective, shedding light on living up to—and chafing against—the legacy of a famous father, and his pursuit of truth in storytelling. Alicia provides sharp, often sarcastic, counterpoints, and Ted Koppel’s voice-of-God style interludes add a running gag throughout.

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For Listeners

If you missed this episode, expect signature Adam Carolla Show humor, a no-holds-barred look at outrage trends, and a substantive, behind-the-scenes glimpse of American politics, conspiracy culture, and the making of a documentary from Sean Stone, all wrapped in fast-moving, irreverent banter.

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Recommended if you like:

• Pop culture and media criticism
• “Inside Hollywood” stories
• Political skepticism
• Classic Carolla rants on social trends and wokeness
• Candid looks at parent-child dynamics among public figures

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Transcript

[Adam Carolla]

Well, in this episode, Alicia Krause has the news. Sean Stone. That's right. Oliver's son. Turned into quite a young lad, turned into quite an adult. He's got a doc. He'll be in. We'll talk to him and we'll do all that right after this.

[Ted Koppel]

It's time to celebrate Christmas with the Ace man.

[Adam Carolla]

Happy holy, holy Christmas and the best time of the year.

[Ted Koppel]

Thursday, December 18th at the Sagebrush Cantino.

[Adam Carolla]

There's no roasting in the open fire.

[Ted Koppel]

Join Adam Carolla and the crew. I'm Ted Koppel, plus special guest Brad Williams.

[Adam Carolla]

And if you daily decree my my true love turned to me. I partition the parent free. It's wonderful. And oh, breaking news.

[Ted Koppel]

Plus an ugly sweater contest with your chance to win lunch with Adam and the staff.

[Adam Carolla]

There they have it for the Holy fal.

[Ted Koppel]

A special Adam Corolla show Christmas at the Sagebrush Cantina on December 18.

[Adam Carolla]

Feliz Navidad.

[Ted Koppel]

Join us for the brightest season of the year. Get your tickets [e-mail].

[Adam Carolla]

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From Corolla One studios in Glendale, California, this is the Adam Carolla Show. Adam's guest today, filmmaker Sean Stone. Plus the news with the Washington Examiners, Alicia Krause. And now. He's not big on activism, but he's really into chauvinism. Adam Corolla.

[Adam Carolla]

Yeah. Get it on, Got to get on. No choice. We got a band aid to get it on. Thanks for tuning in. Thanks for telling the friend. Alicia Crass in here. She's got the news and commentary as well.

[Alicia Krause]

Oh, you added commentary this week. I like it.

[Adam Carolla]

You have commentary as well.

[Alicia Krause]

You might. You're like granting me permission to open my mouth.

[Adam Carolla]

Yeah, I've done that a time or two with a lady friend.

[Alicia Krause]

You're like, oh, God. Permission grant in moderation.

[Adam Carolla]

In moderation. All right, so.

Something you're probably not gonna like, but it makes me laugh. I gotta say, for guys, farting is pretty much laughter. The hardest I've laughed is some fart related something. And I built a world around it as a young person. And Kimmel was very much into that. And most of the guys I know with the real sense of humor are into farting. And four year olds, four year olds are into it as well. But it's universal, keeps going to the grave.

[Alicia Krause]

You don't have to speak a different language. It's just the fart itself is funny enough.

[Adam Carolla]

It's the language of love. And I saw a video. I don't know why I'm.

I'm semi obsessed with narcissism. Oh, and I also like when people chronicle narcissism. You know, like when women go like, I was standing in line and a guy came up behind me. And it's something like you end up agreeing with the other person, but they're saying it as if they were the victim. Most of the time when I hear victim stories, now I'm actually siding with the other person. Cause I don't like you. But also, you're describing what they're doing is not really that bad to me, but anyway. But I'm also interested in that. People have to chronicle everything. I think shit happens. Social media, I get it. But what I'm saying is.

If I won the Toyota Celebrity Grand Prix of Long beach, then I would go, hey, I'm so excited. I just won the celebrity. But if I was, like, using a bathroom on an airplane and somebody opened the door while I was taking a shit, I wouldn't go like, hey, guess what just happened to me? Yes, it's something embarrassing. It's weird. It happens. It's part of life. Why are we chronicling this?

[Alicia Krause]

You know, the ones that get on minors the most? And since we know how much you love Uber, you'll probably like, this one is left, right and center. The dumb tweets that I don't believe where people are. Like, I just talked to my Uber driver who's a hardworking immigrant about President Trump.

[Adam Carolla]

Yeah.

[Alicia Krause]

No, you didn't know. You didn't. And if you did, I don't care. Like, why can't that be a conversation between the two of you?

[Adam Carolla]

Yeah, I mean, listen, if you're out, you know, fishing with your son, and you pull a trout out and a grizzly bear pops out of the water and takes it down, and you filmed it, by all means, like, throw that up on the Internet.

[Alicia Krause]

Goddamn interesting.

[Adam Carolla]

But if you're just chatting with your Uber driver about how evolved you are and what a hero you are, what a champion of people of different nations you are, then, A, I don't believe it, but B, why are we putting this out there? Okay, you spoke to your Uber driver. I want everyone to know I spoke to my Uber driver, too, and that'll be between us. Anyway, this woman was at an Albertsons supermarket and was farted upon.

And it also. It's not a good sign that I was laughing at the beginning. And then once the tears started, I really started laughing.

[Alicia Krause]

Was it intentional farting?

[Adam Carolla]

It was what we call a crop dusting in the business. Like, I think she got crop dusted. It's her and it's her partner. Also, I would be the worst lesbian partner ever, because when someone was gonna chronicle their I got farted on and the frozen foods, I'd go, honey, just put the phone down. Really? Do we need. Do we need this? I'll tell you what, I'll get your Birkenstocks resold if you do not film this. How about that on me. I know a guy. I know a cobbler.

[Alicia Krause]

A new pair of crew socks to wear.

[Adam Carolla]

Speaking of cobbler, who's in the mood for cobbler now? Put the fucking phone down. All right. This is her in her kitchen with her partner chronicling what happened.

[Lesbian Partner (Unnamed)]

It's fresh because it just happened.

[Adam Carolla]

That's already funny.

[Lesbian Partner (Unnamed)]

My wife and I, that she is, just went to the store, the grocery store, right by her house.

Just to buy, like, junk food and stuff, you know, because we're really tired. Just wanted some sweet treats.

[Adam Carolla]

Yeah, yeah. Cut to it.

[Lesbian Partner (Unnamed)]

And we were walking down an aisle, and there were, like, two guys that walked up next to us, you know, Peyton, like, walked away. My wife walked away for just a second. And.

They were, like, snickering to their. Like, to themselves or something. And, like, I didn't really think much of it. So I'm just looking at the candy.

[Adam Carolla]

Aisle, trying to put on a pause for a second. Not that we need to revisit this again, but this is a lot like Phoebe Cates in her Christmas story, you know what I mean? Like, she was just minding her own business. She thought a squirrel got stuck in the flu. They didn't think anything of it.

[Alicia Krause]

So the way she is crying, I would have thought that, like, somebody attempted to rape her at the grocery store.

[Adam Carolla]

Well, it was a nasal rape. I. I don't know. Let's hear what happened at the Albertsons.

[Lesbian Partner (Unnamed)]

I'm just looking at the candy aisle, trying to decide what candy I want.

And he walks by and gets, like, inches from me and. And just rips one, like, farts, like, this far from me. That's disgusting to say. I can't even believe I'm having to say this.

[Adam Carolla]

You don't have to say it. Hold on a second. Are you contractually obliged by your cellular carrier to give one heartfelt fart story a month? You don't have to tell the story.

[Alicia Krause]

I am going to side with her, though. Like a man coming that close to you in a public space, you're like, whoa, that. That would jar me. Call my husband and tell him. I wouldn't make a TikTok about it.

[Adam Carolla]

Well, let me say this. You're old school, homeschool. Old school. But in the supermarket, frequently, people are looking at an aisle and they back into somebody, and it's at the grape. May I have the Great Poupon? You know, there's contact there.

[Alicia Krause]

Yeah, but, like, if a gentleman, if he wasn't just, like, pushing his cart by, like, if she's being honest, this.

[Adam Carolla]

Guy showed up in spats with a vest and a timepiece in his pocket. And he said good day. After he ripped that huge fart on my head?

[Ted Koppel]

Yeah, before he did, he said, I do declare.

[Adam Carolla]

I do declare. And then he said, indubitably.

[Alicia Krause]

All right, so she feels like this was a personal assault.

[Adam Carolla]

It was a personal assault. Keep going for me.

[Lesbian Partner (Unnamed)]

That's disgusting to say. I can't even believe I'm having to say this, but he did.

And about that time, Peyton walked up, like, didn't witness what happened, but, like, seconds later, and I'm like, upset, and I follow after him and I was like, is there a reason you were just so disrespectful to me?

Called you a Nick.

[Adam Carolla]

Come here.

[Lesbian Partner (Unnamed)]

And he.

Never felt so dehumanized. Not only did he.

[Adam Carolla]

All right, you gotta pause there. Hold on a second. Listen, everybody. We can't raise everyone grown up in bubble wrap and Purell because they have no fucking calluses. They have no ability to do anything.

[Alicia Krause]

The guy was probably embarrassed. Either he's an asshole and he did it on purpose.

[Adam Carolla]

No. Okay, so hold on a second. This is a two man job. Guys do things to imp. If I was walking down the aisle with Jimmy Kimmel when we were in our 20s and somebody had a fart, I would have done the. Watch this. And I would have seen her squatted down looking at the Abbas. Abbas and I would have given, made the move.

[Ted Koppel]

Well, you would have been silent. You would have actually crop dusted. Right?

[Adam Carolla]

You know, the silent, the spd, it's not always a choice. It's a little roll the dice. We don't know for certain.

[Alicia Krause]

Are any farts a choice?

[Adam Carolla]

Yeah, they're a choice. I mean, you could make it outside to the parking lot and then let it fly. No, it's a.

[Ted Koppel]

Well, it sounds. Sounds like this guy had some psi, right?

[Adam Carolla]

Yeah, he did. He did. Some pounds per square inch. I mean, look.

For me in my life in terms of achievements.

My fart story with Jimmy, number one, winning the pro division of the Toyota Grand Prix, number two. And then the birth of my twins.

[Alicia Krause]

Oh, my God.

[Adam Carolla]

Is third. Like, they podiumed, they podied, them podiumed. They made it to the podium is what I'm saying. They bronzed. But what I did to Jimmy with a fart.

Is what I'll be thinking about on my deathbed. Not my kids.

[Alicia Krause]

Oh, my God.

[Adam Carolla]

Yeah. Mm. Yeah, I'll tell that story after this.

[Alicia Krause]

Oh, I know. That one.

[Adam Carolla]

Oh, you know it.

[Alicia Krause]

I think Die Hard fans know it.

[Adam Carolla]

You know it.

[Alicia Krause]

I don't know if I would feel disrespected though, if an old man let one rip in the Ralph's aisle.

[Ted Koppel]

Oh, here, there's a Language is very important here. She said ripped a fart. That is very descriptive. If he just farted by accident, she. I think she would have chose let one loose.

[Adam Carolla]

Yeah, no, he did. This is intentional. This is homicide. This is not. Man.

[Alicia Krause]

How old was this guy? Was it a dumb 17 year old or like a 50 year old male?

[Adam Carolla]

I don't think it was an old guy. He was definitely fucking with her. Let's see. He could have been drunk. He was fucking around for his buddy. He was like, watch this.

That's what happened. You wouldn't do this.

[Ted Koppel]

This is not.

[Adam Carolla]

You're right.

[Ted Koppel]

This is not a lone wolf operation.

[Adam Carolla]

I don't wish it.

[Alicia Krause]

I don't think you would go do it at Vaughn's right now.

[Adam Carolla]

No.

[Ted Koppel]

If Adam was with me, if I was watching.

[Adam Carolla]

If Adam was with me and he.

[Alicia Krause]

Had a couple of beers, like, hey, watch this.

[Adam Carolla]

Listen, I don't wish this upon my daughter or my grandmother or whatever.

[Alicia Krause]

I laugh about it when it happens.

[Adam Carolla]

And I get she was disrespected. It's more the fact that she's coming undone because this happened. That's the point. Which means she's not grown up with enough.

Adversarial relationships. Like, he needs people, you need enemies, you need people fortunate, you need controversy, you need people fucking.

[Alicia Krause]

It's nicer than I would have been because if a young man did this to me and I actually thought he did it on purpose for his buddy, I would have made a snide comment.

[Adam Carolla]

Well, we'll see. We'll see.

[Alicia Krause]

Not been like, how could you be so disrespectful?

[Adam Carolla]

She followed him.

[Lesbian Partner (Unnamed)]

Disrespectful to me.

[Adam Carolla]

Come here. It's mostly funny that she filmed this and put it on the Internet.

[Lesbian Partner (Unnamed)]

Never felt so dehumanized.

[Adam Carolla]

Never.

[Lesbian Partner (Unnamed)]

Not only did he fart on her.

When she confronted him, he.

[Adam Carolla]

Hold on a second. Does she think she's speaking to a court appointed attorney?

[Alicia Krause]

Like this guy can get not only.

[Adam Carolla]

Excuse me. Not. Hold on. You got your stenographer. She getting all this? Not only. She's just leaning into the camera, adding her two cents as well.

[Alicia Krause]

Getting spat upon is a form of assault. Is having a stranger rip one like purposefully on you at a grocery store.

[Ted Koppel]

Strangely, earlier today I heard on the news that there are Three kinds of assault.

[Alicia Krause]

Yeah.

[Ted Koppel]

Physical, emotional, and physiological.

[Adam Carolla]

Physiological.

[Ted Koppel]

There is a thing called physiological assault. I would not be surprised if we see this case in court.

[Adam Carolla]

Something psychological or physiological?

[Ted Koppel]

Physiological. So like. Like an attack. Like if I put Visine in your drink.

[Alicia Krause]

Yeah.

[Adam Carolla]

That's not.

[Ted Koppel]

I didn't come and fucking beat you up, but I made you throw up.

[Adam Carolla]

But what would you try?

[Alicia Krause]

People getting spat upon. Right.

[Ted Koppel]

Spitting is physiological.

[Adam Carolla]

What about, like, Mega Bo and an Uber? Or that.

[Ted Koppel]

That's. There it is.

[Alicia Krause]

What about too much cologne?

[Ted Koppel]

I mean, if we're gonna go one, let's go all.

[Adam Carolla]

So. All right. So we'll continue her quest.

[Alicia Krause]

So now her girlfriend Peyton is in there talking about it.

[Adam Carolla]

Go back 10 seconds. I like when it. I like. I like that she's adding a little flavor to this.

Yeah.

[Lesbian Partner (Unnamed)]

Never felt so dehumanized. Not only did he fart on her.

When she confronted him, he said, just walk away.

And apparently another girl, wonderful lady, who stood by the way.

[Adam Carolla]

Pause. I will tell you. He probably said, just walk it off and walked away. The fucking bitch. That was probably added because women add that when they. You know, they'll go. Like, someone will go.

[Alicia Krause]

Points. If somebody calls me the B word.

[Adam Carolla]

Like, someone. Like, if you say to a woman. If you say to a girl, their counselor goes.

I don't think you should take advanced algebra. Maybe you should just take algebra. They will come back and go, Mr. Smith said I was stupid. And I go, he said, your counselor said you were stupid. He said I was stupid. He said, don't take advanced algebra. And then he called me dumb. It's like, no. He said, don't take advance. And then you heard the dumb part, which may be true, but he didn't say it.

[Alicia Krause]

Did you really think that she was cool, calm, and collected when she asked.

[Adam Carolla]

This man why he probably was coming undone. And she probably rushed up to him and he probably just said, keep walking.

[Ted Koppel]

And right at the top of this story, you can tell her language is tainted. Because right at the top of the story, she says that these guys come up next to her and they snicker. And she's staring at candy bars.

[Adam Carolla]

Yeah.

[Ted Koppel]

So she sees the snickers.

[Adam Carolla]

What do you know about the taint? But I'm bummed what they said. This is tainted.

[Ted Koppel]

I.

[Adam Carolla]

She got tainted.

[Ted Koppel]

It. Was it just her. You know what I mean?

[Adam Carolla]

Yes.

[Ted Koppel]

Yes.

[Adam Carolla]

Corrupted.

[Ted Koppel]

There you go.

[Adam Carolla]

All right, here we go. Sorry.

[Lesbian Partner (Unnamed)]

Another girl, wonderful lady who stood by, witnessed the whole thing. Said they walked around the corner.

[Adam Carolla]

Hold on.

[Alicia Krause]

I.

[Adam Carolla]

Like, there's heroes in this journey. Now there's a woman in Albertsons.

[Alicia Krause]

You know what, though? I'm that person that speaks up when I see things.

[Adam Carolla]

You're the kind of person that if someone got crop dusted in the frozen food section of Albertsons, you would interview. You wouldn't sit back and just watch.

[Alicia Krause]

I'd be like, bro, what the heck? Leave that old lady alone.

[Adam Carolla]

You know, it's like those movies where the woman is getting raped out in the alley and just show people closing the curtains and going to bed.

[Alicia Krause]

Not me.

[Adam Carolla]

You know, that's. Well, get the 12 gauge. That's right. That's right.

[Alicia Krause]

Go after the alley crossing the house.

[Adam Carolla]

Oh, man. Yeah, real Charles Bronson type. All right.

[Lesbian Partner (Unnamed)]

Said they walked around the corner to her aisle away from us and called us gay right before I walked up. So he calls me. He's like, just go away. You. You were staring us down. You were staring us down. I was like. I was looking at the candy.

[Adam Carolla]

Hold on a second. You do have to have a fart chambered when you go into an Albertsons in case a lesbian starts eyeballing you. And that's when you gotta let it fly.

[Alicia Krause]

I feel like everyone is bad in this story. Like, there are no victims and there are no heroes.

[Adam Carolla]

How about the hero lady who just jumped in headlong into this skirmish?

[Ted Koppel]

She's doing the. I just thought you should know, right? She just poured gasoline on the fire.

[Alicia Krause]

Oh, she was a gossip in middle school, that one.

[Adam Carolla]

All right, so now what happened?

[Lesbian Partner (Unnamed)]

You were staring us down. I was like. I was looking at the candy. What are you talking about? He's like, we saw you. We saw you staring us down. And I was like, no one was staring at you. And then Peyton was like, hey, just. Just let's go. And I was just about to turn, and he goes, yeah, just get out of here, bitch. And then he goes, bitch, like, with both of his hands up here. And kept calling me these names, right?

[Alicia Krause]

So he's.

[Sean Stone]

So at this point.

[Lesbian Partner (Unnamed)]

Point, I don't feel safe. So I walk away. This lady who.

[Adam Carolla]

Hold on a second. I would like to pull. I've been watching.

[Alicia Krause]

What grown ass man goes.

[Adam Carolla]

He doesn't know. I've been watching the whole puffy combs. Oh, I seen what goes on in the hood. You know what I mean? There's shootings going on. There's Crips, there's Bloods. You got Biggie. Yep, Big E. And then you got. You know, you got the death row guys and Suge Knight. I'd like to show These guys, this tape and go. You know, we got our own problems in the white community.

[Alicia Krause]

This is what we have.

[Adam Carolla]

You understand? Like, you guys are running serpentine to school, dodging gunfire. You've buried three or four friends before their 20th birthday.

[Alicia Krause]

Yep.

[Adam Carolla]

We got our own problems at the Albertsons. You know what I'm saying?

[Alicia Krause]

Baby, can we play? We're gonna have a good day. Cause all my homies gonna ride today, like, over this as you play.

[Adam Carolla]

This is white people problems right here. This is it. I want to get strife in the neighborhood.

[Alicia Krause]

I want to get by today.

[Adam Carolla]

All right, here we go.

[Lesbian Partner (Unnamed)]

Saw you. We saw you staring us down, and I was like, no one was staring at you. And then Peyton was like, hey, just let's go. And I was just about to turn, and he goes, yeah, just get out of here, bitch. And then he goes, bitch, like, with both of his hands up here. And kept calling me these names, right? So at this point, I don't feel safe, so I walk away. This lady who witnessed everything, she walked away with us. And we go to customer service, and this is Albertsons putting y' all out there. This is Albertsons, by the way.

[Ted Koppel]

Oh, man, it's on video.

[Lesbian Partner (Unnamed)]

Go to the customer service, be like, hey, this just happened. I was just disrespected in your store and called names, like, somebody several times. And the security guard went and talked to him, came back, and they all just kind of looked at us and was like, well, can't y' all just leave?

[Alicia Krause]

That's really what Albertsons did.

[Adam Carolla]

If I'm the security guard, here's how this conversation goes. I go, I'll handle this, ma'. Am. And then I'd go walk over to the guys, and I'd go, look, let's pretend to talk here for about two minutes. Hang your head a little. I'll shake my head a little. I'm gonna wag my finger. You nod your head a little, and then I'll look at you with a raised brow.

[Alicia Krause]

Baby, don't fart on a lesbian next time, because then she's gonna sue us, and it'll be a whole thing.

[Adam Carolla]

I'm just gonna turn around and walk away. But let's. They're watching us right now. So let's pretend to have a conversation about something, then I'm gonna walk away. That's what I would do. I don't know. I don't know what to do with the lesbian farting. I don't know what to do with it. Knock it off. Hey, if this ever happens, Again in my store. And I catch you, too, statistically, you know what I mean?

[Alicia Krause]

If this guy has a fart fetish and he likes to have a fart fetish, all these gals. And is consistently doing this at Albertsons, then that's gonna be a serial podcast down the road.

[Adam Carolla]

The fart fetish guy works alone, though. He's a lone wolf. You think this guy's with his buddy. He's having, like. He's goofing off.

[Alicia Krause]

Maybe there's some. What do they say about people do things like that publicly?

[Adam Carolla]

Birds of a feather. Farts of a feather.

[Alicia Krause]

No, like the guys that, like, jerk off on the subway. Like, they like the element of doing it in front of other people.

[Adam Carolla]

Yeah, no, we don't. We. I mean, they. Our community. Let me just start again. I. Wait. They want witnesses, but not witnesses. They bring.

[Alicia Krause]

Oh, okay.

[Adam Carolla]

They want to jerk off in front of commuters, not their buddy who's, like, laughing. That's not what they want. Mm.

[Alicia Krause]

Albertsons, watch out for farters in your aisles.

[Adam Carolla]

Oh, exhibitionists. Is that the word?

[Alicia Krause]

Exhibitionist? That's what I was looking for.

[Adam Carolla]

Yeah. You don't bring your buddies.

[Alicia Krause]

Fetish exhibitionists at Albertson.

[Adam Carolla]

These guys went there to buy jerky and beer and saw the lesbian couple and saw the chick squatting down and started. And the guy said, watch this, Steve. And he just walked by. That was the joke. That was a joke. Anyway.

[Alicia Krause]

And they have to be teenagers, like maybe 22 max. Their prefrontal cortex was not fully developed. If he went.

[Adam Carolla]

I don't know. I've done a lot of fart related stuff. Well past that.

[Alicia Krause]

No, I mean, not less the fart related stuff to make your buddy laugh more. The hand motion.

[Adam Carolla]

I don't. I don't believe.

[Alicia Krause]

Have you ever done that in your life?

[Adam Carolla]

No, I don't believe the bitch part of that part.

[Ted Koppel]

Do you think that if this was real, Albertsons definitely has video of it?

[Alicia Krause]

That would be epic video.

[Adam Carolla]

It would be everywhere, right, Lisa?

[Ted Koppel]

I mean, especially if they're going like this video to back up the story.

[Alicia Krause]

Do we have her location? I'm gonna call up every Albert since then.

[Ted Koppel]

It's.

[Adam Carolla]

Release the footage.

[Ted Koppel]

I was gonna say somewhat.

[Adam Carolla]

Yeah.

[Ted Koppel]

I don't know.

[Alicia Krause]

She had a Leica Kraus with the Adam Carolla show. And I would like the footage of this incident at this time related to this.

[Adam Carolla]

Yeah. Wear your press fedora. All right. In other news, Pantone came out with their color of the year. Yeah, I don't know if you heard this story.

[Alicia Krause]

I did. And the reaction to it.

[Adam Carolla]

Well, the thing that's interesting is we.

Have things that we let go in this society. Such as.

I was commenting a year ago, and Maybe it was seven months ago, I said to Dr. Drew, it's all Hitlerian talk now. Like, at least we gave race arrest. Like it'd been 10 minutes since I've heard a bunch of race talk. It was all. Cause we. What they do is they get on something, then they get off something, and it's like Elon Musk is, you know, Tesla Elon or something. Then there, at some point they go, yeah, I don't care, they're done.

[Alicia Krause]

Although I still keep seeing the dumb bumper stickers.

[Adam Carolla]

Like, I see the dumb bumper stickers too. But I'm saying they're not lighting anything on fire. Nobody cares. They're not vandalizing, they're not doing anything. So they get on stuff, they get off stuff, and then they circle back to stuff. So their subjects are kind of lgbt, trans, the environment.

Race, and Hitlerian dictator. The LGBT transy stuff is kind of falling apart. The themes, the stories are the data, the science. Like that shit's all falling apart.

[Alicia Krause]

Children. Yeah.

[Adam Carolla]

Yes.

[Alicia Krause]

And lack of popularity.

[Adam Carolla]

And the climate change thing is kind of falling apart. But they were headlong into Hitlerian dictator shit. And I just said, well, look, I don't like the idea that everything is Hitlerian dictator. On the other hand, if we could take a break from the race baiting stuff, I'll take it with Hitler for a little while. We'll have some nice Hitler talk. But then they.

[Alicia Krause]

And then the last, maybe educate them a little bit about what Hitler actually did.

[Adam Carolla]

Then like, then like two months ago, they swung it back to race again. So now we're kind of off of Hitlerian dictator, though. There's dustings of it. But we've moved back to race because that's all they have. They have race and Hitlerian dictator, By the way.

No remedies for either one, by the way, other than that's where we're living. So now the problem with race is we don't live in a racist society. So they have to really dig deep to find stuff that's not a hoax.

[Alicia Krause]

Fashion and interior design, colors.

[Adam Carolla]

Yeah. So the Pantene, it's called Cloud Dancer and it's a balanced, billowy white. And somebody made the mistake of saying the word white, and now there's reaction. White, white. And by the way.

Their color, last year's color of the year was mocha something. So give it A rest.

[Alicia Krause]

Well, because I mean, clearly look at my blouse I'm wearing today. Like neutral tones are very like fashion forward the last couple of years. Earth tones, kind of clay tones. I mean, if you look at all of the television shows. Hello. Secession. No, not secession. What's the. What's the one with the guy that used to be on Parks and Rec? It's created by Ben Stiller. The creepy one.

[Adam Carolla]

Yeah, yeah, yeah. Severance, Severance.

[Alicia Krause]

That whole thing is like white. And so I think that when you look at cultural things and designer type things, whether it's home or fashion, neutral.

[Adam Carolla]

Tones have and are very in mocha mousse and petrified. Well, either way.

They'Re not attempting to be racist. I don't think so. They make paint. But anyway, we have.

[Alicia Krause]

I think my black gal pals look fabulous in white.

[Adam Carolla]

We have some comments from ladies. White ladies.

[Alicia Krause]

Hey, Pantone.

[Adam Carolla]

Oh, hold on.

[Alicia Krause]

Goodbye. Oh, she's wearing white.

[Adam Carolla]

She's wearing white. But she's burning the Pantone color chips chart. Yeah, the color chart I got.

[Alicia Krause]

Hey, Pantone, you're fired.

[Adam Carolla]

It's a blonde that's white.

[Alicia Krause]

You really chose white?

[Adam Carolla]

Oh man.

[Alicia Krause]

You chose white.

In these times.

[Adam Carolla]

Uhhuh.

[Alicia Krause]

You're fired.

This is Katie Rogers Feng shui. I know the danger of that kind of messaging and I'm not having it. I'm not having it.

[Adam Carolla]

Not having it.

By the way, bitch, what part of this aren't you having? I love when they're not having stuff that they're clearly.

[Alicia Krause]

Also using her leftist logic. I'd like to know her ancestral heritage and how many people are.

[Adam Carolla]

She looks pretty slave owner.

[Alicia Krause]

Yeah, exactly. I will say her white guilt right there.

[Adam Carolla]

I'll save it. The straightest of all faces. There's no Corolla slave shit going on. If we did, we did a horrible job of owning slaves. Cause by the time I showed up, there was nothing but apartments and beat up cars.

[Alicia Krause]

This reminds me of the race to dinner ladies. It's a lot of these liberal white women that are trying to make themselves feel better because they've been told for so long that just inherently who they are is racist.

[Adam Carolla]

Yeah.

[Alicia Krause]

And then they're like, no, no, I'm on your side look.

[Adam Carolla]

Well, I'll tell you the name of the pain I work with the most back in the day in a minute. But let's listen to a few more white ladies have to sell. No, no, no. Eggshell is a color and a finish.

[Alicia Krause]

Oh, that is true.

[Adam Carolla]

This is a very.

[Alicia Krause]

It does get very confusing.

[Pantone Commentator (Unnamed)]

You're not gonna.

[Adam Carolla]

First off, why.

Gloss, semi gloss satin eggshell flat.

[Alicia Krause]

Yeah.

[Adam Carolla]

It's basically the pecking order, except for there is a color called eggshell. And you do not know how many eggshell related. Who's on first conversations I've had with guys like eggshell. Okay, now what finish eggshell. No, what finish eggshell. What. What color? A color. Eggshell. Eggshell. Eggshell.

[Alicia Krause]

Eggshell can be hard. Is because you have some hens that lay brown colored eggs, some that lay mocha colored eggs.

[Adam Carolla]

Mocha.

[Alicia Krause]

Some that lay white eggs.

[Adam Carolla]

All right, let's listen. What another well to do white one sitting on a white sofa with a white Christmas tree. A white Christmas tree.

[Alicia Krause]

She likes white so much, it's like flocked on her tree in the back.

[Adam Carolla]

And white semi gloss paint on the woodwork of her window. Which was probably called Swiss coffee. Which is called Swiss coffee, but it's not coffee colored at all. It's actually bright white. Here we go.

[Pantone Commentator (Unnamed)]

You're not gonna convince me that this was not an intentional move. There's no way that this was an oversight. Like someone did this on purpose. Pantone just released their color of the year for 2026, and it is severely lacking pigment. It's white.

Not. Not a good look. The optics of this. Not good. Not good. Pantone is white even technically a color in the year of the alligator. Alcatraz and Sydney Sweeney.

[Adam Carolla]

Hold on a second. Pause. Like when you go to the BMW dealership and you go, what color do you like in BMW? 7 series. And I go white. They don't go, is that even a color? What are you talking about? White also. Yeah, you gotta pick a color, bro.

[Alicia Krause]

Just. I love how all these women repeat themselves. Not good. Not a good look. Like so not a good look. But they're not talking about the why behind it's not a good look. Just give us the dirt. Give us the.

[Adam Carolla]

They have no substance, no answer, no data, no nothing.

[Alicia Krause]

You're making our side look really bad, ladies. You're making our gender look bad.

[Adam Carolla]

Well, it's our fault. We said they needed to be empowered, but we meant empowered to go the fuck to work, not sit around and film themselves sounding like idiots.

[Alicia Krause]

Well, but unfortunately, part of the reason why some of these idiots are making these comments is their empowered work. Life is social media, so they just do things for the clickbait.

[Adam Carolla]

All right, well, let's see what else she has to say.

[Pantone Commentator (Unnamed)]

And Sydney Sweeney and her good American Eagle jeans. Is this really the way you want to go?

Normally, it's a Color. Like a bold color. My favorite pantone year. Yes, I have a favorite pantone year. It was quite a.

[Adam Carolla]

Hold on a second. My favorite pantone year is the year you shut the fuck up, bitch. Number one. Number two, why is there a Patsy Cline song playing in the background?

[Alicia Krause]

Oh, I didn't even pick up on that.

[Adam Carolla]

There's some semi.

[Ted Koppel]

Sounds like it could be her.

[Alicia Krause]

Yeah, I love me some Patsy.

[Adam Carolla]

Let's listen. Let's see what song is playing. She put a theme to it. Maybe it's Rosemary Clooney.

[Pantone Commentator (Unnamed)]

There's. They did Rose Quartz and Serenity. So it was like a light pink and a light blue, and it looks like a sunset. They're really. And I don't think any other.

[Alicia Krause]

And it looks like a sunset.

[Adam Carolla]

I know she has her favorite pantone year, but go back like 20 seconds. Let me just.

[Alicia Krause]

Did you notice that her favorite pantone year is also ripe with racism? Because it was the year Trump was elected.

[Adam Carolla]

Ooh, you're right.

[Pantone Commentator (Unnamed)]

Normally, it's. It's a color, like a bold color. My favorite pantone year. Yes, I have a favorite pantone year. It was 2016. There's. They did Rose Quartz and Serenity. So it was like a light pink and a light blue, and it looks like a sunset. They're really pretty. And I don't think any other year has come close to that year, but now this one.

[Adam Carolla]

Mm.

[Alicia Krause]

It's just.

[Pantone Commentator (Unnamed)]

What are you. What are you doing?

[Adam Carolla]

No, I'll do that. Watch. I'll try that with you, you dumb bitch. 2016. Favorite Pantone year. Year Trump was elected. Do better. Do better. I mean, no. Okay. Like, if you ask me, I say no. Okay? I mean, you have to do better because of. No.

[Alicia Krause]

It should have been 2008. Why wasn't it 2008?

[Adam Carolla]

You don't understand. I know you know what you're doing, Ben. I would say no. And you know what? I'm not gonna let that happen. How about that? Do better.

[Alicia Krause]

Because.

[Adam Carolla]

Do better.

[Alicia Krause]

This is no good.

[Adam Carolla]

Do more.

[Alicia Krause]

Er, what about the poor people that actually did make this decision at Pantone based on cultural and design, like, significance?

[Adam Carolla]

Well, now they gotta find one black guy, works at Pantone and push him up front. This is Jamal's pick, everybody. Jamal, tell him.

[Alicia Krause]

Tell them why you chose white.

[Ted Koppel]

This is. These people are seriously suffering from tds.

[Adam Carolla]

They are real. If that's. If it's real or they live too.

[Alicia Krause]

Too much of a charmed life, that this is what pisses them off. Not the homeless people on the streets. Or the increase in crime.

[Adam Carolla]

No. Again, this is what black people think white people talk about all day while they're fucking dealing with real issues. Is there any more? Do we have one more of these women? Some reason I can't get enough of this. I don't know what it is. You gotta be complaining about Pantone colors. If you've found a woman who is complaining about Pantone colors and a guy came by and farted on him in the middle of it, that would be it for me. I'd be done.

[Alicia Krause]

Just wondering if any of these same gals on TikTok had anything to say about the Uyghurs being persecuted or Christians in Nigeria being slaughtered.

[Adam Carolla]

Not concerned. That's not hitting close enough to home.

[Alicia Krause]

If they had been wearing white.

[Adam Carolla]

Not close enough. Here we go.

[Alicia Krause]

Pantone choosing white or cloudy days as color of the year is a political statement. Call me too woke. I don't care. I don't think I'm wrong. It is a political statement. It's giving. Sydney Sweeney has good genes.

[Ted Koppel]

Sydney Sweeney is catching strays.

[Adam Carolla]

Okay.

[Alicia Krause]

Sydney Sweeney is actually living for this. Like the more name recognition she can have in the world, the better for her bottom line.

[Adam Carolla]

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[Ted Koppel]

Chime is not just smarter. Banking is the most rewarding way to bank. Join the millions who are already banking fee free today. It just takes a few minutes to sign up. Head to Chime.com Adam that's Chime.com Adam.

[Alicia Krause]

Chime is a financial technology company, not a bank. Banking services A secured Chime Visa credit card and MyPay line of credit provided by the Bancor Bank NA or Stride Bank NA. MyPay eligibility requirements apply and credit limit ranges $20 to $500. Optional services and products may have fees or charges. See chime.com feesinfo advertised annual percentage yield with Chime plus status only. Otherwise 1.00% AP no min balance required. Chime card on time Payment history may.

[Pantone Commentator (Unnamed)]

Have a positive impact on your credit score.

[Alicia Krause]

Results may vary. See chime.com for details and applicable terms.

[Adam Carolla]

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[Ted Koppel]

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[Adam Carolla]

So what I.

The most popular color. So I painted for a living before I was a carpenter. And I painted full time office buildings.

[Alicia Krause]

My husband did that too after college.

[Adam Carolla]

Oh, really?

[Alicia Krause]

Yeah.

[Adam Carolla]

But he didn't turn out to be a millionaire.

[Alicia Krause]

Says who? He just doesn't like to be flashy.

[Adam Carolla]

Ah, okay. Didn't have a lot of bling, that guy, but all right, Mr. Flail, sure.

[Alicia Krause]

What's that? It's like the thing that all the billionaires are doing. This is something they did talk about on secession is like the unlabeled labels.

[Adam Carolla]

Yeah, yeah, yeah. Well, no, the new world order is no rolexes and no $10,000 suits. You'll have a target on your back. Yeah, it is I Quiet luxury.

[Alicia Krause]

That's the phrase.

[Adam Carolla]

Here's the millionaire. Here's the new move. If you're Zuckerberg, I'm going to wear these cargo shorts and flip flops I bought at old navy for $26 and I will wear them to my 241 foot yacht. That was $300 million. But on the way, I'll be driving a Prius and you won't give me any shit because if I drive a Rolls Royce, you'll get pissed.

[Alicia Krause]

But there are these brands that they call them quiet luxury brands. And like a hoodie like that is like $8,000. But like, nobody knows what the.

[Adam Carolla]

You know, what the brand is that's different. Maybe some of that.

[Alicia Krause]

So when you were a painter, office buildings seems like a lot of, like, ivory tones.

[Adam Carolla]

I worked painting lawyers offices in Century City. Mostly just interior lawyers offices and commercial buildings. It was a shitty job. And I worked. We would work four 10 hour days and I worked the guy I worked with, his name, Andy, and he was a Jehovah's Witness, and he drove me nuts. And we couldn't listen to rock radio.

[Alicia Krause]

He was just proselytizing you all the time?

[Adam Carolla]

Yes, yes. And it was like punishment for me. And it was like, so here's what you have with painting. Are you ready with painting? You have either. It's monotonous and it's never ending and it's just staring at a wall. So it is like you will go insane. So what you have in painting is you either have company. And it's happened where you work with someone and the guy's funny or cool or whatever, and you're just rolling out, he's cutting in over there, and he's making you laugh and like you're having a conversation because you don't need anything but your hands, you know, for painting. So you can talk and laugh and joke. Yes. And l. This weekend, you know, whatever. But if you have a Jehovah's Witness named Andy, you're in trouble. You're in trouble. And then the only thing you have after that is the radio. So you can put on your classic rock radio and that'll keep you company. Or you can do what I would have wanted to do, which is put on like some AM talk and just listen to talk. Not even political talk, just Dr. Laura or Dr. David Viscott, the psychologist.

[Alicia Krause]

Sports.

[Adam Carolla]

Michael Jackson, the English guy. He used to do great interviews with celebrities. Oh, yeah, that's cool, that guy. Those guys keep you company. But if you work with the Jehovah's Witness, Andy. Andy can only listen to Christian rock. He can't listen to any AM talk and. Or any klos. He listens to Christian rock and then he talks about the apostles. And so you're trapped in a room for 10 hours with this guy. That was all I had. So I worked as a painter for maybe like a year, and then I got into construction and painting was like driving nuts. But the point is the number one color, and we would just paint all these offices the same color because it's just the 18 story in century City. Attorneys are just going to take the office the next day and they'd rent them out. And she had to just pick. You couldn't paint it electric blue or anything. It was all called Navajo white. Navajo had the word Navajo and then white.

[Alicia Krause]

That doesn't even make sense.

[Adam Carolla]

Well, Swiss coffee also doesn't make sense. Not when it's Swiss coffee.

[Alicia Krause]

But was it a Navajo mom and a white dad and then that's how.

[Adam Carolla]

That's how it was born. Eggshell, Nava, they didn't have eggshell back then.

[Alicia Krause]

Navajo white, it is kind of that ivory vibe.

[Adam Carolla]

Navajo white was just boring off white. But it's the color you would paint any building, any office you didn't want anyone to complain about or go, I can't work in here because it wasn't white. It wasn't brown condo white. Just move in. Shut up, single dad. So now it always bothered me that Swiss coffee was whiter than Navajo white because one's got the word white in it and the other has the word coffee in it. Navajo white was the most ubiquitous paint color ever.

[Alicia Krause]

It looks like it's still being made.

[Adam Carolla]

It's still being made.

[Alicia Krause]

Don't tell those Pantone girls.

[Adam Carolla]

You can. You know what I'd like to do? I'd like to find those laser and go, you guys think you got your panties in a bunch over this? How about that? You know my grandfather, 118 Navajo. Now there's a Home Depot. They have Navajo.

[Alicia Krause]

And were you so triggered and you made it to TikTok, like, worse than the fart. Worse than the fart. You saw that Navajo white.

[Adam Carolla]

I always knew. So here's the thing that's interesting. There are things I've always known, like you can. When you're working on a car engine, you can retard the timing. Then no one said anything about retarding anything. No one's ever said anything in a car about a slave cylinder and a master cylinder. Every in 20, 25, every manual shift car with a clutch has a slave and a master. You can go to any station, any auto parts store anywhere in America. You can go to West Hollywood Pep Boys and go, give me a slave cylinder.

[Alicia Krause]

And they know what it means.

[Adam Carolla]

Yeah. And give me a master cylinder. They'll go, you got a clutch problem. Okay, the pussies that make all the rules.

They don't work on cars, so they don't know anything. So they're in college.

[Alicia Krause]

Or don't they even have, like, tools and parts that are like the he part and the she part?

[Adam Carolla]

Well, there's always male and female, male. And I know they haven't got to, you know, couplers and male and female. Like, there's anybody who's dealing with any kind of plumbing and anything, it's like the male and the female side. It's always male and female.

[Alicia Krause]

Yeah.

[Adam Carolla]

I mean, one's going in and the other's accepting it. They call it male, female. They call it retard in advance, and they call it slave and master.

[Alicia Krause]

I never do this.

[Adam Carolla]

Well, because these pussies in their air conditioning, in their college campuses don't really get to hardware stores, and they don't get to Navajo, and they don't get to slave selling. They don't know any of the shit. They would be offended if they ever did a fucking day's work in their life. But they've never gotten their fingernails done.

[Alicia Krause]

No, actually, they wouldn't be offended if they ever did a day's work in their life because they have other stuff going on.

[Adam Carolla]

You're right. They wouldn't have their brain polluted.

[Alicia Krause]

Exactly.

[Adam Carolla]

But the fact that it is 2000, almost 26, and there is a color that is ubiquitous, and it's at Home Depot. It's bare. Every place does it. Every place. So I called Andrew and I go, in 1983, I used to work with Navajo white, but they can't still have a Navajo. He went on his computer, he's like, oh, it's all over the place.

[Alicia Krause]

Turns out they do.

[Adam Carolla]

Turns out they do. Are we okay? Is the Navajo Nation okay?

[Alicia Krause]

We should call them.

[Adam Carolla]

Are they doing better now that they stopped saying redskins and started saying commanders? There's been an uptick, real uptick with that community.

[Alicia Krause]

I feel like after this, I'm calling all of the Albertsons in the country to find that security footage of the fart. And I'm gonna call the Navajo Nation and ask them for their comments on Pantone's color of the year and the fact that this one's still being sold.

[Adam Carolla]

Right. You call the Navajo Nation.

[Alicia Krause]

I'm gonna bill you for that time, too.

[Adam Carolla]

I'll pick up the phone. You ready? Call the Navajo Nation. Hi, how are you? Hey, how are you? Hey, how are you? That's how they pick it up. You know what?

[Alicia Krause]

When we were watching the Chiefs the other day, I was actually really surprised that they still do the thing.

[Adam Carolla]

Yeah, they still do the chop, right?

[Alicia Krause]

Did the Atlanta Braves still do it, too?

[Adam Carolla]

I.

Once in a while, they try to get them to stop certain things. And the brave people of Atlanta and Kansas City Go fuck that.

[Alicia Krause]

Yeah. You can't tame the drunk crowds at a sports game.

[Adam Carolla]

No. All right. Do you have some news?

[Alicia Krause]

I sure do. Some news. I'm sorry. I'm so very sorry that you were not nominated for the inaugural best podcast award for the Golden Globes. But this has been trending all day. From the Hollywood Reporter. The Golden Globes best podcast category shut out Joe Rogan and other local podcast online. Apparently there obviously are huge successful conservative podcasts like this one. Megyn Kelly show, Ben Shapiro show, and others didn't make the list. A news show. There's only one news show by that was included. I was surprised that the daily from the New York Times didn't get anam. But up first from NPR was. It was the only news driven show. The other shows were really. It made me think like, like, so they're just nominating these people because they're celebrities with celebrity friends. Because if you listen to the lineup, it's Alex Cooper's call her daddy podcast, which of course has spawned its own podcasting empire. But it's like all they do is interview celebrities and talk about sex. The Mel Robbins podcast, which is sometimes pretty good. The interview driven self help self help show. And then three of the other nominees. I listen to one of them sometimes. Armchair expert with Dax Shepard and Monica Padman. And what was the other one?

[Adam Carolla]

There were like, Amy Poehler.

[Alicia Krause]

Amy Poehler's also just celebrity interviews. Like all of these are celebrities interviewing celebrities.

[Adam Carolla]

Yeah, well, there's a. There's a method to their madness. Amy Poehler realized that she could get a list celebrities to sit down on an almost daily basis and talk to them, and she does. And also.

So they'll go, well, okay, I mean, let's break it down. They'll go like, well, Joe Rogan's political, but. But I don't think Joe Rogan's political. Joe Rogan talks to more MMA fighters and comedians. Comedians and bow hunters and even like business people.

[Alicia Krause]

Billionaires.

[Adam Carolla]

Yeah, yeah, yeah, yeah. So he'll talk to anybody. Now you also have to understand that if you're gonna have Covid and then you're gonna attack him on CNN for taking Ivermectin, then he's gonna attack back, and then somehow it becomes political. You know what I mean? But I don't. I don't think he has any desire to be political.

[Alicia Krause]

I think that you could then make the argument that the call your daddy podcast is also political because they interviewed Kamala Harris or they had on an actress last week that was Ranting against conservatives, hating women, taking away reproductive rights.

[Adam Carolla]

No, listen, Joe Biden has been on Smartless, and he sits there for 47 minutes and they lob softball questions.

[Alicia Krause]

That was the one I was forgetting.

[Adam Carolla]

Yeah, they just lobby, Joe comes in, they lick his ass, and they lobs off all questions. And then we learn nothing about Joe Biden. Maybe what kind of ice cream he likes, and then he goes home.

[Alicia Krause]

Was it vanilla?

[Adam Carolla]

It's always vanilla. But. All right, so you had Joe Biden on, so that makes it political, right? Right. So to say, like, see, here's kind of their angle. They bring on all their like minded idiot friends who say every, you know, Fauci, Joe Biden, Kamala Harris, Michelle Obama, whatever. And then Joe Biden brings on Dr. Bhattacharya to talk about what bullshit vaccines are. Yeah, Joe Rogan does. And then they go, well, that's a political podcast. Well, that's all you guys do too. Look, it's Hollywood. It's how Hollywood works. They have people they disagree with, and those people they disagree with will always be shunned. Listen.

I've made a whole bunch of very good documentaries, and none of them one about Paul Newman. And that did not get into Sundance. And Sundance is named after Robert Redford's character from Butch and Sundance, and Robert Redford puts that on. And the Paul Newman doc did not make it in to Sundance because they are not fans. And that's the way this town works. Now, it doesn't mean they're not other people who do good docs, and it doesn't mean there's not other people who do good podcasts. But I shouldn't be able to tell you in advance what podcasts are not gonna get nominated.

[Alicia Krause]

Oh, that's a good point.

[Adam Carolla]

And I will know. I know Joe Rogan, who's arguably the most important podcast ever, is not gonna be in the six that are nominated. And I shouldn't be able to tell you that in advance.

[Alicia Krause]

I actually feel like podcasting is such an important medium, much like talk radio was and still is. But I think it's dwindling in that kind of audience's move to podcasting, that there could be different categories. Right? Like you could have like an interview category, a news and politics category, comedy category. Right. Because it's so broad. It's like they have all these different categories for TV shows and movies. Why not for like podcasting as well?

[Adam Carolla]

Yeah, well, look, but then it would.

[Alicia Krause]

Just be npr, the daily. It'd be all electric.

[Adam Carolla]

The problem is they don't Whatever it is they're doing, it doesn't work. That's the whole problem. They try to control everything. But anyway, they're liberal, they're progressive.

[Alicia Krause]

You were nominated, would you go or would you be like, screw these guys?

[Adam Carolla]

I would go there and get my award and then right after that I would go to Dubai and do a stand up set for the right amount of money. I have no screws. All right, what else we got?

[Alicia Krause]

All right. David Spade has slammed a mall tree lighting ceremony for avoiding the word Christmas. This is another. This is another thing, right? Didn't we talk about this last time I was on the show?

[Adam Carolla]

They don't like. What is their plan? Well, listen, I yelled about it a long time ago when.

When Obama announced we're like nine days away from fundamentally changing this country. I said, I don't want to fundamentally change this country, you fucking communist. I don't wanna fundamentally. I will make improvements around the edges and there are things to fix and there's progress to be made, but I don't wanna fundamentally change it.

[Alicia Krause]

That means, like tossing out the Constitution and that'd be no bueno.

[Adam Carolla]

Fundamentally changing. Like, you can go, how's the Rams offense doing? That's going, though. They're doing pretty good. But I'd like to focus on getting the tight ends more involved. But if I said I want to fundamentally change, that means we're firing the head coach and the quarterback. Right? I didn't want to fundamentally change. By the way, all the people went nuts when he said, we're nine days or whatever, three days, whatever it is, away from fundamental. No, I don't. But part of the fundamental change is, yeah, no more Christmas.

[Alicia Krause]

No more Christmas. So David Spade talked about this on his bunny buddy Dana Carvey's podcast. And Carvey pointed out that he and Spade knew many people who follow religions other than Christianity and added, quote, I've never met somebody from another religious face that was upset about a Christmas tree or even calling it a Christmas tree.

[Adam Carolla]

No, that's. That's the whole thing. You're not. You can go enjoy it. You do not have to be.

[Alicia Krause]

All of my most Jewish friends in the whole wide world, like Dennis Prager and Ben Shapiro, tell me merry Christmas.

[Adam Carolla]

Yes. Yes.

[Alicia Krause]

It's like, because they understand. Yes, right. The meaning of it, the importance of it. And it's not.

[Adam Carolla]

Listen, I.

[Alicia Krause]

It's not offensive to them.

[Adam Carolla]

If I go into a Mexican restaurant and there's mariachi and sombreros and it's done up and the, you know, festive whatever. I don't wage a complaint. That's the ambiance. That's their thing. I entered their, like, space and found it kind of enjoyable. And you can go down and watch a Christmas tree lighting and have nothing to do with Christmas and still enjoy it. You don't have to. And we're asked, basically, Whitey's asked to do that all the time. Like, well, in this restaurant, you eat with your hands. And don't offend these people by not, you know, I brought a fork, bitch, because I'm from the usa, bro. Like your ass.

[Alicia Krause]

Okay?

[Adam Carolla]

This is what they do. This is how you do it.

[Alicia Krause]

And there's a part with the chopsticks.

[Adam Carolla]

There's a part of it, right? But there's a part of it where you go, okay, that's kind of interesting. That's the music they play. This is their ceremony.

[Alicia Krause]

It's the melting pot of America, right?

[Adam Carolla]

And so Christmas comes but once a year. So shut the fuck up.

[Alicia Krause]

Except now it's early and earlier. I mean, I love me some Christmas, but it is, like, now we're getting decorations in September at Costco.

[Adam Carolla]

I would never. Here's my whole thing. I would never get involved with anyone's ritual and tell them to shut it down. I would just either participate or not participate.

[Alicia Krause]

I think the only time that you tell them to shut it down is if it's a ritual that's actually dehumanizing or physically harming somebody else. Like child marriage, for example.

[Adam Carolla]

Like a crop duster at the Albertsons. Well, here's what I'm saying. I will tell you a fine example of how all this works. I went, I don't know, Dawson. I'm gonna ask you. I went, and you can look it up. Cal State. Cal Berkeley. I went on their website once, and I looked under activities or student council activities or whatever, right? And it's like.

What is on the docket? What's coming up? What do they got? And they got. Well, they have an indigenous peoples Earth ceremony, you know, day of thing. And I was like, all right. Well, I wouldn't be interested in that. And then after that, they had some, you know, trans, whatever, lesbian, something, something event thing, gay pride, whatever. And I go, I wouldn't be interested in that. And after that, they had, you know, New Age music explained or something. And I was like, I wouldn't want to go to that. Okay. But then. Then Ben Shapiro shows up, and you have to shut it down. Now, my thing is, like, there's a bunch of stuff that I'M not interested in. So I'm not going to attend. But I imagine there is a group of people that would like to hear that person what the gay rabbi has to say.

[Alicia Krause]

You know what? I just had a Brian idea.

[Adam Carolla]

But I would never be so bold as to insert myself into this and try to shut it down. I'm just going, well, that's not for me. And by the way, when Charlie Kirk would come to town, or Ben Shapiro would come to town, or Dennis Prager, you can just think, that's not for me. And then stay the fuck home. But you can't because you're a narcissist.

[Alicia Krause]

I love it when I go to campuses and people that disagree with me come. Like, that's actually the reason why I go, because I want to engage with people on the other side. But I just had a really fun idea. You and I should go do a campus event together and see how many people we can piss off.

[Adam Carolla]

All right, I'll do it.

[Alicia Krause]

That'd be fun.

[Adam Carolla]

So sorry, do we have tape of spade or is that just a thing? And I don't know. Dawson. What? By the way, when you see the activities that go on, what they have planned, it's 100% shit. I disagree with. With. Once in a blue moon, someone I agree with shows up.

[Alicia Krause]

It is insane. Not even just the events that they have that are typically student sponsored or student group sponsored. They're not always, like, completely endorsed or supported by the school. But, like, what professors or classes are actually being taught.

[Adam Carolla]

Oh, I disagree with all that as well.

[Alicia Krause]

Like, it's insane.

[Adam Carolla]

All right, do you have.

[Ted Koppel]

Would you like to go through the joy and defiance of Marsha P. Johnson? All right, yeah, that sounds interesting. In defiance of artist, conversation with Zanab Saleh.

[Adam Carolla]

Okay, I probably wouldn't be interested in that.

[Ted Koppel]

Standing with students in Serbia, the promise of organizing in and beyond university.

[Adam Carolla]

Not a not interested.

[Alicia Krause]

Did I miss what's happening in Serbia?

[Adam Carolla]

You weren't standing with them.

[Ted Koppel]

Yeah. Can a liberal policy survive the politics of grievance?

[Adam Carolla]

I don't even know what that means.

[Ted Koppel]

Or we can go to a film screening. Oh, yeah, this one sounds good. Get your popcorn ready for the stranger within a woman.

[Adam Carolla]

That's me when I'm drunk. All right.

[Ted Koppel]

Yeah, no, it just goes on and on and on and on, but, you know. Yeah, yeah, Berkeley's the epicenter of.

[Adam Carolla]

I get it.

[Alicia Krause]

But it's a good place to drink.

[Ted Koppel]

When you're an underage kid and go see punk bands. But Jesus, man, there's.

[Adam Carolla]

There's plenty going on out there that I would not support and would not attend, but I would never dream of shutting it down.

[Alicia Krause]

That's what I'm protesting outside or anything.

[Ted Koppel]

Nothing, nothing got shut down when I was at the University of California, Davis or Santa Barbara. It was not a thing.

[Alicia Krause]

That was the good old days, though. Not anymore, man.

[Adam Carolla]

All right, Alicia Krause, we'll take a break. Sean Stone, filmmaker, in here. He's got his RFK legacy documentary. I'll talk to him right after this.

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[Ted Koppel]

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[Adam Carolla]

O'Reilly Auto Parts yeah, you know the jingle. These guys keep your car on the road so you don't end up stuck on the shoulder looking like a dope. Friendly, helpful service people who can, well, they actually know their stuff and they're not some young kid staring at his phone trying to get out of there. No, they like it. They like the business, they like the parts. They're enthusiasts. I've always used O'Reilly. I used them when I was young. I used them last time I went to Monterey to do a vintage race four months ago. So whether you're a gearhead or you don't know a lug nut from a donut, they'll walk you through it. No attitude, just real help. Stop by O'Reilly Auto Parts today or visit us at O'ReillyAuto.com Adam that's O'ReillyAuto.com Adam.

[Ted Koppel]

It's time for Nicaraguan Name that movie with Adam's buddy Oswaldo. See if you can guess which movie this famous line is from.

[Adam Carolla]

Back, I'm to the left. Back, I'm to the left.

[Ted Koppel]

If you said Oliver Stone's jfk, back.

[Alicia Krause]

And to the left.

Back and to.

[Adam Carolla]

The left, you're correct. Now back to the show. Sean Stone in studio. RFK Legacy is the name of the doc. It is available now on Amazon Prime, Apple tv, and the Angel Studios app as well. Good to see you again, Sean.

[Sean Stone]

Good to see you, Adam.

[Adam Carolla]

Yeah, the RFK thing is real interesting to me because I know Junior a little bit, and I'm always fascinated, whether it be him or Elon Musk. People that we hold up and adore and build up and then turn on and just go after. And, like, the two biggest heroes to the left were probably RFK Jr and Elon Musk. And that was 10 minutes ago. And then they went from these are the greatest heroes to not as sort of like, I don't know, not the biggest fan anymore. To literally physically attack, like, running for their lives.

[Sean Stone]

Yeah.

[Adam Carolla]

What is that?

[Sean Stone]

Well, Trump, to a certain extent, I don't want to say he was a hero of the Lizard.

[Adam Carolla]

No. But he would go on the View and they'd all kiss his Oprah.

[Sean Stone]

Everybody loved him. Right. So, yeah, there's definitely this. Wow, what is that?

[Adam Carolla]

You know what it feels to me?

[Sean Stone]

That's fascism is what I call it.

[Adam Carolla]

It feels feminine to me. It feels like a feminine trait. Nancy was my best friend, and then that bitch stabbed me in the back.

[Sean Stone]

There's an emotional. There's an emotional impulsiveness to it.

[Adam Carolla]

Right, right. Again, that feels feminine that males can participate in as well.

[Sean Stone]

They're trying to please their wife.

[Adam Carolla]

Right. But it feels significant. It feels like there's some estrogen in it to me, because you should be like, here's what you should be. You should be sort of agnostic. You should go like. Well, I used to like Elon, but then he started talking about stuff, and now I'm sort of lukewarm. But you shouldn't want him to die.

[Sean Stone]

Well. Well, you shouldn't want people to die. Generally, we're at a place now where it's like, you know, you bring up Charlie Kirk's assassination. It's like, ah, he was a bad guy. You know, it's like, okay, okay. So, yeah, I mean, with all these people, we've seen the shift. Elon was crazy because all he did was basically save X at that point that they started hating him.

[Adam Carolla]

Right.

[Sean Stone]

He wasn't even on Trump's, you know, bandwagon. At that point.

[Adam Carolla]

Yeah. And by the way, with all the money the government waste, wouldn't you say Doge would be a decent idea? If somebody. If. If AOC suggested Doge, I would stand up and applaud, and I would say I disagree with her on most subjects, but on this subject, I'm 100% with her. And if she's gonna push hard for saving the government some money and stopping all the waste, then you know what? I'll support her on this one.

[Sean Stone]

Well, look, Doge is a great idea. If AOC said it, I'd be suspicious of what she was doing.

[Adam Carolla]

Sure.

[Sean Stone]

Likewise. I think people had right to say, look, we want transparency when it comes to what Doge is doing. Remember when we hit that moment when Elon was even reposting people, saying, hey, why don't you go audit Fort Knox and audit the Pentagon? And all of a sudden, it was like crickets. We like the idea of going and finding out where the gold is at Fort Knox and auditing the Pentagon, but I don't remember anyone following through on those notions.

[Adam Carolla]

So you did. You know, it's interesting to me what people do and the relationships they have with their dads and their family. You know, there's a lot of rebellion, then there's a lot of pick up the torch and keep going. You feel like pick up the torch and keep going kind of, son. But you probably had some rebellious years as well.

[Sean Stone]

Total, total, total. Both.

[Adam Carolla]

I mean, and your dad seems like a wild guy to be a dad. Like, seems like a great guy to drink with. I don't know about being a dad.

[Sean Stone]

He was definitely. He didn't like kids, and he was pretty clear about that. He's like, you're not very interesting to me until I could have a conversation with you about history. Really, that was pretty much the way that I grew up, where he and I didn't really bond until we were traveling the world and he was taking me to, like, Africa and Tibet and places like this. And that was when we started to connect. And I made. My first film was called Fight Against Time. It was a documentary about the making of Alexander. And I was on set for that whole process. And so it was fun for me to actually see what he does every day. And we were very close. And then the following years, it was like he didn't like the fact that I think, whatever, I had my own life going, and I would challenge him on stuff, and sometimes we'd actually, you know, we. That challenge would lead to something great, like his untold History of the United States documentary series. I worked for a year in the editing room. I gave him some material, some books, because history was also my, you know, I was studying history at college and I loved it. So I think I helped to inform some of his ideas with that. But we would, we would clash a lot on things, you know, intellectually, until I think we got to a place where, you know, he accepts I am my own man, I'm going in my own direction. And that's why we're able to work together as we did on, you know, RFK Legacy where he's, you know, he loves, obviously RFK Senior and junior both. So it wasn't hard to get him on board for this one.

[Adam Carolla]

Yeah, there's a thing when you have a dad who's like a sort of high functioning, functional, sort of intellectuals, got a lot of thoughts and stuff like that, where you kind of become like WC Fields. Like you see an 8 year old going, hey dad. And you go, all right, what's this shit about a chat? What are you gonna talk about? Choo choo trains? I'm not interested in this shit. And someone goes, yeah, but it's your own son. And you go, I know, but we're still just talking about dinosaurs, aren't we? Like, I want something good, you know, and also you get used to, I mean, I can tell you if you get used to hanging around with like sort of world class thinkers and then the seven year old comes into the room, you're like, what are we talking about? Like, it's boring.

[Sean Stone]

Exactly. It's like, no, we're not going to sit here and watch Beauty and the Beast with you. Although I give him credit, that was the one Disney film I think he actually did see.

[Adam Carolla]

Yeah, well, Dora the Explorer, you end up watching this stuff and you're like, can I get the fuck out of here and talk to someone who knows what's going on? Yeah, so I sort of get it. But you would hope that some sort of paternal instinct would kick in and he would get down and find pleasure in talking to a seven year old, even if he was just intellectual.

[Sean Stone]

My dad was. So we played, I remember there was a funny example, we played, not flag football, you know, touch football once, you know, with a group of friends of mine. And I was on my dad's team and he kept yelling at me and this and that, and I was yelling back at him and finally he's like, I'm trading you to the team.

[Adam Carolla]

Really?

[Sean Stone]

And so he traded me to the team. But I caught the game winning touchdown in that game, so I felt vindicated.

[Adam Carolla]

So, I mean, your dad is. I would just, I don't know him. I'm a fan of his. I appreciate his work at movies. Some of the, you know, I would definitely look forward, I would say.

[Sean Stone]

That.

[Adam Carolla]

Oliver Stone movies I looked forward to in a way where I sort of look forward to a Quentin Tarantino movie coming out. Whereas there are other skilled filmmakers and very good filmmakers. You go, oh, I'll check that out. But it's not like, oh, this guy's come out with a film, I want to check it out. And your dad was, you know, I get Scorsese guys like that, where you just go, I'm in. What's next? I'll watch it. I'm excited that this thing's coming out. Your dad's in that pantheon of probably like five guys who.

[Sean Stone]

Real auteurs right from that era.

[Adam Carolla]

Yeah, There was just more like, I'm gonna watch the Doors and I'm gonna walk out of this place feeling weird or different and I'll think about it for a while. And I did. I just remember being inspired to read the book after seeing the movie. A lot of people read the book, see the movie. I was like, I saw the movie and I was like, I'm reading this book.

But I could also see where your dad would be just a handful, probably to be married to, to have as a father just to kick around the house with. But that's, that's the genius part, right?

[Sean Stone]

Definitely, definitely. I mean, I always say, like, I don't remember much of my father in the first 10 years because really it was, it was just like being on sets with him. So we, you know, we'd be in, okay, now we're in the Philippines, you know, and then we're. Now we're in New York and now we're in Dallas and you know, now we're in. Okay, I'm at school, going to school. Okay. But now we're flying off to Thailand for, you know, for a couple months. And that was kind of how life was in those 10 years because he was making a film a year. So you know how much work that entails, especially when you're writing. Cause he was co writing, directing, and then he'd be in the post production, he'd be posting one, always prepping the next one, traveling, scouting. So I didn't see much of him. In a way, it was just like a whirlwind.

[Adam Carolla]

I think his instincts were right to bring you to the set and expose you to the thing versus sit in the classroom and life experience.

[Sean Stone]

Which makes it hard when all of a sudden you're in high school and you're like, I'm bored with high school, with teenagers. This is not where I want to be. I want to be talking to people out there, living in the world, working in the world. My exposure level was crazy. Especially by the time of college. It was like, that's why I went to work on Alexander, shooting behind the scenes. I dropped out from a semester of college. Well, I had enough credit so I could do it. So I didn't want to be there. I just didn't want to sit around talking to 19 year olds who were debating what's the cause of terrorism. I'm like, have you guys even traveled outside of the country? Do you even know what you're talking about or are you just reading some textbook?

[Adam Carolla]

Yeah. So you were dealt an interesting hand. Some of it bad, but lots of it opportunity. I just grew up with boring poor people in North Hollywood, and I just sat in North Hollywood my entire life. There's nowhere to go. There's no airplanes to Cairo.

[Ted Koppel]

There was just.

[Adam Carolla]

Just sat there. You had to kind of come up with your own. You had to entertain yourself. But also, I could see where your dad would be a handful as well. And there's like, stuff that goes along with that, like getting traded from the touch football team.

[Sean Stone]

It was fun because, you know, ultimately it all comes around, right? I mean, you know, we got it, we need it, we need criticism. You know, it's healthy. You can't be, you know, in my case, I probably would have been, you know, too sheltered if I didn't have a father who was, as, you know, in some ways authoritarian, you know, in some ways, you know, tyrannical. And anyone that worked with him as an actor can say that. I mean, he had famous clashes with Val Kilmer, and Val was so funny, you know, he would tell me, because they, they reconciled on the Doors. They had. You mentioned the Doors. So I was thinking about, you know, they had.

[Adam Carolla]

Val should have got an Academy Award for that.

[Sean Stone]

He was incredible. But they had a contentious, you know, relationship during that shoot. And Val was a bit of a prima donna at that point. And. And then, you know, years later, they reconciled on Alexander, and Val was much, I don't know, he seemed softer, sweeter, and he was like, you know, the Doors. I swear, I thought your dad was going to punch me.

[Adam Carolla]

Oh, yeah.

[Sean Stone]

One day. Just, you know, he was free. He was my dad and he were so intense. And they clashed in such a energetic way. I think it was that you feel that energy come through in the film.

[Adam Carolla]

One of my all time favorites. And.

Again.

It was a good story and Val Kilmer was amazing as Jim Morrison. But it also, you felt a little high watching that movie. And look, if you can go and see a movie and then go home and then kind of wake up the next morning and be thinking about it, that's a good sign. Like the movie's done its job and there are plenty of movies that are fine, but you wake up the next morning, you're kind of done thinking about him.

[Sean Stone]

I think that's, you know, that's the way that I was raised, at least, was that it was immersive. Right. And, you know, I talk about this all the time with people. We're not, we're not in a film culture anymore. When we grew up, you know, it was first of all the 80s into like the early 90s. I think this is still like the best time when it came to music and movies and we had all the, you know, the great franchises launching then and. But, you know, you, it wasn't a phenomenon when you went, you saw a trailer, you're like, I can't wait to see that movie. Right? And then it would come out and then people would talk about it and they would go to the theater because it would play for two, three months, sometimes, you know, four months. If it was great, it would last longer and then it would be the blockbuster and, you know, you'd want to go, you know, watch the blockbuster again. And there was such a, you know, it was such an excitement around these things. And so films, you know, you would talk about them, you would think about them if they challenge you. Now it's like it goes in one ear, out the other.

[Adam Carolla]

There's so much content and they're too. So much content, so accessible. It's on the phone. I'm not going to the theater. I'll watch it when they stream it, you know, know, I'll pause it every 10 minutes. Get up.

[Sean Stone]

Well, a lot of them aren't worth. A lot of them aren't worth going to the theater, to be honest.

[Adam Carolla]

Yeah. I'm saying there's definitely movies that should be seen in the theater.

[Sean Stone]

Definitely.

[Adam Carolla]

And I would say you'll get more out of most of them. But so rfk, I'm very interested in this story. I know Junior.

I know the story, but it's not. I think, I think the story's different than what people think. Like who assassinated rfk?

[Sean Stone]

Yeah, Christ, who killed him? I mean, that's really like jumping to like the million dollar question, right? It's always this question, even with jfk, to this day, you know, who killed jfk? Because all we, you know, is unless we're involved in the event, unless we really have whistleblowers that come out and testify with jfk, I guess Howard Hunt did give a deathbed confession, which a lot of people don't just ignore right through his son talking about the operation and he goes into some detail about who he thinks was coordinating that event. It was a CIA guy that, you know, that he'd worked with. And so with rfk, we focus on the evidence that we can prove, which is the forensics. This is always like, to me, it's the go to for any event, right? It's like, what's the forensics tell you? And so in RFK assassination, when the forensics say RFK got shot three, four times from the rear and the one that killed the bolt that killed him was about an inch to maximum, 3 inches from the back of his head. And Sirhan Sirhan is never more closer than three feet, some people say about, you know, five to six feet away. There's no way that he pulled that shot off.

[Adam Carolla]

Right. Because that was like a point blank pistol, 2, 3 inches from the back of the head kind of shot. And look, okay, I was not down with most conspiracy theories in general most all the time. And then Covid kind of came along and then CDC and Wuhan Fauci and all this kind of stuff. And then I started getting, and then I started thinking, then the kind of deep state started coming into focus a little like, well, there's a whole bunch of folks in Washington who have an agenda and they mostly, it seems, have a business as usual agenda. And if you're going to get in and sort of disrupt that, then you may find a target on your back. And this thing where first off the people, where they go, you really think so and so's capable of, or the CIA is capable of, or the FBI's capable of, it's like, oh sure, I've now seen they can do just about anything they want and will do just about anything they want and they'll sacrifice and you'll cooperate. Anybody.

[Sean Stone]

Yeah, that's what we learned, right people.

[Adam Carolla]

You are part of.

[Sean Stone]

I mean, we are part of the conspiracy because how many neighbors and family and friends we're like, you know, basically turning on each other. So that shows you how this works.

[Adam Carolla]

Well, it'll be the sort of deep state, which is, I don't know, let's just say look within.

When there's an organization.

When we did the man show, we had 80 people in the building, but there was really only two or three of us that really ran everything. The rest of the people just did what we told them to do. That's why they were there. Yeah. So you can go. You really think there was a deep state? It's like there's always a couple of people at the top that are sort of of calling the shots, and the rest are kind of foot soldiers. They do what they're told to do. And then the media. And this is the part that gets tricky. It's when the media starts doing what they're told to do as well. That's when it gets a little dicey, because, like, wait a minute. You guys are supposed to be uncovering, calling out and blowing the lid off of what those guys are doing. You're not supposed to be foot soldiers or enabling them to do what they do because they can't do it without the media. And so the media jumps in and for some reason either becomes useful idiots or they're on the payroll with big Pharma or whatever it is. And now you have them. And then they talk to the media, and then the media gets hold of the moms. It's not you, and it's not your dad, and it's not me. They get hold of the housewives, and they start talking about danger, danger, fear and danger and fear and danger and death. And then they start talking about how you can avoid death and danger and fear. And then they start selling it to them. Then the women become sort of the whole monitors and the gatekeepers. They go, here's protocol. Here's what we're doing with COVID Here's our protocol at this house. And then you go, I've been at work all day. What'd you learn? I learned from CNN that you need to take your fucking shoes off before you come into this thing and spray. And I'm going to spray it with Lysol. And whatever you just ordered from Pizza Hut's gotta sit on the porch for a week until the microbes die and we need to wipe everything down with Lysol. That's what I learned while you were gone. While you're at work, I learned this shit. And then they've been weaponized, and now they're gonna do all the enforcing. They'll be in charge. Look, you can shut the schools down, but if all the moms are outraged and take to the streets. Then you have to open the schools up. Yeah, but the moms weren't outraged because you captured them. Them. Yes, that's what happened.

[Sean Stone]

Yeah, that was certainly an aspect, but it doesn't account for then the people that were sitting at home not able to go to work. Right. So that was when they also woke up. Because there was, we did see that shift. I felt like out of Shadows came out, which was a very good documentary on the, the pedophilia issue. Right. And the human trafficking. The pandemic film part one and then two came out and both of those were like people sitting at home going, huh, I don't know. There's something that seems off a little bit. You know, they started to question after like two weeks to flatten the curve. Okay. Then you start to see the data comes out and the data shows, well, people over 70 are most susceptible, you know, to death and they have two or three comorbidities. So why are you locking everyone else down who's young and healthy? And maybe the kids aren't really, you know, in danger and young people aren't really in danger. So maybe something else is going on. And I think that was the catalyst that we saw, frankly. Look, it was crazy. During COVID I was, I go across the country and I traveled. I'd go to, you know like Sioux Falls, South Dakota and it was just, life was normal. People were out eating food, hanging out, going to party, going to bars.

[Adam Carolla]

Yeah.

[Sean Stone]

You know, and then you go to LA and it's like you can't even go to the beach. You can't go to the park. You know, it was wild to see the contrast.

[Adam Carolla]

Right. Well, Disneyland was closed and California and Disney World was open in Florida. And I was like, what kind of disease do they have that we don't have? Or vice versa or what is it? And that's us. And that's self imposed. Now I do find it rich that these same people are now calling Trump a dictator. Because you're the ones who just closed my kids school for two years and ordered me to stay home. My house.

[Sean Stone]

Well, that's what irritated me as I saw this movie anniversary. It just came out and it's the libtard version of reality. See, the liberals are still waiting for a communist fascist type of big Brother to come in with the armbands and say, let me check how many people are in your house. That's not how it's done now. It's all surveillance culture. It's what we saw during COVID it's basically people reporting on their neighbors. You got more than six people in your house. You can't. You're basically. You're gonna wear a mask, you're gonna have your vaccine passport. Otherwise, you can't travel, you can't be part of normal society. As Noam Chomsky put it, you're now outside of society. Oh, you've decided we're outside of society. Well, great. We'll create our own society then.

[Adam Carolla]

Yeah. And the ladies from the View will enforce it. And whoever liberal members of the Supreme Court will fight for it. And yes, it's not going to be a sort of Netflix version of that. It's gonna be a quieter, more subversive version of it. And by the way, it has to be. Otherwise it's not gonna work. If you show up in uniforms that remind us.

[Sean Stone]

Jack Boots.

[Adam Carolla]

Right, right. If you show up. Oh, God, who did the Nazi uniforms?

[Sean Stone]

Boss.

[Adam Carolla]

Hugo Boss. Hugo Boss, yeah. If you show up in Hugo Boss costumes, then we will not. We will know what's going on. But if the housewives, and they do it subversively and they sort of slide in there, and it's the late night show hosts, and it's the ladies from the View and it's the neighbors, I mean, everybody who told me to put a mask on wasn't in a uniform. It was 100% people walking on horse trails just telling me to put my mask on. There were folks who worked in kiosks at places they're behind the counter. They were walking through the airport. They'd taken their foot soldiers, poison their brain, weaponize them, and then put them out because there's not enough of them to enforce this. But once they get all the housewives, they'll be the battalion leaders.

[Sean Stone]

That's right. I mean, I remember I hated wearing the mask.

[Adam Carolla]

Simply safe. Yeah. I hit that point where I realized my security system was just a deadbolt and a little bit of wishful thinking. And then I went with Simplisafe. I love Simplisafe. They are proactive. What does that mean? Well, traditional systems react after a break in. Simplisafe can help stop a crime before it starts. Simplisafe keeps your home safe with a double layer of defense. First, AI cameras detect potential threats, and then live agents confront them while they're still outside, not inside your home. That's why I trust Simplisafe with my place, protecting the studio gear, the front door, the driveway, all that stuff I actually care about. Because real security Stops crime before it starts. Am I right, Dawson?

[Ted Koppel]

Right now is such a good time to get Simplisafe. This month only get 50% off any new system. Go to simplisafe.com Adam again simplisafe.com Adam. There's no safe like Simplisafe.

[Adam Carolla]

Stream Pluto TV Stream Pluto TV streaming Pluto TV for free. Stream blockbuster hits like 21 Jump Street Ted, the Expendables and so much more on Pluto TV. Stream now may never.

[Sean Stone]

I mean, I moved to Florida in 21 because of a lot of this stuff. Right. But I would wear the face shield because at least you can see my face. I think it's very human to be able to see people's faces. I think it's dehumanizing. That was part of the operation, was to dehumanize us. We can't see faces. So I put a face shield on. Most places were cool. They didn't bother me. But Erewhon, Erwan, the liberal nexus of la, right? Where they upcharge everything.

[Adam Carolla]

Yeah.

[Sean Stone]

And I mean, looks power to them for what they're doing, but it's really obnoxious. And so they would harass. You know, you can't wear a face shield. Why not? Well, you have to wear a face mask. I'm like, it's covering my face. What's the difference, Right? Well, no, that's the policy.

[Adam Carolla]

Yeah.

[Sean Stone]

So they literally kicked me out and was like, all right.

[Adam Carolla]

No, it is. You know, I would do this joke, but it's very true. Which is I go, I flew a lot during COVID and it varied a lot depending on the flight crew and where they were based out of. And I said, if you had a flight crew that was based out of Houston, it'd just be some 61 year old woman going, listen, wear the mask, don't wear the mask. I'm sitting in this jump seat and smoke.

[Sean Stone]

That's awesome.

[Adam Carolla]

You're just hang out, do whatever you want. But the worst seven words you could hear while flying commercially during COVID was on behalf of your Seattle based flight cre. And that meant you were fucked this whole flight. This chick's gonna be up your ass the entire flight. Right? And so I had a friend who lived on the west side and it lived in. You know, he lived in Venice and liked to jog. And he's like, I can't make it 10ft without someone telling me to put a mask on who's just walking their dog. Cause that's the neighborhood he lived in with all the fucking Karens right next to the Erwan and the Whole Foods, right? Yes. But if you lived out in Pacoima or Simi Valley or something, you could jog without a mask. So it was like, who's doing the enforcement here? Cause it's not like a cop ever told him to put the mask on.

[Sean Stone]

Of course, of course. In the Plains, the secret I found was I got a big bag of popcorn.

[Adam Carolla]

Really?

[Sean Stone]

I just sit there. Eventually the stewardess came over. She said. I said, I know what you're doing.

[Adam Carolla]

Oh, do you have Russ Simmons, Dawson, can we find from so God? Okay, hold on. Russ Simmons, who gave the speech on the super bowl from Sofi Stadium. That guy. Which was great. This world class douche was explaining that you could go to the super bowl at Sofi Stadium and you could eat popcorn, but you couldn't milk it. Like, we're onto you. So you could take your mask off. You know, the thing that was funny is they sold pillowcase size portions of popcorn at the stadium. So I'm like, if you don't want people to do this, don't sell them 40 pounds of popcorn if you don't want them to do it. But they wanted the concessions, right? They wouldn't turn their back on the concessions. So they sold the popcorn. And then he admonished anybody, they're onto you if you're gonna fake it.

[Sean Stone]

You know, we got kicked out of a hotel in Boulder, Colorado.

[Adam Carolla]

Really? Boulder. Perfect. Boulder, right?

[Sean Stone]

Granola. Granola. So get this, get this. I was doing Gaia at the time. I had an interview. So they flew me in for like a couple nights. And my then girlfriend had one of the face shields, but a half face shield. Right. So she didn't even have the full.

[Adam Carolla]

Face shield, like a hockey helmet.

[Sean Stone]

She had the one that went to right there. And the funny thing was, you walk into this hotel and it's like the priciest hotel in Boulder. And everyone in the lobby is just sitting there, no masks, having conversation. They're supposed to be drinking, but no one is bothering them. So we're walking through the lobby, we're noticing this. Okay, this is interesting. So you can sit here, no one bothers you. So we're walking through somewhere and she's eating something. And the security guard, where's your mask? And she's like, I'm eating something. No, put your mask on. Because we're walking through the hotel. Yeah.

[Adam Carolla]

Can't be moving.

[Sean Stone]

And so she's already got it in for her, right? So we go out. He's still harassing Her. Every time we walk through, he's like, where's your mask? Ah, you know, I've got my shield. You know, These people over there, they're sitting here, they're hanging out. Well, they're sitting.

[Adam Carolla]

Yeah, they're sitting.

[Sean Stone]

Okay, okay, okay, fine. So we walk out. So at 12 o' clock at night, there's no one in the hotel. We're walking back in. The security guard, I swear to God, I don't know where he pops out from. He literally was just waiting for us, right? Nobody in the hotel. We're walking to the elevator. He jumps out. Where's your mask? To my girlfriend. Ah, you know, okay, you know, you leave me alone. We're just. There's no one even here. Like, what's your problem? You know, you're the only person that's gonna catch COVID And he's talking to her. His mask's falling off. So I'm looking at him going, you know, I can see your nose now.

[Adam Carolla]

I can see your nostrils.

[Sean Stone]

And then he's really pissed and he's.

[Adam Carolla]

Like, you guys are out of here.

[Sean Stone]

Like, oh, yeah, sure, sure, sure. I go up to the hotel room. Twenty minutes later, the police are knocking on the door.

[Adam Carolla]

Police.

[Sean Stone]

The police.

[Adam Carolla]

Boulder police.

[Sean Stone]

Boulder police. You have to vacate.

[Adam Carolla]

You know what it did? It gave people permission to be them at their worst. Yes. Like, whatever. The better angels are, this is the better devils. That and narcissism. That was like locked inside of everybody, and it let it just come out in full effect. This is this douchebag Russ Simmons, I think it is. Who runs? So that's Russ. No, Russ is this.

[Sean Stone]

Nowadays, you never can tell, right?

[Adam Carolla]

Russ runs. Sofi. And he was giving everyone a speech on safety for the Super Bowl. And it's great. It's a perfect timestamp of where we're at. Here we go. The protocols include a mandatory mask requirement in the stadium for everyone two and years of older, regardless.

Two years a mask. You're going to see the super bowl with your two year old. Gotta wear a mask the whole time, okay? It never hurt 2 year olds, it never hurt kids, it never hurt healthy people, never hurt young people. But they never wanted to let you know about the ages because that's how they scare the moms. You have to include the 2 year olds to scare the moms. And the moms will do the enforcement. This douche is not wearing a mask while he's giving a speech. So everybody wore the mask, and then when you stepped up to the microphone, you took the mask off and then you bloviated.

[Sean Stone]

Yes, exactly.

[Adam Carolla]

All right, here he is. Sorry.

Required to wear a face covering in the stadium in the tailgate areas, except while actively eating and drinking. And that doesn't mean buy a bucket of popcorn and eat it for two hours. Actively eating and drinking. We are on to you, you. What a douche. All right. What a colossal douche rush Russ Simmons is. What a Simons. Russ Simons. Russ Simons. Russ Simons. Colossal douche. Don't sell the popcorn then, douche. By the way, popcorn. They sell popcorn in a movie because the movies are two hours long. You eat while you're watching. They put it in a tub. The size of the popcorn at SOFI Stadium is a huge hat worth of popcorn. And then you put it in your lap and then you eat it throughout the event.

[Sean Stone]

Yeah, this was mind control. This was a massive mind control operation. You see, because everyone was exposed to Covid. I mean, I never got Covid symptoms, but I know I was exposed to it. Sure, we were all exposed to it. And the mask wasn't gonna stop the exposure, as we know, because it's.

[Adam Carolla]

Well, especially if the mask is off to eat the popcorn, but it's not gonna stop it anyway.

[Sean Stone]

But I'm saying that's part of it. But a mask doesn't stop a microbe the size of a virus. Right. It's like they say, like it's a mosquito going through a. What is it, a chain link fence? You know, it's. Right. You cannot police the passing of a virus that small. So really, we were all going to be exposed to it. We knew we were all going to be exposed to it. What should have been, the approach should have been, hey, how do we mitigate symptoms? How do we get you guys more vitamin D, vitamin C, sunshine, things that actually help you.

[Adam Carolla]

Walking on the beach, paddleboarding.

[Sean Stone]

Yeah. And then instead, they had enforcers here in LA ticketing you for not wearing a mask if you went for a hike.

[Adam Carolla]

Yeah.

All right, so what was their master plan here? And then also, why didn't more citizens have the ability to suss it out? Because I sussed it out early and went, this is bullshit. I'm not doing any of this. And then everyone turned on me.

[Sean Stone]

Yeah, well, you know, look, you're in the media capital. This is brainwashing central here. Because this LA does not have much of an intellectual culture. They have a pop culture.

[Adam Carolla]

Right.

[Sean Stone]

So LA very much is like, if you, you know, if you're talking the CNN, the View kind of reality, LA sucks that in because no one wants to dissent from the controllers. You don't want to be the guy out there going, yeah, you know, I'm a MAGA guy. When, you know, everyone in the agency basically is, you know, gonna be more Democrat.

[Adam Carolla]

Well, Louisiana's one big popularity contest too. Like, you're not getting cast in a movie ever. If you show up with a MAGA hat on, it's not gonna happen.

[Sean Stone]

Right, right. So you're talking that culture in particular, but, you know, driving across even the state, like you said, you go to oc, people were chill. I remember they're getting in fights. Somebody wasn't wearing a mask. Some crazy lady was trying to like fight them for not wearing a mask. I mean, you saw the divisiveness. So I don't know that it was. I don't think that they got as many people as they said they got. The main point to me was this. It was a mind control operation to put us in enough fear to get people to line up, to go to Dodger Stadium or get a free donut, to get an experimental shot, an mRNA technology which they couldn't pass. Fauci tried for 10 plus years to get the mRNA shots in, you know, to deal with like HIV, for example, and they couldn't get the FDA approval because, you know, not the FDA is good. I mean, the FDA has done a lot of shady stuff. Right. We saw Dopesick where they, you know, they basically were letting everyone have. What was it? The. What was that drug that. The painkiller that. That is highly addictive.

[Adam Carolla]

OxyContin.

[Sean Stone]

The OxyContin, exactly. Without the warning on it. So, I mean, we know FDA was corrupt at that point, but the point was, even fda, as corrupt as it was, couldn't approve the MRNA technology. So they had to bypass all that by creating an emergency of such, you know, again, such fear based emergency. Not from a death perspective, although a lot of people ultimately died with COVID you know, because everyone that got shot, shot with a shotgun or a motorcycle accident or whatever was listed as Covid. I mean, they even said, if you're terminally ill and you have Covid, we'll list you as Covid. Great. That really makes sense. So it was a fear operation, I believe, to create this condition that people literally would line up to take an experimental shot.

[Adam Carolla]

Yeah, I'm just, you know, there's a couple of questions for me. It's a sad and scary how fast the populace will support it and go along and police it. It's fast. It Took them two shakes of a lamb's tail to all get on board.

[Sean Stone]

Took it like a month.

[Adam Carolla]

No one was asking questions, people were cheering, people getting fired and whatever from their jobs. It was so easy, so fast, so political, so easy, which is scary. Also all the politicians, teachers unions, just all of them just, just lining up and diving on board. How fast it was easy to turn all of the tech bros and.

All the Internet on.

[Sean Stone]

How about the yogis? How about the yogis? How about the ladies that were out there going, I never vaccinated my child. I'm team Pfizer now.

[Adam Carolla]

Right, right, right. And all the late night guys and all the ladies from the View and just everyone got turned immediately and then started attacking everybody who had an alternative viewpoint, whose alternative viewpoint was essentially, wait a minute, why don't we slow down and figure out what we're doing here and what the long term ramifications are of what we're doing versus shame. Ring the bell, go after that guy. A lot of people should be really ashamed of themselves. I'm not talking about Executives First, Pfizer or Uptown. They knew what they were doing. And I'm not talking about Fauci. He knew what he was doing. I'm not talking about Rochelle Walensky at the cdc. She knew what she was doing. I'm talking about common citizens. You guys should evaluate, you should reevaluate.

[Sean Stone]

You can't get them to think, though. You can't get them to reflect. That requires self reflection to say, hey, maybe I overreacted, maybe I.

[Adam Carolla]

A little audit of your actions would be nice about now.

[Sean Stone]

And you know, good luck getting people to actually have that consideration for how they, how they created the conditions for this to occur. And I'm telling you, a lot of people are still. Listen, I was going to, I was trying to sign up for some like, little volunteer work in Venice. They literally said, you got to have Covid. Your Covid boosters shot. I don't know, what do you call it? Card or whatever. Like update. Up to date. Up to date. People are still doing this. They're still doing it.

[Adam Carolla]

When will they ever learn? As the old folk song would go. All right, so the doc, which is very well made, is out. It's available on Amazon Prime, Apple tv. Angel as well. I've done some stuff with Angel Dry bar, that kind of stuff. Good crew, good people. Salt of the lake of the earth, I would call them.

And what do you got? And for you, Is it more docs? Is it features?

[Sean Stone]

It's whatever God gives Me to do as. You know, this is a very. It's very difficult to make features in the sense of getting the financing and the talent, you know, to actually make an impact. So, you know, we just. We go forth. I have a lot of scripts that I've written that I think are, you know, I would love to see made, but it's beyond my power, I'll tell you that much. This project was short in comparison to some of the documentaries and films that I've done over the years. It came together because RFK Jr. Was running for president. And I said, well, there's a great parallel between him carrying on the legacy of his father, who died while he was running for president. And obviously, RFK Jr. Didn't continue the presidency. He stepped down. But I kind of saw that coming anyway. I was like, he's not going to win, but he's doing something that's changing the narrative and that's important. So I felt like this documentary was bigger than his campaign. It was about, again, this legacy of fighting the establishment that I believe his uncle JFK was doing, his father was doing, and he's obviously done and continues to do. So. I wanted to do something that would last beyond RFK Jr. S campaign. And I hope, you know, I continue to see him as being an important figure going forth, you know, even beyond these next years. You know, if he stays in the. Hopefully he stays at the hhs, they don't sack him and, you know, get rid of him, which obviously, you know, the deep state the big pharma guys would love to see happen. Every time he does something like he. They get rid of Hip B from the, you know, day one of a child's birth, and it's like, oh, this is an atrocity, you monsters. Like, I didn't have that day one. I think most of us living never had that day one, guys, so I think the kids will be okay.

[Adam Carolla]

Also. We're done listening to any of the. Of the Doom and the Gloom and the Chicken Littles out there who explain. Here's what's gonna happen if you move the embassy from Tel Aviv to Jerusalem. The Middle east is gonna burn. It's gonna burn. It's like, yeah, okay, right, so we're done listening. Sorry. All right, get your dad in here. I'd love to talk to that guy.

[Sean Stone]

That'd be fun. That'd be fun. We should do something together. Then he can tell his side.

[Adam Carolla]

No, let him tell his side of what happened on the game. RFK Legacy is the name, and I recommend it. Highly. You can go to AdamKroll.com for all the live shows. I'm gonna be in Fort Lauderdale. That'll be tonight at the Improv and then Friday, Saturday at Miami Improv and then back to Fort Lauderdale and Sagebrush Cantina. That'll be with a good friend, Brad Williams. Skyimcroll.com for all that. Until next time, Adam Crowfish, Sean Stone and Alicia Crouse. Sarah Man Mahala, Pick up your phone.

[Ted Koppel]

And leave us a voicemail. The number is 888-634-1744. And be sure and get tickets to see the Adam Corolla show Christmas Party in Calabasas at the Sage brush Cantina on December 18 with special guest Brad Williams. Tickets for that and more@adam corolla.com.

[Adam Carolla]

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